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#spn 1.12
serjaimelannister · 1 year
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1.12: FAITH written by sera gamble & raelle tucker | directed by allan kroeker | aired january 17, 2006
—Look, no disrespect, but I'm not exactly a believer. —You will be, son. You will be.
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justpadaleckisackles · 8 months
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Sam and Dean in every episode: 1x12 ➡️ Faith
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blacknidstang · 6 months
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- "i'm gonna die and you can't stop it"
+ "watch me!"
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peach-coke · 2 years
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➤ Supernatural || 1.12 - Faith January 17, 2006
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deancasforcutie · 1 year
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when spn shows the “HELL IS REAL” side of America 👌🔥
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scoobydoodean · 11 months
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Sam's Motivations 6/? Taurus Sam in the flesh 2/?
Supernatural | 1.12 Faith
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mittensmorgul · 1 year
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Okay, I have a lot of thoughts i’ve been rotating for a while now, and even if I don’t have a coherent overarching meta composed in my head yet, I feel I need to at least record some of these thoughts for future reference. Buckle up. It’s a lot.
I’ll start with a few overarching themes and points that cover the entire series, and then move into the specifics of the most recent episode, the PENULTIMATE episode lol, 1.12. gonna just bullet point these for ease of reference purposes:
-a ridiculous percentage of the series has dealt with monsters/entities with their own little pocket dimensions. yes, this was a thing the original series touched on occasionally-- djinn dream universes created entirely inside someone’s mind, gabriel’s eternal tuesday time loop, gabriel’s weirdo tv land, the soul eater nest in 11.16, and even chuck’s bar at the end of the universe from 11.20. Or like... the entire concept of alternate universes introduced in 6.15 The French Mistake that may or may not have been a construct by Balthazar... up to interpretation... and the final seasons wrangling of several specific alternate universes
so far in The Winchesters we have, by episode:
(under a cut because this got long lol)
*eta: since it’s been pointed out to me that not everyone’s managed to memorize all the spn prime episodes by number, here’s the Mittens Decoder Page on the superwiki by episode number: http://www.supernaturalwiki.com/Category:Episodes
1.01 the Loup Garou and the Monster Trap Box (which can only be recharged by things that are “not of this earth”, specifically they will learn it’s a transporter device that sends creatures trapped by it back to whatever world’s item has “charged” the box) they were searching for, hidden in a secret chamber for years.
1.02 La Tunda, who lures victims into her little pocket dimension trap via roots pulling them underground. she can only be killed by being stabbed with a piece of her own wood/body
1.03 the Bori Baba who lures victims into a pocket dimension trap via a burlap sack. he can only be destroyed (and his captives freed) by them willingly relinquishing/destroying the beloved thing he lured them with.
1.04 Mars Neto who lures victims into a pocket dimension trap and makes them relive trauma and fight him. Could only be defeated/rendered mortal when the amphora containing his power was shattered.
1.05 djinn... but these are slightly different than any of the djinn we know from original canon. they can form a link directly into someone else’s mind and control them out in the real world, not just in a pocket universe trap... it turns victims’ own minds into the trap
1.06 a vengeful spirit of a POSSESSED VAMPIRE of an entirely new variety, who broke free of a trap where he’d been locked for decades, because his friends felt helpless against his growing darkness/involvement with dark magic that was twisting who he was. Lata had to force him to confront that and confess, and the possessing spirit chooses to leave John in an act of doing the right thing.
1.07 straight-up Akrida-- the monsters apparently from an alternate universe trying to invade our world to devour it all (reminiscent of the tentacle monsters Sam and Dean found trapped in a different MoL capitulum clubhouse and accidentally released in 12.17, but bugs instead of tentacles...). They are our overarching Big Bad, who bridge the gap between pocket dimension and possession/mind control that surrounds so many of the themes of the series. but this episode explores them in more depth (right down to the underground lair where the queen was trapped). I feel the need to mention it somewhere, but the akrida used radio waves as a lure for all the bizarre monsters our core four have been dealing with all season, connecting the akrida directly to every other specific monster we’ve seen them confront. Episode literally called “Reflections” which leads me into:
1.08 Loki/Gabriel? Who I already mentioned above as a creator of pocket dimensions and messing with minds in original canon. And for some reason at the end of the episode, he’s trapped inside a mirror, a bit of lore we’ve never seen connected to Loki or Gabriel leaving me to wonder how trapped he actually is... A reflection, as it were.
1.09 vampires... but more the sort we already know from spn prime canon. except the whole mission around them involves a PROPHECY unwittingly stamped onto John’s hand. We’re reminded that prophecy can’t be avoided, BUT you can control some of the circumstances AROUND the prophecy. Context matters, and tiny glimpses of things aren’t representative of the whole truth. (4.18 anyone...)
1.10 A very Magnus-coded (who if you remember created his own little pocket universe to live in with his monster zoo and collection of supernatural relics) disgraced MoL who lies about his identity, his past, and his motives for returning to the clubhouse now. Literally wants to transfer his and his wife’s consciousnesses into John and Mary’s bodies to get back the life the Akrida had stolen from them and he felt they were owed... with no self-awareness that this actually made HIM the monster in this case. 
1.11 the Shadow Spirits generated by Maggie’s magical bracelet that both showed the wearer the truth about hidden motivations AND could also become a trap. Carlos and Lata are pulled into a shadowy trap (not just in their minds! they are no longer physically in the house! they were pulled bodily into some sort of pocket universe BY A SHADOW (you know, the proper term for the Empty Entity in spn prime canon?). Where their only hope for escape was Lata confessing her deep, dark hidden secret to Carlos. She was terrified that he would reject her if he knew the truth about her, that Carlos would be ashamed of her, but he reconfirmed that he loves her unconditionally, and nothing will ever change that.
She’d felt guilt and responsibility for the actions of others for so long, but Carlos helped her see the whole picture again, that it was not her fault, that she’d been helpless to circumstance and wasn’t at fault for her father’s bad actions-- even to the point where they led to the death of an innocent woman.
But the other function of this bracelet, used on Betty to show her the TRUTH of the akrida-possessed people finally gave US a look at how akrida possession works. It’s not just the little spikes in the neck doing the controlling through chemicals or whatever, they seem to function like some sort of weird antenna that connects them via mysterious green tentacles of light up into the sky. Where do they go? I thought the akrida queen was buried underground, not in the sky? Who or what is pulling those poisonous green strings?
aside to mention lata found the bracelet hidden in A CAN OF RAT POISON, along with a tasty treat that carlos devoured. the rat poison packaging was just a decoy to keep anyone else from accidentally finding Maggie’s bracelet (and her stash of tasty treats lol)
1.12 LIMBO’S HOUSE OF HAPPY. a fucking CARNIVAL TENT of a pocket universe, run by a literal clown who made a deal with a witch to create a perfect place where he would never feel sad again. (somebody PLEASE tell me this feels like 15.20... from the rando pie festival where Dean STILL doesn’t get to eat pie and has it smashed in his face instead, and then gets hung on a rusty nail after fighting off some vampire clowns/mimes and sent to a weirdo version of Heaven where he can apparently never worry about anything again? freaking dystopian, ffs... but also... very much a thematic summary of the entire metanarrative plot of the Winchesters as a whole...)
I’m gonna spend the rest of this post absolutely yelling about this last one. While watching, my brain just kept lighting up with references to past canon.
A CLOWN named LIMBO.
Of course, when we think about clowns in Supernatural, we always think of Sam’s lifelong fear of them. Apparently connected to the fact that Dean used to leave him at Plucky Pennywhistle’s as a kid, but also... almost every reference to clowns in canon prime are connected either to Azazel or to Lucifer himself.
My very first thought about LIMBO the CLOWN was 11.10 The Devil in the Details. Rowena being the one to magically assemble the “stage cage” where they’d summoned Lucifer to question him about Sam’s visions and dealing with the Darkness, and Rowena appearing in this episode (even if in an entirely different plot arc, she’s still ~there~) feels very relevant.
But we’d known that Sam’s visions in s11 were foreshadowing a return of Lucifer and possibly a trip to the cage. But... Clowns Specifically were used to foreshadow this. In 11.07 Plush, Sam was trapped IN AN ELEVATOR with a murderous clown, and the overhead shot as Sam frees the man in the clown suit from possession... looks like cage bars (screencaps from HotN):
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Remember, this was TWO EPISODES before Crowley leads Sam and Rowena INTO LIMBO in 11.09. LIMBO. Where Sam’s worst nightmare becomes reality and he’s literally trapped IN A FAKE CAGE, IN LIMBO, WITH THE ULTIMATE CLOWN:
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(screenshot from the superwiki page for 11.09)
LIMBO is where Cas says yes to possession by Lucifer, and right after this kills Rowena for her trouble, after she confesses that she’s the only one who knows the spell to force him back into the actual cage.
From 11.09:
Crowley: We are in the furthest reaches of Hell, Limbo, where I send unruly souls for timeout. Sam: This is where I meet with Lucifer? Crowley: What it lacks in ambience it makes up for in security. They come to an empty cage. Rowena paints sigils on the cage, while the thunderstorm continues to rage. Crowley: Makes your flesh crawl, doesn’t it Moose? I get it. I’m the King of this place. It’s still not my cup of tea. Sam: I don’t know, Crowley. I’d say it suits you. Dark. Empty. Crowley: Fascinating; the utter contempt, when I’m in the midst of saving the Winchester’s bacon, again. Sam: The point of this is to save everyone’s bacon, including yours. Let’s just hope she knows what she’s doing. This cell won't hold crap if the warding is not right. Rowena: Don’t you worry about me, Samuel. I’m a professional. Crowley: Are you certain you can do this without actually opening the Cage? Rowena: We are about to find out, aren’t we.
Rowena BELIEVED Lucifer would become her protector, bring her peace, security, power. But it was all a lie. And in this episode, she seeks out Ada under the pretense of talking to the specific demon Ada had trapped in a bonsai tree, looking for information about her son...
Let’s detour through some other clown references from spn, just for funsies. The cold open victim in this episode was the only one who could see the magical tent, and his friend saw and heard nothing of it (he didn’t have the magic ticket). It called back to the children in 2.02 Everybody Loves a Clown. They were the only ones who could see the Rakshasa clown, who used those children to gain entry to their homes to devour their parents.
There’s also the ghost of John Wayne Gacy in 14.13, an episode where Dean’s wish to reunite his family is fulfilled, even for a brief moment. (the ghost will return in 14.20 when Chuck cracks Hell open). But specifically this clown is tied directly to John and Mary reuniting before John chooses to go back to his own time to save everyone else and restore the timeline. John will only vaguely remember the events as some sort of pleasant dream. It comes with a side of Dean accepting his life, not WANTING to change it because everything he’s endured has combined to make him the person he’s become. GROWTH DOT GIF.
(and in 15.01 the clown ghost nearly gets sam, again...)
Which brings me back to the Akrida. Our mind-controlling, possessing archvillain of this entire narrative. Whose goal seems to revolve around being freed from a sort of cage to run riot across creation. They have apparently shifted reality, all because Dean knocked over some first mysterious domino and unleashing the chain of events he’s been recounting through the entire series.
Was that inciting incident going back in time to deliver the note to John? Was it giving John the key to the MoL clubhouse that sparked not only what appears to be a massive change in the timeline from what we’d known from spn prime, but possibly also GENERATED the akrida as a monster specifically that creates these sorts of pocket dimensions to devour?
Also, brief aside to mention DEANNA. Like, the entire early part of the season revolved around Mary concerned about Samuel being “missing.” And yet, we also learned that Deanna had disappeared to points unknown. She hadn’t been seen by anyone in MONTHS, was last assumed to be hunting with some group in Michigan (? I think? top of my head reference), and yet NOBODY has showed the same concern for her whereabouts as they collectively did for Samuel. It’s almost like they all have some sort of weird amnesia about her at this point. They just... aren’t concerned about her at all, and haven’t even mentioned her in weeks. Which makes me think she’s at the center of all of this. I would be 100% unsurprised if she’s the one possessed by the Akrida queen at this point. because otherwise, WHERE TF IS SHE. But also, WHY TF IS NOBODY ELSE SEEMINGLY CONCERNED ABOUT HER AT ALL?! It’s WEIRD.
I am generally losing my mind over all of this, and don’t know what Big Secret will be revealed in the finale, but hooBOY I am prepared to scream about it for weeks. This is all just stashed here for my own future reference purposes, and I’m sure I’ll come back and add more things as I think of them, but heck this will have to suffice for now :’D
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laf-outloud · 1 year
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Are you actually telling me the viewership even dropped more for the finale?? Lmfao I hate this garbage fire, but even I didn't think it would actually drop. What happened Superstar Ackles?
I mean, it was higher than most of the prior weeks, but yes, it dropped 50K between 1.12 and 1.13. I didn't think it would drop either, which leads me to the only logical conclusions. fans like Ruth more than Jensen, or Jared did it with the power of one tweet (and two tits.) LOL!
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lower-the-volume · 1 year
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faith
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moishecampbell · 2 years
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paellegere · 2 months
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i love that this line is repeated here. it's a great follow-up to the season 9 finale because sam couldn't save his brother, and because he's never been able to save his brother. it's like a redemption for him. he's getting desperate because of all the times he's failed to save dean. he just committed himself to the toxic codependency of a life with dean, and now that's being threatened by crowley, and he can't deal with that. the shaking voice and barely-contained rage is a great indication of how close to the edge sam is at this point, and how badly he just wants to do one thing right
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soft-pine · 2 years
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i saw the future in a dream last night. there's nothing in it
some blueberry pie life: chapter 10
Dean is 17 when he realizes how he's gonna die. In a hospital at 27, he’s sure it’s happening. And when he’s 29, it does.
title from Black Pear Tree by The Mountain Goats and Kaki King
notes below
February, 1996
The sawed-off shotgun Dean uses is the one referenced in 3.03 that he made in sixth grade. But the line of dialogue from John here makes reference to the way that in his journal, he's often referring to Dean as older than he really was when certain events happened.
The mention of Wyoming refers to the hunt of the lesbian nuns that John sent Dean on when he turned seventeen
April, 2006
This takes place during the episode 1.12 (Faith)
The line Dean's thinking about saying about nurses refers to what he actually says when he gets into the motel room: "I'm not gonna die in a hospital where the nurses aren't even hot."
November, 2007
This takes place during 3.03
The references to Dean's wrestling award and Sonny's are from 9.07
December, 1997
I envision this being at the next school they go to after Truman High from 4.13
May, 2008
This is set during 3.16
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becauseofthebowties · 2 years
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1.12 - Faith • SPN Time Stamp Roulette (31/?) •
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castiellesbian · 1 year
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Robert Berens:
9.06 Heaven Can't Wait
9.14 Captives
9.19 Alex Annie Alexis Ann
10.07 Girls, Girls, Girls
10.14 The Executioner's Song
10.19 The Werther Project
11.06 Our Little World
11.14 The Vessel
11.17 Red Meat (with Andrew Dabb)
11.22 We Happy Few
12.03 The Foundry
12.07 Rock Never Dies
12.14 The Raid
12.19 The Future (with Meredith Glynn)
12.22 Who We Are
13.03 Patience
13.09 The Bad Place
13.10 Wayward Sisters (with Andrew Dabb)
13.21 Beat the Devil
14.03 The Scar
14.09 The Spear
14.18 Absence
15.03 The Rupture
15.09 The Trap
15.12 Galaxy Brain
15.18 Despair
Sera Gamble:
1.03 Dead in the Water (with Raelle Tucker)
1.12 Faith (with Raelle Tucker)
1.14 Nightmare (with Raelle Tucker)
1.21 Salvation (with Raelle Tucker)
2.03 Bloodlust
2.08 Crossroad Blues
2.13 Houses of the Holy
2.17 Heart
2.21 All Hell Breaks Loose: Part One
3.02 The Kids Are Alright
3.07 Fresh Blood
3.10 Dream a Little Dream of Me
3.12 Jus in Bello
3.15 Time Is on My Side
4.02 Are You There, God? It's Me, Dean Winchester
4.09 I Know What You Did Last Summer
4.17 It's a Terrible Life
4.21 When the Levee Breaks
5.02 Good God, Y'All
5.07 The Curious Case of Dean Winchester
5.13 The Song Remains the Same (with Nancy Weiner)
5.21 Two Minutes to Midnight
6.01 Exile on Main St.
6.11 Appointment in Samarra
6.21 Let It Bleed
7.01 Meet the New Boss
7.10 Death's Door
7.17 The Born-Again Identity
7.23 Survival of the Fittest
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spnfanficpond · 4 months
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Rewatching SPN: Fanfic Edition
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Our goal is to rewatch the show with fanfic writing in mind. We want to look for all the places in canon where we could add a scene, show a scene from a certain character’s point of view, or change something to make things turn out differently. (We may also critique what the show writers did; that seems inevitable.)
Episodes we're discussing: 1.11 Faith and 1.12 Route 666
What time will it be for you:
UTC - Saturday 22:00
Los Angeles - Saturday 2pm
New York - Saturday 5pm
London - Saturday 10pm
New Delhi - Sunday 3:30am
Melbourne - Sunday 9am
Who’s invited? All Pond members, including Turtles! You don’t have to be a writer to have an opinion on the episodes that could inspire a writer! Everyone has valuable opinions about the show and could spark conversation and inspiration.
Where will we meet? In the discord server. There will be a special channel for us to chat in so we don’t disturb other chats happening at the same time.
How does it work? On our own, whenever we have time, we all watch two episodes of SPN. At the appointed time, we all get together and chat about them. Although we have several questions to consider and creative ideas for you to do if you want, there is no pressure to actually have answers to these questions or have created anything prior to the chat. Didn’t get to watch them? No biggie! We’ve all watched these episodes enough that we can probably talk about them without rewatching them!
More info under the cut!
What questions should we consider while we watch? We have a few questions you can keep in mind while you’re watching the episodes:
Are there any “fanfiction gaps” in this episode? Any places between scenes where a juicy story could happen? (For example, one scene ends at night, but the next scene begins during the day, and what did they do with all of that time?)
How would the episode be different if you changed one thing? What is changed is up to you. It could be as complex as a character making a different choice, or as simple or silly as someone wearing a funny hat throughout part or all of the episode.
What about this episode would you like to see happen differently? How would making that change affect future episodes?
List any parts of each episode that you think could be jumping-off points for a fic. Like, in the pilot, how did Sam meet their friend who was in the bar with them?
How would the episode be different if there were another character involved like a reader insert character?
Do any of the themes we've already discussed in The Archive (See the bottom of the doc under the heading "Thematic docs") show up in this episode? Does this episode bring up any new themes we should be watching out for in the future?
What else can we do before the chat? You can add any notes you have about the episodes we'll be discussing to The Archives! In addition, besides just discussing the fanfiction possibilities in every episode, we also want to encourage you to create things centered around the episodes we’re discussing and share them with the rest of us. Things like:
Write some meta about some part of the episode. What does this episode show us about one or more of the characters?
Write a fic based around the episode. Share a link to your fic in the discussion and we can talk about it!
Make a playlist that you feel reflects the mood of the episode.
Make some art or a photo collage or edits to go along with the episode.
We look forward to seeing everything you create! Be sure to tag us so we can reblog your work!
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Have questions about this or anything else? Send us an ASK or send a private message to one of the admins below!
Admins:
Michelle - @mrswhozeewhatsis
Marie - @mariekoukie6661
MJ - @thoughtslikeaminefield
Mana - @manawhaat (Founder and Admin Emeritus)
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deancasforcutie · 2 months
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The Winchesters + Time Periods
Or why I can't begin to describe the stroke of genius it was to follow up 15 years of vicarious nostalgia for an era one was never part of with a series set in that era, laying bare the illusions our original unreliable narrators learned to recognize as such with us in real time
The vision of the 1970s, more earnest than the whitewashed myths younger generations had to deconstruct for ourselves, representing that shining moment where queer liberation started speaking its name. The funhouse mirror of the white picket Fifties, once again set in stark contrast to a countercultural merry band led by our holy goof unstuck in time. The quite literal representation of how generational trauma unravels linear timelines, as the parentified wayward son passes his inheritance back down to break the circle in a spiral wheel inside a wheel never ending or beginning on an ever spinning reel-
I just think it's groovy
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