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#scarymonstersandsupercreeps
agustinad134340 · 5 months
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David Bowie (1980)
Scary Monsters (and Super Creeps) era
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thecreakingdoor · 1 year
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I know, Halloween has passed, but I forgot to share this beautiful monstrosity I saw at a vintage and antique fair recently. I think they might be real teeth! It did not come home with me…obvs. . . . #halloween #halloweenart #scaryart #scarydoll #frightnight #afaceonlyamothercouldlove #artforartssake #whowouldmakethis #scarymonstersandsupercreeps #weirdsecondhandfindsthatneedtobeshared #weirdart #letyourfreakflagfly https://www.instagram.com/p/CknPSt9jsmJ/?igshid=NGJjMDIxMWI=
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Check out a great, smart new book about #davidbowie — #davidbowieandromanticism — link in bio for details or visit jamesrovira.com. #bowie’s #1980 #scarymonstersandsupercreeps is the remarkable end of a run of five groundbreaking #albums that started with #stationtostation in #1976. His #experimental edge is still here, but this album takes more of a turn toward #pop than his previous albums, a turn that would cash in for him on his next album, #letsdance. This album is regarded by many as his best and in some circles as one of the greatest albums of all time. A great start for the 80s. The cover features Bowie dressed as the French clown #pierrot #vinylcollector #vinyljunkie #vinylrecords #rocknroll #vinyladdict #rockandroll #vinyl #vinylcollection #rockmusic #vinylcommunity #vinyljunkie #music #classicrock #rock #rockmusic #rockandroll #rockandromanticism #80s #80srock #80smusic #moonagedaydream (at Manatee Cove) https://www.instagram.com/p/CkmGe1bOk1C/?igshid=NGJjMDIxMWI=
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nojarama · 4 months
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Happy anniversary to David Bowie’s single, “Scary Monsters (And Super Creeps)”. Released this week in 1981. #bowie #davidbowie #scarymonsters #scarymonstersandsupercreeps #bowieismylordandsavior #churchofbowie #imjustaspacecadetandhesthecommander #bowieforever
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duranduratulsa · 6 months
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Scary Monsters (And Super Creeps) (2017 Remaster)
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Spooktober song 🎵 of the day: Scary Monsters (And Super Creeps) by David Bowie (1980) #davidbowie #scarymonsters #scarymonstersandsupercreeps #80s #spooktober #halloween #october
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David Bowie’s handwritten lyrics for Fashion. Beep Beep. #davidbowie #bowie #fashiondavidbowie #scarymonstersandsupercreeps #lyrics #notebooks #newwave #coldwave #postpunk #fokker #fokkermusic https://www.instagram.com/p/COaPm5onnoV/?igshid=195v8di31q9nq
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rufusdayglo · 5 years
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A fantastic surprise this morning! A beeeautiful painting from my friend @scottdanielellison all the way from Beacon, New York! • • • Follow Scott and marvel at his gorgeous work! • • • #scottdanielellison #painter #painting #monsters #scarymonstersandsupercreeps #contemporaryartist #arthero https://www.instagram.com/p/B1GPv28hpZR/?igshid=vgkg1iuj3ss
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tmiboom · 2 years
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WARNING! Sleepy Creeps can be very scary! The triplets love them (during the day) and enjoy being (a little) scared at night. Parents should make sure Sleepy Creeps only frighten their kids at just the right amount of fun, fear, and imagination. Piggy Blanket was the very first Sleepy Creep "discovered" by Sleepy Creeps Hunters and as more sightings are reported of the toe-munching monster, we look forward to seeing many drawings of it and all the Sleepy Creeps. Stay tuned as we figure out how best to share this HOW-TO-DRAW video. Once we figure out a system, expect a ton of fun how-to-draw videos. The Sleepy Creeps are coming... #scaryvideos #scarymonstersandsupercreeps #scarystoriesforkids #howtodraw #sleepycreeps #howtodrawmonsters #drawingactivity #howtodrawforkids #piggyblanket #activitiesforkidsathome #activitiesforkids #tmiboom https://www.instagram.com/p/CYppglzvijF/?utm_medium=tumblr
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minstrel75itg · 3 years
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Album Number One Hundred Thirty Nine “Never Let Me Down” is the 17th studio album by English musician David Bowie, released on 20 April 1987 by #emiamerica Records. After a series of miscellaneous projects, #davidbowie hoped to make his next record differently following his disappointment with Tonight (1984). Conceiving the album as the foundation for a theatrical world tour, it was recorded at Mountain Studios in Montreux, Switzerland and the Power Station in New York City in the latter half of 1986 into early 1987. It was co-produced by David Richards and marked the first time since 1980's #scarymonstersandsupercreeps that Bowie played instruments in addition to singing. Musically, #neverletmedownbowie has been characterised as pop rock and art rock; Bowie himself considered the record a return to rock and roll music. The album cover features Bowie surrounded by numerous elements from the songs. My copy is on EMI America Records - PJ-17267 #rockandroll #britishmusic #theeighties #timewillcrawl #glassspider #dayindayout https://www.instagram.com/p/CT2aDxFLdgo/?utm_medium=tumblr
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That time I did an acoustic version of David Bowie's "Scary Monsters". J.A.G #bowie #davidbowie #scarymonstersandsupercreeps #supercreeps #scarymonsters #davidbowiescarymonsters (at Joshua Adam Glover designs) https://www.instagram.com/p/CQx00GGDJmj/?utm_medium=tumblr
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randomrecordreview · 3 years
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In which Bowie starts the new decade with a bang... What I love most about this album is it’s opening. I think it’s the best opening of any Bowie album, not just the stutteringly brilliant fury of the Japanese vocals (courtesy of actress Hisahi Miura) of It’s No Game (Pt. 1) but the tape recorder clicking into place – you hear it spooling out at the end, after Pt 2. It’s a lovely touch, courtesy of Bowie’s most celebrated producer Tony Visconti. This track sets the distinctive tone of this album. In which appears the best ‘beep beep’ in a song since The Beatles’ Drive My Car (in Fashion)... I remember when I first listened to this LP being fascinated with its longest track, Teenage Wildlife, trying to work out if the guitar chords were the same as those for Heroes. They’re not, just similar, and Robert Fripp doing his Frippy guitar thing. This album is so self-referential it sounds like a deliberate break from the past, whilst reflecting it back in one of those distorted funfair mirrors. Aside from all the Space Oddity Major Tom references in Ashes to Ashes, the album sleeve itself includes collaged images from Low, Heroes, Lodger and Aladdin Sane. In which Bowie perfects raw, modern pop: vocals as full-on mock-cockney Bromley Punk... It’s hard not to hear Ashes to Ashes without thinking of Bowie prancing about in his Pierrot costume, but if one just focuses on the music alone, you appreciate just how extraordinary it is. That high slapped bass, the staccato percussion, the vocal lines entirely off kilter with the music, the lyrics themselves – it is utterly a work of genius and the gateway, I’d suggest, to his post-Berlin new experimentation phase at the start of the 80s. It’s not surprising critics were so disappointed that what followed was so commercial (Let’s Dance), and then so dismal (Tonight). In which appears etched on my vinyl copy runoff the words: “I CAN’T THINK / OF ANYTHING” EXTRACT FROM LONGER REVIEW - CLICK LINK IN BIO #davidbowie @davidbowie #scarymonstersandsupercreeps #ashestoashes #vinyl #nowlistening #recordcollection #randomrecordreview https://www.instagram.com/p/CLMQYH8MlTb/?igshid=m7rmaowm9cv7
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I just finished editing final proofs for #davidbowieandromanticism tonight :). Indexing today. I think I need to have a sit down with David ‘s American fans. David Bowie‘s 1980s’ period, starting with this album, is generally panned by critics and fans. But the fact is Bowie had nothing but gold albums until this point at best, not all of them or even that, and this album and the next were the only two platinum albums of his career in the United States. He set out to make a commercially successful album here, succeeded, and continued that through the 1980s. He hired #nilerodgers of #chic as a producer, who also contributed guitar and updated Bowie’s #plasticsoul sound for the 80s. And we Americans bought it in droves. Because it’s good music. It’s fun. But don’t complain about Bowie going commercial in the 80s when he released this brilliant album just three years before, #scarymonstersandsupercreeps, and it reached gold status in the US but that’s it. If you loved his experimental work so much, you should’ve been buying it when he produced it. I also give this credit album credit for having the most amusing inner sleeve that I think I’ve ever seen. It’s arranged like dance steps stuck onto a floor, and you have to spin the sleeve around to read the lyrics following the dance steps. #davidbowie #letsdance #1983 #vinyl #vinylrecords #vinylcollection #vinylcommunity #vinyljunkie #vinyljunkies #music #classicrock #80s #80smusic #80srock #rock #rocknroll #rockandroll #rockmusic #rockandromanticism picked up from the glorious Michelle @savvy_vinyl_records #melbournefl savvyvinylrecords.com (at Vinyl Request Records) https://www.instagram.com/p/Cfg69xvOaSc/?igshid=NGJjMDIxMWI=
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nojarama · 6 months
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Happy anniversary to David Bowie’s single, “Fashion”. Released this week in 1980. #bowie #davidbowie #fashion #screamlikeababy #scarymonsters #scarymonstersandsupercreeps #bowieismylordandsavior #churchofbowie #imjustaspacecadetandhesthecommander #bowieforever
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kissy0urdemons · 6 years
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She could’ve been a killer if she didn’t walk the way she do // 👾👾👾
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luserz · 6 years
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For my Mumma's bday 🎁 . . . . . #drawing #illustration #bowie #davidbowie #ashestoashes #pencil #pencildrawing #a5 #birthday #scarymonstersandsupercreeps #vsco #vscocam
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rufusdayglo · 5 years
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A late night of colouring in on a poster for my friends... I can't wait to show it to you all! #poster #shotguncarousel #halloween #party #rufusdayglo #Illustration #illustratorsoninstagram #comicbook #comics #workinprogress #monster #scarymonstersandsupercreeps https://www.instagram.com/p/B1BL0-Hhamf/?igshid=1cvc2d5afa8a0
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