#so long story short. one of the goals of this year is to actually watch the x files. like for real in order

[zeroducks-2]

Do you really think reverse flash is in love with Barry? I don't mean for this to sound snarky I'm just confused. Thawne killed Barry's mom how can you say he's in love with him? I like all the things you post and rb about them I really enjoy the ship. I just don't get it can you explain?

The question "how can Eobard be in love with Barry if he hurt him" has both a short answer and a long answer. The short answer is that people are very much capable of hurting the ones they love, on purpose or by accident.

The long answer is that Eobard is a deeply disturbed individual who has never been the recipient of love, and because of that and of many extremely traumatic events (including but not limited to being brainwashed in prison, being trapped in a timeless limbo alone for years, being tortured and treated like cattle and put in sensory deprivation for ludicrous amounts of time, dying at the hands of the only person who had ever shown compassion towards him), he has a skewed perception of a lot of things and is extremely bad at emotional regulation.

Moreover, and this is something which is easy to overlook but it's actually very important, Eobard is not human. His actions are informed by his traumas, but the way he approaches pretty much everything (including his "problems" with Barry) isn't done the way a human would.

Eobard is a timeless, deathless creature which embodies one of the driving forces of reality itself (the Negative Speed Force). He lived probably more than a few hundred years considering how he keeps running around through time doing stuff, and how he keeps going back to watch past events and adjust the way he will interact with the timeline next.

He knows the huge impact that killing Nora will have on Barry, but from a moral and ethical standpoint it's not a big deal for him. Nora is less than a speck in time, an NPC who served her role for that briefest moment in which she existed. She is a big deal because she is a big deal for Barry, not because she's meaningful in any other way.

"But then he did want to hurt Barry when he killed her" Yes, absolutely he wanted to. Eobard didn't "just" kill Nora Allen - he went back in time and changed everything about Barry's life, made it so he had no friends, made him grow isolated and insecure and shy, lacking confident in his abilities. And he did it because he is very, VERY angry with Barry for one, and also because isolating Barry makes it easier for them to grow closer.

And it worked! Back in the Silver Age, when Nora and Henry were alive and not in prison, Barry couldn't be bothered with Eobard. For him Eo was just a random criminal with superspeed, and sure he was threatening because speedsters always are, but not that much of a big deal.

Now? Now Eobard is a primary element in Barry's life, a constant he's had to deal with basically since birth, someone who rewritten his entire life to make himself part of it in an indelible manner.

It worked because now Barry is more likely to fall for Eobard's manipulation, to listen to him, to just accept that he's THERE because he's always been. Near the end of Running Scared, Eobard tells him "run away with me", and Barry says yes.

Back in the Silver Age there would have been no way.

It's worth mentioning that to understand Eobard, you need to understand that everything he does, every single thing, has the end goal of being with Barry. Whether he's trying to protect him or trying to hurt him or trying to manipulate him, whether they manage to work together against a common enemy or they're on opposite sides of the fight, every single one of Eobard's actions is motivated by love (his personal, inhuman version of love).

"But if that is the case, then why doesn't he just tell Barry 'I love you'?"

Two reasons, and one is meta.

The in-story reason is that every time Eobard tried to do something good without masking it as horrible, it went sideways and backfired spectacularly - mix that with poor emotional regulation, and you have someone who's not going to be able to handle rejection and is outright scared of doing good things openly. I think if he told Barry "I love you" and Barry reacted badly it would hurt too much. Also he wants Barry to understand, and thanks to a couple of competent writers who sadly don't work on Flash anymore, we were getting there.

The meta reason is because DC is homophobic, plain and simple. Eobard DID SAY I love you many times except with words, because DC editorials won't let him. That's it. It's the same reason why Joker can't tell Batman "I love you" and has to do weird ass word plays and even more weird ass attention seeking maneuvers. They're stunted by reasons which no one but DC itself can control.

So in short. How can Eobard be in love with Barry and hurt him so much at the same time? Because he doesn't have many ways of express love, he has a hard time being caring, and every time he allows himself to be soft it backfires. Because he wants Barry to belong to him and will isolate him and make him suffer to get there. Because he's angry with Barry -- Barry hurt him too, rejected him and left him alone and refused to accept that Eobard is his lightning rod for a long time.

Eobard easily lashes out when he's hurt, and the less grounded he is the more vicious and violent he turns.

"But Zero, how can Eobard think that Barry will ever forgive him for having killed his mom?"

I don't believe Eobard was ever looking for forgiveness, but fun fact. Barry did forgive him already. Barry is not human either, and at this point I think he'd forgive Eobard just about anything, and despite how difficult everything is between them, he really wants to get to a place where they don't need to hurt each other.

The problem with this, and it's one of the reasons why they have so many issues communicating, is that Barry is in denial about many things - about being the Speed Force, about Eobard being in love with him, about how they're two constants through time and two sides of the same coin and basically can't exist without each other, about how they're each other's lightning rod.

Their relationship is very complex, absolutely not what it looks like at first glance, and it's colored by all the hurt there is between them. But again, ultimately understanding Eobard is understanding that love is what motivates him, even when he does the most horrible unhinged things.

In conclusion, have this panel from The Flash Age which is one of my favorite Flash comics, in which you can see the way these two manage to trust each other and fall into the right rhythm, despite the oceans of misunderstandings and suffering between them.

Pages from The Flash Age, by Joshua Williamson. In which Barry tells Eobard to "do the right thing", and Eobard just does it.

#thanks for asking anon #you didn't sound snarky at all no worries #I tried to be as exhaustive as possible without writing a wall of text #idk how well I managed #I just know I could talk about these two forever #my asks #eobarry #barry allen #eobard thawne #my meta

[desirableendings]

The X-Files’ Pilot has everything. Alien abductions. Scary woods. The pinnacle of nineties fashion. Rainy sexual tension. David Duchovny looking like that. Family drama. A tragic backstory. Graveyard digging? And the most interesting choices for practical effects.

#the x files #have I ever talked about my relationship with the x files? because it’s kind of a funny story #the x files is like my dads favorite show of all time. or at least it was for most of my childhood #and my childhood was the epitome of dvds so my dad got every season on dvd. which meant that it was always on #like in the background. so I kinda ‘watched’ it growing up. but also not really. because I watched some episodes #some incomplete. most of it I don’t remember. not the details. but I know the general idea of it. I know milder and scully and aliens #and I remember more towards the end because I guess I was older by then and more likely to remember #so long story short. one of the goals of this year is to actually watch the x files. like for real in order #and I just watched the pilot and holy shit did they manage to pack a lot in it! #don’t know why I expected like some casual supernatural intro #not straight up alien abduction. but hey. I think it was great #I want more #so stay tuned for more casual posts about it

[quinton-reviews]

Hi Quinton!! I have been a HUGE fan of your stuff since a friend sent me the Tobuscus Fallen Titans (I used to watch him back in high school and was like "huh, wonder what happened to him after those allegations") and I gotta say, it is REALLY FUNNY every time my fiancé and I watch the iCarly videos again, because when you cover Gibby's stunt double breaking his ribs, you cut to a clip of The Official Podcast. I used to play D&D with one of the main dudes from the podcast, so when he talks during that clip I do a goddamn double take literally every time.

Anyways, I remember an original Patreon stretch goal being a Fallen Titans on Homestuck! I was really big into Homestuck in my early 20s, and was wondering if that's still on the table at some point? If not that's fine, I understand plans change! I just love Fallen Titans lol, the Fred episode and the Neil Cicierega unFallen Titans are some of my favorite videos of yours!

That's a real funny story!

So here's the rundown on the Homestuck video. When I first started making long videos, they were actually inspired by the relationship I had with other YouTubers at the time. I used to watch, like, H3H3 and Filthy Frank, etc; and I'd always see people obsessed with the versions of creators from the past. Like, "Oh 2015 H3 was the best" and "Oh 2012 Frank was peak." So I had this idea that it would be crazy if H3 posted, like, a video he spent a decade on and you got a new video with 2015 H3 10 years on. (I don't watch H3 anymore ironically)

So the original idea for the "long video" format was that it would be cool if, throughout a long, analysis/review/recap video, you kept noticing someone get older. Maybe my months, maybe by years. That's why I always like to get a haircut when I start one of these videos. If you scrub through and you see my hair get longer and messier as it goes on I think that adds something magical you can't fake.

So... My pitch to the Homestuck video was that it would be funny to work on it just once per year. To record one segment, say "That's it for 12 months", and then come back around to it. And when I was making the iCarly and Victorious videos I actually recorded a few minutes of the video! I think it was two segments in total. But then I had a bunch of personal stuff happen and my work drive has been much lower, so any "back burner" video hasn't gotten much attention since then.

Now that the iCarly mini-series is done with, I want to focus on some short one-off videos I can make before April. But once that's done with, I would REALLY love to start work on a few more long-term projects which will take months or years to finish. I think returning to work on the Homestuck video, to at least get the first 20-30 minutes done, would be a great idea this summer.

Now, if you want to know my pitch for that video, here it is. The video is not a recap of the creative history of the franchise. I do not get into drama, community hell, lawsuits, or other YouTubers. My idea is this: you always hear about Homestuck as an outsider but you never hear about the actual content. Most franchises on Earth I know something about, even and especially if I've never been interested in them. I can tell you a bunch of facts about wrestling and MLP and the Fast and the Furious simply through cultural osmosis and having friends who are into those things.

I can't tell you the plot of Homestuck, who the characters are, what the themes are, nothing. I've known a lot of people who were into Homestuck but nothing about the series!

So I thought it would thus be funny to make a video about a bunch of people who know nothing about the series starting from the beginning and giving their reactions, even if it's been years since it all started. I call this part of the video the "Homestuck Book Club." So the next step is me picking out the members (who all have to have no history with it) and making sort of a podcast setup. We'd then read and record every six months or so, IDK.

This is why the video has been stuck in production hell! Everyone who wants to work on it and messages me about it already knows the franchise. I don't want spoilers, I don't want people writing for the video who get it already. I want to capture the "what the fuck is this" energy of three dudes just getting in the middle of it.

Also, I think that I really like the theme of the video capturing our lives as they go by, capturing us aging and changing. If you came back from the future and told me this video comes out in five years, I'd say great. If you told me it comes out in ten years, I'd say awesome. Until then, the latest edit will always be on Patreon, even if you have to dig a little.

#homestuck #quinton reviews #long videos

[lemonhemlock]

tried watching the new queen charlotte series but was immediately put off by the ridiculous anti-corset propaganda, so get ready for another rant.

first of all, this is the georgian era so what she's wearing are called /stays/ - corsets are a victorian invention. why do we still not know this in 2023 when period productions have remained consistently popular throughout the years? the concept of tighlacing (the goal being a reduction of the waist) is also victorian and was not the norm at all and v much an extreme practice. this understanding of history is so superficial, it's as if an alien were to open up People magazine and conclude that all human women resort to butt injections and lip fillers to stay with the fashion of the times. also, no, you cannot tighlace in stays to obtain a waist reduction because they are shaped like a funnel (picture 1 = long stays, 2 = short regency stays, 3 = corset)

charlotte goes on to complain about how dangerous whalebone is and that it might kill her if she makes the wrong move. what the actual fuck? whalebone was actually the very best material to use for this because it was sturdy yet flexible and allowed the /stays/ to completely and comfortably mold around a woman's unique body shape. one of the reasons why today it is v difficult to replicate the same effect in corsetry is because we do not have access to whalebone (killing whales is not cool for obvious reasons) so corset-makers have to resort to other materials like plastic or metal, which CAN break. whereas whalebone doesn't really break as easily. furthermore, stays/corsets were NEVER worn on bare skin, but with a chemise/shift underneath.

why did women in the past resort to this type of undergarment, you ask? well, apart from the fact that women need bust support, the stays also serve the purpose of allowing all the many skirts and petticoats to be placed comfortably onto the waist. you try piling on that much fabric around your bare waist and see how you like it and if you can even carry it all around without it cutting into your stomach.

clothes throughout human history did cater to the popular fashions of the time, yes, but they also reflected the technological limitations and there was thus a practical aspect to it. this is a time before elastic bands, before industrialization and fast fashion, clothes are v difficult to make, everything is done by hand, so a lot of care is put into preserving them, because they are /expensive/ and labour intensive. you don't want your fancy outergarments to get ruined so you wear a lot of undergarments to absorb your bodily fluids since those are easier to make and don't have to look "pretty", can be stained and patchy etc. again, why do you need so many layers in the first place? because this is a time before comfortable heating, with poorly isolated and drafty houses, and it's bloody cold otherwise.

the third reason why that monologue was so dumb is because CHARLOTTE is the reason regency court dress was so preposterous. long story short, in a few decades, the fashionable silhouette changes wildly from the late 1700s to the 1810s.

the regency waistline was much higher and the gowns were much more flowy and unstructured than the late georgian ones (what's commonly known as the empire waistline). the long stays of the late 1700s were now replaced with short stays that really were similar to modern bras. the scene in the first season of bridgerton where they squeeze penelope's sister into what looks like a pair of long stays (?) is bonkers bc no one would wear a waist-constricting boned undergarment under a regency dress. why would they? the natural waist is not even emphasized in any way. this is just another reason to peddle the women-were-oppressed-by-their-lingerie agenda. so if charlotte really hated long stays that much, regency would really have been her time to shine, right? wrong. the woman loved the fashions of her youth so much she forced everyone who came to court to still comply to them, which is why we get the absolutely atrocious regency court dresses - essentially a combination of the georgian style with side panniers, but with an empire waistline.

yeah, this is how daphne SHOULD have looked like when she was presented at court in front of charlotte. i can understand why the showrunners decided to just leave her in a regency silhouette because this is ugly af. but, anyway, queen charlotte is the last person on earth to be complaining about how uncomfortable stays are.

creative licence aside, the reason this pisses me off is because it is SUCH lazy storytelling. the show wants us to know charlotte is a spunky pseudo-feminist character so the easiest way to do that is to have her complain about the evil 'corset' trying to kill her. it is so profoundly ahistorical and does nothing to contribute to the conversation about women's true problems and true limitations during that time. instead of genuinely exploring social history and women's actual lived experiences, we are STILL, in the year of our lord 2023, diverting the discourse towards fabricated issues that never existed in the first place.

the reasons actresses complain about boned underwear in interviews are manifold. costume designers are very overworked, they have to produce clothes for hundreds of people in a very short time, so they simply do not have the time or resources to construct corsets/stays that fit the actresses like they are supposed to. in the past, these garments were made individually for every person and completely to their own requirements. they also make these actresses wear the boning on BARE skin to look extra sexy to the audience or to emphasize their oppression - that never happened, a shift was always worn underneath (hello dakota fanning scene in the alienist??).

moreover, they lace them up until they constrict their ribcages - these women are already super thin and their bodies cannot support more reduction - instead of relying on the historical practices of padding and illusion. nowadays, body parts are what's fashionable - that's why so many resort to fat transfers or breast implants or starving themselves to achieve a flat stomach. in the past, anyone of any size could have accomplished the fashionable silhouette because they had a wide array of accouterments to plop underneath their garments - panniers, bustles, hoop skirts, padding of any sort. it didn't matter how big your waist was, you just padded other areas until you achieved the desired shape. fat women wore corsets/stays, too. working women, who did a lot of physical labour, did the same. how were they able to perform all of their tasks if they were incapable of moving or breathing? even today, people wear medical corsets all the time.

TLDR the media's obsession with portraying modern women as so liberated because they wear bras instead of "patriarchal" underwear is so tedious.

EDIT: Some very basic chronological tadpoles to make this easier to place within historical context. "Georgian" is used to denote the 18th+ century when Great Britain was ruled by several kings named George, so roughly 1714-1830. Within this interval, we refer to the Regency period as encompassing the regency of Prince George, future King George IV, when his father George III was incapacitated by mental illness. The official political regency took place during 1811-1820, but culturally speaking, this was extended to roughly the end of the 18th century up to maybe 1830 or 1837. This is the time period of Napoleonic wars and Jane Austen novels, so all her heroines should normally wear Regency styles. Think "empire waistline" as in Imperial France and Napoleon. The Victorian era (and its corsets) follows throughout the rest of the 19th century. Queen Charlotte was a contemporary of Marie Antoinette's, so they should be dressed in similar fashions (robe à la française vs robe à la anglais).

#but what can i expect from a production by shonda rhimes 🤷‍♀️ she certainly has a marvel-heroine type understanding of feminism #queen charlotte: a bridgerton story #bridgerton #fashion history #anyway this post is relevant for my blog bc i generally watch a lot of period media so this issue inevitably pops up now and again #would also like to add that while the term 'corset' did exist in that era #it referred to a v wide array of chest undergarments #so as to become impractical to use for a relatively short explanation #corsets as we conceptualize them today are tied with the victorian period #also pls remember i am simplifying for the sake of brevity else this post would have been enourmous

[nanowrimo]

How to Choose the Right Story Idea

Every year, we’re lucky to have great sponsors for our nonprofit events. Scrivener, a 2023 NaNoWriMo sponsor, is an award-winning writing app containing all the tools you need to get writing and keep writing. They’ve teamed up with S J Watson, bestselling author of Before I Go To Sleep, to get some tips on deciding if your story idea is a good one. 

If you’re writing fiction, the thing that must come first is the idea. Without that we have nothing. But what are ideas; how do we get them; and crucially, how can we choose which ones are good enough to sustain a long piece of fiction? 

These are big questions, so let’s consider them here. 

What is an Idea?

I came across two interesting dictionary definitions of what an idea is:

Something such as a thought or conception that is the product of mental activity; and

A sense that something can happen, a notion or expectation.

The seeds of ideas are everywhere. Everything we see, hear, read or watch can spark a thought, and we need to remain alert to those sparks, as some might become useful ideas. But being alert is not enough. Rarely do ideas arrive fully formed. Usually we have to actively work on promising nuggets in order to turn them into gold. We can’t just sit around and wait for the lightning bolt to strike.

Instead, get used to actively, and playfully, interrogating your daily musings. Ask yourself questions. ‘I wonder what would happen if…’ or, ‘Why did that person just..?’ etc. Don’t censor yourself. Let your mind take you to wild and fanciful places. You can always reign it back in later. Fill your notebook.

Choosing an idea to work on

Not all ideas are created equal. So how do we choose? Look at the second definition above. Some ideas seem exciting at first but they’re limited. It’s hard to see how they can lead to interesting characters and high-stakes conflict. Others invite you into a world brimming with possibilities. They seem to open doors. These are the ones to work on.

The best, most fertile ideas, are magnetic. They grow by attracting other ideas to them. You’ll notice connections, and find yourself asking ‘What if..?’ and ‘I wonder why..?’ more and more. When this happens, you know you’re on to something, but at this point it can still help to ask yourself some questions.

First, which ideas excite you?  Are there any that you can’t quite believe no one else has written? If so, go for it! If not, then perhaps proceed more cautiously. Don’t reject them outright, necessarily. Maybe you just need an extra ingredient or two. Give it time and wait until you do get that glimmer of excitement. 

Next, can you see a protagonist with a goal and obstacles that stand in their way? If not, maybe you have an idea for a situation, but not an actual novel. ‘What if a totalitarian regime came to power?’ is not an idea for a story, but ‘What if two people fall in love in a world governed by a regime that has outlawed romantic attachment?’ is. Again, keep going, stir the pot until you can come up with characters and conflict.

Also ask, are the stakes high enough to maintain a reader’s interest, and if not can they be raised? Are their problems, if not universal, then at least relatable? A professor searching for the key to immortality is one thing, but a professor searching for the key to immortality because his wife is dying is suddenly something else. Keep going until you feel that tug of universality. 

Finally, does your idea seem original?  This is important, but beware! Almost everything has been done before, the key is how you combine ideas and what you do with them. Don’t reject every idea that is reminiscent of something else, but instead look for how you’re going to make it your own. 

In short, daydream, be playful with your thoughts and observations, and sooner or later something will come along that seems on fire with possibility. Congratulations! Now the hard work starts…

SJ Watson is author of Before I Go To Sleep, which was turned into a film starring Nicole Kidman. He has since published two further psychological thrillers, Second Life and Final Cut, and has set up The Writers’ Lodge, which aims to help and support writers at every stage of their creative writing journey. S J Watson recently launched a public novel writing project called The Experiment. He writes using Scrivener.

All NaNoWriMo participants receive 20% off Scrivener for macOS and Windows from now until December 7, 2023, with the code NANOWRIMO23 .

Top photo by Jon Tyson on Unsplash.

#nanowrimo #writing ideas #story ideas #writing #writing advice #by nano sponsor #scrivener #sj watson

[dumbfridge]

hey!!! if you enjoy varian and the seven kingdoms please stop scrolling for just a moment!!!!

so i know there are multiple fanfiction creators who have written their own versions of vat7k and i love and have read each and every one of them

i decided i wanted to join in on the fun and so i’ve been working on my own version of vat7k for over a year now

i’ve split it into three books plus a prequel and a sequel. each book (minus the prequel & sequal) have 22 chapters each. the prequel & sequel will have around 1-10 chapters (it depends on how long the written portion is)

i wanted to make my series have a similar vibe to an actual tv show so the chapters will be posted as if they are episodes. for example, one chapter will be lore based and another will be similar to a filler episode.

sadly, i’m still working on it and it probably won’t be done anytime soon but i do have a decent portion of it created. i have an idea for what to put into each chapter and am working on the details of each chapter. i’ve also written a few snippets here and there and here’s one from the prequel, After Ever After:

Varian’s pacing. He knows he’s pacing but by the Sun, he’s angry. For years, he’s wanted to know more about his mother. For years, he’s begged to hear stories about her. For years, he’s lived off of the small scraps that his father gave to him, only to learn that he has been keeping a key component about his mother from him.

His mother’s journal sits before him on Xavier’s table, a deep forest green with a symbol engraved upon it. If he didn’t know any better, he’d say it's mocking him. Just when he made peace with the fact that nothing will ever change in Corona, this journal pops into existence as a big “fuck you!” to Varian’s mental wellbeing.

Xavier has been watching him patiently, having already picked his way through the journal. Varian stubbornly refuses to be the one to speak first but Xavier is just staring at him, his eyes following the path Varian is making into his floor.

Varian doesn’t speak for several more seconds before he demands: “So? What does it mean? What are the Seven Trials and why was my mom so obsessed with it?”

“Ah, yes, the Seven Trials,” Xavier enunciates. He rubs his chin as a faraway look passes over his face. “It is an old tale but one worth revisiting.”

“Oh, would you quit it?” Varian snaps. He stops pacing and stands across from Xavier, arms crossed and his foot tapping the ground repeatedly. “I really don’t want a long winded explanation right now.”

Xavier chuckles. “Very well. I will keep my story short. The Seven Trials were a test made long ago by Demanitus himself.”

Varian’s foot falls with a final thump. “Demanitus? My mom followed his studies too?”

“It would seem so.” Xavier gently picks up the journal and flicks through the pages. He stops about midway through the book and turns it for Varian to see. “And it also seems like she got very close to her goal.”

The entry on the page is annoyingly vague. The main phrases he gets from it are words he’s already read when he skimmed through it earlier. “The Eternal Library” particularly stands out to him. He could have sworn he heard it somewhere before.

When he rereads the paragraph, though, he puts together pieces that he had taken for granted before. Most of it doesn’t make any sense because she’s using key words only she obviously knows but Varian gets the gist of it. She completed all of the trials and found the location of the Eternal Library.

that’s all i have for that right now

if you have any questions, feel free to ask

and if you have suggestions, i’d be happy to hear them! i can’t promise any of them will make the cut but if they do, i’ll make sure to credit whoever’s idea it originally was

thank you for reading! if any of you are interested i might be able to post more snippets of it

#varian and the 7 kingdoms #varian and the seven kingdoms #vat7k #varian tts #varian #varigo #hugo vat7k #nuru vat7k #yong vat7k

[gay-disabled-characters-showdown]

LGBTQ+ Disabled Characters Showdown Round 1, Wave 2, Poll 5

A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.

Check out the other polls in this wave and prior here.

Riku-Kingdom Hearts

Qualifications/Propaganda:

So Riku is neither canonically LGBTQ+ nor canonically disabled but there's quite a slew of subtextual evidence. And this subtext is considered basically canon due to the creator's (Tetsuya Nomura) stance on media, which is that he enjoys leaving clues for players to figure out. So while Riku is never explicitly said to be queer or disabled, there's clear evidence on both accounts.

So first: Riku is gay. There's no doubt about it (despite what the dudebros insist...) Riku is gay for Sora, his childhood best friend/former rival. Long story short, Riku was afraid of Sora's friendship with this girl Kairi, didn't realize those feelings were gay jealousy, and he got gaslighted by the Mistress of All Evil, MALEFICENT HERSELF, into believing that Sora didn't care for him anymore. He went Dark Mode, destroyed their home, and antagonized Sora for most of the first game. But then he gets trapped in the Realm of Darkness after Sora kicked his ass for the millionth time and he realized how *sora voice* stUpid he was being and helps Sora stop the apocalypse (saved the world counter: 1) Then Riku goes through a whole arc of "wow i was an idiot. sora will never forgive me and i have Darkness in my heart and i need to protect sora while he's in a year-long medically-induced coma to undo his amnesia" and. idk. theres a Lot of stuff. So much so that someone made a 6-HOUR video essay about it! (https://www.youtube.com/watch?v=ll17V9DJr7g)

Riku is also likely suffering from chronic pain. Throughout the year that Sora is in a coma, he fights Sora's Nobody, Roxas, to get Sora's memories back. During the fight, Roxas breaks Riku's wrist, and it never heals correctly. Throughout the finale of Kingdom Hearts 2, the next game chronologically, Riku wears a wrist brace that goes largely unexplained. During the final boss fight, Riku throws himself in the way of Xemnas (the Big Bad) to protect Sora, getting hurt twice in the process; being struck so hard in the shoulder that he's flung halfway across the battlefield, and then hit in the side so badly that it causes him to collapse as soon as the adrenaline from the fight fades. It's likely that none of these injuries healed properly, as even in Kingdom Hearts 3 (which is like 5 games later. dont ask) he has some interesting tells; his walk is incredibly stiff and his battle stance changes, likely because of the strain put on his wrist for the old stance. (https://www.tumblr.com/nobodyriku/706960754548604929 shows this pretty well, though i can't find the other post i had in mind but whatever)

Anything Else?:

soriku endgame actually <3

Darth Maul-Star Wars

Qualifications:

Maul is canonically disabled; he was bisected at the waist by one Obi-Wan Kenobi, but SOMEHOW did not die, and was in fact teleported into a garbage dump, where he proceeded to live as a spider cyborg for the next 12 years, when he was found and rescued by his long-lost brother. He has used prosthetic legs of one kind or another ever since, and in Rebels, he uses a cane. He is also definitely gay. In The Clone Wars cartoon, he is OBSESSED with Obi-Wan, to the point that Obi-Wan is his entire personality and the entirety of his life goals. All he wants is to kill him and cause him suffering in revenge for being cut in half and subsequently abandoned by his master. However, this obsession is. Definitely homoerotic. Dude fights Obi-Wan naked at one point (the animators forgot that people with prosthetic legs still have to wear pants). He literally builds a hate shrine to Obi-Wan's dead ex-girlfriend, who he killed, AFTER he kills her. In Rebels, once he is able to merge the two holocrons and ask any question he wants, he asks where Obi-Wan is. The answer is Tatooine, of course. He goes there, has one final fight with Obi-Wan, and is fatally wounded. HOWEVER. He dies in Obi-Wan's arms. He dies being HELD GENTLY by Obi-Wan. I cannot adequately explain how insane that is. Makes me froth at the mouth. Anyway.

Propaganda:

I love this severely fucked-up dude so much. He dedicated almost 20 years of his life to a single-minded obsession with Obi-Wan Kenobi, an obsession which literally kept him alive when he was chopped in half in a garbage pit, stuck in a hole on Planet Sith, and just generally attempting to live after being raised for nothing but violence as a child. He is missing half his bones, many vital organs, and got his two biggest blood vessels sliced right open, and yet REFUSED to die. He then became a spider cyborg. The first thing he did when coming onboard the Ghost was critique the interior design. He took over an entire planet just to get a guy to notice him. He was kidnapped as a child and tortured nonstop for the first 20 years of his life, resulting in an attachment style where he can only conceptualize relationships as a hierarchy (master/apprentice), so he searches constantly for an apprentice, and even treats his brother as one; despite how he very clearly just wanted a brother, he didn't know how to be in an equal relationship. He does absolutely nothing but cause problems for people-- be they Jedi or Sith. Ahsoka once released him from a magic strait-jacket as a "distraction" and he immediately began tearing panels off of the walls and decapitating people with them. He has a death grip on my brain.

Submitted by @convenient-plot-device

#polls #poll #disabled characters #lgbtq characters #disability #lgbtq #lgbtq dcs round 1 #lgbtq dcs wave 2 #riku kingdom hearts #riku #kingdom hearts #darth maul #star wars

[itsclydebitches]

Team RWBY getting introduced to the multiverse by a team of superheroes who've been fighting God-like beings for years and not asking for any help against Salem after establishing that she's apparently laying waste to the rest of Remnant and Vacuo is the last remaining hope is just... Typical, I guess.

I feel like that highlights how unintentionally selfish the writing makes the team out to be. Again: unintentionally because though the story is clearly aiming for a heroic perspective, lack of development and world-building like this ensures that falls flat. I haven't watched the movies yet, but we saw a more complex version of this in the Atlas arc where the group was more concerned with what was morally easy for them (save people) than grappling with the difficult choice that might help everyone in the long-run (lose people to maintain/win the war). It's a hard thing for a lot of fans to even pick up on because the knee-jerk response is, "How can saving people be bad?" and... it's not, but RWBY keeps presenting moral quandaries where the "best" outcome is both subjective and unlikely to come about through traditionally heroic means. Same thing with the Ever After. Team RWBY wants to leave the world they've been cast into so they can get back to saving people. That's good! Totally good. How could that in any way be bad? Well, because staying there, if only for a short period, means they may learn information that will assist them in defeating Salem. Lose another (metaphorical) battle to potentially win the war. Make a sacrifice to protect the majority. The go-to response for why they didn't hang around and question the Blacksmith is that they had to get back to help, but that short-term help is always what's prioritized. The immediate help. The easiest help to give without taking risks or making a hard call. Now, why go through the difficulty of acquiring inter-dimensional allies and attempting to figure out the logistics of them saving your world when you can just fix the immediate problems (defeating the one-off baddie, getting back home) and return to your regular saving people gig? That's a fantastic gig that indeed makes you look good... except when it's no longer enough to solve the problem and your preferred means, no matter how heroic on paper, are acting as a hindrance to your success.

Obviously in the realm of tie-in movies there are writing considerations too like, "These superheroes aren't actually a part of the canon proper, so they can't just swoop in to save the day" but that doesn't mean the writers can't craft a hand-wavy scenario for why that help is denied. The point is to have the heroes try to find that solution. Let the girls try to defend Mantle, try to help Ironwood keep the Relics safe, try to get the Blacksmith to fix things, try to ally with superheroes to win the war, and if the story doesn't want those to function as solutions it can come up with reasons why it didn't work/someone refused. But continually the team makes these terrible choices that don't forward their primary goal and the audience is left to try and justify that with very unpersuasive excuses.

#rwde #rwby #mymetas #me writing a rwby post?? #omg who'd have imagined XD

[elffees]

Frontiers of Pandora made me realize how much I hate Jake S*lly

So I watched a No-Commentary lets play of Avatar: Frontiers of Pandora and have a lot of thoughts.

Disclaimer #1: I am a WOC, but I am not indigenous. I absolutely encourage indigenous peoples to add onto this post and share their thoughts.

Disclaimer #2: There is going to be an abundance of Jake S*lly hate in this post. I just ask that if you are a fan of Jake, and still choose to read my post, that you do so in good faith and out of genuine curiosity. Please don't read my post with the sole intent to shoot it down.

Overarching Problems with the Avatar Franchise

Okay so, time to actually get into the post.

To start off, the entire Avatar franchise has problems. Regardless if it's the video games, comics, movies, or what have you. Ableist tropes, racist tropes, misogynistic tropes, my god there are a bunch. These problems with the franchise have been talked about for literal decades now though, so I'll link a few of their pieces here.

Native Media Theory's critique video

"Avatar: The Way of Water" and the Question of Indigenous Representation

Native News Online's article about JaCam's horribly ignorant comment and ATWOW

Avatar: The Way of Water or How NOT to Make Indigenous Futurism Movies

Old, New, Borrowed and Blue: Compulsory Able-bodiedness and Whiteness in Avatar

Avatar's Approach to Ableism Misses the Mark

There are hundreds of other sources from all areas of the internet. It would be impossible for me to list them all. Fortunately, they're very easy to find if you want to know more.

What I want to talk about is the game Frontiers of Pandora that just released in December 2023, and how it changed my perspective on the movies, at least the first movie since I have yet to watch the second.

Frontiers of Pandora

(I will try my best to be as spoiler-free as possible, but there will be segments where I'll dive into them. I will put a warning ahead of time.)

Just so we're all on the same page, I'll briefly summarize FOP's premise.

Spoiler-Free Summary

As an infant, the playable character, an unnamed Na'vi, was taken by a project group of the RDA known as "TAP", The Ambassador Program. You are not alone, a significant number of Na'vi children, all from the newly introduced Sarentu Clan, were taken as well. It's made clear in the opening that TAP's initial goal was to raise Na'vi children and teach them human culture to "bridge the gap" between their two peoples. And then once ready, they would be sent back out into Pandora to serve as "ambassadors" for Na'vi-Human relations. You were to be mainly taught by Alma Cortez, TAP's Co-founder and a skilled xenobiologist, who notably spends more time in her Avatar body than in her original one.

As time passed and relations between the Na'vi and the RDA became more hostile, the taken Sarentu children were taught to use human weapons. Heavily implied to be trained to fight against other Na'vi to defend RDA resources, instead of the original intention to serve as "peaceful ambassadors".

The player's journey starts when the character is a teenager, around 16 to 18 years old. The final battle in the first movie causes a massive uproar to all RDA facilities, including TAP's. The administrator and founder, John Mercer, ordered the entire program and building to be abandoned. Part of that abandonment is ordering the execution of the playable character and all of the other Sarentu children.

Your character, and some of the others, are saved by Alma, who killed the soldiers that were assigned to kill you. Then, seemingly acting on impulse with no solid plans for your survival, put you and the others into a cryo-induced coma. With the plan that you would all be woken up when it was safe.

There is a misunderstanding and long story short, the Sarentu children do not get woken up until 16 years later. Your revival is when the game is officially put into the player's hands.

Just from the premise, it's clear the plot is based off the real life horror of Native American Boarding Schools. (I'm really curious how Indigenous viewers feel about this portrayal. I've tried to look up perspectives, but have had difficulty finding any. Probably because the game is so new.)

The Sarentu were taken as children, physically and psychologically abused whenever they interacted with Na'vi culture in any way, were told daily that the program was "for their own good", and were generally viewed as "property" owned by TAP and John Mercer.

We learn later in the game that in the early days of the program, the children suffered conditions so grotesque that the oldest of them admit to repressing the full events of what happened to stay sane. What we were already told about their upbringing is repulsive to hear, so to find out that there was more that was so traumatic and horrible, the characters can't even bring themselves to remember it let alone talk about it...

Basically, your character's backstory is fucked up. Very much so.

After experiencing all that, once your character wakes up from cryo sleep and rushes to the outdoors for the first time in approximately 32+ years, you get to the heart of the story.

Frontiers of Pandora is about the playable character reclaiming and rediscovering a culture that's been stripped from them. The character has the help of a predominantly human resistance group (known creatively as "The Resistance"), but the majority of the game is the character meeting and getting to know various Na'vi clans. From the Aranahe in Kinglor Forest, to the Zeswa in the Upper Plains, to the Kame'tire in the Clouded Forest.

And throughout the world, there are remnants of your character's lost people. There are Sarentu artifacts scattered all over the map where the character can regain lost knowledge from their Clan's way of life.

Fortunately, there are still Na'vi from the other three clans that have personally met the Sarentu before you. And they are EXTREMELY eager to tell you of their experiences with your people and how they used to interact with each other. There's even a character who is heavily implied to have known the playable character's mother, a fact we only learn after he playfully requests we gather ingredients and make a unique dish, not knowing until after we've tried it, that we were just taught how to make a meal our mother used to. A quest you don't expect to evoke tears until you're already crying.

You have the ability to use human weapons and wear human clothing if you wish, but that is optional. You can, and many players have, opt for a "full Na'vi playthrough" where you only use Na'vi weapons and dress in Na'vi attire (You can even dress in Sarentu-specific attire for full immersion!) There are no choices, so you can't choose to not interact with the Resistance, but you can spend as little time as possible with other humans, only needing to return for quick updates before going back out into Pandora with other Na'vi.

I say all this to say, the game is heavily about the Na'vi and reclaiming one's culture after it's been attempted to be destroyed. Watching this journey play out made me realize the potential Avatar has, and helped me better understand my biggest gripe with the movies. It's Jake Sully.

The Whitest Savior to Ever Whitely Save

After finishing the FOP playthrough, I decided to rewatch the first movie to see if I'd feel differently about it. And boy did I!

I could talk all day about how the tiniest similarities got to me. I laughed watching the ferocious pack of viperwolves, after seeing players frantically try to outrun them in Kinglor Forest. The harrowing climb up the ikran rookery, and thinking about the Sarentu's own sinking self esteem as they struggle to prove themselves to their eventual bonded. Even the floating mountains as the characters in the movie weave through them and Trudy uses them for cover, connecting it to all the times I've seen FOP players and ikrans rest on them or gather resources from their peaks.

The comparisons are endless.

But the biggest contrast and glaring stain is Jake's entire character.

Like Jake, the Sarentu (the playable character) has to learn how to maneuver a world they are not used to. Unlike Jake, it's clear the protagonist actually develops an appreciation and love for the world around them.

RELATIONSHIPS TO OTHER NA'VI

Even overlooking the WS trope for a minute (which we will touch on!), it comes across as though Jake only begins to side with the Omatikaya after enjoying the adrenaline rush of their way of life, and falling in love with Neytiri. But we never see Jake actually bonding with any other Na'vi besides her in the first movie.

He grows into calling them "brother" and "sister", and has a few throwaway lines of knowing of other Na'vi, but we don't actually see him develop any positive relationships with anyone other than Neytiri (who is very much given the Love Interest Angle where majority of her scenes are about Jake or have Jake in them. Even during her father's death scene, Jake made an appearance!!! Go away for a millisecond I am begging!) Even his supposed arc with Tsu'tey is rushed as all hell, and only happens because Jake ~miraculously~ becomes Toruk Makto. A feat that makes the Omatikaya gain respect for him en masse, despite them just calling for his death after learning he played a major role in the destruction of their Hometree.

In comparison, the Sarentu not only gets to know the culture, customs, and day-to-day lives of the Na'vi they meet, they also get to befriend them.

Now since I've watched a let's play, I haven't seen all that the game offers. But I have seen a lot of side activities in the Kinglor Forest.

Your character bonds with the other Sarentu children and with members of other massacred clans. They also create relationships with members of large clans: from as monumental of events as helping expose a corrupt olo'eyktan and bringing a shamed tsahik back to power, to as intimate as attending as funeral / "letting go" ceremony for a deceased ikran, to as simple as helping restore a weaver's low self esteem. Your character not only helps stop the RDA, but they also truly develop connections with other Na'vi. More than one!

Obviously, there can't be a full exploration of Jake simply making friends in a film because there just isn't enough time. But we could've seen him bonding with at least a few other Na'vi besides his love interest. For the franchise and sequel to be so Na'vi-focused, it wouldn't have hurt the first movie to detract some screentime from RDA characters, and give it to more Na'vi who we could've continued on with.

RELATIONSHIP TO THE WORLD AND TO EYWA

Another gripe I have with Jake's character is that he seems to hardly appreciate Pandora's wildlife or the Na'vi's connection to Eywa.

During Iknimaya, once he creates the bond, he refers to the ikran as "mine", despite the numerous times Neytiri has said no creature on Pandora can "belong" to anyone. It is a mutual bond based on respect, not taming a pet. Despite this lesson, Jake clearly still viewed it as such. We're not even told if the ikran Jake bonded with has a name, not in the film anyway. I had to find out through google that he named it, simply, "Bob".

And in the finale when connecting to Eywa, Jake asks for her help in the final battle. But while doing so, he's still uncertain if she's even "real" or "actually listening". Even now, he continues to doubt Na'vi beliefs (despite it literally being Grace's dying words!!)

In comparison, the Sarentu's journey up the ikran rookery to form a bond... it's emotional to say the least.

There is a desperation in your character's voice. Not of impatience, but of declining self esteem. A worry that you won't be chosen because you will not be deemed worthy. Because you are not Na'vi enough due to your upbringing. As you go up, an Aranahe character that guides you, Eetu, tells you of his experience and how calming it was. And that makes the character more nervous because of how stressful it's been for them so far.

But then you finally get close enough to approach. The ikran finally allows you to, and you meet eyes and...

I do not know how they managed to capture care and affection so perfectly but they did. The journey up the rookery is intense and nerve wracking. But once you get chosen, you the player IMMEDIATELY knows (just like Eetu said) because the ikran looks at you as though she's already prepared to give her life for yours. Many players have expressed that this segment legitimately made them cry because of how palpable the bond is.

And then Eetu says that she has placed full trust in you. And you know he's right because you can feel it. You can see it. But then he says now it's time for you to place full trust in her, and he "helps" you accomplish this by pushing you off the cliff!!!!! And it's scary! And terrifying! And you call out for her to help and you're still falling!! But then she catches you, and the next thing you know you're experiencing probably one of the most heartwarming scenes of the entire game.

The Sarentu is not yelling commands such as "shut up and fly straight". It is truly a psychological bond. You are not an owner and she is not a vehicle. You are not a tamer and she is not a mindless beast. You fly together as one. You are one.

Connecting to Eywa is also an emotional experience. Whenever the Sarentu connects to the Tarsyu (their clan's method), they're able to communicate with their ancestors, specifically the founder of the Sarentu, Entu. Sometimes in depth and sometimes only vaguely. But whenever a connection is made, the Sarentu walks away with something gained.

In comparison, it's debatable if Jake experiences anything at all when he connects to the Omatikaya's Tree of Souls. I suppose this can be left up to lore though. Maybe he just doesn't feel anything because he doesn't have Na'vi ancestors? Maybe it's because his kuru is artificially made and not naturally born? I don't know! The possibilities of why are endless, and probably answered somewhere in bonus Avatar content.

What my issue is, is that Jake doesn't seem to care whether he has a connection to Eywa or not, despite Eywa being a pretty significant part of Na'vi culture overall. If he's able to feel something when connecting to her, he has no reaction. And if he isn't able to feel anything, he still has no reaction over missing out on something significant to their way of life.

When the Sarentu children connect to Eywa for the VERY first time in 32 years, there is an air of both anxiety and excitement. One of them even voices that they're worried Eywa and their ancestors won't accept them for not being raised like "true Na'vi" (as you can see, this is a reoccuring theme in the game. Who can be referred to as "true Na'vi"). After the connection is made, there are mixed reactions. But at least there are reactions. Jake has none.

(Please note again: I am only referring to the 2009 movie in this post because that was everyone's first intro into Avatar. I am not referring to any comics or books or etc. that may dive deeper into these topics. If they do, great! That doesn't negate how lackluster the movie is. As the original source material, it should be able to stand on its own, and it clearly can't.)

"The Savior The Na'vi Needed" I Guess

I've already linked articles above about how inappropriate it is that a white actor + character "is the only one" that can help these "poor, defenseless, and naive" Indigenous / coded characters of color "defeat" colonization. Many many many people have have touched on this problematic storyline. It's very disturbing.

So speaking not from a Doylist perspective, but from a Watsonian one, Human Marine Jake is still an immensely odd choice to be Eywa's + the Omatikaya's Chosen One.

It's implied Eywa "chose" Jake because he'd be able to save Pandora. But the Omatikaya were literally going to DIE had Eywa not called on all of the animals to come to their aid. They would've lost following Jake.

The only thing he managed to do that was unique was unite the clans. Which he only accomplishes due to the lazy writing of becoming Toruk Makto. The implication that no Na'vi in generations EVER considered just jumping on Toruk's back. Or if there were other Na'vi that tried it, that none of them ever succeeded, but Jake, who is still new to the world and animals of Pandora, would know how to expertly bond with a creature as ferocious as that, better than every other Na'vi since Neytiri's grandfather.

Not to mention the absolute amnesia everyone gets once he does. His former betrayal is completely forgotten about, never to be mentioned again.

Neytiri no longer cares that Jake massively lied and used her, because he's Toruk Makto.

Tsu'tey no longer cares that Jake knowingly mated with his betrothed and spied on their people's way of life, because Jake's Toruk Makto.

None of the other Omatikaya (who are terrifyingly written without any individuality whatsoever) care their Hometree was just destroyed and their Olo'eyktan killed due to Jake's betrayal, because he's Toruk Makto.

It all just gets washed down the drain, like the sheer chaos Jake's actions caused no longer matter. Because he's Toruk Makto, the Chosen One. No further action required. No heartfelt apologies, no intimate discussions, no anything.

Jake jumps on Toruk, and that's that.

So not only were they actively losing following behind Jake's leadership, but he was only able to rally the clans due to shoddy writing choices. So WHY did Eywa choose this specific man, who was just actively working against her, to be the one the Na'vi are supposed to follow??

On top of all that, the implication of the Omatikaya needing Jake to survive is... dubious to say the least. It is not only literally racist, but also incredibly infantilizing to the Na'vi. The implication that they couldn't have come up with effective strategies without being ordered around by a person who's initial goal was to help destroy them.

"In siding with the ‘natives’, Jake and Grace play a central role in what can essentially be deemed as a form of anti-colonial resistance. What is crucial in this telling for the fight for Na’vi tribal and ecological survival is the ways in which anti-colonial resistance becomes legitimized through the ‘other’ becoming human." [...] "The Na’vi, like other colonized peoples, are denied of their own agency, and resistance only becomes valid and possible within a colonial paradigm of acceptability. As a result the Na’vi become dependent on Jake, the white, male, human, ethnographic anthropologist as saviour, leading them to a freedom in which he had helped threaten in the first place. [...] The Na’vi come to exist suspended by space, time and tradition and the role of Jake and Grace as anthropologists too occupy a place in colonial history that play into both liberal and much more conservative agendas." (Why Avatar is a Truly Dangerous Film)

Neytiri Should've Been the True Lead

Rewatching the first movie after Frontiers of Pandora, I not only had a much greater appreciation for Pandora, but much more distaste for Jake as the leading character.

While watching, I found myself thinking at SEVERAL points, "This would've been so good if Neytiri had been the focal protagonist." And the longer the film went on, the more the feeling settled in.

As the daughter of the Olo'eyktan and Tsahik, who better to lead her people to victory after her father's death? (You could argue Tsu'tey since he was supposed to be Eytukan's successor anyway. Either are valid options!) Neytiri's great grandfather was the last Toruk Makto, who better to become TM of their generation than one of his direct descendants? Neytiri holds great respect for Eywa and was destined to be the next Tsahik after Mo'at, so why couldn't she be the one who Eywa guides all of Pandoran wildlife to follow behind?

Just why oh why do all of these important roles in the narrative have to belong to Jake?????? Why couldn't they belong to a Na'vi character themselves?

This is not to say Jake should've been completely erased from the story. I do think him having some relevance still would've been fine, especially given he's a disabled man. I just wish his role had been that of an ally, a side character, or at most a deuteragonist second to Neytiri. Because there is weight in gaining insider information from a privileged ally.

I just wish that Jake hadn't been the lead character who's POV we follow. I wish it had been from the perspective of one of the actual Na'vi characters that were being oppressed.

BONUS: FOP Just Solves A Lot of the Issues I Had with Avatar

White / Human Saviour

Explained above.

Random Chosen One

The Sarentu playable character helps out, and is invited to help, not because they were spiritually chosen by "a deity they don't even believe in" unlike Jake. The Sarentu helps simply because they want to. Full stop. They see the injustices the RDA is enacting against Pandora, and simply choose to help put a stop to them. Because it is wrong.

That's it.

It's 1000x more admirable in my opinion. To choose to help rather than being a Chosen One destined to do so.

You can argue that since Jake seems to not even believe in Eywa, that he does help based on choice alone. But like I covered earlier, he only does so after he's deemed the Na'vi (or more specifically Neytiri) worthy of being saved. Not because they have the inherent right to live as they wish. No, he didn't consider them worthy of helping until after he decided they were.

The Conflicting Ethics Behind 'Avatars'

I don't know much about all of the side quests in the game so if there are any other avatars, then I don't know about them. But based on what I've seen of the main storyline, FOP handles the dubious topic of 'avatars' much better than the movie does. Because personally, I've always found the concept disturbing.

"At least in other white savior movies, they don’t sugarcoat the whiteness nor did they reward the whiteness with the ultimate prize." [...] "Apparently as a reward for being such a good white savior (that was originally a double agent for Colonel Scarface to get operational intel on them so the army could blow their magic god tree to Hell), Jake gets permanently transformed into one of the Na’vi via his Avatar." "Just imagine '8 Mile' if Eminem beat Sam Wilson and the rest of the Free World at the Shelter so badly, Future [...] took out his fairy godbrother wand and turned Rabbit into a brother. That’s the kool-aid that James Cameron is essentially selling." (Battle to the Bottom: The Blue-faced White Savior ‘Avatar’ Is Even Worse Than ‘After Earth’)

The concept of 'avatars' (in the way Avatar writes them) has always freaked me the hell out. Especially when Jake begins referring to humans as "the Sky People" as though he wasn't one of them just the day before.

FOP handles this subject much better in my opinion because the character of Alma, who is the Sarentu's former teacher at TAP and who is the current leader of the Western Resistance, has great attachment to her avatar body. To the point where many Resistance members have never seen her in her original body.

Later in the story when things begin looking up for the Na'vi and for the Sarentu children, Alma starts using phrases such as "our resistance" and referring to lost Sarentu artifacts that have been reclaimed as coming "back to us", and other like-minded words. And when she does this, she is IMMEDIATELY called out on it.

Alma is not Sarentu nor is she Na'vi, and although she plants her consciousness into the body of a lookalike, she is still, first and foremost, a human. And no matter how much she may try to forget that, how much she may wish to distance herself from the crimes of her people, the characters do not hold her hand and allow her to do so. The game makes it known that while she is doing the right thing now, she has no right to cram herself into a culture and people by jumping into their skin and playing pretend.

[ SPOILER WARNING ]

And the way this arc is resolved? By Alma losing her avatar form and being forced to confront the truth of who she is, a human that was complicit in the oppression of the Na'vi, most specifically the Sarentu.

The Sarentu do not get on their hands and knees and kiss Alma's feet for the ways she's helped them (now). No, SOME of them let her know they appreciate the good she's done, but that ultimately, there needs to be distance. That they are still their own people and need to rebuild without her interference. This clearly hurts Alma, but like an actually good ally, she respects the boundaries made and eventually backs off. The separation is a peaceful one.

[ SPOILER END ]

Alma does not become their Chosen Hero after she defects from the RDA. She is not given a standing ovation. And she is not even given a "thanks" from all of the Sarentu, some of them proceed to hate her guts. The reactions towards Alma, a former RDA member who defected to aid the Na'vi's survival, are wonderfully and realistically mixed.

Because, like the character So'lek says at the beginning of the game, the Na'vi are not a monolith. They are not all the same, nor will they all have the same views.

Various Na'vi characters in FOP have diverging opinions on the Human Resistance group. Some support them, some don't want to come within 10 feet of them. And both POVs are framed as valid by the narrative.

On the other hand in the 2009 movie, any Na'vi character that didn't immediately grow into liking Jake was ultimately punished by the writing.

Neytiri disliked Jake in the beginning of the movie, but as soon as Mo'at names her his teacher, a switch flips and all animosity is gone. She is still tough on him, that's just who she is, but it's clear any true ire is immediately washed away once she is given the role of 'teacher'. In comparison, Tsu'tey spends half the film irritated and distrustful of Jake. (And rightly so given that Jake is literally an RDA plant!!)

Like I've already said, Tsu'tey undergoes a blink-and-you'll-miss-it "arc" where once Jake becomes Toruk Makto, all negativity anyone held vanishes. Except Tsu'tey's timing is clearly too late, because the writing punishes his earlier animosity by killing him off in the final battle.

The same can be said for Eytukan, who was the one to suggest tying the avatars up after Jake reveals his initial goal. Eytukan's animosity is also punished with death, with him dying during the destruction of Hometree.

(It can also be said that these characters died both to punish them for their inability to "appreciate" Jake at a quicker pace, and to simply get them out of the way so Jake could become Olo'eyktan of the Omatikaya. Because how else could the White Human Savior become the leader of the people, if the leaders that were already there didn't "get out of the way" to make room?)

Conclusion

If you couldn't tell, I wasn't Avatar (2009)'s biggest fan my first time watching. For numerous reasons.

It wasn't until watching a playthrough of Frontiers of Pandora, that I realized a lot of my ire was towards Jake specifically (although there are many problems with the franchise as a whole), and if the story had just not been told from Jake's POV, and had been told from the POV of one of the Na'vi fighting for their home (Neytiri would be my first choice, Tsu'tey second), then I think I would've at least been able to enjoy it. It's hard for me to even watch Avatar (2009) because of how rampant the issues are in that movie. Or I suppose because of how central Jake is.

I wrote all this just to air out my thoughts. But if you're similar to me and felt like Avatar (2009) was "off", then I do suggest you take a look at Frontiers of Pandora and still see if you feel the same.

All this isn't to say FOP is the perfect game, mind you. It absolutely has flaws, ones that others have touched on and that I've noticed myself. But even with it's flaws, I'd take it's misgivings over Avatar (2009)'s atrocious ones any day.

#babbles #frontiers of pandora #anti jake sully #avatar frontiers of pandora #neytiri shouldve been the main protagonist #anti avatar #anti avatar 2009 #jake sully hate #post is moreso... pro FOP neutral Avatar anti jake? #tw*w isn't really included in this because i still have to finish it #also im not a hardcore Avatar fan so please forgive me if i mess up the terminology #long text post // #im trying to make sure this doesnt end up in any pro 'js' tags as much as possible #bc as much as i hate Jake its not like i want to shove this post in his fans' faces

[callsign-rogueone]

midnight snow - d.a.

Dain Aetos x crush!reader  part of my Valentine’s Day celly! 💕 words: 734 🏷: no real spoilers, no pronouns used for the reader! for the sake of this story, leadership has night duty like college RAs (Dain gives me overly-serious RA energy lmao). reader is implied to be shorter than Dain but in my head he’s like. 6’2 so 🤷🏻‍♀️

meet me on the south side of the courtyard at midnight, the note had read.

In the distance, the bell tower tolls twelve times. Where are they?

“This is the worst idea you’ve ever had,” your dragon scolds. “I can’t believe you’re actually doing this.”

You shush her urgently, flattening your body against the wall as footsteps approach, and drawing the blade from your side.

As soon as the dark shape of a person appears in your vision, you press them up against the wall, dagger poised to strike.

“It’s just me!” A familiar voice says through the dark.

“Dain?” You ask, stunned. You release him quickly, laughing in bewilderment as he steps into the light.

He blinks at you, confused. “What’s so funny?”

“You’ve never broken a rule in your life, but you were the one who left me that cryptic-ass note saying to sneak out after curfew?” You ask, sheathing the blade.

He blushes. “I just wanted to see you. But I’m on watch tonight, so technically, you’re the only one who snuck out.”

“Whatever helps you sleep at night,” you tease, rubbing your arms. You hadn’t realized how cold it was out here until now, the adrenaline having faded as soon as you realized who you were meeting here.

He drapes the cloak he’s holding over your shoulders, wrapping you in soft warmth and the comforting scent of standard-issue soap and something distinctly him.

You close your eyes for a moment, just content to stand here by his side. 

“Look,” he says quietly, nodding toward the archway in front of you. A soft winter snowfall has started. 

You watch in amazement as a wash of tiny white flakes swirl with the wind, drifting across the courtyard. “It never snows where I’m from. We just get rain all winter.”

He reaches forward, catching a few tiny flakes on his hand. “No two are identical.”

You point at a pair on his index finger. “That one’s you, and that one’s me.”

His breath forms a gentle cloud of heat in front of him as he laughs. “Yeah?”

You hum in affirmation. “Totally different, but both made up of the same thing, with the same goal.”

He shakes his head, smiling. “Only you could give snow human feelings.”

“I’m trying to be poetic here, mister logical,” you huff.

“My apologies. Please continue.” 

The two flakes are starting to melt against the warmth of Dain’s hand. “They’re only here for a short while before they fade and return to the earth, but they’re beautiful while they last.”

“Stronger together than they are separately,” he adds quietly, wrapping an arm around you.

You smile, leaning into him. “Yeah.”

For a moment, all is calm and quiet. The snow continues to fall, but you’re warm under Dain’s cloak, pressed against his side, watching the ground slowly be covered by the white flakes.

Two sets of heavy footsteps approach: Infantry, on their watch.

Dain steps back to give you a few feet of space, but he doesn’t suggest that you run or hide. “I was thinking for squad battle this year, we should pair based on strength to balance things out,” he says, and you blink, confused until you realize what he’s doing.

You’re hiding in plain sight.

“Yeah,” you agree. “That gives the smaller squads a fighting chance, and that way it’s still a challenge for everyone, but we won’t lose as many. Our numbers are already too low.”

You hold your breath as they pass, glancing at you wordlessly before continuing on their way. When you’re sure they’re gone, you sigh in relief, giggling. “Nice recovery there, wingleader. Sounded very official.”

Dain laughs, pulling you back into his embrace. “Thank you.”

You yawn softly, resting your head against his shoulder. It’s nearing one in the morning, and you’ve had a long day.

He rubs your back gently. “Alright, sweetheart. Let’s get you to bed.” He takes your hand, leading you back upstairs to your room in near-silence until you reach your door.

You reach for the clasp of the cloak to give it back, but he stops you. 

“Keep it,” he says. “It looks good on you.”

Feeling brave, you stand a little taller, pressing a soft kiss to his cheek. “Thank you, Dain.”

He spends the rest of his watch wandering the halls, replaying that moment in his mind until the sun rises.

#dain aetos #dain aetos x reader #fourth wing #reader insert #fourth wing x reader #mine

[mmcgemino]

How I almost went on stage with Gene Simmons (and also a heavy vent)

Today was the first day of Summer Breeze here in Brasil and Gene’s on the headline. I traveled 8 hours just to see him and Sebastian Bach play. I was so excited to see them and my mind was set on giving Gene a poster and a letter. I really wanted to give him a piece of my work and say how much KISS changed my life.

There was going to be a signing session at 3pm and when arrived there at 11am there was already a line. No problem for me, honestly, I could wait. But then somebody from the staff told us that the time changed for 7pm. I didn’t want the whole day of festival + Sebastian’s show, so I gave up on that.

Sebastian Bach’s show was amazing (I even got an autograph!). It was kinda short but I still had a lot of fun. Next would be Mr. Big (that I didn’t bother to watch) and then, finally, Gene’s band.

God, I was right in front of him. LITERALLY. This was my view the whole show:

I was SO close from the stage, already at the barrier (is that the right name in english?) It was actually funny, because the first thing he did when he finished the first song was to point at me and say with eyes wide opened: sua bunda é linda! That’s a silly thing he says every time he’s in Brasil. (There’s a video of him saying it on a tv show just for reference). I also had some silly interactions with him, like me motion grabbing his tits and him looking shocked. Honestly, if the show ended like that it would be just fine. I’ve never been this close to someone who’s so important to me, much less recognizing my presence and being silly with me. Hell, I didn’t even care about my letter anymore. It was a kick ass show.

But in the last song (that was obviously Rock n Roll All Night), he started calling a lot of girls on stage. There were some in front of me, between the tiny gap separating the stage from the fans. I guess they were sponsors, photographers or idk, more than VIP. But then he pointed at me and called me!!! What ??!????? It sounds just like a fanfic, unbelievable. And I swear on all my family that I ain’t lying. I crossed that barrier with the help of other people and ran backstage.

To have Gene pointing at YOU and calling YOU to be on stage with him is once in a lifetime. To be ON STAGE, my literal dream and goal in life. What I’ve been working for the past couple of years. To have the chance to give my letter to him and even sing by his side. With Gene fucking Simmons from KISS, my favorite band.

But when I got backstage, they told me that I couldn’t go. “There’s too many girls there.” I was the last one he picked and the only one who didn’t make it. I begged that guy, not from Gene’s production but from the event. I even cried. The securities around me were sorry but if I didn’t leave, their jobs would be on the line. I couldn’t even see the man leave the stage. I couldn’t even see the show end.

I don’t know what I’m supposed to do from now on. There’s nothing to say, no consolation prize, nothing. “But there will be other shows, other opportunities”, that’s the kind of bullshit that I had to hear. No, there won’t be another Gene Simmons in Brasil calling me to be on stage. My life could have been changed forever.

I was never lucky, never won any raffles or had accomplished great achievements in life. In my letter, the first thing I wrote (as cheesy as it is) “If you’re reading this, everything is possible”. I also wrote how KISS literally changed my life when I went on their last tour here in Brasil, how they took me out of a really bad place and made me run after my dreams. It seems silly, part of me feels like an idiot to be that sad. But I just can’t get over this, can’t have any consolation on that. To be always “almost there” but never actually “there”.

Also, this is the poster I wanted to give him:

The quality is crap and I definitely could do better if I had more time. But I gave my all making it.

Sorry for the long post and the crappy sob story. This just happened like 2 hours ago and everything is still fresh. I decided to write this post because I wanted to share my frustration with people who understand that it was a once in a lifetime opportunity.

(Fun fact his pants were tearing up but nobody told him)

#kiss band #kiss army #gene simmons #the demon #gene simmons band #tldr: gene called me on stage #backstage guy said no #lost the opportunity of a lifetime #vent

[ericdeggans]

Reckoning with the long shadow of TV dads on Fathers Day

As a longtime TV critic, I have written a lot of pieces about dads and television for Fathers Day. Some of them have felt a bit contrived, like this piece on TVs Dumb Dads, which is an evergreen subject; television loves taking characters who actually have the most agency and power in society and making them look vulnerable for storytelling purposes.

But TV’s relationship to the subject of fatherhood and parenting is far more complex. I’m much prouder of this piece I did five years ago on how I mostly learned about being a father from watching characters on film, TV and theater.

A sample: “My own father isn't with us anymore, and I loved him a lot. But he and my mother split before I was born, and during my formative years, it was mostly me and Mom against the world. Any sense of what it might feel like to have a father close by came from the first sitcom with a father who felt like he could live in my world: James Evans on Good Times. These days, when TV shows like Black-ish and Queen Sugar offer lots of different takes on black family and fatherhood, it might be tough to imagine how rare and important it was for a young black kid to see Good Times in 1974.”

Hear the NPR story by clicking here.

After raising four kids of my own, I’ve learned that fatherhood is such a big job, it’s tough to find one portrayal on the small screen that does it justice. In the real world, it’s a job defined by trying to provide everything your children require to have the best life possible. It means knowing when to encourage their passions, meet their needs and satisfy their desires and when to save them from their own excesses, inexperience, lack of judgment or impatience.

It means soaring when they succeed and feeling crushed when they fall short. It also means understanding that your own actions always serve as example and model – it’s up to you whether that conduct is something to emulate or avoid like a cautionary tale.

On the subject of fathering and TV, I also like an essay I wrote for IndieWire a few years ago; basically, a slightly different version of the piece I did for NPR. Here’s an abridged version of that essay below.

And have a Happy Fathers’ Day.

“For a long while, I thought most married couples were like Rob and Laura Petrie in “The Dick Van Dyke Show”; sleeping in two twin beds separated by a nightstand. So when I saw John Amos as James Evans Sr. on the legendary sitcom “Good Times,” I felt like I finally saw a dad who was something like the other fathers on my block, and something like the dad I could have had.

Yeah, he was often angry and threatened corporal punishment WAY too often for my tastes, especially back then. But he worked hard, loved and valued his kids, encouraged them to get educated and take advantage of every opportunity and wanted nothing more than for them to do far better than he ever would. It wasn’t just that James Evans was black; it was that he was a black man whose primary goal was taking care of his wife and kids. All these years later, I’ve seen other TV dads who also taught me lessons.

John Goodman’s Dan Conner on “Roseanne” taught me how to make space for a strong wife and mom, but assert yourself when circumstances require.

Bill Bixby’s Tom Corbett on “The Courtship of Eddie’s Father” taught me the power of a parent paying attention.

I like fathers who show that being a dad takes effort and intention, like Michael Rapaport’s Doug Gardner on Netflix’s “Atypical.”

And even though Milo Ventimiglia’s Jack Pearson is modern TV’s best dad on “This Is Us,” I identify a lot more with his adopted son, Sterling K. Brown’s Randall Pearson.

In the same way Randall, as a black man raised in a white family, had to learn what being black meant to him, I had to learn what being a father meant to and for me. In the same way he found and reconciled with his biological father shortly before his death, I reconciled mostly with my dad before he passed. And Randall has a goofy earnestness mixed with a capacity to work a little too hard on stuff that takes him outside the family, which I also – sadly — can relate to.

My four kids are mostly grown now. But seeing a dad on TV who still struggles, despite having had the best example of fatherhood in his life, means a lot. Even now.”

[duplicitywrites]

Cindle (@cindle-writes) is someone I cannot say enough lovely things about! I want to give a special thank you to Cindle for all of her amazing Mutuals March posts with this shoutout dedicated especially to her. 💜

I think it's safe to say Cindle has quickly established herself as a pillar of the Tomarrymort community, whether it be to cheerlead, beta, or simply enable those in our little corner of fandom. Not only that, Cindle consistently writes some of the most amazing fics in a wide range of characters, ships, and tropes -- providing us with delicious smut that often includes an amazing plot twist as the cherry on top!

Long story short, Cindle never ceases to amaze me with her dedication to this fandom, both as a talented author and a supportive friend. Her enthusiasm makes this space a better one!

Cindle, thank you for all that you do! We appreciate you so very much. 💜🛐 To celebrate you, here are a few favourite works of yours chosen by some of your friends!

☪ complete (Tom / Harry) E | 8.7k | Complete | Underage

Everything about this fic is perfect! There are so many yummy angst pieces of young Tom’s sad orphan backstory that are reflected in his (manipulative) interactions with Harry, and it meshes so beautifully with Harry's initial polite treatment of him as they get to know each other. Of course, the 'strangers' aspect speedruns right into 'lovers' once Harry realizes his newly-adopted baby Dark Lord is actually an omega. The ensuing smut is 👏🏼🥵🔥💯😈 !! I go absolutely feral for this dynamic and this fic delivers on every count.

☪ dawn of a death of a dream (Tom / Harry) E | 53.8k | On-Going | No Archive Warnings Apply

This story demonstrates just how patient a young Tom Riddle was when it came to achieving his goals, and I just love how even with Harry being so certain Tom manages to capture him in his own messy web. We get mind games between enemies who often forget they are enemies, and allow their positive feelings for each other to shine through in a bid to trap the other using their intimate relationship. So fun & silly & WAIT WHAT?? 💜💜💜 ( this blurb written by Apples! 🍎)

☪ Everything Green Is Gold (Tom / Harry) E | 21.3k | On-Going | Underage

BABY HARRY BELOVED! Professor Riddle takes first year Harry under his wing and teaches him sooo many things 😏🍆. Cindle really outdid herself on this story -- Tom is super manipulative with everything he does, but he is also so attentive with Harry in the process that even though we know what's happening, we're liable to... forget. Just a little 🤏. A million kudos for such a hot and realistic depiction 🔥!!

☪ in bad faith (Voldemort / Harry, Cedric / Harry) E | 2.9k | Complete | Non-Con, Underage

This fic builds on an already fantastic premise -- an AU of GoF where Voldemort captures Cedric (and Harry!) -- and expands it to include even more angst! The smut is delicious and the plot twist at the end had me going insane. Without spoiling too much, I will say I love the aspects of the original dynamic surrounding Cedric, Harry, and Voldemort that are incorporated into this glorious mindfuck continuation.

☪ i’ve missed you, my boy (Tom / Harry) E | 1.9k | Complete | Underage

One of the BEST plot twists I have ever read! Harry’s complex relationship with Voldemort is done so well in this post-war AU. I don’t want to spoil anything, but the reread value of this fic is incredible -- in the brief span of a few thousand words, we get so much character insight and build up to a truly incredible reveal. It is a delight going back and picking out all the details that lends to just how deeply messed up and multilayered this relationship is!

☪ last rites (Scarcrux / Harry) E | 5.1k | Complete | Major Character Death

Such a HOT fic. Scarcrux knows all of Harry's deepest, darkest secrets -- including just how he likes to get off. Watching Harry's resistance crumble in the face of Tom's careful seduction is one of my favourite dynamics in this ship! And BOTTOM TOM is the whipped cream hat on this perfect PWP parfait. 💜🔥 We deserve more fics like this one, where Tom gets what he wants!

☪ the dark passenger (Al / Harry, Tom / Harry) E | 5k | Complete | Non-Con, Underage

Cindle's next-gen writing is a huge part of why I have any interest at all in those characters, and this story is a great example of why! In this fic, we navigate Al's co-dependent relationship with Harry as his loving father and (though he doesn't know it!) his fated enemy. The merging of Al and Tom's personalities is so well done and elevates both ship aspects of the story, as well as seeing Harry through the lens of Al-with-Tom, in such a unique way!

#tomarry #harrymort #tomarrymort #fic rec

[eightyonekilograms]

Flash fiction exercise

Still watching the Brandon Sanderson lectures on writing, this time the short story segment with Mary Robinette. During this lecture she does a little exercise where you write a flash fiction story 2-3 sentences at a time, one minute per sentence, to help with the basics of "establish setting/character/goals, do try-fail cycle once with failure, once with success, end story". I had so much fun with this, I'm actually going to post what I wrote here. Keep in mind this was written in a rush with no advance planning and no editing. Also, see if you can spot exactly where I had written myself into a corner and then found a (to me, anyway) great way to write out of it.

Story below the cut.

The skinny horse underneath me was whining and shaking from the pain of its fresh implants, but I steadied my grip regardless. "We're doing this," I hissed, even though it couldn't understand me. "I've got too much on the line."

I didn't know if it was rotten luck or some kind of enemy action that I'd gotten a damaged horse for the sixth time this season, but this one was going to have to ride or die. I didn't have any chances left.

A horse coming off adrenochrome implant surgery would have too much inflammation for long endurance, so I was going to have to get the other suckers to push too hard and drop out early. So when the gate went up, I egged my mount on straight off for a hard accel, and looked back hoping to see a few jockeys chasing me. None of them were. Damn!

They knew what I was trying, but I knew they knew, and there's no way these dolts knew I knew they knew. Advantage: me. I looked down at the sutures where the chrome pump had gone in— still raw scar tissue, still soft enough to tear with your teeth. So that's what I did: ripping the pump out and jamming the hypodermic actuator into my neck just as the stupid beast's legs gave out from under it. Since I knew that was coming, I had time to jump clear— not so much for the other guys, said the screams and cracks of bone. There'd probably be hell to pay for this stunt, but technically the rules said only the jockey had to cross the finish line, and I was too juiced up to care.

They said by the time I won I had lost three pounds and six years of my life thanks to a chrome dose meant for a horse. And even with the prize money, after paying for a dead animal and a 6-month hospital stay, I was in almost as much debt as when I started. But I'd do it again in a heartbeat if they hadn't rewritten the rule book just for me.

#cw animal abuse #i apologize for that but this was done one piece at a time and i really didn't know where it was going when i started

[onewomancitadel]

A smattering of general updates:

I played Tears of the Kingdom. I didn't really enjoy it. I understand why it was popular though; I'm just not the demographic for these types of video games anymore. I didn't find it creatively rewarding and after a time I sat there thinking 'I would rather be writing right now', and since then I have learnt that writing is made easier by doing things which are not writing, because it makes me miss it. My dad also doesn't really like it but for some reason has played hundreds of hours in it. I don't know either - I think he will take anything called Zelda at this point.

I spectated the Doctor Who David Tennant Special and watched some clips of the new season. I'm not a fan of RTD, and not a DW fan anymore (not for a long time), but it was an interesting study in how studios try to attract old and new fans.

I read a lot of books, and that lie people tell you about all books being good for you is a lie, because a cyberpunk anthology of short stories made me so angry I got heartburn. I think people who say that are saying so because they wish that they could read a lot, in which case I say, yes I think reading is a gift and we should engage with it, however, sometimes I get so physically angry from something stupid/bad I've read because bad writers exist that it gives me actual pain. I am reading Howl's Moving Castle right now and it's very joyful; I am very surprised by the liberties the animated film took! However so far I do think both experiences are worthwhile, and if you enjoyed the Ghibli film, I very much recommend checking out the original book if you want to revisit that world again. The prose is straightforward but a little whimsical, and Howl is very, very funny. I have laughed aloud a few times.

Well, you know I rewatched Dark, and it's funny that during my exile I said 'this is like if RWBY got the ending it deserves' and then, er, I found out it's not renewed yet, and that's still up in the air, which for the entirety of RWBY I have only had one true moment of doubt of such a thing, and that was a while ago.

On that topic, yes, I still ship Jaune/Cinder, believe Cinder's redemption is likely, etc., although there are some more external concerns I would wager now than before. Before I thought it very possible to do without any commercial influence, and it depends what compromises they do or don't end up making or having already made. My analysis of Jaune's arc in V9 may not hold water as much (e.g. if you lean towards the view there were rewrites to cater to growing the audience, or perhaps it's two ideas married? I'm not sure) so I'm going to think about it more, and there always has been a tension in RWBY between what is being expected/baited and what is foreshadowed/said/actually happens.

I figured out how to write again and what was blocking me, so there's that. To talk about it a bit more, since my break I have worked every single day on writing. My key takeaways are that you need a delicate balance of delusion and self-doubt to get anything done - you don't know you can do something until you actually do it - and every excuse I invented for not writing was not the reason I was not writing. I can write with a migraine beginning to set in on an uncomfortable desk where I can't even rest my elbows properly on the end of a bed with no back support without aircon in the middle of summer before I've even taken my hair out from bedtime plaits in my pyjamas. I didn't even expect to get my fic done right before midnight, actually I was like 'well lol that's not going to happen, I'll write anyway though, fuck New Year's' because I wasn't doing anything, and then I finished and looked at the time and was like ooooh. I actually completed my goal! So I'm very proud of that. Anyway writing is breathing, to me, I go crazy if I don't do it, no matter what it is, and every single piece of nonsense advice of productivity was not helpful, ever, but I did figure it out. Also admittedly I got a fire burning under me again because I found out I was actually right about Raven, in which case I took that as a sign from heaven I was on the right track. One should hope.

I am excited about Dune Part Two, yes, although I am trying to avoid Villeneuve talking about the film because I know all the marketing is basically directed at people who aren't Dune fans, and I have to see it for myself to see what it's worth. I enjoyed the first film, and Villeneuve seems excited to direct Dune Messiah, in which case I am willing to do whatever possible to make that happen. Because that's about as complete a story you're going to get in a major motion picture adaptation and it would be So Fucking Good.

#seraphina party hour

[always-outlander]

The Outlander 31 Day Challenge: Day 1

Shoutout to @gotham-ruaidh

Day 1: Favorite Season 1-3 Episode:

For me it would have to be episode 12, “Lallybroch”

Season 1 in so many ways is my comfort season, but this episode in particular provided so much. These two had been working towards this moment, and finding this place and time of peace since we first met them in episode one. To finally reach this one goal of theirs together was a monumental moment in their relationship.

And even though it is short lived, this glimpse into what their life here is like and could be is such a much needed pause in the larger story of their lives. Jamie and Claire love each other deeply at this point, but do not verbalize it until this episode. They have shown their love with their actions and commitment, but to hear the words spoken between them was so beautiful to watch.

For Jamie, this episode is paramount. This place shaped who he is entirely. He was raised here yes, but he carry’s the weight of his home and the people who inhabit it with him daily. The loss of his father was profoundly significant to everyone at Lallybroch and in his family. Jamie feels guilty for his fathers death, remorse that he was unable to see him buried or mourn him properly. Ashamed that he has been unable to return home and live there as the proud son and laird he was destined to become. To bring Claire home to Lallybroch was his singular goal since he met her. To give her a simple life that he longed for, in the place he longs for. He made her ring from his key because it is the only thing he can offer her. Lallybroch will always be home for him, but sharing it with Claire? That would make him whole. But as we see in this episode, it is because Jamie is unable to stay and become Laird, that the weight of the household falls on Ian and Jenny.

Jenny Fraser might be one of my favorite characters in the series, and this episode she truly shines. She proves her mettle in more ways than one, and exposes Jamie’s weak points in subtle but effective ways. She has held their home and family together without him, created a family of her own, and has loved and supported Jamie from afar in her own way. The two siblings deeply love one another, and their stubborn natures are what make their dynamics so fiery and intense at times. But at the end of the day, you can see parts of each other reflected in both of them. Jamie was so young when his mother passed, when Jenny was attacked, when his father died. They both had to grow up earlier than what was fair. Because of that, they have taken different approaches to their healing. Jenny has taken on responsibilities Jamie is both unaware of and disinterested in. He believes that he is able to step into the role of Laird with ease, and Jenny makes sure to point out that being a Laird is more than a title. She teaches Jamie so much in this one episode, and makes an immeasurable impact on Claire.

Claire says it herself in this episode, that being at Lallybroch makes her feel like she actually might belong there. “There” can mean many things; there, in that house with Jamie, Jenny and Ian. Or there, in that time period, back 200 years in the past…with Jamie. She is happy and contented and in love. It’s the first episode that we as viewers see and know without a doubt that her love for Jamie is real and worth it to her. And it’s also when we see her allow other people close to her and Jamie to imprint on her, particularly Jenny. She never had a sister, she never had a family beyond her uncle. These people are wary at first, but you can see in this episode that they are willing to accept her and will love her, and she loves them. Claire’s first true introduction of her new, accepted life in the past takes place in this episode. She looks around and knows she will be happy to stay here, with Jamie and his family. By the end of the episode we know that they are once again thrust into danger, but for now it’s a much needed moment of reprieve.

Ian Murray is hugely important in this episode, and makes a palpable impact on the viewer and Claire. He’s the first person who can give Claire and the viewer insight into Jamie’s life before we first see him in the opening episode. He was with him in France, he was Jamie’s closest childhood friend, and he represents the life Jamie would be living had he not become an outlaw. I think we see that in some ways Jamie looks at Ian and pity’s the simple life he leads (while recognizing a lot of that has to do with his leg). Jamie craves a life of adventure and enjoys the mischief and excitement of being an outlaw. But Ian shows Jamie what a contented life with the woman you love looks like. With kids, with a home and community around you. Now that Jamie has Claire, his whole world has changed. He can envision a life with kids, and we see how heartbroken he is when Claire reveals she cannot provide them with that life he’s spent the episode envisioning. Ian also is the window into Jenny for the viewers and for Claire. He softens Jenny’s personality and interprets her actions for her so that the viewers (and Claire) understand that despite her stubborn exterior, she has a heart of gold just like her brother. She’s a fighter, and she is fierce. Ian is the anchor for both of the Frasers, it seems. His impact was huge in this one episode. It also serves a duel purpose, because when we eventually meet young Ian, we can understand his character due in large part to understanding who his father is.

This little home is the cornerstone of this show in many ways, and this episode always makes me smile when I watch it. It might not be the most action packed, or have the most important moments in regards to moving the plot along, but in many ways it is the real turning point of the story. A break amongst the cruel realities that plague this couple, and a window into the souls of some of our favorite characters, especially Jamie.

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