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#sonata in b minor
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Good day, Mr. Liszt,
Which is:
Your favorite composition
Your most underrated composition
Your most overplayed
And sorry for being basic, but I have to say that I greatly admire your arrangement of “La Campanella”—I even prefer it to the original violin arrangement!
Good evening, my dear pupil.
I suppose these questions all refer to my own music, though am not completely sure regarding the first one, which is of course the hardest to answer as well.
Perhaps the Sonata in B minor or Orpheus... Perhaps something later, something atonal. Perhaps Benediction de Dieu dans la solitude...
As for most underrated: the Apparitions. I wrote them at around twenty-two, but they are not virtuosic exercises and should not be swept under the rug as they are.
La Campanella and the 2nd Hungarian Rhapsody for sure are overplayed. Perhaps the first more than the latter. At least it has Hungary in its name.
Thank you for the congratulations!
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scherzokinn · 5 months
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*Sonata in B minor*
Low effort mental breakdown post
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pianosheet · 2 months
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zer0point5ive · 7 months
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he succ on my umb till i. oh no :(
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ask-sebastian · 10 months
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Some epic guitar playing.
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tramp963 · 3 months
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Domenico Scarlatti : Sonata in B minor K27 - Antonio Castagna
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gasparodasalo · 3 months
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Frédéric Chopin (1810-49) - Piano Sonata No. 3 in b-minor, Op. 58, II. Scherzo. Molto vivace. Performed by Tomasz Ritter, 1837 Érard piano.
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best-habsburg-monarch · 4 months
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*Liszt. I can't edit polls, so just pretend the typo isn't there
Franz Liszt (1811-1886):
Johann Strauss the Younger (1825-1899):
Gustav Mahler (1860-1911):
Antonín Dvořák (1841-1904):
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clark-reviews · 1 year
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Album Review: 👍🏼Recommend
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Lana Del Rey, Incense, The #1 Male Sex Toy in the World, and the Auto Play feature on YouTube Music?
The secret recipe for turning people into Taylor Swift fans isn't once size fits all, in fact, when it comes to the moment a talented artist grabs your attention for the first time, I think of it more like a meet cute. Cupid doesn't care who you're with either, he's sneaky like that. I had no intention of listening to "Midnights". In fact, Taylor Swift wasn't even on my Pop music radar until she infiltrated my bedroom solo act, with Lana's masterpiece, "Born To Die", as the sonic backdrop I had consented to.
As though Lana had lovingly snuck Taylor into the room and revealed her as a surprise birthday gift, "Snow On The Beach" auto played right after Lana's album ending track, "Lucky Ones". I have to admit, as though I was audibly blindfolded, when Taylor's track started, ladies and gentlemen of the jury, I couldn't tell them apart! "Snow On The Beach" has Lana's red lipstick-stained cigarette butts all over it. She seamlessly weaves in and out of Taylor's (surprisingly) sultry vocal delivery, never taking control of the song. But she's there in the room, the whole time, making sure I'm still okay with this cunning sleight of hand.
My second order of business for the night was to check and see if Lana had just silently dropped an album on me without telling me first. One that included this new song. To my surprise, it's on Taylor Swift's new album!? As a man who appreciates a good musical rabbit hole, I delved further and started "Midnights" from the top. Because "What's the big idea?" and whatnot.
To be perfectly honest, I chuckled at the title of the first track "Lavender Haze". My mind immediately connected it to "Purple Rain" and well... It was a cute moment. I've since read that this album contains Easter eggs, albeit, this may not be one of them. I hit play though and I got smacked in the face with the most uncannily Dua Lipa sounding song on the whole album. This is a good thing though, we like Dua Lipa. And it's refreshing to know that Taylor might have taken some influence from her, and chose to give her a lovely nod to begin the album.
"Maroon" is an interesting track as well, because it's always the second track that sets the pace of an album, in my opinion. Just as a single note isn't a melody until there's a second note to compliment it. In music theory this is called an interval. And in this case, the previous track was in B-flat Major, and "Maroon' is in G Major. Not to get too technical, but this interval the first two tracks created is called a "minor 3rd" (m3). For reference, the first two notes of Moonlight Sonata form a minor 3rd. I already know this album is going to be a little bit sad. And boy did it deliver! Because "Anti-Hero" is in E Major, and we now have a descending diminished arpeggio taking us into the third song. Taylor is building suspence with this track order!
In most albums, you'll find that the third track is almost always a single. "Anti-Hero" comes in loud and clear. Taylor's voice is now front and center with that gorgeous verse melody. The starting lyric is "I have this thing where I get older but just never wiser" and her command of that falsetto on the word "thing" sells the lyric to me at full-price every time. What a mature delivery, to attach to such a doubtful line about oneself, but sing it so confidently. There's something special about this song. It's a song about insecurities, and I'm humbled to hear it sung so proudly. Whatever she was going through, seems now resolved. We enjoy those moments, don't we.
After "Snow On The Beach" we have a few more tracks that seem to explore even further -Taylor's latest pop sensibilities, with "Bejeweled" being the bubbliest one of all. For my personal preference, I wasn't too impressed with it. The song seems a bit crowded with too many lyrics and Taylor seems to breathe between words at odd moments. It's probably more suitable for fans of her previous bodies of work. Let's just say that if "Bejeweled" had played after "Lucky Ones", I wouldn't be writing this review, and I would have never heard one of the most hauntingly beautiful pop songs I've ever listened to, and it's been on repeat since 11:47pm last night...
*Song Spotlight*
That song is "Labyrinth", and it has the honor of a spotlight. Let's listen together.
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If Labyrinth doesn't successfully heal any emotional wounds of yours, then it'll proceed to inflict one, clean it, dress it, and kiss it for you.
This song took me back to 2012. I'd met a beautiful young lady at an airport terminal in Copenhagen on my way back from visiting my mother in Norway. We had a meet cute that led to us spending the next 32 hours holding hands, loitering the airport, waiting for her to tell me to smile again and again, and wishing to never go home. As I finally boarded the flight that separated us, she kissed me on the lips for the first time since we'd met. It was at that moment that "Labyrinth" should have started playing over the loudspeakers. Because in my mind, when I think of that moment, this song belongs to it. This song gave me closure, and I'm grateful.
To close out the album, we have the cleverly celebratory lyrics of "Karma", the rich and sweet nostalgia-inducing "Sweet Nothings", and "Mastermind" could have very well been the first song on the album, because it perfectly encapsulates the lyrical pretenses of every song on this album. She's acknowledging that she's in control of every rushing memory she penned to the sheet, every winding road she willingly drove while sitting in the driver's seat.
Taylor Swift took me on a ride with this album, and I'm inspired to take her up on her next foray into the throws of adult womanhood. I have trust in her now.
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Dear Mr Liszt, I hope you’re having a good day :)
The situation’s escalated and I’m very sad so I was wondering whether any of your pieces are good for making you happy or perhaps if any are good for crying to instead, or should I just listen to Chopin for that?
Good day my dear pupil.
I am saddened by your recounting whatever has happened. I hope things will soon resolve for the better.
Feelings are very much subjective, and I could not promise what I am not sure to give. As for happiness or light-heartedness, please listen to Gnomenreigen or La canzonetta del Salvator Rosa, Bagatelle sans tonalité... For deep emotional partecipation, the Sonata - B minor, Canzone napoletana, the Valses oubliées or other late, disillusioned works would help. I have written some in the style of Chopin, but his wet longing is not what I feel desperation as.
Da aspera ad astra.
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hellhammerdeath · 5 days
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Liszt - Sonata in B Minor
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steinwayandhissons · 6 months
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classical pieces with the car energy (shamelessly stealing this wonderful idea from @depressedraisin)
and yes these will the most gut-wrenching, heart-breaking pieces of music so brace yourselves
gustav mahler - symphony no.3: finale (berlin philharmoniker, orchestra) -> (this literally makes me cry every time i listen to it without fail)
gabriel fauré - piano trio in d minor op.120: mvmt 1 (beaux arts trio, piano, violin, cello)
edvard grieg - piano sonata in e minor op.7: mvmt 2 (mikhail pletnev, piano)
maurice ravel - sonata for violin and cello: mvmt 3 (nigel kennedy, lynn harrell, violin, cello)
amy woodeford-finden - 4 indian love lyrics no.4: till i wake (ben johnson, voice, piano)
arnold schoenberg - verklärte nacht op.4 (ensemble intercontemporain, string sextet)
frank bridge - cello sonata: mvmt 1 (actually just the whole thing) (steven isserlis, connie shih, cello, piano)
ralph vaughan williams - on wenlock edge: clun (anthony rolfe johnson - tenor, graham johnson - piano, duke quartet - string quartet) -> (literally part of the lyrics - ‘tis sure small matter for wonder if sorrow is with one still. and if as a lad grows older the troubles he bears are more, he carries his griefs on a shoulder that handselled them long before. )
ignacy jan paderewski - miscellanea op.16 no.4: nocturne in b flat major (stephen hough, piano)
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phasebun · 14 days
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| Ten Songs Ten People
I love this omg lol tysm for the tag @casualya ♡ ♡ ♡
Latest songs I’ve been repeating, which will change cause it always does after a bit (some current faves I guess) lol I blame my brain always needing a mix of things, hiking and forcing focus for the scattered mess of genres LOL (I enjoy a scattered mess of genres anyway)
1. The Descent II: Moral Ruin - Darker by Design
2. Asmatous Grove - Almyrkvi
3. Lui E Lei - Piero Umiliani
4. Monaco - Bad Bunny
5. Captain Hook - Meg the Stallion
6. Sonata No.42 in D Minor - Domenico Cimarosa
7. Never Lose Me - Flo Milli, SZA, Cardi B
8. Walkin - Denzel Curry
9. Chopped in Half - Obituary
10. Lightning & Snow - Woods of Ypres
I tag: @koibish , @rattini , @razrogue , @mercymaker , @absansombre , @ratchsellsfornax , @crsentfairy, @ivys-archive , @sikoi , @tchia (ㅅ´ ˘ `) ♡
(Ofc….no hostages :3 always love & if you see this and want to do it, feel free to tag….I love new music lmao ^^ )
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istmos · 9 months
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Ottorino Respighi, Sonata For Violin And Piano In B Minor - 1. Moderato, by K. Wha Chung and K. Zimerman
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gasparodasalo · 5 months
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Giovanni Meneghetti (1730-94) - Sonata for Violin and Basso continuo in b-minor, II. Allegro [in D-Major]. Performed by Giovanni Guglielmo, violin, and Archicembalo Ensemble on period instruments.
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