i probably shouldnt generalize or take this too far but animation really is just one of the most rewarding things to do. not just because by the end of it you will have, you know, an animation (which you will! im sorry, i know im leaving the sentence hanging but seriously, lets really pause and appreciate this. a moving drawing! a drawing that moves! it might as well be alive! it might as well be real! and YOU created it! wowzers!!!) BUT ALSO-
its just reawrding on a moment to moment execution. you get to draw the most fun thing of all to draw, people moving, emoting, body language. AND, if you are inbetweening right and you know what you are doing, you get this visceral satisfaction of drawing something in just the right place. every step is you completing a pattern with the most satisfying conclusion. i really enjoy inbetweening. i love calculating in my minds eye the exact middle point between two poses and drawing it, like i can almost visualize it. i see the empty spot between two keyframes and is like "here, right here, right on this spot, if you put the drawing good in this right precise spot you will hear the most satisfying click in your mind" and it always clicks!
think of this! a lot of times i hear from artists that they love art because of the end product that it gives you but that the process itself its a grueling effort that one must push through to get their reward of the finished piece. but (at least in my case) the journey is very much the reward itself, a lot of times i will spend hours animating something and the end product will suck but ill be perfectly satisfied because i enjoyed myself doing it.
also if you are really good and you really know what you are doing you can do so much with so little. forget about animating on ones, we are not disney here. you can animate on threes, on fours, fuck it animate on fives if you really want to. you can just do five drawings and get the coolest, cutest, neatest, most satisfying little loop to entertain your heart and soul.
animation really brings out an appreciation for the small pleasures of life and when i say small i really do mean the tiniest. the smallest, most mundane of gestures suddenly become signature moves. suddenly give so much charm and character and personality. just by the way you make someone do a simple double take or even simply blink suddenly you can give someone so much sheer charisma.
but you can go even smaller than that! more inconsequential! you develop a taste for tiny little occurences, small happenstances that would be completly invisible to normal people otherwise. the way hair flicks when someone turns their head, the way a drop slides down a surface, the way a car bounces and sinks a little when people get into it or out of it. if you can succesfully capture those things it will ground your work so much. the tiniest most indetectable of details suddenly turns curves and lines into an object with weight and corporeality.
much like music, animation is one of those arts where even the most simple, most basic of excercises, just pure, boring, highly technical executions made simply for the purpose of learning the bare bones of a technique, will still come out looking great and you will feel great for having done it. with music you can doodle something incredibly coarse, maybe you just want to learn some basic chords, you are practicing arpeggios or you are just fucking around with scales and it will still come out as music, it wont come out as rough sketches or purely skeletical, empty building blocks. it will come as a piece of music that is pleasant to hear.
same with animation, you can just be trying to rotate a character to figure out their design or have a bag of flour fall to the ground, or you are trying to figure out their walking cycle. there is no story or punchline or idea being conveyed here, is just a basic "getting the handle of your tools" excercise and yet it will still be an animation, a beautiful piece of art that is cool to look at regardless of what its doing.
and if its true that an image conveys more than a thousand words then nothing can beat the sheer density of information contained in moving images. in just three seconds of action i can lay out so many complex, hard to put into words, ideas, so many vague and ambiguous emotions can be clearly comunicated.
and god, the expresivity of it all. we are social creatures, huge portions of our brain are designed to parse language, both verbal and in terms of gestures and expressions. animation is a direct superstimulus for those sections of the brain, you can make your characters so much more expressive that a human could be, and they can be expressive in such perfect, choreographed, synthetized, crystalized, bold ways. isnt that amazing? that we can give the caloric rich, sugar refined version of body language to our brain?
i have been doing animations since i was 7. i started with a mouse, ms paint and power point. you can tell i must have really loved doing it that i was willing to put up with that just to get it done. i started because i was a child who loved cartoons, who loved animated shows and animation. it was mindblowing that such a thing even existed in the first place. it was literally magic. to see any random animated show like powerpuff girls or dexter's lab or hey arnold. it was a proof that wonders existed in this world. the magic was real.
now that i am 30 i can do that, i can make those things too! is not even that hard! i can make magic!
magic is real!
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Having to physically and mentally restrain myself from going insane when someone says they don't like dirkjake because JAKE was mean to Dirk. THEIR RELATIONSHIP FAILED BECAUSE THEY BOTH WERE FUCKED UP.
Acting like Dirk was 100% a victim of Jake in their relationship is abysmal reading comprehension. They both fucked up. Do you hear me. It was both of their faults. Jake's got the very on brand "if I ignore my problems they'll go away" and therefore he failed to communicate to Dirk that he wanted more alone time, all while complaining to Jane all the time. Dirk was desperate for a relationship with Jake, and pushed for them to be into a relationship that they both were not ready for because he was and is incredibly lonely. Idk idk acting like Jake is more at fault or completely at fault for their breakup is kind of silly.
They're 16 year old, maladjusted, lonely children who had to raise themselves and developed vastly different ways to cope with that loneliness. They love each other but lack the skills to express it in a healthy way, both putting up a facade in fear that the friends they love so much will no longer want them if they showed their true selves, because they're messy and raw and care too much
Dirk thinks he's a monster who has to hold himself back otherwise hes bound to hurt people that he loves, and it becomes a self fulfilling prophecy- he hurts someone and takes it as confirmation that he's evil, while Jake is terrified of disappointing people to the point that he refuses to acknowledge when there are problems in fear of being blamed, not wanting to bare responsibility for /anything/ both good and bad in case people expect too much of him and dislike him when he fails to measure up. This is bound to go wrong since neither of them can actually effectively communicate their needs.
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Phew honestly I'm glad to see I may not the only one whose first thought seeing the solicitations for those next issues was something like "oh god, please not this shit again" lmao
Although I think there are at least a few reasons to be a bit more hopeful this time around
Like it kind of makes more sense in this case he'd be looking for problems given his restlessness at being stuck in the past with no directive, he will hopefully at least partially be vindicated by the time Mimic is revealed, and of course it's not gonna get him completely ostracized by the rest of the cast
And yet, I still find that the most optimistic thought of all is like 'at least if they get it out of the way now, there'll be less temptation to do this yet again for future stories'
I recall being super excited a few months ago when we heard that Silver was going to be featured a lot more in upcoming stories.... and then that all just kind of went the Oh No Not Like This route when we got the solicits for #63 and 64, like you describe😅😅 I would agree that the whole "Silver is actively looking for problems and therefore leaps onto anything that seems the slightest bit odd" directive you describe makes sense, but it kind of already starts with the fact he is in a situation I feel he should not be in to begin with. Silver is simply not the kind of person who gets in the way of others' training, and especially not because he is oogling at and being starstruck about Whisper. Even more egregious because he could work with her just fine at the end of the Metal Virus saga! So then why is he suddenly back to being all amazed by Whisper when he is far more powerful than she is, has seen both her good and bad sides when it comes to her fighting style and personal life, and is on clear friendly terms with her? I'm not saying that you can't be inspired by friends, but the whole mysterious angle of the unknown Guardian Angel protecting him from afar in a war is all but gone now. Not even mentioning the fact that Silver is quite confident and smug about himself and his own abilities? And furthermore, since Duo appears on later covers, we know Silver is not going to be believed, in all various ways the others can tell that to him. So all that together is making it quite difficult for me to really get engaged in the plot of him accusing Duo and the resulting fallout to begin with. And the fact that the solicits literally say said fallout is going to be awkward... It makes me not look forward to the story at all, basically. I don't like seeing my favourite character be ridiculed due to him being highly OoC and said ridicule then not even leading to anything until much later. And as for whether he'll be vindicated, I am not getting my hopes up much. Indeed, the most optimistic scenario I can get from it all is the fact it'll be one-and-done now and therefore likely won't return, but I truly would rather it wouldn't be done to begin with.
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