Just frame the halves,
and call them brothers
find your fathers, and your mothers,
if you remember, who they are
I can't stop thinking about the moment Clay found out he was a Bigwings. He spent his whole life thinking there was some sort of monster inside him, that one day he would snap and hurt even those closest to him, but it was never true. Pure love has been in his bones since the moment he hatched, only now can he believe it
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Ellie( dani) going to monster kindergarden and Danny meeting someone from monster School (clawdeen probs?)
well there isn't a monster elementary or middle school in any of the monster high generations. However this did make me want to draw Ellie interacting with some of the other younger monster high younger sisters of Gen 2. So I drew that actually
(controversial monster high opinion, but I actually really like gen 2)
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Fuck whatever DC is doing with the al Ghul's characterizations and story lines, I've decided that from now on the al Ghul's are gonna be DC's version of the Addams Family instead.
Now I don't mean just give the various al Ghul's the exact personalities of the various Addams and call it a day. That's boring, that erases all the interesting parts of the al Ghuls, that's just using "find & replace" and not actually adding anything. I mean give them the vibes of the Addams Family.
Keep the al Ghul's as the al Ghul's with all their scheming and machinations and world domination attempts but give them all the unhinged energy, the casually insane view of the world, the deranged levels of love and devotion for family. Make them that group where objectively they are batshit insane but also you cannot argue with the fact that they are indisputably the most stable and functional family in the entire universe.
They're creepy, they're kooky, they're mysterious and spooky. Ra's many opulent homes and impenetrable fortresses are a museum and the al Ghul's really are a screa-um whenever people come to see-um (or when they lay waste upon their enemies in a surprise attack that has been planned for months and is just the first domino in a series that will ultimately lead to achieving a far greater goal).
They all love each other and want each other to be happy, they express this primarily with stabbing and murder attempts (its fine, death is a thing that happens to other people).
And forget the League of Assassins being a cult. Just make the whole vast globe spanning organization a collection of cousins/aunts/uncles/dear old friends ect. No one (not even the al Ghuls, if they cared to keep track of such things) is sure who is actually related to them and who just got absorbed into the ever expanding family tree based on their vibes being right.
(Is Sensei Ra's father you ask? Well he's certainly someone's father - probably.
Anyway have you heard about Cousin Cheshire? Despicable poisoner of a young woman, capable of the most horrific things imaginable - yes she is the sweetest dear. Like I was saying though, she just had a baby!
Everyone in the family is just so excited to throw a baby shower to celebrate! Ubu has really gone all out with the spike traps, he does so love getting to welcome a new addition to the family.
Talia of course has cultivated a brand new strain of the most toxic plants imaginable to make a brand new kind of necrotizing poison. You know, as a nice little romantic gift for Cousin Cheshire and that young man of hers. It really is so important to make sure you take time for you and your partner to go on dates and have a few pitched battles to the death on dark rooftops in the pounding rain when you have children.
Now there is some to-do about it all of course, you know how family get together can be. Everyone is arguing over who should get to give little Lian her first weapon and what it should be. Nyssa is pushing for grenades but Ra's is insisting on a sword - he's traditional like that you know - but Dusan has the vote so far on throwing knives. You know the kind that have the little divots along the edges of the blades them to make it easier to get the poison you dip them in to stick.)
I'm just saying that the al Ghuls should be a delightful cross between the Bond Villains they were originally conceived as and the lovingly unhinged Addams Family. It just feels correct in my heart.
(Again keep the interesting aspects of the characters and the nuances of who each of them are like their drive to save the world through destroying humanity and their strong environmentalist leanings and their constantly playing 5D chess and everything, but like, take away the racism and the cartoonishly evil for no reason bullshit and give them some fun feral energy to go along with it).
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i have a lot of bones to pick this chapter and i will get to that but i'm still really pressed by how rachel depicts kronos apparently grieving having to kill hera in her vision
rachel does this really gross thing where at some point in the narrative, she'll have the male abuser depict some kind of sadness in regards to his female victim, but it is not remorse. it really reads like whitewashing the abuse itself because "can't you see how upset the abuser is that he has to do this :("
apollo got that really disgusting pov chapter talking about his perspective on persephone after raping her and that was bad enough, but then you also see kronos and his relationship with hera being sanitized or even shipped, when hera said verbatim that he abused her and she did not want to sleep with him, she had hoped she could just charm him. the narrative explicitly points out that kronos is a chronic abuser - he kills or severely injures rhea in a fit of rage after using all her powers, he frequently drives away any nymph or consort who approaches him, and he spends who knows how long mentally torturing hera.
there's another essay tucked into that but i just find it so fucking egregious that rachel wants to portray kronos as being upset he has to kill hera because of his own feelings for her, when the fact of the matter is he is choosing to kill her, just like he chose to kill rhea, and swallow his sons, and tear hera in half. depicting an abuser (a serial abuser, in this case) as being upset over an action he's choosing to do for his own benefit is ... a choice, and a disturbing one. why are we centering the abuser in a sympathetic light when he is still ultimately abusing someone???
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since ive already been pretty open about this and im not afraid to whack a hornets nest i'll go ahead and say it: if you were raising a kid in a pseudo-apocalyptic setting and then you found out that said kid was going to be the one to defeat the eldritch god that you have tried to defeat for half your lifetime and could never manage. that she was going to FACE that eldritch god it was prophesied. you would teach her how to defend herself and how to fight. like god i am not saying hero's trauma from it wasn't justified because i do think the twins took it too far but the initial process of training her makes so much more sense if you approach it at the angle of "this kid is going to do something we've been trying to do since we were twelve and couldn't manage and we might not even be there to help her so we have to make sure she doesn't die in the process" and not "we're going to make her fix our mistakes" it makes sense. goes along with lark's running theme of not being strong enough in the moments that matter and wanting to make sure nobody else ever feels as helpless as he did when walter was injured. goes along with sparrow desperately tempting fate with normal's name- not because normal was an accident, but because sparrow never wanted to lose even one kid to the doodler and it was a fervent, desperate wish to let normal get to be normal
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Well...damn.
I finally watched The Phantom of the Opera, and now I have to grapple with how much Operetta makes absolutely no sense.
Like I'm wracking my brain, and the only conclusion I've come to is that she'd make sense if she wasn't a ghost at all, but a siren.
Maybe after years of being cast out by his fellow humans, Erik finds refuge in the monster world which welcomes him with open arms, and also gives him the chance for a new start.
And given his love of opera, he falls in love with a siren and they have a child together. Thusly making Operetta half human, half siren.
This way, she can keep her hypnotizing voice, since she sure as hell wouldn't have gotten it from Erik.
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I'M HERE AGAIN!
MILGRAM+HSR-AU (part 4)
Kusonoki Muu
Prisoner No. 4
Follows the Path of "Preservation"
Elemental damage type "Imaginary"
Mu is a representative of an insect-like creatures race. So she doesn't look like human at all. But she has enough abilities to disguise herself. It is quite amazing how such a huge creature can turn into a pretty human girl half her original size. On the ship she's usually in a half-transformed state because the ship wasn't designed for her size and at the beginning she often hit her head on the ceilings or stairs.
A girl of royal blood. Lost in the struggle for the throne and was expelled from the planet. Officially for murder. Unofficially, they tried to kill her like the others so that she wouldn't get in the way, but, unlike Rey, she was able to escape. Sadly she couldn't run far enough, and in the end was caught by MILGRAM.
Enters the battle in her real form.
Muu's AI Es-04
differences between human form and original form
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