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film-book · 17 days
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SPEAK NO EVIL (2024) Movie Trailer: James McAvoy gets Invited Over then Begins to Take Over a Family https://film-book.com/speak-no-evil-2024-movie-trailer-james-mcavoy/?feed_id=129441&_unique_id=6617d21dd7a52
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wherever-i-look-blog · 10 months
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Blood for Dust (2023) - Movie Review and Summary (with Spoilers) https://tinyurl.com/2kfcy6nt
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nospoilerreviews · 1 year
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C'mon C'mon is all about the pressure to cope with ongoing tragedy by putting on a veneer on things so others don’t have to care. https://is.gd/kUZop8
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elainelaurindo · 1 year
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etcemais · 2 years
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Ana de Armas não gostou nem um pouco da classificação indicativa de NC-17 para Blonde, biografia de Marilyn Monroe. Esta classificação é a mais severa dada pela Associação de Cinema dos EUA, que significa que pessoas abaixo de 17 anos não podem assistir ao filme nos cinemas sob nenhuma condição.
"Eu não entendi por que isso aconteceu. Eu poderia te listar várias séries e filmes muito mais explícitos, e com muito mais conteúdo sexual, do que Blonde", disse Ana à L'Officiel. Ana levantou sua revolta visto que essas produções recebem a classificação mais branda, que é a R, onde menores de 17 anos são admitidos acompanhados de adultos.
"Era importante mostrar esses momentos da vida dela, porque foram eles que a encaminharam para o fim que ela teve. Precisávamos explicar. Todo mundo no elenco sabia que teríamos que ir para lugares desconfortáveis, não fui só eu", disse Ana defendendo a necessidade de abordar temas adultos e sexualidade quando fazendo crônica da vida de Marilyn.
O diretor, Andrew Dominik, também havia comentado à Screen Daily sobre a classificação:
“É um filme exigente. Se o público não gostar disso, é problema deles. Não é uma competição para um cargo público.”
Além de Ana de Armas, o projeto ainda conta com Adrien Brody, Bobby Cannavale, Scoot McNairy, Julianne Nicholson e Garret Dillahunt.
O filme estreia no dia 28 de setembro, exclusivamente na Netflix.
Gostou? Não se esqueça de curtir, salvar para não perder e mandar o post para alguém que vai gostar da novidade. Fique ligado no story, pois sempre compartilhamos informações curtas por lá.
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@Richardortiz75: Joe MacMillan & Gordon Clark from Halt and Catch Fire. @HaltAMC @leepace #scootmcnairy @ifyoucantwell #leepace #haltandcatchfire #TVSeries
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thekylemeredith · 6 days
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#ScootMcNairy has had great roles on shows like Narcos: Mexico, and now back with a trio this year, including Blood From Dust (with #KitHarington), #speaknoevil (with #JamesMcAvoy), & Nightbitch (with #amyadams).
We talk about 'em at Consequence
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Cowgirl's Last Ride Starring Geena Davis To Begin Filming Early 2024
🎬 Exciting News! The long-awaited comedy-adventure film "Cowgirl's Last Ride," starring Geena Davis, finally sets its filming date for 2024! 🤠🎥 Don't miss our exclusive production update! #CowgirlsLastRide #GeenaDavis #ProductionUpdate #ScootMcNairy
First announced in 2019, the much-anticipated comedy-adventure “Cowgirl’s Last Ride” has finally been given a window for shooting. Resonate Entertainment, in collaboration with Saison des Femmes Entertainment and HanWay Films, has announced that filming will commence in the first half of 2024. With a star-studded cast led by two-time Oscar winner Geena Davis, this cinematic odyssey through…
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thatsmovietalk · 4 years
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Sleepless (2017) Directed by #BaranboOdar Based on #SleeplessNight Starring #JamieFoxx #MichelleMonaghan #DermotMulroney #DavidHarbour #TipTIHarris #GabrielleUnion #ScootMcNairy #Sleepless #Hollywood #hollywood #picture #film #movie #cinema #films #theater #movies #movieposter #movieworld #movielovers #movienews #screen https://www.instagram.com/p/CAfXUGxALI2/?igshid=1ij8i6c94hczl
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doomonfilm · 4 years
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Thoughts : Gone Girl (2014)
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I recently hit 500 posts, an achievement I’m very proud of, but it also coincided with a job transition, leading to an unfortunately-timed absence of content.  As the transition settled and life begin to reshape itself, I found myself in the doldrums of first quarter releases, some of which did pique my interest, but many of which felt as if they could wait in terms of viewing.  With that thought in mind, I dug back into the archives for films that I’ve owned but not viewed, and one contender jumped straight to the top : Gone Girl. 
Amy Elliot Dunne (Rosamund Pike) is declared missing on her fifth wedding anniversary after her husband Nick Dunne (Ben Affleck) returns home from The Bar, a local bar he runs with his twin sister Margo (Carrie Coon), to find damage consistent with a kidnapping.  Amy’s parents, Marybeth (Lisa Banes) and Rand Elliot (David Clennon), relocate to Missouri from New York to spearhead the missing person campaign, largely due to the family fame connected to the Amazing Amy series of books that the Elliot parents authored, with Amy’s real-life shortcomings serving as the basis for the titular character’s stories.  Detective Rhonda Boney (Kim Dickens), the lead investigator on the case, works hard to be impartial, especially in light of her partner Officer James Gilpin‘s (Patrick Fugit) dislike of Nick.  As the days roll by, public sentiment begins to sway against Nick and heavily in favor of the beloved Amy, but her famous habit of leaving anniversary ‘clues’ leads Nick to a series of awakenings that forces him, and in turn Amy, to reevaluate everything they thought they understood about their marriage.
David Fincher has always had a penchant for psychological thrillers, but with Gone GIrl, we are given a damning examination of marriage.  From Nick’s side, we are shown a man that shoots upward, hitches his wagon to a star and immediately considers his work as a lover and husband done.  To him, the chase and the catch were key, and once Amy was ‘his’, any need to inquire about her feelings, her history or her needs took a backseat to his own.  The use of a family tragedy offered Nick the chance to emotionally manipulate Amy into leaving her comfort zone and nose-diving into his, only for her to become an accessory to him.  This fact, however, does not absolve Amy of her dangerous history and pattern of emotional manipulation, which is heavily based on the entitlement that comes with her fame.  While it is tragic that her life centered around objectification from her parents and lovers, the sheer depths that she goes to teach Nick a ‘lesson’ not only come off as extreme, but they put Amy in several dangerous moments.
The twisted chess of manipulation that Fincher presents plays upon familiar film elements, but the extremely natural presentation of the events to both the viewer and the characters in the world of the film makes the examination of Amy’s desperate acts shocking.  It could be argued that her character is an updated take on the Black Widow mythos, but the waters are muddied by the aforementioned history of Amy’s lack of autonomy.  Despite her being the star of every connection she takes part in, time and again she finds herself as the pawn of someone else’s will.  Much like a cornered animal lashes out with surprising amounts of aggression and a disregard for its opponent’s well-being, the trail of destruction that Amy leaves in her wake is extreme and shocking, which makes her natural demeanor ring with a sinister tone. 
David Fincher films have always had a distinct, dark look to them, like a version of dramatic neo-noir, and this look works to great impact in Gone Girl, hanging an implied tone right from the beginning of the film that the narrative slowly unveils.  The pacing of said narrative, as well as the mix of current-day moments and memories that may not be what they seem upon first glance, flows about as close to a book as film can, making this an extremely successful adaptation.  Trent Reznor and Atticus Ross bring their distinct, moody and dark scoring to the table, but manage to use so much restraint and choice of key placements to shine that they become a shadow character, paralleling Fincher’s visual cues with audio ones.   
Ben Affleck naturally tows the line between obnoxiously charming and oddly dislikeable, and those qualities are honed in on directly for his role as Nick, with him serving as one of the most complex protagonists committed to film in recent memory in turns of audience trust and compassion.  In turn, Rosamund Pike manages to force a sinister charm onto her performance, managing to make viewers consider her side despite a clear and present path of destruction.  Carrie Coon helps referee the absurdity, helping to guide the viewer emotionally, though not necessarily on a one-to-one path paralleling the viewer experience, and her pairing with Patrick Fugit helps sell her as the heavy cop in terms of attitude.  Tyler Perry, who admittedly is not one of my favorite members of the film world, comes close to stealing the show with his bold, brash, candid and brutally honest performance.  Neil Patrick Harris helps anchor down the edginess for the final third of the the film, with his pairing against Pike providing some truly captivating cinema.  Appearances by Scoot McNairy, Missi Pyle, Emily Ratajkowski, Lisa Banes, David Clennons and a handful of others keep the high drama alive throughout.
In what will probably be a quote I’m remembered for long after I’m gone, I don’t know why it took me so long to get around to this film.  I’ve been a long-time fan of Fincher’s work, and Gone Girl is arguably some of his best.  He may have bigger, more well-known and flashier work, but the human element truly shines in this film, and upon its conclusion, we are not only left with a number of questions about the film, but a few about ourselves and the way we connect with others. 
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jessejgarcia · 4 years
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Just let me love you! * #ScootMcNairy #StayYourAssAtHome #StayHome #narcos #netflix https://www.instagram.com/p/B-FgBl_H8x3/?igshid=gd3m1p0hzmmi
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film-book · 2 months
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BLOOD FOR DUST (2024) Movie Trailer: Former Salesman Kit Harington is Lured Back into a Life of Crime https://film-book.com/blood-for-dust-2024-movie-trailer-former-salesman-kit-harington-is-lured-back-into-a-life-of-crime/?feed_id=122857&_unique_id=65e7f87fc7a0a
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insideapollo · 5 years
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💥💥💥
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kacic1 · 5 years
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The poster for the dramatic thriller THE PARTS YOU LOSE. #thepartsyoulose #movieposter #drama #thriller #suspense #crime #aaronpaul #maryelizabethwinstead #scootmcnairy #pop #popculture #geek #nerd #movies #filmes #films #cine #cinema #cult #culture #art #Entertainment #OsFilmesdoKacic https://www.instagram.com/p/B033YCKFe46/?igshid=cy6mn2a59ln2
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etcemais · 2 years
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A Netflix liberou o trailer completo de Blonde, filme inspirado na vida de Marilyn Monroe. O trailer também mostra a vida glamorosa de Marilyn e a sua conturbada vida pessoal.
"Ele usa todas as imagens que você viu de Marilyn Monroe, os filmes, fotografias de sua vida. Mas muda o significado de todas essas coisas de acordo com seu drama interno. Então é uma espécie de filme sobre o inconsciente de certa forma. E é uma tragédia. É como uma criança indesejada que se torna a mulher mais desejada do mundo e tem que lidar com todo o desejo que é direcionado a ela, e quão confuso isso é. É uma espécie de pesadelo. É sobre estar em um carro sem freios. Está indo cada vez mais rápido e mais rápido", disse o diretor Andrew Dominik.
Além de Ana de Armas, o projeto ainda conta com Adrien Brody, Bobby Cannavale, Scoot McNairy, Julianne Nicholson e Garret Dillahunt.
A cinebiografia que não é recomendado para menores de 18 anos, estará disponível na Netflix no dia 28 de setembro.
Gostou? Não se esqueça de curtir, salvar para não perder e mandar o post para alguém que vai gostar da novidade. Fique ligado no story, pois sempre compartilhamos informações curtas por lá.
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awesomebeasy · 2 years
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Silence is not enough. 
After an opening flashback to the day of the alien invasion this one picks up almost right where the last one left off. The Abbotts move on from their farm, destroyed in the first one, making it to a nearby foundry; where neighbor Emmett has taken up residency. While an injury and need for supplies stalls Evelyn, Marcus and the baby, Regan and a reluctant Emmett go in search of the song thats being broadcast on the radio. My Only notes for this movie state: “all that backstory👌🏼“ and “that first scene in the store - omg - signs” so I must’ve been more interested in the movie than taking any notes (even on a rewatch) 😆🤦🏼‍♀️. Once again I thought it did a really really good job of integrating sound and letting the audience hear from different perspectives. #MillicentSimmonds did a phenomenal job yet again, and I’m glad Emmett chose to help her Regan instead of just bringing her back to her family. Their battle with the group in the marina was scary! but they worked so well together to get out of it! Them finally reaching the origin of the song, the further backstory they get there, and how this film ends seem like things that could definitely happen if this were to ever happen in real life — always check they’re all taken care of and “double tap” if needed! Also - was there Absolutely no where else they could’ve hidden in that foundry? If you could do the towel, why not some tubes for breathing?! But overall I really liked this one and am curious to see where a third one would go with this story. #drama #horror #scifi #thriller #aliens #ssmovieof2021 #EmilyBlunt #NoahJupe #CillianMurphy #DjimonHounsou #OkierieteOnaodowan #ScootMcNairy 
writers: #BryanWoods, #ScottBeck (based on charaters created by) #JohnKrasinski (written by)
director: John Krasinski
movie of 2021 number 3) #AQuietPlacePartII
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