The way in Knives Out that the entire Thrombey family constantly subjected Marta to racism for years ranging from micro aggressions to outright threats of deportation, that she knew all their fucked up dirty laundry and how they all were constantly exploiting Harlan's wealth, that they excluded her from Harlan's funeral and each blamed everyone else for it, and that they immediately dropped all pretenses of condescending civility when the will was read, yet she spent almost the entire movie sympathetic of them and wanting to gift them the fortune Harlan left her before finally standing up for herself in the last hour
Vs
The way in Glass Onion that Helen outright hated the entire "disrupters" group for at least ~10yrs before the movie even took place and made her opinion explicitly known, that her acting as her twin sister being jilted was so easy to maintain because she hated the entire group so much, that she didn't at all humor their extremely conditional "comradery" with her cause against Miles, and that in the end when everything was said and done she didn't stick around to watch them all turn on each other because it didn't matter anymore if they did or didn't
Marta's kindness got her the house.
Helen's justified fury burned Miles' down.
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I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.
Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.
And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.
Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.
They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.
When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.
Alfred owns the apartment next to them and comes over regularly. Danny clings to him.
When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.
"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.
"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.
Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.
Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.
Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.
When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.
Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.
because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far
when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)
danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.
and god help him, he's going to help people.
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"Disney's princess needs to have more diverse personalities!" Yes true, sure, but also
Disney's first three Princesses (Snow White, Cinderella, Aurora) are all graceful, sweet, like singing songs about dreams and wishes, and do not actively fight: "omg they're such anti-feminist caricatures!!!"
Disney's next princesses have more established emotions and personalities, alongside the establishment of the "I Want" song as applied to motives outside of love (exploration, adventure, making their family proud): "OMG Ariel traded her voice for a man, how stupid!" "Belle's so stuck-up!" "Jasmine's just a spoiled brat!"
Tiana's a dedicated hard worker, loves her family a lot, and wants her loved ones to be very happy even at her own expense and gets... totally ignored in this conversation, gee I wonder why
Rapunzel, Anna, and now Asha are a little bit awkward, silly, but exuberant and get written off as "stupid adorkable" despite the other tenets of their personalities setting them apart, like Rapunzel's creativity, Anna's dedication to her family, and how Asha strives to help those around her
Moana gets called a disobedient brat for seeing beyond her father's narrow-mindedness
Disney Princesses have many wonderfully different personalities. It's just that people are dedicated to misinterpreting them, and that's why I never take the "Disney Princesses need more diverse personalities!" comment at face value.
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no but actually. the parallels to other Twins in different nations of teyvat in relation to the traveler and their desire to reunite with their own sibling makes me a little bit bonkers. like.
diluc and kaeya as what the traveler has and fears, after we will be reunited [separation born from conflict that seemingly cannot be mended; they both care for each other but ultimately their opposing ideals mean they cannot be at each other's side in the same way that they used to, and no longer have the close bond they once did]
ei and makoto as what the abyss sibling experienced [a crushing loss not just of one's twin but the last remaining friend they had and the safety and security of their nation, coming out the other side traumatized, cold and jaded and making decisions that will ultimately hurt the people they claim to want to protect for the sake of an unattainable goal]
and lyney and lynette as what the traveler and the abyss twin used to have before they were separated [never apart for long, home is wherever we are together], what the traveler wants [their separation brief and quickly amended, continuing to be inseparable after they reunite], and also the choice they'll have to make [the twins being together in an organization the traveler inherently doesn't trust - does the traveler want to be by their sibling's side badly enough to throw their lot in with the abyss, and turn their back on everyone else they've met on their journey so far?]
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