#tash brooks

[positivexcellence]

Jensen & Danneel in Odette Annable's IG Story

#jensen ackles #danneel ackles #marcus hersh #odette annable #bevin prince #christine symonds #tash brooks #chelsea lyn #dave annable

[metabolizemotions]

This season has been steeped in irony and parallels. The mental health arcs of Maya and Jack, addiction, the captaincy drama, Dixon's villainy // those in s3 esp. They made things more extreme and took them further.  

I understand the choice to isolate Maya and the team’s lack of support or compassion for her since her demotion, and the non existence of the union were plot devices for her mental health crisis storyline. But they supported Ross wholeheartedly, no questions asked? And what was the actual point of the union again?

Ross is a flawed and complex character, just like Maya. But the framing of their actions were different. They both made questionable decisions but there was only acknowledgement of what Maya did. Not Ross. Not Beckett. Their part in Maya's mental breakdown?

For the long build up since s4’s finale of Maya's demotion and the aftermath in s5 & s6, this feels like a cop out non-resolution. And this whole storyline ending with Ross's scandal framed entirely as feminist triumph is self-contradictory for me.

I liked the slow burn of Marina’s storyline - the breakdown and reconciliation and the many //. Though I didn’t necessarily agree with the characterisation entirely, the performance of D & S were emotionally resonant for me. But I thought they dropped the ball in 617. Carina's scenes were more for the benefit of Ben and Ross. It didn’t help with the way they phrased the locker room conversation as a direct causation. It was a clever use of symbolism to encapsulate so much in ~ 1 min of screen time. But I hope they don't spoil the finale in wanting to tie up the loose ends. (Also, does that mean they won't ever change their duvets now that they are probably not moving?)

There seemed to be deliberate comparison b/w Maya and Theo - their demotion, initial captaincy, single-minded obsession and mental health issues. Also some similarities about how their partners have been affected. Although Theo's behavior was more flipped-switch than organic transition and it was mainly directed at Vic. With what happened to Beckett and the toll it would take on Vic, would she have her breakdown and Theo his wakeup call? Vic needs a hug.

Did anyone else find the kisses b/w Travis and Eli awkward? Or was it cos I think Travis had much better chemistry with Michael and Emmett?

It is interesting to see Brooke, a sort of nature/ nurture comparison to Jack. Similar DNA, dissimilar upbringing. Brooke seems more emotionally mature. Jack lacks boundaries and his way of caring is to impose his values on people and help them on his terms. While Brooke’s trying to meet him where he is - like finding Lila instead of springing their bio family on him. 

Since they made such a big hoo-ha about the forbidden love affair b/w Sullivan and Ross and Dixon’s villany this season, and both storylines are not resolved, I suspect the finale would have something to do with Dixon and the two lovers. But why should we care about Sulky & Tash again? They aren't even on the same page. Sulky has been consistently w/o much growth. Ross has been consistently inconsistent. Sulky is so much like Derek and Owen. Tash keeps pulling a Meredith with her "pick me, choose me, love me" speeches...

They love to hand Sulky the redemption arc he doesn't work for and somehow frame him as the hero... Maybe he pushes Tash away from falling debris and something happens to Dick in the process. Poetic justice. Or something something…?   

Somehow I feel that Andy still wouldn't be captain. Stay tuned for another season of captaincy musical chairs...?

#station 19 #comments #didn't watch the episodes as soon as they came on #also wasn't on here often #partly to avoid spoilers #and was dealing with some stuff personally #have a love-hate relationship with this show #it makes my heart & head hurt a lot #& there have been so many other good tv shows and movies #started watching with trepidation #waiting for the other shoe to drop #having low expectations helped #writing for marina & in general have been much better #tho I still have some issues with the writing/directing/editing #have so many tots translated to so many words #in the form of drafts that are super damn long #even this got so long #brevity is definitely not my strong suit #sorry in advance for the long posts and gif reblogs coming up #it’s already the finale #we won't be seeing marina for months again #with this hiatus likely to be much longer #hoping the writers get what they deserve #will set a precedent for so many fields in years to come with AI taking over

[kingsofneon]

faq

Ships that aren’t my jam thnx

cora//law

nami//any male chara

robin//luffy / zoro / sanj (franky and brook and nams are free game for robin ships, as are non-strawhats)

franky//any strawhat (except robin)

chopper or carrot//anyone. 

not a big fan of law//lu or zo//san (but i love zolulaw and zolusan lmfao so. hilariously the turning point is zoro in zolulaw and lu in zolusan lmao)

zo//lu will basically always be heavily implied sex-neu luf and i love it very much

not a big fan of age difference prompts (ie. stuff that heavily focuses on experience & lack thereof / daddy kink esque stuff. teacher student got me like 😬)

[that being said I lowkey rlly like dof//lu and croco//lu lmfao]

I got asked abt smoker//tashigi and mihawk//perona and I think I could maybe do smoker/tash but I don't vibe with hawk/perona sorz

Don't talk to me abt deu//ace, bad experience being harassed by fans ✌️ there r one person who can ask me for them and he knows who he is lolol

Bad Things

mpreg (ovipos is fine ‘cause there’s a level of magic/no pregnancy and tentacle/slime monsters are Good Shit)

minor//adult (🤢), and espec, like, rlly bad/blatant power differences like teacher/student (you get one warning and then ill fucking block you. t/s is a big no-go, it squicks me super bad)

different if it’s in a scene or roleplay, but like, you better specify. You get ONE. WARNING. 🔪

nottttt a big fan of dd//lg. Yandere is different but i write it more possessive then obsessive/i think ace is into the fact that sabo's a bit of a freak 😂

non-con/dub-con is more complicated it’s basically at my own Discretion. I do like cnc but it gets tagged, so if you don’t like it, block the tags. dub-con is only bc in some scenes ((like and the heat is burning wild or a cold and sleeping beauty)) it might be more implied/take a while to be specific. Idk? tags will be noncon / dub con / cnc (consensual nonconsent) depending on the vibes.

if i see anyone referring to anything as sin i swear i’ll just delete the ask

same goes for uke//seme//fujoshi//yaoi [dont do it.] [I dont like it.] [I think defining ur ships by who bottoms is kinda dumb + i like introspection and character driven porn so it doesnt pass my vibe check]

im not writing anymore ‘loss of virginity’. especially not for m/m ships. y’all have lost your privileges. Femships have more leeway bc it's cute and also. I just don't like woobifying which is like, what seems to be the Goal of virginity kink, idk. 0/10

Good Things

mas

praise kink

cnc 😳 sowwy

nam//tash or robin//koala

overstimulation

prompts w/ more info rather than just “bondage + ship”

i said no mpreg but consentacles and ovipos is fine

THIS 👏 IS 👏A 👏 KINK 👏 BLOG (for god’s sake take pity on me and send kinks, not just requests for x and y having sex.)

these [1 2 3 4] were my favourite type of asks to answer. i want to show what i mean when i say i like specificity - not that they have to be every-detail specific, but that they prompt a scenario to headcanon/write for. that’s the Good Kush

General Notes

Specify ships etc. in your ask ✌ otherwise i write whatever i want atm lol and it'll probably be mas, but it also makes it helpful to me

no but legit tho specifying ur ships gets rid of a lot of the anxiety i feel abt doing reqs

also if you do “sabo is spanked by marco after losing a bet” you’re more likely to get a req than if you just do “sabo+spanking” or smth like that

Femslash is fucking pathetic and apparently noone will even req it so now im gonna just take fucking reqs and make em femslash if i want ¯\_(ツ)_/¯

i only rlly write what i have inspo for lmao so if i dont get ur req done soz.

Feel free to ask abt any aus whenever. i. Miss interacting w/ ppl 🥲

#faq #i actually just realised my pinned post didnt link properly akhhs lmao #so im fixing that'

[deathcar]

コロナ禍で延期や中止になった公演、来れなかった方々

[2020]

2/21(金) Bill Pritchard @ 七針 2/22(土) Bill Pritchard @ 七針 2/23(日) Cicada @ TOT 2/24(月/祝) Pixies @ BAY HALL 2/25(火) Pixies @ EX THEATER 2/25(火) Angel baby @ 月見ル 2/26(水) Kevin Morby @ duo 2/28(金) Ezra Collective @ Billboard 2/28(金) Goldie @ Contact 2/29(土) Neon Bunny @ TRUNK 2/29(土) Rejoicer @ CIRCUS

3/2(月) MIKA @ COAST 3/3(火) Ari Lennox @ WWW X 3/3(火) New Order @ COAST 3⁄4(水) New Order @ COAST 3⁄5(木) Foals @ COAST 3⁄5(木) Raveena @ WWW X 3⁄5(木) Sandro Perri @ WWW 3⁄6(金) Brooke Candy @ UNIT 3⁄6(金) Kim Sawol @ Roji 3⁄7(土) Kim Sawol @ Time Out Cafe & Diner 3⁄7(土) FaltyDL @ VENT 3/8(日) Henning Schmiedt @ 明日館 3/9(月) Becca Stevens @ Blue Note 3/10(火) Becca Stevens @ Blue Note 3/10(火) Jonas Blue @ COAST 3/11(水) Jonas Blue @ Zepp DiverCity 3/12(木) Bruno Major / Georgie Clifford @ WWW 3/12(木) Fat White Family @ MARZ 3/12(木) Lightfoils @ Zher the ZOO 3/13(金) Lightfoils / Fauvely @ HIGH 3/13(金) Homeshake @ duo 3/14(土) Emily A. Sprague @ 七針 3/16(月) Ruel @ duo 3/16(月) Stereolab @ LIQUIDROOM 3/17(火) The National / Phoebe Bridgers @ Zepp DiverCity 3/18(水) The National / Phoebe Bridgers @ Zepp DiverCity 3/18(水) LAKE @ 7th floor 3/20(金/祝) Slipknot @ メッセ 3/20(金/祝) Merope @ OTOOTO 3/21(土) Slipknot @ メッセ 3/21(土) Jad Fair with Lumberob / CUSHIONS @ 7th floor 3/21(土) Emily A. Sprague @ soup 3/23(月) Bright Eyes @ LIQUIDROOM 3/24(火) Stormzy @ BLITZ 3/24(火) Jad Fair with Lumberob / CUSHIONS @ FEVER 3/25(水) LAKE @ 7th floor 3/25(水) イ・ラン @ 試聴室 3/26(木) Merope @ エアジン 3/27(金) イ・ラン @ BUSHBASH 3/27(金) Leonardo Marques @ 晴れ豆 3/27(金) Knxwledge / Mndsgn @ WOMB 3/27(金) Zed Bias @ Asia 3/27(金) Green Day @ メッセ 3/28(土) Green Day @ メッセ 3/28(土) イ・ラン @ 試聴室 3/29(日) イ・ラン @ 山谷 3/29(日) Eleventyseven @ HOME 3/29(日) Warm Bodies @ THREE 3/30(月) Julia Jacklin @ Billboard

4/1(水) Sheer Mag / Warm Bodies @ BUSHBASH 4/2(木) Glows / PVA @ o-nest 4/2(木) Tom Walker @ WWW X 4/3(金) Squarepusher @ COAST 4/3(金) Whitney @ Veats 4/3(金) Knxwledge / Mndsgn @ VISION 4/4(土) Helms Alee @ BUSHBASH 4/5(日) Helms Alee @ FEVER 4/7(火) Khalid @ PIT 4/8(水) Temples @ LIQUIDROOM 4/11(土) Sheer Mag @ HEAVY SICK 4/13(月) Sheer Mag @ FEVER 4/14(火) Ludovico Einaudi @ 国際フォーラム 4/14(火) DIIV @ LIQUIDROOM 4/15(水) TOY @ MARZ 4/16(木) TOY @ MARZ 4/16(木) Kindness @ WWW X 4/17(金)-19(日) [Rainbow Disco Club] * Antal x Huntee / Anthony Naples / Chaos In The CBD / Daniel Avery / ESA / GE-OLOGY & Red Greg / Moodymann / Motor City Drum Ensemble / Moxie / rRoxymore / Special Request 4/17(金) Mac DeMarco @ O-EAST 4/17(金) Daniel Avery @ VENT 4/18(土)-19(日) [CRAFTROCK CIRCUIT] * Pet Symmetry / UMT 4/18(土) Mac DeMarco @ O-EAST 4/18(土) Bonobo (DJ set) / Jon Hopkins (DJ set) @ O-EAST 4/19(日) [LifeSign] * Godspeed You! Black Emperor / Itasca 4/21(火) Larkin Poe @ duo 4/21(火) G. Love and Special Sauce @ QUATTRO 4/23(木) Pet Symmetry @ FEVER 4/23(木) Thundercat @ ガーデンホール 4/23(木) Pohjonen Alanko @ WWW 4/27(月) Crack Cloud @ FEVER

5/1(金) Samm Henshaw @ LIQUIDROOM 5/3(日) The TOYS @ EX-THEATER 5/4(月) Alcest @ UNIT 5/7(木) Big Thief @ WWW X 5/7(木) Halsey @ ガーデンシアター 5/9(土)-10(日) [LOVE SUPREME JAZZ FESTIVAL] * Musiq Soulchild / Robert Glasper / Sergio Mendes 5/10(日) Saves The Day @ LOFT 5/11(月) Saves The Day @ FEVER 5/12(火) Lauryn Hill @ ガーデンシアター 5/14(木) The Bluetones @ ODD 5/16(土)-17(日) [STAR FESTIVAL] * Gloo (Iglooghost/Kai Whiston/BABii) / Jayda G / Metrik + Dynamite MC / Mount Kimbie (DJ set) / Nite Fleit / SHERELLE / Zip 5/18(月) Rex Orange County @ BLITZ 5/18(月) Ásgeir @ Zepp DiverCity 5/18(月) Aiming For Enrike @ FEVER 5/19(火) Aiming For Enrike @ FEVER 5/20(水) New Hope Club @ ガーデンホール 5/21(木) MGMT @ PIT 5/21(木) ANOHNI @ 草月ホール 5/22(金) ANOHNI @ 草月ホール 5/22(金)-24(日) [TOKYO JAZZ FESTIVAL] * Herbie Hancock / Joshua Redman 5/23(土)-24(日) [GREENROOM FESTIVAL] * !!! / MGMT / Oscar Jerome / Sigrid / Tash Sultana 5/23(土)-24(日) [PARAMOUNT] * Alessandro Adriani / Giorgio Gigli / Mor Elian / Phuong-Dan / Planetary Assault Systems 5/25(月) Aiming For Enrike @ FEVER 5/26(火) Sigrid @ LIQUIDROOM 5/26(火) Moonchild @ QUATTRO 5/26(火) Tash Sultana @ BLITZ 5/27(水) The House of Love @ MARZ 5/28(木) The House of Love @ MARZ 5/28(木) Grégory Privat Trio @ COTTON CLUB 5/28(木) Further Seems Forever @ WOMB 5/29(金) Further Seems Forever @ WOMB 5/29(金) Ben Williams Band @ COTTON CLUB 5/30(土)-31(日) [FFKT] * Andy Stott / Caribou / Demdike Stare / DJ Python / Donna Leake / Gigi Masin / Hibiya Line / Luxixi / Maayan Nidam / MOCKY / Parris / Telefon Tel Aviv / Theo Parrish / Total Freedom / Zakia 5/30(土) Ben Williams Band @ COTTON CLUB 5/31(日) Ben Williams Band @ COTTON CLUB 5/31(日) MOCKY @ LIVE HAUS

6/1(月) epic45 @ FEVER 6/1(月) MOCKY @ LIVE HAUS 6/2(火) MOCKY @ LIVE HAUS 6/2(火) (Sandy) Alex G @ LIQUIDROOM 6/3(水) J.I.D @ WWW X 6/10(水) American Football @ COAST 6/11(木) Mew @ BLITZ 6/17(水) Slingshot Dakota @ Nine Spices 6/18(木) Parsnip @ LIVE HAUS 6/21(日) Slingshot Dakota @ RIPS 6/22(月) Slingshot Dakota @ FEVER 6/27(土) Parsnip @ Green Apple 6/27(土) Tangerine Dream @ CITTA' 6/28(日) Tangerine Dream @ CITTA'

7/22(水) Origami Angel / Short Fictions @ o-nest 7/23(木/祝) Origami Angel / Short Fictions @ OPPA-LA 7/26(日) Origami Angel / Short Fictions @ FEVER

8/21(金)-23(日) [FUJI ROCK FESTIVAL] * [8/21] Black Pumas / Clairo / Cory Wong / Derrick May / Disclosure / Donavon Frankenreiter / Elephant Gym / Future Islands / Georgia / Hinds / Jackson Browne / Lindstrøm / Men I Trust / Metronomy / Mura Masa / Neal Francis / Romy / Tame Impala / Tom Misch * [8/22] Celeste / Fantastic Negrito / Fontaines D.C. / Four Tet / Frente Cumbiero / Gryffin / Major Lazer / The Strokes / Yumi Zouma * [8/23] Altin Gun / Blackbear / Bruno Major / Colin Benders / Emotional Oranges / FKA twigs / Floating Points / GoGo Penguin / Muscle Shoals Soul Revue featuring Willie Hightower, Charles Hodges & Scott Sharrard / Rufus Wainwright / Voodoo Dead

9/2(水) Billie Eilish @ 横浜アリーナ 9/5(土)-6(日) [GREENROOM FESTIVAL] * !!! / José James / Oscar Jerome 9/8(火) Oh Wonder @ ??? 9/19(土)-21(月/祝) [SUPERSONIC] * [9/19] The 1975 / AURORA / beabadoobee / Blossoms / Fatboy Slim / Ian Brown / Liam Gallagher / Squid / Tones and I / Waterparks * [9/20] Conan Gray / DIGITALISM / Don Diablo / Jax Jones / Kygo / Skrillex / Steve Aoki / WarNymph (Grimes DJ Set) * [9/21] Alec Benjamin / Black Eyed Peas / Dominic Fike / Easy Life / Ghostemane / iDKHOW / Post Malone / Wu-Tang Clan

10/8(木) Massive Attack @ 国際フォーラム 10/9(金) Massive Attack @ 国際フォーラム 10/9(金) Red Hot Chilli Pipers @ LIQUIDROOM 10/20(火) The Chemical Brothers @ ガーデンシアター 10/21(水) The Chemical Brothers @ ガーデンシアター 10/21(水) Low Roar @ WWW X 10/31(土)-11/1(日) [FESTIVAL de FRUE] * The Master Musicians of Joujouka & The Orb / Fabiano do Nascimento

11/3(火/祝) The Master Musicians of Joujouka & The Orb @ WWW X 11/5(木) Stormzy @ COAST

12/3(木) Homeshake @ duo 12/7(月) Lauryn Hill @ ガーデンシアター 12/7(月) TOY @ MARZ 12/8(火) TOY @ MARZ 12/18(金) 박혜진 Park Hye Jin @ Contact

[2021]

1/10(日) Slipknot @ メッセ 1/11(月/祝) Slipknot @ メッセ 1/16(土) Mew @ ガーデンホール 1/22(金) Samm Henshaw @ LIQUIDROOM 1/27(水) Thundercat @ ガーデンホール

2/18(木) Squarepusher @ COAST

3/22(月) New Hope Club @ ガーデンホール 3/24(水) Big Thief @ WWW X 3/26(金) Green Day @ メッセ 3/27(土) Green Day @ メッセ

4/9(金) G. Love & Special Sauce @ QUATTRO 4/22(木) Jonas Blue @ Zepp Yokohama 4/28(水) Jonas Blue @ COAST 4/30(金) Jonas Blue @ Zepp DiverCity

5/28(金) American Football @ COAST

6/30(水) Thundercat @ ガーデンホール

9/9(木) Stereolab @ O-EAST 9/9(木) Lauryn Hill @ ガーデンシアター 9/10(金) Samm Henshaw @ LIQUIDROOM 9/17(金) black midi @ O-EAST 9/18(土)-19(日) [SUPERSONIC] * Frank Walker / Kygo / Nicky Romero

11/6(土)-7(日) [FESTIVAL de FRUE] * Fabiano do Nascimento / Sam Gendel Concert Group

12/3(金) 박혜진 Park Hye Jin @ Contact 12/25(土) Solar / Black Merlin @ Contact 12/29(水) Agnes Aves / Black Merlin @ CIRCUS

[2022]

1/26(水) New Order @ Zepp Haneda 1/28(金) New Order @ Zepp Haneda

2/22(火) Jonas Blue @ PIT 2/24(木) Jonas Blue @ KT ZEPP YOKOHAMA 2/25(金) Jonas Blue @ ZEPP DiverCity

3/3(木) Samm Henshaw @ LIQUIDROOM

4/9(土) Slipknot @ メッセ 4/10(日) Slipknot @ メッセ 4/10(日) G. Love & Special Sauce @ QUATTRO 4/23(土) DJ Harvey @ Contact 4/25(月) DJ Harvey @ OPPA-LA 4/26(火) Lauryn Hill @ ガーデンシアター

5/26(木) Telefon Tel Aviv @ Contact

7/29(金)-31(日) [FUJI ROCK FESTIVAL] * Black Pumas / Say Sue Me / Fontaines D.C.

#event

[protestgradedunit]

on reflection, the imagery spoken word I am using for the video (made using an AI text-to-speech generator) doesn’t connect enough with the journey my project is going on with its exploration of childhood under the umbrella of making private observations and thoughts public. The imagery is too dark, and the words focus on my feelings after the death of one of my pets. Although relevant for my initial direction of subverting what is supposed to be private, it does not fit going forward. I plan to write a new piece about childhood and use this instead. I will also change the imagery to be lighter, dreamier and more evocative of nostalgia. Making this work was still beneficial as I practiced layering multiple moving images which I had digitally manipulated to act as green screen layers using iMovie. I would like to further develop this by projecting the finished video onto sheets inspired by Tash Brooks and Christian Boltanski.

[mirandamckenni1]

Katie Melua - 14 Windows (Official Video) The official video for 14 Windows by Katie Melua. Listen/Buy: https://ift.tt/gDXT0Zd Listen to the new album 'Love and Money': https://ift.tt/4vyI5Co "As you will know, all recorded proceeds from 14 Windows will be going to Royal Medical Benevolent fund, an incredible charity that provides financial aid and support for doctors and medical students. It’s easy to be blinded by the stigma that doctors have it all together, but they are under such strain. 180 years from when they first started out, the RMBF are still going strong and I’m glad to be able to support them as they continue to do such valuable work ." Donate to Royal Medical Benevolent Fund: https://ift.tt/wepNDtH Follow Katie Melua: Facebook: https://ift.tt/BeGq6lC Instagram: https://ift.tt/fSmOgZE... Twitter: https://twitter.com/katiemelua Subscribe: https://www.youtube.com/c/katiemelua/?sub_confirmation=1 Listen to Katie Melua: Spotify: https://ift.tt/5v9BKC6 Apple Music: https://ift.tt/xgu2i7c Amazon Music: https://ift.tt/Xd8RJ6T Deezer: https://ift.tt/952LDzB YouTube Music: https://ift.tt/PNR2xlQ Credits: Director - Jackson Ducasse producer - Dave Gourlay Prod co - DeeGee Media DOP - Jed Darlington Roberts Art Director - Hannah Dove Assistant Art Director - Craig Boath Focus Puller - Stephen Ofori 2nd AC - Sam Papidas Gaffer - Charlie Relph spark - Brook Williams Spark - Sid Maouche HMU - Caroline James Editor - Simon Lane Grade - Tash Hicks @ Coffee&TV Lyrics: You’d say what’s on your mind needs to come through That’s the only way to fix it for you It’s good to let a little peace inside you Otherwise the flame will freeze inside you The whole life that you’ve seen around you The patterns of life That you felt around you It’s good to let a little peace inside you Get some of that weight released around you It’s good to let a little peace inside you You see how words can play out on you If words can fly then tell me won’t you Take the call and say You’re right there It’s good to let a little peace inside you Otherwise the flame will freeze inside you The whole life that you’ve seen around you The patterns of light that had weight around you It’s good to let a little peace inside you Get some of that weight released around you It’s good to let a little flow unwind you Do you need it all take the call let it go It’s good to let a little peace inside you Otherwise the flame will freeze inside you The whole world that you’ve seen around you The patterns of light that had weight around you It’s good to let a little peace inside you Get some of that weight released around you It’s good to let a little flow unwind you #KatieMelua #14Windows via YouTube https://www.youtube.com/watch?v=OfAQrcDrhi8

#IFTTT #YouTube #Youtube

[allfifaworldcup]

Lien leads South Dakota State past Mount Marty 85-56

Lien leads South Dakota State past Mount Marty 85-56

BROOKINGS, S.D. (AP) — Broden Lien scored 20 points as South Dakota State beat Mount Marty 85-56 on Monday night. Lien had seven rebounds for the Jackrabbits (5-7). Zeke Mayo scored 18 points and added eight rebounds and seven assists. Tanner Te Slaa had 14 points. Josh Arlt led the Lancers with 14 points. Tash Lunday added 12 points and eight rebounds. ___ The Associated Press created this…

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#Brookings #CP_URGENCY_5 #Dakota #FEED_automated #FEEDPROVIDER_CP #leads #Lien #Marty #Mount #smg_basketball_ncaa #South #South Dakota #sports #State #United States

[summerlandfm]

struggling soooo bad to narrow it down to just two muse ideas! do you have any fcs to recommend for members of yesterday's tomorrow ?

for yesterday's tomorrow, we'd love to see nathaniel curtis, taylor zakhar perez, alexandra shipp, karen fukuhara, nico tortorella, simone ashley, emilio sakraya, justin h min, amrit kaur, georgina campbell, tash sultana, alex aiono, dana jeffrey, jessie reyez, brigette lundy-paine, quintessa swindell, adam faison, alfie enoch, brooke markham, tanaya beatty, dua saleh, tommy martinez, harvey guillen, yandeh sallah, alexxis lemire, emmett preciado, aria shahghasemi, erin kellyman, or kaya wilkins!

#discord rp #oc rp #new rp #mature rp #semi appless rp #asks. #wanted.

[kataklizmic]

AL1CE Release a Lyric Video Dedicated to Jonah Foree, Will Perform at Jonahcolypse

AL1CE have released a lyric video for "Drown" written by the late Jonah Foree (Ikonoklast, HARDWIRE, Goth Brooks). They will be performing at Jonahcolypse on March 26, 2022.

PHOENIX – Every once in a blue moon an amazing soul comes along who is a true connector in a community. Jonah Foree (Ikonoklast, Goth Brooks, HARDWIRE) was not only a multi-talented artist but also had the kind of heart that brought people together. Foree…

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#AL1CE #Alice #Drown #Goth Brooks #HARDWIRE #Ikonoklast #Jonah Foree #Lyric Video #Memorial #Natasha Cox #Tash #Tash Cox

[scmkt]

THE GLORY OF MOUSTACHE

THE GLORY OF MOUSTACHE

Copyright@shravancharitymission Moustache The Glory of Moustache Recently a friend of mine ventured into buying a rickety second hand car that was more than 18 feet long, but more than half a decade old. I asked, ‘why this car? Instead, you could have bought a brand new hatchback in the same budget?’ He replied ‘My dear friend you will not understand this, yeh mooch wali gadi hai.’ He, like me,…

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#hatchback #kamlesh tripathi #macho #mel brooks #mooch #moustache #shravan charity mission #tash #veerapan

[positivexcellence]

heytash: ❤️🤍💙⚡️

#danneel ackles #odette annable #bevin prince #marcus hersh #christine symonds #tash brooks #chelsea lyn

[fyesnatashalyonne]

tash with brooke timber

#natasha lyonne #russian doll #brooke timber #bts

[tortured-swiftie]

@revouries sorry it took so long but here is my full list of song recs! Ps - it is loooooong

So I’m still very surprised anyone is even interested in this but its a really cool thing to share! This playlist has taken me close to a decade to create and I’ve been asked to share it with you all! Fair warning - heavy spoilers, and a lot is based on ship angst, don’t come for me. Also I have only read TDA twice and its been maybe a year since I did so I don’t remember everything perfectly. I had a lot more time with TMI because I read them for years and years. TID & TLH don’t really have soundtracks for me, because of the time period these modern songs really feel wrong when I read those series.

TMI :

Battle in Hotel Dumort in CoB -

- I’m So Sorry - Imagine Dragons

The pace of this song, the sinister notes, the danger it invokes just brings this scene alive. But also, this is the first time Clary feels like a Shadowhunter. She fights and its not terrible. She feels powerful instead of like a liability. Shes able to hold her own while talking to a clan of vampires. Its badass and fits the song.

Seelie Court kiss scene in CoA -

- The Violet Hour - The Civil Wars

Its such a beautifully haunting song, its sweet on the one hand but something wrong lies underneath it. It is so so perfect, because Clace is getting what they’ve wanted, but by hurting those around them. They get to give in for once, without the guilt attached, they have someone to blame for all this. But it ends on this very uneasy note, because it isnt right. So much of it is not right and Clace are not satisfied because it wasn’t a real kiss or real declaration of love

Jace and Clary after the meeting with the Seelie Queen in the Institute in CoA -

- Black Flies - Ben Howard

This is a very Jace song for me. Its quiet, peaceful, but the words are hurtful and honest. “No man is an island” fits him so perfectly at this time in his life where he feels abandoned by Valentine, abandoned by Mayrse, abandoned by literally everyone so he wants to make it worse by committing to Clary. She is so unsure of him because of the repercussions it would cause and he wants her in this moment because of the repercussions. He wants to isolate himself so he cant be hurt by those he loves.

Jace meets Valentine on the boat CoA -

- Silence Worth Breaking - Brooke Annibale

This is where Valentine really shows off how manipulative he is, and as a reader you start to believe how easy it would be to get around to his way of thinking. imo this is the best villain CC has written, because you find yourself agreeing with him sometimes and he makes it difficult to argue from a different perspective. The first time I read this scene I was convinced he was going to go with Valentine. The song is foreboding, it is anxious, and makes you think something bad is around the corner, which at this point in the book you feel like something bad is bound to happen

Simon is about to die on the back of Luke’s truck end of CoA-

- Wait - M83

This just perfectly conveys the grief and fear and guilt Clary feels when she thinks Simon is about to die. She brought him into this life, he turned into a vampire because of her, he was tortured by Valentine because of her and just as they saved him he is going to die. Its the loss of innocence and childhood for Clary. Simon is the last piece of it stripped away from her. First her mum, then her belief system in her whole world, then Luke, and now Simon. She is stripped all the way down to the bone of her identity and this scene is quick, but intense for this reason for me.

Clary and Jace meet up for lunch at the end of CoA -

- Distance - Christina Perri

This is such a sad song, and the sweetness of Christina Perri’s voice pairs beautifully in this scene with a feeling of a bittersweet kind of resigned acceptance. Clary had wanted so bad for Jace to let her go, she had convinced herself that her feelings weren’t that strong. And now here she is accepting her true feelings and ready to kind of wrap Jace around herself like a security blanket and he tells her exactly what she wanted to hear earlier. Except now she has to be a big girl and face her life without anyone holding her hand. She has to grow up and thats what makes this scene so sad, this is Clary realising its time to grow up.

Clary and Jace find Ithuriel in CoG -

- Goodbye Godric - Nathan Barr

This song was always ethereal and otherworldly, the notes are awe inspiring and convey this grief that is so abstract and not individualistic, it is beyond the human experience. Clary and Jace’s complete altruism and empathy in this scene matches with the grieving tones, how helpless they feel at this beautiful creatures pain, and how much they want to do something but they don’t know what. Then Ithuriel shows them visions and its even worse than they imagined. The misery that exists in these walls caused by Valentine, the waste of energy and life and soul is amplified by the music. The music soars as Ithuriel is set free, and the manor home crumbles.

Clary and Jace make out session outside the newly ruined Wayland Manor CoG -

- Maybe Tomorrow - Stereophonics

This wild abandon kissing perfectly matches the mood and pace of this song. Its all over the place, its messy, its confusing. Its giving into pure passion. Its abandoning any pretences they have built up and watching reality crash back down on them.

Isabelle wants Simon to distract her after Max dies in CoG -

- Not Everything Was Better In The Past - Fink

This is such a tenderly played song, and is easy on the ears, but there is a rawness there. Isabelle is completely stripped away, raw grief and anger and guilt eating away at her. When she lets Simon in she is ferocious and wants to show him her toughness. But Simon sees through it all to a scared young girl who is lost in this sea of grief. Its a sweet Sizzy moment

Jace telling Clary he loves her for the first time in CoG -

- Leave a Light On (ACOUSTIC) - Tom Walker

Jace shouldering the responsibility of finding Valentine by himself, essentially sacrificing himself to the cause, hes grief stricken, and yet feels barred from that grief. I know we experienced this scene from Clary’s POV but this song works so well from his POV. He wants to tell the girl he loves how he feels, he wants one night with her to feel normal and feel loved, and to pretend just for a little while that there is nothing wrong with that. This very stripped version of the song is much much much more raw, and that’s what Jace feels like in this scene, all the walls are down and he wants to show his real face to this one girl

Clary showing off her rune skills in the council chamber in CoG -

- I Found - Amber Run

This was the first scene I imagined from a filmmaking perspective, how to best present this scene. I imagined this entire scene from Jocelyn’s POV, frame by frame, as she walks into the council room very quietly and watches her baby walk up and address everyone in desperation, voice shaking but standing her ground. Grown, bigoted, adults judging her and are fearful but she is still showing them what she’s worth. I imagined Jocelyn’s entire world view shifting because she is in awe of this powerful girl Clary has become. She watches her daughter no longer as a little girl but as a formidable Shadowhunter that could handle the cards she had been dealt in life. Just a very transformative moment and pivotal in how we see Clary in the TSC universe

Lilith takes over Jace’s mind and disappears with Sebastian at the end of CoFA-

- I’ll Keep Coming - Low Roar

This song starts out so uneasy, it cant settle down, and that’s exactly how I feel when Jace sends Clary downstairs. I want to scream at her to stay, but knowing Lilith would always take over no matter what. Its a very dark moment, because no one wants to lose control of themselves and it must have been pretty scary at first. Its an anxious scene, paired with an anxious song

Magnus takes happy memories away in CoLS -

- Howl - Jake Houlsby

Magnus is looking very sad when he does this, especially what he says to Simon. Its such a knowing look, Magnus is no stranger to this kind of sorrow, but still to be witness to it over and over must take its toll. It just makes me think of the endless road stretching out ahead of him and how lonely and terrifying that must feel for him. Just a beautiful song to go with a sad moment in this scene

Clary at the Faerie club with Jace and Sebastian CoLS -

- Faded - Alan Walker

- Darkside - Alan Walker

At this point in the story you feel a lot like Clary is getting too comfortable and is maybe losing sight of the mission she’s on. These two songs are very club sounding to me, and tonally fits the mood of the chapter. Clary is quite literally lost in that moment with the Faerie drugs and the dancing and the atmosphere

Clary dancing with Sebastian CoLS -

- Daddy Issues - The Neighbourhood

First of all lyrically….it cannot get more perfect. “Go ahead and cry little girl nobody does it like you do, I know that you got daddy issues. And if you were my little girl, Id do whatever I could do…” it just conveys the creepiness of Sebastians interactions with Clary and how weird she felt when he was dancing with her and how wrong it felt. This is a very short moment in this chapter but it really creeped me out. And this song conveys perfectly this feeling of haziness of the Faerie drugs and this uneasiness that surrounds Sebastian

Simon drinks from Isabelle CoLS -

- Harvest Love - Tash Sultana

This is a pretty soulful, sensual song. And when Simon drinks from Isabelle and he describes the euphoria that comes with that, the description of how his nerves react to the fresh blood just remind me of the part in this song where the drums and music soars the highest (start around 3:32, and it reaches its peak around 4:48) its honestly one of the sexiest scenes CC has written, even including all the Jemma scenes

Magnus and Alec break up in CoLS -

- Evergreen - Ben Howard

First time reading this I was so so angry at Alec, and felt the sorrow and anger coming off Magnus. This song is very dark, and very sinister. Magnus completely misunderstood what Alec was trying to do, and applied the most sinister meaning to his actions. It is their perfect breakup song imo full of angst

Clary traps the Heavenly Fire into her sword in CoHF -

- Outro - M83

This is another scene I imagined cinematically. The first half of the song is where Clary slowly makes her way over to Jace and she suddenly has faith in herself that she can do this. Then we watch her take Jace’s hands as the radioactive wind sounds start and the flames are swirling around them but not touching them. Cut to Magnus and Luke seeing the colour on the horizon, and the flash that shows its over. Cut back to Clary drawing the Heavenly Fire into the sword as the music swells around her. The words are so so powerful, and they always felt very ethereal to me “I’m the King of my own land” This is Clary fully embracing her power and fully utilising it. Its no longer something separate from her, but she IS her power.

Clary killing Sebastian, pretty much a lot of the scenes before the time jump CoHF-

- Saturn (both acoustic and original version) - Sleeping At Last

This song is definitely an end of film/book / end of heroes journey material. Simon sacrificing himself so they can get back, Clary killing Sebastian and forgiving him, Clary scattering the ashes of Sebastian and finally grieving the past years trauma (all of the TMI journey), the Faeries being condemned by the Clave and Helen getting exiled. Its beautiful, its sad, its momentous, its not a regular song.

Alec finds Magnus in Edom in CoHF -

- I Of The Storm - Of Monsters and Men

The steady drum beat adds a sense of steadiness and calmness in this song. Its not a joyful getting back together but they’re both glad the other is alive and are both forgiving each other. For me, this is when I truly started shipping Malec. The growth, the strength of character begins from this moment. This is when they become a couple I love because this is when they commit to each other flaws and all

Isabelle introduces herself to Simon at the end of CoHF -

- Golden Dandelions - Barns Courtney

Isabelle has always felt like a full punch character, no half measures and all that. The feeling Simon describes when he first spots this beautiful girl walking directly up to him is how this song starts, for me at least. The drums, the barely contained excitement, the curiosity, and faint recognition. This song is a full punch song right from the get go and it felt like such a remarkable Isabelle moment

After Jocelyn & Luke’s wedding in COHF -

- From Gold - Novo Amor

It is such a bittersweet, and peaceful song. There are so many endings in this scene, and so many new beginnings. They are all grieving, one way or another, and are all allowing themselves to evolve. Their journey is over, and at the end of this book I had this sense of saying goodbye to these characters (retiring them so to speak) because I wasn’t sure how much they would be involved with the future of the TSC world. Im glad they are still a big part of it, but they will never be the main focus again.

TDA:

Julian and Emma dance in LM -

- Give Me Love - Ed Sheeran

The sexual tension, and the dread they both feel because of their feelings just makes this scene so dramatic to me, and this song softens it a little. Especially if you are re-reading the series you feel this tenderness because they so badly wanted to avoid falling in love

Mark and Kieran in the Hunt -

- Dance Me To The End of Love - The Civil Wars

This is a pretty offbeat quirky song, a little sad, a little wistful, a little mournful, sensual, but tones of wildly abandoning all you know and giving into baser desires. Whenever Mark thinks of his time with Kieran in the Hunt, his memories sound like this song. They experienced very high highs, and very low lows. They were degraded, the lowest you could possibly feel as a living creature. Yet they were riding into the night, sleeping under the stars in places only known to Faeries. There was no one watching them, and no one to stop them from being together. There is tenderness in their relationship, but also knowledge that they are only together because they have no one else. Its happiness without truly feeling like you have a choice about it. You have to be happy together because you cant find this happiness elsewhere. They are forced into being in love a little bit, because the alternative is so much worse. This is one of the reasons why I couldn’t ship them at first, because they hadnt really chosen each other. Only when they were presented with other options and they till chose each other did I start seeing their potential.

Julian and Emma on the beach LM -

- Next To You - Of Rust & Bone

This scene completely took me by surprise, and is very unlike CC because love scenes normally take place quite late into any series she has. This one was filled with anxiety, and tension because the characters quite literally fell into their feelings. There was no forethought, no sense of taking stock of what they were doing. And they ended up feeling such different things about it afterwards. So for me this songs darker moods perfectly pairs with this scene

Kieran and Mark argue/break up LM & LoS -

- Fade Away - Tom Walker

This song has such raw power, such dark emotion and anger and a sense of betrayal that it perfectly captures their emotionally charged scenes. Mark can never be the same Mark that belonged to Kieran when he had no one, because now he has his family. And Kieran is still the same man who has no one but Mark. I hated him the first time I read LM and most of LoS but their chemistry is hard to resist. Especially as they evolve as characters as well as a couple. They are wild and unmoored sometimes and there’s something exciting about characters you just cant pin down.

Emma & Jules’ strained relationship LM & LoS -

- 9 Crimes - Damian Rice

When Emma is “with” Mark there is this strange chemistry between her and Julian. Both have hurt each other at different times, but this was really like a stalemate. Neither could really move on, and both were angry at eachother. As more and more people found out/realised about the feelings they had were more than parabatai this tension grew. Because they’re not just falling in love, they are also actively choosing to hurt one another. They are certainly not an example of a healthy relationship but I felt in some way they were the realest. Because sometimes relationships hurt and sometimes you do things you have to do even if that isnt what’s best for your relationship. This song perfectly captures this push and pull they have, and how falling in love wasn’t blissful happiness for them. It was pain and secrets and hurting.

Annabel rising, killing Malcolm LoS -

- As It Was - Hozier

Since we’re watching this scene from above, a very unnatural and cinematic perspective, the scene feels unreal. Like it was a dream and didn’t happen. I felt genuine fear and uneasiness when Annabel is slowly brought back to life, skin growing over old bones. This song has notes that aren’t usually arranged together, instruments that are usually a bigger part of a quartet, and somehow that arrangement feels just a little wrong. It feels different, sinister, and uneasy. It feels like its missing several instruments, or some notes have been played incorrectly. Hozier’s voice is his best in this song, very strained, but so controlled, bringing forth very intense emotions

Christina and Mark at the revel LoS (I couldn’t remember if this was in LoS or QOAAD) -

- Now You’re Gone - Tom Walker & Zara Larsson

Christina really let herself go during this scene, and we see a completely different side to her. She is adventurous, risky, and she would make anyone say “fuck it lets do this” I always liked Christina but I always felt she was very predictable until this point. We see how intensely she is interested in Faeries, and how personally invested she is in their culture. She allows herself to be swept up, and embraces it rather than fears it. She honestly seems fearless here, and is the definition of temptation. She is quite literally tempting Mark, and its sexy a f

Jules & Emma burn down the church LoS -

- Esmeralda - Ben Howard

This was the first time their relationship excited me, because during this scene I fully expected they would go into full thirst mode but they didn’t. They were still very sensual and sexual and intense, but in a very very different way. There is something attractive about someone who’s willing to burn the world down, who has a little bit of an anarchist side. Its human nature to feel some attraction to these traits, and this scene definitely stirred feelings in me

Emma fights Fal LoS -

- Put It On Me - Matt Maeson

This song both tonally and in its pacing elevates this scene to new levels. Its not a typical battle song, it has a steady pace. But Emma’s description of how the battle is stripped down because of the rain, how she prefers this kind of fight where its her, her weapon and the elements. Its pure, and we get to see Emma in full fighter mode. She is an extension of Cortana, and they belong together. This is without a doubt my favourite fight scene to date. It just brings alive the visuals in such a dynamic way. Very storyboard-able.

Julian holding Livvy as she dies LoS -

- Losing Your Memory - Ryan Star

This song is harrowing, and its just pure pain, raw grief balled into one intense song. The lyrics just pull you into Julian’s mental state “wake up, its time, little girl, wake up” just kills me. As the music intensifies and the singer is practically screaming the lyrics it just feels like that’s what it must have been like inside of Julian’s mind. He wasn’t screaming out loud but his mind must have been very loud

Julian and Emma shower together QOAAD -

- Promise - Ben Howard

Julian dry heaving because he doesnt know how to cry. Fucking heartbreaking in a very quiet way. After the noise of loss, the quiet moments where you have to face grief is devastating. Emma being an anchor, holding him in place and trying to keep the world away from him so he doesnt hurt anymore is just harrowing. They’re just kids but the grief they feel is so adult. And when you lose someone like that, and someone is there for you that solidifies so much in that relationship. They become a part of something you can never let go of. Even if that relationship doesnt last, they will always be apart of that memory. And Emma sticking by him, despite the danger and promises they have made themselves is proof that she is the one for him

Kieran and Christina dance QOAAD -

- Senorita - Shawn Mendes & Camilla Cabello

This song is sensual, its sexual, its got hooks that quite literally sound like orgasms its such a playful song. When I read this scene this song popped in my head right away. When Christina is dancing with Mark its the same kind of feeling I got from her at the revel, except this time there is no supernatural influence, its just her and her feelings. It was a sexy scene, and when Kieran walks in we all expected something very different. What followed is what elevates this scene, Christina has no clue how to react to Kieran, and yet she is mesmerised by him. She dances with him in a way we would never have imagined her doing this in LM. It shows evolution of character, for all three of them. And the fact that Mark is watching, and he’s not angry just makes this scene even sexier. You can practically feel the sexual tension in the air coming off the pages of the book.

Malec wedding QOAAD -

- That Girl Is You - Dave Matthews Band

This song brings me so much peace, the kind of peace that comes with knowing someone for years, and relying on them, knowing they are a permanent fixture in your life. Its exciting, but in a quiet way. Its a very atypical wedding song, because of the unusual style of singing. But I think it represents Malec really well at this point in their journey, they have gotten over many obstacles, often themselves, in this relationship. Their entire world is changing, and they are taking massive steps and making some pretty big sacrifices as people for this cause. Being Consul isnt going to be a smooth life for Alec with Magnus as a husband and a warlock for a child. But this is what he wants, and this is what he wants Shadowhunters to reflect and be going forward. This song is a very peaceful time in the entirety of TSC, and gave me a similar feeling to the end of TMI

#tsc #song recs #tmi #the mortal instruments #tda #the dark artifices #cc #cassie clare #cassandra clare #the shadowhunter chronicles

[mydetheturk]

and for something that ISN’T going to leave me 10 tabs deep on astrophysics and planetary development, have some soulmate au stuff

~~

"So, why are Luffy and that Marine kid hiding in the Captain's Quarters?" Franky said.

Zoro and Helmeppo shared a look, eye to visor, and said, "Soulmate stuff," simultaneously.

Franky whistled, impressed. "Shit. Poor kid, no wonder he looks like he's been run through a ringer."

Helmeppo hid a flinch by draining his pint of ale and pouring himself another one. "Yeah, well."

Franky looked between the Marine drinking with Zoro, Zoro, and the Thousand Sunny and back, connections forming in his mind.

"Ohhhh. Oh shit," he commented.

Zoro frowned and pointed at Franky. "Robin," he said. His finger drifted to the others. "Vivi. Usopp. Shit cook." Nami, Sanji, Usopp. "Franky." Robin. "Dead." Brook. "Hasn't met them yet, we don't know." Chopper, Jinbei.

He pointed at Helmeppo, who sighed. "Coby," Helmeppo muttered.

Zoro pointed at himself. "Captain Glasses."

"And we all pray for Tash's sanity, having you," Helmeppo said. "You know you just outed all of your crew's soulmates to a marine, right?"

"You told anyone Coby's?"

Helmeppo scoffed. "Of fucking course not."

"Then we're good." Zoro drained his pint slower than Helmeppo had his.

Franky sat cross legged across from the two drinking in the halfway point between the Sunny and the Marine ship. He wanted to take a look at her, but figured someone might not appreciate it. 

"That's rough, kid, your soulmate's soulmate being someone else," he said.

Helmeppo scowled. "Yeah, well, you don't have to deal with the other half of Luffy almost dying all the time." He flinched for real this time. "Shit. Ignore that."

"I do not envy you for that," Franky said. 

#one piece #roronoa zoro #helmeppo #franky #soulmate au #myde writes #eh its incomplete but my brain was demanding to publish something that wasnt science #and who am i to argue with that?

[protestgradedunit]

Tash Brooks, Pranayama, 2015 

Christian Boltanski, “Les Regards”, 2011.

Christian Boltanski's work is autobiographical, but his stories deliberately overlap with fiction. Combining images and objects from his own history with similar material that didn't belong to him, he created what he would call an "individual mythology" which was a way to present his life history as evidence of the collective memory of all people.

I plan to use projection with textiles to present my video work.

[mohluskiepedard]

Character Introduction Post: Natasha (Nastya) Lloyd-Kulakova

[Image Description: The first is a drawing of a white girl with short, wavy, purple hair and a spiteful expression, with a scar on her cheek. She is wearing a ripped purple shirt and a black jacket, and multiple black piercings in her one exposed ear. She holds up one hand, with the middle finger raised. The second a similar drawing of the same girl, this time with short mousy brown hair, no scar, and freckles. Her outfit is the same, and she holds up one middle finger, and one hand in a peace sign.  Both images are watermarked with “Aloha Sushi Core” in purple. End ID]

Damien pauses, again, looks her up and down. “Then why are you back, Natasha?" 

She hesitates, curls her fingers into the damp wood of the railing. ”…I’m twenty-two.“ She says, finally, not meeting his eye. "I’m twenty-two. That’s why I’m back." 

Fact File:

Full Name: Natasha Marie Lloyd / Nastya Marie Lloyd-Kulakova

Nicknames: Tasha, Tash, Nat

Date of Birth: April 13th, 1995

Age: 17 (2012) / 22 (2017)

Height: 5′7″

Colour Scheme: Purple, Black, and Grey

Hair Colour: Grey-toned Lilac (dyed, 2017) Mousy Brown (natural, 2012) 

Eye Colour: Grey

Additional Features: Scar on her chin. Notably skinny. Never seen without at least three layers, one of which is a heavy jacket of some kind. "Dresses like an outtake from Supernatural”

Ethnicity: Russian/English 

Pronouns: She/Her

Role: Protagonist

Short Bio: Natasha’s father disappeared before she was born, and her mother died to the entity that terrorizes her town when she was two. Due to this, she was raised by her aunt and uncle, and alongside her cousin Brooke, a situation no one was particularly happy with. Wen she left following some… bad turns of events in 2012, she tracked down her father and found her name had been Nastya Kulakova before her aunt changed it; she spent five years away from Abercarden with her various extended family members, before eventually and begrudgingly returning.

(Further info under the cut)

[Image Description: A moodboard made up of ten images, all greyscale or close. The images read: “I keep hitting escape but I’m still here”, “Nearly almost dead, but not quite!”, “Let’s Run Away”, “Original Family Disappointment”, and “How to disappear completely and never be found again”. One repeats the phrase “And then I just snapped” in grey on a black background, and one has a road sign with the question “Are you lost?” on it. The others have no focal text; one has a series of missing posters, another the back of a head of lilac hair, and the last shows the lower half of a person sat on top of a chain-link fence, in ripped jeans and boots. End ID] 

Born and raised in Abercarden, seventeen-year-old Natasha Lloyd is getting sick of the town’s vehement belief in the unspoken legend of the thing that lives in the woods- what it is, no one seems to know, and it’s never spoken about outright, and yet she can’t seem to escape it. While her main plan is to escape the place as quickly as possible with her best friends, Fae and Damien, the very concept of it weighs on her mind- the want to know what happened to her mother fifteen years ago, the want to know what the people she grew up around are hiding, to find Abercarden’s secret once and for all.  It doesn’t help that her aunt, Mayor Joanne Taylor, who’s raised her since her mother died - supposedly killed by the same thing in the woods everyone refuses to speak of - keeps restricting her access to any and all information surrounding it. Her ironclad hold on the town isn’t making it possible to find out about the forest-entity, or whatever it is, any other way… …So Natasha does what she thinks is her only option to find out where the truth in the town’s collective beliefs lie for herself, once and for all, and with the help of two out-of-towner friends… makes her way into the forests to find what’s in here. And what they find changes everything. 

Five years later, a now twenty-two year old Natasha (or Nastya) Lloyd-Kulakova returns to Abercarden, aware that everything has changed and yet at the same time nothing has. She doesn’t want to be here; she doesn’t want to face the friends she abandoned, she especially doesn’t want to- ever- see the thing in the woods again. But it’s been twenty years since her mother died, and she needs to make sure it doesn’t happen again.

Welcome to Abercarden finds Natasha aged 22, determined to find a way to destroy the entity that lives in the forests forever, before it can complete a twenty-year cycle and kill another innocent person to maintain it’s power over the area. She is sarcastic, cynical, and risk-taking, cares deeply about her friends and- perhaps slightly less deeply about everyone else, but still cares that the injustice that took her mother and one of her friends, and kept her from her father for eighteen years, doesn’t happen to anyone else.  As she does this, she can’t help but think back on the events that made her sure of the entity’s existence to begin with- and how they ended with her fleeing town alone and unplanned aged seventeen, abandoning her closest friends to do so.  The only question is whether she can do the impossible in time. 

The picrew I used can be found here. 

Taglist: @aelenko​ @cream-and-tea​ @agedpaperandglitterpen​ @mango-of-the-void​ (anyone else,let me know if you want on!) 

#Character Intro #Character factfile #character introduction #Character introduction post #wip introduction #wip aesthetic #character aesthetic #moodboard #Natasha Lloyd #Natasha Lloyd-Kulakova #Nastya Lloyd-Kulakova #WTA #Welcome to Abercarden #My OCs #My Writing #OC #OCs #alohasushicore picrew #My WIPS #WIPs #this was my first attempt at image descriptions! please give me pointers! #death tw #death ment #death cw #horror #supernatural #but like the genre not the show