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#spn commentary
azrael08 · 2 months
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Weird take but I have huge grudge towards the background actors in the diner scene in 15x08, not throughout the entire scene but just at the end when Michael smites Lilith, when it pans around to the rest of the diner none of them look afraid enough, they all just look mildly shocked (except that one girl on the table behind Micheal when he leans over the booth, that girl look traumatized and I appreciate it) and it just takes me out of his whole 'Archangel power thing that Jabel had going on.
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fandom-hoarder · 11 months
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A lot of people seem to be taking that "s1 sam is kinda spoiled" post as wank and sam negative/dean glorifying and... idk if I'm just reading it wrong, but I didn't take it that way AT ALL, and seeing people pop off upset over it is weird rn. I'm kinda reeling. It's just...commentary on s1 dynamic? Yeah 'spoiled' is not exactly the term I would've used, but I didn't take it as a negative like others apparently have??
Bratty, somewhat self centered S1-Sam is my beloved. Because he has to be that way. Because he doesn't have all the info --and that's not his fault, and it was self preservation to want out of that life, but the fact remains that some of the things Sam doesn't KNOW he doesnt know gives him space to BE self centered. Most young people are self centered in some way -- this is not a moral judgement; it's how brains work. And Sam HAD to be self centered, because he was so often responsible for himself.
Sam being alone a lot does not negate the ways his family sheltered and babied him, though. Some people also seem upset about this word choice, as if it means Sam had it easy and didn't have to deal with the trauma of hunting life -- um, NO, that is not what I mean. When people shelter and baby someone, it hampers their agency. Life is multifaceted that way. The reasons for doing it may come out of deep love -- in spn it's a combination of misguided love AND emotional self protection that lead both John and Dean to not tell Sam key things about their life. Even so, Sam not having all the information DOES affect his behavior -- even his snark -- but because of the baby of the family effect, s1 Sam isn't even aware of some of the ways Dean tried to protect him by omission; has seemingly never considered there's things about Dean he doesn't know, or aspects to situations he wasn't aware of at the time -- things that may have, in his own opinion, changed how he reacted to Dean about it.
Maybe it's the part about Dean sheltering Sam from truths 'the way a mother would' that has everyone really upset. I think the post took liberties with their read of parentified Dean there, but I still enjoy the idea that some things Dean never told Sam was him trying to preserve some vestiges of Sam's innocence. Liking/exploring that idea doesn't have to mean thinking Dean was a selfless paragon of motherly virtues or whatever. C'mon, y'all -- nuance.
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passiveagressivepoet · 10 months
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super “let’s make the first few seasons in complete darkness so you can barely see anything” natural
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ardentpoop · 28 days
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autisticandroids · 7 months
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FAMINE: That's one deep, dark nothing you've got there, Dean.
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dean and his father. dean and his family. dean and how bad it is.
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(via @closetoyou1970)
#spn#vid#mind the warnings on this one for real#woe! fruit of my rewatch be upon ye.#pallas calls this my 'deangirl coming out vid' which honestly. true. but those who paid attention know i've always been a deangirl.#also. after this no more deanwinchester rilo kiley amvs I Pwomise#anyway. i'm not gonna give a full commentary here but a big reason why i chose this song is that the narrator#is essentially dismissing her own problems and instead watching the problems of someone else#and i kind of wanted to play with that theme. this is the parallels show so let's do some parallels. lots of things happen to characters#that are Like Dean somehow. either in personality or circumstance. that we know or can infer happen to him. but we don't see it bc it's#not sayable. not speakable. so like for an easy one. we see meg being tortured in caged heat. she also talks about apprenticing under#alastair just like dean. so i show her being tortured [in a way that is sexualized and demon-specific] and reacting how she does#because i invite the audience to imagine or interpret that this has also happened to dean at some point. we just don't see it#so there are many dean parallels in this video. some obvious. some subtle but textual. some products of my twisted mind. but that's the way#i am using them to make my argument.#oh also: dean voice sam's eyes going black is JUST like when he used to fight with dad and wouldn't listen to me when i told him not to.#i guess also the point is that because it's unsayable. dean can't say it. dean can't even acknowledge it. and so it bleeds through#into everything in his life#that's why it's important that the song narrator doesn't take her own problems seriously. dean doesn't either.
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seasononesam · 8 months
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team free will 2.0 + phones | template
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angelinthefire · 4 months
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seriously I don't get this idea that Dean gets jealous when someone flirts with Cas. Not when we've seen precisely the opposite happen on the show more than once.
Dean loves it when someone flirst with Cas. It's entertaining to him.
It brings Cas down to the level of a human dude. For a moment he's just a regular guy having a regular experience, and Dean loves that. He's absolutely jazzed at the idea of Cas having sex with a woman. It makes Cas like him. It makes him accessible.
It's also kind of a joke to Dean. Because he knows Cas doesn't know what to do with flirting, and doesn't really have an interest in it. It's funny.
It also poses zero threat to Dean. The flirter just thinks that Cas is some hot guy. They have no idea what he is or what he's like. They don't really see him, they just see what he looks like. Dean is the one who really sees Cas, and the one who really likes him.
The only time that Dean reacts negatively to someone flirting with Cas is Meg because a) he already hates her, and b) she seems to develop a genuine connection with Cas.
But flirting in and of itself does not threaten Dean's relationship with Cas.
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disabled-dean · 7 days
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Yeah but has anyone checked on the CW sniper? Are they okay?
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monstermoviedean · 3 months
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i've been pondering this for a while and will continue to do so but i think carver tortures dean to highlight his strengths. show how brightly he shines in the darkness and all that. i think he puts dean through hell because dean can take it and come out the other side still himself.
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leverage-ot3 · 20 days
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okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭
bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)
but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good
some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember
he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business
one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man
he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)
they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)
not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it
and then the long goodbye job happens
hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.
so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.
and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.
not this time. not to sterling crowley
he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)
nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to repare fully.
he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.
the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.
but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.
‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.
watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it
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fandom-hoarder · 6 months
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They turned reblogs off, but I need this.
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destiel-wings · 1 year
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I've gathered some of my thoughts about The Winchesters season finale and here's why i think it gave me some peace
(yes, this does contain a destiel interpretation, too 💚💙)
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Did i want to see Cas in it? Yes.
Was i disappointed that he wasn't? Actually, no (more on that later).
But I loved it. I was so stunned as I saw it and I felt like somehow it healed some of the wounds from the spn finale... but i couldn't quite understand why.
Here's why.
We basically watched Supernatural. Jensen reopened the finale and went further with it. What we saw in The Winchesters felt like a continuation of 15x20, even if it technically happened in between the last two scenes of the finale. But we got Bobby, we got Jack. They all actually talked, in a way that felt alive and real. Jack broke his rule of no interfering, showing that he still cared for Dean (just like he had broken his own rule off screen by saving Cas from the Empty). The Winchesters wasn't a prequel, but a sequel.
Dean got his own story, got to make something for himself (instead of just waiting for Sam on a bridge), and it's something that he wanted to do. He went back to look for hope and love, for a version of his parents where they could have a real chance.
We learn love (or we don't) and how to be in a happy relationship as kids by watching our parents, and Dean was doomed that way. He never had that example, to learn how to build a relationship and let himself be loved. He never learned that. So when he gets to heaven and he has the chance, before getting on that bridge, before meeting up with his family, with Sam... and yes, with Cas (even if we haven't seen him yet), he just needs a freaking minute. He needs a little time to himself. To reconnect. To understand. To reflect on love and what it means to love and be loved.
So he does what any fond child would do... he looks up at his parents. Only his parents that are right there in heaven didn't exactly have a happy ending (or even a happy middle), so he explores further, searching for a chance, a hope, a version of his own legacy where love was possible. Because if his parents can make it... so can he.
And we see all that through his own lenses (the weird use of the camera lenses with all those flares and glow resembles the aura of Dean's drive in heaven, thinking about it in retrospect).
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screencaps of the glowy amber look and those camera flares, there's probably better examples but these are some of the best ones i could find
Dean's mission might have been the Akrida, but the reason he went looking, the real quest he was after, was hope. Hope for a happy ending. Hope for love, where said love was doomed from the start.
And it's not surprising that there were destiel parallels everywhere, because that was Dean's POV, and he's processing his own feelings. Which is something he needs to do before he sees Cas again.
And personally, I think Dean loves Cas back and he knew that before dying, but still, that doesn't mean that he's not afraid of messing it up. That he knows how to approach him, or face Cas, after all that's happened.
He may not even be doing all of this thinking consciously, but the Castiel subtext we've seen in The Winchesters, from a narrative POV, is Dean's.
We're seeing the parallels because he's seeing them, making them, it's his way of processing. Of seeing what he and Cas had, and what they could have. Looking for hope.
And, as he himself said before leaving again... i think he found it.
So i don't know how things are going to go on from here. I can't imagine how we could have Dean in a season two. I've been saying all along that The Winchesters might open the story for a SPN revival/s16, and i think it is perfectly possible that this might happen here.
The Winchesters might not have Dean anymore, becoming its own show (but still having lots of references and guest stars from Supernatural) and *as Jensen loves to say* when we get the revival, there will be the space to address Castiel's confession and give his character the importance that it needs.
It wouldn't have made sense to see Cas here in a little cameo, it wouldn't have been enough. But what we saw here, was the confirmation of Jensen reopening the finale, and his willingness to bring Dean back (as he's always stated), for whatever more he's allowed to do.
I love the way they handled it, we still got peace and hope (even if there were to be no s2), and i feel like we're all more confident that the bridge scene is not an ending, but a beginning of something more. Dean has said he's gonna go look for his family. That's not just Sam.
Of course he's gonna see Cas too. But i don't think any of us would've been satisfied to see him pop up randomly for a couple of minutes in TW, with little to no mention of what happened between them.
Also, i want to point out that this was supposed to be the midseason finale but they had to adapt it when they found out they didn't get a full season, we could've had much more (like more narrating voices as Jensen had teased) or even seeing more of Dean, instead of just seeing him in the pilot and the season finale. They even asked Misha to be there (and he refused for scheduling conflicts since he was busy filming Gotham Knights *but said he's absolutely willing to appear later*).
So i think there's still so much story to tell here and i am absolutely hopeful and trust that we will love it.
I think they did an amazing job in 13 episodes, and I can't wait to see what's next 💖
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ardentpoop · 3 months
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many people in spn fandom used to (and probably still) do this thing where they flattened sam into a collection of stale jokes and/or just dean’s docile little brother who is There Sometimes. a wall for dean to bounce his shimmering personality off of
obviously i hated that shit for several reasons lmfao but first and foremost you’re missing out on a character with SUCH a rich inner life. gentle giant who’s actually almost as much of a killing machine as his big brother. monster-freak-abomination since childhood. boy who fought his dad for the right to get a college education. boy who could’ve been a professional writer instead of a professional murderer. dean’s “trusty sidekick geek boy” who is the heart of their operation, who gets the witnesses and the surviving victims to open up. written to be “effeminate” for laughs but it draws discerning women to him. only dean gets to call him “sammy” even though he once hated that nickname in dean’s mouth too; he once wanted to be his own person. violated as an infant in his crib and stalked by dark things that infiltrated his life even when he thought he’d rebuilt it from scratch. the devil’s rebellious meat puppet. fighting for control over his own body for the entire duration of this story. “pathetic infant,” “misty-eyed milksop,” “sweetheart,” but also highly trained and dangerous and sharp-tongued. the bonnie to dean’s clyde, the scully to his mulder, the sundance to his butch cassidy. always “running away” from men who want to control him, including dean. I could actually keep going forever lol
the absolute best thing this show ever produced and you’re just gonna gloss over him like the fucking writers eventually did? couldn’t be me <3
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autisticandroids · 11 months
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SAM: Well, you know, sometimes families do better after a little time apart. DEAN: Yeah, who? The Mansons?
[youtube with subtitles] [youtube without subtitles]
a meditation on cas and cults. the starting point and the ending point. angels and winchesters. love and affection and family and the twisting of it. the invitation to destroy yourself, and the appeal of being absolutely subsumed.
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jackexmachina · 2 months
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do you know that in "just my imagination" baby Sam keeps army men and legos on his nightstand next to the phone when he's all alone?
bc I didn't and now I'm sad!
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angelinthefire · 1 year
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I don't think Dean and Cas want to get married in a traditional-ceremony normal-person-milestone suits-and-flowers-and-speeches kind of way. I think they want to get married in a you-are-bound-to-me-forever kind of way.
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