Tumgik
#sofia the protector
locitapurplepink · 7 months
Text
Time to back my fave disney childhood and I can't stop thinking about these.
Tumblr media
Tumblr media
Tumblr media
Taglist : @bigfrozensix , @sonicnerd , @supernightboy08 , @animationfan3000 , and anyone else who wants to vote.
53 notes · View notes
rwbyangst12 · 2 years
Text
Growing up is realising that Sofia was just an 8 year old girl who had too many responsibilities and was pressured by adults to save her new family and a kingdom and realm she now has to take care of and protect and people have high expectations of her, and that she was never given any real time to grieve her missing (most likely dead) father who only passed away like a year before her mother's remarriage and she is a child with trauma and doesn't want to bother people with it or tell anyone her secrets because they might put her in danger. She is a prodigy in just about everything she tries and isn't used to the idea of failling or not getting the hang of things quickly.
Sofia is also constantly betting her own life or being forced to negotiate the lives of her family since she was 8. She was betrayed by 4 adults, 3 of which were her teachers and and 3 of them are redeemed. She watched two people be murdered and a man waste his life away. Her brother being distressed and angry because he wasted his childhood preparing for a position he was never going to get because their grandmother and aunt lied. She watched the reason the twins were born and the queen was killed. Has been trapped in the middle of no where multiple times. Her sister stole her amulet. She saved the world multiple times. And her friends were toxic to her for being better than them at a game and trying to help a girl out. Was tricked by Cedric into cursing the entire kingdom to sleep. Is very protective and suspicious to anyone who even looks at the Amulet. Was given a position that constantly puts her life in danger and told to protect an entire realm filled with like 50 kingdoms. Must watch or read peoples lives no matter how gory in order to give them an ending weather it's sad or happy as long as it's an ending. Is blamed if things go wrong because of an adult. Isn't believed even if she's right. And none of the adults listen to her and always underestimate her.
This child needs a hug, therapy, sleep, and should just go play Dazzle all, Flyer Derby, or Ice dancing, go back to the Buttercup scouts, do her homework, practice magic, and play with her animals.
693 notes · View notes
slushimart · 2 months
Text
“Oh the Protectors are relying on a child to save the EverRealm! They are traumatizing and putting too much pressure on her!” How about…now hear me out on this….blame the actual villains who are purposely inflicting pain upon Sofia!?!?!?!?!!?!? 😱😱😱😱😱🤯🤯🤯🤯🤯⁉️⁉️⁉️⁉️
17 notes · View notes
captain-amadeus · 2 months
Text
The Protectors didn't want Sofia to face off Vor alone. They would've never put her up to such a danger mission voluntarily. Sofia was the only one who was able to do anything about Vor because she wasn't trapped with the other Protectors. The Protectors were absolutely worried about Sofia being on her own, but she was their only hope in stopping Vor. They didn't WANT her to be their only hope. They never WANTED her to fight alone. If it was up to them, they would've defeated Vor by themselves without Sofia, but they were forced to bring Sofia into this mess. And it wasn't even them who called her the second time. It was Vor mind controlling them. The first time they brought her to stop Prisma in the finale was where everyone was pitching in to stop her. Sofia does not do things alone, and when she does, it's when everything happens by surprise. like when Sofia finds Prisma with Grimhilde's crown. The Protectors didn't make Sofia find Prisma on her own. She just kept finding her trying to steal items from the Wicked Nine. She knows to get help from the Protectors because she threatened to call them on Prisma when she had the crown. And that's the thing: Sofia is not willingly left to do things alone. It's out of anyone's control to help her in the finale because they're either unable to or aren't aware of what's going on.
Say what you will about Sofia being too young to be a Protector-in-Training, but the Protectors didn't want Sofia to have to go through this. They didn't want their trainee to have the fate of the EverRealm dependent on her.
12 notes · View notes
sorryiwasasleep · 2 years
Text
Them chanting “Little Hero Six!” at the end of episode 6 of Baymax! was so precious
364 notes · View notes
jackjolene · 8 months
Text
BioShock/Sinking City/Vampyr: Church of the Son of Ryan
Soundtrack for Jack: https://www.youtube.com/watch?v=Av9bQKkndLE
"Operation Trident" is Eleanor's nickname for Jack and Co.'s plan, as it consisted of three prongs: Herself and Porter, Jack and Artemis, and the Elizabeths. Considering that they were in the realm of Poseidon, who is often depicted as wielding a trident, the others found it fitting.
Jack and Artemis begin their search for the Church of the Son of Ryan. As the largest fragment of the former Rapture Family, their numbers could help tip the balance against Orrin Lutwidge and the Diamond Partners. Jack reflects that it would be nice to have the advantage in numbers for once.
According to Eleanor, the Rapture Family had a few paintings of Jack during his first time in Rapture up on the walls In Siren Alley, and Simon Wales seems to have believed Jack to be literally God. With Eleanor gone and Sofia Lamb dead, the Church have latched onto this idea or some variation of it for their new belief system.
From what the survivors in Minerva's Den tell them about the Church, they are obsessed with taking back certain areas of Rapture back from the Mutants. These locations are the places that Jack visited when he was in Rapture the first time: The Welcome Center, the Medical Pavilion, Port Neptune, Arcadia and the Farmer's Market, Fort Frolic, Hephaestus, Olympus Heights, Apollo Square, and Point Prometheus.
From what they've already seen, they have yet to take back the Welcome Center and the Medical Pavilion. Jack and Co. took down the Mutant population in Hephaestus themselves, and Lutwidge is currently occupying Arcadia. That leaves Port Neptune, Fort Frolic, Olympus Heights, Apollo Square, and Point Prometheus as the most likely spots to find them.
As they were Rapture's biggest residential areas, Apollo Square and Olympus Heights are Jack and Artemis' first stop, only to find that they are absolutely crawling with Mutants. Jack and Artemis get cut off from their entry point and are forced to take shelter in Tenenbaum's old safehouse.
Jack reminisces about the times after he had defeated Fontaine and brought back Elizabeth, when they were planning on escaping Rapture for the first time. After gathering their strength back, Jack and Artemis make a break for it and manage to escape the Heights.
Next up is Fort Frolic. Jack doubts that anyone would want to live where Sander Cohen got up to his "artistic" antics, but beggars can't be choosers in Rapture. What they find there, however, is worse than what he imagined.
There's even more "art" in Fort Frolic now; dozens of bodies posed in grotesque and unnatural forms. They aren't even covered in plaster anymore; some have had their skin removed, others have been disembowled, and the most recent ones are nothing but skeletons. Artworks depicting horrendous scenes and terrible acts cover the walls, painting a picture of absolute madness and insanity. The PA alternates between blaring maddening music and insane rambling in a familiar voice.
At first, Jack thinks that someone, a copy-cat, has taken over Sander Cohen's identity and continued his "work", but with each audio diary he and Artemis find, the horrible truth begins to emerge.
In the Atrium of Fort Frolic, they finally come face to face with the man behind the curtain. Jack killed him in his apartment after accidentally interrupting a splicer couple dancing, yet he stands at the top of the staircase: Sander fucking Cohen, in the flesh.
He looks like a cross between a Brute Splicer and a Spider-Splicer, bulked up grotesquely but with long, spidery limbs, fingers tipped with wicked, long claws. Somehow, he's figured out how to give himself a pair of rabbit ears, though they look more like a pair of sticks of flesh poking out of his head. A rabbit mask is strapped to his face, barely covering it. One eye has multiple irises and pupils, while the iris in the other has practically melted into the sclera.
And worst of all, he recognizes Jack.
"Little Moth!" he roars through a maw of sharp, rotten, and broken teeth, "you will be my final masterpiece!"
The fight that follows is furious. Jack has his newly-upgraded plasmids, his modified Big Daddy suit, and his guns, but without Artemis to back him up, he'd be dead. Cohen has his old Houdini powers, Alpha Series-level plasmids, absolutely no self-preservation instincts, no morality to hold him back, and one hell of a grudge.
The "art" around them is destroyed as the fight progresses, which only makes Cohen madder. Jack and Artemis are able to use this to their advantage, tearing art to make Cohen predictably attack and counter-attacking.
Finally, Cohen goes down, and they move in to finish the job, once and for all. However, he convulses violently, laughing insanely as his skin breaks, his bones crack, and his body expands. Right before Jack and Artemis' eyes, Cohen mutates, having apparently gotten his hands on Alex the Great's corrupted ADAM.
In seconds, Jack and Artemis stare up at Cohen as he roars at them. Cohen's Mutant form looks like a gigantic rabbit with bad mange, a maw of razor-sharp teeth with two huge buck teeth like swords, bulging multi-jointed legs, oversized claws on the front paws, and a cluster of multiple, beady, multi-colored eyes on its face instead of just two. The ears are tattered, sporting claws growing out of them, and are prehensile, moving like a third set of limbs.
The second stage of the fight is different from the first. Cohen's Mutant Rabbit form can't teleport, but he can breath fire and electricity and spit ice. When he hops, he comes down like a freight train, shaking Fort Frolic. When he roars, the sound can stun them the closer they are. And his telekinesis still works, using his ears to focus instead of his hands.
The good news is that with his new size, Cohen is very hard to miss with either guns or plasmids. Little by little, Jack and Artemis wear him down, one distracting him and allowing the other to attack.
Cohen finally succumbs to his wounds and falls, twitching and shrieking in pain, before going still. Jack and Artemis stare down at his body, then at each other, and then they burn Cohen's body until it's nothing but ash and bones. They leave Fort Frolic without any fanfare.
With Point Prometheus and Port Neptune left, they decide to try the Point next. If the Church is seeing the places where Jack visited as holy sites, then the place where he killed Frank Fontaine is the next best place to find them.
"If we find that Fontaine has come back from the dead too," Jack grouses as they board the bathysphere, "I swear there'll be nothing left of him when we're done."
When they arrive at Point Prometheus, they find the place cleared of Mutants, though it wasn't pretty; there are blood stains and dead Mutants everywhere, though no Church members.
That changes abruptly when Jack and Artemis are going through the Proving Grounds; they are ambushed by the Church. Not wanting to kill potential recruits for their fight against Lutwidge and the Mutants, Jack and Artemis find themselves cornered.
Just as they're about to be overrun, Jack remembers something that Eleanor told them from Delta's memories: The paintings in Siren Alley included Jack's arrival at the Rapture Lighthouse, his fight with Dr. Steinman, and the first time he used ADAM to splice. In the latter, the chain tattoos on his wrists are visible, making them part of his mythos.
Without hesitation, Jack tears off the gloves of his suit off along with his helmet and runs out from cover, holding his arms up so the attacking Church members can see them and yelling that he is the Son of Ryan.
A few bullets strike his suit before they realize what they're seeing. As Jack's words and the sight of his tattoos sink in, they stare in shock before throwing down their weapons and bowing low before Jack, crying out for forgiveness.
Jack forgives them, of course, and asks to be brought before the Church and its congregation. They're all too eager to bring him forward, beyond happy that their messiah has come at last. Artemis follows behind them.
They bring Jack and Artemis to top of Point Prometheus, where Jack fought and killed Frank Fontaine. The Church has converted their battleground into a shrine, putting up makeshift pews and more paintings on the walls. They took Fontaine's body and put it up on the operating table where he went to heal and splice up during the fight; he's been strung up like he's being crucified for his sins.
Jack is a bit put-off by the display, but he can't help but admit to himself that it's kind of fitting.
As the congregation assembles, the leader of the Church, a young man by the name of Billy Parson, offers the pulpit (which stands in front of Fontaine's crucified body) to Jack, who takes it. Artemis chooses to stand off to his right side.
Jack introduces himself and tells the Church of the Son of Ryan that yes, he is there to save them, which causes them to start cheering and applauding. After they calm down, Jack tells them that their salvation is two-fold. One, he intends on curing them of their ADAM sickness, and two, he's going to evacuate them from Rapture and return to the surface.
This spawns even more applause and celebration. Jack then tells them he is planning on doing this for everyone in Rapture, and that he needs Arcadia and its air filtration systems in order to do so. This brings up doubt for some of the congregation; why save those who don't believe in Jack, especially when it means facing off against the Diamond Partners? And can Jack even cure ADAM sickness?
The true believers of the Church begin getting angry with the doubters. Wishing to avoid a fight, Jack asks for a volunteer. Billy, being the leader of the Church, volunteers immediately, kneeling in front of Jack.
Jack reaches down and puts a hand on Billy's shoulder. Unseen to the rest of the congregation, a needle extends out of Jack's gauntlet (a la Assassin's Creed, and inspired by Eleanor's Big Sister needle) and jabs Billy, injected him with a dose of SERPENT.
Before the eyes of the congregation, Billy's mild case of ADAM sickness begins to reverse itself. The tumors and growths on his exposed flesh shrink and disappear like a time-lapse video in reverse. In mere seconds, Billy Parson is completely cured of his ADAM sickness, and from the congregation's POV, Jack just touched Billy and cured him.
Jack tells them that he is a savior for all of Rapture, not just them. As the son of Andrew Ryan, he sees it as his responsibility to fix as much of his father's mistake as he can. But he needs their help to do so; can he count on them?
Billy's voice, undistorted by damage to his voicebox, is the first to say yes, quickly followed by the rest of the Church. After confirming that the Church does have Port Neptune under their control, Jack asks Billy to begin having his people rally there while he rendezvouses with his allies in Minerva's Den to finalize their plan.
Jack can't help but smile as he and Artemis board a sphere to the cheers of the Church of the Son of Ryan. Their part in Operation Trident is a success.
4 notes · View notes
ambriel-angstwitch · 2 years
Text
I headcanon Chrysta, Sofia’s Protector mentor as trans and here’s why.
First reason why is because the only other fairy we see with her dragonfly like wing type is a guy and I know it’s not a fairy race thing because she’s a Chrystal fairy and he’s a dream fairy
Tumblr media
Second is that her whole entire arc in this episode is about how she didn’t quite fit in with the other girl fairies her age, and she gets so excited about just getting to be one of the girls. Then at the end of the episode she learns to be proud of who she is, both the rough and tumble part that made her fail her wand test the first time and the more traditional gentle, pretty and dainty part that she wanted so bad to be seen as.
(I actually wrote this post a bit ago but accidentally forgot about it oops 😅)
19 notes · View notes
everrealmsfirst · 2 years
Text
@keywcilder
Despite the face that Sofia didn’t know of ALL the fashions in the Everrealm, she was fairly certain that the clothing this boy wore didn’t match anything she knew. Minimus even made the remark as she dismounted that the stranger stuck out. Something which earned a laugh and a shake of her head before she was moving to greet this stranger. Even if he was from a kingdom she wasn’t familiar with, she did have to take  a rest anyways if she wanted to get to Avalor. 
“Hi, I’m sorry but you’re looking around...Did you need any help?”
16 notes · View notes
Text
The Use of Robert Moses as a Foil in The Unsleeping City
For those of you who don’t remember 10th grade English and don’t have a degree in Literature from a state school, a foil is a character who exists to contrast another character in order to highlight the characteristics of both characters. There are many great examples of this not only in literature (Hamlet and Laertes, Tybalt and Benvolio, Adam Trask and Cathy Ames) but also in film (Luke Skywalker and Darth Vader, Batman and the Joker), comics (see: Batman and the Joker) and a host of other mediums. With all that said, and those examples given, I posit that Robert Moses is a foil for the Heroes of New York in Dimension 20: The Unsleeping City. 
First and most obviously, he is a reflection of Kingston Brown if Kingston Brown wasn’t a strict adherent to Uncle Ben’s axiom. Moses took every bit of power he could for his own use and, in real life, screwed over the city of New York where Brown uses everything he’s given to make the city better (in a flashback, we find out that the first thing Brown asks the Dragon of Bleeker Street after becoming the Vox Populi is how he can use his power to help other people). 
Second, he’s a version of Kugrash that never learned the importance of caring for others. Throughout season one, Kugrash acts as a protector for the homeless and dispossessed of New York, feeding and clothing and protecting them from harm, a lesson he learned after he was cursed by a powerful spellcaster. The people he protects are those who Robert Moses’s realm would destroy, the people Robert Moses cares nothing for. This service comes not purely from penance, but also from a heartfelt desire to help others to the point that he sacrifices his body to save New York. Finally, and perhaps most importantly, is his reaction to the final words of Robert Moses’s phylactery after his (Kugrash’s) sacrifice - greed is good. To quote the man himself -  “ Greed is good, for rat motherfuckers like Robert Moses, but not in our town, not in our fuckin' city!”
Third, Robert Moses is a reflection of Pete if Pete had given in to corruption and temptation and hatred and greed, which he almost does multiple times in the series, the final time being in Showdown at the Stock Exchange, the penultimate fight of season one. This final choice is offered as two options on the Wild Magic Table - embrace the darkness to match Robert Moses in power, or resist temptation and rise above, Pete choosing the later. For this rejection of evil, Pete is killed (I choose to read the game of Eenie Miney Minie Mo as being a theatrically show that Robert Moses put on just to prove how evil he is). 
Fourth, both he and Misty/Rowan feed on the power of the city for their own ends, Robert to control it and Misty to maintain her youth and beauty. The difference lies in the fact that, as Nod points out, Misty/Rowan gives back to the people more than she takes, giving them hope and joy (and using her magic to protect the people), while Robert Moses gives nothing in return. She also cares for the immaterial things in life, like beauty and art and entertainment, while he does not.
Fifth, Ricky’s self-sacrificing nature is in stark contrast to Robert Moses’s. Throughout the series, Ricky puts himself on the line to protect others, a good portion of his magic being used to protect others from harm and the rest (notably his smites) used in defense of the innocent. In the final battle of season one, against Robert Moses’s nightmarish American Dream, he uses an ability that he knows will almost certainly kill him. His words to Kingston Brown moments before the sacrifice - “You got me if you got me” - show that while he would like to come back and knows his friend will do what he can to make that happen, he also knows that there’s a chance that this is the end for him, and he does it anyway, a sacrifice Robert Moses would never accept. 
Finally, there’s Sofia. Sofia was the hardest of these to write about, but eventually I realize that the contrast comes in relation to wealth - Sof rejects her family’s ill-gotten wealth, choosing to live (temporarily) as a monk with little more than the contents of a backpack to her name, while Robert Moses craves wealth so much that his whole plan revolves around creating a new realm in New York city specifically for his own gain. It’s not a lot, but it’s something. 
There’s also the fact that the heroes all love New York while Robert Moses sees it as a tool for his own gain, but that mostly goes without saying. 
I’m about 90% sure that this is the longest post I’ve made on this site but I really enjoyed writing it. I definitely plan on making more like it, analyzing D&D series through a serious literary lens and discussing the uses of literary and narrative techniques, although these won’t be as frequent as my shorter observations. 
If you got all the way through this, thank you and you’re awesome. 
267 notes · View notes
hyunfilms · 2 years
Text
blue side of the sky (lmh) | masterlist
Tumblr media
“i’m in between the two, standing still & on the run— don’t know what to do, i’m in two places at once. i feel like the moon, trying to stay up for the sun— heart is so confused ‘cause it’s two places at once.”
♡ spotify playlist
Tumblr media
—summary: waking up after 3 months with no recollection of your past, your friends do what they can to help you remember. except, they omit an important piece to the puzzle - afraid you would remember the heartbreak and hurt all over again.
—pairing: lee know x f. reader
—genre: (18+) exes to lovers, bestfriends to lovers au | fluff, angst, smut
—general warnings: cussing, mature language/implied sexual content, protected/unprotected sex, mentions of death/accidents, broken relationships, insecurities - additional warnings will be posted for each chapter.
—fic title inspired by sofia carson’s ‘blue side of the sky’ ; song quoted above is 2 places by tori kelly
—release: may ‘23
Tumblr media
♡ table of contents ;
one: slowly, but surely
two: thai food for days
three: Sunday Morning
four: princess protector
five: the third wave
six: like a stranger
seven: the losing game
eight: Mars
nine: Pusheen with a lopsided eye
ten: changes
⇢ 10.5: [cloudy days] jisung
eleven: the only way
⇢ 11.5: [cloudy days] minho
twelve: conservatory of flowers
⇢ 12.5: [cloudy days] chan
thirteen: all things astronomical
fourteen: never a linear path
fifteen: everyone but you
⇢ 15.5: [cloudy days] kat
sixteen: deja vu
⇢ 16.5: [cloudy days] uncle adrian
seventeen: kintsugi
⇢ 17.5: [cloudy days] san
eighteen: do you, for you
⇢ 18.5: [cloudy days] seungmin
nineteen: maybe this time
⇢ 19.5: [cloudy days] y/n
twenty: a good team
twenty-one (final): in this moment
1K notes · View notes
locitapurplepink · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Some my favorite scenes of sofia the first and elena of avalor gifs that I've been edited so far Part 6
28 notes · View notes
rwbyangst12 · 1 year
Text
I wanted to see more of the protectors and see Vega, Orion, and the giant guy cuz isn't Orion the leader? We should've seen him give Sofia advice and tell her stories of how Chrysta started out
14 notes · View notes
slushimart · 1 month
Text
I found this old voice over I did back in like december that I never uploaded. I think the reason was because of how many times ive messed up, stuttered, and laughed, this was the best outcome I could do. 😭😭😭
10 notes · View notes
captain-amadeus · 3 months
Text
Every time Sofia was being a Protector-in-Training, and big emphasis on IN TRAINING, she was always with another Protector.
8 notes · View notes
moonypears-blog · 5 months
Text
Headcanon.
Sofia often vents to Cedric whilst painting his nails, whether it be about stress, Roland, protectors, school, expectations. It started when she was 13, and they've done it since then.
It's become a bit of a code word too, when Cedric can tell Sofia needs to let her feelings out, he asks her to paint his nails, when she wants to tell him she needs to vent, she offers to paint his nails. Different colors mean different things, she'll ask if he wants a certain color indicating what she needs. Purple means she's alright, but just wants to talk to him about something she's dealing with, green means she's stressed out and wants to vent about it, black means she's really not okay and needs help. It's mostly used in public, obviously Sofia doesn't want to spout her business to everyone else, she wants to tell Cedric specifically, and she doesn't want to worry other people.
Tumblr media
83 notes · View notes
Text
The next poll tournament I will be running is the Characters With Fans Tournament.
...Um, fans as in hand fans, I should probably clarify.
I have submitted two characters myself (they'll be at the top of the submissions list)
Submit a character with a fan, along with where they come from and (if you want) propaganda. You can do this through ask or submit a post.
Currently submissions will be closing once the already running poll tournament ends (the 7th of May I think it would be). This could be changed and there will be an update if it does, but for now that's how it is.
@tournament-announcer
Submissions in bold have propaganda, submissions not in bold do not have propaganda. Whether they do or do not have some already, you are still free to submit some.
SUBMISSIONS:
Princess Hildegard: Sofia the First
Nie Huaisang: Mo Dao Zu Shi
Shen Yuan/Shen Qingqiu: Scum Villain's Self Saving System
Shi Qingxuan: Tian Guan Ci Fu
Xue Zhengyong: The Husky and his White Cat Shizun
Wen Kexing: Word of Honour
Haruaki Kurama: Ayaka: A Story of Bonds and Wounds
Kalluto Zoldyck: Hunter X Hunter
Kyoshi: Avatar: The Last Airbender
Douma: Kimetsu no Yaiba
Shiver Hohojiro: Splatoon
Sharon Rainsworth: Pandora Hearts
Sheryl Rainsworth: Pandora Hearts
Rufus Barma: Pandora Hearts
Suki: Avatar: The Last Airbender
Kagura: Inuyasha
Eva Ushiromiya: Umineko no Naku Koro ni
Mulan: Mulan
Temari Nara: Naruto
Tenten: Naruto
Yukimi noh Daiomoru: Protector of the Small Quartet
Tingyun: Honkai Star Rail
Mayura: Miraculous Ladybug
Yukimaro: 9 R.I.P.
Mei Mei: Kung Fu Panda
Yumi Ishiyama: Code Lyoko
Kamisato Ayaka: Genshin Impact
Lady Windermere: Lady Windermere’s Fan
Yuzu Hiiragi: Yugioh
Shen Lanzhou: Qiang Jin Jiu
Lady Bow: Paper Mario
Swire the Elegant Wit: Arknights
Qing Ming: Yin Yang Master: Dream of Eternity
Maria Posada: The Book of Life
Princess Amber: Sofia the First
Princess Clio: Sofia the First
Ageha: Reine Des Fleurs
Madame Enge: Reine Des Fleurs
Yi Bang-won: My Country: The New Age
Yukiko Amagi: Persona
31 notes · View notes