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#still thinking about them :')
asoftepiloguemylove · 2 months
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"I THOUGHT OF YOU." // CLOSE, BUT NOT CLOSE ENOUGH
Adrianne Lenker anything // Portrait de la jeune fille en feu (2019) dir. Céline Sciamma // Ingmar Bergman from a letter to Liv Ullmann // Sonya Vatomsky Salt Is For Curing // Isaac Marion Warm Bodies // Portrait de la jeune fille en feu (2019) dir. Céline Sciamma // Richard Siken Crush // Leah Horlick For Your Own Good // Portrait de la jeune fille en feu (2019) dir. Céline Sciamma // Roland Barthes A Lover's Discourse: Fragments // Bret Easton Ellis The Rules of Attraction // Thomas E. Yingling "My Way Home is Through You," Hart Crane and the Homosexual Text: New Thresholds, New Anatomies // Portrait de la jeune fille en feu (2019) dir. Céline Sciamma // Adrianne Lenker anything // Frank Bidart "Guilty of Dust," Half-light: Collected Poems 1965-2016 // Portrait de la jeune fille en feu (2019) dir. Céline Sciamma // Yrsa Daley-Ward Bone
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key-rk · 1 month
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ktbeets · 3 months
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Thinking about the evolution of these gazes from the "damn I love listening to you talk" category
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And how with each one Penelope shows more of her hand. And how, in turn, Colin gets to see more and more of who she truly is, and is more and more captivated by it each time.
Penelope is always the first one to look away whenever they have a *moment*, like she's afraid he's really going to see the whole of her this time. And while we haven't seen this entire scene yet, she's not looking away here, and I think that's significant.
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ravenclairee · 1 year
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SLEEPING WITH OTHER PEOPLE (2015) — dir. Leslye Headland
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jurassic-cunt · 3 months
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laughing thinking about sir john telling fitzjames "you should cherish that man" yeah james definitely cherished francis in the end probably a little more than sir john woulda been comfortable with lol
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lucienarcheron · 3 months
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Thinking about Tharion and Sathia being ushered into a room with one bed and him offering her the bed while he sleeps on the floor but now they’re laying there hyper aware of each other the whole night but not addressing it because they’re essentially strangers and we have no idea what they discussed afterwards and if they said anything and I —
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mercerd · 1 year
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We don’t need any plastic pricks around here! Or didn’t anybody tell you?
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coccolithophore · 1 year
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x
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pixlerelish · 3 months
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Forever SRK
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asoftepiloguemylove · 2 months
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I WILL LOVE YOU IF I NEVER SEE YOU AGAIN, AND I WILL LOVE YOU IF I SEE YOU EVERY TUESDAY // ON LOVE IN BETTER DAYS
Mary Haskell // 少年的你 Better Days (2019) dir. Derek Tsang // Anne Sexton A Self-Portrait in Letters (via @flowerytale) // 少年的你 Better Days (2019) dir. Derek Tsang // Sylvain Reynard Gabriel's Inferno // Sue Zhao // Edna St. Vincent Millay Iterim Poem // 少年的你 Better Days (2019) dir. Derek Tsang // 엔하이픈 ENHYPEN Fate // Sam Sax // 少年的你 Better Days (2019) dir. Derek Tsang // Taylor Swift Say Don't Go (Taylor's Version) [From the Vault]
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thequeenofsastiel · 1 year
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I like to imagine that after Rain called Payu "Daddy" for the first time, he would just periodically call Payu that anytime Payu got particularly dominant, especially if it's related to school stuff. Like anytime Payu tells him to focus on his homework, a tiny "Yes, daddy," will escape him. It's always unintentional in those moments, but occasionally he'll call Payu "daddy" seductively, and it always works. Then one time, when Payu is spanking him(and Payu only spanks Rain for doing something that will endanger himself physically or his future), Rain whimpers "I'm sorry, Daddy." This gives Payu pause, but only for a second, and he continues to spank Rain, a little bit harder, tightening his grip, spurred on by the responsibility that that honorific gives him. Rain doesn't like the pain, but the feeling of Payu holding him close, knowing that Payu is doing this because he knows it's necessary. Because Payu loves Rain, and wants the best for him. And Rain knows he needs this, knows he needs this firm hand, and wants it with all his heart. He wants Payu to hurt him, to control him. It makes him feel safe. It makes him feel loved.
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priapussdick · 1 year
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angsty teenager li ming 99% of the time:
🔪🤬💥👿🖕😠💣🗯️
li ming when he is with heart:
😍🌸🥰🌼😘✨😝☀️
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adasknife · 6 months
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ada used to think she wasn't meant to be good with kids. so, when claire and chris tell her to take care sherry, ada immediately feels uncomfortable. sherry is a quiet kid who doesn't even play, ada immediately recognized that sherry looked like her mother. "how are you?" ada asked the young girl. sherry tried to hid herself with her hair, ada pretended that she didn't ask the girl anything. "sorry that my mom shot you." sherry whispered.
ada shrugged, "i have been shot many times. it's fine." ada tapped her fingers on her knee. little by little, ada is adopting sherry as her child. claire is happy that her girlfriend is lowering her guard. sherry is carried by ada, ada just does it to show off how strong she is with her girlfriend. ada uses sherry to make claire blush- look at how good a person i am. ada looks smug when claire smiles. when sherry grows up, sherry matches ada's short hair.
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burnmyloveaway · 8 months
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I know Spirit of Justice is guilty of having retconned Apollo's backstory once more and having used his father as more of a plot device that an actual character, but I'd lie if I said it didn't make his mysterious story and dynamic with Thalassa so damn fascinating.
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pavsky90 · 1 year
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Butterflies 🦋
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sarcastic-bug · 2 years
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eyoo ^^
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yep, they know
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