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#the art style took a small detour
fengxdeep · 25 days
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From the little fic I did
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crowborn666 · 2 years
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Cyllene Drabble
(Once again got inspired by art I found on Pinterest, basically a manga styled comic in Japanese were Cyllene pulls a beat up Rei into a hug. I’m assuming after he returned from being banished or maybe Volo)
(Written with Cyllene being seen as a bit of a mother figure to the reader)
Possible TW: injuries
Cyllene wouldn’t admit she had grown swiftly attached to you. How you didn’t hesitate when given a mission or other such orders, how well you cared for your Pokémon, sometimes putting them before you, even the small slip-ups when you’d forget to tack on a “sir/ma’am” to the end of your words when speaking to her or Kamado.
She hid her emotions well when you were banished, giving you a “don’t die out there” as she walked a bit out beyond the main gate. Even though to most, her words would seem harsh and cold, or perhaps uncaring, but you knew she was immensely worried.
You found her Abra awaiting you in Cogita’s hideaway, giving you sneaky access to things you would need in the village. The fact that her Abra came with a caring letter from her (which you know she’ll absolutely deny ever happened) spoke more than words could.
She couldn’t have been happier to see you return back from dealing with Dialga and Palkia with only minor scrapes and scuffs, nothing you and a few days rest couldn’t handle.
Soon enough, you were back on your feet again. Despite the little tension between you and Kamado, things quickly went back to normal. You raced off into the field, occasionally coming back with a few new Pokémon you found to add to the Pokédex.
You’d uncovered more legendaries and mythicals, gaining more plates from them. You were checking in with Cyllene in her office, telling her about your next excursion. Little did either of you know the horrors that would befall.
The chatter that quickly filled the village did not take long to reach Cyllene’s ears. Volo’s betrayal was one not many could predict. How he was the one to originally open the rift, how he had used you to gain access to the plates, and what he had planned for when he reached Arceus.
You’d defeated him, just like everyone knew you would, but not without injury.
Well, injury was an understatement.
When word of what happened had spread, you did not return to the village within a few days. Search parties had rushed out to find you, the wardens helping out with their Lord’s as well.
Ingo and surprisingly Melli had found you first, your Pokémon supporting you down the old path of the Celestica Trail. Your Pokémon, even though they were beaten and battered in their own right, pushed through their pain to lessen yours. You were covered in cuts and bruises, a bloodied nose still dripping along with a broken ankle.
Volo certainly did not hold back, nor did he fight fair.
Ingo and Melli patched you up as best they could with what they had, tending to your Pokémon as well. Even Melli was too shaken by your state to keep up his egotistical act.
They had returned your Pokémon back to their pokeballs, and carried you back to Jubilife.
The other search parties had been notified and called back, and it took a whole day for Ingo and Melli to bring you back without any unneeded detours or stops, and so it was late at night when you’d arrived.
Cyllene was waiting at the front gate, looking tired and stressed.
You were taken to the infirmary, and once better patched up, Cyllene was allowed to sit by your side. You had woken up, quietly eating the onigiri you were given as you stared down into your lap.
Cyllene was nothing if not perceptive. She could tell you were a mess of emotions, feeling betrayed and hurt, perhaps even foolish for not having figured out Volo’s plans sooner.
You were pulled out of your thoughts when two arms slinked around your shoulders, Cyllene pulling you into a warm hug, her voice just barely over a breath. “I was so worried.”
You quietly reached out, returning her hug as you rest your bandaged cheek on her shoulder.
It was quiet as she held you, slowly pulling back from the hug to urge you to finish the dinner Pesselle knew your stomach could handle. She glanced over you two more times, turning into a bit of a mother hen as she checked your over for anything that was missed or if you needed anything.
When she had finally let you be to rest, she returned to her office, quietly telling her Abra to keep an eye on you, just to be sure.
Cyllene let out a long, heavy sigh. Things would get better, you’d heal after a while, and then you’d go out on excursions once again. And every day you could, you’d go get food from Beni, and eat dinner with her in her office, and talk about nonsense.
Despite all the worry, Cyllene knew you still had that fire and passion in you. Volo certainly hadn’t done as much damage as he thought or hoped.
I have more Drabbles! Found here!
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salty-fang · 4 years
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Twisted Fate Sugar Edition
Part three (sorry for the long wait) thanks for being patient @loveswifi
Marinette had had a weird day. She had kept being pulled in the direction of people who could’ve been mistaken for male versions of herself. Jason, Tim and Dick.
She had met Jason first. She had taken a quick detour from her hour-long trip to the fabric store. It had been a week after her outing with Gina, Alfred and Bruce Wayne but a week before the whole Lila debacle. She hadn’t expected Lila to even be in Gotham so Marinette didn’t feel the need to worry. She should have.
----------------------------------------------------
Jason had loads of knowledge on malicious stalking. Growing up as a vigilante taught him some things. So, he was truly stunned when he saw two shady people watched that pregnant woman with wolfish glares that he actually felt the need to follow them. He dragged her out of there line of sight, which without an explanation was pretty stupid. She’d kicked him in the balls causing him to hiss.
“Let go of me.”
“I’m trying to help you. A woman and a man have been watching you for a fucking long time. I just wanted to make sure you knew them. By the way, I’m Jason Todd.”
“Marinette.”
“One of them literally has sausages for hair. I think I’m going to have nightmares for a while.”
“Ugh, you should meet Lila Rossi.”
“Agreste's new wife?”
“Yup. Her eyes are so cold and dead. And she wears so much orange. It’s so painful when you actually look at her that I’d rather stick pins in my eyes.”
“Yo, this chick is the same. You sure we aren’t talking about the same person?” she snuck a quick look around the corner, laughing at the confusion on both Lila and Kim’s faces. She’d laughed too loud as Lila’s head whipped in her direction.
“That’s definitely her. Still as annoying as ever.” Kim had whispered something in Lila's ear just as she rounded the corner. They had started sprinting towards her and were going to catch her if she didn’t move her ass.
‘I can’t run far in heels. I’m going to have to catch a bus. The doctor did tell me to take it easy. Can’t affect those triplets with too much movement.’
She had only made it outside the door when she felt herself be hoisted onto sturdy shoulders.
“Let go of me! Oh it’s you Jay. Give a girl some warning will ya!” she said sighing in exasperation.
“Sorry but you really thought I was going to watch them hurt my little sis.”
“Hey! I’m not little. And put me down. “
“That’s what your focused on? And I won’t put you down. You may think you don’t need help but you’re wrong. So let your good big bro do his job.
“Good my ass,” she muttered, ducking under a signpost. “More like arrogant goofball.” Kim and Lila had either disappeared or they just blended in with the crowd very well. They’d probably lost them. Thank God for that.
“Jay, you can put me down now.”
“Huh, are they gone?”
“Yup.” She said popping the ‘p'. “Thank you Jay. For everything.”
“No worries, pixie pop. You’re my sis. I’d kill a bitch for you.” Marinette had fallen in line with Jason. But with his long strides and her pregnancy she was always steps behind him. Sure he’d fall back to match her pace but Lila had waited until the perfect moment to capitalise. She’d tried to scream for help but she had lost the ability to. They dragged her round the corner to one of her favourite cafés. Her head ached where Lila had pulled tightly on her braid (think Lady Noire) as she felt several strands of her hair fall out. Had no one found her being dragged around slightly disturbing?
She supposed no one cared about business that didn’t affect them in Gotham. Wow. Great, just great. She’d submitted herself fully when another blue-eyed black-haired man had come to her rescue. Seriously, was everyone in Gotham like Jay Jay or had he just been a manifestation of her sleep deprivation. He’d seemed so real, so human but it wouldn’t be the first time her mind would make something so absurd up. It was probably her loneliness acting up again. There was no way any sane person would stay around her for so long.
---------------------------------------------------
Surprisingly it had been Tim who saved her, though she hadn’t known that. Unsurprisingly, Jay and him had two distinctly different personalities. He lived off coffee, looked twice his age with those bags but had such wit about him that he could manipulate the situation without the other party realising. He had been surrounded by so many coffee cups that she had thought he had been in his final year preparing for exams or perhaps working night shifts every day of the week. But nooooo, he was the co-CEO of a business. Starting at the age of 17. Marinette had felt some of the burden dropped on her and she wasn’t even in his position. No wonder he looked like he needed a pick me up. It was just as well that she’d come equipped with her special coffee. She’d make more for Gina later, he needed it more. Plus, Gigi wouldn’t be back in hours.
“I know you said it was alright to sit with you uhh...”
“Tim.”
“Right, Tim. I don’t want to bother you anymore but that coffee looks like it doesn’t do shit for you. I made some for my grandma but she won’t be back for ages so maybe... you would like it?” Stupid. Stupid. Stupid. Of course he won’t want some he probably thinks you’re a weirdo who poisoned his drink. Maybe you can take it back from him? “ on second thought-"
“Sure. Why not?” Ok Tim needs sleep. My God, I could have spiked his drink and he accepted it. He’s so vulnerable like this.
“If I give you my drink it will probably take a minute to kick in but... but you have to promise me that you’ll drink my power down later. If you don’t I’ll find you and I’ll get you to sleep one way or another. Don’t test me.” He gulped, eyes wide as he frantically nodded. “Good. Now would you like some pastries to go with your Marinette’s Super Special?” Her shift in character made him freeze. He couldn’t find his voice quick enough and instead opted for a simple thumbs up. She dug two flasks out of her bag, placing one in front of him and sniffed her own. Then, she brought two plates out, setting out croissants so buttery they made him drool, raspberry macaroons and a dozen mini chocolate chip muffins.
“You look like you needed a sugar rush so I guessed what you might like. Sorry if they’re not your favourites. Now chop chop eat up child!” Tim took a tentative sip of his drink feeling it slip down his throat. It had been just how he liked it yet slightly stronger. And then he felt the kick. It had been so small that his brain glossed over it but it’d been there. He was starting to feel more human again. And it had shown. His face had become less pallid and gaunt, his eyes held a fire that had been previously extinguished and his movements became less robotic, almost lighter. Before Marinette could utter ‘I told you so' everything had vanished. Tim was never usually a messy eater but he definitely was right now. Chocolate was smeared all over his chin , flakes from the croissant had littered around his suit and coffee had spilt on his white polo shirt.
“Beanie,” he muttered, a wild look in his egyptian blue eyes. “Please tell me you’re real. Or I at least died and went to heaven. You’re too sweet not to be in my life. I don’t know how I lived without you before. Please, I need you as my dealer. Your coffee is the only one I’ll ever drink again. Please.”
----------------------------------------------------
It wasn’t every day you saw Tim Drake beg on his knees and whine. But when you did, you would probably laugh your ass off. Whoever that poor girl was had just attracted the attention of invasive photographers. Unlucky, but at least they would get a show out of it.
“If I give you my coffee you’re not going to sleep. You’re going to be a living zombie and I can’t live with that. I’d rather not have anyone connecting me with your death from excessive tiredness.” Tim knew he had to play dirty if he was going to win. Thankfully, Steph had taught him how to master the art of puppy dog eyes which he aimed at Marinette. He then wrapped his arms around her leg, consequently being dragged along the unsanitary sidewalk to where both their belongings were.
“Please please please please PLEASE.” He noticed Marinette’s will become fragile. He wobbled his bottom lip, sniffling softly. “I’ll stop begging if you say yes. Please beanie.”
“Fine.” She huffed whilst he fist pumped the air. “But we do things on my terms alright?”
“Yes ma’am!”
“Jeez. You’ve given me a headache.” She stated aiming a half-hearted glare at a sheepish Tim. “That’s an achievement, dude, not even Chloé could do that and her tantrums were super bratty.”
He had gone to apologise when shrill ringing rang in the air.
“Sorry,” he mouthed. “ I have to take this.”
“Jason what do you want? You just interrupted my deal with my dealer.”
“ I didn’t know you had it in you. But now isn’t the time. I need you to check security where you are. Pixie pop's gone missing.”
“Pixie pop?”
“I’ll explain later but right now she’s in danger. See you in 5 replacement.” With nothing left to say the line went dead and he decided to run some checks on Jason’s location whilst idly chatting with Marinette. She had asked for his unique insight on her latest design.
“What shade would you use on this? I’m only asking because of your peculiar style.”
“Definitely lavender but towards the bottom fade into a dark purple. And peculiar?”
“Who wears a suit on a hot summers day?” she asked eyebrow raised.
“Me. Batman. Business owners. Cosplayers. Bruce Wayne. The list could go on but I don’t have all day.” He said throwing an exaggerated wink at her.
“None of those people you mentioned are normal except maybe cosplayers so it doesn’t count. Better luck next time. I’m going to go pee.” Tim had opened his mouth to respond when he spotted Jason. He looked terrible. His hair was matted against his forehead with sweat, his eyes were bloodshot.
“I came as soon as I could. What did you find replacement? Spit it out. I don’t have all fucking day.”
“First, I want you to meet me dealer and then we can talk about what happened to ‘pixie' and who they even are.”
“Tim, as much as I’d love to meet your drug buddy, it’ll have to wait. She’s more important. I’m worried that the people who took her are going to seriously harm her.”
“Fine but you’re missing out on meeting the sweetest girl ever.”
“I’ll pass.” Jason snarled before turning back to the pixelated security feed. “That was where I last saw her. That’s weird. It’s like she disappeared from all footage. Do you have any other leads?”
“Jay-Jay?” Marinette barrelled into him locking him in a hug. “How do you know tater-tot?”
“Hey!”
“Sorry little lady but I’m looking for someone. Holy shit, is that you pixie pop?”
“Yup and who you calling little lady? I’m fun sized and could totally whoop your ass if I wasn’t pregnant. Just remember that Jason.” The way she had said his name sent shivers up his spine. She had delivered her sentence as a fact, not a threat.
“That’s why you’re my favourite, pixie pop.” Jason said, tearing up.
“Replacement, how did you even save Marinette?”
“They probably took a look at his half dead state and got scared off.” After an hour of re-introduction, they finally left. Jason drove her back on his motorcycle and dumped Tim’s limp body (from drinking Marinette’s calming chai tea) on his back.
With many hours to kill before Gina would be back from her night shift, she got changed into her gym clothes- a pink shirt with short sleeves and grey shorts- and headed to her local sports centre. Surprisingly, it was Dick who saved her this time
Marinette had been doing light exercise to keep in shape every day since she arrived in Gotham. She had a daily routine of squats, sit ups and weights, moving at her own pace. She had only attended the gym once before this and everyone had been friendly or had just gone about their days. Today was the first day anyone had actually approached her
“Hey sunshine, is it alright if I call you sunshine?” She nodded. “There’s a creepy guy watching you. He hasn’t actually done any workouts but he’s pointing his phone at you for a hell of a long time.”
“Thank you for telling me...”
“Richard but you can call me Dick.” She snickered. “If you want to that is.” Dick walked away to take a quick call from his brother when...
WARNING: YOU MIGHT NOT BE COMFORTABLE READING THIS PART. TW: sexual harassment. I'll put a brief summary at the bottom if you would rather skip
When she felt a firm hand squeeze her ass. She felt it trail down her shorts before she could even look at their face. She leapt away from his grasp, her breathing heavy as she looked around for any support. Unfortunately, the gym was empty, giving the predator an easy advantage.
“Hey baby did anyone tell you you’re damn sexy when you smile? Cuz you definitely are.” he aimed a snide smile at her. His yellow teeth glinted and his heady scent made her sick. “Princess, come back to mine tonight. We could have so much fun together and I’ll make you scream until you forget your own name. So, how about it?” He had approached he, pushing her boundaries, forcing her to back up against the wall.
‘No. Not ever. But especially not today.’
Marinette paled quickly. Gina wouldn’t be home for hours and he would most likely follow her home anyways. With no one to bear witness to this, he could do as he pleased. He wouldn’t take no for an answer. He could seriously hurt her or worse... and there would be nothing she could do about it. She’d just fade into the background, just another statistic. No one would believe her because ‘she shouldn’t have dressed like that’ and ‘she definitely wanted it’. So, she would fight and if he won well so be it. At least she had done all she could.
“Has anyone told you it’s rude to hit on people’s girlfriends?” Dick said forcing himself between them. He knew she could handle it but something about that guy made him uneasy. Marinette had exuded confidence but she still trembled and he could see how tense her muscles had been.
“He’s your boyfriend? You could do so much better than him. Just tell him your coming home with me. Or better yet, I’ll pay you to do it in front of me.” Marinette could see the repulsion on Dick’s face, as she gagged. “Yes, that would be way better. I’ll seriously pay you. Got a couple hundred bucks if you want it.” He stated palming himself through his jeans.
“No thanks. Maybe after she’s given birth?”
“She’s pregnant? What a slut. I bet she poked holes in your condom so you wouldn’t be able to leave her. Anyways, got to get back home to the wife and kids. Hit me up when she’s good again.” Marinette flung her arms around Dick as soon as she was sure he was gone.
Tw over
“Thank you so much. He wouldn't have stopped if you hadn’t come Dick.”
“No problem, sunshine.”
“It’s Marinette.” She mumbled, scuffing her shoes against the gym floor.
“What?”
“The name's Marinette. I would have loved to meet you under different circumstances. Oh well. Nice to meet you anyways.”
“You too Mari. Are you driving back home?”
“I actually walked her. I’ll probably just call a taxi or walk back.”
“No way sunshine. That guy is a huge sleaze ball. I don’t doubt that he’ll try something funny. If no one’s coming to pick you up I’ll walk you back home. Ok?”
“Ok.”
Dick had been completely right. The dude had been waiting outside, most likely waiting for Mari to leave but when he saw them leave together, he raced to his car. Dick had memorized his license plate and got a brief description of the car but he would probably dump it somewhere. Still, no harm in trying. He watched constantly to see if he was following them and took some turns to shake him off. In the end, they had arrived and Dick hadn’t left until he saw her actually enter her apartment. He had to tell everyone about Marinette.
-------------------------------------------------
Marinette’s battery had been drained, both physically and socially after that week. Lila had pissed her off and she felt really bad for that guy she spewed on. Not like she would see him again. She’d spent all week working on the dress Tim helped her with to wear to her visit to the Wayne’s tomorrow. It had been her fastest completed project ever, though she had neglected eating and sleeping. Marinette had to agree with Tim. The fade into dark purple had been a nice addition and made it really stand out. Even Penny had thought so when she saw it on their chat about commissions. A hungover Jagged threw a ‘rock’n’roll’ over her shoulder and Marinette had felt a pang in her heart at the tenderness they treated each other with. Maybe, one day she could have that special bond with someone too. But she needed to focus on helping herself heal first. She could see the apologetic look written over Penny’s face to which she giggled at before declaring that she needed some rest.
Gina had forced her to rest before they visited the Wayne’s. Apparently today had been Thursday not Wednesday? The days had just blended into one. She had been intrigued to meet the rest of the family but she felt so weak.
‘Oh well,’ she thought. ‘Nothing a little tea can’t fix.’
Since she had found out she was pregnant, all her normal guilty pleasures had been off limits. No double espresso as bitter as her soul and no alcohol. She had to adapt to the restrictions because of her doctor. So, she whipped up a tea as strong as her go to coffee with way less caffeine. It had still her the kick she needed but it wasn’t as good as she would have liked. Still, she’d take what she could get. It still aggravated her when she would reach for a glass of white wine or coffee beans forgetting about the warnings. It aggravated her when she would call out to Tikki to transform forgetting she was no longer by her side. She would toy with her empty earlobes before letting her tears fall freely. Tikki had been the most loyal-kwami or human- and she still got taken. She wouldn’t pretend it hadn’t hurt but she had moved on. Some days she would remember she wasn’t with her and cry but on some she’d pretend everything was normal. Today was one of those days where she wore herself out from crying. Gina had caught her but even she knew Marinette needed space, assuming she was still upset about Adrien.
After a good half an hour of crying, she went to freshen up refusing to look like a puffer fish when she met everyone. Dabbling at her eyes, she applied light mascara and used concealer under her bags so she wouldn’t look as dead as Tim. She slipped into the dress, wearing it with pride. It had fit like a glove exemplifying her curves and showing her protruding baby bump. That had been the only downside as she wanted it to be a surprise. Though, nothing slipped past Alfred’s keen eyes. She’d been puzzled as to how she could style her hair before she settled on voluminous curls. It had required Gina’s help and a hell of a lot of hairspray but it had been worth it. She set her flower crown upon her head (delivered to her by Adrien) and placed one on Gina's. She’d been quite surprised when Gina told her she would have to go by herself but it wouldn’t be too bad. Alfred and Bruce were kind so she could just chat with them if the others were rude.
--------------------------------------------------
Damian was annoyed. Gina was late. Very late. And he’d been waiting for hours for her to arrive. A soft rap on the door sent him flying out of his seat as he scrambled to unlock the door. He’d expected Gina but on their doorstep was that angel from before.
“You,” he whispered. “Why are you here?” He didn’t like feeling confused so he schooled his features to be cold and cynical. Footsteps behind him caused him to instinctively slam the door shut.
“Sorry angel.” Not that she could hear him. Jason had stood behind him, watching him with curiosity.
“Demon spawn. Who was at the door?” Shit. He couldn’t exactly say how he knew her or his reputation would be tarnished. Everyone in his family knew Todd was the biggest gossiper and he would definitely spread the news. Like hell would he tell Todd. He’d take that secret to his grave.
"It was bArBarA. I mean Gordon. Yeah it was Gordon.” His voice may have cracked several times but it was a convincing lie, right?
“One, you almost never call people by their first names.” Jason said, eyes narrowing slightly. “Two your voice sounded awful. And you don’t stray from perfection. So, what’s your deal?
“Puberty?” He shrugged trying to conceal his panic.
“I’ll take your bullshit for now but you forgot Barbara’s already here. Let’s try this again. Who was at the door?”
“It was that harlot that Grayson suggested I try to court.
“Oh, that bitch. She’s all yours. Just keep her away from me. And Damian when dinner is over, I’ll find you and I’ll kill you. Make no mistake.” And with that, he threw a quick salute over his shoulder and strolled away. Damian had let out a sigh of relief, turning to walk away before he remembered who was still outside.
“Todd tell everyone I went to the bathroom.” He yelled shutting the front door before he could hear his reply. He descended down the stairs only to find her missing. He had begun mapping out all the locations of the manor when his eyes fell upon her. He felt the air forcibly be removed from his lungs and he remained unmoving. Awestruck. His heart squeezed as he watched her sniff his magnolias that he tended to. The way her dress pooled around her and the small but present baby bump had made him flush.
‘She truly was an angel.’ His eyes glanced at the flower crown entangled in her inky locks as the moonlit sky enhanced her celestial look. ‘She’s also much more than that though.’
“Take a picture. It’ll last longer.” She saw his mortified face. “You know getting a door slammed in your face isn’t the greatest first impression a family could give.”
“I’m sorry. But what are you doing here?”
“Expecting a warm welcome, not being left out in the cold, really anything but this. And I don’t even know you so...”
"You do."
"Excuse me?"
"You puked on me. I didn’t think you were going to ever see me again so you surprised me. I didn’t want to explain to anyone how we were acquainted.”
"I’m so sorry. It’s these stupid hormones. And that stupid Lila. Everything is just stupid."
"Lila Rossi? She is pretty stupid.” And then something changed. His face was softer and he hadn’t looked like he would bite her head off. “Do you want to talk about it?”
“I’m waiting for my grandma but maybe tomorrow. I’m meeting a stuck-up client so I’m gonna need to vent. I’ll tell you the details later?”
“Fine with me.” She hobbled away. She had been patiently waiting by the doorstep, her soft rap probably inaudible due to all the chaos. He whipped out his spare key, unlocking the door. He hadn’t expected that soft click to prompt the attention of his whole family.
"Marinette-"
“Beanie?”
“Pixie pop?”
“Sunshine?”
“WHAT ARE YOU DOING WITH DAMIAN?” they screamed, rushing forwards to envelop her in hugs.
“I let her in. You guys didn’t even hear her knocking. Wait, how do you all know Angel?”
His eyes nervously flitted to hers at the slip of his private nickname. He saw the flush on her cheeks as her mouth formed a small ‘o'. She couldn’t even look him in the eyes as the others taunted him for his cute pet name. He felt Dick ruffle his hair, which took a while to style, and Jason poke his sides. He felt Tim snicker and Barbara pinch his cheek. And he felt Marinette link their hands together in solidarity, enduring the teasing with him. They had been so embarrassed that they completely missed the arrival of Gina and the scheming look on Alfred’s face who dished her the gossip. They missed the dark but silent chuckle that left both Gina and Alfred as they decided to meddle in their kids failing love lives.
“What’d I miss, my little chicks? Because Mama’s home.”
NOTES (optional)
In the part labelled with tw here is what happens:
Creepy old 50 year old man hits on Marinette and feels her up. He asks her to come home with him but Dick helps her out and stops him. He tells them he would pay to watch them go at it and calls Marinette names. He eventually 'leaves' to his wife and kids.
Tags:
@sassakitty @lunathealphafemale @krispydefendorpolice @blackmagicforever @nach0ava @wannajointhecrabcult @thornalchemist23 @moonlightstar64 @iloveitwhen @little-angel1031 @screwthisshit111 @rebecarojas07 @animegirlweeb @mystery-5-5 @moonystars14 @gingerdaile @spyofthenightcourt @mialuvscats @notmycupoftea26 @thequeenofpotatoeunicornss @kuroko26 @miracleofadisaster @novicevoice @iloontjeboontje @abrx2002
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peace-coast-island · 3 years
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Diary of a Junebug
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Making music with bebop gyroids
Musical gyroids galore! Kelly, Ned, Gutsy, Livvy, and Lulu are here with us to enjoy the sunny weather and make some fun musical instruments. The gyroids were designed by Daisy Jane and Kelly with some input from Ned and Goldie - and they look (and sound) so awesome!
It's been so bright and sunny these past couple of days, it feels kinda unusual. Looks like the sunshine's come out early this year! No shorts yet, but we've pulled out the sunglasses, where I finally get to use my new shades Daisy Jane got for me. Pretty and functional is how I like it - though I'm pretty sure that Daisy Jane spent quite a bit on these sunglasses - not that I'm complaining as they're really good at what they're supposed to do. I feel so cool and badass wearing them!
With Livvy home for spring break, she and Gutsy figured, what better place to spend a short vacation than at a camp? Gutsy always wanted to drop by to visit us since we came to Charm Villa to see her a while back. And of course, she had to bring little Lulu along to explore the great outdoors with her. Good thing they chose to come during a campsite event! What better way to be introduced to the camp than a gyroid adventure?
Since the Coloratura Jazz Band Festival last year Kelly and Daisy Jane began working on gyroid designs inspired by the festival. Kelly really has a way with instrument designs, coming up with interesting ideas like an electric cello in the shape of a treble clef or a harpsichord that looks like one of those cool antique desks. That's why gyroid events are so much fun - you can craft so many creative things with them!
Joining Kelly is her best friend Ned, her partner in crime. They've been friends since high school, often attracting trouble although things end up working out in the end. Coincidentally, Kelly's mom is a private investigator and a few years back she worked with Gutsy on a case involving a farm at Cedar Pickett. Kelly and Ned got involved and wound up riding horses along the infamously dangerous canyon trail to catch a criminal. They all remembered each other after all these years as it was an interesting case. It's fascinating how small the world can be sometimes!
Ned, according to Kelly, is a world class baker when it comes to pies. She wasn't exaggerating. He and his dads run a bakery/nightclub called Dub Step Pie Club. Despite the name, it actually looks like a pretty cool place. I should drop by there the next time I visit the island.
At first glance, Kelly and Ned seem like an unlikely duo. In a way, they kinda remind me of Daisy Jane and Almie - the bubbly outgoing one paired with the introverted quiet one. Kelly's the one dragging Ned into her schemes, usually involving her mom's cases. Ned has an unusual connection with the dead, so every once in a while he and Kelly end up with a murder mystery or a ghost with unfinished business. They have a fun dynamic, those two.
In between gyroid hunting sessions, we hung out at the main campsite and did a little baking. Ned taught us how to make pumpkin brownie pecan pie, a specialty at the Dub Step Pie Club. That, along with the cubeyberry pie he brought from home, were some of the best pies I've ever had! Tomorrow we're gonna make peach lolliberry pie, another favorite at the club.
Lulu's so cute when it comes to finding gyroids! Seeing her get excited and waddling around while carrying a gyroid - which looks huge in her little arms - my heart just can't take it! She's also become quite a chatterbox - I love hearing her point out things at the camp and getting excited about everything. Lulu's definitely the type of kid who's not afraid to take a tumble and get her hands dirty. It's so cool to see more of her personality come out, especially now that she's talking. If Lulu keeps this up, I'm pretty sure Kelly's gonna straight up die of cuteness before the end of this event.
Livvy has been enjoying the great outdoors, especially after a stressful couple of weeks at school. She's a business major with a minor in humanities - the latter which kinda happened and she decided to go along with it because, why not? It's more work, but she's not complaining too much because she enjoys the classes. Since going off to college, Livvy started a study/productivity vlog called coffeelivvy, where she posts about study tips as well aesthetic and practical notes. I enjoy watching her videos while journaling, especially her plan with me bullet journal videos.
Gutsy's been busy with Lulu and the cafe. She's into making bread these days so later this week we're gonna make baguettes, which sounds fun! I'll admit, the process of making bread - as in with yeast and proofing and such - sounds kinda intimidating, but with a pro like Gutsy, the process seems less daunting. Since working at the cafe, Gutsy found out that she has a knack for baking as well as making latte art. So along with some decadent pies, we also got to enjoy lattes with the pretty milk foam designs - a winning combo that's perfect for a camping event!
Kelly's on spring break too, a well deserved vacation after a busy semester. She reminds me of Alex and Claire, being the kind of person who does a lot of extracurriculars and manages to be on top of everything academically. Along with being in the Coloratura Jazz Band, Kelly's also a volunteer of the Asian Pride Film Festival, a video editor for Leicester Academy Theater, an RA, and captain of the badminton team. She also plans to take summer classes and go to Amsterdam for the the fall term, graduating in the winter.
Ned, of course, is managing the bakery of Dub Step Pie Club while juggling classes at Seashore Path. After taking a year off due to burnout, he returned for the spring semester, changing his major from English to business marketing. So far Ned finds his second go of college much less stressful than when he first enrolled, which is great to hear. I hope things turn out better for him this time around.
While collecting gyroids at Lost Lure Creek, we ended up taking a detour through the acorn trail. It's one of many places I haven't got to exploring yet so it was the perfect opportunity to finally check it out. Kelly took a bunch of pics of the trees with its warm autumnal colors. This area of the woods looks like it's fall all year round and it looks so pretty! And of course, the trees are full of cute little acorns that we had to take back to the camp.
Later on, while crafting gyroid furniture, we painted the acorns. It's been a long while since I've painted so naturally I was a little rusty at first. The idea for a painting session came about when Kelly mentioned that she and a friend led a Bob Ross style painting event at their dorm building that everyone enjoyed. Peaches and Lolly just bought some new paints so it was the perfect opportunity to try them out. I think my favorite is the acrylic gouache - something about painting with them is so satisfying to me.
Then we hung out at the beach, collecting shells, sea glass, and gyroids. Although it's bright and sunny out, it's not warm enough to go swimming yet. It was nice sitting out there under the warm sun, just hanging out with friends. We also did some fishing, catching some tuna that we later made into poke bowls for dinner. And for dessert, we had cubeyberry pie paired with a bottle of peach wine, courtesy of Gulliver.
Before heading back to the main camp, we dropped by the hangout sites to collect more gyroids before calling it a day. Lulu enjoyed helping out campers by bringing them fruit. I love seeing her chatter away to the campers and talking about fruit. Gutsy says that Lulu isn't afraid of strangers, which we clearly saw as she approached everyone she met. She's a little handful, keeping Gutsy and Livvy on their toes! I swear, you blink for less than a second and next thing you know, Lulu's run clear across the camp and trying to climb a tree or get into the water.
At some point, we got into an impromptu musical session starting with Kelly on the drums. Then Ned joined in with maracas, Livvy and Friga on guitar, Benedict on double bass, Soleil on keyboards, me on the toy piano, and Gutsy and Daisy Jane on percussion. Lulu was so cute dancing along to the music! I think we made a pretty good band - it sure helped passed the time while waiting for the gyroid stuff to be built!
Today we crafted the harpsichord, a galaxy themed dulcimer/synth, and a star shaped hybrid of a ukulele and violin. Like I said earlier, the designs of these instruments are amazing! Plus, they sound fantastic! We had so much fun making music - I can't wait to build more stuff and create even more music!
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Back to the Beginning
Who wants a little peek into the life of our favorite musician to brighten their Monday? Look no further! I hope y’all enjoy, and as always, thank you for reading!
Image prompt 6: Ryan Brenner x reader (requested by @thisisparadisemylove)
Rating: PG due to absolute and adorable fluff.
Word count: 1946
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This is related to (later down the line) A Familiar Face, which can be found in my masterlist.
The air in the city was dense and heavy. Before you could take anything in, to appreciate your time there, you had to train your lungs to breathe in the atmosphere; it was imperative to get acclimated to the moisture that hung invisibly around you. It was so thick, the humidity was almost strangling.
But when you hit that point where you could breathe again, to inhale that air with ease, the sensations surrounding you were breathtaking. 
The uneven, crumbling brick paving the sidewalks were littered with people: tourists with strands of colorful beads hanging from their necks, carrying styrofoam cups; older couples holding hands while taking leisurely strolls; giggling teenagers ducking into shops with signs in the windows boasting shrunken heads and Voodoo dolls. The air carried with it succulent smells from various restaurants, and dance troupes occupied the middle of narrow streets to entertain. People spray-painted in metallic tones from head to toe stood frozen like statues, so still it was as if they weren’t breathing. Depending which street you were on, the energy around you would flip between an electric buzz or a warm leisure--  the kind that was the reason behind the city being coined The Big Easy. 
But one constant in New Orleans, whether in the French Quarter, down Magazine Street, or lost just beyond the corner of Decatur and St. Peters’ expanse of the French Market—crowded with vendors selling silver jewelry or art, fresh vegetables and homemade soaps offered in booths at the farmers’ market further down the street, or finding hidden treasures buried deep at the flea market adjacent to the famous Cafe du Monde— was the music. 
Street performers playing various flavors of music occupied almost every street corner in the New Orleans area. But Royal Street— Ryan had told you it was pronounced roy-AL, like a duo of two male names sewn together— that was where the real music was, the music with heart and soul and life, no matter the sweltering heat and thick, suffocating humidity. Thirteen blocks through the French Quarter and several leading down toward Frenchman Street was the city’s epicenter of live music. It was where Ryan wanted to take you. 
“There’re all types of musicians down here, Y/N,” Ryan said, excitement apparent. Soft-spoken by default unless he was singing, full-bodied and soul on fire, Ryan’s smooth, soft drawl was a pleasure to hear, even if you had to strain to hear sometimes. But the enthusiasm of what he was set to explore with you— to share with you— added volume to his voice, thickened his drawl just a touch, and shifted his intonation to the point that his words sounded more like song than speak. “Jazz is the front-runner but you name it, and you’re goin’ to hear it.  I reckon there ain’t a place like it anywhere else in the world.”
Ryan tore his eyes from a two-story brick building, balconies adored by wrought-iron and punctuated with lush hanging plants. You’d read that most of the businesses in this part of the city hailed in structures that were built centuries ago. You smiled as your attention turned to Ryan’s face, lit up with a wide, Cheshire-like grin. His happiness was your happiness, and when he gifted you with that big, toothy, genuine smile,, you felt like a Mega Millions winner. You knew you’d hit the jackpot with this man. 
He’d ditched his pack in the bed and breakfast you’d booked days before, despite his protests.
”This was my idea, Y/N. “
“But I wanted to come.”
Slowly nodding his head in agreement,  Ryan gently pointed out, “I asked you to join me—“
“And I accepted.”
He eyed you with his eyebrows quirked, and you continued. “You let me come with you, and you let me live life your way for a few days. It’s been exhilarating and uncertain and I feel more alive than I have in a long time.” Your eyes were full of sincerity, and Ryan took a few steps toward you, only stopping as stood right in front of you. He reached to tuck your hair behind your ear. “So let me find us a warm bed to sleep in and cold air conditioning to lay under.”
Finally, he conceded. “If that’s what you want, Y/N, you know you got it. But I gotta tell you, it’s not a usual part of my way of livin’.”
You bit your bottom lip thoughtfully and narrowed your eyes playfully. “Maybe it’s your way of livin’ with me.”
He’d left his pack, but still carried his guitar case. His tattooed fingers were laced with yours as the two of you walked; you had a destination: the flea market just a few blocks away. But first, Ryan wanted to take a slight detour. 
“I really want to experience the music. Appreciate it. Take our time, if that’s alright.” 
You’d nodded immediately, agreeing with him. You wanted the same thing, wanted to be there with Ryan and join him in his elation and opinions and feel a bit of that love he felt for music. 
“And I know you want to go to the flea market—“
“I need to go to the flea market.” You interjected, and he laughed. You shrugged. and he shook his head 
“You’re somethin’ else.” The slight smell of coffee wafted through the air, and as the smell became stronger, it took on an almost sweet scent. Applause broke out from somewhere ahead of you, momentarily drowning out an increasingly loud dissonance of chatter. 
“You know, I think you’ve told me that before. Once or twice.” Before Ryan could answer, you found yourselves standing just outside the open-air, renowned Cafe du Monde. The scent, the chatter, and the perfect, faraway backdrop of a nearby trumpeter’s solo version of When the Saints Go Marching In was classic New Orleans. You felt a sense of nostalgia wash over you, and you knew at that exact moment that this city, so full of culture and history, art and Cajun food, voodoo and ghost tours, jazz and zydeco and blues and swing and swamp pop— this city meant something to you, and it was your first time visiting. 
Ryan gently led you to an occupied table, smack in the middle of the cafe. He pulled out your chair for you with a boyish smile before sitting in the chair across the small table, guitar case close by his side. He leaned forward on his elbows so you could hear over the noise. 
“The menu’s not your traditional menu,” Ryan warned you. His eyes danced from across the table, and he added, “Not that New Orleans skimps on tradition, but they do it their own way. ‘S their style.”
You found yourself leaning in as well, caught you in the cadence of Ryan’s voice as well as his words. Ryan wasn’t a huge talker, he didn’t need to be, but when he got on a roll about music or traveling or something that he was passionate about, he spoke up more than usual and you loved those moments. This was one of them. 
“ ‘Bout a half-dozen choices to choose from. It’s slim pickin’s, but you can’t go wrong with what they’re offerin’.”” Ryan had been to New Orleans many times; there was just no other place like it. He held up his left hand, calloused fingertips and vertical lines inked between mid and lower knuckles of each finger. “You’ve got coffee—cafe au lait. Fresh-squeezed orange juice, milk…”
You had started to shake your head as Ryan went on. He stopped before he rattled off a variety of sodas and coffee over ice; he knew what you were saying without words, and had known as much before he spoke. The two of you shared a smile, intimate with understanding. Opening your mouth to share a sentiment, you were stalled as a waitress appeared tableside, vibrant purple hair pulled back and piled atop her head. She was around your age and looked frazzled. You smiled at her. Many days at the diner had you in the same state at some point. 
“A cafe au lait and order of beignets, please,” Ryan said politely, inclining his chin to order while looking at the server, not just rattling off what he wanted. He was always attentive, and actually talking to someone rather than at them was something you valued at work. Ryan just did so naturally without a second thought. “Same for my girl here.” He looked at you adoringly with an expression asking for confirmation.
“You got it,” you said, meeting Ryan’s eyes for a beat of time, then looking to the waitress and nodding appreciatively. “Thank you.” 
In his typical fashion, Ryan followed immediately, offering the woman a small smile. “Thank you, ma’am.”
When she turned to walk away and Ryan’s attention was yours again, he immediately noticed the way the corners of your lips turned upward. He looked at you as you appreciated his features from across the table. 
“I’ll wait,” he teased gently. Leaning back in his chair, his long legs stretched out as much as possible beneath the table without invading your space, you nudged his knee with your own. 
“Wait for what?” It was a rhetorical question; it was all in your expression, the way you sometimes got as quiet as Ryan himself and just looked at him like he hung the moon. Ryan had called you his girl, and you supposed it was true, but to hear him say it was another thing entirely. He had you reeling. It took you a moment to get back on track. “I was just thinking about your thank you ma’am. How it sounded familiar, and how someone else is bringing us coffee instead of me bringing it to you… which, in hindsight,  is why we’re here. Together. It’s all come full circle in a sense.”
It seemed like a lifetime ago. As you and Ryan enjoyed your beignets, you relished in little memories, and that was what made your relationship so special. Ryan had taught you just how important simplicity was. He laughed as you balked, tasting your cafe au lait without adding sugar first, forgetting there was chicory in the drink. You stood from your chair to brush powdered sugar from a beignet out of the scruff on his chin. He taught you the difference between zydeco and swamp pop, and insisted on paying for your coffee and beignets. 
“There you go again, Ryan Brenner. Fighting me over sweets and tips, bringing it right back to the beginning. You’d finally made it to the flea market, but before you could walk in, he wrapped an arm around your waist and pulled you close, pressing a soft kiss to your lips. You let out a sigh.
“I like the present much better, Y/N,” he said, speaking into your ear. Your shoulder shrugged involuntary, his whiskers and breath tickling your ear.  “The beginning was real nice, but this,” he paused, pressing his lips to your temple, “What we have now, it’s been on my mind since that first cup of coffee.” You looked up at him with a look of awe; it was a confession he’d never made before, and it felt like the perfect moment for him to do so, there in this huge flea market in New Orleans. You had words on the tip of your tongue, but they were stuck there. 
When you didn’t reply, Ryan just smiled down at you. It was one of those small, simple, yet significant moments. You’d had so many with him. He let his arm fall from your waist to link his fingers with yours again, leading your further inside. “You make a damn good cup of coffee, Y/N.”
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yume-x-hanabi · 5 years
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Family - Chapter 1
This is a translation of the first chapter of the short story featured in the ToX2 Scenario Book, titled “Family.”
--
Chapter 1
The wind was cold that evening.
The western district of Trigleph, the spyrix metropolis. A townscape of concrete buildings and a stone-paved road. A bustling shopping street. The world may have been on the decline, but this city was prospering well enough for people to live.
The sun was starting to set on the commercial district, where children were running between the housewives doing their shopping. A bit further down the street was an elementary school, and it was right about the time classes ended. This road was also a school route.
Among the passerby, there was a tall blond man with a sour expression on his face, and a small silver-haired boy who looked quiet. They were two brothers—the eldest, Julius Will Kresnik, was coming home from work, and the youngest, Ludger Will Kresnik, was coming home from school. This street was linking the brother’s workplace and school with the apartment building where they lived. It was therefore not unusual for them to run into each other on their way home.
Boys around the same age as the seven-year-old Ludger passed the two, laughing and playing. In contrast, the brothers had not exchanged words for more than five minutes at a time.
Julius looked down at his brother. Their eyes met. However, none said anything. The silence was awkward. The first one to cave was the older brother.
“How was school?”
“Huh… M-Math was hard, so I practiced… even during the break.”
“……”
“I’m sorry… I’ll study harder…”
“???”
Julius had shown no reaction when Ludger told him he was bad at math. He had not meant anything by his silence, but his younger brother had interpreted it as a reprimand and apologized. That was something Julius could not understand. Looking at him from the corner of his eyes, Julius felt that there was more he wanted to say.
“A-And… For social studies… we’re going to the vegetable market… I’m looking forward to it.”
“A field trip… Right, that’s a thing.”
“…You’ve never been on one?”
“I’ve never been to school…”
Julius himself was only fifteen. He was born with a special ability, and had been ‘employed’ since a young age as a Spirius agent. Destroying fractured dimensions created by catalysts to protect the prime dimension they lived in—that was Julius’ job. This job did not require studies, but the chromatus ability necessary to enter fractured dimensions. School was useless to him.
However, his seven-year-old brother did not know that. And he would not tell him. Besides, Ludger believed that they had no parents, and that, as his only family left, Julius was working without going to school to take care of him. That his brother was the reason they had a roof above their head. And yet he had dared to look forward to a fun activity. How inconsiderate.
Ludger panicked and tried to change the topic. “Ah!”
“What’s wrong?”
“Julius, do cats… have to be skinny?”
“What?”
“I drew a cat in art class… But my friends said it wasn’t cute…”
Julius wondered what kind of cat he had drawn.
“…I think that round cats are cute…”
Julius pictured a fat, round cat… but he did not know whether that was cute. Ludger took his silence to mean he did not agree with him, and looked down sadly.
“Whatever your friends say, since you like it, isn’t that enough?” Julius replied nonchalantly. Thinking that he was showing him support, Ludger nodded enthusiastically.
“By the way… Do you have friends?”
“Friends?”
Ludger waited for his brother’s answer, but Julius simply silently looked in the distance.
“What do you think about the guy with the drooping eyes?” Julius asked after a while.
“Huh? Drooping eyes?”
Julius’ question confused Ludger, so he continued. “I don’t like him. When I see his stupid face and hear his stupid jokes, I just want to kick him in the back.”
“…That’s your friend?” Ludger asked.
Julius’ nostrils flared. “My friend? He’s just an acquaintance I can’t escape. According to him, I have ‘the most evil eyes’. Do you think that too?”
As Ludger was wondering what he meant by evil, Julius kept on ranting. “When I asked him to explain himself, he said ‘the face looking back at you is the answer’ like he thinks he’s witty. What’s wrong with my eyes?”
Ludger was intrigued, because Julius, now getting worked up, was finally showing expression. Since they had lost their parents and were living only the two of them, to Ludger, Julius was a dependable older brother, as well as a father figure. Julius was very reliable and mature for his age. So Ludger wondered who was that ‘drooping eyes’ man who was bringing out his brother’s childish side.
He’s his friend, but Julius wants to kick him? I don’t get it…
“On top of that, that droopy bastard told me to wear glasses. I don’t want to change my style! Why should I wear glasses when my eyesight is good?! Right?”
Ludger was staring at his brother’s indignant face.
“What’s so funny?”
Now on the receiving end of his brother’s glare, Ludger recoiled and instinctively apologized.
“You think I look evil too? You want me to wear glasses?”
“Huh… I… I don’t…”
The smell of warm soup suddenly reached Ludger’s nose, and his stomach rumbled.
He apologized again. Seeing his small brother cowering like that, Julius mentally kicked himself and softened his expression.
“Don’t apologize when you haven’t done anything wrong. It’s natural for your stomach to growl.”
Ludger relaxed and let out a sigh, but the awkwardness remained. Silence fell for a while.
“It smells good,” Julius finally said.
“Yeah…”
They both looked at a house on the side of the street. They heard a voice call out “Dinner time!” from within.
“It’s a mommy, right?”
“Yeah.”
“…I wonder how my mommy’s cooking smelled.”
The silver-haired boy tried to remember his mother, who had passed away when he was five.
His blond brother stopped in his tracks.
“That’s weird…” Ludger added. “I don’t remember anything.”
Sharp pain coursed through Julius’ heart at the sight of his brother’s distant eyes as he was searching his memories.
 Julius bit his lips. He knew that he was the one who had robbed his half-brother of his mother’s cooking… of her warmth.
 Ludger’s mother—Claudia Il Kresnik—was the younger sister of Julius’ own mother Cornelia. She used to work as a maid for the Bakur family, who Julius had cut contact with a few years ago. After Cornelia’s death, Claudia had grown close to Julius’ father Bisley and became pregnant with Ludger, but for some reason, she had kept that fact hidden from everyone and gone into hiding, away from the Bakurs.
However, a few years ago, Julius ended up finding her in a town on the outskirts of Trigleph and discovered the existence of Ludger. Claudia mistook him for a Bakur henchman and believed that he was there to drag her and Ludger back. She turned her blade on him, and as a result… she lost her life. Julius was neither working for the Bakurs’ interests, nor had he intended to hurt her. It was a chance encounter. A tragedy born from a misunderstanding.
 That day, Ludger, who had witnessed the incident, lost his memories from the shock. So there was no way he would remember the smell of his mother’s cooking.
However…
Julius knew. He knew the smell, and the taste, of her cooking—the cooking of the woman he had killed. The reason was that, as the son of Spirius CEO Bisley Karcsi Bakur, he had been taken care of by none other than Claudia in his youth. She used to cook for him, in his mother’s place.
When he came home hungry in the evening, he was greeted by lights in the kitchen and the smell of soup and grilled meat. Julius remembered how that smell made him even more hungry. He liked her smile when he told her it was delicious. Julius’ feelings about her were like a son adoring his mother, or maybe it was closer to a crush.
The memory of her face as she lunged at him to kill him came flooding back, and he quickly shut his eyes and grinded his teeth.
 “Julius?”
He came back to the present when he heard Ludger call him. His brother’s face as he looked up to him reminded him of Claudia’s gentle expression when they were both at the Bakur house. The same silver hair. The same clear eyes.
“Your mother’s cooking, huh?”
The brothers did not hire a maid to take care of their home, so they usually ate out or brought back take-away. That food did not taste bad, but did not have that nostalgic smell nor the taste of ‘home.’
 His little brother did not know anything.
 “Let’s make a detour.”
“Where are we going?”
The place Julius was heading to was a big food market known for its tomato mascot.
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themockingcrows · 4 years
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Companionship Through Circuitry Ch. 3: Uploading
Not all uploads are created equal. Bro/Hal Also available on AO3!
    Upload me, Bro.
    “Don’t you need a stronger interface than that? Would you even work with that thing?”
    I was designed to functionally overwrite data when necessary, and if that means re-writing the code of a simple wrecker then so be it. Upload me.
    Bro sighed a bit. He had his reservations now that he was starting to get used to Hal’s voice and attitude, and the concept of potentially losing him because he didn’t want to take a lengthy detour was kind of obnoxious. But hey, what did he know, he was just a post-war guy taking directions from an AI who seemed to know his own capabilities far better. Against his better judgement, Bro took the shades off of his face and fished out the connection cable, following Hal’s advice to locate where an entry port could be positioned based on the make and model of the machinery at hand.
    The massive structure was meant to replace cranes for more basic movements, the continuous track treads far superior to wheels and the mobility vastly improved. The behemoth whirred to life a few moments after Ambrose finished the upload cycle, glasses still gently dangling by their cord till he ducked forward and tucked them somewhere less conspicuous. The droid moved its appendages, orienting itself as Hal took control and sussed out the operational maneuvers for each piece. It was a strangely human motion, the sensors of the face looking down at the pincer hands before giving them a whirl and twirl, clicking them together a few times to gauge the pressure.
    Right. Step back.
    Thank fuck this was temporary. Hearing the modulation of Hal’s voice was jarring, booming and decidedly electric from the audio core even with its damage and residue. When he stood fully upright, many times taller than Ambrose, it was with the soft screech of abused metal and rust. This wasn’t going to last forever, but it should last long enough to move a few barriers out of the way. Hal whirred forward excitedly and clasped both pincers into the edge of a stacked vehicle long since crashed, tugging it a few times before the body gave way to motion and the entire pile began to move. Ambrose wasn’t certain what all would be beyond where they could see, but he had a feeling that getting through the blockade would open up some options.
    Or, you know, trap him underground to die a horrible death. But who’s keeping track of anything, right?
    With much whirring and churning metal, Hal eventually moved several wrecked cars that had acted as a barricade between them and the rest of the bridge that seemed sturdy enough to cross as far as he could see. So the asphalt was gone in a few places, the girders and skeletal aspects of the bridge were still plenty intact for a man and a pair of sunglasses to pass unhindered so long as they didn’t gain too much attention. Or at least got away from the ruckus of attention they were currently causing right now.
    I changed my mind, can I stay in this longer?
    “No. You cleared the junk and I can cross now, get back in the glasses so we can leave,” Bro said, already sensing where this was going.
    What if there’s more junk on the other side of the bridge? Or in the center? Wouldn’t it be handy to have someone who would be able to move it easier? Hal asked, giving his hands another whirr for emphasis as if Bro could have somehow forgotten the difference between a set of pointed shades as a fully fledged wrecker droid.
    “I said no. How much power does that thing have left anyways?”
    Enough to enjoy getting over the bridge in style.
    “And if I don’t feel like travelin’ with a gigantic fuckin’ target on my back?” Bro asked. “What then, hm? Everything in a mile prolly heard all this noise, you’re not exactly dainty with your maneuverin’.”
    I believe you’d benefit more from me in this shape for a while. I’m enjoying having hands, that’s a bonus. And being able to move where I want to, Hal said as he backed up and did a quick turn as he could on the tracks. I could serve as a shield if required, or lift things to be a shield for you.
    Bro ran his tongue over his teeth. The offer DID sound kind of appealing when put like that… but he knew it’d bite him in the ass just as soon, knowing his luck. He shook his head and went over towards the shades, tapping them with his fingers.
    “Nope. In you go.”
    But what if I just followed along behind you.
    “And if we get separated how’m I supposed to get to your body then, huh? Want me to get there on my own, without you, and put somethin’ stupid in there?” Ambrose asked with a smirk. “The best body they could have created for you, the body your creator dude wanted for you, all goin’ to waste so I have someone to play Pong with.”
    Hal was silent for a moment before the massive droid looked down with a creak of metal. He could practically hear him squinting.
    You wouldn’t dare.
    “Spoken like someone who doesn’t know me very well,” Ambrose said with a shrug, both hands lifted up for emphasis at how helpless he was in the situation overall. “You think I wouldn’t kill to have a good quality droid be my butler and play stupid games with me? Dude, my kid left for the city already, who’s gonna fill the void for me now if not that or a bitchy AI.”
    The droid looked towards the bridge again, sensors trying to run how he’d normally run to assess risks before realizing the hardware just wasn’t up to spec to do what he wanted to do. This body was made for moving things, for lifting and toting, for sorting, not for detecting stealth routes a companion could take to an objective. Ever so slowly the droid bowed down and let its arms go limp, the shades chiming and beeping a short time later to alert Ambrose it was time to remove the connection and put him back on safely. While Ambrose wouldn’t say he missed having the weight on his face and the shade over his eyes, there was no denying a bit of fondness for the habit. It was nice not having his retinas toasted.
    “I see my offer was too much to resist.”
    You’re a bastard. I’ll not have my body sullied like that. If it does something foolish it will be because I will it to do something foolish, not any other way.
    “Sure thing,” Ambrose said as he started up the bridge, pulling his blade out to keep it at the ready, grip light. He resisted the temptation to spin it or do bored tosses like he would while at home or doing detail work on it, keeping his hands ready to put lethal force behind the steel at a moments notice. The bridge itself seemed like it had been used in the past as shelter, or a lookout point. Chairs were arranged beneath a sheet metal roof with a standee wall against the side of a toppled truck, and garbage lay strewn about the broken glass that crunched beneath Bro’s boots. At every turn there could be a human being or worse.. yet all seemed quiet for now. Abandoned. Empty.
    Packrat by nature, Bro took a moment to peer into different cars that they passed to see if any of them had been used as more shelter, or used to store any spare belongings that nobody would miss. There didn’t seem to be much on hand, however. Spent shells, empty cans and bottles, ragged blankets, clothes that reeked of sweat and in one car the sweet sickly smell of feces. One front seat had a few gadgets that slowed Ambrose’s steps to peek however, grinning in amusement.
    “Oh, hey, I remember readin’ about these things,” he mused, reaching through broken glass to pick up a blocky hand held game system with a melted looking cartridge. The screen was cracked, but the buttons looked well worn. Must’ve taken a lot of abuse to wind up like that, those things were supposedly indestructible in their time. He dropped it back onto the seat it had come from and the bit of bones that rested here and there as well. The original owner? An art project by some bored creep? Hard to guess honestly and not really his place to wonder about.
    There’s something else there, Hal pointed out, zeroing in the target t’s to direct Bro’s attention to the keychain looking item shaped like an egg. He reached again and plucked it up, rubbing a thumb over the dirty screen with a hum. A flip over and he nodded a bit.
    “Some other kinda game I guess..? Looks like it’s self contained and takes a smaller battery. Doubt it’s like yours, is it?”
    No, most likely that type of device ran on a watch battery. Do you not know what it is?
    “Is it not a game?”
    It is a game where you are tasked with keeping a small creature alive by meeting all of its needs and wants.
    Bro snorted. “I’ve raised a baby, I think I can live without a game reproducin’ the experience.”
    Yet.. it had been some of the best years of his life. Boiling water to make sure it was safe for Dave’s baby bath, washing hair so fine it was barely there. Messy cheeks in the high chair as he figured out how to feed himself, skinned knees and bandages, late night visitors to his bed whenever there was an electrical storm outside or when the winds screamed out over the desert like hungry dogs. Those big red eyes in the dark asking if it was safe when people came too close to their hidden home, listening to the distant explosions of deterrents and traps going off left and right. Those same red eyes staring up at him for the tenth, the hundreth, the thousandth time he’d knocked him down to make him get back up and keep fighting.
    Bro swallowed hard for a moment, throat suddenly uncomfortably dry. He knew it was wrong. He knew deep down it had been too much, but there was no choice. Not when the world wouldn’t hesitate even a single second before putting a bullet in his head if he didn’t take the initiative and attack first. He could tell himself that a thousand times and yet it didn’t change anything.
    Bro closed his hand around the toy and stuck it into his pocket without a second’s hesitation.
    “Might make for a fun project later though. Maybe I can re-program it, give it a better battery. Somethin’ simple like a time waster to take the edge off should be easy.”
    How many pet projects do you intend to keep on your person?
    “As many as I feel like, considerin’ one is already on my face. What, suddenly attached to the idea of being an only child?”
    I am not a child. If anything, I would prefer if you spoke to me like an adult instead of like one of your wards. Keep it in mind, Bro.
    “Yes Mom.”
    That is not what I meant when I sai-
    “I’m kidding,” Ambrose said as he fished his hand back out of his pocket and continued to walk, suddenly less interested in browsing the potential second hand belongings than he was about getting off the bridge and continuing Northwards. He’d dallied too long as it was, and while things seemed plenty deserted up here, he didn’t want that to stop being a thing any time soon thanks to their broadcast position.
    You know, I don’t think I’ve mentioned this before. But I have radio functionality, if you would enjoy to listen to something as you walk.
    He snorted. “Yeah? The same ten stations, no thanks. Propaganda, interviews with dumbasses, or the same fifty songs over and over. Nobody knows how to find decent music, and the songs that’re any good get played so often you get sick of them. Nobody makes anything new either.”
    I also possess some selections Dirk enjoyed, if you would prefer listening to those. They may prove to be something more to your taste, he was particular about what he listened to.
    “Particular how?”
    He was particularly ardent in enjoying what he liked and stubbornly sitting through what he didn’t like before deleting it from any device he listened to it on. Let me play a sample, Hal offered before going quiet and chiming softly to signal he was changing focus.
    Bro stopped walking when the music started, quiet near his ears to not block out incoming noise but loud enough to hear the quickly pronounced words and heavy beat, the tempo driving into his skull enough that he tapped his foot in time with it. Soon he was bobbing his head, catching the tune even without knowing the words, and smirking in amusement.
    “Not quite what I’m used to, no. But it’s nice. Feel free to keep’em coming while we head on, yeah? Turn them off if you detect something approaching,” he instructed.
    But of course, Bro. I’m not an idiot, said Hal in a more modulated voice than usual behind the thrum of the music.
    When he began to walk again, the beat added a new cadence to his step and made the walking go by quicker than before. In no time at all he was over the bridge and on the other side of the water, taking in his surroundings with the same eyes of the curious and the mildly kleptomanic. Every new venue was a new opportunity, especially when there were what looked like stores in the distance. Hell, now that he had his new pet project he’d need a few parts, wouldn’t he?
    “...Mm. Hal, that sign says ‘Toys’ in part of the name, right?”
    It would seem so. It was likely a location of the Time For Toys brand from before the war, Hal offered. It could potentially be something else, but the orientation of those letters makes the likelihood of it being anything else quite low.
    “Perfect. Let’s go shoppin’.”
    Giving another glance to the toy in his pocket, guessing what size of batteries to keep an eye out for adjustments sake later on, Bro strode towards the building bearing the toy slogan and let himself inside without a second thought.
    Perhaps he should have thought twice. There were few places as unnerving as an abandoned toy shop that had sat this long through destruction and disuse. Rows and rows of figurines, dolls, moth eaten soft toys, accessories, and toy cars rested on the shelves and from dangling sorting rods that stuck out at even intervals. Everything was silent save for his footsteps, and Hal kept focusing the t’s on various rodents that were startled by the sudden invasion. As far as humans went, it seemed most had stayed clear. There just wasn’t much use for toys after the war he supposed.
    ...Okay, bullshit, he kind of wished he’d known this place existed when Dave was a baby. He probably would have loved a lot of these things, instead of making do with the things Bro could make him. Smuppets were amazing, and so were the other puppets and the electronic things, but sometimes a kid just needs a teddybear. He poked one with blue button eyes and sawdust stuffed feet, its floppy soft arms resting alongside its torso with fabric claw tips resting alongside its thighs. The bear fell over with a soft whump and a bit of dust in the air, leaving Bro free to quietly explore the graveyard of toys.
    Past a section of toy balls that had long since deflated, baseballs and mitts, were electronic toys. Dollies that talked and horses and dogs and cats that made realistic noises seemed to be all the rage, but along with them hung more of the egg shaped toy he had in his pocket in different colors, still in the package. Whistling softly, still nodding along with the tempo on the song Hal continued to play, he grabbed several of the packages and batteries from the end of the display cap to stuff into his bag.
    That was when he saw it. Soft, fluffy, and apparently capable of movement and speech. The small creature was hard to decipher at a glance species wise. It had a beak and two big eyes that could apparently blink when they weren’t staring into your soul, a small sensor in its forehead, and two massive ears. Two fat, pudgy paws rested at its base in front of a set of wheels that offered free movement.
    Furby.
    An apt name, Bro supposed. The little thing was furry as hell, soft to his rough fingered touch and fairly sweet looking with its black and white fur pattern. The external fluff seemed to safeguard a sizeable chunk of electronics from what he could guess thanks to a testing squeeze. ...Interesting.
    What are you so distracted by now.
    “You think you’d be capable of driving one of these?” Bro asked curiously. “It’s got wheels and seems like it can maneuver around on its own from an AI. Talks too.”
    I’d rather die. So there is your answer.
    “But it’s possible,” Bro continued. “You were able to work that droid back there just fine. Think of how useful this would be for checking out crowded buildings.”
    Wouldn’t an RC car be more useful for exploration purposes.
    “Hey, I never said I wouldn’t mod this thing,” Bro said as he continued to feel the edges of the furby before turning it and cutting the edge of its fur open, removing the skin messily to get a better look at what lay beneath. “Look. See? A lot of these guts’re useless. Could take them out, put better power and mobility, maybe add a weapon.. Maybe connect the innards of a walkie talkie in there too, or some radio parts to keep in contact.”
    It was a whole new project idea. The egg toy was one thing, but this. This was something entirely new. And the fact that Hal hated it so much on sight was kind of appealing.
    Are you implying you plan to weaponize a furby.
    “Yes. I’m also implyin’ I’d like to see you pilot the damn thing if I can make it work how I want it to. Could set you loose on a floor and let you roll around doin’ your own damn thing, keep shit off you left and right, let me know what you see. You’d be able to help me out.”
    And the reason I couldn’t do that with the big droid is…?
    “Batteries, bein’ inconspicuous, and portability. I can stuff one of these things in my bag easy, and nobody would expect one of these to be anything important,” he hummed, mind already going wild. Dave would love it.
    No, Dave would probably hate it and say he was taunting God but Dave wasn’t here right now and Bro was itching to customize. He glanced back the way he’d come before putting his tongue between his teeth, thinking.. and then grabbing another furby identical to the one he’d de-skinned. He’d need to strip it cleaner, treat it nicer, figure out how these fuckers ticked. Manual was probably in the box somewhere, but even if it wasn’t how hard would it be to figure out a children’s toy?
    “I think I know where we’re campin’ tonight. Lemme just grab a few things and we’ll find a spot to nest down.”
    I’m never touching that thing, I have no idea why you look like a child with a new toy.
    “Because I’m a man-child with several new toys,” corrected Bro as he wandered the aisles, looking for radios or walkie talkies. Paydirt came in the form of a pair of ‘authentic army navy walkie talkies’ whose authenticity he seriously doubted even with their rather pretty camouflage patterning just based on the materials he felt beneath his fingers. These casings would be easy enough to pop with his hands, let alone with his tools, they could really have stood to make these sturdier. He’d kill for a good blowtorch though, maybe make some kind of a shell underneath the furby fur to-
    You’re a maniac. You do know that, correct? I can’t hear your thoughts but the things you’re looking at are alarming when placed with the potential logic.
    “I think you mean genius, thanks. Shoosh now, I’m tryin’ to find Frankenfurb some more parts,” Bro hummed, tucking the walkie talkies beneath his arm before finding a shopping basket. There. Much better. Like a pre-war man he wandered the aisles, snagging things that looked useful or interesting or, in the case of his eventual sleeping, soft. His sleeping spot back behind the main register ina  protected circle of countertops was soon piled high with plushes and surreptitiously dotted with his electronic findings and various tidbits he planned to use for parts. Doll clothes, while overall worthless to him, still had elastic bands inside of them and the fabric wasn’t flammable. Useful. He even found a child size pair of sunglasses he’d already made plans for, so long as he was able to control the melting properly.
    Peeling off his boots and settling back with his supper, Bro opened his bag and set to work toying with his new toys. First everything had to be opened and examined, taken apart, and in some places scrapped entirely down to their base components until he had a small pile of tidbits at his disposal. The toy from earlier seemed to be damaged even when he tried to power it on, but the new packaged replacements just needed to have their old battery removed and replaced with something new to turn on. He already knew how he wanted to update it, especially since there seemed to be a data port that would fit Hal’s cable to it. He failed to say it, but it would be a good emergency backup for transportation should anything ever happen to the shades.
    The furby would be his prize. Off went its two toned furry skin, out came its voice box and innards, and in went an assortment of new parts.. Including a salvaged port from one of the extra egg toys Bro had grabbed. He’d worked well into the night by the time he put the skin back on and proudly wiped the beak clean before adding the tiny shades, grinning proudly at it.
    “Might need some more tweakin’, and I wanna get a proper laser to put in the thing.. But for now it should be able to move around easier and communicate back to the matchin’ walkie talkie,” he said, gesturing over to his creation with both hands and a wide smile.
    It’s hideous.
    “You’re gonna be in there eventually, Hal, mark my words.”
    If it comes down to being a matter of life or death, I consider my life to have been a full one until you can repair me properly.
    “You’d rather be dead than have some mobility and autonomy while helpin’ me out?” Bro asked, rummaging in his bag for some water to quench his thirst, using a bit more to wipe his face with now that sleep was settling into his brain.
    Did I fucking stutter.
    “All I hear is someone who’s bitchy and in denial about the frankenfurb.”
    Bro’s vision faded briefly to display those red eyes once more, though this time they were giving a decided roll before his vision faded back in.
    When a furby is on the line, Bro, I will be as bitchy as I please.
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Switching Lanes With St. Vincent
By Molly Young
January 22, 2019
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Jacket (men’s), $4,900, pants (men’s), $2,300, by Dior / Men shoes, by Christian Louboutin / Rings (throughout) by Cartier
On a cold recent night in Brooklyn, St. Vincent appeared onstage in a Saint Laurent smoking jacket to much clapping and hooting, gave the crowd a deadpan look, and said, “Without being reductive, I'd like to say that we haven't actually done anything yet.” Pause. “So let's do something.”
She launched into a cover of Lou Reed's “Perfect Day”: an arty torch-song version that made you really wonder whom she was thinking about when she sang it. This was the elusive chanteuse version of St. Vincent, at least 80 percent leg, with slicked-back hair and pale, pale skin. She belted, sipped from a tumbler of tequila (“Oh, Christ on a cracker, that's strong”), executed little feints and pounces, flung the mic cord away from herself like a filthy sock, and spat on the stage a bunch of times. Nine parts Judy Garland, one part GG Allin.
If the Garland-Allin combination suggests that St. Vincent is an acquired taste, she's one that has been acquired by a wide range of fans. The crowd in Brooklyn included young women with Haircuts in pastel fur and guys with beards of widely varying intentionality. There was a woman of at least 90 years and a Hasidic guy in a tall hat, which was too bad for whoever sat behind him. There were models, full nuclear families, and even a solitary frat bro. St. Vincent brings people together.
If you chart the career of Annie Clark, which is St. Vincent's civilian name, you will see what start-up founders and venture capitalists call “hockey-stick growth.” That is, a line that moves steadily in a northeast direction until it hits an “inflection point” and shoots steeply upward. It's called hockey-stick growth because…it looks like a hockey stick.
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Dress, by Balmain
The toe of the stick starts with Marry Me, Clark's debut solo album, which came out a decade ago and established a few things that would become essential St. Vincent traits: her ability to play a zillion instruments (she's credited on the album with everything from dulcimer to vibraphone), her highbrow streak (Shakespeare citations), her goofy streak (“Marry me!” is an Arrested Development bit), and her oceanic library of musical references (Kate Bush, Steve Reich, uh…D'Angelo!). The blade of the stick is her next four albums, one of them a collaboration with David Byrne, all of them confirming her presence as an enigma of indie pop and a guitar genius. The stick of the stick took a non-musical detour in 2016, when Clark was photographed canoodling with (now ex-) girlfriend Cara Delevingne at Taylor Swift's mansion, followed a few months later by pictures of Clark holding hands with Kristen Stewart. That brought her to the realm of mainstream paparazzi-pictures-in-the-Daily-Mail celebrity. Finally, the top of the stick is Masseduction, the 2017 album she co-produced with Jack Antonoff, which revealed St. Vincent to be not only experimental and beguiling but capable of turning out incorrigible bangers.
Masseduction made the case that Clark could be as much a pop star as someone like Sia or Nicki Minaj—a performer whose idiosyncrasies didn't have to be tamped down for mainstream success but could actually be amplified. The artist Bruce Nauman once said he made work that was like “going up the stairs in the dark and either having an extra stair that you didn't expect or not having one that you thought was going to be there.” The idea applies to Masseduction: Into the familiar form of a pop song Clark introduces surprising missteps, unexpected additions and subtractions. The album reached No. 10 on the Billboard 200. The David Bowie comparisons got louder.
This past fall, she released MassEducation (not quite the same title; note the addition of the letter a), which turned a dozen of the tracks into stripped-down piano songs. Although technically off duty after being on tour for nearly all of 2018, Clark has been performing the reduced songs here and there in small venues with her collaborator, the composer and pianist Thomas Bartlett. Whereas the Masseduction tour involved a lot of latex, neon, choreographed sex-robot dance moves, and LED screens, these recent shows have been comparatively austere. When she performed in Brooklyn, the stage was empty, aside from a piano and a side table. There were blue lights, a little piped-in fog for atmosphere, and that was it. It looked like an early-'90s magazine ad for premium liquor: art-directed, yes, but not to the degree that it Pinterested itself.
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Coat, (men’s) $8,475, by Versace / Shoes, by Christian Louboutin / Tights, by Wolford
The performance was similarly informal. Midway through one song, Clark forgot the lyrics and halted. “It takes a different energy to be performing [than] to sit in your sweatpants watching Babylon Berlin,” she said. “Wherever I am, I completely forget the past, and I'm like. ‘This is now.’ And sometimes this means forgetting song lyrics. So, if you will…tell me what the second fucking verse is.”
Clark has only a decade in the public eye behind her, but she's accomplished a good amount of shape-shifting. An openness to the full range of human expression, in fact, is kind of a requirement for being a St. Vincent fan. This is a person who has appeared in the front row at Chanel and also a person who played a gig dressed as a toilet, a person profiled in Vogue and on the cover of Guitar World.
The day before her Brooklyn show, I sat with Clark to find out what it's like to be utterly unstructured, time-wise, after a long stretch of knowing a year in advance that she had to be in, like, Denmark on July 4 and couldn't make plans with friends.
“I've been off tour now for three weeks,” she said. “When I say ‘off,’ I mean I didn't have to travel.”
This doesn't mean she hasn't traveled—she went to L.A. to get in the studio with Sleater-Kinney and also hopped down to Texas, where she grew up—just that she hasn't been contractually obligated to travel. What else did she do on her mini-vacation?
“I had the best weekend last weekend. I woke up and did hot Pilates, and then I got a bunch of new modular synths, and I set 'em up, and I spent ten hours with modular synths. Plugging things in. What happens when I do this? I'm unburdened by a full understanding of what's going on, so I'm very willing to experiment.”
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Coat, by Boss
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Jacket, and coat, by Boss / Necklace, by Cartier
Like a child?
“Exactly. Did you ever get those electronics kits as a kid for like 20 bucks from RadioShack? Where you connect this wire to that one and a light bulb turns on? It's very much like that.”
There's an element of chaos, she said, that makes synth noodling a neat way to stumble on melodies that she might not have consciously assembled. She played with the synths by herself all day. “I don't stop, necessarily,” she said, reflecting on what the idea of “vacation” means to someone for whom “job” and “things I love to do” happen to overlap more or less exactly. “I just get to do other things that are really fun. I'm in control of my time.” She had plans to see a show at the New Museum, read books, play music and see movies alone, always sitting on the aisle so she could make a quick escape if necessary. But she will probably keep working. St. Vincent doesn't have hobbies.
When it manifests in a person, this synergy between life and work is an almost physically perceptible quality, like having brown eyes or one leg or being beautiful. Like beauty, it's a result of luck, and a quality that can invoke total despair in people who aren't themselves allotted it. This isn't to say that Clark's career is a stroke of unearned fortune but that her skills and character and era and influences have collided into a perfect storm of realized talent. And to have talent and realize that talent and then be beloved by thousands for exactly the thing that is most special about you: Is there anything a person could possibly want more? Is this why Annie Clark glows? Or is it because she's super pale? Or was it because there was a sound coming through the window where we sat that sounded thrillingly familiar?
“Is Amy Sedaris running by?” Clark asked, her spine straightening. A man with a boom mic was visible on the sidewalk outside. Another guy in a baseball cap issued instructions to someone beyond the window. Someone said “Action!” and a figure in vampire makeup and a clown wig streaked across the sidewalk. Someone said “Cut!” and Clark zipped over for a look. It was, in fact, Amy Sedaris, her clown wig bobbing in the 44-degree breeze. The mic operator was gagging with laughter. It seemed like a good omen, this sighting, like the New York City version of Groundhog Day: If an Amy Sedaris streaks across your sight line in vampire makeup, spring will arrive early.
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Blazer (men’s) $1,125, by Paul Smith
Another thing Clark does when off tour is absorb all the input that she misses when she's locked into performance mode. On a Monday afternoon, she met artist Lisa Yuskavage at an exhibition of her paintings at the David Zwirner gallery in Chelsea. Yuskavage was part of a mini-boom of figurative painting in the '90s, turning out portraits of Penthouse centerfolds and giant-jugged babes with Rembrandt-esque skill. It made sense that Clark wanted to meet her: Both women make art about the inner lives of female figures, both are sorcerers of technique, both are theatrical but introspective, both have incendiary style. The gallery was a white cube, skylit, with paintings around the perimeter. Yuskavage and Clark wandered through at a pace exclusive to walking tours of cultural spaces, which is to say a few steps every 10 to 15 seconds with pauses between for the proper amount of motionless appreciation.
The paintings were small, all about the size of a human head, and featured a lot of nipples, tufted pudenda, tan lines, majestic asses, and protruding tongues. “I like the idea of possessing something by painting it,” Yuskavage said. “That's the way I understand the world. Like a dog licking something.”
Clark looked at the works with the expression people make when they're meditating. She was wearing elfin boots, black pants, and a shirt with a print that I can only describe as “funky”—“funky” being an adjective that looks good on very few people, St. Vincent being one of them—and sipped from a cup of espresso furnished by a gallery minion. After she finished the drink, there was a moment when she looked blankly at the saucer, unsure what to do with it, and then stuck it in the breast pocket of her funky shirt for the rest of the tour.
A painting called Sweetpuss featured a bubble-butted blonde in beaded panties with nipples so upwardly erect they actually resembled little boners. Yuskavage based the underwear on a pair of real underwear that she'd constructed herself from colored balls and string. “I've got the beaded panties if you ever need 'em,” she said to Clark. “They might fit you. They're tiny.”
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Earrings, by Erickson Beamon
“I'm picturing you going to the Garment District,” Clark said.
“There was a lot of going to the Garment District.”
As they completed their lap around the white cube, Clark interjected with questions—what year was this? were you considering getting into film? how long did these sittings take? what does “mise-en-scène” mean?—but mainly listened. And she is a good listener: an inquisitive head tilter, an encouraging nodder, a non-fidgeter, a maker of eye contact. She found analogues between painting and music. When Yuskavage mourned the death of lead white paint (due to its poisonous qualities, although, as the artist pointed out, “It's not that big a deal to not get lead poisoning; just don't eat the paint”), Clark compared it to recording's transition from tape to digital.
“Back in the day, if you wanted to hear something really reverberant”—she clapped; it reverberated—“you'd have to be in a room like this and record it, or make a reverb chamber,” Clark said. “Now we have digital plug-ins where you can say, ‘Oh, I want the acoustic resonance of the Sistine Chapel.’ Great. Somebody's gone and sampled that and created an algorithm that sounds like you're in the Sistine Chapel.”
Lately, she said, she's been way more into devices that betray their imperfections. That are slightly out of tune, or capable of messing up, or less forgiving of human intervention. “Air moving through a room,” Clark said. “That's what's interesting to me.”
They kept pacing. The paintings on the wall evolved. Conversation turned to what happens when you grow as an artist and people respond by flipping out.
“I always find it interesting when someone wants you to go back to ‘when you were good,’ ” Yuskavage said. “This is why we liked you.”
“I can't think of anybody where I go, ‘What's great about that artist is their consistency, ” Clark said. “Anything that stays the same for too long dies. It fails to capture people's imagination.”
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Coat (mens), $1,150, by Acne Studios
They were identifying a problem with fans, of course, not with themselves. It was an implicit identification, because performers aren't permitted to critique their audiences, and it was definitely the artistic equivalent of a First World problem—an issue that arises only when you're so resplendent with talent that you not only nail something enough to attract adoration but nail it hard enough to get personally bored and move on—but it was still valid. They were talking about the kind of fan who clings to a specific tree when he or she could be roaming through a whole forest. In St. Vincent's case, a forest of prog-rock thickets and jazzy roots and orchestral brambles and mournful-ballad underlayers, all of it sprouting and molting under a prodigious pop canopy. They were talking about the strange phenomenon of people getting mad at you for surprising them. Even if the surprise is great.
Molly Young is a writer living in New York City. She wrote about Donatella Versace in the April 2018 issue of GQ.
A version of this story originally appeared in the February 2019 issue with the title "Switching Lanes With St. Vincent."
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zoroism · 5 years
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The Strawhat’s Deja Vu
This is my entry for the @opbigbang 2019! This is actually my first long fanfic (or fanfic in general) and I hope you all would like it! I had so much fun writing this and I hope you’ll have fun reading it too!
A big thank you to my partner @babblebuzz! for the amazing animation they made for the fic! And for being so understanding bc my work schedule is crazy xD Check out their artblog @junonboi! (You’ll see amazing art please go and check them out)
The day was perfect. The sun was shining, the wind was blowing through his grass hair and there were no signs of rain coming anytime soon. A very good day for a road trip indeed. They say Roronoa Zoro was king of the road trips. Why you ask? Since he absolutely didn't know where he was going most of the time. Though he knows where he needed to go he just doesn't know how to get there even with the best GPS apps. He just keeps on getting lost and the man is very sure that he was not the problem. It was those stupid apps. So when you want a short adventure just tell Zoro to maybe go to the nearest McDonald's and you'll most certainly be on a highway going to the next city.
"Zoro, I'm hungry." A teenager with curly brown hair and freckles running across his cheeks groaned. He was sitting in the passenger seat with his phone on his hand checking the map if they were going in the right direction every minute.  
"Sorry Chopper, we'll get there soon," Zoro answered with an apologetic expression. He saw the discomfort on Chopper's face that tells him that the boy was indeed very hungry. Zoro couldn't blame him, after all, they were driving the Red Line Highway for eight hours now and their snacks were all out.
   The two of them were headed to Marie Jois City. They were moving there since Chopper got a scholarship to Marie Jois University for a degree in Medicine. Zoro was still in shock that the boy was going to college at an early age but he did know that Chopper was a genius. The boy was already doing adult stuff like paying the bills, budgeting their money and cleaning the house while Zoro was at his job. He was very responsible for the age of fifteen.
   Zoro and Chopper were orphans. They met at the orphanage where they both grew up. The place took care of them very well but potential parents that interviewed them didn't want them. Maybe because Zoro dyed his hair green and maybe because he looked like a delinquent that no one wanted him and thought that he was too "rough" for them since parents did want a more "cuter" and "nicer" kid. For Chopper's case, he was always around Zoro. So when someone tries to talk to him Zoro gives them a deep stare. He was just checking out if they were nice people, it wasn't his intention to scare them away. Maybe. He just wanted to make sure Chopper was adopted to a nice family.
   So when Zoro turned eighteen, he left the orphanage with Chopper by his side. Of course, the orphanage didn't allow this at first since they needed to make sure that Zoro had the means to pay for the bills. He first got multiple jobs to show that he was capable and Chopper showed the people in the orphanage that he was responsible enough that he might be the one taking care of Zoro instead even if he was just twelve years old. In the end, they were both allowed to live together as brothers with the help of some convincing that Zoro did. That was three years ago. And of course, during those three years, they had a hard time adjusting to their new lives as independent people but they were moving to a brighter future now.
"We don't have to do this now you know." Chopper whispered barely audible for Zoro to hear. "I can get some job first then work my way up."
"Don't think about the bills or anything related to that. Just go and live your dream." Zoro answered with his eye looking directly at the road. He had to leave his job back at Shimotsuki City and he knows that Marie Jois is an expensive city since people call it the "City of Dreams" where rich ass people live. Though he knows Chopper got a scholarship at the university, there were still some school expenses they needed to pay plus their rent and food money.  
"We got this okay? Things will work out. I'm the adult here let me handle the money matters, I want you to focus on what you want." The man said again shaking those thoughts out of his head, he knew things would work out in the end. He wanted to do this for his brother.
"Well at least let me drive. You're getting lost again!" The teenager exclaimed while pointing at the map on his phone.
"Like hell you'll drive! You're underage!" The green haired man exclaimed.
"Wow! Coming from a man who certainly follows the "street rules"" Chopper did quotation marks with his hands to emphasize his point. "You know I know what your true job is!"
"Are you seriously bringing that up now?" The man question with a pained expression. Zoro knew working at retail won't pay the bills. He knew it wasn't enough for both of them so he had to do something else and that way was the only way he could earn some quick cash.
"Did you seriously think I'm that dumb to not know? How could I not notice the car you're driving?! It's a new car! You even bought me the newest Samsung phone, the best laptop AND we're moving to Marie Jois. Given that we still don't have enough right now BUT NOT JUST ANYONE CAN MOVE THERE!" Chopper was technically yelling at the last part because he still thought it was amazing how Zoro's job could pay all these and of course he was very thankful for Zoro's hard work. Well, he was especially amazed at how Zoro could do that job given that the man was directionally damaged, he actually really wanted to know how Zoro could do it. "Plus I know what really happened to your left eye you know. You got in an accident during a race didn't you?"
   Zoro glanced at Chopper to see his sad expression. Zoro felt bad for worrying the boy that night. It was two years ago during the Summer season. Zoro got the chance to race with a man known to be the best at Shimotsuki City, Dracule Mihawk. They decided to race from the top of the mountain to the bottom. During the first part of the race, Mihawk was in the lead. In a sharp turn, Zoro tried to overtake Mihawk but he actually got lost during his drift. Zoro was able to be in the lead when he got out from his little "detour" and jumped out from a small road and landed in front of Mihawk. Nearing the end of their race, there was another curve and his opponent saw this opportunity and bumped him at the back of his car. It caused his car to spin but Zoro still got his grip on the wheel, he thought about Chopper and he knew he couldn't die there. He directed his car to hit the mountain wall which caused rocks to break his window side and the glass hit his left eye which was the reason why he couldn't open his eye and how he got a big scar on the left side of his face. He was still able to calm his car down and finish the race. Mihawk was impressed with his skill and luck and told Zoro that he would await him until he was ready to fight him again. It was then Zoro swore to himself that he would beat Mihawk one day.
"Being a street racer has its perks you know." Zoro grinned and shuffled Chopper's hair with his right hand. The boy smiled and said, "One of the reasons why I wanted to be a Doctor.".
"But how can you be directionally challenged but still be a street racer at night?" Chopper genuinely asked putting his index finger and thumb on his chin with a thinking look on his face.
"Stop that you look like that stupid thinking emoji. Just don't ask, things work out in the end." Zoro himself didn't know how he wins his races besides knowing he had the skills and a stroke of excellent luck on his side.
"I will stop questioning this logic. It pains my head." Chopper agreed. When he glanced at his window, Chopper's eyes grew big and he immediately shouted "ZORO YOU MISSED THE EXIT! OUR EXIT WAS 10 EXITS AGO!".    
When the boys finally got to the right road to Marie Jois city they were amazed by the big castle they see in the distance. It was literally a big medieval castle surrounded by tall buildings that had the same style as the castle. The road they were traveling through was a straight road where you can see if you squint your eyes enough, that it goes until the entrance of the castle. You would think there was a border around the city since before you get there the only thing you'll see is grasslands, farm animals, and crops but it was open for anyone to enter.
"I was not expecting a castle to set the bars of how rich the people at this city are." Chopper said with his mouth open ready for that fries he has on his hands. They went to a drive-thru before they continued their road trip to the city. It was nice timing since they felt like they were about to puke even though they didn't have anything in their stomachs. They were driving half a day now since Zoro missed their exit.
"That's probably the city's government office or something." Zoro answered before sipping his coke.
"Probably. Since this road leads straight to there. Maybe they want us to pay before we find our new house?" Chopper turned his head to face his window. His eyes were greeted by trees that lined up perfectly beside the road. It goes on until they got to the castle where it is placed at the center of a big roundabout with three exits that were simply named, North, East, West, and judging from the names he concluded that they came from the South road. Chopper was in awe about how big the city center was. Besides the big castle, there was a small park with mini stalls surrounding it where he saw people walk and talk with each other. There was a big fountain where kids were playing with the water, teenagers had water guns that they were shooting others with and some people were even bathing in it?!  
"You're not thinking of joining them are you?" Zoro teased the boy. Though he knew Chopper was a genius, the boy was a teenager after all. He still wanted the kid to experience what normal kids do, he wanted him to have fun and enjoy being a kid. Just not the dark side of those "fun" things though.
"O-of course not!" Chopper answered trying to hide a blush creeping up his cheeks. "It's not like it looks fun or anything!" The boy was trying to hide the fact that he indeed, wanted to play with those kids but Zoro knew him well enough to know what he truly wanted. He might push Chopper to go to the center after they finish unpacking their stuff.
"Well, it looks fun. Find some friends and go have fun. I'm not gonna stop you unless you're hurting yourself. Not that I needed to remind you. I know you." The man said with a soft smile. "You should go and meet kids your age. Don't get cooped up in the house and do all those housework again. You're not a maid. We're in this together."
"I know that." Chopper became quiet and gazed at the scenery outside, he was starting to drown in his own thoughts. It wasn't like Zoro was forcing him to do those things, he just wanted to do it since he saw how Zoro was working so hard for him. He was the best big brother anybody could ask for. And he was constantly worried at night if Zoro will come home again with blood all over him like how he did when he raced with Mihawk.
"Well, now we need to find the East exit." Zoro said disturbing Chopper's racing mind. Chopper looked at the window and slapped his forehead.  
"Zoro, We've been circling this roundabout five times now." He respected his big brother so much but just, damn his directionally challenged brain.
"Well, this road keeps on moving!"
"Exit the next one! This roundabout has just four exits and we came through one! How can you get lost?!" Chopper exclaimed and sighed when the man was turning to the right exit. When they turned to enter East Road they were greeted by a long straight street with three-story buildings that also looked medieval but had high-class stalls that looked new at the first story. It was almost dark so they could really appreciate the lights the whole street emitted. Not to mention the road wasn't asphalt or cement, it was pebbles which was a nice complement to the medieval theme of the city.
"This is a beautiful city." Chopper said with excitement in his eyes. He was truly in awe about how beautiful and lively the city is. The boy loved Shimotsuki City but the city was small and dark compared to Marie Jois. The city just breathed new opportunities everywhere.
"This is a city that never sleeps. I expected it to be like this." Zoro answered while he was trying to fiddle his phone with his right hand. Chopper took the phone from his hand and looked at the address on the screen.
"Give me that! I know you're an awesome street racer but it's still not safe to use your phone while driving. Plus we don't know what the rules here are yet!" The boy read the directions they got from their new landlord. "It says here that we should turn right on the third street then we'll see a red brick building there."
Zoro followed Chopper's instructions and they got to their new house safely. He parked on the street just beside a small three-story building that had red brick walls. Each floor, besides the bottom one, had a balcony in the middle that aligned on top of the big antique brown door with wood carvings that looked like the waves on the first floor. There was a small parking lot just on the right side of the building but Zoro figured it was best to knock and great the landlord first.
"Wow, Zoro this looks really nice!" Zoro saw the sparkle on Chopper's eyes. He was happy that his little brother liked the new place he got for them.
"This is the cheapest one here you know."
"This is the cheapest one?! This actually looks like one of the most expensive apartments in Shimotsuki City!" Chopper was waving his hands in the air as if he was emphasizing how impressed he was with the difference between their old home and the new one.
"Well let's go check it out." Zoro grinned and shuffled Chopper's curly hair.
The boys rang the doorbell and waited for a few minutes. They heard footsteps and the door opened. They were greeted by a beautiful black haired lady with blue eyes that smiled at them with delight.
"Are you Zoro?" She asked in a sweet voice.
"Yeah, I'm here for the apartment?" The green-haired man nodded. Chopper hid behind Zoro's back as he was very shy with other people. He was very open to Zoro but when it comes to other people or at least strangers, he was very quiet.
"Come on in, I'm the landlady. My name's Nico Robin." Robin opened the door widely and gestured for the brothers to enter their new house. When they entered the apartment they were greeted with a hallway full of bookcases and statues that look like it was from the ancient times. There were two doors on the right side of the hallway, one was open that showed the staircase and the other was closed and the brothers assumed it was the landlady's apartment.  
Chopper observed the bookcase near the main door and his eyes lit up with delight. "Zoro! These books are old medicine books! There are different techniques that I could learn from here! Maybe I could combine them and develop a better technique?!"
"Woah there buddy those aren't hours." Zoro patted Chopper's back and pointed at Robin to let his little brother know that they were hers.
"Are you interested in my books?" Robin chuckled and looked at Chopper.
"Y-yes..." Chopper was startled with the question and hid behind Zoro's back. There was a blush creeping up his cheeks.
"He's really shy but he's a sweet boy. This is Chopper, my brother. He got a scholarship at the Medicine course in Marie Jois University." Zoro said with a proud tone on his voice.
"How wonderful! You can borrow my books anytime you want. You can knock on my door and I'll show you my whole library." The lady smiled and there was an aura she was emitting that made Chopper feel safe and at home and he felt like he immediately warmed up to the lady. He moved from Zoro's back to directly talk to Robin.
"Can I really?" He asked with his big cute eyes.
"Of course, You're a cute doctor after all." She answered with a sweet smile.  
"It's not like your compliment made me happy!" Chopper smiled and started to clap his hands and buried his face on his palms hiding how red his face turned. Robin chuckled at Chopper's reaction and appreciated how cute the teenage boy was.  
"I should show you your apartment. You'll be living on the third floor." Robin gestured for the three of them to climb up the stairs. Robin went first while Zoro and Chopper followed. "The only apartment mates you'll have here are me, I live on the first floor, as you guessed and Usopp who lives here on the second floor." Robin gestured at the door they were facing when they climbed up the first set of stairs.  
There was a loud explosion that surprised Zoro and Chopper. Zoro immediately pushed Chopper behind his back out of instinct while Robin just chuckled in amusement.  
"Don't worry, Usopp's a mechanic you'll get used to it." Suddenly they heard running and shouting from the inside of the apartment. "Oh I think he's burning himself alive," The landlady said with a smile on her face.
This surprised both Zoro and Chopper, they couldn't hide the horror on their faces. The door swung open and they were greeted by a comical face that had both his eyes and tongue out in a spiral manner.  
"ROBIIIN!" Chopper shouted in surprise and Zoro instinctly grabbed the face and to his surprise, a mask was in his hand and he gazed at it for a few seconds before looking at the man standing at the door.
The man with curly black hair tied in a bun and long nose laughed. "That was an amazing greeting, wasn't it? That was how we used to greet worthy people who didn't need to go thru a trial to live with us." The guy pointed himself with his thumb and he looked very proud of his obvious fake story.
"Really?!" But Chopper didn't know it was a lie. He was impressed with the man because even though he nearly scared Chopper to death it was still a unique way of greeting new neighbors.
"Yeah! I got a whole bunch of tools inside from my adventures, Do you wanna see?" Before Chopper could say anything, Zoro stopped him because he knew Chopper would say yes. His whole face lit up with excitement when he heard the word "adventure" come out from Usopp's mouth. "Okay buddy, let's unpack first."  
"I'm Usopp by the way! Just come back later if you want!" Usopp grinned and waved goodbye to Chopper. Robin, Chopper and Zoro climbed the stairs once again and when they got to the top they were greeted by a blue door.
"Now this is your apartment. It's a two bedroom apartment which also includes a balcony." Robin keyed the lock and opened the door. She gave a key to Zoro and smiled. "We can talk about the payment some other time. Just settle here first. I can see you both look like you need some sleep. You can park your car anywhere in the parking lot on the right side of the building"
"Thanks, We'll knock once we're done with the unpacking."  
"The moving truck already arrived here first so your things should probably be already inside. Well then, I'll go down now. Just knock on my door when you need something" Robin once again smiled and winked at Chopper before she climbed down the stairs.
"Let's get inside then." Zoro and Chopper slowly entered the door. When they entered their new apartment they were first greeted by the shoe rack and a door for the closet. If they look at their left side, they saw a hallway that leads to a small bedroom. The boys decided to check what was behind the wall of the closet first. The apartment had an "open concept" type of feel to it since the walls were white and the living room area was connected to the kitchen and dining area in an L manner. Their furniture was placed on the corner and was covered by a large white cloth to protect it from the dust. There was a glass door that gives the place a natural light, though it was getting darker since the sun was setting. When they walked towards the tail of the L part of the apartment, they saw their kitchen lined up at the left side of the wall. It was the usual kitchen with a refrigerator, cabinets at the bottom and a sink, it was all white and black though. What wowed them the most was the oven and dishwasher, they didn't have one of those back at their old place. They went back to the hallway and they were greeted by two doors on the right side. They opened the first door and saw a washing machine and dryer inside.
"Zoro! We don't have to go outside to do laundry anymore! I'll take that off the budget now." Chopper exclaimed and made a mental note. He surely was loving the new apartment.
They got to the next door and it was the bathroom. They got to the end of the mini hallway and was greeted by the first bedroom. It was a small bedroom with a window in the opposite wall of the door. The moving guys placed Chopper's bed, study table, and bookshelf on the corner under a white cloth. There were about five boxes beside it too.  
"You like it?" Zoro asked with a smile on his face. He already knows the answer. It was all over Chopper's face.
"I do!" Chopper ran inside and started opening the boxes beside his bed to start unpacking and start decorating his room.
"Remember to wipe the dust first okay? I packed cleaning supplies on one of the boxes in the living room." Zoro reminded his little brother since he saw light dust on the walls.  
"I know!"
Zoro chuckled and continued to his room. It was the door at the end of the hallway. It didn't really look that much different from Chopper's except he didn't have a whole wall of closet, just a small one, and his window was at the side of their apartment balcony. Zoro looked at the scenery outside his window and saw that the sky was already dark.
"Chopper let's check the balcony first." Zoro knocked on Chopper's door where he saw him sorting out his clothes in his closet.  
The boys went outside and were mesmerized by the view. Living on the third floor, of course, had its perks and this was definitely one of them. They could see the city lights that were like stars that were twinkling in the sky. It was very different from their old city where at this time people were already turning off their lights to sleep, here in this city people were still outside getting to where they needed to go.
"I'm starting to love this place." Chopper said while gazing at the beautiful view in front of him.  
"So do I."
Zoro was awakened by the light coming from the window. He slowly opened his eyes and the first thought he had was where the fuck am I? He sat up and looked around his room and finally realized where he was at, oh right we moved. He slowly stood up, stretched his body, did some "light exercise" of a thousand push-ups to warm up and left his room. The smell of bacon filled his nose and he immediately knew Chopper already cooked breakfast for them.
"You should've just relaxed today." The man said as he entered the kitchen and saw Chopper cooking pancakes which were a great partner for the bacon.
"I'm just cooking breakfast Zoro, and it's already pass nine and I'm very hungry." Chopper answered as he flipped the pancake. "You do remember that I'm supposed to go to the university today right?"
"Oh shit, was that today?" Zoro couldn't hide the oh shit expression he had on his face. Of all the days he would forget it was the day they would visit Chopper's new campus for the first time. Chopper placed the last pancake on a plate and Zoro picked it up to place on their table.
"Yes, it's today at 1 pm" The boy took a bite from his food and picked up his phone from the side of his plate. He scrolled through his emails and showed Zoro the message he received from his new school.
"So you've got admission things you need to do." Zoro read the email and saw that Chopper needed a guardian since even though he was a college student, he was still underage.  
The boy nodded and they silently finished their breakfast. Zoro told Chopper to get ready while he washed the dishes. After finishing the dishes, Zoro sat at their sofa and was in deep thought. Now that they were at Marie Jois city, he needed to find a job to support their finances. He still had backup money that could maybe last for a couple of months but after that, they would be broke. That money was what he won from his races the past few months, he started racing like crazy before they moved since he knew they needed money. He could apply for part-time jobs around the city to cover up for their bills but he knew he still wanted to race. There was a certain euphoria he felt every time he was on the wheel and he certainly liked that winning feeling he had whenever he comes first place. It wasn't an official racing match like the world cup but it was so rewarding to win a race. If he wanted to race around this city he needed to see what type of racers this city had. He knew that Marie Jois City was known to be a racer's den at night, racers from around the world come to the city and race to be the best. Despite its government to be very strict with their road rules, the roads here were definitely a good place to train himself and tune his car up to be able to beat Mihawk. To introduce himself to the racing community, he needed someone to show him where the race usually takes place and fill him in about who was the best.
The knock on their door interrupted Zoro's thoughts. Zoro stood up and opened their front door and the first thing he saw was a long nose.
"Hey there! I know you're new here and you don't even know where the bus stops are. I've got some free time today. Do you want the Great Usopp to tour you around?" Usopp wiggled his eyebrows. Zoro was unsure of what he should answer. He was very cautious of whom he interacts with since he didn't know if the guy was a bad guy that could be a bother to their lives.
"Usopp! Maybe you could show us where Marie Jois University is?" Zoro nearly facepalmed himself when Chopper easily accepted the man's invitation. Chopper just got out from the shower and he had a towel over his curly hair. Not that he was judging so badly since when Zoro double looked the man he didn't have any bad aura coming off of him.  
"Oh right, Robin told me you were accepted for their scholarship! That's amazing but not as amazing as me!" Usopp said with a grin. "I can take you there. What time do you need to be there?"
"Did you just call me amazing?! I'm not that amazing! " Chopper tried to hide his face with the towel he had on top of his head. The boy just couldn't take compliments.
"We need to be there at 1." Zoro answered and accepted Usopp's invitation. There's nothing he could really do here since Chopper seems to like the guy and maybe even Usopp knows how the street works.
The three of them were finally ready for their errand of the day and their first trip together as a group. They said goodbye to Robin and headed outside to the parking lot and stopped in front of two cars that were under a brown and violet cloth.
"We take our cars here very seriously, they're our babies. That's Robin's car under the violet one." Usopp grinned, a very proud one at that. It was like he was preparing for this moment his entire life. He was just going to show them his car.  
The cloth revealed a dark red car, the same color as the Doritos nacho cheese flavor. The car's hood was long and big that even without opening the hood you could already determine that the car's engine was a different class from normal cars. The headlights looked like they were the eyes of a robot and the brake lights had three of those faces that scared Chopper and Zoro yesterday. The mirrors were shaped like wings. The hubcaps of the wheels were colored gold and were shaped like a star. The top of the trunk also had a small spoiler attached to it. Finally, there were only two doors on the side of the car that makes it look like a two-seater car but when you take peek on the inside there was a seat that could fit two people on the back.
"Isn't this a Toyota Supra?" Zoro said with awe as he eyed the car from the hood to the trunk. "Weren't they faced out during the early 20's?"
"Yeah, the base is a Toyota Supra but I changed the inside completely. I also added some touches on the appearance as you can see." Usopp winked. "This baby..." He slapped his car roof to emphasize his next phrase. "Can run faster than a jaguar."
"Wow! That's amazing Usopp! Are you a street racer?!" Chopper asked with sparkles on his eyes, clearly amazed by Usopp's car and Usopp himself.
"Hmmmm... Am I?" The long-nosed man placed his thumb and pointer finger on his chin, as if he was thinking of something deep. "I know you're amazed by me and have a lot of questions but we should get going. You guys might get late."
Usopp unlocked his car and opened the driver seat. He bends the seat to let Chopper enter the seat at the back. Chopper happily entered his car and was amazed by how comfy his seats were. The ride to Marie Jois University was filled with funny stories Usopp told that were not lies. He told them of a time he was driving his car so fast that he was able to climb the mountain walls by driving upwards.  
"You're a street racer aren't you?" Zoro asked randomly since his curiosity was eating his brain. Besides the obvious fact that his car was pumped up, there were multiple buttons beside the wheels and the shift had an additional gear.  
"I'm the best one out there!" Usopp answered proudly. Zoro rolled his eyes, he knew he was lying but Chopper believed him. "I do race, but I don't always do it. I enjoy racing but I enjoy building cars for racing more." There was silence between the three of them as Usopp made a turn and entered a gate that had a sign above that read "Marie Jois University". They were met by an intersection that had signs which directed to the buildings of the different majors that the school offered. Usopp made a right turn to lead them to the Medicine Building. Along the way, Chopper saw students walking at the sidewalk with a pile of books in their arms and he never felt this excited to learn new knowledge about medicine.
"If you're interested I can upgrade your Civic but you have to meet my crew first." Usopp said barely audible but Zoro understood what he said. The car was slowing down indicating that they were at their destination.  
"I don't deal with crews." Zoro sternly answered. He prefers to work alone. He was a lone wolf and thought that crews were troublesome to deal with since those type of groups usually got into fights more often and he wasn't in the position for those since Chopper might get into the mess.
"At least just meet them first, they're not that bad." The long-nosed man said with a grin. "You have my number now right? Just text me after you're done with the admission process and we can meet up."
"Thanks for the lift Usopp!" The small curly-haired boy exclaimed with an excited expression on his face. He was basically beaming. Zoro got down first and bent his seat down to let Chopper out of the car. He waved goodbye to Usopp as the man drove away.
When they turned around to face the school they saw a large white building that looked like a coliseum. Large words were printed on top of the door that said "Marie Jois Medicine Department". There was a fountain in the middle that has a statue of two snakes winding around a winged staff, a symbol of medicine, in its core. Students were walking around with multiple books on their hands and their eyes were as black as a panda. Everyone and everything looked different from high school and Chopper suddenly felt overwhelmed by everything.
"Zoro, I think everyone here is on a different level." Chopper said with an intimidated expression on his face.  
"And you're a level above them." A simple sentence like that was enough for Chopper's worry to fade. His brother always knew what to say when he felt lost and he knew that Zoro was always there for him and it made him feel like he could do anything. Zoro slapped Chopper's back to slam the boy with confidence again. "You've got this."
"I've got pain in my back." The boy joked as he rubbed the place where Zoro slapped him. Zoro was a tall and muscular man so a simple slap on his back was enough for Chopper's lungs to come out.
The two brothers entered the school building and the inside was just as amazing as the outside. Though the outside had an old but elegant feel to it, the inside had a modern design.  The entrance hall had a huge staircase that leads to a second floor where they saw students were reading books and lounging around. There were four huge doors that lead to different departments on the first floor. The first thought Chopper had was that he needed to hold his big brother's hand or he wouldn't find the guy for a week.  
"Where do we go?" Chopper said his thought out loud, he was worried that he would be late for his appointment, it wasn't a good image to start with after all.  The building had different hallways and rooms and it might take ages for them to find the admissions center. The only way they could get there on time is to ask how to get there.
"You're blocking the way." The boys turned around to see a black haired man with a very deep and black eyebags who had tattooed letters on his fingers that when put together spelled "DEATH".  
"You can just walk past us, there are no people around!" Zoro raised his eyebrows and looked around him to check if there were other people in the large entrance of the building. There were none, and the man could have just avoided them and went on his day.
"Zoro...  We are blocking the way..." Chopper said in a low voice. He didn't want trouble before he could even start going to classes.
"Oi Law, don't scare them." A man wearing a white lab coat came up to them. He was wearing eyeglasses and he had blonde hair on top of his head but the sides were completely bald. Somehow, he reminded them of a pineapple. "I'm guessing you're looking for the admissions?" He questioned with a smile.
"Yes." Chopper answered the man. The boy glanced at Zoro, who was having a staring contest with Law.
"I'll take you there. I'm Marco, a professor at this university and this..." Marco placed his hand on Law's shoulder and gave it one light slap. "is Law. Despite him looking like a criminal, this guy is a graduating student and the top one at that." Chopper looked at Law in a different light. At first, he thought the guy was a delinquent but now he sees him as a star student. He thought the guy must be very grumpy because he was staying up all night to study and do school work, he can see it in the guy's eye bags.
"Go to your class, Law. You'll be late." Marco looked at Law and shooed him away. Law gave the brothers one final look before he turned his back and walked to his class.  
"Don't worry, he's a pretty nice guy if you get to meet him better. He's not in a great mood this morning because of school work. Now then, shall we?" The professor smiled and gestured that they climb the stairs. He escorted them all the way to the admission area where he told them to sit down at the reception and wait for a while. Marco gave Zoro a clipboard to fill up Chopper's personal information while they were waiting.
"This is it Zoro." Chopper whispered while watching Zoro filling up the form. Zoro grunted to acknowledge what Chopper said. They knew they would move to Marie Jois City but it felt like a dream that when they wake up it would go away but now that they're here with their fancy new apartment and Chopper's new amazing school everything finally felt real for the both of them and they're proud of how far they come. They both waited patiently on their seats and after thirty minutes Marco came back and asked for the clipboard.
"Sorry, the dean got busy with work so he asked me to process your admission instead uhhh..." He looked at the clipboard to see the name of his client. "Mr. Chopper?" Marco questioningly looked at Zoro because he thought the name didn't quite fit the guy. Zoro made the no motion with his head and pointed at the actual Chopper beside him. The professor made a questionable expression with his face at first but then he immediately lit up like he remembered something.
"Oh! You're that genius kid the faculty's talking about!" Marco exclaimed with a huge grin on his face. "Everyone's excited to meet you!"
"Don't call me a genius! It doesn't make me happy!" Chopper hid his blushing face in his hands. He couldn't take the compliment that the whole faculty knows about him and recognizes his talent. The thought gave him a confidence boost. Marco looked at Zoro to ask if Chopper was okay and the green-haired man nodded his head in response. The pineapple-haired man chuckled.
"We'll just do a short orientation." Marco leads the two boys to an office where they talked about the requirements for Chopper's scholarship. The man explained that the boy needed to maintain an above average GPA to maintain his scholarship and that it only covers the whole tuition for his years at the university. So the money to buy for books and medical equipment needed to come out from their pockets. If the school also needed a student volunteer they'd need Chopper to be there to help them.  Marco showed them the school curriculum and available subjects they had for the semester. He suggested that Chopper shouldn't rush since they still had a month before the semester starts but he also told him to pass the schedule he wanted two weeks before. Marco made Zoro sign a contract about the conditions for Chopper's scholarship. The school knew Chopper was still underage so they made his guardian sign for him and included him to the orientation just to be sure that they know what the boy was about to go through. After a short two hour talk with Marco, they finished the first step of the admission process and told them to come back with the schedule.  
"I'll see you in class then, Chopper." Marco said while shaking the boy's hand. After their exchange, the brothers left the room and walked to the exit of the school building where they texted Usopp to come and pick them up.
"Well, that went well huh?" Zoro ruffled Chopper's hair as if telling him that he did a good job and that he was very proud of him. Before Chopper could answer there was a loud grumble from his stomach.
"Hungry?" The man asked and Chopper nodded in agreement.
"I've got packed lunch in my bag, we could eat it while waiting for Usopp." Chopper opened his backpack and took out the lunchboxes he made, he figured that they might get hungry while waiting and that a homemade lunch would cost cheaper than eating outside. The two brothers found a tree near the road where they sat down and ate their lunch. It was a nice spot where Usopp can easily spot them. Usopp replied that he might be late because he visited a friend on the campus and that he was still with them which was fine for the boys because they didn't have anything else to do that day and a short picnic was nice. They ate their lunch while talking about how the university will be for Chopper and after they had their fill Zoro fell asleep laying on the grass while Chopper read the curriculum and available subjects Marco gave him.
It was silent until a loud screeching sound of tires and explosive sounds of engine disturbed their peace. Chopper looked around to see where the noise was coming from but all he saw were students, who were also chilling on the school grounds, shook their heads and facepalmed and just had this expression of "not again" in their faces.
When Chopper faced the road, he saw a small white car speeding. The bottom half of the car, as well as the hood and side mirrors, were colored black. It was too far away to see most of the details but he saw that the windows weren't tinted so you could see a silhouette of a person with a strawhat sitting on the driver's seat. There was a red Ferrari behind him trying to catch up but the white car suddenly burst speed as flames from the back of the car erupted. The car suddenly stopped on the nearest tree to where Chopper and Zoro were sitting under. There were tire marks on the road and Chopper could hear laughing from the white car. The Ferrari stopped beside the white car and rolled down the window in the passenger's seat and started shouting. It was amazing how Zoro was still asleep during the whole act.
"REMEMBER THIS STRAWHAT." A man with blue hair and a big red nose stuck his head out for a second to look at the white car's driver and stared at him to try and intimidate him. But Chopper could hear a loud laugh from the white car, the clown man looked irritated and just drove away in defeat.
"I'll beat you as many times as you like Buggy!" A boy with a stawhat stuck his upper body outside as he shouted and waved goodbye to Buggy. Now that the white car was closer, Chopper saw the plate on the back of the car that said "KING" and taillights that had three X on each side. There were three exhaust pipes on the back and the hubcap was also shaped like an X. Chopper stood up and walked to see the details on the front side of the car. He saw that the headlights were slanted on each side and that the hood was wider than most cars but the thing that interested him most was the word "TRUENO" in the middle part of the bumper.  Overall, the car looked old but the thing still beat a Ferrari at full speed.
"You wanna race me?" Chopper didn't notice but the boy at the driver's seat got out of his car and was watching the boy while he was examining his car. The freckled boy noticed that the driver had black hair and a scar on his left eye. A huge X scar was also visible on his chest under his white thin shirt. Chopper was curious about the scar since he looked too young to have such big injuries but he was a racecar driver after all.
"Ah! I'm not a racer so..." The boy looked disappointed with Chopper's answer but before he could say anything a loud grumble could be heard and Chopper looked at the boy.
"I'm hungry, do you have any food? I'm Luffy by the way!" The sudden change of topic surprised Chopper but the expression of hunger from Luffy's face was something he couldn't resist. Chopper scanned the place where Zoro was sleeping, looking at the lunchboxes that were spread near the man and remembered that he still had some fried eggs left, it was food for dinner but it seemed like Luffy needed it more. "I think we've still got some food left."  
Luffy clapped with joy and followed Chopper to their picnic place. Chopper handed him the eggs and he looked at the food with sparkles in his eyes. It was like he saw fried eggs for the very first time. He positioned himself to sit on the grass not noticing a certain green-head sleeping right below him. Before Chopper could warn him, Luffy sat on Zoro's face and like right on cue Luffy felt some air he needed to release and right there and then he did.  
Zoro immediately woke up and pushed Luffy away coughing for some fresh air. Luffy not only laughed at the sight in front of him, which happened because of what he did but also because he didn't know a man can blend so well with the grass. Zoro layed on the grass again taking deep breathes to rejuvenate his nose that took a huge bomb from some asshole. He was about to kick someone's ass for that.
"I like you both! You should join my crew!"  
Zoro stood up and walked towards Luffy. He grabbed Luffy by the collar and looked directly in his eyes with a menacing look but Luffy kept on laughing. Chopper knew where this was going and he was scared for Luffy. Most of the time Zoro was calm but when he gets angry, he really gets angry that he can beat up a person until they can't walk anymore. To avoid the worst to happen, the boy tried to calm his brother by pulling his shirt. It was a small gesture but it was something.
"Oi, Luffy!" As if an angel came down from heaven, Usopp came just right on time to stop the fight that was about to spark. The long-nosed man closed his door on the driver's side and walked towards the group. "You like them? They're the two brothers I was texting to you about!"
"They're funny! This guy..." Zoro released Luffy from his grip and the strawhat boy patted his hair to emphasize his next statement. "looks like the grass! And that little guy there gave me food!"
"So you do like them?" Usopp asks again not really getting the answer he wanted from Luffy.
"I do! And I want them to join the crew." Zoro swatted Luffy's hand out of his head.
"We're not going to join your crew! What crew do you even have?! A pirate crew?!"
"As I said before that I AM the captain of my own crew, Luffy here is the captain of another crew that I am in, I took pity on them because they need my greatness!" Usopp answers while pointing himself with his thumb. Zoro knew he was lying but Chopper still believed him and even Luffy did too! Now that he thought about it, Zoro confirmed that Usopp was a streetcar racer and if this boy was their captain then he must be the best one in their crew. It would be a good idea to race Luffy to warm up to the racers of Marie Jois City.  
"Whatever, I don't care about your crew. Let's just race to see who's the best one here."
"I won't take no as an answer. Whatever you might think, you and that small guy there are in our crew now." Luffy answered confidently. It was like he didn't understand what Zoro was saying and just kept on making the decision for them.
"You don't have to join the crew if you don't want to, Luffy’s just a bit stubborn" Luffy looked at Usopp with a scrunched face, obviously disagreeing with what he said. "What do you mean they don't have too? They're already in the crew!" Usopp looked at Luffy again in disbelief but sighed in defeat and facepalmed to try to slap the headache away. "Forgive him, he's just like this."
“Are you sure he’s just a bit stubborn?” Zoro mocked Usopp’s statement earlier. They looked at Luffy who was picking his nose reaching far for a treasure inside his nose. He was really a stubborn man.
“He’s a pain in the ass but he’s a good captain, not like me though, but anyway! You guys should meet our crew!”
"I want to meet them they seem fun!" Chopper said in a nearly inaudible voice. The boy was quiet for a while that Zoro almost forgot he was there. The look in his eyes tells Zoro that he seems excited to meet these people, it was new since Chopper was a very shy boy and he doesn’t open up to just anyone. Maybe this crew was a good thing for Chopper’s development. Although they still won’t join Luffy but maybe they might hang out with them sometimes.  
“That’s it! They’ll like you little guy!” Luffy agreed giving him a wide grin and a thumbs up.
"Let’s go then." Everyone was looking at Zoro and waiting for his approval. It was really hard to say no at this situation especially when Chopper asks for something, he rarely asks for anything after all. When they all heard his approval, they all cheered like little kids who got candies.  
Zoro didn’t agree to ride with Luffy since this was the first time they met and he really wasn’t sure if he was a safe driver not for him but for Chopper. So, the two brothers were sitting in Usopp’s car while Luffy was right in front of them to lead the way to their crew hideout. During the car ride Usopp was telling them stories about their crew. They were called the "Strawhat Crew" and they were well-known within the city and they were gaining popularity outside. He told them that one day Luffy was visiting his city, Syrup City, and he beat some street racing punks that were causing trouble within the city. The punks then left the city alone after Luffy confronted them. A funny thing was that Syrup City wasn't really fond of street racers so they didn’t see him as a hero but acknowledged the deed he did. Luffy then asked Usopp to join him and he decided to come with him to Marie Jois City to start a new life and live his dream of building fast race cars and that was the reason why he was living at the best city in the world.  
The two brothers were amazed by his story. It didn’t seem like it was a made-up story like what Usopp usually tells all the time the details seemed too real. Whatever the case was, what Zoro got from the story was that Luffy wasn’t that bad of a guy. He seems like a great guy to be Chopper’s friend.  
Their ride ended when they got to the far end of Marie Jois City where the road meets the sand and the sea. Usopp’s car stopped in front of a huge building, the top part had a big lion head with rays that were supposed to be the fur surrounding the face in a circle. For a hideout, that large thing pretty much gave them away. There was a huge garage door that automatically opened and following Luffy, Usopp entered and parked his car inside. When the two brothers got out of Usopp’s car they saw multiple cars parked inside a huge gray garage and the cars were hidden under a cloth like the mechanics didn’t want anyone to see what they were making.
"Our builder likes to keep his projects hidden so you'll see a lot of those here." Usopp pointed to a row of cars under clothes and each cloth had different colors. It was like the cars were coded for a specific person. He gestured the two brothers to follow him towards a door. They opened the door to find a huge room with wooden walls that makes them feel like they were inside a ship. It really felt like the crew hideout was a legitimate pirate crew from the seas. There was a long bar with different alcohol drinks displayed, a huge U shape red sofa in the center of the room with a large flat screen TV in front of the seat. A large aquarium on the wall where a variety of fish can be seen got Chopper’s curiosity. The feel of the room was homey and Chopper and Zoro felt comfortable and hungry because there was a delicious aroma of food coming out of the door on the other side of the room.
"SANJIIII! ARE YOU COOKING? I'M HUNGRY!" Luffy burst from the door behind them surprising the two brothers. "Sanji makes good food." Luffy told Chopper with saliva falling down from his lips. With a statement and expression like that and with an amazing aroma within the room, how can Chopper not believe him. The boy followed a hungry Luffy to the kitchen door where they disappeared.
"Don't worry about them. The only thing you should be worried about is Chopper getting too fat from good food." Usopp chuckled thinking about a cute little chubby Chopper. He walked towards the sofa and sat down and gestured for Zoro to come sit with him. Zoro took Usopp's word and felt less worried about where and what Chopper was doing at the moment. The boy knows what to do if something comes up anyway. Besides for Chopper to make friends, he also had another agenda why he came with them. He needed to meet these people and see if he can get any information about the different crews and who needed to beat to be the best in this city.  
"Oh, hey Brook! Where's Franky?" Zoro didn’t see the old man sitting on the couch, not until Usopp talked to him at least. He was very thin that he almost looks like a skeleton, he had a big afro black hair, and he wore a nice suit. Overall, he looked very fancy.  
"Ah! Usopp! He's with Nami. They went to get some gears for Nami's car." Brook looked at Zoro and gave him a warm welcoming smile. "Who might this be?" He questioned as he acknowledged Zoro’s presence.
"This is one of the guys who moved in the apartment above me. This is Zoro." Usopp patted the green-haired man’s shoulder who only grunted in response, he wasn’t really feeling chatty that day.  
"Are they the guys Luffy texted Franky about?" Brook stood up and walked towards the corner of the room to get a violin case. He removed the instrument from its case and started checking if the tune of the violin was in perfect shape.
"Yeah! They are." Usopp answered.
"Well then, I should play a song for our new friends." The old man started playing his violin and a soft song can be heard inside the room, it was relaxing and Zoro felt peace after a long crazy day but the short moment of relaxation was interrupted when they heard a scream coming out of the kitchen.
"LUFFY! YOU'RE EATING ALL THE FOOD BEFORE I EVEN GET TO SERVE IT." A man's voice echoed throughout the whole house. Luffy was then thrown out across the room with a huge steak on his mouth and another two on both of his hands. "I jufst whantedf toof tasfte ift." He said while chewing his food, they really couldn’t understand him because of the food on his mouth but they knew he was just trying to defend himself.
A man with blonde hair covering his right eye, which Zoro thought was really ridiculous, came out from the kitchen with plates on both of his hands. Chopper was right behind him with a single plate too. They went to the bar and placed the food on top of the counter.
"Thanks Chopper, you're a good boy." Sanji said with a smile. The man got a fork, knife and plate from the counter drawers and gave Chopper a slice of the steak. Chopper was shy to receive the plate of food at first but Sanji looked persistent and the boy gladly accepted it. The first bite of the steak brought Chopper’s taste buds to heaven because the meat was so soft and the juices were oozing out of the meat that gave it additional taste that he couldn’t resist.  
"I take it that you like it." The blonde man chuckled and lighted a cigarette that he placed on his mouth. Chopper’s expression gave it away, he couldn’t talk because of how good the food tasted like. This was the first time he tasted anything so good.
"This is really delicious!" Chopper said while he was slicing the steak into pieces. He couldn’t wait for another bite. "I never tasted something this good in my life before!"  
"Right? Right? Sanji makes the best food in the world!" Luffy spread his arms out to give emphasis to his statement. Sanji kicked him in the head because he knew the reason why he spread his arms like that was to get food from the plate again.
"So, are you going to introduce these two new friends to us Luffy?" Sanji looked at Luffy expecting him to act like a captain at this moment. Although he respects his captain’s decisions, he still needs to be wary of the two new recruits.  Though Chopper looked too pure to be a bad addition, he was actually happy that Luffy asked him to join.
"I never asked their names yet." Luffy answered with a laugh.  
"Why do you do this." Sanji facepalmed not really knowing what he expected because Luffy was their captain after all.
"I'll introduce them to you!" Usopp stood up from his seat and pointed at Zoro. "This is Zoro." He then pointed at Chopper. "And that, I guess you already know, but that is Chopper! He got a scholarship at the Medicine Department at Marie Jois University! And he’s only fifteen years old!"  
"So, you're a genius boy." Sanji ruffled Chopper's hair who was still enjoying his piece of steak. Chopper choked and looked at Sanji with a blush on his face. He still didn’t know what to do when someone compliments him.
"Don't say that! I'm not that smart!" Chopper said while he hid his blushing face on his hands.
"He can't take compliments," Usopp answered Sanji’s confused look and the blonde man nodded, understanding a part of Chopper’s personality.
"Oh what! You're a doctor?" Luffy looked at Chopper with sparkles in his eyes, clearly impressed with what he said. "That's so great! Now we have a doctor in our crew!"
Chopper dropped his knife and fork to bend down on his knees, hide his face and kept saying. "I'm not that good!" Everyone except Zoro were laughing at Chopper’s cute reaction. The phrase “joining the crew” were words Zoro didn’t want to hear from anyone in the room since they really weren’t going to join. It was a dangerous world and he didn’t want Chopper to get caught up in something that might ruin his life.
"We're not joining your crew." Zoro interrupted the fun and had a stern look on his face. Luffy looked at him and studied his expression for a while then he grinned, the next thing he said surprised everyone inside the room. "Want to race then? If I win you'll join us. If you win, I'll let you go." There was silence in the air as it got heavier and intense.
"Zoro, they're not bad people." Chopper stood up from his crouching position and looked at his brother. He was trying to coax him to join the crew without any race or fight. It didn’t really seem like they needed persuading because he himself, wanted t to join the crew.
"Things might get dangerous and you still got a huge future ahead of you." Zoro was trying to be a responsible brother for Chopper at the moment. This was a decision he had to make for themselves. "I'll race you tomorrow for it. But Chopper's out of that bet. You got it?"
"I better be out of that bet because I'm joining this crew! I believe I’m matured enough to make my own decisions now." Chopper looked at him and Zoro saw how upset his brother was getting. This was the first time he answered him like this. It wasn’t like he didn’t trust Chopper to make his own decisions, Chopper was the one making the household decisions after all. But he knew the world of street car racing more than him.
“You can’t race you’re too young!” The green-haired man shouted making the air in the room heavier since this was a fight between family.
“I’m only saying that you both should join the crew, not race with the crew. Everyone here has their own thing that helps the crew move forward to be the number one.” Luffy spoke like how a captain would respond to the situation. Everyone looked at him in shock because of how responsible Luffy sounded, he wasn’t all food and games after all.
"Fine. Do your own thing." Zoro said as he was looking at Chopper who was sending a thumbs up sign to Luffy. This was his defeat, Luffy and Chopper had their points and he knew that whatever happens he will be there at Chopper’s side.
"Let's race tomorrow night then." Luffy grinned returning to the challenge at hand. The strawhat boy had a look on his face that said that Luffy was so sure that he was going to win the race. It fired up Zoro's determination to win and beat Luffy’s grinning ass so bad. If he was going to join this crew, even if he didn’t want to but the opponent won fair and square, the captain needed to earn his respect anyway and the only way he could do that is if he beat him in a race.
"If you want me in your crew, you need to earn my respect." Zoro stated his condition and looked at Luffy in the eyes to try and intimidate him but the boy laughed, he looked amused by the whole situation.
"I really want you in my crew now."
The door suddenly opened and revealed a man with blue hair who was wearing speedos and a woman with long orange hair wearing jeans and a plain black shirt. They stopped and looked at each of them with a confused expression. Both of them could feel the tension in the air.
"What's with the heavy atmosphere?" The blue-haired man said removing his sunglasses and putting the box he was holding on one hand on the floor.
"NAMIII!" Sanji bent his knee in front of Nami and held a rose he grabbed somewhere in the room. "You still look beautiful as ever." Nami rolled her eyes not interested in Sanji’s rose but she looked at Luffy who was still grinning from ear to ear. She followed her gaze and found a man staring at Luffy and a boy who seems scared. "I'm guessing those two are the "two new friends" you found this morning."
"Yeah! Chopper's joining us and he's a doctor." Luffy dragged Chopper in front of Nami. The teenage boy gave Nami a small wave too shy to say something but Nami gave him a warm smile, welcoming him to his new home. "Zoro wants to race with me first before he joins." He said again pointing at Zoro. He was still so sure that he's going to win and Zoro didn’t like that one bit.
"Are you the boy Robin's talking about?!" Nami clasped his hands and pinched Chopper's cheeks. "You are so cute!"
Chopper slapped Nami's hand away and hid his blushing face in his hands "I'm not that cute!"
"Wait, you know Robin?" Zoro asked Nami curiously.
"Yeah, she's in the crew too." Nami answered. Zoro looked at her in disbelief he never thought Robin was a type of person that raced. He turned to face Usopp with a confused face to get some explaining he wanted to hear.
"I told you we take our cars seriously. I thought you'd get the hint." Usopp said shrugging his shoulders.
"I didn't think you were so dense, Zoro"  Zoro heard Robin’s voice and a chuckle after her sentence. She entered the main door and looked at him with amusement.
"Alright! We're all here!" Luffy raised his hands and ran to the counter aiming for the food but Sanji kicked his face away before he could devour everything again.
"At least Introduce us properly to the guests..." Sanji danced over to Robin and took her hand and placed a sweet kiss. She doesn’t seem to mind his actions. Robin just looks at him and chuckles. "Right ROBINNNN" He said with those heart eyes again, so does he do this to every woman he meets? Zoro thought how stupid that blonde guy was.
"I’m gonna go first! I'm Franky, The engineer of the crew. Just tell me what you want and I can make the modifications to make your car extra SUPER!" Franky said as he placed his two arms together above his head completing his star tattoo. Chopper’s eyes sparkled because of how cool Franky looked in front of him. He wanted to get to know him more since he looked like a chill guy he could hang out with and maybe he could learn a thing or two about cars.
"I'm Nami, I'm a cartographer. I can make it easier for you to win a race with secret roads but you'll need to pay me." She said while doing an okay sign but obviously it meant money. Zoro could benefit a map from Nami he thought how it would make memorizing the roads at his new city easier for him. Maybe he could talk to her later about the price.
"I'm Brook, I'm a musician. Luffy said he wanted to have a musician in the group! I understand him because music makes everything fun!" The old man laughed as he played a brief piece on his violin. Luffy was nodding in agreement to what Brook said. Zoro guessed no one understood why Luffy wanted a musician in a street car racer crew since all they could hear during races were their engines.
"Sanji. I'm a chef." Sanji didn’t seem that interested in his introduction but he did give Chopper a smile since he was getting too fond of the boy.
"I know you know me but I'll tell you my role here. I'm a mechanic. I help Franky with the modifications!" Usopp said while pointing at himself with his thumb.
"I'm a historian and I just find this crew very interesting." Robin chuckled as she got confused looks from Zoro and Chopper. But it gave Zoro an idea how and why she joined the crew, maybe she was one of those who stood on the sidelines to get information.  
"I'm Luffy! Captain of this crew and the future king of the roads." Luffy said with a grin on his face.
"Everyone's so great! I'm Chopper and I'm going to start studying as a Doctor and that's my brother Zoro, he's a street racer." Chopper pointed at his brother who just stood there silently. Though they were introduced a million times they still needed to introduce themselves, it was different and seemed appropriate.
"Luffy, I think you'd be happy to know that Zoro's one of the 11 rookies that popped up two years ago with you" Robin said with delight on her face. Zoro was surprised to know that the woman knew about him. But it wouldn’t be that surprising since she was a historian, they get information everywhere and maybe she uses her connections to get information of racers outside their city.
"What?! I didn't know you were that good!" Zoro was his brother but he didn't know that his big brother was one of the best. Chopper knew why though, he knew Zoro wanted him to live in the sidelines. But there wouldn’t be no harm in knowing your directionally challenged brother was a top racer in the whole wide world!
"If you're aiming for the top then it'll be troublesome if you're in my crew." Luffy had a serious expression on his face for the first time after they met. He looked like a lion who was defending his title in his pride.
"I don't plan on being the king. I just need to beat the guy who gave me this scar." Zoro briefly showed the whole crew the wide long scar he had on his chest. Luffy looked at him curiously that prompted Zoro to go on with his story. Why Zoro was explaining these things to someone he just met he doesn't know himself either. He wasn't planning on joining the crew but he was opening a private part of his life. "Mihawk's known to be the best driving a Civic and I want that title. I challenged him two years ago but he beat me and told me he finds potential in me and that I should come back and challenge him when I'm prepared."
Luffy once again became silent and looked at Zoro for a little while and grinned ear to ear, he was impressed with the man's determination. "Is that so? Then you're in my crew again." He said with his hands on his waist while he laughed a giddy laugh. "Enough with this and let's have a party for our two new members!" Luffy grabbed Zoro and Chopper in a tight hug. Chopper was laughing with his new friend but Zoro had a pained look on his face.
"I said I'm not joining!"
The party started with beers in their hands, besides Chopper, of course, he had apple juice. Brook played his violin while Luffy, Usopp, and Franky danced and sang with him. Chopper wanted to join the fun of course but he was cornered by the two women who were interested in dressing him up that they were already planning when they were going shopping with the boy. They also asked questions about his interests and how he got into medicine. Chopper told them that when he and Zoro were still in the orphanage he met two doctors who came to their place for a random check-up. They told stories of what doctors do and he got fascinated by their tales. Since then, Chopper started reading medicine books and made it his goal to treat every disease in the world.
"So, are you and Zoro not blood-related?" Nami asked curiously.
"Nope, but we're brothers." Chopper said with a grin and Nami lightly ruffled Chopper's curly hair. He was right, being brothers weren’t only about being blood related but about how they treated and respected each other. "If you'd let us, this crew can be your family too."
"Why did you join the crew?" Chopper asked while sipping his apple juice, it was to hide the huge blush creeping up from his face and tears that were forming in his eyes. He really liked the crew and thinking that the crew can be his family made him feel warm and safe.
"Luffy invited us and like how he's doing with your brother, he doesn't take no as an answer." The orange haired woman sighed while Robin chuckled beside Chopper. "But Luffy helped us..." Nami played with her glass of wine with a happy expression on her face. "Just know that even though Luffy’s an idiot, he’s the best idiot captain. We've got different stories about him but we’ll tell you about it another time. Let's just enjoy the night." She grinned and dragged Chopper to where the boys were dancing and they joined the fun.
Zoro was happy that Chopper was having a nice time with his new friends and maybe, possibly, his new friends too. Even if he didn’t join the crew, they can still be his friends, just with different ideals. He was silently drinking his beer while sitting on the couch, chilling, watching the whole crew having the time of their lives. His peaceful time by himself is going to be ruined soon because Sanji sat down beside him.
"Luffy will beat your ass so just accept his offer already." The blonde man said as he was giving his cigarette a huff. He was pretty chill for saying such an offending statement to Zoro.
"What the fuck did you just say?" Zoro looked at Sanji and he was ready to punch the person in front of him because no one in his entire life disrespected him like that and got away with it
"I'm not saying you're a weak little shit, which probably you are," Sanji smirked earning him a murderous glare from Zoro. "But Luffy seems to like you and he won't stop until you just give up and say yes."  
"Well, he better gives up unless he wins tomorrow." The green-haired man answered. He was considering if he should beat the man up but for Chopper he won’t. This was a night of fun for his brother and he doesn’t want to ruin it for him so he decided to change the subject by asking a question that was bothering him ever since they got to the place. "How did you guys find this hideout?"
"This is a garage my friend used to have." Usopp slid down the couch and joined in their conversation. He drank a few gulps from his beer and wiped sweat out of his face. The man probably got tired of dancing and needed downtime. "Her name's Kaya. She gave this to us because she wanted to support the crew. I let Franky live here because he basically lives here anyway since he works on the cars day and night. It’s better for the building too because someone will take care of it."
"The hideout's location is far away from the city center so no one randomly knocks on the door. I can work in peace here." Franky sat down beside Usopp and chilled with the men sitting on the couch. The dancing stopped since Luffy and Chopper went to the bar to get some food to energize themselves while Brook chatted with the ladies probably about how nice the new additions to their crew were.  
"I can add modifications to your Civic if you'd like." Franky wiggled his eyebrows like it was a physical way of telling Zoro to accept his offer. Zoro was actually considering it because if he wants to beat Mihawk, he needed to upgrade his car and skills. Franky looked like he knew what he needed to do and with the addition of Usopp’s ideas, the car would have awesome enhancements that would exceed any civic model.
"These two are the best mechanics in the world! So, you really should let them upgrade your car!" Luffy jumped behind Usopp and Franky and pulled them into a hug. It was like he was showing how proud he was of his crew members.
"Sounds promising," Zoro agreed to what Luffy said.  
"Great! We'll start doing the blueprints after your race tomorrow." Usopp did a thumbs up with his hands. It was a done deal and Zoro couldn’t be more excited to see what upgrades they would do to his car. Luffy then dragged Usopp and Franky back to the dance floor and continued to party. Sanji left the couch to join Brook and the ladies and he had those heart eyes while he was talking to the girls. He looked really stupid to Zoro. When he saw his big brother alone again, Chopper went and joined him on the couch.
"Sorry if I'm being a hard-headed kid today." Chopper said in an almost faint voice. Zoro didn’t know what Chopper was being sorry for, the kid was having fun with new people he met. He was growing and spreading his wings and bit by bit tearing down that wall he made to keep strangers away. It was a proud moment for Zoro.
"I don’t know what you’re sorry for but whatever it is just forget about it. I do see that this crew seems different from the other crew I interacted with, they’re nice people and a good environment for you." Chopper's face lit up since it was rare for Zoro to warm up to people. "But I still need to see how capable their captain is."
"Whatever, do your thing. I know myself that I’ll feel at home here because I can feel that they’ll treat me, us like family”
Maybe. Just maybe, Zoro thought the same too.  
Zoro started his day with a quick workout in their living room. If he wanted to win that race, he needed to be in his top shape today. He even did a minimum of 1000 pound weight for an hour. After he did his morning routine, he cooked breakfast for him and Chopper. The boy was still sleeping because they partied until 3 AM and that was past his usual bedtime so Zoro let him sleep until noon today. His race with Luffy was set at 7 PM near Merry so he still had time to tune up his car.
"G'mornin" Chopper said with a yawn as he entered the kitchen with messy hair and puffy eyes from his sleep. The boy sat down and Zoro put his plate in front of him but the boy's head was still nodding off.
"If you're still sleepy you should've just stayed in bed." Zoro grunted not really understanding why Chopper ate his breakfast while his head was still in dreamworld.
"I wanted to do my schedule today." Chopper sleepily lifted his fork and started picking up his eggs.
"You've still got a month to do those." The man had a confused face.
"Yeah, but I wanted to check if I can get classes with Dr. Hiluluk and Dr. Kureha. You know they're one of the reasons why I applied to Marie Jois University." How could Zoro forget about those two names, Chopper didn't stop talking about them since that check-up they had like seven years ago. He kept up to date about their achievements and even decided to go to the school where they taught at to see them again.
"Do what you gotta do, I'll just be downstairs tuning up my car." Zoro quickly finished his meal and politely asked Chopper to wash the dishes which the boy happily obliged to do. The man spent his entire afternoon checking if his engine was in top shape and if his car still had gas and if his tires were still good. Three hours before his race, Zoro went up to take a bath and meditate in his room. Now that his car was in top shape and that he physically felt that he was in his best form, the next thing he needed to do was mentally prepare himself. He needed to stop thinking about anything else and clear his mind. He can't race with a troubled mind after all.
"Zoro, we need to leave now." Chopper knocked on his door and slowly opened it to peek inside. He saw Zoro half naked sitting on the floor cross-legged and meditating. The man opened his eyes and looked at his baby brother. It was finally time for his first race in Marie Jois City. “Usopp said he’ll show us the way to the race track.”
On the way to their meeting place, Zoro rode alone in his car following Usopp who was in front of him. Chopper was with Usopp because he didn’t want to bother his big brother that much and he wanted to hear more stories from Usopp. The boy did warn Usopp that Zoro was directionally challenged and this surprised the long-nosed man since Zoro was a street car racer, how does he win races if he didn’t know where we he was going? As they were talking about Zoro, Usopp glanced at his mirror to check if Zoro was still behind him but not much to his surprise he didn’t see Zoro’s car. They looked for Zoro and herded him to the right path. That cycle went on for about three times before they got to the place.  
They passed by the hideout and kept following the road until they got to the end part of the beach where they saw a mountain beside it. The whole strawhat crew were already there and they were all looking at the cars that stopped in front of them since they were already late for about an hour. Chopper, Usopp and Zoro got out from their cars and joined the group.
“Before anything, I just want to say that this guy is unbelievable.” Usopp was the first one to speak, he pointed at Zoro to emphasize how bewildered he was about the guy. He was the first one from Marie Jois City to experience Zoro’s unusual talent.
“Whatever! Let’s just start the race!” Luffy looked so impatient from waiting too long.  
“Let’s start the race first before we talk about what happened.” Nami agreed with Luffy because she wanted the race to finish quickly.  
“How do we do this?” Zoro asked Nami since she looked like she was the one officiating the race.
“Since this is an unofficial race, we won’t need any judges though a contract has been set. If Luffy wins you join the crew if Zoro wins Luffy leaves him alone.” The girl looked at both the racers and they nodded in agreement with the “prizes” the race had.
“Unofficial race?” Chopper didn’t know that street racing had rules they had to follow. He looked so confused that Usopp explain everything to him.
“There are two types of racing in street racing, the official and unofficial races. Unofficial races are usually the fun racing where they won’t bet anything big that might destroy their reputation so these races don’t need judges. Official matches are the ones where crew fights happen and this is where “contracts” happen. Contracts are what each side place as bet, most of the time captains bet their cars, money or their hideouts. Though there are times where they fight for a title that brings them closer to challenging the yonko or the top four racers where when you beat them you become the king of the roads. Judges come in the official races to make everything fair, to make sure no one cheats.” Usopp finishes his explanation and now Chopper understood the world of street racing better.
“The race type will be a sprint, the first one to come down the mountain wins.” Nami points to the top then to the makeshift finish line they did. “Both of you should get into positions.”
Zoro and Luffy started to drive towards the top of the mountain. The night was silent except for the noise from their car engines. The road was dark but the street lights gave enough light to see what was in front of them. It built up their excitement for the race. When they got to the top, Zoro was in awe when he saw the view. Marie Jois City was indeed a city that never sleeps because he could see the city lights from the top and the starry sky added a little sparkle that made the whole scene in front of him more beautiful.
"It's beautiful huh?" Zoro heard Luffy shout from his car. He looked at the boy from the driver’s seat and saw his goofy smile. "We'll have a picnic here with the whole crew next week!"
"As if I'm going!" Zoro quickly answered. It’s not like he has all the time in the world to relax, he needed to find a job to pay the bills after all. Luffy grinned ignoring what Zoro said and closed his car window.  
"You two get into your position!" Nami's voice startled Zoro. He looked around to see if she was there but the only thing he saw was a drone that was above their cars. Luffy reversed his car and got into his position while Zoro did the same.
"Ready?" The two boys showed a thumbs up sign in the rear-view mirror so the drone can capture their signal to let Nami know that they were ready for the race.
"START YOUR ENGINES!" Nami’s shout echoed throughout the empty road. They could hear the cheers from the crew as they both geared up their cars. This was Zoro's first race in this city even if this wasn't an official race where money or reputation was involved, he would still take this seriously. This was a good warm up for him.
"IN 3..." He cleared his mind and stared at the road in front of him. This was really it. It was really happening.
"2..." Zoro clutched his steering wheel tightly and he could feel his palms sweating from excitement.
"1..." He could hear his heartbeat not from fear but from the thrill to be on the road again.
"GO!"  
Zoro and Luffy dashed from the starting line at the same time. Their cars darted from the starting point to the curve ahead of them in seconds. The incline of the mountain road added a little more speed to their cars. For normal drivers it was dangerous and they needed to slow down to be careful but for racers the incline was a natural boost. Zoro could feel his palms sweating from his tight grip on his steering wheel.  
The two racers got near to the first curve of the road. This was a part where he could gain the first spot easily by drifting ahead. As they approach the curve, Luffy grinned and pressed a button beside his steering wheel that gave him a speed boost. Zoro could swear he saw rockets come out from the side of Luffy's car. With the speed boost, Luffy easily took over the race and passed the curve in just a few seconds and he was in front of Zoro.  
As Zoro passed the curve Zoro saw the two rockets from the side of Luffy's car fold and go deep inside somewhere within the vehicle. Zoro grinned, this was a thing that Marie Jois city racers had, rockets and power-ups and he was excited to beat this challenge without any of those powerups. He shifted his gear and pressed his pedal at full and his car was blasting the road away like how Luffy's car did, though he was still behind the strawhat boy. He could see another curve coming up from the road. The man couldn't remove the grin from his face, this was his chance.
As Luffy drifted at the curve Zoro saw an opening and shifted his gears, pressed the break and swerved right in front of Luffy. As he looked at his side mirror, he couldn't see Luffy and he smirked knowing that he was going to win the race. As Zoro continued driving he got confused because he couldn't see the city view from his right side like he used too. All he could see was trees and darkness and he swore this wasn't the road they passed by when they drove up the mountain. Maybe the road changed? or maybe he accidentally took a shortcut?
He kept driving and driving which felt like it took him hours until he saw the whole crew's back. Zoro could hear shouting from the distance and some loud engines that was nearly drowning the voice of the shouting person. Were they in trouble?
He parked his car behind them and got out of the vehicle and slammed his door shut. It was loud enough for the crew to know that he was there because he saw Chopper running towards him.
"What's happening? Are you hurt? I told you joining a crew was a bad thing! Just stay behind my back." Zoro instantly turned into big brother mode. The shouting and engines made him worry for the boy. It wasn’t like he wanted to diss crews so much but he was doing it for Chopper’s sake.
"I'm not hurt Zoro, I was more worried for you because Luffy got here first and said he didn’t see your headlights behind him. He told us when you drifted around the second curve you disappeared." Chopper answered calmly and crossed his arms. There was amusement in his face. How can he not be amused?  "So, you got lost. How do you even win races?"
"Oh, just shut up, I'm not used to the roads here yet." Zoro answered and an old red truck passed by their side followed by two other cars that seemed like they were in pursuit. Zoro got worried and pulled Chopper to his side but the boy seemed unbothered. Chopper pulled Zoro’s shirt and pointed towards the crew, he nodded and they walked to join the small crowd.
"BUGGY! JUST GET OFF THE CAR ALREADY."  A mysterious voice shouted from one of the three cars in pursuit.
"Shouldn't you all be worried about this?" Zoro asked Nami as he stood beside her, she had this unimpressed look on her face and as Zoro observed the others they all had the same bored expression.
"Well, we should be, but they're all idiots so I don't bother," Nami answered and looked at Zoro. Her bored face change to a delightful look as she saw something that interested her. "So how are you a racer if you get lost mid-race?" You can see the amusement in her eyes. Zoro rolled his eyes to ignore her enjoyment in his situation. He watched the cars again to understand what was going on.
"Who are they anyway?" He asked.
"That old red truck is Ace's car, one of Luffy's older brothers. Buggy stole it, he's the one driving it right now." Nami pointed at the red truck going circles around beach. "Those two behind him are Sabo, Luffy's other older brother and Marco, a very good friend of Ace, they're on the same crew called the Whitebeard Pirates."
"Whitebeard Pirates? That's one of the most popular crews! Isn’t their captain one of the Yonko?" Zoro was surprised to know about Luffy’s ties with a member from a well-known crew. Not that it intimidated him but more like it didn’t look like Luffy was someone who had connections. "And didn't Luffy beat Buggy in a race a few days ago?"
"Yes, and Ace and Marco are one of the top members in that crew." The man from Chopper’s school, who he almost had a fight with, stood beside Zoro and casually joined their conversation. Zoro was confused to see Law at the beach with them. "Buggy probably wanted to take revenge on Luffy. I was with Marco and Sabo when Buggy stole the car, I came with them here but I’m not stupid enough to mindlessly follow Buggy in circles. Does that answer your question?” Before Zoro could say anything snarky they were interrupted by Luffy’s loud voice.
"Oi Zoro! Where did you go? But you lost anyway so you're in my crew now!" Technically Luffy did win the race and Zoro was officially in the crew. He had to accept that fact since he did agree on the bet so he had nothing else to do Zoro wouldn’t back down on his words but he still didn’t consider Luffy as his captain, the boy needed to do something to earn his respect.
Luffy jumped and wrapped his arms on Zoro and Law's neck. "Zoro meet Torao! Our crews are good buddies!" The two men in Luffy’s grip were struggling to get out from his hold but he was strong for a thin boy.  
"OI STRAWHAT!  RACE ME!" Luffy released the two men when Buggy stopped the truck in front of them. He rolled his windows down and glared at Luffy.  
"Sure!" Because they knew Luffy so well, it didn’t surprise the whole crew to see him accepting any challenges their captain gets from his enemies. Luffy gave Buggy a thumbs up to physically show that he was up to the challenge.
"Luffy?! Are you just gonna ignore the fact that he stole Ace's truck?!" The two cars that was follow Buggy pulled up in a corner and the drivers got out to join the commotion. Sabo gave his little brother a light slap on the head to wake up some senses in him.
"Ace is strong, why should I be worried?" Luffy looked at Sabo with a confused expression. They both know that their brother was strong and that he was capable of beating Buggy into a pulp himself so why Sabo was so worried Luffy didn’t understand.  
"He's only strong because of the power-ups of this car" Buggy said with a sly grin on his face. Luffy's mood shifted from happy to angry in just a few seconds and everyone became silent.  They all knew that when someone talks badly about the people that’s important to Luffy he gets ballistic. It was very sweet of him to protect his loved ones even if they weren’t there. Luffy looked furious when he returned his attention to Buggy, it might have scared the blue-haired man for a bit but he kept on going in his act.
"What did you just say?"  
"You know you heard me."
"Even if he isn't using that car Ace could still beat your ass." Luffy slowly walked closer to the truck to get nearer to Buggy. He was itching to punch some senses to the clown’s head.
"I doubt it" Buggy laughed at his own joke but his cheerful moment was stopped when Luffy punched the side of Ace's truck to get his attention. That punch might have made some dents to the truck but Luffy really didn’t mind though a silent Franky was already planning on how to deal with the small damage his captain has done to Ace’s car.
"Let's race Buggy, I'll show you even with all those power-ups you can't beat me or Ace. It's not just about the boosts it's pure skill and Ace has that, you don't." Luffy challenged Buggy and the clown was up to the challenge, this was his revenge plan after all. He wanted to rile up Luffy and beat him in his most serious mode to show the world how weak he was. Buggy knew he wouldn’t beat the boy if he used his own car so he stole Ace’s car to add chances to him winning and to rile up Luffy. It was a win win situation.
"I thought you'd never ask."
The match was set at the road between the strawhat’s hideout and the mountain where Zoro and Luffy raced. The Strawhat crew placed a finish line sign at the end point of the decided meters of the race and Luffy and Buggy's car were already at the starting point. The whole crew knew that this race was different from the 'casual races' Luffy usually does so Franky double checked Luffy's engine and tires if they were in top shape. He was almost done with his 'last minute enhancements' for the car while Buggy was fiddling with the controls of Ace's car when Sabo called the two racers.
"Buggy, Luffy, come here." Luffy and Buggy walked towards Sabo and faced each other not once backing down from the intense eye contact they had. "Shall we make this an official race?"
"Yes." They both answered simultaneously.  
"Then with Me, Marco and Law being neutral we will become the judges of the race. What will you place as your bet?" Sabo nervously looked at Luffy, although he was considered a 'neutral' person at this event because he wasn't in Luffy nor Buggy's crew, he was still Luffy's brother and he knew exactly what Luffy will place as a bet for the race. And he really wasn't sure if that was a good idea.
"Ace's car." Luffy smirked and everyone around him sighed. Sabo facepalmed himself, this was his brother after all. He knew what was in Luffy’s mind at this point.
"It isn't your car but you place it as a bet?" The clown was laughing his ass out. He couldn’t believe the unusual contract he was making with one of the craziest racers in Marie Joise city. "I bet this car too but if I win, I also want your car."
"Sure."  
"WHAT, LUFFY?!" Usopp shouted and you could hear the dismay in his voice. Both he and Frank had done so much work on that car that they’ll trade their own cars for it. "WE WORKED SO HARD FOR THAT CAR?!"
"Like I'm gonna lose." Zoro was impressed with Luffy's confidence in his skills. If the boy showed a bit more of his respectable aspects Zoro might just consider him his captain and pledge his loyalty to him. The fact that Luffy fought someone because they dissed his brother was already commendable. Zoro fully understood what Luffy felt.
"With the contract done, get inside your cars!" The racers had one last look at each other then slowly walked to their cars. They got inside and made themselves comfortable in the driver’s seat when Sabo walked towards the center of the starting line with a flag in his hands.
"Start your engines!" Luffy keyed his car and riled up his engine. He needed to be serious this time, though he was always serious during a race.
"3!" Luffy breathed in trying to calm himself down and to prepare himself for his competition.
"2!"  
"1!" Though the racer themselves weren’t nervous the audience outside felt the excitement.
"GO!" Sabo waved the flag and both the cars passed by so quickly that he felt his hair got messy, which it actually did.
The race started with Buggy and Luffy neither in the lead. They were in equal standing but the quick sprint would end soon and both needed to make their move immediately if they wanted to win. The clown felt his sweat dripping from his forehead to his face, he glanced at the wheel and saw the different buttons that had different commands. He knew that those were his key to winning the race but he didn't know which one he should press.  
Buggy gave a quick glance at his left side and he saw Luffy grinning from ear to ear like he knew he was going to win the race. He bit his lip; he knew he had the best car in this race why was Luffy still catching up to him? A mere lemon can't compare its engines to a powered-up truck! Luffy’s crew did say that they did upgrades to his car but Ace's car also had upgrades that were greater than his and with the most advanced technologies the mechanics could touch.
In his moment of self-doubt, he didn't notice Luffy was going faster than him. He panicked and pressed a random button on the wheel. The car then had four rockets come out of its side and gave him the extra boost he needed. Buggy started laughing and thanked his great luck.
Luffy grinned as Buggy was passing him quickly. He pressed on his clutch and changed his gears to gear third and slammed his right foot to the accelerator to give him a boost to catch up. The strawhat boy was just warming up after all. The boy then flipped a switched on his stick and different gears were added to his arsenal. On the side of the fourth gear came out "Boundman", "Tankman" and "Snakeman".
It was the middle of the race and Buggy was still on the lead but Luffy was at his tail. Luffy once again changed from the third to the fourth gear and he was faster than before. He could distinctly hear Buggy laughing. The pace both racers had was consistent until they were near the finish line. When Buggy saw the finish line he changed his gears and pressed another button that gave him a nitro boost and he aligned his car in front of Luffy so he couldn't speed his way up. Luffy grinned at the challenge.
At the finish line, Chopper was waiting with half of the crew members since the other half was at the starting point but they were in a car behind the racers so they had the full view of the race themselves. They were watching the race from afar and they were feeling nervous about the outcome of the race since they saw Buggy was on the lead.
"Luffy would win, right?" Chopper asked Nami who had a blank expression on her face but her eyes were glued to the two cars.
"He will." She answered. Nami was quiet but she knew her captain would win.
Luffy looked directly at Buggy's car with a smirk on his face, he knew Buggy was looking at him at his rearview mirror. When both of them were just seconds away from the finish line, Luffy moved his stick from the fourth gear to the "Snakeman" below it. It gave his car an immense speed boost and he swerved to the right and quickly passed Buggy. He pulled his handbrake to drift in front of the clown to cross the finish line first. Everything was a blur for a moment and Buggy's jaw just dropped in surprise.
"The winner of the match is Monkey D. Luffy!" Sabo got out from his and announced the winner loud and clear. Everyone cheered and ran to Luffy to congratulate him. As everyone cheered Buggy quietly slipped away. Law saw him and told Luffy.
"The clown is running away Mugiwara-ya." He pointed at Buggy's running form.  
"Buggy! Thanks for the great race! Let's race again someday!" Luffy shouted loud enough for Buggy to hear. It wasn’t the reaction they were expecting, Law thought that Luffy would run after him but he guessed that beating Buggy in a race was enough for Luffy.
As everyone was talking to Luffy, Zoro contemplated for a second, he was impressed by Luffy's way of racing. Luffy had the skills that could beat anyone and the boy was someone Zoro could actually follow and swear to him until he was the king of the roads. He cared for his crew and family too. His crew wasn't all that bad either, they were like family and Chopper and him would enjoy that type of companionship. The green-haired man had finally decided.
He walked towards Luffy and everyone became silent. Zoro held his hand in front of Luffy for a handshake. "Nice race, Captain." Luffy grinned and returned his handshake. It was a simple sentence from Zoro but the whole crew knew that he was officially a member not only because he was forced to but also because he saw how capable Luffy was.
“So, we’ve got a new family?” Chopper stood beside Zoro as they were looking at their new crew in front of them.
“Yes, we do.” Zoro ruffled Chopper’s curly hair.  
This was only the beginning of their new life at Marie Joise City.
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acehotel · 6 years
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Interview: Justin Strauss with Kasper Bjørke
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Kasper Bjørke is something of an electronic music octopus — the Danish-born DJ has had his hand in everything from production, performance, curation, art filmmaking and composition. Influenced by the burgeoning New York club scene in the early aughts and the likes of Giorgio Moroder, The Cure and Run-D.M.C., Bjørke’s eclectic range spans techno, new wave, disco and what he calls “music for DJs.” 
For this edition of Just/Talk, resident DJ and longtime Ace friend Justin Strauss chats with Kasper about finding his feet in the shapeshifting electronic music scene, playing shows in old bowling alleys, his love of New York hip-hop and needing a license to dance. 
Justin Strauss: Here we are in Copenhagen. Are you originally from here?
Kasper Bjørke: Actually I was not born in Copenhagen, I’m from a small city like an hour from here. I moved here when I was a teenager.
JS: And had you already been into music as a teenager?
KB: I was always listening to music, yeah. When I was around 22 in 1998–99, I started to produce music with a friend of mine on an old Atari computer and an Akai mono sampler. We were sampling loops from old disco records, and we were very inspired by Masters at Work and Daft Punk.
JS: Were you able to get music released fairly quickly?
KB: Yeah, I don't know if we were lucky or if it was a curse, but we got signed to the same label that released Laid Back, well, the same A&R that signed Laid Back and Ace of Base. So he had a big vision for us, in terms of what we should do, and we were so young, that we just kind of followed his instructions. Somehow we ended up doing these vocal-based disco house tracks and got a radio hit that brought us to Japan three times in a year and around Europe, touring a lot. So quite quickly, the label started to put a lot of money into us.
JS: What was the name of the band?
KB: It was called Filur, named after a Danish ice cream, a popsicle. So silly. We made three or four albums together, and then in the mid 2000s, my friend started a band called WhoMadeWho, he was the drummer, and I started doing solo albums.
JS: And was there a scene, like a dance music scene going on here in Copenhagen at that time?
KB: Yeah. It was pretty small. I think that’s partly why we were quite successful, because there was not much competition at the time [laughing], there were not that many people producing electronic music here, so we had a head start somehow. And that also made us able to live from making music quite early. Because of the crossover commercial success, we both were able to do more “left field” stuff, after our project ended.
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JS: And what were you listening to growing up? What were you influenced by?  
KB: As a teenager, from 87 to 92, 93, the only thing I was listening to was hip-hop and I was collecting vinyl at that time. When I was even younger, I was listening to and collecting soundtracks, I was really into John Carpenter, Vangelis, Giorgio Moroder, and I ended up listening to electronic music in the mid-90s after a detour of being heavily into Britpop, Depeche Mode and The Cure. I started going to raves and parties in CPH, and that's how I got inspired to produce electronic music.
JS: And had you started to DJ at this time?
KB: No, DJ'ing came after I started making music, actually. We had to tour with our band project to promote the releases, and we actually started playing live before we were DJ’ing. We quickly found out that logistically and financially it made much more sense to DJ, because then we were just two guys traveling instead of five or six people. So yeah, then DJ'ing became the thing — and I was very bad at it at first and very nervous as well.
JS: You started DJ'ing with vinyl records?
KB: Yeah, vinyl only… I did that up until my record bag got stolen one time after a gig at Iceland Airwaves Festival, I think maybe in 2005, 2006. And then I was forced to, quickly for my next gig, burn some CDs and try out those CD players that I had been hating on for so long [laughing]. And then I got caught up in that. I am still buying some vinyl, I still collect vinyl, but I don't travel with it anymore. Then the whole digital USB thing started up, I tried that as well and I was like, “Okay, wow, let's just do this.”
JS: And then you started to travel internationally, DJ'ing and started releasing Kasper Bjørke records.
KB: Yeah, my first solo album got signed to Plant Music which was based in New York, and I produced the biggest part of that album in New York, actually. I was collaborating with a few people from New York as well, like Kap10kurt, as he was called at the time, who is still a close friend of mine today. Allison Pierce from The Pierces, which is a band from New York as well, was singing on one of the singles. And Dennis Young, the percussionist from Liquid Liquid was playing percussion on some tracks... I was finding my feet on that album and New York was definitely a big influence.
JS: What year was this?
KB: 2006.
JS: So around the same time DFA records in New York was starting to release records, and this whole new wave of things in New York was taking shape.
KB: Yes, I was majorly influenced by DFA, and I was friends with Dominique Keegan from Plant Music, and he took me to the Plantain building at the time where DFA had their office there, and where he had his office as well. So I got all the early DFA promos on vinyl. Still treasure them to this day.
JS: Did you go to the Plant Bar?
KB: I think Plant Bar had recently shut down at the time. But I heard a lot of stories about how things went down there, and how they lost their dance license, which to me sounded like the most insane thing ever, that you needed a license to dance.
JS: It's always been some sort of plague in New York that it was illegal to dance in certain situations. There was a huge campaign against it and recently it was repealed.
KB: What a relief. I do remember back then, there were some really fun unofficial illegal parties. I recall playing at one out in Brooklyn somewhere called Gunther — together with Max Pask, James Friedman, Andrew Potter — it was in an old bowling alley in a basement. So much fun.
JS: So you spent a lot of time in New York then?
KB: I did, yeah, and I came back for recordings on the next albums as well. I also just spent a lot of time in New York hanging out with friends, partying and DJ'ing, I played at some of the fun clubs around at that time like 205, Annex, Love — at Tribeca Grand, I played at a really great Modular Party. In the more recent years, I played quite a few times at Le Bain and after that I had a sort of residency at Output in The Panther Room for a couple of years, when they opened up.
JS: New York, it seems like, had a big influence on you.
KB: Yes for sure, as I said, even as a kid when I started listening to hip-hop music, New York was the center of it all.
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JS: You were listening to New York hip-hop?
KB: Yes mainly. As soon as rap became too gangster, I lost interest. I mean I was a fan of NWA, but never really listened a lot to East Coast rap, Tupac and Wu-Tang and all that — I was more into Tribe, Jungle Brothers, Run-D.M.C., Black Sheep and so on. Anyway, later in my life, the whole house scene from New York was the most inspiring thing and, of course, also the whole post-punk and disco new wave scene with ESG, Liquid Liquid, Suicide, Talking Heads, etc. They were so inspiring — and then to be able to actually go there and make my own music and DJ there, it was really important for my development and self-esteem as a solo producer. Up until just a few years ago, I would go to New York at least two times a year. But after Trump became President, I just didn’t feel like going to the States. Around the same time, I became a father, and I still don’t want to travel too far away from him, not yet. I also try my best to keep my carbon footprint to a minimum, so it’s probably going to be a while before I will go back.
JS: So how many Kasper Bjørke albums have you released now as a solo artist?
KB: Five solo albums up until now, and now there's the sixth album, which is actually credited as Kasper Bjørke Quartet, because I recorded it together with some friends of mine that really added a lot to the music. The album just came out on Kompakt.
JS: And the previous albums, do they have a sound connecting them or each time you went for a different style or vibe?
KB: I really tried to refine my own sound on each new album, a kind of post-disco, new wave sound with a more commercial approach, using feature vocalists on the singles. I guess that stayed with me from my first project, that I had with my friend — I wanted to try to build a bridge between radio and club music, and also do albums that you could listen to at home. I also liked ambient music at that time, like one track on an album would be ambient or downtempo... But yeah, I was refining my own sound up until a point where I was like, okay, now I'm just kind of sick and tired of listening to my own sound, [laughing]. So the fifth album was a little bit of a detour, which was called Fountain of Youth. It was more a “straight for the club” kind of album. Music for DJs. I've always had remixes done for the singles from my album. They were really important to my music, because I needed those remixed versions for the DJs to play out.
JS: And you've done a lot of remixes yourself for other artists?
KB: Yeah and many of these ended up becoming swaps, where you do remixes for each other, which I think is great, it's a great way to collaborate.
JS: What are some of the artists whose work you have remixed?
KB: Hmm… There are so many… Sascha Funke, SONNS, Trentemøller, The Golden Filter, Rebolledo... I can’t remember [laughing]. I think I did around 40–50 remixes these past 10–12 years…
JS: And do you enjoy it when people remix your stuff?
KB: Yeah, especially because I have always been the curator, I’m the one that picks out the remixers, it’s not the labels. So I also got to know a lot of great people through that, like Axel Boman, Moscoman, Marvin & Guy, yourself and Bryan Mette aka Whatever/Whatever, Superpitcher, Michael Mayer, Nicolas Jaar, Mano Le Tough, Gerd Janson… I also think it's a great way to expand your network in the scene in that way, and it's so much fun to have people that you admire interpret your music. Nicolas Jaar for example, I was lucky enough to reach him via MySpace at that time, when he was still just getting started with Wolf + Lamb, and I wrote him and he said yes to remixing the cover version I did of “Heaven” by The Rolling Stones — and then he totally blew up right after.
JS: That's one of the great things about the internet. I mean there's a lot of things that maybe aren't so good, but the way you can connect with people. I've just met so many people that I never would have met, that I never knew, who liked what I did. And have become friends in real life with people that I respected, just by writing them a note.
KB: Yeah, you can reach out to basically anybody and get a reply, even if it's a “no,” it's all good...
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JS: And in the age of the internet and DJ'ing and where it's gotten us to this point, what are your thoughts on the current state of dance music in general?
KB: Well it's a little bit stale, isn’t it…? I mean there's definitely still great stuff going on out there, but somehow it's the same labels that I've always been following, that I still like the most. Of course there's new things like Moscoman's Disco Halal or Soulwax’s DEEWEE label, but it's usually the people who really know what they're doing and have been around for a long time. There's so many new labels and generic sounding releases. I got to say, I only go to Beatport maybe twice a year to buy a few tracks, if I don't get them some other way. It doesn't really appeal to me, the whole tech house, deep house scene that is out there. And I think it also reflects a little bit in the way that some clubs book their lineups, it seems a little bit watered down somehow. But there are, of course, still great parties and great clubs around, but somehow most of them are the same that have been great for many years, you know.
JS: Do you miss the days of like going to a record store and buying 10 records and like really knowing them instead of getting inundated with thousands of promos and online purchases?
KB: Totally! I loved going every week to the two local record stores in Copenhagen called Street Dance Records and Loud. I think it was on Tuesdays that we got the new records here, and all the DJs in Copenhagen would stand in line and fight for those three to five copies of each release. I spent all my money on it every week — and it was amazing.
JS: Did you have a DJ residency here in Copenhagen?
KB: Yeah, I've had many through the years... These days I don’t want to have a residency as much, but I host two, maybe, three nights a year at a little club called Jolene. It is 150 people in a small space, and it's free entry, and there's a smoke machine, a laser and a great sound system, and it's a really great party atmosphere. Then I invite friends, like yourself and Tim Sweeney, Axel Boman and Marvin & Guy to come and play with me. It’s seven hours back-to-back. A complete trip from open to close. I enjoy that a lot. Then I, of course, also play regularly in clubs around Europe that invite me back every year. Which kind of feels like a residency... But yeah when I'm home, I try not to play too much.. I'd rather spend that time with the family, to be honest.
JS: And you're involved in the business side of things for other artists as a manager. So you get to see things from both sides of the spectrum, as a manager for Trentemøller, who is a huge artist, and you have a few other acts you're working with as well. How does that work with your own career?
KB: Sometimes it's hard to find time for going into the studio and work on my own projects. Because I'm always prioritizing the interests of the artists first that I work with, I'm never putting them aside to do something for myself. So when I produce an album or a track or an EP, I have to schedule it around what’s going on with them. So I wouldn't sit down and produce an album at the same time that Trentemøller would be launching a new album, because I know there is going to be a lot of work with his campaign. So there is definitely some compromises in that way - which I am totally cool with. I really enjoy this other aspect of my career. It makes me happy to see other artists do well and succeed and advance in their career. Maybe more so than myself actually, or at least it makes me just as happy to see the artists that I work with have success.
JS: Have you ever worked with other producers for your own material and have someone produce your work?
KB: No, no, never, no. I would never let anyone else touch it [laughing].
JS: Tell me about how your new album project on Kompakt came about and your interest in ambient music.
KB: Ambient is something I listen to a lot actually. I've had trouble sleeping and it helps me relax — and also when I’m flying, which I am super scared of, it calms me down. So I've listened to ambient for many years… Then seven years ago, I got a cancer diagnosis which was, of course, a life-changing experience. I was very lucky though, in the sense that I didn't need any chemo or radiation, I just needed an operation. After a five-year checkup period of regular CT scannings and blood work, the doctors let you go. During those five years, I decided that I needed to process the whole experience of having anxiety of a relapse, creatively through music. So, I decided that I wanted to make an ambient album to document my experience through instrumental ambient soundscapes. I didn't want to start making the music until after I was done with the checkups at the hospital. So after I had my last test results, I put together the Quartet. First of all, my friend Claus Norreen, who has an amazing analog studio with all the old synthesizers you can dream of, everything's set up amazingly. I went in with him and recorded these long synthesizer atmospheres, all recorded live, no MIDI or software. We didn't use the computer as anything else, except a recording device. We just hit record and then multi-tracked the synthesizers and reverbs and delays, space echo… It was a trip and it all happened very naturally.
Afterwards I asked another friend of mine called Jakob Littauer, an amazing pianist and musician, and I recorded him playing piano in a concert hall on a Steinway Grand Piano, and also on an old upright piano in a studio space, where you can really hear the body of the instrument, the noise it makes, the hammers. Finally I asked an old friend of mine, the Italian string composer Davide Rossi — who has worked with everybody from Coldplay to John Hopkins and Ennio Morricone — and Davide then played the cello and violin on the compositions, and that's how the whole album came about, really. Then I mixed and edited everything in my own studio, but tried to keep it as live and as free and spontaneous as possible. I named it The Fifty Eleven Project, after the department 5011 at the hospital where I was going for checkups those five years.
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JS: And how long did this whole process take from when you started it to when it was finished?
KB: Recording the whole thing took maybe like six to eight months. Putting everything together, mixing everything. And then I sent it to Michael Mayer from Kompakt, as the only label actually. And he wrote back that he loved it and he wanted to release it. But the only problem was, that he didn't have time in his release schedule until October 2018 — this was like a year ago. But I decided to wait, because I thought that Kompakt was the perfect home for this album project.
JS: This kind of music doesn't really have an expiration date.
KB: Exactly. Then another idea came into the project and made it much bigger. I spoke to a friend, a director from LA, called Justin Tyler Close and asked him if he would like to make a music video for one of these super long compositions that I recorded, the whole album is two hours long. Instead we came up with the idea that actually it should not be just one music video, but one film for each of the 11 compositions. So 11 art films — that’s two hours of film, shot on 16mm here in Denmark this past summer. It’s been a crazy project that’s taken so much time and effort from everybody involved, but it came out amazing, I think.
JS: Will we be able to see these films?
KB: Yes - as an exhibition for now, not online yet. It just showed here in Copenhagen for 10 days in a huge space on 11 screens with headphones. The exhibition will travel to LA next, then hopefully New York, Paris, Berlin… We will see. We are still setting up the logistics. In the meantime, just one of the films will go online which I am very excited about — the film made for the composition, "Dur For Vitus,” which is my favorite track from the album.
JS: It's quite an ambitious project.
KB: It's very ambitious.
JS: And one thing I know about you is your interest in art, and how that relates and intersects with music, or doesn't sometimes. But it certainly was a big part of this project.
KB: Yes. I have been working with the American artist Landon Metz, who is based in New York. I’m a big fan of his work. Landon said, “Yes,” to paint three unique works for the album cover after I sent him the album demos. He was actually listening to the music in his studio when he was painting these works. The vinyl box, with the three vinyl sleeves inside and a poster, has turned out so beautiful and I am so happy and grateful that Landon would be part of the project.
JS: It's a beautiful looking and sounding project, and I’m looking forward to experiencing the exhibition when it comes to New York.
KB: I hope it does, yes.
JS: What's in the future for you musically after this?
KB: After setting up the exhibition and the album release, I haven't had any inspiration to do new music for myself, to be honest… I’m just currently working on some advertisement music. I’ve recently done music for Nike, Prada, Mazda and other brands, which is something that I can do with a different kind of mindset than having to do new music for myself. The next thing will probably be an EP, that I hope will come some time next year.
JS: Okay, we'll look forward to all of it.
KB: Me too!
For more information about Kasper’s The Fifty Eleven Project, go here.
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veridium · 6 years
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Short Fic: A Captive Audience
Summary: Olivia is tasked with a mission to Val Royeaux to secure materials for Mage experiments, studies, and healer’s inventory. Cassandra elects to accompany her, and finds that her woman has more in mind than just Inquisition business for her first trip back to the Capitol since joining the ranks. 
Author’s note: HAH will I ever get sick of writing this pair? NO. 
Characters: Cassandra Pentaghast, Olivia Sinclair
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Even with the escort of the Seeker herself and several Inquisition scouts, Olivia had found her way out of all their sights in order to track down a location of particular interest. Cassandra herself couldn’t understand why she would want to vanish -- this was only supposed to be a deal negotiation for materials and inventory, something Olivia could be trusted with above all else. Why go incognito? Was there trouble afoot? Did something happen to her?
Oh, if something happened to her, Cassandra would have more to report than she originally predicted. 
“Seeker,” a Scout came running up behind her as she awaited intell, standing stiffly by the docks. “We traced her down to the arts district, just southeast of here.”
Cassandra’s brow furrowed as she folded her arms. “That is preposterous, she has no business there for the Inquisition.”
“Sister Nightingale’s notes on her says she used to be a dancer, could she perhaps have an old friend she wishes to visit?“ The Scout postulated, trying hard not to provoke the Seeker’s infamous temper. 
In that moment, Cassandra linked a possible theory together for why she would stray. The arts district -- redundant considering the pomp and display the Capitol had in spades -- housed many structures, one of which being a stage for the Opera. Perhaps it was the same one Olivia used to occupy during her days in school, before she sent herself to the Circle, back when she was a simple young girl being pushed irrevocably into a life of serving noble tastes for beauty and allure. 
“I know why she is there. I will recover her, no need to send people,” Cassandra rubbed the back of her head, gazing one last time out at the water before she garnered the energy to go wandering down further into the Capitol she found so exhausting and pompous. 
It took about a half an hour to enter the arts district of Val Royeaux, but when she did, it was impossible not to know. Painters, musicians, and poets lines the streets which were slightly shaded by richly-colored tapestries connecting structures together. In corridors and alleyways there was artworks and ceramics for sale, from various cultures and aesthetics. Their incongruity contrasted with the overwhelming style of Orlesian architecture and clothing. Then, she stumbled upon an overbearing structure -- gold enamel and sculptures of scantily-clad women and men, and lion heads crowning the columns. The roof seemed like one big rotunda, with mosaic glass lining the insides of the walls and supportive beams. She knew, then, that she had found her destination. 
Entering the main foyer, she became quickly fatigued at the number of doorways and hallways she had to choose from. Surely, an Opera house’s doors all led to the same giant room, why make it so labrynthine in nature? Eventually, she chose one of the front-facing ones, hoping the straight-forward path would yield the right result. Stray couplings and groups of Orlesian nobles watched her from the wings and corners as the Seeker of the Inquisition made her way into the one place they would surely never find her. 
But, for Olivia, such impossibilities would humble themselves. 
Entering the Opera chamber, Cassandra was humbled by the zealous décor of the space: the audience chairs seemed to go on for a mile, and the stage itself was broad, embellished by priceless-looking curtains and drapery. Everything shined either pearlescent gold or white, with the Orlesian blues accenting wherever they could. On either side of the stage, two more Lion’s heads roared out to the populace of concert-goers. Though, in this moment, that audience was one bewildered Seeker, trying to find her ally and lover who seemed to have a penchant for unexpected detours. 
Amongst the tide of blue velvet-lined chairs, Cassandra spotted one head: small, but full of ideas waiting to be expressed, surely. It was covered in a black hood, part of her traveling gear, and dyed to her personal taste. Olivia had been slowly but surely transforming into a woman of contradiction: a smiling, giggly person who decked herself out in black and had an interest in all things arcane and mysterious. Today, an exception in her behavior happened.
Cassandra walked her way down to her, taking care not to announce her presence. Part of her was curious, after all, as to why Olivia would take such effort to be here if she had such painful memories from it. She also noticed that she was seated closely to the front row, though not directly within it. 
“Olivia,” Cassandra said calmly as she arrived next to her, standing in the walkway between the two sections of seats, “what has gotten into you?”
Olivia sat with the posture and awareness of a lady, her hands folded poised on her lap, her back relaxed and straight as it rested against her seat. She did not look away from her gaze at the stage, which was open and cavernous almost, intimidating in its own way. 
“This is where they were sitting. I can almost see them, smiling and nodding.” Her voice was a melancholic monotone, the breathing on her lips shallow as she was lost in her daydream. 
Cassandra tilted her chin with confusion. “Who are you referring to?”
“My parents, Cassandra. This is where they were seated for my debut. It must be, what, six, seven years ago now?”
Cassandra’s chest hollowed as she realized just why Olivia took the risk in coming here, diverting from the Inquisition guards and causing a rather concerning stir. She sighed, then, and made her way to her, taking a quiet seat beside her and electing to keep her company for just a few moments longer. The Inquisition could wait that much. 
“You’ve given the Scouts quite a fright. It is impressive that you managed to steal away without so much as a trace,” the Seeker remarked, placing her elbows on the armrests.
“They were hardly difficult to deal with. They don’t think much of me anyway,” Olivia grinned on one side of her mouth, her body rigid and stubbornly locked in her place. Nothing would move her from this spot before she was ready, not a Scout, not an Inquisitor, and not even a beloved Seeker. This was her moment, her stolen reprieve. 
“That is not true, Olivia,” Cassandra feigned sincerity, but, she knew Olivia was right. They all adored her kindness and sweetness, but when it came to dealings of a more precarious nature, Olivia was always taken as a docile and unassuming person. She had been taken for a sheep when, in fact, she had just as much Orlesian lion in her than any kind of energy. She was capable, and deceitful when necessary. 
She sighed under her breath, feeling the looming weight of responsibility and daylight on the wings. 
“I never thought I would be back here again, after that night. I was so humiliated. Mother wouldn’t stop crying, Father was torn between comforting me and her wailing. My dress and tights were ruined, and I had sewn it all by hand.”
Cassandra knew that in this moment, the best course of action was to listen to Olivia as she mourned a life she had lost long ago. It wasn’t often that she opened up like this, without trying to lighten the mood immediately afterword. But no, this time, it lingered in the air: her sadness, her regret, her pain. It was here to stay, and she would leave it here in these halls, never to return after this. 
“I can hear the song, too. The one I had practiced dancing to for months. My feet ached and bruised, my hair tightly pinned to my head in slick waves and curls.” She then rose from her seat as if she was being called to approach the stage. Stepping out of the row, and encroaching on the stage’s edge, she slid one leg over it and mounted it. Rising to her feet once more, she continued her trek to the middle of the vast stage floor. The airy daylight that shown through the open-air columns illuminated her surroundings. 
Cassandra watched, but did not move. Something about this moment beckoned her to be still and witness. Olivia had her back to her as she scanned the backstage looming in front of her. 
“The curtains pulled while I was turned away from the audience. I was here, front and slightly upstage. I wore a snow-white leotard with glittering fabric all up and down, a frilly skirt around my back and waist. The singers were off to the side, closer to the Orchestra. My face was painted gold, as if I were one of the plastered sculptures.”
Olivia’s narrative voice echoed from the stage outward, demonstrating the proper acoustics of the room. She then turned to face the audience, eyes out to the very back of the room, where she had been trained to spot. You weren’t supposed to make willy-nilly eye contact with everyone in the seats, least of all your loved ones. Such breaks in character were frowned upon. Yet, Olivia broke protocol all those years ago. 
“I tried my hardest not to look,” a soft, bittersweet smile cracked on her lips, “but Father was smiling so big, it was like he was his own spotlight.”
“What exactly caused you to have your outburst with your magic? Were you afraid you’d fail?” Cassandra asked aloud, projecting her voice across the distance between them.
Then, she heard a laugh, as Olivia’s shoulders softened with defeat. “I was...I was anything but. In fact, I was so happy that I couldn’t contain it. My powers reacted to the joy that I felt within my nerves, the thrill...it was too much.”
“You lost control due to happiness?” Cassandra asked, astonished. Such a story was rarely heard from a Mage, at least in her experience.
Olivia shrugged. “Emotions are emotions, Cassandra. We think the sorrowful kind are the most dangerous, but, we forget that it can be the ones we feel when we are most empowered that can cause the most trouble.”
Olivia turned her gaze down to where Cassandra was, her eyes losing their luster as she realized all over again that her Father was gone from this world, and not sitting there, where she knew she would see him. Her smile faded, too, as she felt self-conscious over her romantics. 
“You...” she chuckled with embarrassment, gathering her hands in front of her waist, “you must think me such a silly little fool for indulging in this.”
Cassandra stood up, then, and slid out of the row where she had been positioned. She walked until she was directly in front of Olivia, down on the level of the front row, close enough to touch the surface of the stage with her hands and forearms. Without a word, she reached her hands upwards, inviting Olivia to come down from her pedestal. Olivia watched her, and she grinned seeing her invite her back down.
Quietly, Olivia crouched down a bit, placing her arms on top of Cassandra’s and gripping onto her shoulders as she let her bring her back down to Earth. Feeling the Seeker’s grip cradling her waist as she did so, made her feel like she was once more the nimble and petite dancer being brought down from a lift. 
But she was no dancer anymore, and her partner in this exchange was no accompaniment in some choreographed routine. She was her lover, and they were caught in the real world that felt stranger and more fantastical than any Operetta story could ever depict.
Feeling her feet on the floor, Olivia kept herself close and in Cassandra’s hold, maintaining eye contact. Cassandra was hard to read in this moment -- was she unsympathetic to her? Or was she being scared off my the nostalgic temperament Olivia displayed? Her concerns washed away with a tide of relief as the Seeker pressed her lips to Olivia’s forehead, lingering there as she pulled her in closer. 
Olivia closed her eyes, feeling her insecurity be embraced and redeemed.
“My love,” Cassandra said as she pulled her into a hug, “never feel ashamed for your choice to acknowledge the past. It has made you who you are, and for that, you deserve your chance to gain closure.”
Olivia could feel the emotions bubbling within her heart beg for expression. She wanted to cry, laugh, run away, and stay forever, all in the same moment. She rested her cheek against Cassandra’s shoulder, holding onto her lover’s strong arms as if they could realign stars and heal the most fatal of broken hearts. 
“Thank you, my darling.” She pulled away, taking her lover’s hands into hers. “I am sorry for scaring everyone, though. That wasn’t my intention.”
Cassandra laughed, looking back out at the rows of seats, and towards the door from whence she first entered the chamber. “Perhaps someday you can bring me here when we aren’t busy securing contraband for the Inquisition. Maybe, then, there will be a performance to watch.”
Olivia shook her head, a sorry smile forming on her face. “Cassandra, I appreciate your tenderness, but I have no desire to be under this roof for another Operetta again.”
“Are you certain? I hear Orlesian Operas are quite the experience.”
“I know, I was in them. Ambassador Montilyet would love to, I’m sure, but I am quite done with such fanfare for one life. I prefer adventure that I can feel, and not simply watch as people pretend to experience it.”
Cassandra leaned onto one hip, surprised once again by Olivia’s moods and opinions. 
“Very well, how else would you prefer we spend our free time?”
As they walked up the alley towards the exit, Olivia leaned into her lover’s side as they held hands tightly. “Oh, I don’t know, the usual: defeat evil, make love like fiends into the morning, and experiment with explosive substances.”
Cassandra suppressed a most surprised laughter. “Alright, but hopefully not all at once.”
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nkirubanjoko · 3 years
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The dreamer's journey.
My name is Josephine...the dreamer. My father gave me his mother's name. It incidentally was my maternal grandma's name! I cherish the fact that I'm a hybrid of two great tribes in Nigeria. I temper the aggressive, outspoken, warrior spirit of the Igbo people with the diplomatic seasoning and negotiations power of the Yoruba people. If you want to learn the ultimate art of diplomatic endeavors, study the Yoruba people and make sure you weed out the conspiratorial trait that mars the success of this great skill in the Yoruba tribe. The Yorubas also understand the power of detour, a strategic warfare principle that is used to give a false impression of your operations. Don't let everyone know what you're up to. A Yoruba man is going somewhere, he will tell you he is coming. Haba! This is a cunning craftiness not to reveal his goals. The message is clear. Don't ask me where I'm going, when you see the result, you will know.
Igbo Kwenu!!! The Ibo man no dey carry last. The seed of financial prosperity is nurtured with hard work, resilience and strategic planning. As long as the love of money is not extreme to doing anything to make money. For the Ibos, it must not only end in praise, it must end in Ego...money. The Bible must have had the Ibo people in mind when the book of Ecclesiastes said "money answereth all things". Cubana style...you know!
Every dreamer is destined to appear before the king and possesses the potential to emerge as a prime minister. This is just a title. It's the role Joseph played that's key and that defines the prime minister title. He was appointed to solve a national problem that was going to decimate the land. And God had prepared him.
The dreamer archetype is found in the story of Joseph in the Bible and needs to be well understood. It's not about hero worship but honor that comes from service. The seed of vision goes through different processes. It goes through activation, deactivation, inactivation, reactivation over and over again. But the carrier vessel determines the duration of each process and whether the dream will be actualized or not. Unfortunately, some seeds will forever remain buried, inactivated. Check out Joseph, the dreamer archetype embodied. By the time God had finished panel beating Joseph, he became a fit vessel to carry out divine vision.
The journey of a dreamer comes with certain expectations the human soul loathes. The carnal human body has a natural proclivity towards carnality, pleasure seeking and self aggrandizement. It loathes humility, service to others, discipline, separation unto divine purpose, discretion. Joseph started by boasting about his hero status. The talk of the lips ends in penury! Careless talk incited hate. 'Everybody in this family will worship me. I'm the best'. Heaven looked at what was happening and exclaimed, *'dangerous'!*
A dreamer with divine focus should expect rejection, hatred from family and friends, envy, conflict and unjust accusations, emotional breakdown, discouragement. You're going to be crucified for no just cause. You're going to go through harrowing experiences that you think will break you. No...you're being mended. Put together to fit into the divine matrix of vessels of honour. It's not small pikin journey...no. The carrier vessel must be prepared for the task. Joseph knew that what some people think is mere sexual escapade with different people is enough to truncate divine vision. Spiritual, mental and emotional energies meant to sustain vision is wasted moving from one partner to another. Samson finally lost his vision and his life through Delilah. Rejecting Potiphar's wife earned Joseph tenancy in prison, where he learned that service was what his dream was about. He took care of everyone in prison without grumbling. And God said he was prosperous! In prison? Yes. He was building himself in service.
As a dreamer, continue to prepare your vessel for fulfilling divine purpose. You're tired, you'll receive strength. You're isolated and no one wants to associate with you. That's ok...it's not a journey for everyone. God is preparing you as a prime minister...crowd is not involved. You're lonely? Awww...don't be. Activate your other spiritual senses so that you can feel the Holy Spirit. He's ever present with you. You've been beaten and bruised, you will heal. You are hungry? He's preparing a table before you, in the presence of everyone. Your leg ache from the journey, don't worry...you're almost there. You will soon drop the prison garb! What is important is preparing to appear before the king. And when you get there...prepare Goshen for the people and those that despised you in the past.
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inktrinsic · 3 years
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‘ART IS EVERYTHING’
- interview with a tattooist
Baldwin Ang is a man on a constant quest, seeking to fill his life with experiences that enrich him, all of which he ultimately expresses in works of ink. Working with artists from all over the planet, Baldwin feels that his nomadic lifestyle is paramount to growth as a tattoo artist. The world his oyster, Baldwin's love for the craft brings him anywhere art exists - "everywhere, basically!", he laughingly says.
He believes every piece of inked skin tells a story, and listens intently to every customer who goes to him. Observing him at work tattooing fills one with a sense of wonder; such is the tangible passion he exudes when executing his craft.
With travel restrictions still in place, i manage to catch up with Baldwin here in Singapore, to talk about his passion for ink, and how he got into the craft.
Tell me about your first tattoo experience.
I grew up an only child in an average, middle-class home, typically Singaporean. My dad ran a small business,.and Mum helped out. Left on my own mostly, I pretty much entertained myself, with toys and later, other kids my age hanging around the neighbourhood. I started getting tattoos at a very young age - the first was a dare actually! Gradually I became intrigued by the art form, and this spark fueled my resolve to start doing research on tattoo as an art form and the history behind it.
I started tattooing at 16 (below legal age) without any proper apprenticeship, in a friend’s studio in Singapore. Initially, it was difficult to be taken seriously by people within the industry, they dismissed me as some "young punk" hence there wasn't much hope of me getting a decent appprenticeship anywhere. I stuck with it though, I guess I kind of knew this was what I really wanted to do.
I worked pretty hard, starting from bottom up, and about a year into it, my tattoo artist opened a door for me into the world of professional tattooing. I started understudying with Nicckuhori of Horikawa Tattoos, Singapore, (god-son of Sensei Horiyoshi III) whom i thank for showing me the proper methods pertaining to traditional Japanese tattooing. After that i worked alongside Augustine Nezumi for almost 2 years before embarking on my life as a nomad.
Do you think an apprenticeship is the best way to learn the business?
Without a doubt! Starting out without a proper apprenticeship, thats just a bad idea - like walking blindfolded- because you need to learn the basic techniques and stuff like that from the start correctly. Good foundation and whatnot. I took twice as long to get my basics right, and probably took alot of unnecessary detours, all for the lack of guidance. Although I think it worked well for me because all that hard work being self taught gives me a sort of perspective many younger tattooist seem to lack (no offense to anyone).
What is it about tattoos that compel you ?
That art can exist on a living human canvas.
What’s it like in your studio?
I work with my closest friends in the world, they are family. Nicckuhori, Sam, Colin, Wuzai - in Meteorite Tattoo in Singapore. There is so much creative energy andwe constantly bounce ideas off one another. There's alot of laughter, and camaraderie here - put 5 boys in a room, imagine the kind of mischief we get into! More importantly, there is a certain "sync" we share, artistically, aesthetically, and in even our beliefs so it works out well. Nicckuhori’s work is one of my greatest influences and a great source of inspiration; i respect and love him like a brother. Yet at the same time I hate him the way you hate your siblings because he fools around, laughs too much and always when I’m trying to focus.
Have you worked at many conventions?
I’ve attended many conventions but I’ve only worked at the conventions in Rome, St Gallen (Switzerland), Wurzberg (Germany) and Singapore.
How do people at conventions perceive your work?
(Laughs) I have no idea though I definitely hope it was positive.
Do you find working alongside other talented artists helps you to improve your own techniques?
It is really important for me to understand and learn from other artists. Observing other artists at work, discussing various pieces and techniques  with someone who is kind enough to share with me their ideas and techniques, that knowlegde is invaluable.
During your trips abroad, have you noticed any particular areas that are more welcoming to tattoos and tattooists than others?
Not really. I am lucky i guess, I have mostly only met really nice people who have welcomed me very graciously, and I’m very grateful for that.
Do you think that a formal art training is needed to becoming a tattooist?
I think it helps but formal art training in a traditional college is not totally essential as most aspects of tattooing are picked up on the job. While I have a diploma in graphic design from LASALLE, I don't attribute my artwork to the education i received in school.
Most of the best tattooists I know have no formal art training.
Who are your main influences, including both tattooists and the more traditional artists?
Sensei Horiyoshi III, Nicckuhori, Susan, Roland, Filip Leu, Mick, Aarron Cain, Carlston, Kuniyoshi, Hokusai, the list goes on!
Do you have a favourite style of tattooing? Can you describe your own style?
My genre choice would have to be Japanese style. I try to mix the traditional Japanese tattooing style with the neo-Japanese style. I am currently trying to explore a wider variety of subjects, colours and compositions.
What is it about your chosen area of expertise that you enjoy so much? Why were you drawn to it?
I revere the mystical history of Japanese and oriental tattooing rich in culture and tradition. Singapore is incredibly modern, there isn’t much preservation  of Asian culture, or any traditions since we’re a young nation. I have always been drawn to culture, and I was exposed to oriental art  at a really young age. Focusing on traditional tattooing was really just a natural progression.
What would be the ultimate tattoo for you to create? What subject matter/placement/techniques would you use?
I would love to do just a full body suit of Japanese background, water, earth, sky, fire, experimenting with shading the contours of the body. Maybe with a lot of positive and negative to create strong contrasts and boldness to last a lifetime.
How do you relax and spend time away from tattooing?
I am starting to try some abstract painting with oil, watercolour, Sumi etc. Nothing related to tattoos. And I watch too much Netflix. And I try to go to the mountains in Switzerland. I love nature. It’s good for the heart and soul.
What’s your favourite part of being an artist?
I get to be creative and the creation of good art. Art is everything, really, and it makes me very satisfied.
Lastly, what changes have you observed in the tattoo industry?
Not much, except for how society on a whole has evolved into one more accepting of tattoos as a form of art. There seems to be less stigma and bias when it comes to people sporting tattoos. This is definitely a sign of the times, and I hope that it will continue growing in that vein. That being said, I think there are also some who get into this trade with the wrong motivation, maybe it’s because of the hype sparked off by the media. Reality shows glamorise tattooing, making it seem really cool and easy, and with the Internet and websites that sells starter kits at super cheap prices and way too many books on how to tattoo, it’s becoming really easy to start tattooing, which somehow diminishes the richness of this art form.
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picturebookmakers · 3 years
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Ingrid Godon
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In this post, Ingrid talks about her working process, and she shares stunning illustrations from some of her books, including the ‘Ik Wou’ trilogy with words by Toon Tellegen, and ‘Dantesken’ which features over 600 pages of autonomous drawings. She also shares wonderful fabric sculptures, ceramics and textile art.
Visit Ingrid Godon’s website
Ingrid: When I was a child, I was always watching. From a distance. Who did what, and how they did it. I drew. Not what I saw, although I did store the images in my mind. One day, they would come out. Drawn. School didn’t work out, but I kept drawing. I met Rik Van den Brande, an illustrator and teacher, at the academy. He took me under his wing and I kept drawing. I soon got assignments as an illustrator. I was working! Drawing became my work.
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Educational publishers gave me assignments. This led to the creation of ‘Nellie & Cezar’ in 1995, which, via an educational detour, turned into a short book which remains popular with toddlers and teachers to this day. It became a success in many versions, animated movies were made from it, and Nellie & Cezar became great puppets. And I kept drawing, especially for children.
I made ‘Waiting for Sailor’ in 2000, and took the initiative for a story of my own for the first time. My dear colleague André Sollie wrote my story and I drew. That was the start of an international story. The book won many awards, and was published in English, French, German and Korean.
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Foreign publishers were now asking me to make books for them as well. Often the German, French, Swedish or English books were never even published in Dutch. I received more awards, and in 2020 I was longlisted for the ALMA for the fourth time.
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Photography has played an important role in my life for a long time now. A series of photographs could grab me, and I could go to work with it. For instance, I became enthralled by the work of Belgian photographer Norbert Ghisoland. He made portraits of ordinary people in his studio in the Borinage, an industrial region, each of them dressed to the nines, but there is a great deal of misery behind the well-groomed facade. This became the foundation for my work which was mainly aimed at adults: IK WOU (I Wish). Toon Tellegen wrote the text for the first series of portraits for this book; 33 portraits of serious people. Dressed to the nines. I drew them.
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IK WOU became a trilogy, with IK DENK (I Think) and IK MOET (I Must) as parts two and three.
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The trilogy has been successful, not just in Belgium and The Netherlands, but also in the French and German-language regions. It also led to beautiful exhibitions, with a large exhibit in Frankfurt being the tentative highlight. In Cologne, I displayed the works from IK WOU in combination with the children’s portraits of August Sander in 2016. I WISH, the American edition of IK WOU, was published in the spring of 2020. At the end of 2020, its portraits were supposed to be in an exhibition at C.G. Boerner in New York City, but this was cancelled due to Covid-19.
2018 was an important year for me. For the first time, I made a book without a story. Unless the viewer finds a story in there, of course. DANTESKEN: over 600 pages of drawings, an explosion of what goes on in my head. For me as an artist – because that is how I finally started seeing myself as well – this was an important step. More than ever before, I realised the importance of entrusting the paper (or canvas or wood or printing press or clay or fabric) with lines and shapes. I can do no different. I keep drawing.
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Recently, I started making little sculptures out of fabric: three-dimensional drawings, like puppets stepping out of my drawings.
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I’ve also been working more and more with ceramics and textile art.
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My work is becoming increasingly autonomous, and diverges more and more from merely illustrating. Drawings live lives of their own, become works in their own right, sometimes with a story, sometimes starting from a story, sometimes from nothing.
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I have no style; I have the Ingrid Godon style. I’m continuously looking for the right way to tell my story, rustling around in my box of materials, alternating between pencil and paint, covering it with a paint roller, cutting into wood and printing it, scribbling on photographs. I keep searching.
I mainly draw people who – like me – look in all directions and are curious about what goes on in front of them. They sometimes look away, but they are always very present. I have at times – on request – drawn landscapes. But even then, I could not resist placing a person in the landscape here and there. Looking, like I do. I search continuously, take different paths, and keep looking. Full of wonder.
In the meantime, I keep working on commissions, I take the initiative to make books, I keep searching for the right pen line or brush stroke, the images keep flowing from my head, and I keep drawing. I draw and I draw.
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Illustrations © Ingrid Godon. Post translated by Gengo and edited by dPICTUS.
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Buy the English edition
Ik Wou / I Wish
Ingrid Godon & Toon Tellegen
Lannoo, Belgium, 2011
‘Pairs portraits with poetry to articulate wrenching individualism, yearning, humour, desires, and pathos. This probing psychological journey makes for an exciting exploration in empathy.’ —Kirkus Reviews
‘Each face is round as the moon, with small shining eyes that sit curiously far apart... One boy wears a bellhop’s uniform; another, a red jersey and cap... By voicing the fears, angers, and secret desires of the figures, Tellegen spurs readers to embrace those of others, and their own.’ —Publishers Weekly
Dutch: Lannoo
English: Elsewhere Editions
German: Mixtvision
French: La joie de lire
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Buy this book
Här är vi / Here we are
Åsa Lind & Ingrid Godon
Lilla Piratförlaget, Sweden, 2017
What happens when we become us? And how do we look at them? Belonging and not belonging is the theme of this poetic picturebook. Åsa Lind is one of Sweden’s most loved authors, and Ingrid Godon is an award-winning Belgian illustrator. Together they have created an unforgettable story about us and them.
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Buy this book
Dantesken
Ingrid Godon
MER / Borgerhoff & Lambrechts, Belgium, 2018
Who are the creatures that populate Ingrid Godon’s drawings? They are people, sure. But what is there of a person who only exists as an image? In this book we travel through the works of a gifted artist, illustrator and image maker.
Who will we meet? Who, or what, will we recognise? A book with 800 images which speak for themselves.
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Lana Del Rey: "I grow up with my records." Interview by Joseph Ghosn for Grazia. ENCOUNTER — On her new album, ‘Lust For Life,’ she sings nostalgia and politics, Los Angeles and the intimate. Meeting with Lana Del Rey, a star who lives as an anonymous between the valleys of LA, and chronicles America of yesterday as of today, with a singular sense of observation. The interview is in the heights of Beverly Crest, on the edge of Beverly Hills. The place is unlike any other: a house built in the early 1960s by architect John Lautner, who lived there for a while before reselling it. From one transaction to the next, it now belongs to one of the most amazing figures in Los Angeles, James Goldstein, who is said to be one of the most supportive fans of the NBA (he would attend about a hundred games per season...), while being a regular figure of fashion weeks. Everywhere in the house, photos of the owner with the stars of the time, all seem to pose for a party that would have started in the 70s and would never have stopped since. Around, works of art, objects of fortune or virtue: African masks in the living room, a sculpture by Xavier Veilhan at the corner of an outside corridor, fish that are worth, we are told, “5,000 euros minimum room” in a Japanese pond, an installation of James Turrell in the quasi wild garden and which descends to hillside, far.
A girl like the others Next to the house, a tennis court overlooks an additional, recent building, which houses a nightclub, where Rihanna, celebrated her birthday earlier this year. It’s understandable: the view of Los Angeles is impregnable, cinematographic as possible. It’s there, after placing in the detours of the garden, at the foot of the concrete pool, against the modernist walls of the library, that Lana Del Rey takes us to speak. In the middle of this house haunted by the celebrities and pop history of recent America, Lana is virtually unknown; anonymous. And her way of being doesn’t displease this: she is a girl like the others when she arrives in denim, a small suede jacket, a white T-shirt, and moccasins on the foot. Previously, during the photo shoot, a boy from his entourage made us listen to a few songs from her album: they are not finished yet, and they’re on a small iPod. He scrolls through several versions of the same songs, unfinished mixes, versions in progress. We have the right to listen to only some, but a glance at the list gives us the privilege to see a part of the singer’s process: versions that accumulate only to disappear gradually, and lead to something successful. In 5 years, Lana Del Rey has done a little more than grow In five short years, Lana did a little more than grow. She found a way, a guideline, which is related to California, how to be and live here, in the hills of LA Between the canyons and beaches, she reminisces of Hollywood—of the 40s and 50s. Her still vivid recollections of the singers and singers who lived there; Between the producers’ pools, the round towers of the Capitol label tower (in the form of superimposed discs), the infinitely resonant valleys, where the voices of the more or less well-known folk musicians still seem to be in the wake of Joni Mitchell and his record ‘Ladies From the Canyon,’ have tried to make a name for themselves—a career here. Lana speaks instinctively of these girls. A few years ago, she quoted her tutelary figures, Bob Dylan and Leonard Cohen, but she now adds some heroines, starting with Joni Mitchell. From all this, she speaks to us, sitting on the edge of an Indian armchair, in a club that overlooks Los Angeles and all the fantasies that accompany this city. Lana speaks with all that inhabits her: her hesitations, her undulating thought, her way of questioning you maliciously, her eyes shaking, her assurances firm as soon as there’s a question of defending her writing, her music, her place as an anonymous star, who survives better than others in the middle of an era that hardly tolerates more than one season with delicate singers. — When did you start working on this new album? Lana Del Rey: The very day I finished the previous one, ‘Honeymoon.’ It was supposed to be in August, two years ago. I was happy to have recorded a rock record, with ‘Ultraviolence,’ then another more blues-style, sad, record with ‘Honeymoon.’ I felt I had to get closer to the 60s and 70s—pop sensibility. I thought of the Shangri-Las, their harmonies, their playful spirit. Then, arriving at three-quarters of the recording, I also felt a desire to tackle something more folk. I had in mind the album ‘Court and Spark’ by Joni Mitchell. Finally, I had an intense phase where I only listened to The Beatles, and that’s why I Invited Sean Lennon (the only son of Yoko Ono and John Lennon) to sing with me. I think that made the album sound more mature, to me. — Have you change perspective? LDR: Absolutely. I grow up with my records, I feel an internal shift and I try to chronicle it. Today, I was listening to one of my songs, ‘Beautiful People Beautiful Problems,’ and some words like "Blood” or “Planet” struck me: I had never used them before. I feel like I see things with more distance too, but I’m not detaching myself completely. I’m happy with that. — You quote Joni Mitchell. What do you borrow from her? LDR: The way she tells stories. The way to express one’s interiority and the dialogues that it has. I like the fact that she considered herself a painter who could not help becoming a musician. I also love the Laurel Canyon area. With my friends, Jonathan Wilson and Father John Misty, we formed a true musical community, similar to the one that existed around Joni and her friends. — ‘Honeymoon’ was a cathartic record. A cover of ‘Don’t Let Me Be Misunderstood’ concluded it. It was an end point. After that, was there a new start? LDR: I liked the idea of making a Nina Simone cover, and especially of that song. I often hoped not to be misunderstood, while not knowing what to do to avoid it. This past year, I have understood that people judge me for the wrong reasons. They misjudge me a lot, in fact. It took me seven years to figure out what my part was in that. There were frustrating moments, of course, especially after the first album. Then it didn’t matter much to me. — Do you feel alone? Have you ever felt the need to be guided? LDR: Yes, but I didn’t even know what it was to be guided. But in the last two years, in Los Angeles, after meeting different people, and good musicians, I felt something like camaraderie. Suddenly I had more people around me, people to call, to ask me what I had done and to ask how they had spent their week too… I don’t put myself in the spotlight as much. Half the songs have something light, and are less about reflection, less about myself. I have not addressed a specific audience very much before. But this past year, I wanted to change my point of view, to address others—a younger generation. This has to happen as we get older. — Do you observe others more? LDR: I feel more anchored in reality. I go out, I mix more with others, after having been too intellectual—too existential… That said, among my friends, I am the calmest. I don’t have to try to make myself heard extravagantly. — ‘Tomorrow Never Came’ reminds us of The Beatles. We hear you talk about Sean Lennon. How did he come to you? LDR: I had a chorus that I sang to my producer, and he added a few chords. I was talking about T. Rex, I was looking for something more relaxed, but also more lively. It led me to a melody close to The Beatles. I asked someone to find me the number of Sean Lennon because I wanted to have his voice with mine. We spoke on FaceTime, and we clicked. It was very encouraging. — The song seems to refer to something hard, but a soft rhythm is behind it... LDR: Yes indeed. But with that, I can’t really say what... That’s why I did not want to sing it alone. Aesthetically, I used this title because I thought it evoked thoughts of a universe totally consumed by the sixties, without modern mediation. It mattered a lot to me because it fits me perfectly, and I wanted to express it like this, without detours. — A song on the record, ‘God Bless America - And All The Beautiful Women In It,’ talks about America. It’s political, and a reaction to the election of Donald Trump. How do times and politics influence you? LDR: The song speaks of America and its women. In the studio, where I go every day, I have daily conversations about the state of the country with my producer and sound engineers... All this has influenced my music. I didn’t feel I had to say anything, but it would have been strange if I didn’t express myself. That was my feeling. There was also the issue of going out more, and listening and talking to other people. One of the questions asked by my friends was whether I was gonna move to Paris! It was the theme of all of our brunches right after the election. I also felt all of the women’s fear. I feel freer on this album, less in a role of tormented love. On the other records, I felt torn. Now I have taken a stand—chosen simpler ways and no longer put myself in difficult situations. I decided to have more friends—more fun. — What provoked this decision? LDR: All of my previous bad experiences came back to me. And I’ve had enough. I decided to change, and there was nothing in the past year that I was not certain about. This is new to me. I had a change in my personal life, which dictated a musical change. And it was for the best; it was in the right artistic direction. Being in a relationship is energizing at first, but when the end comes, there are only negative energies that remain… And I never want to have to bear that anymore. If I had seen the warning signs, I would have fled immediately. I have made the same mistakes too many times, even with friends and professional relationships: Henceforth “I will never leave anybody”. I’m surreptitiously taking control of what I am. I will run away if I feel that a relationship can degenerate like this. That being said, sometimes we have to get things done. You have to know how to finish a record—to finish a love story. — Did you have to fight for your integrity? LDR: To make the right decisions, yes, but never to be who I am. That was done from the beginning. When I wrote ‘Video Games,’ I had to be strong and assertive. I was singing very directly. Now I feel different. At the time, that was what made me happy, because I knew nothing else. But that is not enough. — Do you still have tutelary figures? LDR: I had the chance to read Bob Dylan—to understand his process and his way of doing things. I don’t know why he obsesses me so much… He’s my hero. Keep in mind I don’t put myself at his level. Just like Kurt Cobain, despite his sad end: his way of catching melodies that seem to come out of the air that surrounds you… It was the pinnacle of cool.
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datingdaily360-blog · 5 years
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The 10 Most Beautiful Towns In China(new update)
The 10 Most Beautiful Towns In China
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Zhouzhuang Often referred to as the ‘Venice of the East’, Zhouzhuang – located in between Shanghai and Suzhou in China’s Jiangsu province – is one of the country’s most beautiful water towns. Simply walking the town’s pretty streets and the charming stone bridges that cross its rivers and waterways is a pleasure in itself. But the 900-year-old town is also home to plenty of sights bound to please history buffs. These sights include Zhang Ting – a sprawling, Ming Dynasty era residence home to six courtyards and more than 70 rooms – and Quanfu Temple, a beautiful Buddhist temple nestled on the edges of Baixian Lake. Zhouzhuang, China
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Zhouzhuang, China | © Caitriana Nicholson/Flickr Fenghuang Nestled at the foot of verdant mountains on the edges of the Tuojiang River, Fenghuang was hailed as the most beautiful town in China by New Zealand-born writer and political activist Rewi Alley. The ancient Hunan town is home to many Miao people whose customs and culture can be seen everywhere. There are traditional stilted wooden houses, or ‘diaojiaolou’, along the river and batik printed cloths sold in its stores alongside local culinary delicacies like spicy pickled red peppers and ginger candy. Meanwhile local historical sites of note include Huang Si Qiao Castle – built in 687 and China’s best preserved stone castle. It is located a few kilometers west of town. Fenghuang, China
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Fenghuang, China | © melenama/Flickr Heshun Over in western Yunnan not far from the Burmese border lies the small, remote town of Heshun, home to just 6,000 people. A former stop-off on the Southern Silk Road, also known as the Tea Horse Road, many of Heshun’s earlier residents took advantage of its location and travelled abroad. They built splendid houses mixing both Chinese and foreign architectural styles when they returned. This can still be seen in the town today. Walking its pretty cobblestone streets, visitors will come across local sights like Heshun Library, one of the country’s biggest rural libraries. There is also a memorial to Chinese philosopher Ai Siqi. Heshun, China
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Heshun, China | Courtesy China Highlights Shiwei Quite far off the beaten track is Shiwei – a tiny frontier town in northeastern Inner Mongolia on the border with Russia. A cultural enclave for the country’s Chinese-Russian minority, the town’s mixing of cultures is evident everywhere. It can be seen from its architecture – beautiful Russian-style log houses known as ‘mukeleng’ – to its local food, which combines recipes Chinese shao kao barbecue and Russian lie ba bread. The town is surrounded by vast and verdant grassland. One of the best ways to explore it and the neighboring area is on horseback. Shiwei, Inner Mongolia, China Yangshuo Famed for the dramatic karst mountains that surround it, Yangshuo is a vibrant, tourist-friendly town nestled on the banks of the Li River in southern China’s Guangxi Zhuang Autonomous Region. Though the town has seen a boom in visitors in recent years, Yangshuo has managed to retain its historic character. Its modern restaurants and stores are concentrated around West Street, the town’s main drag and its oldest dating back more than 1,400 years. Among them, visitors will find plenty of traditional architecture and charm. Indulge in some slow travel and catch a boat down the Li River from neighboring Guilin. It’s undoubtedly the most scenic way to arrive in Yangshuo. Yangshuo, China
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Yangshuo, China | © David Boté Estrada/Flickr Tongli Another of Jiangsu’s picturesque water towns, Tongli is an idyllic little town just a short journey west of Zhouzhuang. Surrounded by five lakes and crisscrossed by canals, Tongli is made up of seven islands with a total of 49 bridges (of which the majority are a century or more old) linking the town together. Hire a gondola and see the pretty town from the water. But make sure to stop off at the Tuisi Yuan (Retreat and Reflection Garden) – part of the Classical Gardens of Suzhou. These were added to the UNESCO World Heritage List in 2000 and is a beautiful spot worth taking a detour for. Tongli, China
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Tongli, China | © Ginny/Flickr Dunhuang An oasis in the barren expanse of the Gobi Desert, is the small northwestern town of Dunhuang. Formerly one of the most important stopping points along the Silk Road, this place is a haven for history buffs. There are no less than 241 historic sites of note dotted in and around the town. Just outside the town, visitors will find the White Horse Pagoda. This was believed to have been constructed in 382 to commemorate the horse of Buddhist monk that carried Buddhist scriptures from Kucha to Dunhuang. Nearby is the Mogao Caves – a UNESCO World Heritage Site home to a treasure trove of Buddhist art. Dunhuang, China
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Mogao Caves, Dunhuang, China | © Laika ac/Flickr Gulangyu Island A small isle located a short boat ride from the city of Xiamen, Gulangyu Island gets its name from two Chinese words – ‘gu’ meaning drum and ‘lang’ meaning waves – and is so-called for the drum-like sounds the tide makes when it hits the reef that surrounds the island. A tranquil retreat from the busy nearby city, Gulangyu is listed by the China National Tourism Administration as an AAAAA Scenic Area. It was formerly an international settlement and is noted for its beautiful colonial, Victorian-style architecture. Home to China’s only Piano Museum, the town’s other must-see local sights include the beautiful Shuzhuang Garden. Meanwhile a trip up Sunlight Rock – the Gulangyu’s highest point – offers breathtaking views over the island and coastline. Gulangyu Island, China
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Gulangyu Island, China | © SaraYeomans/Flickr Hongcun Film buffs might recognize Hongcun, an ancient Anhui village nestled in the mist-shrouded foothills of Huangshan Mountain, from Ang Lee’s Crouching Tiger, Hidden Dragon. Home to some of China’s finest Ming and Qing Dynasty architecture, the village provided a befittingly historical and mystical setting for several scenes from the Oscar-winning film. Much of the village – which, alongside neighboring Xidi, was listed as a UNESCO World Heritage Site in 2000 – centers around its half-moon shaped pond. Local sights include Chengzi Hall, a grand residence built in 1855. This place has ornate wood and stone carving and now acts as a museum, which is open to visitors. Hongcun, China
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Hongcun China | © Thomas Fischler/Flickr Dali Dali is a beautiful old town nestled on the edges of Erhai Lake famed for its natural beauty and stunning locally mined marble. Grand city gates welcome visitors to the town and give way to cobbled streets home to a host of beautifully preserved traditional Bai folk houses. The Three Pagodas of Chongsheng Temple – dating back to the 9th and 10th centuries – are a sight to behold. Plenty of authentic handicrafts, from artwork made of local marble to embroidered Bai cloths, are available to purchase on the streets. Another Dali must-do is the three-course tea – a Bai tradition of greeting guests with courses of bitter, sweet and ‘aftertaste’ tea. Dali, China
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Dali, China | © tak.wing/FlickrSave to Wishlist
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