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burnsopale · 10 months

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Childermass & Segundus - it sounds very well

So one day the York Society of Magicians receives a new member, and Childermass is like okay, no big deal, those guys never do anything interesting anyway.

But then, right, then the new guy and one of the old guys writes to Mr Norrell and asks if they may have the pleasure of waiting on him sometime, and Mr Norrell is like "No" but Childermass is like "Actually yes" because he's intrigued, or because the cards have told him something is about to happen, or because Mr Norrell is years overdue to go to London and revive English magic and Childermass figures this might jostle him into doing something. We don't know what exactly happened, but it seems likely that it was Childermass who made the visit possible, because the idea of Mr Norrell ever wanting visitors is impossible to accept.

So these two theoretical magicians come to Hurtfew Abbey, and Childermass is in the library waiting for the visit to end and Norrell to show up and tell him what the men wanted, but instead, when the door opens, there they are, the visitors, having been invited to see the library and what the fuck did they say to old Gilbert to make that happen?? Not that it matters, they're not gonna remember anything by the time they get home, the enchantments will see to that.

Mr Norrell introduces Childermass, and the new guy gives him a look like Childermass facinates him, but Childermass is used to that. He figures he'll just hang out until they leave.

Except the new guy, who is a dark, timid-looking little man named John Segundus, keeps looking around like he can sense the spells lighting the room, keeps looking out the window like he's not happy with the orientation of the walls, keeps blinking like the magic is making him a little dizzy. John Segundus is clearly magic sensitive. No one in the York Society is magic sensitive, Childermass knows that for a fact. This is suddenly intriguing.

So Childermass ends up keeping half an eye on Mr Segundus as he explores, until Mr Segundus notices, sensitive as he is, and their eyes meet. Childermass reads longing, need, delight and confusion on the man's face, but Childermass is without pity; by the time Mr Segundus gets home, he won't remember what he's seen. It doesn't matter; no one in the York Society ever did anything interesting anyway.

But then later, the letter from Dr Foxcastle comes, and Mr Norrell is Upset and Offended, and Childermass realises that the Revival is about to start at last. And because Mr Norrell is fearful and Childermass is pitiless, they send a lawyer with their demands.

Mr Robinson the lawyer returns to Hurtfew a little perplexed. Oh yes, they all signed, just like you said they would, every one of them ... except ... except one. Childermass is a little surprised to discover that the timid little man had a spine after all. Mr Norrell wants Mr Robinson to go back and demand the last signature, but Childermass says "Wait". And at this point, we do not know what he is thinking. Perhaps he simply thinks that they will need someone to write to London once the miracle has been done, and Mr Segundus is more likely to be amiable if he has not just been deprived of his calling. But then, Mr Honeyfoot, the other visitor, would definitely be happy to write, even though he WILL be deprived of that same calling. Perhaps, Childermass thinks that this is a strangely fateful twist, that the one member of the York Society who has an actual talent for magic is the one person who refused to give it up. Maybe he remembers a time when he himself was full of longing for magic, when he could sense it all around him but was unable to grasp it, when he too would get dizzy in Mr Norrell's library. He may not feel pity, but he can be intrigued. He convinces Mr Norrell to let Mr Segundus be.

Childermass laughs inside when John Segundus doesn't recognise him outside the cathedral, but then startles when the man almost recalls after all. He is not supposed to be able to break the enchantment. Thankfully, the moment passes, and after the magic is done, Mr Segundus turns out to be exactly as easy to manipulate as Childermass thought he would be. The polite ones are easy, especially when they are full of need and longing, and keep looking at Childermass like he has the answers they are searching for. Maybe Childermass uses a little bit of magic to persuade the man to write to London, or maybe he just smiles, and waits, and lets John Segundus come to him of his own accord.

Childermass returns to Hurtfew Abbey and says to his master "Go to London. Go now." and because Childermass knows about these things, they go.

And nine years pass in London.

But occasionally during those nine years, Childermass turns his attention to York, to see what timid little John Segundus is up to. Mostly it's not much.

Until Jonathan Strange happens. That he happens at all is rather extraordinary, but how interesting that he should come to seek Mr Norrell on the advice of John Segundus? For sure there are many people with an affinity for magic in England, but how many of them are magicians? Too few, thinks Childermass. How likely is it that two of them should meet at random? He wonders if this is another fated twist.

So he continues to keep half an eye on York, just in case Mr Segundus should discover how to actually grasp the magic that surrounds him. But when Strange returns from the war in Spain, his conversation tells Childermass that even with the learning, even with actual spells to hand, their timid little man in York cannot make the magic work.

John Segundus begins taking on pupils. Childermass keeps it from Mr Norrell. Childermass has been the instrument of many a theoretical magician's destruction, Childermass reads the hearts of men and feels no pity for them, and yet Childermass keeps John Segundus hidden from Mr Norrell. Maybe, just maybe, John Childermass is beginning to feel a little bit of pity after all. He was once the one longing to master the powers that often overpowered him. He too loves magic so much, enough to endure servitude and secrecy to be near it.

But then John Segundus wants to start a school. Well, if he is going to be that silly, then Childermass cannot help him. Mr Norrell finds out, Mr Norrell panics, and he dispatches Childermass to York to put a stop to this evil plan. Business as usual in other words.

Childermass sits quite comfortably on the steps of Starecross when John Segundus comes home. Childermass delivers his message.

"You know me, Sir," he says, completely forgetting that while he has always had half an eye on John Segundus, John Segundus has not seen Childermass for nine years. Maybe, just maybe, Childermass is a little embarrassed at his mistake. But the errand is completed, and Mr Segundus is easy to manipulate, because he is so very gentle and polite.

Childermass may or may not have noticed that he has been manipulated in turn, because he, who has no pity for any man, lets Mr Segundus know that he regrets that the school cannot be, and he is willing to do what he can to keep Mr Segundus' dream from failing entirely. Although of course, he knows that a regular school is not at all the same as a school of magic.

Childermass knows what it's like to long, but he has found, if not the answers to his questions, then at least the tools by which to hunt them down. He can do the magic.

Then Mr Strange and Mr Norrell quarrel.

And then Lady Pole tries to shoot Mr Norrel. The lady walks with one foot in Faerie and one in London, and for a while, so does Childermass. Something is not right with the lady, but Mr Norrell won't tell him what magic he employed to bring her back from the dead. She'll be sent away somewhere where Childermass will have no chance to discover the truth. Unless of course he decides where she goes. Perhaps for instance to one whom Childermass knows will feel the Faerie winds blowing about the lady, someone who will be able to carry on the search for the truth, whether he knows that he's doing Childermass' work or not. Mr Segundus is easy to manipulate.

Childermass recommends to Sir Walter that he send his wife to Starecross in Yorkshire. How fortuitous that the master of that hall has just decided to open a madhouse there. Surely the visions that gave him the idea were entirely coincidental.

Mr Norrell and Childermass quarrel.

Jonathan Strange Returns magic to England. The Raven King returns to England and rewrites his book.

Mr Norrell and Mr Strange disappear into Faerie.

Suddenly, Childermass is the most experienced magician in England. No one has read as much, has practiced as much, or knows the spells he knows.

But he thinks that there is one man who will not be far behind him in achieving similar results. And maybe Childermass wonders sometimes if it was not all meant to be this way, that it was fate, that he himself was meant to come out on the other side as a student of the two great modern magicians of the age, and that he was meant to bring with him, sheltered under his wing, a dark, timid little man with an extraordinary sensitivity to magic. The books may be gone, but through his instruments, the Raven King has made sure that the new generation of magicians are both capable of and eager to read the magic written on the sky. It will take sensitive men, full of longing, and isn't it fortuitous then, that all those years ago, in the library at Hurtfew Abbey, Childermass recognised another like himself in John Segundus, and decided to keep half an eye on him.

#Jonathan Strange and Mr Norrell #John Childermass #John Segundus #My little theory #This is based on the idea that the prophecy is actually the Raven King's plan to return magic to England #In which case Childermass must be the one Uskglass chose to spearhead the Restoration after Strange and Norrell affected the Return #We so often talk about how Segundus sees Childermass #But I am facinated by the other side of JohnSquared #Because it is interesting that Segundus was allowed to not sign the agreement when Childermass MUST HAVE KNOWN that he was the only man #in the York Society who might actually do practical magic someday #(Probably it's not as black and white as that but let's say so for our purposes here)#It certainly wasn't Norrell who agreed to let Segundus go - it was definitely Childermass' decision #And in the chapter called Starecross Childermass says “I turned a blind eye” - not “we” or “Mr Norrell” - but “I”; he's been watching #It seems to me that he is been protecting Mr Segundus from Mr Norrell for years - in little ways here and there #Mostly just by making sure Segundus didn't come to Norrell's attention #And then he expresses his regret that the school cannot be!#That's at least a halfpennyworth of pity Sir! You're not supposed to have that for adult or child!#I guess he has pity for baby birds #But they do have that thing in common (along with Vinculus) that they have an affinity for magic #But Childermass has access to the library at Hurtfew while Segundus and Vinculus only get scraps #And Childermass is allowed to do magic while the other two have to wait for the Return before they can control it #And I figure that maybe he can find in himself a little bit of pity for someone in that familiar situation #Not to mention that - being mostly a good man - Childermass is not immune - I think - to Segundus' kind and gentle nature #JohnSquared #Btw I haven't completed my current reread so apologies if I've forgotten something or gotten something wrong #You see how the details disappear towards the end :P #I also owe some of this to the Tor.com reread of JSAMN which is worth checking out for some great observations!

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ofliterarynature · 5 months

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NOVEMBER 2023 WRAP UP

[ loved liked ok no thanks (reread) DNF ]

The Moonstone • Chaos Terminal • (The Raven Boys) • The Ghosts of Trappist • (Fugitive Telemetry) • From the Mixed-Up Files of Mrs. Basil E. Frankweiler • The Art of Destiny • The Bell in the Fog • (Exit Strategy) • Who Goes There? • Salt Magic Skin Magic • The Life Changing Magic of Tidying Up • (Dracula) • (Rogue Protocol) • The Heaven and Earth Grocery Store • The Boneshaker • The Archive Undying • (The Scorpio Races) • Camilla

Total: 18 (audiobook: 15 / ebook: 3)

I started my month off by finishing my reread of The Scorpio Races on November 1, as is right and proper :) This has consistently been my favorite of Maggie's books, and it never feels right the years that I haven't reread it. I think I hit the right method this year and rather than binging it or following a structured reread (which would be cool, if you could match the timeline of the book) I listened to the audiobook on and off throughout Oct and finished it off in one last burst one the 1st. I think this is some of Maggie's best writing, but I also admit I am no longer able to judge this one objectively and will save you all the sales pitch for now :)

The Archive Undying was...confusing. It wasn't that I couldn't follow what was happening on the sentence level or in the immediate present, but try zooming out to the larger picture and I was lost. It was hazy, very much like a fever dream. I would not be opposed to trying some of the author's other work in the future, but I have no interest in revisiting this book/series, and wouldn't really recommend.

The Boneshaker has been sitting on my bookshelf for years ever since I picked it up at a library book sale, and it's managed to survive every shelf purge since. And I'm glad it did! It's a strange MG/YA book about a girl, her bicycle, a small western town just off a crossroads, a snakeoil salesman, his medicine show, and deals with the devil. It was fascinating! I've been almost tempted to send a copy to Sydnee McElroy just for fun. I will definitely be investigating the author's other series.

The Heaven and Earth Grocery Store - I got tempted into this one because the Book Riot Podcast couldn't stop singing it's praises, and then it started making some of the year end/best of lists and... it's ok I guess? I don't really get the hype, tbh, and I got close to DNFing because it just wasn't interesting. I was at least forewarned that the "murder mystery" in the marketing was overblown, but I am here to tell you to ignore its existence completely. There is no mystery, there isn't really even a murder, and it doesn't happen until the end of the book anyway. I fully admit this was just not a book for me, and anyone who wants to read it I wish you well.

Not much to say about my Murderbot reread, other than choosing to give the audiobooks a break and rereading in a text format was an excellent choice, I really feel like I've picked up on a lot of things I didn't before, and it gives me time to think about things (I have some questions about the actual irl existence of rogue secunits, tbh). This is my second full time trough the series, and I think Exit Strategy is maybe the weakest solo link in the original quartet, but that makes me very happy to have the newer books as well. And I have to say it, FUGITIVE TELEMETRY IS BETTER IN CHRONOLOGICAL ORDER.

Dracula Daily wrapped up this month, so I'm probably not the only one to have Dracula show up on their reading list. I listened to most of it via RE: Dracula, which I appreciated so much for helping keep me on track this year. I probably won't follow along next year, but big thanks to everyone for helping me learn to enjoy a book I hated both times I had to read it for school! I'll still be percolating that Greenwing & Dart AU somewhere in the back of my mind in the meantime.

I picked up the idea of "sparking joy" from the general internet and have found it hugely helpful in letting go of things in life, so I've been meaning to pick up The Life Changing Magic of Tidying Up for a while, and was finally spurred into it when I picked up a copy at goodwill. I found some actionable advice in Kondo's method, but sooo much of the book felt like a sales pitch on how following this method could fix everything wrong in your life (and I mean *everything*). It left a very bad taste in my mouth - I think a workbook or checklist could be useful, but wouldn't recommend the book itself.

Salt Magic Skin Magic is a historical fantasy with magic, adventure, and a gay romance, which is so entirely in my wheelhouse. It hit all the same points I tend to find/enjoy in KJ Charles' work, and I had such a good time reading this - no surprise, apparently she helped edit this! Thanks to the HOTE discord group for reccing this one, I'll definitely be checking out some of the author's other work!

If you didn't know, Who Goes There? is the short story that the movie The Thing was based on - which I have not seen, but I went on a brief dive into antarctic exploration/horror in anticipation of this month's book club (All the White Spaces, which I actually read for last month but that meeting got delayed) and this popped up pretty quickly. It was available from the library and short, so why not?! The beginning felt a little rough, but I would have loved to see the tension of the main plot drawn out even longer. Liked this a lot better than the actual book club book, but I don't know that I'll watch any of the adaptations.

The Bell in the Fog - Lavender House sequel! I was so glad when this was announced; I love queer books, historical books, a mystery with a lead who actually does some detecting, and a character trying to find themselves and their community? Absolute catnip for me. It also doesn't pull its punches about the violence and injustices faced by the queer community, so it's definitely a bit darker than my usual tastes and will have to try hard to make it onto my favorites list. But if the author continues to write these I will absolutely pick them up.

The Art of Destiny - bless the library for not dragging their heels on the audiobook for this sequel, but lucky me, they did finally add the first book in time for me to get them both in the same year. Unlucky me, this does not appear to be the end of this series D: third book when??? Anyway, I won't deny that these books move a little slowly, but when they move, they move. If you want a big fantasy that's diverse, funny, cartoonish but epically violent, has a cast of all ages, and centers it's story on non-romantic relationships - this is so good, come join me in wailing for a book 3 announcement.

From the Mixed-Up Files of Mrs. Basil E. Frankweiler has lived in the back of my mind for a while as a favorite childhood book of a booklr friend who is sadly no longer on tumblr, but who I say hi to occasionally on other sites - anyways, I found a copy at goodwill and took it as a sign. This one's for you, Lourdes! If I'd found this as a kid, I probably would have reread it a lot, that's how I was too lol. For now, it was a fine read, but I don't think it'll have a lasting hold. Any fans interested in more middle grade about fine art might check out the Chasing Vermeer series by Blue Balliett.

The Ghosts of Trappist - I think it's impossible for me to not enjoy myself reading this series (NeoG), but this one was a bit of a backslide from the improvements in book 2. On one hand - a very ambitious plot, probably the least soap-operaish of the bunch, and I loved the emotional arcs (and the possible ART/murderbot reference?). On the other - over a dozen pov characters is too too many. my god. I think a tighter focus could have done a world of good, but if this is also where the series wraps up I'd be totally satisfied. I'll definitely check out the author's other series.

I admit, rereading The Scorpio Races sparked something in me and now I'm determined to set off on a full Maggie Stiefvater read/reread, starting with The Raven Boys. I really loved this when it first came out, but my interested petered out as the series progressed and I started college, and I haven't touched the spinoff yet. My impression from the first book is still that Maggie's writing is so goddam beautiful. Her sentences make me want to weep, but for me there's so much focus on the line that I'm constantly losing track of the big picture. I'm still enjoying myself, but I feel like I'm coasting a lot on nostalgia and aesthetic between moments of a story - though is it me, or does she write a lot in scenes/vignettes, rather than a constant flowing story? I've found some success in centering myself by imagining the scenes as depicted by a CW supernatural teen show of my high school years and it's quite lovely, actually - I can't believe the TV show plans got dropped and never picked up again. We'll have to see how the rest of the series goes.

Genuinely, I can't believe that I read Station Eternity earlier this year and that the sequel, Chaos Terminal, is out already. Despite liking the author's first book (Six Wakes) and normally liking the tropes they're playing with here, I did not like the first book. No idea why I read the second one then (hope?), but it was better, definitely! I still didn't like it. No idea if I'll finally call it quits on this series or get lured into another one if it gets written.

The Moonstone was an unexpected surprise! I made it to November still 2 books short on my 6 classics challenge and panicked when the first one ended up dnf'd - what if this one was bad too??? But I really should know better, give me a half decent mystery and entertaining characters, and I'll be fine. And it was epistolary! I had a good time groaning over all of the characters foibles and quirks, even if I spent the whole time just going, Hey Guys? you could avoid all of this if you just let the nice Indian men have their diamond back. Good fun if you like a mystery and have some patience.

My only DNF this month was the previously mentioned classic - from the moment I decided on a classics challenge, I knew I wanted to try something by Frances Burney given how much I liked her novel Evelina. Unfortunately for me, the only one the library had on audiobook was Camilla... and it was 37 hours long. I gave it a shot, but only made it about 3 hours in. I really do applaud Burney for her ability to create characters who are intentionally/unintentionally causing harm even if they sometimes have the best of intentions. It's absurd, truly, but I'm not in a place I can take that right now - especially since the victims were children, and it happened *repeatedly*. I think if I was to try this one again I'd need to take it slowly in small parts.

Am I horribly wrong about anything? Do you have any classics you'd recommend for next year?

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