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#that's a very disturbing metaphor but you get my point
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Okay I think I'm mature enough to admit. That I am getting withdrawal from the owl show. And that I miss her so bad it's not even funny anymore
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frostbitebakery · 5 months
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A Disturbed State Of The Natural Environment, Gods-Fucking-Dammit
A Pada-Wan Story
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for @lttrsfrmlnrrgby
“Obi— Commander Kenobi-“
“You can call me Obi-Wan, Cody,” the kid huffs. “Neither you nor I will suddenly combust into a ball of fire if you do.”
You don’t know that, Cody thinks, not liking how his voice sounds in his mind.
Four days since the incident - or, “The Incident,” how Boil and Waxer like to say in unison with the bucket lights under their chins -, two since the 104th of all Battalions received their signal and towed the 212th fleet to the nearest station within the Republic that would allow them to overhaul the ships’ electronics.
It has been exactly two point five hours since Wolffe stopped wheezing at Cody over comms. Nearly as much time as the kid had vanished from under Cody’s paranoid nose.
“Councilor Kenobi is safe and sound,” General Koon had assured him while Wolffe stood at perfect parade rest a step behind, shriek-laughing his armor off.
The kid sighs. “You have come here for a reason?” he asks, stubborn and prim. “Or is Wooley babysitting me not enough?” He points a thumb over his shoulder to Wooley popping up several yards away, waving.
“If you haven’t noticed Hook, Line, and Sinker also keeping an eye on you, my trepidations are justified.”
The kid rolls his eyes, gesturing to three empty looking spots in the distance. “I am well aware Master Koon is in league with you.”
Cody will not explain safety precautions again. He’s saving that for when the kid really sets out to stomp on any and all walls Cody had to hastily and thoroughly built when his General, his partner, suddenly turned into a child at the worst possible development stage for Cody’s sanity.
The kid studies him while Cody is trying to come up with a legitimate reason for looking for him. Direct admittance to personal concern would backfire on Cody in multiple, entertaining ways, and he frankly doesn’t want to deal with that. From the kid being smug that Cody cares about him very much so keeping his distance must mean something more. To accusations of not trusting Obi-Wan (which, correct, Cody doesn’t know him after all), seeing him as a kid (also true) when he’s sixteen and basically a stone’s throw away from becoming a geezer.
Sixteen. Cody shudders. He remembers very well that half year when he was that developmental age. He shudders again. Gods, the mood swings alone.
“I am reasonably paranoid about your welfare,” he says at last. Wooden which makes him cringe but he’s never lied to Obi-Wan and he’s not starting now.
The kid stares at him for a while. One corner of his mouth quirks up with a shrug and a shuttered look in his eyes Cody desperately wants to make better. “It’s different when they really are out to get you, isn’t it.” The Council had explained how precarious his older self’s safety was at the best of times. Cody had only seen the aftermath and the accompanying ranting about life choices with the occasional visibly happy understanding that Obi-Wan could, actually, grow a non-patchy beard when he’s got a few more years on him.
“May I sit with you?” Cody asks. Shoveling his own metaphorical grave is so much easier with mixed signals after all. But he misses the older Obi-Wan. It’s not fair of him but he needs this.
The expected blush blooms on freckled cheeks. “Yes, of course!” is the eager reply, followed by more blushing.
It’s endearingly cute and Cody would like to chew on his bucket now.
The kid scoots over, wide eyed and expectant.
Gingerly, Cody lowers himself, ignoring the armor digging into his ass and thighs. And lets the silence stretch.
This, really, is what he came here for. A self-indulgent little break to catch his breath. The High General of a Systems Army is compromised and that fact has to remain eyes only to an exclusive handful of people. Only the Jedi Council knows out of obvious necessity. So it’s up to Cody to keep everything else running, keeping the admiralty in the dark because even teenaged Obi-Wan had said he’s got a bad feeling if they were to tell the brass. So they haven’t.
Usually, when flimsiwork and war horrors keep stacking up and expand into an avalanche, Obi-Wan and Cody sit together in silence, sharing a precious cup of real tea, being together and lending support and strength they can’t find for themselves but can always, always find for each other.
Selfishly he wants that strength from Obi-Wan now, the warmth of his body nearby. He’s already breathing easier.
The kid is looking at him curiously, but Cody chooses not to say anything. Instead he turns forward once more, watching the busy night markets of the station and the stars behind it. After a moment the kid does the same.
Shoulders slowly relax and the silence becomes comfortable.
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patricia-taxxon · 7 months
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So, I watched that response stream that DeadwingDork made about my furry boinking video, here it is if you're curious.
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By some accounts, this gentleman seems like he means well, with regards to pronouns he pulls the "when in doubt, they/them" gambit, which is partway there. If he finds this, I'll politely let him know I don't use they, just she & it. Thanks!
I have good reason to believe he began this journey in good faith, but over the course of the video he slowly gives up being charitable, and it's very frustrating to watch. There's a few key moments of miscommunication I noticed that I'd like to clear up.
DeadwingDork and I got off on the wrong foot very early on, and part of that's my fault. I start the video openly lusting after Garth Alphandomega, and this put him on edge. This might be an ideological difference we can't get past, he says that Garth is "Just a wolf" when I personally think he's quite different from a wolf. After that, I do the joke where I say "If the opportunity presented itself I would fuck my-" and cut to The Flowers of Robert Mapplethorpe, but he didn't have the context to understand what I'm saying by cutting to that album in particular, so he thought I was jokingly saying I would fuck my dog. He spends the rest of the stream with that initial impression of me lusting after what he perceives as literal animals, it's kinda the initial rock that starts the avalanche and closes him off from understanding basically anything that I'm saying, until the end, where he's convinced I've just spent 43 minutes coming out as a zoophile.
This might just be a difference in artistic philosophy, like he interprets Alpha & Omega to be about wolves whereas I interpret it as being about people through the aesthetic lens of wolves. Metaphor isn't just for abstract art movies, after all. Garth walks on 4 legs, but he has enough obvious persistent human-like traits both visually and behaviorally for me to understand him as a person delivered via wolf. For the same reason, he is disturbed by my lusting for Shoukichi Pompoko, because he interprets that movie as literally being about tanuki. I think this the main reason the concept of a character being "simultaneously human and inhuman" completely whiffed on him. He skimmed over my segment on how Leo can be both a wolf and hispanic & didn't understand the relevance, because I don't think that contradiction can be resolved in his head.
The most frustrating part of this stream is the way he clearly picks up on a lot of the overarching subtext that I'm putting down, but by that point in the video he doesn't have enough faith in me to interpret it as being put there intentionally. He treats the connection between my special-ed dog training and my current animal identity as an unintentional self-report, when it isn't. There's this *maddening* segment where I talk about Pom Poko for the first time, and he... honestly quite accurately picks apart the picture I'm illustrating about alienation, but he handwaves it away in favor of his horrible mangling of the exact literal sentence I am saying at that moment.
He says:
"There's clearly a story here, but it's being buried. There's a lot of stuff that's leading towards... 'oh, you watched this movie and this movie and your parents did this and your fuckin' teachers did this, and that's why this is happening.' That's like the fuckin' undertones of this video, [but] the main takeaway is supposed to be that this movie... I dunno, makes you f.. is supposed to feel like how fuckin' animal people feel like they're... whatever, I don't, I don't... whatever."
He grabs at the subtext, the story I'm obviously telling with the surface level anecdote of my experience seeing Pom Poko when I was young. I say obviously, because he and his chat both understood it. But then he discards that, assumes it was unintended, and importantly, he doesn't have a good answer for what I'm actually saying divorced from that. Because... what's even left after you remove the subtextual story I'm telling with this anecdote? The anecdote itself? Of course he's empty handed.
Other notes:
He can't decide whether I'm an over zealous recruiter trying to call everything furry, or that I'm a gatekeeper trying to force robust definitions of 'furry' into the general lexicon. This isn't very important, it's just kind of funny.
He is dismissive of me saying I won't report news if my only source is Kiwifarms, but he doesn't really give a good reason for it. I am having trouble summarizing his argument for why I should have referenced a website whose users doxxed me. He hilariously suggests that I should negotiate with them to have my address taken down, as long as I'm not a "lolcow" about it. I'll be charitable and say that I don't think he's thought this through very much.
He hates that I "compare autistic people to animals," when that really just doesn't mean anything on its own. A comparison is a comparison, a follower of mine pointed out to me they could say that trans people are like cockroaches & it could either mean they are doggedly resilient in the face of harsh circumstances or that they are pests that need to be exterminated. I meant something specific by using an animal metaphor to describe my autistic identity, and it transcends the literal reading of "calling autistic people animals."
He derisively calls Echo a "gay furry sex game" when it simply is not. I'll forgive him for this because he hasn't played it, but Echo isn't porn, it's a horror game. There's sex in it, and it has the framework of a dating game, but it is far from the main appeal. I'm not saying this to elevate Echo above the degrading label of "porn," because Adastra is definitely porn and it's almost as good, just not as easily recommendable to outsiders.
He thinks its commendable that Sean Booth bought my album, which is nice.
Overall, I don't think DeadwingDork is outwardly hateful, but he is quite gullible. He accepts hate speech at face value and buys into narratives useful for hate movements. There's echos of trans groomer panic, that old "you're the reason people are transphobic" chestnut, and of course, using Kiwifarms as a news source. He said he came into the video knowing nothing about me and had no reason to be approaching me in bad faith, but he clearly doesn't trust me enough to think the main rhetorical thrust of the video was intentional.
bad stream lol
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goodnightmemes · 1 year
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GLASS ONION: A KNIVES OUT MYSTERY (2022) SENTENCE STARTERS
❛ You can’t keep making excuses for every one of [name]’s insane whims. ❜
❛ Genius always looks like insanity at first, though, right? ❜
❛ Hey, please stop fire-spinning inside. ❜
❛ I say it like I see it, no filter. If people can’t handle it, that’s their problem. ❜
❛ You’ve got to stay off the Twitter. ❜
❛ Are you mocking me? ❜
❛ This can’t Shazam. It’s a lamp. ❜
❛ Where’s my speargun? I gotta pack. ❜
❛ He told me you haven’t left the bath for a week. ❜
❛ My mind is a fueled-up racing car, and I got nowhere to drive it. ❜
❛ I need danger, a hunt, a challenge. ❜
❛ There’s someone here for you! With a box! ❜
❛ Hello, stranger danger. ❜
❛ Excuse me, I love your accent. I had to try it. ❜
❛ You must be very special. ❜
❛ When you throw a murder mystery party, you do it right, buddy. ❜
❛ I’m not here. ❜
❛ He’s just staying here. He’s going through things. ❜
❛ This rich-people shit is weird. ❜
❛ This is stretching my stride-taking abilities. ❜
❛ Okay, let’s stop talking and actually start hanging out and having fun. ❜
❛ Why is it on the roof? ❜
❛ I wanted to ask, what are you doing here? ❜
❛ Is this part of the game? ❜
❛ I’ve learned through bitter experience that an anonymous invitation is not to be trifled with. ❜
❛ You really try. I like that. You really make an effort. ❜
❛ You never know when shit’s gonna go down. ❜
❛ I’m uncomfortable. I’m gonna go for a swim. ❜
❛ It’s true. I say it like I see it. ❜
❛ If you want to shake things up, you start with something small. ❜
❛ That’s the place where you have to look within yourself and ask, “Am I the kind of person who will keep going?” ❜
❛ That was some real red-pill stuff. ❜
❛ Every single one of you is holding on for dear life to [name]’s golden titties. ❜
❛ Wow. That was so real. ❜
❛ I’m a truth-teller. Some people can’t handle it. ❜
❛ It’s a dangerous thing to mistake speaking without thought for speaking the truth. Don’t you think? ❜
❛ Are you calling me dangerous? ❜
❛ A few cocktails before I’m murdered. ❜
❛ Halle Berry! That has a kick. ❜
❛ This simple thing that you thought you were looking at, it suddenly takes on layers and depth so complex, it gives you vertigo. ❜
❛ Every time we’ve gotten to the point where I’m going to strangle you, you pull something like this, and it’s magic. ❜
❛ I wanna be responsible for something that gets mentioned in the same breath as the Mona Lisa. ❜
❛ This is reckless. And you’re gonna get somebody killed. ❜
❛ It’s been a memorable weekend already, to be sure, but now the real fun starts. ❜
❛ Tonight, in this very room, a murder will be committed. ❜
❛ Well, to be clear, I mean, I didn’t know what a “blood diamond” was so… ❜
❛ What am I supposed to do now? Play Yahtzee all weekend? ❜
❛ I like the Glass Onion as a metaphor. An object that seems densely layered, but in reality the center is in plain sight. ❜
❛ It’s like putting a loaded gun on the table and turning off the lights! ❜
❛ Well, I’m out of here. Tomorrow morning. Gone. ❜
❛ You’re murdering my vibe. ❜
❛ So you come here, in your Gucci flats, telling us that we owe you? ❜
❛ What do you want? A check? You want performative pity? ❜
❛ I want the truth! ❜
❛ But me, I’m tired of pretending like you’re the victim in this game. ❜
❛ That changes things, right? ❜
❛ Have we ever not pulled through? Pulled it off? ❜
❛ We won’t know the cause of death without an autopsy. ❜
❛ Listen, I must insist that nobody touch the body or disturb anything around it. ❜
Are you treating this as a crime scene then? ❜
❛ I’ll pay you one billion dollars to tell me which one of them tried to kill me. ❜
❛ Oh, fiddlesticks. ❜
❛ Is that a speargun? ❜
❛ Oh, hell’s bells! Just, everybody, just stay here! ❜
❛ I can peel back the layers, I can take it to a point, but what lies at the center, only one person can tell us who killed [name]. ❜
❛ You’re not in the bath again, are you? ❜
❛ Heavens, the dog ate the caviar again. ❜
❛ It’s a stupid idea, right? ❜
❛ Listen, I want to be clear, huh? I am not Batman. ❜
❛ Any feelings of reverence or respect that you had for me when you crossed my threshold, buttress those feelings now. ❜
❛ Yeah, I’m trying real hard to buttress, but this sounds nuts. ❜
❛ Is this safe? ❜
❛ I shouldn’t be here. This is nuts. But I’m here. So let’s do this. ❜
❛ The reality-distortion field ends here. I can’t let you do this. ❜
❛ Look me in the eye! You know it’s a lie! ❜
❛ You must be really great at Clue, huh? ❜
❛ I’m very bad at dumb things. My Achilles’ heel. ❜
❛ This is your last chance to back out. ❜
❛ I think it’s really shitty what they all did to you. ❜
❛ I sold my soul for this. ❜
❛ I thought you said you didn’t drink? ❜
❛ That’s hard kombucha. That’s Jared Leto’s hard kombucha. ❜
❛ We’re running out of time! ❜
❛ Please. Think of the danger here. You gotta step back and let me handle this. ❜
❛ I never email anything that I wouldn’t want to see on the front page of The Times. ❜
❛ I think maybe you should take up drinking. You’re just killing it. ❜
❛ Something is just teasing the edge of my brain. ❜
❛ Oh, if I ever meet Jared Leto, I’m gonna whoop his kombucha-brewing ass. ❜
❛ My therapist says this is a toxic relationship. ❜
❛ We will do what we always do. Deny, half-apologize, and then go silent awhile. ❜
❛ Please tell me you did not think sweatshops are where they make sweatpants. ❜
❛ I will do whatever I have to do to save myself, and he is my only lifeline. ❜
❛ This never happens in Clue. ❜
❛ He’s a son of a bitch. Leave his ass. ❜
❛ I don’t feel sorry for him. He deserved what he got, and you are better off without him. ❜
❛ Please don’t kill me! Oh my God, please don’t kill me! ❜
❛ I’m not trying to kill you, you crazy bitch! ❜
❛ Shitballs! ❜
❛ It hides not behind complexity, but behind mind-numbing obvious clarity. ❜
❛ A veritable minefield of malapropisms and factual errors. ❜
❛ Oh, please. Just tell us who tried to kill me. ❜
❛ Nobody tried to kill you, you vainglorious buffoon. ❜
❛ What is reality?! ❜
❛ Does he keep a vial of poison in his tooth or something? Is that a rich person thing? ❜
❛ Oh, it’s so dumb, it’s brilliant. ❜
❛ No! It’s just dumb! ❜
❛ You dim-witted, brainless jackass! ❜
❛ Your one murder, with any panache at all, and you stole the whole idea from me. ❜
❛ Wow! We got some big accusations flying around here. ❜
❛ You need evidence, and you’ve got nothing. ❜
❛ Anywhere you go, it’s going to be your word against mine. How do you think that’s gonna go? ❜
❛ There’s nothing I can do. Except maybe offer you some courage. ❜
❛ I hope your little bitch tantrum gave you closure ’cause it accomplished nothing! ❜
❛ You’re ruined. ❜
❛ Did you get the son of a bitch? ❜
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willows-woes · 6 months
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I think Tori Spring was in a manic, or at least mixed, state at the end of Solitaire.
Also, just a heads up that this post is long and detailed. I'm not making up a headcanon based off nothing, y'know? Also, spoilers. If you don't want to be spoiled, please don't read this post until after you finish Solitaire. Note this post is VERY, VERY detailed with a shit ton of psychiatric mumbo-jumbo, to put it informally. A lot of clinical terms and definitions are used here because I'm a fucking nerd when it comes to this stuff. Due to this, I really don't expect this post to get popular, haha.
Did I, seriously, research Bipolar Disorder just to make a point? Yes. I did.
According to the official NHS website,
The manic phase of bipolar disorder may include:
• Not feeling like sleeping
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(It is implied she hasn't slept.)
• Feeling full of great new ideas and having important plans
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(She's talking about Solitaire as if it's some big, important thing she has to do. She's been obsessed with it. As I said in my previous point, it's implied she refused to sleep because of the obsession.)
• Feeling very happy, elated, or overjoyed
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• Talking very quickly
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• Being delusional, having hallucinations and disturbed or illogical thinking
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(This is up to interpretation. She could be using a metaphor, but she mentions being scared of the "giants and demons" multiple times throughout the book.)
Now, you may be asking: Willow, why manic instead of hypomanic?
Good question. Hypomania cannot involve hallucinations or delusions. Psychosis does not occur in hypomania, only mania, which is more severe.
Another question you may ask could be, Okay, but why did you bring up mixed states if mania seems to fit well?
Also a good question.
You see, a mixed state is when someone experiences both hypomanic/manic and depressive symptoms at once. Which may, also, be what Tori is going through.
While Tori, at the end of the book, shows more (in my opinion) symptoms of mania than depression, the latter isn't nonexistent.
Back to the NHS descriptions.
During a period of depression, your symptoms may include:
• Feelings of emptiness or worthlessness
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• Suicidal ideation
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(There's more examples in this part of the book, but in my opinion, this is the clearest expression of suicidal intent she gives, as well as the earliest.)
• Feelings of guilt and despair
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(Note how she says failed. She thinks very lowly of herself in this sentence, clearly. Even though it wasn't her fault, and, objectively, she did all she could.)
Of course, there's more symptoms of mania and depression than what I just listed, but those were the ones that I had proof of Tori experiencing. If you want to look up bipolar disorder for yourself to learn about it more in-depth, by all means, do.
Back to the point of this post. Tori Spring shows symptoms of mania at this point of the story. However, depression can also involve psychotic symptoms and difficulty sleeping. THIS is where it gets complicated.
In my opinion, however, it's not entirely impossible that she was experiencing a mixed episode, OR that maybe, at the very end of the book, she experienced a sudden drop into depression. Both are possible, and since I'm not in Tori's head, all I can do is guess.
A misconception you may have is, Wait. Willow, doesn't Bipolar require mania and depression for diagnosis? If Tori was only experiencing a mixed episode, she can't have bipolar, right?
You're actually wrong.
Let me take out an ICD-11 description.
Although a single Manic or Mixed Episode is sufficient for a diagnosis of Bipolar Type I Disorder, the typical course of the disorder is characterized by recurrent Depressive and Manic or Mixed Episodes. Although some episodes may be Hypomanic, there must be a history of at least one Manic or Mixed Episode.
So, therefore, Tori Spring can classify as Bipolar with a "history of at least one Manic or Mixed Episode." Which, she has.
I think that's it. If you made it THIS FAR without falling asleep or getting confused as shit, I applaud you.
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coyoteprince · 2 months
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Would you like to share what happened in Savannah? After my own paranormal experience I am fond of listening to/reading other people's!
For general public disclaimer, I'm aware this is woo-woo, but I have had a life-long relationship with death and many ghosts experiences, despite not looking for them. My Savannah experience is... well, my own, and my partner who was there at my side didn't see or feel anything. Don't go to a "haunted" place with intention of seeing a ghost, you'll probably just be disappointed or make yourself anxious for no reason.
Contains Foley House, the black shuck, and a raw record written the night of the Sorrel Weed house absolutely wrecking my ass:
Foley House:
We stayed in room 403, but I'm not aware of any historical significance other than it being one of the original rooms of the house.
I highly recommend this place to stay and the room felt outright "welcoming" in a strange way, as if I was always meant to be There, specifically, but that might be the special interest euphoria. I'd been aching to sleep in an old Victorian room again.
The first moment of displeasure was when I was having breakfast with my partner in one of the corner windows. We were pleasantly chatting when I suddenly went silent, thrown onto a freeze state with my blood running cold and my nerves shot. I saw nothing, but I could feel "someone" suddenly enter the room, simply observe us by standing in the middle of the rug in front of the bed, then turn and walk out. My blood warmed quickly after they left, my limbs shaking. I logically didn't see them as a threat- I've had this happen before- but my body reacted to the environment being very abruptly "Wrong" on a primal level all the same.
Another night- the night coming back from Sorrel- in that room I was jolted awake by a deafening blood curdling scream which certainly kept me awake for a long time. Every time I tried to sleep that night I'd have very disturbed visions that'd jolt me back awake. You can write this off as my intense experience influencing me as I do have a history of "exploding head syndrome" and sleep paralysis, though I haven't experienced it in a long time until that night and haven't experienced it again since. Thought I'd include it anyway.
On the street:
I see black dogs as a divine messenger and protector in my spirituality, and boy did I kept running into them in Savannah to the point that it felt on the nose. It was a sign that I'd achieved something, that I'm where I need to be, and that it was time for another huge (metaphorical) death in my life so that I can secure my future- and in the most hopeful but absolutely weary way possible, boy am I going through it right now haha. The third night of the Savannah trip was when I suddenly came to terms that I'm literally working myself to death and need to change how I view and care for myself before it's too late.
If anyone is looking for the huge antique Baskervilles Hound painting that I ran into, it's at Six Pence Pub.
Sorrel Weed
Following is what I wrote for myself the immediate night of getting back from Sorrel, so this is a very fresh, rattled, and stream of consciousness record. I normally don't really like posting something like this, but always feel something intuitive and fresh like this is the most genuine way to relay paranormal experiences. TL:DR: Saw weird thing in courtyard. Got sick a lot very suddenly. Met a very nice skull person. Got fucked up on spooky couch. Got even more fucked up from body reacting to the stress after leaving.
"I accidentally missed the normal historical architecture tour for the Sorrel Weed house and had to take a late night ghost-focused one. Wanted the normal tour but we leave tomorrow so its this or nothing. Didn't go into it expecting anything and was excited to take lots of reference photos for Widderwood, as usual.
Saw something in the garden and knew immediately things were going to be weird tonight. White flash, person height, within courtyard and in front of street entrance. Actually really funny in the moment because I Did Not Want That Thing To Have Just Happened but I'm so used to experiencing the woo-woo that I just mentally went "oh god dammit" defeated.
Felt fine, excited for architecture, then passed the threshold and... my flight response suddenly goes off. Hard. Right into the master of the house office and I get supremely bad vertigo. Got annoyed because I was trying to listen to the history of the place, but vertigo kept rising which made me wobble on my cane. I came here mainly to collect art reference but I knew then and there that I did Not want a single photo of this place on my phone. I don't know why, even- just in the moment I couldn't stand the idea of keeping photos of this place.
I kept getting sick and vertigo, but only in Very specific locations. Mostly stayed at the back and tried to hide my discomfort to not influence anyone in the tour group. Downstairs, servant's quarters, I could feel a busy "echo" in the catch-all work room where cooking and various chores would have been done- I'm not sure how to explain but it was like a vibration that unsettled me a bit? Just very weird.
Funny, I felt the safest in the near-black basement grain room, which saw civil war trauma surgery and acted as a morgue for a few years. An antique wheelchair was to the side of the gurney (special interest euphoria, hello). To the other side of the room, a female skull that was sourced from a denture manufacturer. She was beautiful- so, so beautiful that I kept coming back to look her in the face with a very comforted smile on my own. Absolutely radiant energy. In the same room to another corner, a couch that we are allowed to sit upon and may feel someone sit next to us. Well, I certainly needed a rest from standing, and I didn't feel anyone, but I sure did have such a strong, sudden vertigo that I made a surprised noise and slumped back for a few minutes close to fainting. The second I got some wind back I got off the couch and mentally went "haha, No". Wooziness is nothing new to me, but I felt trapped and heavy for a solid few minutes- never had that happen before, genuinely startling.
Our very kind tour guide could tell something was up with me, keeping an eye on my reactions. I was trying to not be too vocal about what I was experiencing, just manage my symptoms as normal, but it's obvious she knew I was Going Thru It. In private we discussed my connection to death, she showed us her Victorian mourning jewelry, and agreed the ossified woman in the doctor's case was beautiful. The tour guide told me the skull's name in life- Zarina- and though I'm doubtful of her original acquirement post-death and what she expected of her remains, it still felt sacred to be allowed to know her name and look upon her. Other people in the group kept making "eww creepy" comments toward her and I get it, I Do, but I wish I could have figured out what to say to gently suggest to see her as a person rather than a scary death item. I am glad I met Zarina. The other ghost tales- like the chair in the for some reason scary red lighted hall (why tho)- I did hover around but didn't experience anything.
Leaving the property, I felt a bit numb but my nausea and vertigo lifted over a few blocks. Our walk to our room was short, followed by... my body going into minor shock as soon as we got back to our room. I shook for at least an hour, I think its taken me most of the night just to get my body's responses to level.
I feel so energetically drained, different from my normal disability related fatigue, yet the entire time I was mentally calm. My body has felt this before, there is a difference. Chronic stress disorder and autism make me incredibly sensitive to the environment around me but it's been a minute since my body has reacted so... violently to atmosphere without obvious cause. The strongest since experiencing that fucked up abandoned house in Ohio over a decade ago. I didn't expect to taste such heavy air like that again, least of all when I was mostly hoping to take reference.
Sorrel Weed offers proper ghost investigations, which seemed like a fun thought to try in the future. I walked in excited for historical reference, but walked out somewhat harrowed instead. Now, I'm certain that I cannot entertain the idea of ghost hunting or else I will be at very real risk of a full medical episode... at least in that house."
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yanderes-galore · 4 months
Note
Here's my last bear for you, it's your first yandere alphabet for Fluffy AU, right? And it's for Funtime Freddy!
(Since this is a yandere alphabet, i don't think it will add much to the Fluffy AU lore, so we can see this piece as something separate from the main story. I think this serves more as extra information for Funtime Freddy)
Sure! Here you go, disturbing/Gorey as usual. Which means, if you hate gore or body horror, DO NOT READ.
"Yandere" Alphabet - Fluffy AU! Funtime Freddy
Pairing: Platonic/Romantic
Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Gore, Blood, Body horror, Grotesque descriptions, Manipulation, Biting/Marking, Sadism, Kidnapping, Isolation, Jealousy, Possessive behavior, Mass murder mention, Death, FNAF Fluffy AU might as well be a trigger warning, Horror oriented, Violence, Forced companionship.
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Affection: How do they show their love and affection? How intense would it get?
When it comes to any version of Funtime Freddy, affection is not soft and lovely. Especially in this form… Funtime Freddy's obsession is sadistic in nature. He likes to bite and mark you while “rewarding” you with odd cuddles for affection. 
Safe to say he's intense… perhaps even to the point of being lethal.
Blood: How messy are they willing to get when it comes to their darling?
Messy, he lives for messy. Even his creation is messy. Blood is something that comes with this bear.
Cruelty: How would they treat their darling once abducted? Would they mock them?
He's cruel yet oddly delusional with his affection. He wants to bite you, taste you, and hide you away for himself. He treats you like a toy he has to hide away from the rest of the monsters in the facility.
He would mock you all while chasing you down. There's no way to escape him, he knows it. Which only feeds into his sadistic desires.
Yet once he's shown he's claimed you, he squishes you against his body and nuzzles into you. You're his and his alone. If you disagree… he has ways to deal with that.
Darling: Aside from abduction, would they do anything against their darling’s will?
Yes.
Exposed: How much of their heart do they bare to their darling? How vulnerable are they when it comes to their darling?
He isn't vulnerable except for if someone tries to take you away from him. He isn't very metaphorically open… he is physically very open though.
A concerning thought….
Fight: How would they feel if their darling fought back?
Excited! You fighting back and running away feeds into his hunting instinct. Just prepare to have a bear chase after you….
Game: Is this a game to them? How much would they enjoy watching their darling try to escape?
Yes and he loves it since he knows he can win!
Hell: What would be their darling’s worst experience with them?
Literally anything he does can be considered bad. However… the worst experience? The stomach hatch.
The moment he grabs you to stuff you inside? Yeah… that right there is horrible. Especially when he doesn't let you out.
Can you even breathe properly?
Ideals: What kind of future do they have in mind for/with their darling?
Funtime Freddy sees you as a toy yet also a caretaker. He plans to keep you with him in the facility. If you manage to die in the process, oh well!
He'll still keep you all to himself… deep inside.
Jealousy: Do they get jealous? Do they lash out or find a way to cope?
Yes and he will lash out.
Kisses: How do they act around or with their darling?
Sadistic, cruel, manipulative, and possessive. He's a beast in every way. He will hunt you down and slaughter any other creature in the process. He'll mark you, dirty you, and corrupt you. You won't be able to leave him.
Love letters: How would they go about courting or approaching their darling?
It starts as you being his caretaker in the failed section of the facility. You care for him by supplying basic needs and observing him. He can't touch you due to his extreme volatility.
Yet he still expresses sadistic desire through the glass.
It isn't until the facility falls that he hunts you down. His only goals are to play with the rest of the experiments as his prey, while also finding you. Once he does?
The fun begins.
Mask: Are their true colors drastically different from the way they act around everyone else?
Nope.
Naughty: How would they punish their darling?
Biting… that's probably better off than him shoving you into the stomach compartment he has… which he also does.
Oppression: How many rights would they take away from their darling?
All of them. 
Patience: How patient are they with their darling?
Moderately patient but he leans more into impatient territory.
Quit: If their darling dies, leaves, or successfully escapes, would they ever be able to move on?
Yes, he would move on, but he never forgets you.
Regret: Would they ever feel guilty about abducting their darling? Would they ever let their darling go?
No and no.
Stigma: What brought about this side of them (childhood, curiosity, etc)?
His nature and creation.
Tears: How do they feel about seeing their darling scream, cry, and/or isolate themselves?
Impatient and sadistic. He may mock you about it but you're still his caretaker. Maybe he'll be merciful enough to give you a break?
Unique: Would they do anything different from the classic yandere?
Yes. His whole character is, actually.
Vice: What weakness can their darling exploit in order to escape?
None I can think of, unless you try to kill him.
Wit’s end: Would they ever hurt their darling?
Yes.
Xoanon: How much would they revere or worship their darling? To what length would they go to win their darling over?
Not a worship yandere, would probably kill every creation in the facility for you though. How dare they take you from him!
Yearn: How long do they pine after their darling before they snap?
Doesn't pine very long if at all
Zenith: Would they ever break their darling?
Yes.
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emoangel44 · 2 months
Note
HI RAXZ IT TOOK LONGER THAN EXPECTED AS IT'S BEEN A WEEK BUT!!! DURING ALL THAT I DIDN'T STOP THINKING ABOUT YOUR FIC/S It's just one of those pieces of fanwork that leaves so much of an impression on someone, that it just ends up sticking and changing what you initially thought of a character, because of how well done the things most would just move aside or chalk up for simple reasons. you seem to be the only person who really does get Chara like no other, and I hope it's not strange to say you write them almost as if you know them or you are them that I'm sorta afraid nothing else will live up to how you written them and asriel in ur fan fic LOL but no matter... i will prevail. I love how you were able to portray charas self hate and self harm, i love how you didn't hold back on the ugly side of it and how far and disturbing it can be especially for someone as young as chara. There's just something so realistic about it that don't see alot anywhere else. 
I also like how you made asriel be childish, childish in a way a kid can be bratty or selfish(?) in the first half, that might not be a good descriptor but my puter is lagging from the many many words I've written for this ask so I'm making do </3 the point is you really know how to write these kids. Also enjoy that the tone of each fic is starkly different from one another, asriels pov feels grounded in comparison to charas inner thoughts
HOPEFULLY this all makes a little sort of sense, I've read both of ur fics three times so I'm praying it does, amen. ANYWAYS……. Love ur brain, would love to hear any thoughts you have on utdr in general if you ever decide to share em…. godbless. perhaps i couldve worded this better in a diffrent time but oh well, we ball. i hope u have a great day emoangel44🫡 will be looking forward for ur new utdr stuff
FIORE!!! i have been waiting for this day.. thank you so much. ive had several people say that i really get chara including like, literal veteran chara fans. its very nice to hear, theyre pretty important to me as a character. which is rather funny because the only analysis ive ever actually written on them that wasnt fanfiction was an essay on how i think theyre kind of actually a little poorly written LOL. to understand someone you have to know their weakpoints i guess... even if on a meta level.
for my asriel interpretation i try to incorporate a lot of "flowey-isms" as i say. the way i see asriel is that he was always a bit of a bratty, selfish kid that struggled with low empathy. he chooses to do what he thinks is right because he knows its right and not because it provides him with positive feelings himself... i think thats even more admirable. as opposed to this is think chara is high empathy which is part of the reason they did what they did. asriel is just way more of a people person than chara and so comes off as more understanding, charas just naturally a bit off-putting no matter how hard they try not to be.
chara and asriel are quite different people so i tried to make that clear in how i write their perspectives. chara is kind of stuck in their own head and lives in a world with walls of misery and think prose. theyre very direct but also very metaphorical. its a weird combination but it gets easier to write when taking in account their canon dialogues (one day youll get a fic from me with a more light hearted tone where chara will get to make their dog puns and nerd jokes. maybe). this is also the reason i write them with a strange mix of first and second person. it just feels natural for our narrator.
asriel on the other hand is much much more of an emotional person and is much less formal in how he thinks. he has a lot more filler words and "i-think"s and "i-feel"s and such.
i figure ill write a bit on what inspired each fic.
for my chara fic, i actually started writing it while bored in class. it was inspired a narration line in one of the fights in undertale, the one i used for the summary. the main thing i wanted to play with was metaphors and metaphors upon metaphors. mainly related to charas self hatred though the lense of soil and dirt and flowers and gardens because of course.
for my asriel fic, the main thing i wanted to play with was, quite obviously, writing from asriels perspective. i had already written 2 fics from charas perpective (the 1st one isnt as good as the other two and was mostly written as a characterization and perspective test) so i figured it was time to give him a turn, especially since it we only realy got a peak and asriels personality through charas eyes and i wanted to show it off more. the other thing that the fic ended up centering on is something my friend said to me about how they felt my chara characterization was screaming to be understood under all the hurt. basically the thesis of this fic is "asriel did not fully get chara but he was also the closest anyone ever got by a long shot which counts for something".
if youd like to see my other undertale stuff, here is some poetry ive written about chara (and asriel), here is my art tag which is full of stuff with them (alternatively, just use my undertale tag if you dont want art of anything else), here are my chara and asriel playlists that i always listen to while writing, and here is that chara essay i mentioned.
speaking of my thoughts on utdr... i actually dont post the majority of them. but id absolutely love to talk about them. so if you (or anyone else) have any questions about my thoughts on utdr or want to start a discussion about it Please do. Im actually begging you. i need more engagement guys send me asks. thank you for reading this absurdly long response
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slasheru · 3 months
Note
as someone whose Big Thing is spoiling people rotten, i did NOT expect to feel so Seen by sawyer, and yet, here we are! kinship with the slasher babe aside, here's my question: how would the dateables feel about receiving a massage, sensual or otherwise, from their partner?
Yessss :')) the world needs more Sawyers in it tbh!
Massage-wise:
HEX: I think this might be Hex's favorite thing once he's introduced to it! Hex would be the kind of guy who'd LOVE, like, a whole spa day as an aftercare routine. Face mask, cucumbers over the eyes, body scrub, a whole full-body massage that prooooobably ends in even more sex... resulting in the process starting all over again. Remember to make him hydrate :'))
JUNO: Juno would, ofc, be INTENSELY IMPRESSED if you figured out a way to actually do this. The key here being: The amount of attention required from BOTH of you to correctly simulate a massage? Juno would ALSO lament that they can never feel a massage properly, but would pretty soon perk up with some vague and disturbing ideas re: how to do so, Frankendick-style.
LAILA: Laila would be flattered, but VERY skeptical: Laila has experienced the FINEST of massages, and knows her shit, deeply. You'd better be well-equipped to give her a professionally-trained-masseuse quality job - and if you ARE, she's going to be mightily impressed. And very likely let you do it again. Probably without clothes.
TATE: Nervous. Like, SUPER nervous. He'd somehow feel like he has to hold up his bargain as being a massage-receiver, making sure you knew you're doing a good job, making sure not to twitch, making sure not to tense up.... This might be Tate's worst nightmare. Ironically, he could probably use a serious massage because of shit like this. If you manage to give him a shoulder rub while he's shrimped up in front of his editing bay though? Biiiiiig mega plus points. He'd actually welcome that, as nervous as he is.
SAWYER: Would try to give YOU a massage, because that's how he's programmed (metaphorically and probably literally), but I think - once he relaxed enough to let himself get pampered for once - he'd totally melt. I think he physically NEEDS a massage. He's all tense from all that stalking/running/slash-adjacent-slashering!
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excelsi-or · 6 months
Text
summoned (pt. 11)
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hi everyone!! i've been writing a ton for other things the last month (original work???? scary and shocking), but now i need to let those stories stew for a bit. SOOOOO a promise to you all and myself that i will finish posting this story before the year is done! @darum-darimda i've seen your tags on the last few posts and they've made me really happy! 💕
pairing: woozi x fem!reader/fem!OC
w.c. 2.8k
part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7 | part 8 | part 9 | part 10
With a gasp, she jolts upright. Her heart is racing; she can feel it pulsing hard in her neck. She puts her hands flat on the bed and takes stock of the gasping breaths, the slight pain in her chest. When the door opens, she isn't surprised to see Jihoon standing there.
"I thought you were getting possessed," he says softly.
She hangs her head. Her breaths are shaky, the incoming air to her body cool and sharp. "Nightmare, I think."
"Hm."
When her heart rate comes down, she straightens her spine and lets out one long exhale. Then she notices Jihoon still standing in the doorway watching her.
"I'm fine."
"I know."
"Yet you look concerned," she chuckles. 
He shrugs one shoulder in response. She doesn't know why that's so charming. 
"Are you going to go out tonight?" she asks.
Jihoon shakes his head. "No. I wanted to finish a book."
"Ah."
When she doesn't move to lie back down, he demands, "Why are you not going back to sleep?"
"You're kinda staring. How am I supposed to sleep?"
Jihoon frowns. "Since when has my presence disturbed your sleep?"
She lies down, using her pillows to prop herself up a bit more. "It's different when you're staring."
"I'm not staring."
"Then what are you doing?"
"Waiting until you fall back asleep."
"Why?"
He shrugs again.
She smiles a little, but she closes her eyes. 
It's not Jihoon's presence that is preventing her from sleeping. Actually, if anything, it's comforting. But her brain is circling around and around the conversations she had today. She and Jihoon had gone over them on the drive back, but her brain seems to be trying to make connections.
"Is this going to take a long time?" Jihoon asks after a while.
She snorts and sits up. "Yes. Apparently, I want to think about the Grand Plan." She stretches towards her bedside table for the notebook she'd used during her impromptu interviews. 
Jihoon takes a seat on the edge of her bed and leans towards her to get a look at the notebook. He hasn't seen the notebook, but he's surprised she's actually taken notes.
"I wanted to be accurate," she says when she notices him scanning the pages.
"It's great work."
She hums. "But what does it mean?"
"Well, you forgot to mention that Eliza said this," Jihoon points to the middle of the page of her second interview. "She's describing espionage."
"Well, she did turn the conversation to Russia and US relations."
"You guys seemed to have been talking about American recipes, though."
She shakes her head. "Demons don't always seem to think in straight lines. But what's catching your attention?"
"She said something about international seeds?"
"In the context of them being planted."
"Planted specifically for plants? Or could it have been metaphorical?"
"You're thinking that she turned the conversation to espionage, because she was talking about demons going international to spy on angels?"
"And further the Grand Plan."
She shrugs. "Anything is possible now. Would the demons have thought of something so cunning?"
"We're not all stupid."
"I guess that's true."
She flips through the pages, and Jihoon reaches for her wrist. He doesn't touch her, but the heat of his hand stops her.
"These four," he says, and flips to four different interviews, "say that the Final Day is coming."
"They all also mentioned the Antichrist."
Jihoon frowns. "The Antichrist?"
She looks up at him. "Maybe they think the Antichrist is coming."
"Very specific events have to happen for that," he mutters.
"Well, what else could the Antichrist mean?"
Jihoon shakes his head. "I need to think on that." 
The interviews don't yield much more, other than to tell them that the demons don't care whether humanity survives or not. If anything, they are pretty anti-humanity.
She sighs and leans back into her pillows. The notebook falls closed in her lap. She looks over at him. "How long have you and Seokmin known each other?"
Jihoon blinks at the random question. But they do seem done talking about the Grand Plan. "We met in the 60s."
"The 1960s?"
"Sorry, the 1360s."
"Oh."
Jihoon snorts at her surprised expression. "I've lived a long time."
She hums and studies his face. There seems to be a question she wants to ask, but Jihoon senses she holds back. "Where did you guys meet?"
"He bumped into me in front of a church."
"You were in front of a church?"
Jihoon shrugs. "Just scaring some God-fearing people."
"Did Seokmin lecture you?"
"Incessantly, but he seemed to like me. I don't know why. He invited me to his shop for tea."
"Shop?"
"He had a tea shop at the time. Sold all sorts of varieties of tea, dried leaves, the tea bag was starting to become an idea. Didn't really have the plastic thing down yet, so the paper would melt in the hot water."
"Doesn't sound delicious."
"Or popular. He had to wait a while for tea bags." Jihoon describes a fragrant tea store, the walls covered in shelves that stocked all sorts of tea varieties. Many of them are extinct now. The floors and counters are so well greased that they're reflective. And Seokmin was very particular that his tea be accessible to everyone. So, he had another selection of easier to get teas that the less wealthy people could afford.
"We talked until nightfall."
"Wow."
Jihoon nods, casting his mind back to that first meeting centuries ago. "He was so sure I was an angel then."
"Really?"
"The eyes eventually gave it away." He looks over at her, his eyes flicking black and green. "I hadn't quite learned the trick to keep them... normal looking. Wore a lot of hats and sunglasses at the time."
"Ominous."
"Well, you know. People could get killed looking like me."
They let that sit for a while before she asks, "Did you?"
"Get killed?" Jihoon snorts. "They tried. Seokmin got upset, though, the second time he realized that I was possessing humans and—"  He remembers he's talking to a human and stops himself. "Anyway, I learned to play different tricks."
She tips her head, but Jihoon doesn't seem to want to elaborate.
Or rather, he does want to elaborate, but seems worried that she'll judge him.
And she probably would. Human and demon scales of acceptable are definitely different.
"How did you meet Seokmin?" he asks her. He slips the notebook out of her lap and places it on the bedside table.
"High school. He was in my literature class."
"Did you know he was an angel?"
She pauses to consider this. "When I first met him, I wouldn't say I knew exactly. I was 15, maybe? Linnaeus didn't tell me the truth about my parents until I was 16. But when he did, I was certain about Seokmin."
"And you never told him?"
She shrugs. "Never really came up in conversation. And then he was busy becoming a lawyer. Not that he ever really studied."
"Of all professions, I would never have expected him to become a lawyer."
"He has businesses on the side. He's his own lawyer. I don't know how ethical it is, but no one's stopping him." She wiggles further under the covers.
Jihoon gets to his feet once she's asleep. It's nearly imperceptible the way she falls asleep. It was as if he'd blinked and she was unconscious. 
He catches one last glimpse of her as he shuts the lights off and closes the door.
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At the picnic the next afternoon, she learns a few things very quickly about having a demon.
One, this one hates the sun. Jihoon insists on staying in the shade for as long as possible. When the boys drag him to play foot volleyball, he plays, but he also slathers on as much sunscreen as demonly possible.
Two, they can't get too far away from each other. They've tested it enough times to know 2 metres is about the limit before she feels a tug at her waist and suddenly Jihoon's at her side. The invisible tether's pull is so uncomfortable that she's just been lounging near him in the shade of a tree.
Three, it's evident he has a moral compass. And it's confusing.
"Stop," Jihoon says.
Lying on her stomach on their picnic blanket, she has her sketchbook open in front of her. Jihoon leans back on his palms, watching her sketch, the two of them trying to come up with some sort of coherent plan.
"You can't keep assuming that I'm going to take your soul."
She rolls her eyes. "How many times has Seokmin needed to heal me today?"
"How was I to know that demons liked sunbathing?"
While there isn't any reason why Jihoon can't be around them, the demon has suddenly gotten very cautious whenever other demons are around. He's reached out for her to take on her human scent, forgetting that his skin is the temperature of the sun. More than once, Seokmin has had to discreetly heal various parts of her body.
Her lower back is still sore.
"All your friends think we're dating. It's getting very bothersome trying to divert their minds."
She waves him off, as she taps the back of her pen against the paper, thinking. "Leave it. They think I'm dating every man they don't know."
"You're okay with them assuming that?" Less strain on him.
"We've been together all afternoon, can't leave each other's sides, and you keep touching me. So, yeah, Demon, it kinda looks like we like each other." She stabs the sketchbook. "I have no idea what we do. We don't know what they want, we don't know what was on that computer. You said all the bad stuff, the war, the uprisings in different countries, the pandemic, could be demons edging it all along. But all of that has historically happened before. They mentioned the Antichrist a few times." She stares down at her notebook, which just has doodles of Pup and the boys throughout. "What are they trying to do?"
It clicks for Jihoon then. He straightens, his eyes widening, turning cat-like to the deep human brown.
"You look like you're going to possess someone? Or is that your idea face?" She looks out to the grass where the boys are playing. "Is Pup okay?"
Pup is happily playing with the humans.
"Your mother doesn't know because what's coming doesn't directly have anything to do with us. It's why the demons have all been giving vague answers." Jihoon gets to his feet and pulls her to standing.
Before the burn on her hand can turn third degree, she pulls away. "What's going on?"
He picks up her bag and guides it over her shoulder before dragging her by the bag strap towards the car. "You said it right there, and it all just came together in my head. A new war, uprisings, pandemic. There's death everywhere. It's so obvious, but most demons wouldn't think specifically of it. But clearly it's been on some of their minds. What does all of that sound like to you?"
She frowns.
"Did your parents not bring you up on theology?"
"It shouldn't surprise you that we typically avoided that sort of stuff in my household."
"How's that even possible knowing who your parents are, I'll never understand." He goes to the driver's side of his car. "The Four Horsemen."
Her jaw drops at that realization. "That... is surprisingly obvious." She tosses her bag into the car. "Let me just ask Wonwoo to take care of Pup. I'll be right back." 
Jihoon watches her hurry back to the picnic. 
And then he hears someone call out to him. With a name he doesn't like to use.
The demon turns and comes face-to-face with Linnaeus.
"I thought that was you." Linnaeus looks past Jihoon to his human walking over to her friends. She joins the game for a bit before stopping it completely to say something. "Thought I recognized you in the elevator." He turns back to Jihoon with a smirk. "Xero's daughter, I see."
Jihoon's eyes narrow, but he says nothing. Linnaeus always liked a fight.
"Whatever you and that human are up to, I suggest that you stop what you're doing. You do not wish to fall out of favour with Him."
When Jihoon still doesn't respond, Linnaeus tries a different angle.
"That human of yours may have a larger role to play than you think. What do you think was going to happen when Xero and that angel she 'fell in love with' mated?" Linnaeus shivers before a grin grows on his face. "A catastrophe."
Jihoon wants to say something in her defence, but her voice echoes in his head. He's just trying to scare you. Whatever lead you're following is getting a result the demons don't want.
"Do you really want to continue to live in this, in this, this purgatory? Are you not sick of needing to deal with the angels constantly? The Grand Plan is near completion, and you are doing nothing to help it along."
Linnaeus continues trying to convince Jihoon to stop, but then the human, Seokmin, and Hansol start walking over.
"I would reconsider where your alliances lie."
"Who was that?" Seokmin asks, his eyes following Linnaeus's figure as it saunters off. 
She doesn't say anything, just watches him walk away. When she meets Jihoon's eye over the car roof; he's sure that the human knows exactly who he'd been talking to. 
They all climb into the car.
"Wow, sweet ride, Mr. Demon," Hansol says as he puts his seatbelt on.
"He's moving up on my human list," Jihoon says to her, as he turns the key in the ignition. "I won't even demand that he get out of the vehicle."
She snorts, her smile playful. "Get off your high horse. Where's—?"
Seokmin sits back in his seat, his palm hitting his forehead with a loud thud. "Horse. The apocalypse! How could I have missed that?"
Jihoon glances at the angel in his rearview mirror as he pulls out of the parking spot. "The human helped me with that one."
"But where exactly are we going?" she asks.
"We're going to Mrs. Han's store." He swerves into the left turn lane, ignoring the barrage of honking. "It's the only time we've sensed something evil without a body being attached to it." He speeds off as soon as the light turns green.
And then the lights don't stop being green.
Hansol, who is gripping both his seat belt and the handle of the door with his eyes shut tight, asks, "Why though?"
Jihoon's so focused on driving that he doesn't remember to scowl when answering Hansol's question. "The hospital and patients I could tie back to demons. The abandoned building that we visited is a demon body dumping ground. Demons are stirring up shit here, but it's not the only side of the story." He pauses to whip around a corner, nearly missing the turn.
Seokmin and Hansol both gasp and hold their breath. Meanwhile, she's dozed off in the passenger seat again.
Jihoon catches the side of her head on another turn and nudges her back into her seat.
"What concerned me is that Seokmin said angels are manipulating humans too."
Hansol gasps. With his eyes still closed, he turns to where he thinks Seokmin is. "What? You never told me that."
"Humanity is like putting the world in limbo. While you all still exist, we don't live in eternity," is Seokmin's vague answer.
Hansol doesn't like it. "I don't want to know more." He turns away, wincing at the next sharp turn. "Does your plan involve us all surviving today, Mr. Demon?"
"The plan is to get in there and demand to know what's going on."
"Oh, we're not even going to be subtle?" Seokmin inhales sharply on a tight turn. "God, Jihoon, can you slow down?"
"The world could be ending soon and you want me to slow down?"
"What is the likelihood that the world is going to be ending—?" Before Seokmin can finish his question, Mrs. Han's shop comes into view. The black smoke is now billowing out of the front door and seeping out through the front window.
As Jihoon comes to a stop, his human rouses. She has to blink a few times to readjust to the sunlight, and then fiddle with her hair. "Hmm," she leans forward to peer out the windshield, "seems we are right on time." She grins at Jihoon and hops out the car.
Jihoon and Seokmin exchange looks.
"Something's weird now," Seokmin agrees to Jihoon's unasked question.
The demon slams his car door closed. "You think?"
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part 12
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tarisilmarwen · 10 months
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Rebels Rewatch: "The Future of the Force"
Adventures in babysitting, Rebels edition!
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You already know what I'm going to say, I never get tired of the pretty planets in this show.
This baby is named Alora, a bit of a Shout Out to Lucasfilm's underground cult classic Willow. No I have not watched the new show I have... not heard good things.
That it's Alora's grandmother that's the one traveling with her brings up some ah... disturbing Fridge Horror regarding her parents.
My theory: They 100% dead, Inquisitors already shanked them.
Ohhhhh you can tell from the horror in grandma's eyes she knows exactly why they want the baby.
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Well nice to know Seventh Sister is equal opportunity Bad Touch.
Aaaaaaand there goes Fifth, murdering all the witnesses.
Zero fanfare, just to punctuate the horror of that moment.
After five episodes of doing other stuff offscreen, Ahsoka finally decides to pay the main narrative a visit. I did and do still appreciate that the writers kept Ahsoka to a minimum, like Vader, knowing full well her presence would overshadow and overpower the others. Despite how easy it would have been to fanservice TCW carryover watchers by giving her tons of screentime, she stays mostly as a tertiary character throughout.
Which is why cramming what is essentially the Rebels sequel material into a show where she's the headliner annoys me.
Ahsoka and Kanan quipping about how neither of them are technically real Jedi is both cute and sad.
Ahsoka still deeply in denial about what she sensed when scanning Vader.
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Lol this whole moment. Love Ahsoka's fond little headshake.
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Love this city design, got a very St. Basil's Cathedral in Russia aesthetic to it.
Some of that influence in the music here too.
Oh wow, Zeb jumps out of the Phantom before it's even finished landing, lolol what a drama queen.
Bit sloppy to leave the transport hanging in that planet's airspace, unless the Empire plans to blow it up later.
Even without showing any of the bodies you know everyone on that transport is pretty much dead. It's really only the limits of the rating that prevent us from actually seeing them.
Grandma looks a lot paler here, I don't think she survives much longer past this point.
I talked about it before in "Always Two There Are" but I love subtle little bits of continuity like this, Zeb learning binary in order to understand Chopper, since he had such a hard time before.
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THIS HITS A BIT DIFFERENT WHEN YOU'RE A PARENT.
All I'm thinking is, "How long have they left that poor baby there?! Oh gosh she must be so hungry. Is there AC in there? Did they change her? I bet they didn't even change her, the bastards."
This whole episode reminds me SO strongly of the arc in TCW when Sidious contracted Cad Bane to steal Force Sensitive children for him. Would not be surprised if they were being used for the exact same purpose.
Is it me or do a LOT of Force Sensitive children seem to be born to impoverished single mothers? I wonder if it's a deliberate narrative choice sometimes, to lean into the adoption metaphor that being given up to and raised by the Jedi Order often is.
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He's so empathetic Imma cry.
Chopper's actually doing a decent job of keeping Alora happy lol.
Lol, Zeb being grossed out by the Ithorian baby.
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I think he's adorable, personally.
Maybe it's the mom in me but Zeb holding Pypey is just... super cute.
He's actually holding him mostly right, giving him plenty of support.
Pypey is just sensitive enough to recognize the danger the Inquisitors pose to him. :(((((((((
A very fragmented "Shenanigans" cue here, barely more than a few notes. Almost as if the danger is stifling the fun and whimsy that leitmotif usually signifies.
It's Ezra that recognizes the ID9 Seeker and makes Kanan stop, and they move in a very nice synchronized way to hide from it here.
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Underrated Papa Wolf Kanan moment: Kanan yanking Ezra back from the hallway junction just before the Inquisitors get within eyeline.
I shouldn't laugh but this whole scene with Zeb and Kanan and Ezra having no clue how to calm Pypey is so relatable.
(Babies be temperamental and sometimes you just gotta hold 'em.)
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There are so many little cute background moments of Ezra snuggling Pypey or making faces at Pypey aaaah they're so cute.
The detonator Zeb dropped gets flung back at them, Fifth's doing no doubt.
Kanan keeps putting his hand on Ezra's back on the stairs, it's sweet.
Fifth and Seventh sniping at each other lol.
Here's one of the moments of background Ezra being adorable with the baby.
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Ezra gets agitated when Kanan suggests he's going to be luring the Inquisitors away, ouch, poor boy's still not over the thing in "Call To Action".
Friiiiiick Ezra sensing Pypey's fear and Pypey sensing Ezra's and them stuck in a cyclical loop. :((((((
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I too ramble at my infants like this. Lol.
Ezra unlocks the secret to calming babies: Being calm yourself. <3
Obligatory "Seventh's voice actress is married to Kanan's voice actor" mention.
The smoke effects on this show continue to be excellent.
Someone, I think it was @pep-no, theorized that Pypey's special ability in the Force might be compelling honesty. That or connecting with Pypey made Ezra more emotionally open, because he normally would be smarter than to blurt out where the Rebellion is hiding in a spot where he suspects Seventh's seekers might be listening.
(Then again, Ezra tends not to have any kind of filter around people he trusts.)
I definitely think there's room for that interpretation, given Ezra's floating, distracted gaze.
Kanan does really well in his brief clash with Seventh.
Zeb hauling him like a piece of luggage is still funny tho.
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I love this environment. Feels very downtown LA.
A very heroic muted trumpet version of Ezra's theme as he steps forward bravely here.
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Protective little badass.
Also love Pypey being entranced with the lightsaber and trying to touch it. Baby no.
I love this cue. I haven't watched enough Clone Wars to discern if it's a carryover theme but it's awesome.
Ezra's confidence in Aunt Ahsoka. <333
*grumbles* Stupid auto anti-epilepsy features, it makes it so hard to see properly here.
I do like how effortlessly Ahsoka deals with the Inquisitors here.
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Chopper spinning the babies, awww.
Love how the ID9 comes to perch on Seventh's palm, it's so weird and animal-like. Like she's holding a jellyfish.
Ciffhanger reveal DUN DUN DUN.
This episode is so cute. It doesn't really effect much, besides emphasizing how dangerous a world it is that new Force Senstives are being born into (even moreseo than when there was a Jedi Order to take them in and shelter and protect them) and leading into the next episode's plot but it's a fun little romp with our characters and I just find it sweet and heartwarming.
Which we needed before the next episode's plot-heavy-ness.
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uselessheretic · 1 year
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i feel like i see the thing relatively often where someone will say that ed's not actually that mentally ill, fans are just racist and also somehow this is izzy's fault because the only time he shows symptoms of mental illness is through izzy supposedly. even though in episode four alone we see him talk about suicide ideation, how discontent he is in life, and how burnt out he is.
but when people urge others to add an antiracist lens to their analysis and point out the historical racism within the psychiatric system it seems like?? they think that the only explanation is for ed to just be a lil depressed and that poc who are otherwise perfectly fine are constantly being slapped with extreme diagnoses. which, that is a thing that happens btw. people will call the cops on and forcefully institutionalize black folks who they have disagreements with and weaponize psychiatry against them.
that said, when talking about something like the uneven diagnosis distribution between poc and white people of schizophrenia (since that's something that's been researched) it's not that doctors are talking people who are otherwise perfectly mentally healthy and attributing their behavior to mental illness (although again it does happen.) usually though what people are referring to is how doctors are quick to diagnose poc with schizophrenia before doing their proper diligence and going over the other possibilities including histories of depression, trauma, and abuse. certain traits they exhibit are overemphasized and others minimized or ignored. a black person and white person may show the same exact symptoms, but the doctor will first have the white person tested for PTSD or BPD and try alternative treatment plans, while marking the black person off before considering other possibilities.
it's dangerous and disturbing where poc will be put through a series of medications that do not help, receive no treatment for the actual root of the problem, and then in the process often be criminalized as well since there is a much greater social stigma and forced state control over people diagnosed with schizophrenia.
i just feel like if you're gonna talk about ed and misdiagnosis through a racial lens, it'd be more accurate for him to immediately get diagnosed with something like schizophrenia without the doctor doing anything more to look into him. ignoring things like his history of child abuse and how trauma can cause certain responses. or for something he said metaphorically to be taken as literal where he might describe himself when angry as "the kraken" and the doctor marks that down as a sign of delusions. overemphasizing verbal expressions of angers as signs of violence. hearing ed say "it feels like my boss is out to get me" where he means that the boss keeps picking on him and it feels racially motivated, and the doctor puts on the record that he suffers from paranoia.
also just saying but there is actually a LOT out there you can read about māori mental health and the issues surrounding NZ's system. about 1 in 3 māori adults meet criteria for a mental disorder and this is a result of a racist health system, poverty, and, very importantly, colonialism. but like? i promise you don't need to create your own theories on how ed's identity interacts with mental health as if you're the first person to considered that. kaupapa māori mental health services are literal resources in place to address māori mental health needs within a cultural context. like! it's very cool actually for these things to be made available through hard community work that rejects colonialist psychiatric systems and instead utilizes a holistic and indigenous approach to wellness.
idk it's just so much more complicated than ignoring ed's very real mental illness and writing it off as no biggie. tbh it feels very um american centric as well to make assertions about relationships to mental health and race without ever acknowledging the specific community history here and that this isn't a new conversation. if you want to say you're examining ed through an anticolonialist framework then it would help if you did literally any work to find out what that looks like currently.
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earlgreytea68 · 4 months
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Your recent post about books was incredibly interesting and very much resonated with my experience with reading. I sometimes listen to this Australian book club podcast and they reviewed “Tomorrow, and Tomorrow, and Tomorrow”. Their experiences with the book were very different from each other. One of the hosts gave it a very high rating, and the other pretty low. And if I remember correctly, the main problem was with the one of the characters, and how she treated other people, her closest friends included. They read out some bits from the book, and some of them were really bad in terms of what f*cked up things they would say to each other with no resolution of it later in the story. You pointed out things, that they didn’t discuss, so it was very interesting, and it got me thinking about what I value more in stories. It’s definitely relationship and connection between people. So thank you for sharing your thoughts. Always happy to see those long thought provoking posts :)
Yeah, I really do think people read books for different reasons, and so you've got to know what's important to you. A lot of people would read that book and not be bothered by the relationship issues because they're so focused on the clever metaphorical writing. I will give the book credit that a thing I thought it did incredibly well was not shying away from talking about the videogames these people were creating. Like, if you decide your characters are creative geniuses, it can be really hard to show that in your story, but I really bought that these people were talented because the games sounded cool.
If anybody wants my opinion on "The Idiot" and "Either/Or," for both books the first 100-150 pages are HILARIOUS and I laughed so much over them and then after that it's all blah-blah-random-plot-about-random-boy(s).
I have been a little disturbed that in the year 2023 I have read two consecutive critically acclaimed books in which smart, independent women get derailed by (inexplicable) infatuations with undeserving men, like, I feel like we should have come up with better narratives for women by now, but apparently not.
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bleachbleachbleach · 5 months
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since past anon already asked about the 70's corruption thing...i'd like to ask about the hitsuhina burdock thing if that's ok. my interpretation of it is that there's just something healing about the act of planting and harvesting together (something something about uprooting and settling down roots or whatever and what it means for the afterlife) and how significant that is for two characters whose painful arcs are intertwined with one another and how it wouldve been interesting to see the healing of it play out as it was more of an off screen thing in canon. and somethin something about the fact that burdock itself is known to be used for healing as it is full of antioxidants or whatever. that said, thats just how i saw it but i would love to hear what your original vision actually was!
Anon, you are a precious gift! Thanks so much for engaging with me and also for sharing your beautiful interpretation! I totally agree with you the act of harvest, and I love the way you connect it to (canonically unseen) healing.
I got fixated on this burdock thing because one of my neighbors led a foraging walk and I learned a bunch of things about burdock that I thought were insanely cool. I am someone with a lot of overgrown headcanons about Junrinan, the tip of the iceberg of which is that it's a place where the souls there embody Rukongai’s “wandering souls” thing literally. They spend a lot of seasonal (spring and fall) time foraging in the mountains/forests in the fast west of the district, which they then sell to the relatively-nearby Seireitei. So my natural course of action after learning fun facts about foraging burdock is to then think “...what if HitsuHina.”
Which is also about the point where I get very “THIS IS SO METAPHORICAL” about things:
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Burdock is a biennial, usually foraged in its first year before it grows tall and becomes fibrous. In the first year, you’d look for basal rosettes (flower-like growth of leaves low to the ground, or the base). While burdock grows wild in a lot of places, it does well in disturbed soil along paths, roadsides, etc. If you are looking to harvest the roots, you would wait until after the first frost, when plants send nutrients down to their roots. Burdock roots can go pretty deep and you don’t want to break them off and leave the bottoms in the ground, so you’d dig parallel around the root, deep deep, until you could harvest it in full.
I just think there’s something really beautiful about thriving in “disturbed” soil (and who does this better than Hinamori), and first frost being a clock by which one might return energy to the roots—to home, to the people who make your home, and the feeling of being rooted in things deeper and deeper than you could have imagined. <3
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gay-sin · 6 months
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crocheting yarn is praying to god
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i have spent a good amount of my free time lately thinking about yarn. i won a bid on ebay and bought some white mohair from a seller in florida for a great price. today i spent a very long time trying to get to a yarn store in cambridge. i had a lot of transit complications and had to walk a long time in the rain. i got there with my jeans and belongings soaked. my phone is in rice at the moment. it was worth it though because the store was amazing. it had so many kinds of quality yarns. i went around feeling them all for what must have been an hour. i tried to intuit what worsted vs woolen yarn was. there are so many things i don't know about yarn. all of the plastic yarns were very cheap. some wool yarn was cheap but the cheap wool felt very scratchy. i wanted soft yarn. i got two balls of 100% merino wool in bubble gum and rococo pink. i think i will make leg warmers with them. i'm not sure yet. i spent a long time feeling the alpaca yarn. i let myself splurge and get a $20 skein of 100% alpaca yarn in a muted blue color. the tag said that the yarn was "non-mulesed" which i read as non-molested. turns out mulesing is "a painful procedure that involves cutting crescent-shaped flaps of skin from around a lamb's breech and tail using sharp shears designed specifically for this purpose." i looked up photos but i don't recommend that you do.
as an artist, there are always so many factors to consider when choosing materials. i have always preferred trash/found materials as they are the most affordable. there is so much that ends up in landfills so why not use these things to make art? i love the poetics of things that were thrown aside being given new life. i've always preferred thrifting clothing, yarn, fabric. but what i have realized with yarn, though, is that it is very hard to find quality yarn like that. most yarn is mixed with acrylic or polyester. before i took a class on fibers in the spring, i had no idea what my clothes were really made of. now i think about it a lot. i'm trying to train my senses to decipher these things. i had no idea that clothes could even be made out of plastic and now the thought that most clothes are made with plastic really disturbs me. if you can't tell if yarn is plastic, you can burn it and tell by the smell. i'm becoming a detective, trying to find the imposters in a world where the plastic version is so goddamn convincing. it makes me uneasy. it feels very metaphorical.
in my fiber arts class, we read chapters of books written by anni albers. she was an artist that co-founded the black mountain college. i want to go back and dive deeply into these things that i only had the time to skim in school. i wanted to reread this article we had to read of hers from class. it is called "tactile sensibilities" but i needed an institution login to read the whole thing. i hate academia.... i could access the first page though and it had the main points. i wanted to use them to discuss yarn. so here are a couple quotes...
"No wonder a faculty that is so largely unemployed in our daily plodding and bustling is degenerating. Our materials come to us already ground and chipped and crushed and powdered and mixed and sliced, so that only the finale in the long sequence of operations from matter to product is left to us: we merely toast the bread." "We touch things to assure ourselves of reality. We touch the objects of our love. We touch the things we form. Our tactile experiences are elemental. If we reduce their range, as we do when we reduce the necessity to form things ourselves, we grow lopsided."
i spent a long time wanting to make pointless art, just art for the sake of art. i still do sometimes but i have been very invested in fiber arts. they are the opposite of pointless art. it is so practical, ancient, useful. i have found a deep love for it that grounds me in ways i didn't even know that i needed so badly. i think there are so many things about the way we live now in such an industrialized, hyper-individualist plastic world that we are completely unaware the harms of.
i am very interested in religion and ritual and i love how this intersects with fiber arts for me. crocheting feels like a prayer. it feels like healing. i don't really like to crochet with plastic because it feels like it cuts me off from the cycle of it all. yesterday i started my day by crocheting for a long time before work. it put me in a beautiful mood and i felt patient and at ease all day. i have been needing that. i've been in such a bad mood for awhile, so tense, always in a rush. the yarn was wool and it sorta looked like the yarn that i had spun when i tried to spin yarn. it was thicker in some spots than others, making it feel real. i could imagine someone spinning it. spinning is such a beautiful process and i respect it so much. i hated it because it was so hard. it requires so much balance. i love the look of a spinning wheel. it reminds me of fairytales. i guess that just shows how far we have come from doing these things with our hands.... but anyways, i could imagine the sheep that grew the wool, the person that sheared the sheep. the yarn was probably spun by a machine, not a person, but i like to imagine it was spun on a wheel by a person. then, i crochet with the yarn. my crocheting is not a work of individual artistic genius, but the finishing step in a long process of labor and art, across time, species, places on earth. i'm employing techniques used for such a long time before me by so many wise and beautiful human beings. techniques i didn't invent and that i am still a humble beginner at. i make things that i can feel, touch, use, give. they can be used to keep me or those i love warmer in the winter, to hold my things, to make me feel more like myself. then, the things i make with these fibers can be reused or reworked when i no longer use them. when they fall apart, they can be reabsorbed into the earth, maybe they will become soil that will grow grass, that will be eaten by a sheep that will grow wool... the process continues. i am a small participant. that is a prayer to me. that is god to me.
this is what we lose when we don't make things with our hands, when we don't know where things come from. these are the skills that are deemed frivolous and inessential, not fast enough to turn profit. i think that these things are legitimately essential to being a person. most of fiber arts is historically women's work, based in traditions of indigenous people. it is not taken seriously in this culture and it is a shame because i really think that this is having grave consequences on everyone's wellbeing.
i was talking to my roommate's dad about how he had a maid when he lived in africa. he paid her very little but he said that it was still more than the norm. he said she could go get an education and "better herself" to get more money like him. it was a long conversation and there are so many layers to that mentality that are fuckedddd. but i just really don't understand how people actually believe that doing busy work for a corporation on a computer all day does anything of importance or requires any real intelligence at all. how is that "bettering yourself"? to alienate yourself even from your own space, never even touching the things you live with except to use them and toss them wherever for someone else to clean up?? the countless skills that come with cleaning are baffling to me. i have so much respect for cleaners. i am always learning the importance of cleaning and trying to do it well. i am naturally terrible at it and am currently trying my best to be better. to me, an office job is the place most void of intelligence. it's not at all the sort of intelligence that really matters to being alive or understanding what that means. whatever.
anyways, i made a bunny hat last weekend and i haven't been able to stop wearing it. it makes me so happy. i am very content with the idea of it getting colder because i will stay inside and crochet things. i will get to wear silly hats. i have been wearing the hat to work and the kids love it. people on the streets smile at me more. lots of people compliment me on it. for some reason, it makes me feel more like myself. maybe i'm a little bit of a furry. i made it with acrylic yarn because i had bought some awhile ago but i still really like it. maybe i will make one out of mohair. i want one with bigger ears. i want a collection of animal/monster hatwear.
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here is a photo of me in the bunny hat and a drawing that one of the kids drew of me in the hat. i let the little girl that drew the picture try on the hat. it was so big on her little head. she is 5 and i love her very much.
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textsfromthetva · 1 year
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See, I don’t think Sylvie/Sylki as a whole would be as bad if it didn’t take a shit on Loki’s entire character to make her look better. Like. Since forever in the comics, Loki has been genderfluid and overall very queer, yet in the show they threw that out the window entirely for… the chance to have a straight selfcest ship? What? Why even have a ship to begin with? Not every character needs one. Or just have Amora be the love interest? Since that’s literally who Sylvie was ripping off with her powers and appearance. Also Sylvie doesn’t have enough mischief or drama to be a Loki. Just make her Amora.
in all ways but physical, I am kissing you with tongue right now
they could at least have committed and made her look like a Loki, by which I mean give her black hair. but we all know why they didn't, don't we? because you don't want your straight selfcest ship to look too selfcest-y. that would turn people off.
also, if this is the show's attempt at a "Loki learns to love himself" storyline, metaphorically, it's a very disturbing way to go about it. learning to love yourself does not involve falling in love with a different version of yourself.
all that said, believe it or not, I don't particularly care if you ship Sylki, I just don't feel it as a romantic pairing. I will still throw the occasional bone in your general direction for shits and giggles. but the fact that I started adding the tag "but also pretty anti Sylki you know how it is" to most Sylki posts is pretty telling. I believe I once pointed out the most of my Sylki jokes are just three anti-Sylki jokes in a trenchcoat. that still feels true.
so yeah, I genuinely prefer my fanon characterization of their relationship, because I think it's super funny to have her show no emotional interest in the whole thing whatsoever. she just wants to get laid and then get on with her revenge plot.
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