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karla-the-elemental-dreamer · 1 year

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Convo With Terra re. KH Guardians of Light

These days, it seems like I'm naturally drawn to some of the KH guardians more than others, where as at the start (in 2020/2021), I was able to see and spend time with the whole group if I wanted to.

What started off as a casual conversation with Terra quickly became a therapy crash course, from an all of a sudden wise Terra, on how to get the whole group again. The energy I get determines what Terra (or anyone else) says, and here, like I said, Terra got freakishly smart and powerful; and it made for a very interesting chat.

Everything that's spoken about is what's occurring in my timeline, it isn't obviously the cannon timeline nor do you have to adopt it.

I've been prompted on many occasions in my dreams to 'unite' the guardians and get them back all into one space, which is why I feel I need to carry this out. With Riku and Terra leading the pack as my dream guides.

The 'main event' was my grandma having a fall this weekend (while being sick) and having to go to the hospital to get checked out.

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START CONVERSATION

Me: “Hey Terra, you’re always checking on me, so this time I’m just seeing how you’re doing; especially after everything that’s gone on so far this weekend”.

Terra: “Thanks for checking up on me, I’m doing alright. There really hasn’t been anything big on Kingdom Hearts’ end as we’ve spent most of our time looking after you this weekend. We did have a meeting earlier in the week to say that you’re still struggling with all the guardians, but then Riku and I had to call Jak and rush to your side”.

Me: “The main event is over now. Heaven forbid anything else happens. At least we can all breathe tonight and I can get back to my own personal ventures. Now it’s back to chasing guardians and, as you said, trying to have all nine or ten of you here again all at once”.

Terra: “I know this might contradict what I’ve said recently; but maybe it’s not a good idea to actively chase after them. The only reason I say that is because I notice you making some sort of action plan in your mind, but when it comes time for you to act it out or just put pen to paper, you tend to get really tired and lose steam to be able to do anything”.

Me: “Communication interference again. Blame the current Mercury Retrograde, and the Lunar Eclipse, and another energies or concepts tampering with this timeline. For my brain to suggest something but then not let me carry it out really pisses me off. Like was my set job to unite Kingdom Hearts or not? Perhaps it’s the bloody 3D environment again”.

Terra: “Mmm. That’s another thing I worry about. That if you manage to get some of the other guardians onboard, but when you’re no longer putting energy into talking to them, then they’ll slip away again”.

Me: I’m thinking about them again now; so let me lay out my thoughts fast”.

Terra: “Alright”.

Me: “The ones I had strong connections with were different at the start. Like at the start of it all, I was so close to Roxas and now we barely even rate a signal, let alone any of the Twilight trio. That’s just one example between now and then”.

Terra: “Mmm. I recall that Roxas carried you once or twice. Your intention was to give him a sub role at the start, but now that’s what Ven’s got. Ven and Roxas are both connected to Sora, and they both look the same. So what I actually think is that Roxas’ imprint has been given to Ven, but in a way that you didn’t pick up on it. I think that if you went with Lea, then Roxas would have been more involved. But as it stands, you’ve headed in the direction of our trio, being Aqua, Ven and I”.

Me: “But I thought I was supposed to be with the entire group as a whole”.

Terra: “As frustrating as it may be, I saw that these so called end times are all about you choosing a side. So there’s that ultimate choice of good versus evil, but then you might also have to choose with smaller issues”.

Me: “And how does that relate to the trios?”.

Terra: Our Wayfinder and their Twilight trios are very different, and If you’ve paid attention to the two, they almost seem like opposites. To you, the Twilight guys might seem more relaxed and easygoing, where Aqua, Ven and I have more structure and sort of code of conduct. So you’re either pulled towards them, or us”.

Me: “But I haven’t anchored Aqua to the magnet as it were”.

Terra: “And that’s why you’re able to pick up one of the Twilight guys. Aqua wanted to step up so that we could in-fact take you as a trio, but obviously you and her weren’t a good match. So Lea’s there instead as her opposite. And like I said before; it’s either Ven or Roxas; and so that leaves my opposite being Xion or Namine”.

Me: “And that’s another odd thing, being that I’ve never spoken to Xion. She and I are both INFJ, and yet we know each other the least”.

Terra: “I wouldn’t be able to do much on that one as I don’t really know Xion that well myself. But I think the reason you talk to her the least is because you know the least of her story. You haven’t really seen enough of her at all to be able to imagine and launch your interaction with her. Hang on a minute, Riku’s saying something to me as well. Riku says that Xion comes from Sora’s memories of Kairi. So perhaps if you were closer to Sora and Kairi, then you would be drawn to Xion more. But as it stands, you’re close to neither of them”.

Me: So you’re saying that the guardians have a link, and depending on who I’m with, that determines which link I follow?”.

Terra: “It makes sense because at the start, you chose Riku, and then you saw that I was connected to him as a link, being that I passed down the power of the keyblade. Did you ever notice that when you were just under Riku, you aligned more with Sora and Kairi?”.

Me: “Yes. I frequented the islands more, and Sora and Kairi were present without much thought. That’s also when I was able to travel to other KH worlds more freely”.

Terra: “That’s because you were more on the main plot line back then, whereas by having me as your direct mentor, you’re channelling the Birth By Sleep plot line, whether you intended to or not. Under Riku’s instruction, that’s when you had all the big group gatherings, and you were able to land yourself in any world, because that’s what his best friend did. Riku and I may both be your dream guides, but depending on who you spend more time with, you also take the direction of that one’s surroundings. The reason you have an equal balance with everyone in Jak’s world is because Jak’s your only dream guide and he’s the main guy”.

Me: “Man… Talk about a game, book or movie dictating where I go in life…”.

Terra: “I guess I know why some people in your world call it subconscious programming. But with the ascension process in mind, you have the power to do anything and shape your world into what you see fit. You’ve already done that with Riku, Jak and I, so now you have to think about doing it to all the guardians. Rather than thinking about the guardians as individuals who look and behave different, and who live in various different worlds; try to focus more on us as the collective, who are on the same team, fighting against the darkness for the greater good. I know you can do it because I’m already a changed man thanks to you. I was designed to be a broken man mourning the loss of my father figure and still lamenting over what could have been. But you’ve destroyed Xehanort’s grip over me and my feelings, and that’s allowed me to move on much quicker than if we didn’t find each other. And you set up a personal mission to correct the way that you perceived Master Eraqus had treated me. You actively made the choice to free me from that pre-written script. You’ve set me on the path of discovering my own true potential, with my friends by my side, whilst being your teacher, friend and father figure”.

Me: “Hang on a second… I’ve just noticed a bit of a contradition. You’re saying to change my view of the guardians from individual to collective, yet to shape them into suitable beings for the timeline individually?”.

Terra: “In your timeline, most of the guardians of light are still running loose. You’re going to spend more time trying to round them each up individually than as a whole group, because while you’re focusing on Roxas, Kairi slips out and runs off in a different direction. That’s why you gather them all at the same time, and then when you have them, that’s when you can go to each of them and fine-tune all the details. Get them out of that scripted matrix and then work on them”.

Me: “There’s just one thing I’d like to know”.

Terra: “What’s that?”.

Me: “How did ‘I don’t know what help I can offer’ and ‘don’t chase after them’ change to you seeming to innerstand the entire issue and talking to me like you’ve hacked into my brain and you’re telling me exactly how to get all of them and make them stay?”.

Terra: “Like I’ve become some sort of scholarly sage huh?”.

Me: “Yes… How?”.

Terra: “Well you pretty much gave me the keys to the entire vault; and with that, you said I have free reign to use what ever resources in there and to do what ever I had to, to guide you and keep you on the right path. So with a few ground-rules in place, you pretty much gave me access to everything and told me to work as if I’m your dream dad”.

Me: “I raise another concern here, being that I don’t want every single guardian to be a dream mum or dream dad, aka dream guide. So how do I work with each one individually while placing that boundary on them?”.

Terra: “You have the perfect answer to that question with Aqua, because that’s exactly what you did with her. She acted in one way, but then you took the time to shape her into the path that you wanted her to go down. She pushed too much for your liking, so you told her to back off. But then she went too much the other way, so you went back and told us what you want again, as well as putting those taxes in place”.

Me: “So I have to do that for every single guardian of light”.

Terra: “You don’t have to if that’s not what you want, but it’s probably the best way to keep them. Like with Sora, you clearly got him out of Quadratum and I was there when it happened, but because you didn’t give him anywhere to go after that, it’s like he’s still lost. I know you think you shouldn’t have to give them every single direction and that they should be able to make their own decisions as people, but it’s just about putting them on some sort of path rather than leaving them in an empty void. Think about how you did so with Ven. You gave him an event to work towards, which is what you call the last day”.

Me: “So I guess I’m pretty much on the right track with your trio then, which is why they’re intact”.

Terra: “As it’s the next day now, I wanted to pass on something that Lea said to me in the space of time when you were getting ready for bed last night”.

Me: “What’s it mainly about?”.

Terra: “It’s about Xion”.

Me: “Ah, okay”.

Terra: “Lea said that the reason you’ve had almost no interaction with Xion isn’t because you don’t know her story, but that it’s something to do with her actual personality. You might be both INFJ, but I’ve realised that you’re more of an ambivert, which makes you unique. Whereas Xion’s almost completely introverted, which makes her more shy and closed off than you are. She doesn’t openly talk to someone unless they’re really close to her, and rather she keeps a lot of things to herself”.

Me: “So Xion will be the hardest to work on”.

Terra: “Having the same personality type doesn’t always mean that it’s going to be easy, especially if one of your traits is more subtle and there’s is more intense; or the other way around. But Lea said that if you want his help to connect with the other Twilight Town guys, then he’ll do what he can. And you know that Riku and I are always here for you too. I might just leave you with one last thought. You know how you’ve got the whole of Kingdom Hearts’ attention with me? It’s not just because you and I are connected, but it’s the lengths that you’ve gone to in order to look after me and transform me as a person. That’s just a reminder that you have the power to do anything if you put your mind to it and make some time to do the work, or at least believe that it can come true, as Cinderella taught me”.

Me: “Thank you so much, Terra. I’ll see what I can do with all the information you’ve given me, and maybe it’s the ultimate boost I need to get everyone back here and united”.

Terra: “That’s okay. Let me know if you need anything else, alright?”.

END CONVERSATION

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EDIT: Just now (1:10 AM), Terra pointed out to me that half the guardians are fairly stable, and half aren't; so I can split them into 2 groups:

Stable (/adequate): Riku, Terra, Aqua, Ventus, Lea

Unstable: Sora, Kairi, Roxas, Xion, Namine

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valorxdrive · 2 years

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Y’know for the longest of times this image here always bothered me. Bothered me in a good way, specifically them adding the hashtag where hearts return as if this is the cosmic way things always should’ve been. Which! I do believe seeing how many lost hearts always manage to find their way here. As if, each and every heart has the wiring instinct to make it here if ever find themselves conceptually unattached from their bodies.

So when I look at how empty the Final World is? It only connects one idea to me.

This place’s natural order is displaced to one particular reason.

Kingdom Hearts itself isn’t within the Final World for these hearts that make their natural or unfortunate passings.

So far my growing theory is that what we currently see, where hearts/souls are now at risk of just dying entirely (with no afterlife) is the secret issue laced in these scenes, and that goes for both the natural reality and unreality, seeing how the Nameless Star also managed to be here to find rest.

Throughout the series we’ve come to see Hearts and being drawn to Kingdom Hearts is truly nothing new when they have the genuine opportunity to. Also in turn, KH comes to accept them with virtually open arms.

Such as the case of the fallen wielders at the war. (Interestingly enough, with the foretellers forbidden from opening the route of darkness to KH. It looks like it’s connection with this place and the amount of deceased Keyblade Wielders wrenched it open.)

Such as when Eraqus and Xehanort taken up by intentional glow to guide them there.

In my mind now with seeing this, KH is similar to the sea of souls (going by Sora’s hashtag up there), where the cycle is supposed to resume and they have a place to stay until reincarnation.

Seeing how KH has so MANY concepts from the Fabula Nova Crystallis mythos, I’m genuinely not surprised in seeing how this works in the least.

#| OOC Musings #| KH Theory #KH is out here on the same high cosmic scale #Seeing the groundwork they're placing makes me confident #We'll be seeing more of this to come

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subwalls · 3 years

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Tales from the SMP Presents: The Haunted Mansion

An ongoing exploration of how the Inbetween drives my Kingdom Hearts brain crazy with paranoia! Less of an analysis this time, because we got confirmation (VALIDATION!!), and more of speculation, but yeah!

First of all! I was right not to trust this fucker.

Just kidding, that’s not the first thing we’re gonna talk about here. First of all, a gentle recap!

As I’ve mentioned before, the Inbetween has some uncanny resemblance to the Kingdom Hearts world known as Castle Oblivion. Castle Oblivion is known for being the place where the main series protagonist lost all of his memories, and even had false memories implanted while he was getting deeper and deeper into it.

You might be curious as to how the Kingdom Hearts protagonist escapes.

He doesn’t.

He needs outside help, and a lot of it, to get him out of that situation. Even then, it takes a whole year. He drove his own heart into the bottom of the abyss in his desperation to save someone he was tricked into thinking he knew, and he didn’t even regret it, because he was saving someone.

... A lot of people on Dream SMP have different ideas on what it means to save people.

Also, the castle also had a very plot-twisty secret where it used to be the lush and wonderful home of these three friends before they fell apart; one was lost to the Evil Dark Side™ (not real name), the other was trapped in the Realm of Darkness (real name), and the last one fell into a coma for TEN (10) YEARS and his body was left to be protected in the heart of the land, which was then locked and turned into Castle Oblivion.

So, pretty fucked up place! Not inherently evil, but the place of great misfortune and just... not very good for everyone there.

Let’s start at the beginning!

Welcome back indeed. Take notice of the wither rose in the pot, by the way, I’ll come back to this in a bit.

The first thing that stands out to me on this page is the smiley face, of course. It’s not the ever-iconic, ever-evil “:)”, but it’s similar enough that I think the callback is intentional. The smiley is c!Dream’s icon, of course, which... honestly makes me think that “:]” might be DreamXD, but that might be because I’m very very biased for the server god who simps for a dangerously apathetic cottagecore once-king.

Of course, it does also look kind of like Quackity’s face, and cc!Quackity has said something about big lore coming for him, but until further evidence is presented I’m disinclined to draw a connection there.

The Inbetween, as we’ve come to know the author of some of these books to be, being happy that Karl is continuing—it reminds me of the KH protagonist being told yes, good job, keep going, as he stumbles deeper and deeper into the castle that strips away memory after memory from his heart. Why does the Inbetween think that Karl’s time travel is important, his careful documentation of every story? Is it because the more he does it, the more he becomes attached? The more he becomes reliant on the Inbetween to feed the missing pieces of his memory?

Is it because the Inbetween, in parallel to c!Dream and c!Wilbur, prioritize the concept of story over the characters?

Things to think about. 🤔

Also kind of interesting that the Inbetween thinks Karl will eventually uncover “all [he] needs to”, which continues to make me think that the more c!Karl comes to the Inbetween the more he becomes... either dependent or over-trusting of it. Not sure. But weird things happen when it’s magic that tampers with memories, rather than trauma.

Basically, I’m getting “there is no war in Ba Sing Se” vibes.

The book continues to say that Karl probably has a lot of questions and that it would love to answer :] but never actually does. It’s trying to come off as helpful without actually being helpful. All it does is tempt him with the prospect of answers, and then draws him in deeper. “Continue onward, Karl.” But why?

Another wither rose pot.

Sidestepping the very innocuous, very surface-level information offered here (because that’s it, it’s nothing about the workings about the Inbetween, it’s just a little sweet carrot to distract with), I cannot even begin to convey the absolute terror that consumed me at the word “sleepy.”

I mentioned earlier that one of the original characters who lived in the land that would become Castle Oblivion went into a coma, right? But it’s more commonly referred to as sleeping. The game is even called “Birth by Sleep”, and there’s a whole thing about trying to get him to “wake up”. So the idea that time travel can take something out of the traveller that makes them tired, the idea that there is one specific room for sleeping quarters within the Inbetween, paired with that not-quite-right smiley face—I am traumatized, I tell you.

Yes it could be a “haha look what I did with the sentence, because day is a form of time and they time travel so long day is a funny term” kind of smiley, but. Kingdom Hearts has trained me to be suspicious of any talk of sleep.

There’s something just mildly unsettling about the way it continues, with the references to the “many Karls” and the “many many great stories” that sounds borderline condescending.

And now we get the, uh, “other” author. Notice how this one actually did not have a corresponding wither rose in a pot. I’m starting to think that the flower might actually be an indicator of the not-this-author-pictured-above, the probably-Inbetween-itself, so the fact that this book was found separately from a wither rose pot and it was tucked away under a tree... A tree, under which c!Karl will later find a bit of a refuge... yeah, different author. Or at least an author from a different time.

I’ll elaborate in a moment, but I do think that there’s three (3) mindsets/authors happening here: the sickly sweet Inbetween pretending to be good, the person trying to get c!Karl to distrust the Inbetween, and... someone who desperately wants c!Karl to stay in line.

This is the third... I don’t want to say author, because it too has the wither rose pot and is trying to keep c!Karl playing along with the Inbetween, but it’s much less coherent and much more desperate.

No “:]”, either.

Some possibilities I’m considering:

the Inbetween, but it’s like, a security subroutine or a glitch in the system,

the Inbetween, but it’s from a future wherein c!Karl has fucked it up to the point of desperation,

Karl / the other author, but it’s from a future, where trying to stray from the Inbetween resulted in something traumatic happening and they don’t want it to happen anymore.

Some fun possibilities to keep in mind. Anyway!

Ooh, the return of the wither rose pot.

For this part, the only thing I really have to say is that the repetition of the Inbetween trying to present itself as “a place to feel at ease” is... Well, as the lovely Fear has said in this post linked here, a place that tries and makes itself seem safe probably isn’t, because a genuinely safe place wouldn’t need to announce it all the time.

Very much sounding like a Ba Sing Se thing.

More importantly, the book actually says that it’s “wild” how the Inbetween is “so beautiful that even time travellers who go anywhere at anytime ever and they still choose here” with a good old “:]” tacked on at the end. That’s... that’s not just me thinking like that sounds kind of threatening, right? Like, time travellers can see anything anywhere, and they keep coming back to the Inbetween. Why?

Is it because they forget the beauty of anything else? Is it because it’s not beauty, but rather attachment and emotion that keeps someone going back to a place? If someone forgets their loved ones and precious things, then why would they go anywhere but the place where they’ve put all their stories?

Why did KH’s protagonist keep going deeper into Castle Oblivion even though he knew that the castle was taking apart his memories? Because he had one thing left: the fake, implanted memory, which told him that in order to save someone, he needed to push on no matter the personal cost.

So the real question is: are the time travellers coming back to the Inbetween because they want to, or because they no longer have a choice?

It regards all the different Karls with such... distant affection, too. “How beautiful,” it calls them, for wandering the blank halls with blank stares and blank hearts, none of which react to each other. It says that they “choose” to walk the halls, uncover mysteries, and tell stories. But what was the other choice? Was it really a choice at all?

Hmm.

Karl goes on to explore, and finds another book that does not have a wither rose pot, which tells him he has to go Under The Tree.mp3 and informs him that he “can’t afford not to”. Cool. Not ominous at all.

He finds another, which says the same thing.

Definitely not ominous. /s

The phrasing here is interesting, because it’s also phrased like a threat. Usually, when someone tells you that you “can’t afford not to”, you’re either looking at a scam or at the business end of a weapon. But the empty pages tell you that the author is trying to keep it down low. That’s one of the ways Minecraft players have found to express tone in the very limited form of Minecraft books, and it works splendidly.

Not to push my DreamXD agenda, but like... the door was iron. Iron doors are a weakness for Dreams and dreamons and, mayhaps, Dream’s dreamon.

I know it’s probably just because the iron door keeps in line with the color palette of the build but let me dream, alright.

Anyway, book content! And an interesting point of order: there is a wither rose pot. I said earlier that it might be an indicator of the Inbetween as an author, but that doesn’t make much sense now, does it? This is meant to be a place hidden from the “it” that I assume to be either the Inbetween itself or the one/s controlling it.

So why the wither rose pot inconsistency?

Unless it doesn’t mean that. Unless it’s just a metaphor for, say, memories withering away or something. Or maybe it’s just a pretty plant, for funsies! Who knows. If I had to guess, I’d say that (after much reflection) it’s likely less a mark of author and more a theme of, mm, memory status. The withering away of memories. It fits in with the Inbetween, because that’s what might be responsible for it, but the author/s of the book aren’t immune, either. They get blinks of clarity, with the hidden, tucked-away tomes, but they might not be completely free.

The next book, however, again lacks the wither rose pot. It might not be a coincidence that the one without the potential mark of a withering memory is the one that actually divulges some more information.

This book goes into slightly more detail about the warning, though not about whatever actual threat it is that the castle (which... Castle Oblivion, you know) presents.

It says that 1) it’s not what it seems, 2) the "truth about the other forms of you”, 3) this place “is not okay”, and 4) get in that portal we saw that was blocked off before.

We know that the Inbetween isn’t what it seems, but the “truth” about the other forms... Hm. This is, in fact, another Kingdom Hearts Thing. There’s a running joke that everyone on the very large cast of characters in KH that in the end, every person is actually either secretly a version of the antagonist (through possession or body splitting or whatever), or a version of the protagonist (through similar concepts). Multiple bodies and other forms is definitely a Thing in KH, though it’s not as oh-god-not-again definitely-bad as the sleeping thing.

I think the other forms have either become reliant on the Inbetween or have forgotten everything but the Inbetween, or both. Maybe more of the prior, since the warning is against trusting the place.

And, uh, this? Fucking terrifying. I love it to pieces.

Every single one of these books has a wither rose pot, and this is kind of why I think that the Inbetween or its master/s is, in some way, possibly functioning via routines and like... an AI. Or a genius loci kind of thing.

But good news, there aren’t 13 books, there are 14! This is important for Kingdom Hearts reasons, because Kingdom Hearts has a big thing about the numbers 13 and 7 (13 is the number of pieces of darkness, and 7 is the number of pieces of light, and this is equal somehow, don’t question it).

Now, 14 is an important meme number in the MCYT fandom, of course, but I don’t think it has terribly too much to do with the lore beyond a fun easter egg.

The books themselves trying to tell c!Karl to, essentially, go with the flow and the path that the Inbetween has set up for him is... something. I like the idea that it’s some future version of something trying to stop something from happening, but we all know it’s probably not going to work. Fun times.

And finally, this.

The Inbetween is a bit of a narcissist, huh? It won’t shut up about how it’s so pretty and irresistible and the whole definition of, like, a honey trap. Oh my god it even describes it as ~mysterious~ as a good trait, that’s hilarious.

More pertinently, it also calls the Inbetween “a time traveller’s dream”.

A time traveller’s. Dream.

Again, not to push my DreamXD agenda, BUT—

But! Getting back on track, the book expresses its eagerness to see Karl again, says their relationship is gonna be great, reminds him that his stories are important, and then tells him that he needs the Inbetween/author just like the SMP needs him.

Uh. He’s going to need the Inbetween?

Hello?

Why? How? So far it’s presented itself as being pretty and perfect but it never said anything about necessity! What’s going on!

Very much reminded of how Castle Oblivion was presented as “you need to keep going in even though it takes your memories away because there’s someone you need to save [fake but you don’t know that because you don’t remember anything]”, and I am afright.

Talk about subtle strings being tugged at here. I’m really seeing the beginning seeds of a dependency thing being sown, and if it weren’t for the side books painting giant neon warning signs everywhere, I don’t know if it would’ve caught on. An artificially cultivated concept of how important and great the Inbetween is, and don’t you just want to take all those stories from that messy world elsewhere but come back here in the end to take a break and exist and explore and oh, isn’t the Inbetween great, isn’t it wonderful?

Man, c!Dream wishes he was this good at subtle manipulation.

tldr; there are multiple authors trying to tug c!Karl in different directions via those books. The Kingdom Hearts parallels predict that his memory will be at stake, and he might not be able to escape without help.

#tales from the smp #dream smp #general thoughts #the inbetween is a scary place im telling u #a Place that wants to be your friend but probably has ulterior motives? oof!!

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prettywarriors · 3 years

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Ok ill bite whats the worst mg series

alright, whats the worst magical girl series in your opinion?

Thanks you two for letting me do some yelling. The obvious guess would likely be one of the recent edgelord shows right? Magical Girl Site or something similar? But nay I say, for while MGS and Day Break Illusion and such and what not generally tell you what to expect right away. Don't like super violence and suffering? Watch something else is the clear message from the get go. One of the bait and switch series then like Madoka or maybe Yuki Yuna? For what faults they may or may not have, at least these series do something and are interesting, even if you're not huge on what goes down in the series. A parody then? They range from affectionate to banned in New Zealand but regardless of quality and their feelings for MGs, it's a parody. It's a joke and shouldn't be taken seriously (plus they're usually short so you can just forget about them forever).

So what makes a series terrible then, I am sure you are asking. IMO? Setting expectations for an interesting and enjoyable series, and then dashing them to hell.

Come with me below the cut, as I talk about Key Princess Story: Kagihime Eternal Alice Rondo!

Spoilers abound so if you care about those for a 15 year old series, click away.

Background: Kagihime was a 4 volume manga that ran from 2004-2006 that was picked up for a 13 episode anime adaptation near the end of its run. The manga is created by a pair (Kaishaku) who you may know for making Magical Nyan Nyan Taruto. Kannazuki no Miko, and Steel Angel Kurumi, and the anime had a script written by the same writer (Mamiko Ikeda) for Tenshi Ni Narumon who also did some script writing for Princess Tutu and Seven of Seven. The anime also had 6 character music videos which are fairly simple but a nice addition to the series for the main girls. Discotek has been publishing the anime in the states in recent years, and the manga was brought over by *squints at book spine* Dr Master Publications.

The Premise: Girls transform and enter weird outside of reality spaces to fight each other with giant keys to take each other’s stories to create a third Alice In Wonderland story.

Well, an off-brand Alice story written by Alternate L. Takion, rather than Lewis Carroll/Charles Dodgson, that while the series uses all the aesthetic hallmarks of the tradition Alice, the little we see of the in universe Alice story is clearly different. Which is fine, at the end of the day, it’s still about someone who loves the Alice stories and wishes there was more, and even makes his own fanfiction version. His? Oh yeah, while the girls do all the fighting, the main character is Aruto, a teen boy who loves Alice, and for reasons we don’t know till late game, can enter the liminal spaces that the ‘Alice Users’ fight in. He chases a girl who looks like the Alice he sees in his story, who is named Arisu, and gets roped into this fanfic battle royale. He is also the older brother of the very needy Kirihara, who also ends up being and Alice User. As does Kirihara’s bff Kisa. To round out the group of enemies-turned-friends-who-will-work-together-to-collect-the-Eternal-Alice-without-having-to-fight-eachother group is a young genius researcher Kirika who wants to know more about Aruto’s connection that allows him to enter the spaces where the girls fight.

Then there’s all the other girls, some of whom still have real importance to the story and some who have a few panels or 2 scenes total. But with a whole bunch of girls to design, the creators reached out to a whole lot of other people to have them create designs! Eventually the battle gets down to the last few girls, there’s a confrontation with the guy running the whole thing, and while the anime and manga vary quite a bit the whole time, in both version Aruto ends up with Kirihara. Oh and Arisu was created by Aruto’s super imagination powers.

The Promise: Here on is subjective, particularly with what I personally saw as potential from this series. because I need you to understand how much I want to like this series.

~Alice in Wonderland themed: I know some people aren’t alice fans and that’s fine you do you but as a big alice fan this is great. We have a few alice episodes and themed characters amongst series like CCS and MGRP, and even Alice themes in other series like Tweeny Witches and Alice 19th. But damn it I am down for Alice series.

~Giant Keyyyyyyyys: Yeah yeah Kingdom Hearts but these keys are much more staff like for a lot of the characters which ads and air of elegance rather than the KH ones that for me at least feel well designed for big ol props rather than actual weapons. We also get...

~Weapon variety: It counts as a key if it’s a thorn whip that can be shaped like a key right? How about a giant pocket knife? Crossbows can also be keys. Hush. And we have this variety because

~Guest Artists: For magical girl series where we have a variety of outfits designed by different people, we have Kagihime, Uta~Kata, and uhh I guess Magia Record? But that’s a mobile game with a hella number of characters and with how mobile game works I wouldn’t count it just because it’s less the intent of the series to have variety and more the nature of having lots of girls. (Precure doesn’t count because unless I missed a memo each season’s set is still by one designer). If a series isn’t about a team and therefore doesn’t need cohesion, bringing in other artists is a great way for variety and new looks.

~The long term goal: Fighting with other people who love the same piece of media you do in hopes of creating new material that will be viewed as official? That’s just fandom nowadays. But it’s a legitimate interesting concept, and opens up so many doors for a message for the series, be it ‘what you create is no less valuable than the canon work’ or ‘it’s hard to let go when something you love doesn’t have more to it but you can still love it for what it is’ or ‘bond with the people who like the thing you like ya idiot instead of fighting about it’. The concept is interesting and there are so many narrative ways you can take this.

~Gays: Between the anime and manga, we have at least 5 wlw. Is it a magical girl series without some gays? (side note- the manga had a short thing where the MC wears a girl’s uniform and is pretty comfortable in it and while there is no way this was the intent, between that and the emphasis on the stories that live in girls and how the fight zones have no men, I’m just saying, Trans girl Aruto.)

~Greater Fairy Tale Premise: We meet a Little Match Girl based MG who is obsessed with Andersen rather than the Alice books, and touch on a Sleeping Beauty character in the manga. The manga at least implies that classic stories and fairy tale authors uh. Live on in a liminal space as immortals with world warping powers within that world and there could be opportunities for other girls in the real world to fight for Little Mermaid 2: Electric Boogaloo.

The Good: Everything has positive points, no matter how bad it is.

~Character Designs: Some of those looks slap. As do most of their weapons.

~Backgrounds: I have a strong opinion on backgrounds in anime that can be easily boiled down to old watercolor backgrounds good, modern filtered photos as background bad, and as a 2006 series, this might not be Memole nice but they’re quite attractive.

~Splash Pages: Easily my favorite thing after the designs, each chapter’s title page for the manga just has a character standing in a setting. Which is not everyone’s thing I’m sure but it’s a nice simplistic way to let the characters breathe imo. Even if at least some of the settings were deffo traced. But that’s how backgrounds work to some extent? If I ever get to the Met again, I am tracking down this exact photo, but here is a likely candidate for an example.

~Different Versions: I do not understand the need to make an adaptation that tries to be a 1:1. Kagihime had the same ideas and characters and did some of the same beats but very much had a different finale story and a lot of changes in the middle (like the Alice cops in the manga). Again, not something everyone probably wants I’m sure, but I very appreciate this, especially since the Anime kept good pace with the number of Manga chapters (reading the manga again while watching the anime at 3.8x speed just now was very interesting to see the different interpretations of events in a different medium.)

The ‘Fine’: Yeah.

~Anime Visuals: Look 2006 was still early enough into digipaint that I will give it a total pass on these. The colors are too bright but in a very bland way, the lineart is nothing interesting, and the faces are. Iffy. But it’s not total garbage to look at (probably helped by backgrounds and character designs...) it just came out in an era where not enough people knew how to stylize things to account for the weakness of the tools of the time. (It was 4 years earlier but I feel Kagihime is the polar opposite of Chobits with its painfully bland color palette while still being just. Flat. Sorry for the drive by Chii.)

~Music?: There sure were songs. Obviously, they are nothing to me.

The Bad: CW for.... somehow all the big things to an extent.

~Fanservice: Look, I am fine with fanservice, especially for a series that’s, ya know, not targeted at kids, big Mai Hime fan here even if I would recommend skipping the panty thief episode. And honestly the series generally isn’t fanservicey, at least by the modern standards of having the camera choosing under the skirt rather than an over the shoulder shot like I’ve seen plenty in other shows. Even the sexier outfits like the rose whip dominatrix aren’t bad BUT. When the girls fight. One takes her phallic key and drives it into another girls chest between the boobs while the loser cries in pain and then her book comes out and when the victor rips out pages, the loser’s clothes also rip. It is very SuperS Amazon Trio assault metaphor-y. There’s also a bit of fanservice with the sister becauseeeee....

~Incest: If you read the premise up there, first wow good job because I’m sure not re-reading that, you might have noticed I said MC ends up with his sister. As someone who is a big mythology fan and watches plenty of anime, I have a decent tolerance for your obligatory ‘oh we’re siblings but actually cousins so our feelings are okay’ or whatever the fuck Citrus has going on I don’t know that series and I don’t vibe BUT. I have limits and boy did this series go beyond that because multiple episodes are dedicated to the sister being in love with the brother? And the brother returns her feelings but knows that they are wrong so he put everything he likes in his sister into his version of Alice who, of course, physically manifests as Arisu who he creates accidentally with his uh. Magic imagination powers. But again in both versions MC still ends up with his sister. Hey, at least the manga eventually said the boy was adopted when the sister was like, 3, so if nothing else no blood relations? The anime did not ad this. -_-

~Under Utilized Characters: Arisu’s gradual revelation that she has no childhood memories because she isn’t a real person is so interesting and they don’t do nothing with it but also? That’s the kind of thing I personally would love to dig into and Kagihime, while touching on this world shattering revelation, easily loops back to So Anyway She Should Fight For The Man and to hell with developing a life or personality outside of what has been written for her. The rest of the main 5 were 2 note characters which. Could be worse? The most interesting character ends up being the child genius who accidentally murdered her childhood bestie (and/or lover? depending on version) and her coming to terms with that (the friend is alive but the version changes how and why she thinks she’s dead). Then the villain has the motivation of ‘i lost my creativity and now have become an immortal living outside of normal space and am getting girls to fight each other because that’s like a story so I’m still relevant right?’. But shoutout to the anime for then taking death of the author literally. The numerous other girls are canon fodder outside of like. The manga version of the dead gf and the little match girl.

~Battle Royale: This is not a thing I have an issue with generally. Again, but Mai Hime fan, I need to read MGRP 11, BUT by not developing the non-main girls there is no emotional connection which makes them just canon fodder and that’s boring as sin for a royale system. The initial main character fights revolve so much around the MC guy being there that they fall flat, and the 2 or 3 final battles in both versions still feel without any stakes. Also for a royale thing most of the characters don’t actually die, which cool! Neat! Except when they do? Some nobodies and a somebody are murdered (at least in the manga) and the tone never feels like it’s supposed to be upping the stakes, it’s just. Some people are dead now. And do you want to guess which of the main characters died?

~Gays: Oh boy the best friend of the brother-complex sister is in love with her and (in the manga) dies. She does apparently get better for the last chapter but the death itself is only felt by the rest of the cast for a page or two before we go back to feeling sad big brother wants to kiss his mentally generated sister clone rather than his actual sister u_u. Bury your gays is nothing new, but I wonder if it was also intended to be justified because Guess Who Is Creepy and a bit Perverted? Oh look the lesbian keeps the used swimsuit of her beloved and manipulates events to get an indirect kiss and when she sees the sister trying to strange Arisu for a moment she decides to do it for the sister? It’s not good. You want bad gay rep in a magical girl series, well here ya go. We also had a nobody in the first(second?) episode whose story pages reveal her having a kiss with a girl, and then we also have the prodigy again and- in the manga- her. Uh. childhood lover who she thought she killed but the girl has been wiping her mind over and over so prodigy remembers ‘killing’ the friend and not the she’s alive so she can keep? fucking with her? Toxic!

~Sexual Content: But wait you say, you already covered fanservice! Ah but that is sexual content for titilation. This is sexual content for dramatic backstory! The red riding hood character was sexually assaulted, another character was manipulated into sex first as a teen and then more often to ‘get into the publishing industry’, and the same writer forces some aggressive kisses on the MC. None of it is gratuitous which is nice, but also, was it necessary? Not making a new point for this but read riding hood’s dog was also murdered so unnecessary animal death gets tossed on in there.

~Male Lead: You can have a male, non magical character as the main character surrounded by magical girls. This is not how to do it. If I can make a vicious and hopefully not understood reference, Aruto is basically Tate from the Mai Hime Manga. If you understood that, I am so sorry. If you didn’t, congrats! Don’t read the manga. Or do and send me asks about the iconic final page of the first volume (18+). Anyway, this dude is boring, everything revolves around him, BUT I’ll be generous and say at least this isn’t a harem series? It looks like it out of context but it’s just a triangle with a fun attached scientist and token lesbian.

~Premise: They didn’t make good use of it. The initial goals of ‘take other girls pages from their soul books because if we get enough we unlock a third alice book’ is good! And then we add the twist that that was never going to happen and either if we get all the pages we can grant a wish, or these fights are just happening for the amusement of and asshole. Either way, yeah okay I guess. But at no point do we ever achieve this forbidden wish granting book and the asshole just. Lives. Nothing happens to him. His peers don’t even dunk on him. The only real changes from the beginning and the end of the series are: the siblings are now chill with dating, and the scientist lady won’t turn into a child in magical spaces. Oh. Yeah.

~Why did we make this adult a child sometimes?: I think we know why. Stop trying to get those types of folks to watch your already meh series. I also could have sworn at points in the past looking up images for this series I’ve seen extra art for Yuuri the Thumbelina-y Alice User that seemed like it would fit alongside anything by POP. You know, the Moetan guy. If you don’t know, god I wish that were me.

Wrap Up: I have definitely forgotten some points and am well within my rights to ad to this whenever I remember more points but uh. Yeah.

Listen you want an alice themed battle royale with nice outfits? Rozen maiden is right there. Battle Royale magical girl series that’s good with fanservice? Mai Hime. Series with different outfits while being based on a classic story? Pretear.

Hope anyone who read all of this at least got what I was saying, even if they don’t agree with it. And thanks for reading because whoops.

#why do ya'll let me write so damn many words #thanks ya'll for letting me write so many words #kagihime eternal alice rondo #long post #text #not fashion #whoops 3k words

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knight-queen · 3 years

Text

Lunatic Parade Laito Sakamaki– (Chapter 4)

Place: ??? (BG black)

Yui: Nnh….

(Somehow my body feels heavy...plus I’m having a headache…)

(But I must gotta get up now…)

*Screen’s back*

Laito: Ah, bitch-chan. You wake up? Good morning ~ ♪

Yui: Laito kun. You were awake huh.

Laito: Mhm, it’s been pretty while.

I’ve been thoroughly staring at your face like this.

While thinking that yesterday many things happened plus we had fun too, you know?

Yui: Kh...you’re really unbelievable…

*Laito backs off*

Laito: Well then, we shall get up and take preparations right away.

Yui: ...You’re right.

(It’s not like I can’t stand my current physical condition, so I’m fine.)

(Above that, I gotta get ready quickly…)

Place: 地下回廊 / Underground Corridor

Laito: Tell me, Bitch chan. Even though we get the mineral, but…

That‘s gonna be a secret to that boy, okay?

Yui: Eh, but why…

(That boy was the one who gave us a hint…)

Laito: It’s ‘cuz we still entirely don’t know what’s that boy’s true intentions.

We don’t have any reason to become nice this far, don’t we?

Yui: ...Well…

???: You were able to get that mineral?

Yui: (Kh...This voice…)

Laito: Ohh, it’s you. Who knows, you better take a guess?

Young vampire boy: Hmm— You’re not gonna tell me huh.

Laito: Nfu, you got the point ♪

Yui: ...Tell me, why are you willing to enter the Earl’s castle?

Young vampire boy: Eh? Umm, well…

He had stolen one of my precious things. I want to take that back from him.

Yui: ...A precious thing?

Laito: Heeh, it’s a coincidence because it’s the same case for us as well. ...So? What did he steal?

Young vampire boy: ...That’s...I can’t tell you…

Laito: ...Oh I see. Well then, we’re not gonna一

Yui: ...Did anything happen?

Young vampire boy: ……

Yui: (He’s looking down…)

*Laito holds her hand*

Laito: Hey, bitch chan. It’s enough already, isn’t it? We don’t need…

Yui: Listen Laito kun. Can’t we take this boy with us…?

Young vampire boy: Khh….!

Laito: Kh...Why are you saying these now? I told you before, didn’t I?

It’s the boy who doesn’t even wanna share with us if we ask his circumstances.

If that’s the case, then why do we have to go that far for him?

Yui: It’s because...we can’t leave him behind.

He’s facing troubles for getting something stolen, just like me一一kh!?

*Screen vibrates*

Yui: (...It’s getting dizzy....)

Laito: Wh...Yui chan!?

*Laito holds Yui closer*

Young vampire boy: Kh...big sis! You okay? What’s wrong so suddenly?

Yui: To say the truth...this morning I was a little…

(...No way...I am getting faint…)

(...It means I’m gonna drag Laito kun into trouble once more…)

Laito: Haah...So you caught a cold because of that yesterday huh?

Oh, it can’t be helped. We should go back to the hotel for now and…

*The boy holds Laito*

Young vampire boy: Kh...hold it for a sec’!

Laito: Haa? But why? This girl is sick so that’s the only option, right?

For starters, it’s none of your businesses to stick your nose in our plans or whatever, yes? So, let go of my hand at once?

*Take back his hand*

Young vampire boy: Kh...no way it’ll be allowed!

Hey everyone! Hurry up and capture these guys!

Yui: (...Everyone…?)

Young vampire boy A: Oi, hand over this woman to us!

Young vampire boy B: You gotta face me duh!

*Laito backs off*

Laito: ...Heeh, you have had so many companions huh.

What do you wanna do to bitch chan by making your friends deal with me?

Kh…!

*Punch*

Young vampire boy C: You keep your mouth shut!

*Punch 2 times*

Laito: Kch…

Yui: Laito kun…! No, stop, you can’t be so violent…!

*Holds her*

Young vampire boy: Fufu, rest assured. I won't be violent on you…

Instead of that big-brother, it’ll be a better match if you’re with me...

Yui: Kh…!

Young vampire boy: You all, I’ll leave the rest on you.

Young vampire boy A: Okkey! Count on us!

Laito: Kh...Wait up! Where’re you taking that girl...eekk…!

*Punch*

Young vampire boy: Fufu, it doesn’t matter right? Till next time, big-brother…

Yui: Laito...kun…

*BG black*

Yui: (...I’ve no strength left…)

*After a moment*

Yui: Kh…

(Hm…? What’s this cold thing…)

*Screen back*

Place: Underpass, the boy’s hideout / 地下道内少年のアジト

Yui: (Kh...my hands-legs are chained…!?)

Laito: ...You’re awake? Bitch chan…

Yui: gh...Laito kun…!

(It’s the boy’s hideout where we came before…)

Laito: Oh damn, we really had to face great troubles…

I told you earlier right? ...it’s a loss to trust unknown persons.

Yui: Laito kun...you okay? That’s...he hit you a lot…

Laito: Don’t worry. I'm a vampire at the end.

But as you see, it’ll be pretty difficult to escape if we’re chained up like this.

...More importantly, he had also snatched away the mineral.

Yui: No way…

*Door opens*

Young vampire boy: Heeh, you already got conscious huh? You two are unexpectedly strong.

Yui: Kh...you are…

It’s terrible...why are you doing such things…?

Young vampire boy: ‘Why,’ you asked….It’s because you haven’t listened to what I said at all.

You were trying to hide that you got the mineral, no?

Yui: ...That’s…

Please remove these chains. It will be okay if you just release Laito kun…

We will hand over that gem to you. That’s why let go of Laito kun.

Laito: Kh...Bitch chan!

Young vampire boy: Hmmm, you’re treasuring big brother this much huh…

...Alright though? I can free him just as you said.

Yui: You mean it…?

Young vampire boy: But you know, there’s one more condition. That is…

*Holds her hand*

You have to become mine…

Yui: Eh…

Laito: Ggh…!

Young vampire boy: Heh, to begin with, I think it’s a mismatch for you and this big brother as a couple.

For a person like this big sis who’s beautiful and kind to everyone…

一engaging with a man like this big brother who lies too much and doubts everyone, I don’t get it at all.

For this, break up with such a boy right now, and be my girl.

Yui: ...No way…

Laito: Hmm, you’re admitting it after all huh. Despite me being a liar and not trusting people, you entrusted the missions to…

Young vampire boy: Ngh...shut up!

Tell me big sis, what’ll you decide?

Whatever your answer is...if you don’t become mine then…

I’ll throw away this boy at the basin of that volcano.

Yui: Ngh....!

Young vampire boy: ‘Cuz you don’t need him right? This useless garrulous or something…

Yui: You’re completely wrong!

Young vampire boy: kh…

Yui: Laito kun is not a useless garrulous.

Certainly he don’t trust unknown people so easily,

And it’s sometimes they find it difficult to understand his considerations.

However…I do understand him. He had always been filling his head with many other thoughts.

Moreover, he was looking for the best techniques for my sake...

...and always sympathized with me...and I can clearly feel it...

Young vampire boy: ………

Yui: ...Another thing’s that, I am not a very amazing one as you’re thinking of.

I often make moves without consulting, and perhaps I have many disobedient sides I think…

But even though Laito kun is aware of my bad sides, he is still letting me be with him. That’s why…

(That’s why I like him…)

Young vampire boy: ...What are these. For a while you're just…

You mean this guy is outstanding than me…?

Laito: You should know that it’s not something related to victory or defeat…

I wonder if you can’t turn this girl by your side anymore? ...Such a poor thing, Nfu.

Young vampire boy: Gh...I can’t talk with you more than this! Do whatever you want!

*Goes away*

Laito: ...Haah. Can’t talk with you more than this...this was my line…

This is why companying a bossy kid is tiresome….But…

Yui chan...I’ve come to know that you were thinking about me that way…

....Thanks to this outcome for that, I guess?

Yui: ...Laito kun…

*Chaining sound*

Laito: Then, shall we do whatever we want as he said.

First of all, would you mind unchaining me with the key that he had thrown off?

Yui: Mhm, got ya’...!

*After he is released*

Laito: Hmm, oh my. Finally I’m free huh…

By the way, how’s your condition? Looked like you had a fever…

Yui: Ah…

(I completely forgot while I was obsessed with explaining that boy…)

(I think we’ve lost a huge amount of time...perhaps I got back to normal as the time passed…)

(Maybe as that boy said, I got so much strength…)

Laito: Fufu, can I say you will be fine in this state?

Yui: Yes, I am alright.

Laito: That’s good. Then we shall get go for taking back the mineral.

Yui: (...The mineral…)

Laito: Alright then…

Yui: ...Wait, Laito kun. I have something to say about that.

Laito: ...Something to say? What is it?

Yui: Aren’t we gonna leave this place for now?

Laito: …? I don’t mind though?

Yui: (I’ve finally understood the point after clarifying my feelings…)

(What’s the most important to me…)

(That’ll probably be…)

Place: Glimmer Main Street / グリンマーストリート表通り

Laito: You’re gonna give up on getting back your heart? ...What are you trying to say exactly?

Yui: You’ve heard it right.

...For this, there's a possibility for my lifespan to become shorter…

...But for having a temporary kleinod inside me doesn’t mean that I’ll die right now, am I wrong?

Plus, if I get my heart back, all it’s gonna do is to just turn me back into a human.

Unlike vampires, it’s not like I will be able to live forever…

Laito: ……

Yui: I got it. As I thought, you are the most precious to me.

Plus, I’ll hate to see if you are experiencing very dangerous things for these....

Since I have a limited lifetime, I want to cherish the time I can be with you.

...So, from now I don’t want to stop fussing over to get back my heart.

...By thinking these, I think it’ll mean opposing you…

Laito: ...Haah, certainly these days, you are opposing me a little…

Yui: ...I am sorry.

(Even though I have been companying with him this far…)

Laito: I always think you are very important to me, you know?

No matter how long’s your life-span, even it’s for one day, if there’s a way to live with you for a long time,

It’s very normal that I’d manage something about that right?

Yui: Ngh…

Laito: But it’s not that I don’t get what you meant…

And also you said that, yes? In front of that boy…

But even though I’m aware of your disobedient or bad sides, I am still letting you be with me….

Yui: (Oh…)

Laito: Then, as long you acknowledge it, then I can’t help it but to respect your opinions.

Yui: Laito kun…

Laito: So it’s decided then, okay?

Yui: Yes…!

Laito: Now that our intention is also settled, what shall we do now.

In passing, today is the parade’s last day, ya’know?

Yui: (Parade...oh that’s right…)

(I wanna extremely much enjoy the time we’re together...then…)

….Today is the last day, so what about enjoying the parade? ...With two of us together.

Laito: I know right. We gotta have fun! Then firstly...一

Place: Saint Honoré Park Street / サントノレパーク通り

Laito: Haah, the haunted house....it was so cool right...I ended up feeling chilly…

→ Selection

...I wonder? / ...そうかな? (+Correct)

Certainly… / 確かに...

Yui: (...I wonder…? That being said, Laito kun seemed like that was very easy for him...)

Laito: As if like, you were clinging onto me to show off the ghosts...

It was so unbearable arousing that I even started shivering! Haa~...

Yui: (That is…!?)

Laito: ...Then what shall we do next? Since we have gone through all the attractive things…

What about going to the spa around here?

Yui: Spa…?

Laito: Seems like we got sweat for bustling around this park like a crazy.

I can tell that the spa is over there. It’s at the Onyx Tower.

We can also watch the finale of the parade from there, yes?

Yui: Yeah, I see. Then let’s go there.

Place: スパ / Spa

Laito: Neh, Bitch chan? What’re you doing in that corner? Come over here.

Yui: Th- that’s because…!

(I didn’t even hear of any same gender-bathing…!)

Laito: Nfu, it can’t be helped. ...Here I come.

*Laito comes closer*

Yui: Kyaa!

Laito: Nfu. It’s fine...now

Yui: La- Laito kun…!

(He is close…!)

Laito: Eh~? No need to hold back. You were the one who said to enjoy the times when we are together.

Then it will be pointless if we don’t stick with each other, isn’t it?

Yui: You got a point but…!

Laito: I wonder if that boy has entered the caste using that mineral…

Yui: ...Yes…

Laito: It’ll be disappointing if he doesn’t enter. We had so many difficulties to get that mineral in our hands.

Yui: Fufu, you’re right.

Laito: And guess what, that situation of abusements while we were tidied up with chains was…

...It was a little exciting.

I’m thinking about role playing those moments this time.

Of course with you okay? Nfu♪

Yui: Eeeh…!?

Laito: Yep, yep, I almost forgot about our everyday-list. I’m gonna add this too.

If it would be you instead of that boy to look down on me at that situation…

Aaa~! I can’t help it just by predicting!

Yui: (...If it’s Laito kun then, then every situation is okay for him…)

Laito: Anyways, we should get prepared for watching the finale.

Yui: (...It’s time already. I didn’t even realize…)

Laito: But if you want to rush into the rest of the time having fun with me like this, then…

I don’t mind cancelling the plans of watching the finale. Nh…*kiss*

Yui: Kyaa…!

Laito: I ended up being in the mood to do this because of thinking so many reckless things….nnh…*muwah*

Yui: La- Laito kun…! Don’t do it in such a place…!

Laito: Eeeh? But isn’t this place so perfect for this?

Yui: N- no!

Laito: Haah...you’re refusing again huh. Well, it’s fine. I’ll continue it after we go back to the hotel.

But as a penalty for this, tonight, I’m really gonna do more amazing things, okay?

Yui: (Kh...Honestly, he doesn’t have any carelessness or weak-spots as he said these…!)

Place: Onyx Tower, Inside Hall / オーニュクスタクー内部ホール

Laito: Bitch chan! This way, this way! Hurry up~!

Yui: Laito kun, hold on…!

Laito: There’re a lot of customers who are visiting the finale.

Yui: By the way, what do they do in the finale?

Laito: Huh? I haven’t told you yet?

Everyone flies lanterns all at once from downtown.

Various lanterns of illuminating colors are gonna fly up from different places, and it’s so beautiful.

Since we won’t get to see this everyday, so I wanted to show you.

Yui: Heeh…

(I’ll look forward to it…)

???: You two over there. Please wait for a second.

Yui: Eh…?

Laito: ...Where is this voice coming from…?

*Normal crowd noises*

Yui: (...Could it be that only two of us can hear it…?)

???: My name is Walter.

Laito: Kh...Walter you say...Earl Walter…!?

Earl Walter: That’s right.

These few days I have been observing your actions one by one. Every single one, even the thing that you gave up on taking back your heart...

Laito: Haah...observing one by one means you got bad habits. Seriously, you’re being like someone from somewhere.

Then we no need to say anymore than this. We stopped thinking about her heart already.

That’s why can you stop dragging us into troublesome things?

Earl Walter: ...Fufu...Hahaha!

Laito: Kh...What’s so hilarious?

Earl Walter: Tell me young lady. Are you really okay with this decision?

Yui: ...No problem at all. It’s what Laito kun and I ended up making a conclusion…

Earl Walter: ....Fufu, oh yes. I see…

You two are far beyond stupid than I had imagined…

Laito: You’re spitting out pretty bold things...Not to mention that you’re not even showing your appearance.

Earl Walter: Hmph, but however...may be it’s also a truth in one kind of view.

Yui: ...What do you mean exactly?

Earl Walter: Well, do you know the reason that I took away your heart, lady?

Yui: ...The reason, that’s…

(I have no clue at all…)

Earl Walter: You know, the precious treasure that you were possessing...that is your heart…

I wanted to taste whether you’re worthy to have that treasure with you or not.

Yui: Eh…

Earl Walter: Thus, I put you into many trials and watched over your situations, but…

But I didn’t really expect to reach this conclusion…

Laito: Haah...our apologies that we couldn’t work out as your expectations but, we already decided. So leave us alone.

Earl Walter: ...Ofcourse I will.

However, just moving according to the plot isn’t everything. In short, it is great if you understand the point.

Alright then. I shall give your heart back.

Yui: Eh…!

Earl Walter: From now on, make me look forward with innovative strength and strong mutual feelings that you two have. Fufu…

*White flash*

Yui: Kh…!

*BG white*

Yui: (It’s dazzling…! What on the Earth is going on…!?)

(Kh...Earl Walter has…)

(...Could it be…)

Laito: Kh...Yui chan…!

*BG Fades to CG*

Yui: ...Laito kun…

Laito: Gh...You okay?

Yui: ...I am good. More than that...I think I…

Kh...Laito kun please, suck my blood right now!

Laito: Eeh? Right here?

Yui: Yes! Right now!

(This sensation...it’s no mistake. I’m sure, in my chest I can feel the…)

Laito: Nfu, I can’t hold back since you’re inviting me like this~

But you know, I can already understand just by hugging you like this.

...It’s alright. You’ve gotten that back inside you.

...You heart, right?

Yui: …!

(I really get back my heart…!)

Laito: Nevertheless, that Earl who puts others in troubles is really unbelievable…

That heart belongs to you in the first place,

Weather we’re worthy to have this heart or whatever, I don’t care about that either way now.

...But it comes out good right? For this, I can spend time with you gorgeously

Without having too many thoughts or worries, right? Nfu ♪

Yui: Laito kun…

Laito: Oh, well then Yui chan. Raise up your face?

Yui: Eh…?

Laito: It’s the finale of the parade, plus you get your heart back. Since we’re having just pleasure and pleasures...

So let’s kiss as a present for this celebration...nnh…*kiss*

*Fades to CG (2)*

Yui: Nh…*Kisses back*

(...You’re right. To us, these are full of pleasures and pleasures.)

(From here on, I’ll be able to live with Laito kun…)

(With two of us, together…)

一 The END of Chapter O 4

#laito sakamaki birthday 1/2 #laito sakamaki lunatic parade #lunatic parade laito sakamaki chapter 4 #laito sakamaki #diabolik lovers translations #lunatic parade

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minijenn · 3 years

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KH Writing Comm #2

Hey hey my first writing comm of the bunch! This one is for @whump-bunny, who wanted a short "what if" schenario for what would have happened in Keys if Marluxia had successfully managed to take Sora back to Xehanort after capturing him in the Tangled chapters. Gotta say this was fun to work on, though I do kinda feel a little bit bad for Marlulu here... oh, and also Sora I guess, but he doesn't suffer nearly as much here as you might expect lol. Anyway, here it is!

***

There are no words to describe the sheer terror Sora feels when Marluxia drags him away. He only barely hears Donald and Goofy’s horrified cries as he’s pulled into the darkness, his arms still bound by unbreakable chains, his own screams muffled by the gag still covering his mouth. He tries pulling back against Marluxia’s firm hold, but his resistance falls to pieces when the corrupting shadows of the dark corridor start lancing through his body, pouring pain straight into it. But that pain is immediately laced with even more fear when he’s suddenly shoved onto solid ground, the shaded tower they’d just been in seconds before now replaced with a pristine white room.

And, standing on the far side of that room is none other than Master Xehanort himself.

Sora freezes up the moment he sees him, his next scream caught in his throat as Marluxia takes a small step past him, the other end of his chains still clenched tightly in his grip. Xehanort’s back is turned to them, and at first it seems as though he hasn’t noticed their arrival. At least until Marluxia speaks up to announce it.

“Master,” he inclines his head in respect. He pauses briefly, his broad grin widening as he spares a small glance over at his frightened captive. “I have returned, with both a Key… as well as a special ‘gift’ that I’m sure you’ll appreciate. I have brought your precious thirteenth vessel home early.”

Xehanort finally glances over his shoulder, his expression initially bored, until his golden gaze falls upon Sora. The master strangely seems caught off guard, as if he truly is surprised by Marluxia’s “gift”. His expression darkens when he turns around fully, his dark Keyblade flashing into his hand as he walks toward the pair. Each slow step he takes fills Sora with a new wave of dread, his heart pounding and his entire body trembling as he realizes there is no escaping this. No escaping from the awful man who’s already well on his way to destroying him completely.

Xehanort finally stops a few feet away, pulling his deadly Keyblade back for a heavy strike. Sora closes his eyes, already anticipating the untold pain that’s about to come his way. And yet, surprisingly, it doesn’t come, at least not to him. Instead, Xehanort’s Keyblade soundly strikes Marluxia instead.

His startled cry echoes through the room as he’s thrown across it. His back hits the far wall, and within seconds, Xehanort bridges the gap between them, leaving Sora exactly where he is to watch this bewildering twist unfold.

“You traitorous fool!” Xehanort snaps, infuriated. He keeps Marluxia pinned in place by positioning the edge of his dark weapon dangerously close to his neck, and Sora is shocked to see just how shaken he is by his master’s ire. A rare look on someone who, mere seconds ago, had been so calm and collected in light of his supposed triumph. “Have you learned nothing from your past failures? Are you really so impetuous and incompetent that you would bring him here now, far before he’s ready to join our ranks?”

“I-I simply assumed that you-” Marluxia is swiftly cut off as Xehanort presses his Keyblade even closer to him, to the point that its edge is all but skimming the skin of his throat.

“Never take it upon yourself to assume what my intentions are, Number Seven,” the master warns him, his voice quiet yet incredibly threatening. “The task I gave you was a fundamentally simple one: to go into the worlds and retrieve a Key for our cause. Nothing less, and certainly nothing more. And yet you couldn’t even do that much right. Perhaps you thought that you were going a step beyond the station of your duty with this ‘ingenious’ plan of yours, but instead, all you have accomplished is the exact opposite. You have disgraced me, my seventh; you have disgraced me, you have disgraced your Organization, and most of all, you have disgraced yourself.”

Marluxia pales at this, his jaw dropped as he tries to futilely fish for words he can’t seem to find. When he does speak, his voice is small, subdued, something that barely sounds like it could come out of any Organization member at all as far as Sora is concerned. “M-my… apologies, master,” he starts, clearly treading as carefully as he can now. “But… if the boy is here now, then you could finish carrying out your plans for him far sooner. He could be of use to us now instead of-”

He’s cut off as a sharp, agonized cry escapes him, echoing through the white room. Xehanort’s hand is held up, darkness enshrouding it as he forces that silencing pain onto his seventh vessel’s heart. “You understand nothing of my plans,” he sneers coldly. “I am the one who is meant to guide our thirteenth to his proper place among us, not you. Your role is to do as you’re told, and if memory serves correctly, I never told you to bring Sora to me prematurely, did I, my seventh?”

“N-no, master,” Marluxia barely manages to say above the pain relentlessly clinging onto his heart. “You did not…”

“I don’t believe you realize just how grave of a mistake you’ve made here,” Xehanort finally backs away, his Keyblade disappearing. “Perhaps this will prove enough to remind you to never act against my wishes again.” At this, Xehanort clenches his darkness-shrouded hand into a tight fists, pressing his devastating power upon Marluxia even further. He collapses to his knees, another anguished scream tearing out of his throat as he helplessly writhes at his master’s feet.

The most Sora can do is watch this entire horrific display from afar, his eyes wide with apt fear. He can’t deny he’d feel sorry for Marluxia… if Marluxia hadn’t been the one to chain him up, steal him from his friends, and drag him straight into the lion’s den. Right into Xehanort’s cruel, cunning hands to no doubt face the very same kind of horrific torment as soon as he’s done with the current target of his hatred.

This bout of twisted torture goes on for what seems like ages. It finally ends when Marluxia finally fully falls to the ground, barely conscious, a small bit of blood trickling out of his mouth to stain the otherwise flawless floor. Xehanort stands over him, absolutely sympathetic as he offers his seventh vessel one final warning. “If you ever dare to disobey me again, I can promise you that your next punishment will be far worse than you can imagine,” he says simply before turning away, allowing Marluxia to finally slip into the void completely.

When Xehanort looks back at him, the most Sora can manage to get out underneath his gag is a small, anxious whine. He pulls back away as much as he’s able as the master approaches him, his expression an icy mask of stern authority. “Let this… display be a lesson to you as well, my thirteenth,” he says calmly, as if he hadn’t just put someone through such immense suffering. “It is the same law each of your fellow members are made to follow: if you ever decide to rebel against the role I have planned for you, then you must be prepared to face the consequences of your own insolent actions. And all of the pain that futile insubordination is bound to bring to you.”

Sora’s barely listening by this point, as overwhelmed by terror as he is. His Keyblade won’t come to him, won’t appear to free him from the chains around his wrists, from this awful situation as a whole. And yet, much to his surprise, he soon finds that he doesn’t need it to at all.

“Even so, I feel inclined to apologize for my seventh’s ignorant haste,” Xehanort finally smiles, slipping a finger under Sora’s chin to guide his haunting gaze. “As I said, you aren’t meant to be here, not yet. There’s still so much more you need to do, so many more Keys yet for you to claim. Far be it from me to detract you from such an essential mission. With that mission in mind, you may return to the light that you’re so accustomed to… for the time being.”

With a wave of the master’s hand, a dark corridor forms directly underneath Sora, its shadows already starting to swallow him, his chains and gags suddenly disappearing as they do. Sora gasps, immediately trying to escape the dangerous darkness devouring him, only to be overwhelmed by it almost immediately. The last thing he hears before it carries him somewhere far away is his master’s voice, echoing one last sinister promise through the empty void. “But don’t forget, my thirteenth, that no matter where you go from here, no matter what path you take, each and every one will ultimately lead you back here in the end. Back to the darkness, to your Organization, to your master… to where you truly belong…”

Commissions are still open! PM me if interested!

#jen writes #keys to the kingdom #kingdom hearts #commissions #writing commissions #sora #xehanort #marluxia #disney #square enix #keys au #sorta lol #drabble prompt

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crispyapplepies · 4 years

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AkuRoku Defense pt 2

Axel and Roxas’s ship has had one of the most bizarre fandom journey’s i have ever come to witness. It has gone from being one of the most popular ships maybe ever, to being dead cancelled over a supposed age gap and I find that completely unfair, especially when it speaks to so many innocent people who emotionally depend on the ship, (yes innocent includes the spicy people because art literally is not a crime). So its time to defend it.

Brief Review on Nobodies vs Aging

First of all, l already explained in part 1 what the Nobodies Don’t Age thing means but I’ll go over it again briefly, since it can be confusing, though also many people seem to demand their hands be held rather than use their imaginations to understand. Even so, here’s the short version just for a review:

-A person in KH is made of a heart, body, and soul.

-The body reflects the heart in KH. (See: replica bodies taking on the appearance of the heart that’s inside them).

-A nobody lacks a heart, making them just a body and soul. They’re advanced zombies of sorts.

Nobodies do not age because they have no heart for the body to reflect. This is why they won’t change until they form one. Change includes age

-Ergo, you can imagine any age you like for Axel to be nobodied, cuz he was frozen at that age and did not change for 10 years. Not until he met Roxas.

We’ll come back to this again later.

Axel Loves Roxas Canonically

Second of all, Axel loves Roxas and you are allowed to interpret that as platonic, familial, or romantic, I don’t care as long as you’re not forcing that idea on others like the ship police. That said, people are allowed to explore how romantic this love potentially is.

And what you might like to know is that the canon is even open to this. Axel’s love for Roxas is canonically expressed, and if you would like, you can even interpret that love as romantic. See below:

We are going to look at the japanese translation because AS ALWAYS good old SENA is here for the straights and erases the gay, like clockwork.

In English, Axel says this:

Axel: I wanted to see Roxas. He...was the only one I liked... He made me feel...like I had a heart. It's kind of...funny... You make me feel...the same...

Axel’s line here in Japanese:

Axel: I wanted to see Roxas... I loved him. Being with him... it made me feel like I had a heart. I feel it from you, too... the same kind of....

You may notice that as romantic as the line “he made me feel like I had a heart” sounds, the original can be read as wAY gooier, specifically cuz of this word:

好き: "suki"

Now here’s the thing. Japanese is a pretty vague language which is why context is so important for these things, as well as what you say, and what you don’t say.

“Suki” is a very key word here because it is often used in romantic confession scenes.

(I have no idea what this panel is from, I apologize lol)

It CAN mean something casual, like “I love video games”, but considering Axel is saying this with his dying breath, I don’t think we should be treating it as some hyperbole. He is referring to a person and it is meaningful. However. It is still a word with plausible deniability. Japanese has several words for love, “ai” for example being one of the most inarguable means of referring to romantic love. So choosing “suki” still leaves room for the homophobes to disregard it as something not romantic. Which makes it objectively inconclusive. Here is the thing though… they specifically chose that word, suki, a word which IS so often used in a romantic context in many anime and manga.

They also chose to use that word rather than something objectively platonic. Which means you also cannot conclude Axel did NOT mean it romantically. Given his devotion to Roxas, and the fact that they chose this word of all words for him to say… I’m personally going to assume it’s romantic. You are free not to interpret it that way. But I am because I am considering the fact that they did not choose something strictly platonic.

(My translator friend actually freaked out when I showed her this, she’s translated and seen enough confession scenes to know what connotations that particular word comes with lol).

If you’ve read my queer coding doc, you may recall I also go over how this is one of the most important tricks with queer coding. You write something that CAN be viewed as queer but with plausible deniability for straight people to ignore it. It’s a means of protecting oneself and the text from homophobic oppression. It is a legitimate practice. So even though it can be denied as a queer text, it can also very very well be viewed as a definite queer text. We are choosing to queer it here. It is not as explicit as it could be, but it is still very bold, suggestive coding considering the homophobic world we live in, and especially with KH2 being released in 2004.

“But Age Gap!” (ughhhhh)

We’re back to this cuz I also finally have the Japanese version of that infamous page in the Day’s novel to look at.

I hope you’ll forgive me if I get a little bit salty but I don’t like to repeat myself lol so I’m gonna try to keep this section short and to the point.

In this interview with Nomura, he expresses that nobodies do not age, and they exist as they were at the time of becoming a nobody. He then suggests Xemnas seems 30 ish.

Now I truly do not care to hold your hand through the process of thinking creatively because you should be using your own imagination, if you have one, to think critically and creatively about what this idea means.

Kingdom Hearts is a FANTASY game. Nobodies are a FANTASY concept. They can break ALL the rules about real life that you want them to. But I will go ahead and explain this for you even though I’ve already done it many times, in this very document even and in other meta posts.

The body reflects the heart. Nobodies are frozen as they are from the moment they are “born”, which is to say the moment they are created. Glorified zombies. They aren’t going to age unless they form a heart. Why does Xemnas look 30? He has a heart! Or he was formed 10 years after TerraNort defected. You tell me. Why did Ienzo age? I dunno, you tell me! Either he formed a heart and didn’t know it, (he’s passionate about his work, he loves Ansem the Wise, any number of things could’ve made him form a new heart), or he was nobodied later in life. Axel is frozen at whatever age he was when he was nobodied, all the while Ienzo could’ve been nobodied 10 years later. It’s a fantasy, and these are fantasy rules. That scenario can happen. YOU decide. Until the canon tells us for sure, your imaginations can run wild with explanations. Even if the canon does tell us, you can still imagine whatever you want for your own headcanons. Freedom is amazing, it’s salty and sweet.

Now let’s talk about that annoying page in the Days novel people keep shoving in my face.

This one right here. The official english translation is this:

That’s not the worst translation I’ve seen them put out there. But let’s look closer at the Japanese:

Here, Axel says he thinks Roxas is about 10 years separate from himself, but things like age don't exist for nobodies.

Already that’s making a lot more sense to me for nobodies since we are told nobodies do not age. As such Axel speaking like he is 10 years older would feels almost contradictory when he has no heart and cannot change.

This wording is important. Recall me saying that Japanese is very vague so all of the context matters. No one is denying that 10 years passed between Birth By Sleep and Axel meeting Roxas. However. Nobodies don’t age.

(please dont make me explain that a third time in this essay alone)

The Japanese and English both express that age does not apply to nobodies, (as discussed above^^^^) and the Japanese furthers this with its wording. They have 10 years of separation between Axel being nobodied, and Roxas existing.

Axel saying in English that Roxas is simply 10 years younger than himself is rather misleading considering the ambiguity of the original. I can’t fault the translators too much for not understanding this nobody concept so well because it is obviously confusing. However, I do not think Axel was saying Roxas is literally, in real life human somebody terms, 10 literal physical years younger than him. He is expressing that he became a nobody 10 years ago whereas this guy became a nobody very recently, and it shows with how little he can even function right now. A zombie who has been wandering around with no heart for 10 years meets a fresh zombie wandering around with no heart for 1 day.

I know antis are gonna use it against us no matter what, but at least know that akuroku is not inherently pedophilia nor is it inherently an adult/minor ship.

In many of our headcanons, Axel was frozen at age 18 or 19, with Roxas being 16. Absolutely no one is required to view them with a big age gap because imagination is free and you literally have no right to police it, but also because the canon expresses these nobodies as beings outside of the realm of age. They do not operate under real life rules or somebody rules. Think of Steven Universe where Rose was thousands of years old but only “grew up” as a person when she fell in love with Greg, a human in his 20s-30s who asked her to consider other people’s feelings. Consider the mind of a nobody as a state of Neverland. You aren’t gonna age unless you step out of it and change. Mature. Isn’t it sad that Axel did not feel like he had a heart until Roxas? No wonder people ship it!

Coding is Obvious

Finally I wanna conclude on a simple thought. This interview right here? I’d be curious what the original Japanese actually says lol but the english translation of it says that romantic akuroku was not Nomura’s intent.

Here’s the thing though. If you know anything about queer coding, you know that using romantic coding between 2 male characters is signaling something. It is not something you should ignore. It would not be there if the characters were meant to be viewed as objectively straight. And for something “unintentional”... there sure is a lot of coding at work here.

From Axel pinning Roxas down and asking him to come home in a very sexually suggestive pose,

to watching the sunset in sheer bliss together just enjoying the peace of reunion,

to watching the sunset together while talking about what LOVE is, specifICALLY romantic love,

To this. And I already told you what this was in Japanese.

I’m not saying Nomura lied…

But I am saying that a whole staff worked together to create these games, and it is very difficult for me to believe that no one thought to say “these characters appear to be romantic, let us change the scene to be more platonic” if the characters were not meant to be romantically suggestive.

Tl;Dr I wanna live in the timeline where people let you ship akuroku lol

#akuroku #akrk #axel kh #roxas kh #kingdom hearts

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mytwitterisdogtoast1 · 3 years

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Kingdom Hearts 3 broke my heart.

I am a fan of Kingdom Hearts. i've been here through the first game and even though I grew up without the money to play every game I stuck with the series as best I could. In fact I've bought multiple copies of games on multiple systems and beat a couple of the games not just once but 3 or more times. Here is a list of the things I've done involving this series.

1: I bought KH1/2/COM on more than one system such as ps2,3, and 4. 2: I've played and beaten on the hardest difficulty on each main installment (except critical mode of 3) 3: I have 100% KH1 which might not seem like a big deal but it is the only game I have 100% ever. Got all the trophies and so on. 4: I stuck with the story and even recently before 3 came out played and beat most of the games. (except DDD since it wasn't my kind of deal since I don't like the flowmotion part of the combat.)

You could say I'm a fan of the games and have done what I can to in general keep up with the series as well as have enjoyed the series.

But then 3 came out and I was just not happy with it. After waiting for so long and playing the game and screaming and ranting about certain plot points that just don't make sense to me (KH is notoriously hard to keep up with plot wise and I am just not the brightest person in the world when it comes to shit. Like I really need some things explained outright for me and to some degree do not mind spoilers for some things) I swore off KH the entirety from now on cause it was just that bad of a game for me. It wasn't a horrible game but the direction they started taking it in was just so far removed from what the original 2 games in the numerical series were that this was just NOT Kingdom Hearts at all. Sure you can say it is a love letter to the biggest of fans but I can say that a letter to regular fans was something it needed to do more than cater to such a rabid fanbase compared to a regular fanbase. I thought this was unfair and then bought Memory of Melody. That is now the worst game in the series to me. So I dived into what people thought and looked at a ton of youtubers who played the game and saw what they thought. I looked at reviews of non youtubers and read what they thought and the game has made the fanbase more divided than anything I'd ever seen from a fanbase. So I replayed the game with the intent to write down all I felt on the game to give it a fair review. Like I said I'm a filthy casual and I can give stuff a large break when it comes to media and have a large understanding of what that thing is meant to be. Sometimes a product is meant to be a certain way and we have to enjoy it for what it is and I can try and do that. I mean I love the WWE and Yugioh and anyone who is a part of those fanbases knows in their hearts (kek hearts) how bad those things can be at times. So I played the game and wrote down all the thoughts I had on it and Some might be easy to explain while others are in general probably at least fair on how I feel about it.

Kingdom Hearts is a series not meant for the new comer. It knows what it wants to be and does that thing. It isn't here to make everyone happy and that is just absolutely fine in general. I've been a fan and it makes me happy that the game is one long story that I can appreciate and make call backs to in stuff. I remember being so rewarded when I looked at my then best friend who skipped over chain of memories (I had to emulate it but I think it was fair of me to do so since I bought the game 3 times since now that I have the money to do so) and said he knew what happened because he saw the cutscene of Sora reaching the top and Namine betraying him by putting him into a pod. I laughed at him cause he was a fool who knew nothing of how the story went cause he foolishly just thought he didn't NEED to play the game. This made me more invested into the series than he was. I stuck with the series reading up articles and even watching videos on the series for stuff I missed out on since again i couldn't afford everything. They were building a story over a decade long and at the end it just didn't do it for me. It's not that the story wasn't the end of the series in general. Heck gotta make dat' money Y'all but in general this was the end of a saga for Xehanort and it just didn't cut it. But maybe I'm not starting at the right spot to give my feelings on it. Maybe I'm coming fresh off a game play and feeling a rant building for multiple reasons. So let me start with the positives before I bury the list under a pile of problems for me.

So I'll be putting things in order of good, mixed, bad. They will be somewhat fair and if they have an answer you have my sincerest apologies but remember I'm slightly the "dumb" and would in general like to just get simple straight answers. Something simple and clean if you would. On that note

1: The starting song is a god damned banger - Face my fears is up there with sanctuary which is better than Simple and clean. To be fair though simple and clean was made in like a flight and pretty much is nonsensical to the game in general. However it is a good song. How could it not be with one of japans best pop artists? Have you heard sakura drops? Colors? Traveling? Apples and cinnamon? Fuck man this song is just really good. 2: The game looks great - Sure the game might not look like ps2 graphics anymore but this isn't a bad thing it just is a different thing. The only time I thought it looked bad was during the pirates area where they had to make real people. Sometimes it is better to have a different art theme and even if something is just ok at best during it it can still be over all great. Everyone looked good during it. It just in general looked like a new version of KH entirely. 3: You can power up keyblades - One of the best parts of the game is powering up keyblades. Now sure mickey saying "we should have powered up our keyblades" is a stupid line in general when they are magic items and not fully meant to break form normal stuff but i think the ability to latch onto a key and make that sucker your main key is a great idea. Finally I can power up keys like sweet memories or the kingdom key and go through the cutscenes with the keyblade never changing and it look like it's meant to be there. 4: The whole getting treasure for sinking ships - Even if in general people might not like the ship combat the idea of being a pirate and stealing treasure from a ship when you sink one of the large ones is one of the best thematical ideas in the game. You can just sail the ocean and just pirate ship for loot if you wanted to and since you get xp during it and get your ship to be better it just is a great idea in its entirety. 5: Rikus keyblade - That is one of the better keyblades. I'm not gonna lie but the final fantasy cloud based keyblades where they are more realistic have been one of my favorite designs and I am sad i can't throw it on sora. I like the idea of an actual blade instead of a blunt weapon in the game since it just feels cooler sometimes. Riku getting a keyblade that not only looks more like a sword but is also still a key for a more modern car is one of the cooler things they have ever put in. 6: The call back to union cross players - This was a little lover note to people who played the game. They grabbed a ton of names and threw them in as you threw hundreds of keyblades at the giant heartless storm mob thing. I think it is great and even if I didn't play one of the names that pops up is my actual name so I find that pretty cool whenever I see it.

And that is it. Those are the best parts of KH3 to me. Everything else is either a mixed bag or just not good. I'm sure you can tell which one has more in it. As for the stuff that is in the middle of both good and bad let me make it clear that some stuff that is bad will probably be talked about in the bad section because it needs its own commentary.

1: All the party members - I always was a little sad having to remove one of the characters in my party to add the one new person they wanted to add in and was always sad at that limitation but with 3 you can now have ALL THE MEMBERS. This is great because now I have access to all of my forms with donal...... Oh right, they're not in the game anymore. 2: Nice to one and done an area - Back in the day when I first played the original first game I never went back cause I beat the level and thought it was extra stuff. When I got older and playued through 2 I was a little impatient and just didn't want to keep going back. Now as I am older and wiser and more patient I just do the thing cause it's a part of the game and deal. Thankfully it is all in one trip which is good CAUSE I DON'T WANNA FUCKING PLAY THESE LEVELS EVER AGAIN. 3: I'm gonna say it and people are gonna question me (probably not I'm not a large content creator thus people probably don't care about my opinion so strange of you to be here reading this) but I fucking hate winnie the pooh. I don't like him as a person and I'm just not a fan of his entire world. I only like Eeyore and not cause "gosh that's how I feel" Eeyore is the fucking man. He never lets his bad mood get him down and he powers through even when life is shit. Good for him man. Love that guy. Such a trooper. I just don't like pooh but the levels. God Kingdom Hearts mini games are just mostly not fun in general so not having to play so many mini games in poohs level is fantastic. EXCEPT EVERY WORLD HAS A DAMNED MINI GAME IN IT. 4: Speaking of mini games the ship combat is fine. - It's just, fine. 5: I had so much money - I don't remember playing any other game having so much money. I remember caring and investing and even trying to get money to spend on stuff in some points and in here it just.... I never spent it until i got bored and started using food. I didn't use food until the last world and beyond cause I wanted to finish the game faster. I mean the change of pace having money is nice but there was nothing really to do with it. Maybe I should have bought Hayner, Pence and Olette a ton of pretzels with it. 6: Playing as any other keyblade wielder - Man this was one of those great moments that I was excited to do. Having played as many other characters during other games was always nice and refreshing and being able to do so here was great. It got me excited to play as Mickey again since I got to use him a few times in KH2 or to be able to use Ventus or Aqua again cause they were gonna be saved and be able to fight in the upcoming battle. That is you know. If they are used in the game more than one time each. 7: Giant heartless battle - One of the best moments in the game was the "goofy just died" moment. Not because The goof man "died" but because you got to solo fight a crowd of enemies and in this game it was so cool to have that call back. The shit icing on that beautiful cake was having to use the train to win. Like it just felt like I was making no progress and I can't on my own fight the enemies and no matter how hard you try you can never stop the enemies ever. 8: The what if scenario - The group dying was pretty cool and was a great what if but would have been better if they didn't come back to the past and have Ventus run up and think it was Terra again. It was cool for the lingering will to step in and help but even then the whole situation was so stupid that it could have been written better. What if instead of doing the whole scenario it was a mind fuckery to sora to put him down mentally like they had been trying to entire game. What if it showed him losing and that it was possible? Instead we got this long winded scenario where people didn't learn from their first mistake and tried to go run up to Terra when in that moment Aqua when Ven tried going should have grabbed his shoulder and said "you know it's not him so let's just get ready to fight"

Those are the mixed bag moments I was commenting on. Some things are fine and aren't really an issue except the are a part of a bigger problem in itself which makes them a mixed bag. The last part's I'll be writing about are pretty much a giant rant or asking questions to things. There are problematic points I'll be making as well. So now let's look at the bad stuff in KH3. However, before I get into it, I want to also write down the not as bad stuff as well as some of the really big stuff so I'll make sure to point out when it is a gripe that isn't the worst thing in the world compared to it actually being not good.

1: Nitpick/The social media is dumb - Look I'm not much of a social media person and I know todays kids and teens are all about that jazz and such but man this part of the game is pretty dumb. I am in no way too old to "get hip with it grandpa" and think social media is a bad thing. Times and things change but WHY IS THIS A THING? Sora and friends are out saving the world and probably do not know about current phones since they are so busy. They would be like really old people trying to catch up with todays world and just in general should not have time enough to do it. Sure giving a phone is fine which whatever they can just add in ways to contact which again makes the phone fine but social media is dumb. What platform are they on? Who is following them? What world is this being sent to in general? Does anyone really care?

2: Nitpick/Why 7 VS 13? - I think the number is just really off. Ok look the original organization 13 was fine. Having 14 members in it wasn't a big deal and sure fighting them seperately and not all in one game made me a little sad until final mix came out but at least i got to fight Marluxia in all his pretty boy glory. The point I make is they just seem to have stuck with the 13 which is fine I guess? It just seemed like it was more or less there for no real reason. Sure we would have to fight every single Xehanort around such as Ansem, Xemnas, Terranort, Xigbar who works with old man Xehanort, Young Xehanort, Old man Xehanort. If you also in general wanted him to have each good guy fight a bad guy we would need one for each single keyblade wielder to come out. So let's say Kairi and Axel were just gonna join in so we can have for whatever reason Xion and Roxas just pop out to fight people. We would have need for a total of 7 enemies to fight. Let's just use these guys here as people for people to fight. We can have terranort fight someone before he comes back as lingering will to fight and get his body back. We can have Kairi fight Xion until she defects in general and fights another person with her. We can have axel fight Xemnas so he can get revenge and then have him lose and Roxas can come out. So on and so forth until we have just enough for each person to be matched with another person. You wouldn't need to stretch and find whatever you can and just fill the numbers. You could have at that point just filled it with villains you knew you wanted on your team. Not just bring back generic dudes who don't even need to be here. I'll get more into that in a moment but the numbers just seem off and could have been anything not 7 v 13 but like I said. Nitpick.

3: The plot of Sora flying around this time is a little weak. - So Sora lost his powers and needs to get them back. So he fucks off for a bit until he can regain the powers. Wouldn't it be better if he also trained with Kairi and Axel? What about just going into the realm of darkness to help the others get Aqua? What if instead of just going back and forth to each Disney world like he normally did he in general just.....trained. See the point of the other games was "close the keyholes of the world so heartless stop getting in. Stop those nobodies from opening Kindom Hearts." Kind like saving the world is a great motivation to have compared to "fuck off until you are good or something". It's one of the biggest issues in general. Now if he was told something more substantial than "you need the power of waking" than it would have made the grind through much better. Add in a new plot element for him to need to travel to lands in general so he can earn the power of waking. Send him to places to get that shit instead of "get stronger". You think I can't just do that shit with story? Shit's boring man lemme do stuff.

4: You cannot turn off attractions - That is without playing critical mode. Man Attractions are in general one of the worst parts of the game. Sure I find it hilarious when I'm fighting an important boss (such as Xemnas) and I last hit him with a merry go round but in general they just suck. They aren't fun and they slow the games combat down with a cinematic. Sure they can be "avoided" and I "don't have to use them" but they exist in the game. They are the creators vision and he wants you to use them. If they didn't want it to be a huge part of the games combat system they wouldn't add it in and the fact that it shows up so often just kinda proves they want you to use the thing. Combat in here is very floaty if you haven't noticed and a more grounded approach is sometimes best. This is what the attractions do since they still try and attack you thus getting closer to the attraction in the first place. It's really a jarring object. Telling me not to use it while having the chance to actually accidentally press the button is frustrating. It's the smaller version of telling someone don't be mad when they are mad or try not to be depressed. It's hard to avoid and the answer isn't just "don't do it." Especially when the game puts in abilities to make them more prominent such as extending the time on them. Another point on this is that if the developer wanted them to be optional they wouldn't sometimes be mandatory or even show up during boss fights. Either this was an added on horse shit thing where Disney was like "add attractions or we're done" or Nomura just was like "i recently went to disney land and you gotta put this in it's dope". Joke aside it is one of the worst parts of the game since I can't turn them off and it is hard to get around them. Let me turn them off fully or let them be used as an ability where you can add them in if you want it. Customization should be more of a thing than a gimmick you keep getting. Also they show up so often and I believe in every enemy spawn group. Multiple times even if you miss it the first time. Having so much prominence placed onto this one mechanic just shows they went in hard on it and sure if it was just the rock titan or just the horde of heartless at the end or maybe even rare I wouldn't find it much of a problem but it is EVERY FREAKING COMBAT. I hit that button on accident more times than I wanted to that in general I was trying to use a spell but I missed it by seconds or something and the carnival ride started up and I just said "god dammit" and had to end it dealing a burst of damage since you can't just stop it, it has to go full swing. Also only in critical mode is kind of bullshit. Add it to every mode in the game and it'll be less of an issue.

5: Nitpick/Sora is an idiot - Look I don't mean the whole "he's so stupid now he just is always happy or has dumb dialogue" I mean the idiot tried to touch fire and instead of water magic which he now has and I spammed on the fire balls he walked up to a freaking inferno of flames and just tried to see if it was hot by touching it with his bare hands. Shit Sora you dumb fuck Goofy had a better idea than the mage and the main character and he's not always the brightest. Fuck you.

6: There is too much stuff in this game - Way too many mechanics and most of them are on forever. You have so much you can do such as the shotlock, Flowmotion, Carnival rides, Extra forms, Summoning the fat cat dream pokemon, so many mini games, just so much shit and I'm sure I forgot something. Now look I can let go of the whole "cat" thing because it is a summon and those are normal but in general it just feels like the entire game was overloaded with everything from every other game EXCEPT for cards and if we don't have cards for character upgrades or something it feels like a waste. (that's a joke) The point is that there is too much stuff and it's all filler and fluff and we can just have a nice game without 10,000 things to learn in the first section of the game.

7: Nitpick/ I think the selfies are just dumb - I've taken a total of maybe 5 selfies. All of which are to show a single person in that specific moment. Selfies don't really do much in the world we play in for KH3 and I just think it is in general a dumb game mechanic. However it is not required to do so it's not a big deal to have in. Just another nitpick.

8: Food and cooking - Look, this is not monster hunter. This is not another game where food is an important detail and sure I don't mind the addition of it if you really wanna put it in but it does make the game easier when used. In that direction fine making a game easier isn't a bad thing, however, constantly telling me now is a good time to find ingredients for little chef is annoying every time. I could figure it out if I really wanted it but in general since it is an optional mechanic to which I can just buy the parts for it and even the food at a kupo shop than what is the point in adding in the game play mechanics for it? The mini games are dumb and take too long to do for such a small mini game. Crack and egg get soup. Nothing else but crack an egg. So than the game is too short for a mechanic I'm supposed to do often? Why not add in a larger game so that I can help him create the object one time to see if he likes it and then when he adds it on I can order the object from him. Don't add it into the kupo store if I you want me to make it and don't make me make it be so tedious if you want me to make it. Also why is sora cooking at all? It's Remys passion not mine. He's even shown to run a packed restaurant all on his own at the end of the game in the credits scene.

9: More customization please - Here's a major issue I have with the game. There is less customization compared to other games. This is strange as in general it seems to be the same. The problem is this. I have to use flowmotion in the game. It is not an option because in certain levels it is a legitimate requirement to use for moving elsas castle. It is required in a couple other places as well but the point still stands. I need to have them equipped in order to make progress. The fact that in KH2 I could turn off big moves from team members but cannot now takes the agency away from me from making my fighting style more what I want to do. This means in order for me to really enjoy the game I have to really accept mechanics I was not a fan of in DDD. Maybe having an option for character customization such as turning off forms, and what special attacks you wanna do would be nice instead of giving everything under the sun. Do I want to be a fast mobile fighter? Than make that a character level abiliy choice instead of just making me have it from the start and also making it mandatory for levels. Allow me to remove the big moves with my team and stop making them always on since I never liked them. Sure I can ignore them but it comes down to the same thing as the attractions. Sometimes you cannot avoid hitting the wrong thing. This also goes into the whole magic sucking ass in this game. Every spell is offensive and thus it just feels like it is the same. Wanna do a little small thing with some damage? Wanna do massive damage comparatively? It just feels like they wanted to simplify the whole having a summon, having a spell, having 2 items on or something along those lines. This stops you from having more options on your character and just stream lines you in to a generic build. I didn't use ice once past the first time finding out its pretty much a fire ball. I used cure, fire, water, thunder. Thunder for crowds, fire for damage, water for crowds also because I just stopped caring and cura cause I heal all my damage cause DONALD NEVER HEALS YOU. WE'RE 4000 GAMES IN MAKE DONALD HEAL BETTER. This again comes back to the limits. Let me turn them off since I do not like them. If they worked as magic they would be better cause the magic sucks ass in the game. I mostly after a while stopped doing any real care in magic and just used healing. This also comes back to the original abilities in second form that you can unlock via smacking them with your keyblade. They would be nice since the magic in the game again sucks ass so having something to use magic bar that is not cure would be a nice touch.

10: For a guy who lost his powers I sure have a ton of abilities right away - Remember when in the beginning of each game you lost all your powers and had to slowly unlock everything and it would come to you not just willy nilly? Man those were the days. Could earn powers for reasons. I'm not helpless in the game if I can run up mountains or sky scrapers. If I can glide with the shotlock from one spot to another. I'm too strong if anything at the start and it just makes you feel like the game is padding time before the small amount of story at the end that matters. This could have literally been with the final chapter prologue and it would have worked fine. But no, we didn't get that. That leads into us just spending time until something happens. The story has its own issues (which I will touch up on near the end) and it has some really bad pacing issues. There is bad pacing, and then there is bad writing because of bad pacing. Why not put some shit in the middle. Show I'm getting better instead of just having me just do everything all at once. That's not really an issue if they space parts of it in or let me play as the other characters while sora is fucking off for power. Imagine if they added in more parts with Riku while Sora quests for strength. Imagine us going through the land of darkness instead of just Disney world after Disney world. Imagine what we could have had had it not just been all the Disney stuff then the finale all at once. It wasn't bad pacing for the end to pick up, it was bad pacing for there to be nothing in the middle. This is where the final fantasy characters could have been nice. Adding in the end of the Cloud and Sephiroth stuff so we can fight for more power there. Having us talk with Leon and the gang while they battle with some heartless just in the area and needing help. This would have made better pacing since it would have cut the monotony of the Disney grind. There are times when you just sit there waiting for stuff to happen as you run through world after world waiting for plot in general to just move forward. This does not mean it is bad pacing, this just means there is nothing important going on and leads to the story just falling short of being gripping and engaging. I again bring up the final fantasy characters because let's face it, if they did exist it would give something in general more time to flesh out. There is nothing to do but repeated disney movies that either play out like normal or that you play no real part in since it is after the story in the whole movie. Sure it was great to see what happened with boo and the monsters but Randall just is there and I'm sure he was gone at the end of the first movie. In fact after using my Disney plus account (#notsponsored) to just hit the end of the movie it shows him in a trailer getting beat with a shovel. He probably got back but still.

11: The combat is too "floaty" - I'm in the sky like fucking constantly man. Like all the time. Which is a bad thing since the fucking god damned level creation is now just a tall hallway. See I say tallway (patent pending) beause the level of the game is still pretty small but now it just also goes up a long way. I know this because there are so many flashing walls that there should be seizure warnings in the beginning of the game. It doesn't stop either since in general you have to climb high and doing so brings you ledges and if you have to hit people flying then you are gonna fall. Sure we can use magic but magic runs out and is complete ass. Now look this isn't just me saying it can happen since it does right in the hercules area. The first area where they could have been testing thing and probably did which means someone dealt with this shit and said it was fine enough to pass. That's just bad game mechanics right there. If you want me to be floaty in combat that do not put ledges I can fall down in your game. I do not want to climb all the way back to the top just to get into more fights I might fall down because of. Maybe make the parts I'm on bigger platforms. It just seems they want us to use the attractions because you can't fall off the safe attractions. Another thing is that it isn't just combat that is "floaty" but your movement is also a little too fast. Making larger areas and then making us speed up into a sprint is fine but having me stop right next to a save spot inches too short of touching it only for me to Vroom Vroom right over it because of how fast and far I move is god damned infuriating. It also continues combat wise as an issue in that once you get the ability to knock people up you start going into air combat and smacking them away and you can do that so much since in general the areas you fight in are so large that you can knock a single heartless out of the spawning area enough that you have to run back to fight it.

12: Proud mode is a fucking joke - I think I died a total of one time in proud mode which is probably more than others. See the difficulty has been said to be really easy on this games play through and I'm inclined to believe them. Here is the thing. I know critical mode now exists. I just don't like it. See critical mode was doable in 2 since it was just again harder stuff but in this it is no longer you playing KH3. It is you playing Dark Souls which if I wanted to play that kind of game I'd pop in my copy of bloodborne or turn on my copy of dakr souls 2 which in general I'm not a huge fan of so I stopped playing those games. Difficulty in a game is fine but there is going from hard to fuck why am I playing dark souls? No I'm not the kind of guy who says anything hard is dark souls because I grew up in the era of gaming where games had one difficulty and you had to learn to "get gud" or deal with never winning. Even if I was never good at games I didn't shy away from things being difficult. There is however an exception that the game changes so drastically that there is no happy medium between pants shittingly hard or baby mode. The other thing is that in general DLC should not dictate if a game is good on its own. DLC is meant to enhance the fucking experience and should not make me want to have to buy something (this was free) to get a god damned happy experience out of something that cost me top dollar to begin with. If I need your DLC to have fun or enjoy the story than you clearly missed the damned mark. DLC is extra boss battles. It is final mix of the game when it comes out. It turns your vanilla play through into more than what it once was. It adds aesthetics to the game not makes the game difficult and if it does it doesn't make the game different to such a degree that I'd rather fucking play a game that was created to be that difficult because their combat system is hand crafted for said difficulty. Secondly on that list of being too easy who the fuck thought kupo coins was a good idea. I literally just stopped giving a shit since I could use my now always full magic bar since magic is ass to heal when I needed it and to just run away with my big fucking area during battles and not take damage until I could go in and do slappies for a while before running away and gauging if I need to heal and then if I died come back to life. With all the power moves and free attractions each combat I could have beaten proud mode without gimping myself by trying to not use attractions. The forms didn't help with that either because I would just second form and have a brand new powerful thing to do since it was right there. Not only that but rage form is a full heal and why am I heartless sora again? Either way rage form into run away fast because I run like I'm form kenya with all the movement abilities and then with kupo coin and magic makes the difficulty in here easier than "just don't use it". Mostly because it is implemented in the game and they want you to use it. Telling someone not to use the thing is again stupid because if they didn't want me to use it they would remove the feature. This is no longer a kids game. I'm over 10 years older than I once was and I'm a big boy and want to not be treated like a child. Sure they could be putting it in for kids but why not just have it in easy mode since kids will either do easy mode or know they want that extra challenge.

13: Many of the fights and heartless are just not that good compared to earlier games - So firstly the giant horde of heartless was cool one time. Each time you fight it it gets more and more boring and feels like a cop out on trying to make a good battle and a "oh man this is such a cool idea lets use it alot more than we need to". For a game that was in development for 6 years you think they would have more varied enemies and fights and by that I mean more better heartless. Also some of the heartless are just kinda eh in general. Not only that but the places we visit feel like the heartless are kinda thrown in there and they just made way less enemies than normal. Maybe that is me forgetting if other games did the same thing but I can remember many places having more unique enemies that made more sense. Like why is the monkey heartless here? This is not the time to return to monke or some shit like that and it makes 0 sense when I have to fight it in more than one area. How about the lady heartless with the umbrella. Doesn't fit in every single place it shows up and just feels like it is there. Sometimes they do a nice job putting in certain heartless such as the reindeer which I thought was a nice touch but i don't remember them interacting at all with the reindeer from frozen. I also in general remember each heartless having a newer form such as the fat heartless eventually turned into fire breathers and then eventually into shield dudes. They do not make a reappearance but the fat ones show up all over the place and it would be nice to fight things that are great for the area. Some just also have eh designs and the game just feels poorly made because of it. Some bosses are just boring as well. In fact off the top of my head I can't really remember one I like but I sure as shit can remember the one I hated most which happens to be the airship section where you board a machine gun heartless to fight that sky bird thing in the pirates section. I even found the robots in general tedious because they were hard to beat without the use of the robot suits and felt like another tacked on gimmick to use to make combat more easy. Had they been a single section and not everywhere in the store it would have been cooler but instead we had many fights to do with robots who almost always wrecked my shit. In fact it ruined combat a little for me in general and made the section of toy story a little less good. See most of these issues I have with the places are the grand scale of things and having to go back and forth with them with having really unmemorable heartless for the most part and just not finding the game to be that great with some of the more important parts. Enemies help to flesh the game out to be cooler and as much as I love the generic heartless the worlds make the heartless cooler by making them change to be better suited for the world they are in. Having extra enemies like nobodies and unversed without having much of a reason to have them there other than "you remember this right?" seems like a waste of design chances. Some just either were frustrating tank sponges and the others were just not good. The other issue is some bosses appeared numerous times and just didn't feel impressive when fighting them since they just keep coming back. The giant heartless who I saw in hercules mode coming back on the bridge where you first meet Baymax makes the scene not great since it is a simple color swap at most and it is the same thing again. A lot of the bosses in general just feel ok at best too design wise. I can look back at many of the designs and just name really enjoyable ones who are better than the ones we got here. Honestly the designs are just so much of a let down I don't even wanna revisit the stages which is good because the game just isnt that much fun. One of the more unfun parts of enemies is also the shield stuff they have sometimes which is just more ways to give them extra health. Why not just in general just give them more health since it is just a way to beef them up? Not only are they now mostly damage sponges but the fact that some turn into shielded damage sponges just makes me less happy to fight things. The worst version of unfun boss happens to be the lich at the end when you need to rescue everyone from it. The thing is that it not only takes forever and makes you have to fight it numerous times but it also has the ability to make you unlock from it and in such large areas that becomes tedious to deal with lengthening the entire fight from the already long fight it is.

14: Quick speed round of things I don't like that are just not as good as earlier games - Magic sucks in this game. It's all relatively the same since it is all offensive. Aero was in general the same as thunder since it is aoe with a secondary effect. Water, Fire, Ice are all the same as they shoot a ball of the element that homing devices onto an enemy and when not in general locked on fucks off wherever. I miss the older spells and how they worked and felt more unique in 2 while also having more than just offense. Maybe introduce more spells to the next main entry based on the spells of every other game? I'm just not a fan of some of these worlds as they are all new. I haven't had a chance to catch most of the new movies (even thought I have disney plus which is great you should totally buy it #stillnotsponsored) I just don't like some of the places and the mini games in the don't help. Slight inconvenience but making me have to press x as I load new levels is kinda dumb. Maximus should be a party member. Give me him instead of eugene. Why do I need the flowmotion to progress? Hooray WATER LEVELS MY FAVORITE. Crabs. Watch me beat davy jones in a 4 on 1 battle.Darkubes are dumb. Jesus christ Jiminy shut up I'm trying to grind in the best place for the end game. Oh look it's an organization member maybe I can figh....nah they gone now. THERE ARE SO MANY CUTSCENES.

15: 2 final things before the story issues - Playing as other characters, keyblade forms. One of the biggest gripes I had in this was each time I used a new keyblade i wanted to fight with it and not transform into a new form because I do not like the new forms. They do nothing for me and since they kind of all are ok at best that it just kinda feels meh to me to use them. I pretty much used the kingdom key because second form was fine and stayed a keyblade. If anything I would rather have a new style of fighting like second form in general like the original forms are in KH2. I like valor and wisdom form and as cool of a call back as it was for the 2 first keyblades to be given to you I don't like the final ability to be used which makes me less inclined to find a weapon I do like. Which leads into my second final gripe. I was really excited to play as multiple keyblade wielders. Playing as mickey in 2 was super fucking cool and I miss that. Playing as Aqua and Riku in this made me hope for eventual fights at the end where it was each person fought someone else and you would get an ability to play through a final area for extra boss fights as any character for extra gameplay. I was excited to see what Axel and Kairi could do since in general they finally had moments to shine. You could make them fight and even if they did win just have them lose via cutscene and bring back Roxas and have Xion turn to your side. So many issues I have with that because it goes into another issue of.......

16: Everyone but Sora is fucking worthless - I have seen Dragonball GT and the main main main main main issue I have with that show is no one matters except Goku. See in other series characters could fight and kill or do something against the not main villain and be worth a damn but when GT happened everyone kinda just. Became worthless. No one could win a fight except Goku especially near the end when they had him fight 7 dragons. Sora does the same here when he has to be involved the final boss rush in the game. I'd have liked to see other characters stand out but even then he is the only one who can fight Xehanort when Mickey failed to do anything. It was all sora. Even waking Aqua was all sora. The only time someone did something was when Aqua fought Vanitas and still got her shit kicked in at the end during the cinematic and at that point he just didn't wanna fight 3 people. This is a shame because as I already said it would have been cooler to have those characters fight people and it matter. Let's break down the people who would be on our side Riku Kairi Axel Roxas Terra Ven Aqua Xion Sora Mickey Thats a total of 10 different people to play as. That would have made the final boss fights unique and super cool. You say that would have taken so much time and I say "Cool" but it would have been cooler to fight as these different characters. If they put in 2 extra just do them all. It is the most let down of let downs in gameplay mechanics. Who could they have fought in the game? Let's look at the villains Xigbar Marluxia Terranort Young Xehanort Xemnas Ansem Larxene Luxord Older Xehanort Evil Clone Riku Vanitas Saix Xion There are 12 total people to fight that are not the original Xehanort and each one could be fought with someone totally different. If Xion fights twice but wasn't really trying the first time she can be fine for the second battle. Let's give everyone a person to fight. Let's get the easy ones out of the way. Remember the ones who we fight first don't matter as much because each person not Older Xehanort do not matter even if they are him in other forms. Terra as the lingering will is gonna fight Terranort and get his body back. Riku can fight Ansem who tries to use his darkness and their past against him. Kairi can fight Xion who is noticed to not even be trying and then kairi can be captured to still do the ending they planned for. Xion who now defects can join and fight Larxene Axel can fight Xemnas and lose leaving him almost die while Roxas can jump out and fight him instead Ventus can finally defeat Vanitas Aqua can fight and defeat Xigbar who she has some history with Sora can fight and defeat Luxord so he can give him the card he was going to give. This fight can be more simple than the others and Sora can have to fight against the other Riku Mickey can fight Marluxia Before losing his fight with Xemnas Axel can fight and beat Saix We get to the final battle and while Sora who ran off to find Kairi he has to get through Younger Xehanort to get to the older one.

Look at that clean battle line up. Throw them in the correct order and you can have fights with so many people and even do the stuff needed for it to make the story go smoothly. Everyone gets to be unique and have their day in the sun. The final fight would be sora and gang fighting Xehanort and since the end game would be choose who fights who you can literally have over 120 different fights total if you leave out Donald and Goofy from the sora versions of fights. Heck allow us to fight the final boss final main form and we can in general have even more as we fight him with each character.

17: What is the difference between a heart and a soul? - This is a simple question because they keep saying we don't need the bodies cause we still have their hearts and I'm just having troubles figuring out if the story writers know the damn difference between a heart which is a physical thing or a concept of the soul which is the metaphysical thing. You know like what makes you you.

18: Why doesn't Axel have 2 keyblades? - Like I like that he holds it the way he does, it's very him very unique and all that but if Roxas can have 2 and he gets one from Xion who is no longer a part of him because she is right there than why can't Axel who is specifically a dual wielder of weapons get 2 of them? I mean give the main a sword that is like a Chinese Dao sword combo. It literally is a blade that turns into 2 blades. Like don't even tell me that shit is unable to happen cause Ventus fucking gets that strange keyblade because it is unique to his style so if that is how it works and they all have based on their personality he should have two. Especially since it would be a great call back to my favorite Axel line in the entire series. "Two!?"

19: Clone Riku should not be a boss - Remember when we beat the shit out of Riku as Sora and then Riku clone and then Riku beat Riku clones ass? He's not a challenge. "He was given more darkness powers" Nice, cool cop out there. Fuck you.

20: Why kill everyone just to set up a story line when you could just do it better - So this one is a little subjective. Need sora to meet Chirithy or whatever its name is and maybe set up remind dlc or whatever but in the end you could have just broke his spirit from his body and put him in the other world by making Xehanort who tried taking him over show him everyone dying and it causing Sora to blank out and travel there as a spirit or some shit. It could have worked just as fine allowing the rest of everyone else to go fight the enemies at the end giving sora time to eventually wake up and join in while Donald and Goofy protect him. Then when he wakes up Luxord who could have said "I'll handle the boy when he wakes up could have just did what he wanted to do with the card then. It's just a dumb moment and we could have instead of dumb gameplay where we have to put ourselves back together and have to save everyone and re watch a stupid ass cutscene just watched a cutscene and went back while everyone handled what they needed to.

So before I get into the final 4 parts to get into I hope that you know I was trying to be really fair with a bunch of these and not just looking for things to gripe about. When I didn't understand things I made myself look up to make sure I understood and didn't just bitch about it for the sake of bitching. These last 4 things are kind of in general I beleive super fair.

1: The battles stop as you talk with each person - Nothing kills a fight sequence like starting it, defeating a single enemy in it, talking with a full blown conversation to them, then as they die restart with another fight scene to do it with every single person in the fight. WHY WOULD MARLUXIA AND LARXENE ALLOW LUXORD TO GIVE HIM A CARD? Why would they stop fighting? Why would Ansem, Xemnas, and Young Xehanort watch as one of the others fell and talked? Why would any sane fucking person do that? It makes 0 sense and ruins that boss rush.

2: I know you need to set up another game but fuck you - You literally made the happiest of endings where everything is the best for everyone ever and I MEAN EVERYONE except for Sora and Kairi. Fucking fuck you man. I'm not even mad that that was the ending but when everyone comes up fucking peaches and cream I tend to question the product even if they need to set up story. They can do it better, do what you did at the end of 2 and send a message in a bottle and say "there are still other worlds out there that need us, just not in this universe" or some shit like that. Shit if in general they can have emotions in games than have sora have to jump into the game. You already said my microwave can feel love so than if he can be in that rex universe than he can just go in after he has a nice break with all of his friends.

3: No - Xehanort was not a good guy the entire time. He literally murdered people and stole a childs body and ripped the emotions out of another child and made them not whole. He got a child so angry he murdered his new sorta dad. He pretty much was the whole reason anything bad happened and he was "misguided and wanted to good but did bad to do so". Then in the end he's forgiven and everything is fucking fine? Then he turns into a good guy and goes into the big heart in the sky. This is the kind of writing that literally kills off stories for at least me. Not everyone needs a second chance and sometimes people are just evil. We need stories that have people die at the end sometimes. I know it is fantasy and it can be all rainbows and butterflies but dear god Steven Universe was literally "no you" and that was the end of the entire fucking series. This is the same thing. It might not be "no you" but fuck this ending. This was a story that was supposed to end a 17 year long story and the end of this single part literally spits in the face of people who played it by saying "hey guys, he wasn't bad, he is sorry now". That is complete and utter horse shit. I don't mind that this is not the end of the series. I don't care because if I stuck around this long I would do the same if the story had a satisfying ending. Fuck man in the new game he's even evil then unless that is just how Kairi remembers him but let's face it. The gang would have told her what happened and this is just horse shit in general. This is a fucking stupid story and I literally am fine with alternate realities since time travel and other dumb stuff has been the main name of the game the entire fucking time but let's face it. This is one of the worst ideas for an ending for a villain. The buold up is fucking massive and the payout is just sad.

4: NO - Fucking xigbar. I don't even know how to put this into words how much of a let down it is for Xigbar, Fucking XIGBAR to be the next main enemy. (or at least it looks that way). Fucking we could have had Luxord. We could have had Marluxia. We could have had Demyx. We could have had fucking I don't know Vexen. We could have had fucking anyone but we get Xigbar. You could have slapped any other character onto his scenes and gotten the same amount of out of nowhere shit to explain him being next but it is fucking xigbar. Fucking unreal.

So yeah. That's my massive wrap up on KH3 and I personally do not know where I stand from here. Maybe if the next game doesn't play like shit in 400 years when Nomura gets off his ass and lets us have kingdom hearts 3.76 tie in to 4 which is oddly enough a main title and not a second part of 3 I'll see how it plays. Until then I think I'm gonna sit hereand never touch 3 again and never finish Melody of Memory.

#kingdom hearts #3 #kingdomhearts3 #kh3 #kingdom #hearts #Kindom Hearts 3

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kitsoa · 3 years

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So, about your Theory ...

So, we talked on Reddit a while ago, Kitsoa, and I have some more thoughts about your theory. It’s more rambling and longer than what I previously intended – my apologies for this.

Kitsoa- Hello again! I’ll reply in brief through quotes though I’m not interested in doing a solid defense of my theory. Mostly it’s a lot of creative stretching using the crumbs of the narrative and I’m not feeling particularly impassioned to bring out the counter citations nor do I think it necessary.

Also: I have written and re-iterated upon this meta theory of mine multiple times so if I am not referencing the correct Original Post in question that’s probably because I never bothered to do a big manifesto and I will take the fall for that confusion.

It’s certainly very interesting but parts of it seem to not only be unsupported but outright contradicted by the games. For instance, take your surmise that Xehanort’s villainy is motivated by his knowledge of the KH world as fictional and his self-knowledge that he has to play the role of the villain to create a conflict and thus sustain the universe. His actual speech in Re:Mind after Dark Road’s world tour points to something else:

“All around the world people live seemingly peaceful lives. They believe themselves to be moral and virtuous, but it’s all an act. Darkness lurks in the pit of everyone’s heart. Their light is a total farce. Those who are weak, and who desire greater power, simply strip the strong of their power, and convince themselves they’ve earned it. That’s how people become tainted by darkness. They believe what they want them to believe, using hollow reasons as justification. They repeat this cycle, and their darkness grows. No, its better they be ruled by darkness. People carry delusions of having power, but it’s a lie. They are but sheep pretending to be wolves. Though I can admit, I can understand why.”

This edgy little diatribe isn’t about the nature of the universe or Xehanort’s own origin … it’s about his view of human (or talking animal, w/e) nature. It’s a similar theme to his final speech in KH3, and ends not with him concluding that he needs to play the role of a villain to create conflict ,,, but that to prevent the KH universe collapsing into chaos, he needs to become its absolute godlike ruler. Which is what sets up the conflict, yes, but his goal isn’t explicitly to create conflict to keep the universe going.

Re: Xehanorts motive aligning with a meta-awareness on his ‘role’ as a villain. This is a theme I was definitely playing with. Xehanort is clearly symbolic of the corrupting pursuit of knowledge and we have a god-like encounter spark stranger behavior yet. It’s a fascinating trope yes? Corrupted by the Truth. Saving the world by sacrificing the world. That was my angle. The World Tour from Re:mind had him summarizing his villainous disdain and I’ll agree that it gives him no direction towards a ‘role’. But I also take note of the fact that this enlightenment comes directly from the actions of the chessmaster MoM who could feasibly manipulate Xehanort towards a conflict-sparking war. If Xehanort isn’t directly and consciously responsible for fulfilling the metacontextual requirements for a ‘story’ then MoM is. And as I’ve stated it probably comes from a more experimental god-mode type motive.

And again, your argument that time doesn’t really exist in the Disney worlds until Sora arrives and this is related to them literally being stories that he’s diving into. I don’t know where you get this from, at all. We go into Disney worlds and experience plots unrelated to the films (KH1 Olympus, Halloween Town); we go into Disney worlds in medias res (too many to count); we go into Disney worlds before the movie’s events take place (BBS Deep Space, Neverland); we even go into Disney worlds in-between or after the movies’ events (KH3 Toy Box, San Fransokyo). Which rather gets in the way of a simplistic “Sora arrives in the Disney world, time starts flowing forward and the movie starts” look at things. You’d previously characterized this as “every world has its unique story” which IMO would be a more reasonable way to look at things rather than the stronger “the worlds literally are the stories and nothing else”.

I’ll defend this a little. The entire concept of the Worlds as Stories demands only that we recognize a higher reality. A reader/audience/ creator relationship with the happenings. When I say ‘time doesn’t exist’ I’m saying it doesn’t matter. The only thing that does matter is the time spent there by Sora (or his subsidiaries). Time is going to move between visits but not at a pace that runs independently of Sora (and co). And all of the events within those worlds are unique to the source material-- on the virtue of having Sora. But when I say the worlds are the stories, I mean it... metaphysically. The relationship between the greater kh multi-verse (and no greater) and these literal planet world island things is that of stories given form. Most all of my KH musings come from the very simple concept that formless metaphysical concepts like love, bonds, imagination, memories etc are literal, tangible things. Tangible. In this, Worlds are not so much another universe equal to other universes. They are a story, fictional and potentially subservient to a greater reality. It’s only from that understanding that I add the extra layer upon KH (and Quadratum by later extension) itself.

The exact logic behind this reasoning is cyclic. KH is a fictional story to the literal higher reality (us) and seeing how there's a parallel within the narrative, I just applied that logic within the universe and used my understanding of the ‘literal metaphysics’ theme going on with other lore concepts.

Power of Waking ejecting Sora into “real reality”: This analysis is based on the idea that Sora is “waking himself up” out of dream states until he “wakes up” out of KH reality into “real reality”. But YMX tells him (and implicitly us, via the conventions of this kind of villainous exposition) that Sora is repeating the same error he made in 3D and sending himself into the abyss at the bottom of the Realm of Darkness, not doing the opposite thing and “waking himself up” out of KH reality.

I’ll just punt Power of Waking stuff. There is a lot of stuff with the power but I take most of the speculation from the name and the results. There’s a big interweave of darkness that can support or deny my thoughts within the next sentence and I’m electing now to wait and see. Sora abuses the power of waking-- ends up in another reality. Waking--> realities--> dreams--> sleep. Run with the word association. I like to think the ambiguity with sleep and the darkness of abyss has more to say about the nature of reality as a whole ergo: “everything is a dream” concepts that are hard to swallow. What is waking up, if you find yourself deeper in sleep? Nonesense stuff like that.

MoM as Creator of the KH universe/Quadratum as the “higher reality”: Not only is he presented as a clear villain figure; given that the rest of the Foretellers are based on the Seven Deadly Sins, MoM as their leader would clearly represent the sin of pride. We also have him saying in Back Cover that he “might” disappear from the KH world, suggesting that it was beyond his control; and Luxu’s report suggests that the KH3 Keyblade War was engineered to open a means for him to return to the KH universe, presumably via Sora going to where he is in Quadratum/”unreality”.

I believe strongly in this still. MoM can be a villainous figure and at the mercy of universal laws while still being the Creator and denizen of a higher plane. I try not to dig into scenarios too much but follow me here: Creator of the world, literally self-inserts himself into a world of his own creation. He’s a verified Mad Scientist who of course likes to experiment and test his creations and he does so directly, physically, to them. There, he put them on auto-pilot and is watching Characterization carry on. I am not claiming that he is breaking the rules of his own universe and traveling in and out with ease. Nor am I saying if he is exercising any sort of Creator-granted power over their will. He’s there, he’s interacting with them, and he’s watching them. I find it to be an intentional obstaining of power. Self imposed limitations OR an understood sacrifice for this meddling (think, giving up ‘divine’ form to live amongst his ‘mortal’ creations in divine parallel. he is at the will of his universe but not out of control.)

When he says he ‘might’ disappear not only is he being vague on purpose to terrorize his high-strung apprentices but he’s made no indication that it’s something against his intention. And the actions taken by Luxu in formulating his return mean nothing to his plan or his ability or his potential Creator status. I can’t stress how Long Game I perceive MoM’s actions to be. All in the effort to observe, toy, and curate the perfect... something. And since I am talking about the literal nature of stories, I mean the ‘perfect’ story.

Also, we may note that if it was truly a “higher reality”, Quadratum wouldn’t be noted as the fictional Verum Rex video game in KH3 – there’d be no explicit sign at all of its existence, as it would be the higher reality generating the lower one. Which suggests that what may actually be the case, if the series is going meta, is that KH-verse and Quadratum view each other as fictional – in which case MoM would be somebody falsely claiming or believing to be the Creator, which makes sense in relation to the sin he represents.

Not that I’m saying KH-verse isn’t generated by a higher reality/being; but I don’t feel that the higher reality is Quadratum or that the higher being is MoM. There was a fairly interesting post on Reddit comparing KH to Plato’s world of the forms; in which case Kingdom Hearts would be the higher reality from which both regular KH-verse and Quadratum are generated. Or “unreality” really is a “lower reality” than the regular KH-verse, which TBF seems a bit less likely than “’reg. KH-verse’ and ‘unreality’ view each other as mutually fictional but are actually ontologically equal”.

I think my theory posts predate most of the Quadratum reveal so the details of the reveal haven’t been accounted for in my words but I did call it when breaking down Remind’s Yozora scenario. That said yes, I think there is a higher reality and I feel like you mentioned it outright. I see KH and Quadratum as equal fictional realities, segregated but connected through creator. Some of my earlier meta posts before re:mind saw Quadratum as the “higher reality” (or like “host reality”) until the presence of an author between them became apparent enough. We can potentially consider MoM=the author as a separate subject in this respect as it’s not entirely dependant on that reveal. Ultimately, my point in this caveat of the theory is that the relationship between KH and Quadratum strikes an intentionally meta-referential parallel to the actual creator Nomura. That’s an angle that is very audacious and I have full understanding in the denial but it’s my supporting evidence to a higher power within the re:mind secret episode alone. As for the ‘unreality’ I literally think that is just a way for them to say ‘fictional’ without saying the word, not necessarily an indication of ‘rank’ (for lack of a better word). I use a little reverse logic on the reveal in Melody of Memory when I claim they are ‘equal fictional realities’. No one thinks to assume that they themselves are also “fake” so it;s not a stretch to believe that the reverse assumption could be true. This putting KH and Quadratum on the same level and almost guaranteeing a connection through a mutual creator.

Now, you also talk about the Whispers in FF7R, but in that they’re in-universe contextualised as “guardians of destiny”, essentially manifestations of the Will of the Planet. Which just goes to show what I talked about earlier – the meta-level of a story can’t exist without a surface-level narrative. We know that the Whispers out-of-universe represent fan anger at changes to the plotline; but they’re presented as something in-universe, which can be defeated by in-universe forces (another reason I doubt it as it seems to leave no room for our heroes’ victory in the confrontation with MoM that’s being teased as the next saga).

I bring up the Whispers to note a synonymous use of the words ‘destiny’ and ‘fate’ to ‘story and ‘narrative’ Not explicitly of course, that would break the 4th wall, but its a subtext that's easier seen in a ‘remake’ because of direct references and deviations being drawn. I think the same synonymous use can be applied when brought up in KH because of their common creative entity.

Finally: How do you see this “metapocalypse” of yours playing out as an actual KH game? We know the conventions well enough by now – a trip through Disney worlds fighting monsters and villains in flashy shonen-style combat, being stalked and looked over ominously from afar by a council of villains with mysterious schemes. Then an invasion of the villains’ lair by the heroes with a final serving of flashy, SFX-heavy boss battles, a number of dramatic plot twists and arc resolutions, and an ending with the villains’ schemes having been at least forestalled. Then we get the ending credits; with an epilogue, a superboss and a secret ending all hinting at more to come.

Well I’m glad you asked! Honestly, I’m basically writing a fanfiction about it. I’m writing the story in part to engage some of these theories/speculations into a serviceable game narrative. So I’ll be vague:

Thematically: This breaking the 4th wall has the power to thematically drive home concepts of free will, defining your personhood and defying expectations. Furthermore, you have questions like... what makes something real? What makes it matter and what’s important? With growing up and the sanctity of youth being a constant struggle as the series and the characters age, the reverence in imagination and growing connections to things that aren’t stereotypically ‘real’ is a strong concept. If I were to break down the big message simply: As long as it’s real in your heart it doesn’t matter.

Overall, the reveal doesn’t really have to impact the basic formula. You can have Disney World Hopping and Villainous characters scheming and manipulating a greater force. I personally think the world-hopping parallel can become more direct with the context of it being movies/stories adding a different understanding of the process of visiting those worlds and meeting those characters. The episodes can be more about fate and predestination and can speak directly to the importance of the connections to those worlds. And the dramatic stakes are the literal threads of reality and godhood!

If I am to be more detailed and imaginative (without substantial evidence) I might say... MoM’s experiments in manipulating his own created world(s) are aiming to shape Sora (or 2nd favorite son Yozora) into some kind of perfect conduit for the marraige of reality and fiction and the success or failure of that process might weaponize his ability to connect with other hearts... real and not, all to the greater ascention of one chessmaster.

(That’s not even mentioning how I have a personal reason to dislike it as it reminds me of an old theory that the KH plot was actually SRK imagining it all up in their childhood games or to put a darker twist on that idea, Sora dreaming it all up in a coma or while dying. I hated reading those ideas when I was younger and still do.)

I’m gonna sympathize hard with this. I hate ‘it was all just a dream’ theories. They are cheap and they trivialize the journey. That is not what this theory is saying. There is a higher reality in this concept and that is used as a proxy for our relationship with the series. The imagery of dreams is only a small facet of the reality/unreality theme so there is no ‘waking up’ or ‘end of story, goodbye’ attitude. The commentary is broader and it can potentially speak on the power of dreams and reality. The ‘realness’ of fake things. I’m sort of calling out KH for what it is: an imaginative story that expands upon what it means to truly experience stories. Anyway, I rambled more than I thought. I haven’t written anything about KH in months so this was a little caffine shot for me. I’m not gonna be too stuck in the details and nor do I care exactly. I’m a story teller first and I just so happened to have predicted some things not so much because of the hints being dropped but because I understand some of the thematic intent behind the lore and certain narrative beats. The rest is just me having fun and finding the best reading. Sometimes I’m right.

#kingdom hearts #kh meta #submissions #kh speculation #kh theory #long post #submission

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cloudofash · 4 years

Text

Kingdom Hearts - Riku’s Possessiveness and Jealousy Part 3

The Counter Arguments

Please read Part 1 here.

Please read Part 2 here.

Please read Part 2 Addendum here.

So far I have hopefully connected some dots to build up to the claim that Riku was always in love Sora so no one can say I pulled this all out of my rump. While it’s obviously true that I am a HUGE Soriku fan, I didn’t come into Kingdom Hearts with the intention of shipping. Actually, I disliked Riku at first because I looked at him on the surface, but he's now my most favorite character in the series because of his development and I appreciate KH1 Riku now because I looked back and realized why he was such a brat. When I put together that he possibly had feelings for his best friend everything made sense. By KH2 I was like “Hm...Riku seems to harbor very strong feelings for Sora” and by DDD I was like “Oh hell, this boy is in love.” I know that my arguments will not change everyone’s mind, in fact I’m sure many read everything I said and came to the conclusion “Look at this crazy Soriku fangirl, reaching to make her pairing real!” I get it, such is the way in any fanbase. For this reason I would like to dedicate this part of my Jealous Riku series to counter some of the common counter arguments. I promise to shut up about KH1 Riku and his jealousy after this lol, I'll be focusing on current Riku and the series' future.

First and most importantly, how do we know Riku is possessive of Sora because he is in love with him? Couldn’t he just be jealous of others who claim his spot as Sora's best friend? If Riku was just possessive of his best friend in a platonic way then that would pretty much destroy my theory that he is attracted to and in love with Sora. I would say in Riku’s case, no his jealousy wasn't platonic. Riku’s possessiveness goes far beyond what is normal for a best friend. Let’s look back on the scene where he meets Donald and Goofy. If Riku actually bothered to introduce himself and be cordial with Donald and Goofy and Sora sided with Donald even after he refused to let Riku board the ship then I wouldn’t even be here writing this. Riku would have rightfully been angry with his best friend, angry that Sora chose to stick by a rude duck over his childhood friend of however many years. But this didn’t happen. Riku gave Donald and Goofy a hard look within seconds of acknowledging their presence. Though Donald shows that he’s a jerk Goofy was nice, but neither matter because Riku had already decided he didn’t like either of them. This is not normal jealousy, this is clearly a sign of extreme possessiveness. He doesn’t like ANYONE new to be around Sora or act friendly with him regardless of their intentions.

Some will probably claim "It's Kingdom hearts the writing is just bad". This is something I've seen before and I want to stress that this is not an argument it's an opinion. Some think the writing in the series is good, some say it’s decent, it's all subjective. For the sake of argument, let's run with the idea that someone claims "Nomura didn't know how to properly express Riku's jealousy which is why he seemed possessive" to branch off the "bad writing" idea. I have two counters for this: Sora and Isa/Saix. Sora says himself in KH2 that he was jealous of Riku which is why he always wanted to compete with him and hopefully beat him. Sora exhibited a far healthier form of jealousy, he didn’t care if Riku went off and made new friends, Sora never gave any hard side-eyes to Mickey when he found Riku had started hanging out with him. He didn’t start to hate or dislike Riku, he just wanted to compete with and beat him with his own strength. As for the case with Saix, in KH3 he told Axel that he was jealous of his relationship with Roxas and Xion. His jealousy compares greatly to Riku's, he saw someone he was once best friends with get close to someone else. But Saix specifically says:

This is where he differs from Riku, Saix isn't jealous of Roxas and Xion because he's possessive of Axel. Axel stopped hanging around with Saix, stopped helping him look for their missing friend and started focusing more and more on Roxas and Xion which occurred over a period of time not instantly. This goes back to what I said about rightful anger, Saix had every right to feel upset and abandoned by Axel. His jealousy was reasonable. Sora, at no point, alienated Riku the way Axel alienated Saix. Sora never took Donald's side when he said Riku couldn't come, Sora argued with Donald in Riku's defense. Even prior to that, Sora never abandoned or alienated Riku on the island and even when the darkness was swallowing Riku Sora tried to take his hand and go with him. Sora's and Saix's jealousy shows that Nomura/the KH writers (since they do change) know full well how to write jealousy in several different ways, therefore the argument that Riku's possessive jealousy is somehow bad writing is moot. I believe Nomura knew exactly how he wanted to portray Riku.

Another counterargument that I commonly see is “Riku wasn’t jealous of people close to Sora, he was jealous of Sora himself he said so in KH2″. First of all, Riku said specifically that he was jealous of Sora because he wished he could “follow his heart” the way Sora did and that could be interpreted in a NUMBER of ways that prove my point but I’ll return to that in a second. Some people took this as meaning Riku was jealous of Sora being a Keyblade Wielder but this isn't possible. Riku’s darkness began on Destiny Islands BEFORE Sora even obtained the Keyblade in fact Riku’s darkness is what caused Sora to obtain it in the first place as confirmed by Nomura.

“That part is also a bit vague. In the Destiny Islands when Riku is swallowed by the darkness, there's a sparkle of light, and next comes the scene where Sora first gets the Keyblade, right? In my setting, the darkness wrapping itself around those two is the darkness of Riku's heart. At the moment when Sora enters that darkness, the light you can see is the light of the heart. Sora, trying to help Riku, struggling in the darkness, touches that light and temporarily the Keyblade goes to Sora. “ - Nomura

Riku could not be jealous of Sora being a Keyblade Wielder if it’s HIS darkness, HIS jealousy that leads to Sora getting the Keyblade in the first place. This point has been debunked.

Now if we look at what Riku says about being jealous of Sora because he’s able to “follow his heart”...I don’t know about you but doesn’t that seem like Riku’s admitting that he’s jealous that Sora can follow his heart to Kairi? Sora literally spent all of KH1 following his heart, searching for his crush. Even before that Sora was constantly thinking about Kairi and sharing a papou fruit with her even going as far as to draw himself feeding her the fruit. Riku would only be jealous of this if he was in a position where he couldn’t follow his heart. This point about Riku being jealous of Sora actually backs up what I said about Riku being attracted to Sora and learning that Sora is attracted to Kairi, Riku literally can’t follow his heart to his hetero (hopefully bisexual) crush. This would yet again explain Riku's initial descent into darkness - he had everything he wanted, the strongest, the smartest, the admiration of the other Island Children, the only thing he didn't have is Sora himself and he grew jealous of Kairi, of Sora's feelings for her. Now I’m not saying this is true, because Riku could also be jealous of Sora’s ability to follow his heart to his friends in general and not just his romantic crush. You know, the whole platonic thing which is the most likely meaning behind Riku’s words because KH is all about friendships which is why I did not use this as proof in my essay because I have no way to prove or even show evidence of which way Riku meant it. I’m just saying it is still possible Riku was referring to the romantic side of “following one’s heart”, he could have even meant both.

Now that we have established that Riku’s jealousy was definitely possessive, let’s head to some of the other arguments. There is usually the “Riku is straight argument” which runs along the lines of "Riku said he wanted to share the paopu fruit with Kairi so the one he is in love with is her." Or "Riku is about to be paired with Naminé , he is attracted to girls and is therefore straight." I already addressed Riku’s feelings about Kairi in the 2nd Part, there isn’t really anymore left to add. Namine is also easy to debunk. Nomura confirmed in the KH3 Ultimania that Riku only helped Naminé obtain a Replica body to act on behalf of Repliku’s feelings. In other words, as of now there ain’t nothin’ between them. Riku’s only reason for ever interacting with Namine was to help Sora retrieve his memories and he hasn’t really interacted with her too much beyond that. Not to say Square couldn't pull this pairing out of their ass but it would leave much to be desired since this ship doesn't have the buildup that Soriku has. I hope they never go down the route of throwing random pairs out for the sake of pleasing het shippers.

The final common argument that I see literally EVERYWHERE, in just about any fandom, is the inane argument that “You fangirls just want to make everything gay. Such-and-such is a Japanese work and the Japanese put a higher emphasis on male bonding and intimacy and friendship but it’s not gay, these two characters could never be gay. Japan doesn’t accept homosexuality - blah blah blah”

And wheeeeeew chile, there is so much to unpack here. I honestly didn't even want to touch this but since I see it so much in the KH fandom I felt compelled to address this. First of all, it irks me when people act like homosexuality doesn’t exist at all in Japan. Statistics from 2018 claim that about 8.9% of the Japanese population identify as LGBT+ between the ages of 20 to 59. That’s 1.1% away from being 10% of the ages 20-59 population, that is a significant number. It is incredibly ignorant to claim that Japanese people do not accept homosexuality, they are all individuals and naturally there will be close-minded people who don’t but there are many who do. The conservative Japanese politicians don’t accept it, but then again neither do most American politicians. Don’t mistake the views of the politicians as the views of the people.

Now, while it is true that those in Japan have different views on masculinity than some in America (ie: men soaking in a hot springs together, touching or even sitting on each others laps isn’t incorrectly labeled as “gay” like it most likely would be here in the States) this doesn’t mean that Japanese people don’t know the distinction between platonic intimacy and romantic intimacy. They know full well the difference between the two, it’s awful to claim with such arrogance that they don’t know as if they’re clueless. Even within the anime/manga/videogame industry Shounen-Ai and Yaoi exists with men kissing, hugging, touching romantically. As a matter of fact, the Kingdom Hearts novels themselves heavily imply that there is more between Sora and Riku and that Riku does have romantic feelings for Sora. There was a scene in the KH2 novel where Axel asks Riku "What is Sora to you?" Riku is lost for words, instead Namine answers that they're "best friends" for him. Read it for yourself below:

This is the official Kingdom Hearts novel by the way, the writer and artist (Tomoco Kanemaki and Shiro Amano) are both Japanese. Not a random "fangirl's fanfic". And let's not forget that Nomura approves these novels and the manga. They seem to have no problem writing/approving of Riku being canonically gay. You can dislike it all you want but it’s here to stay so get over it. Don't be the person who makes this horrible argument.

The one last counter I want to make is this: If you are against Soriku ask yourself if you would accept the pairing if Riku was a girl.

This Jealous Riku series focused heavily on Kingdom Hearts 1 but there is content across the entire series which could also act as strong evidence for Riku’s feelings. I could go on for years about how much evidence there is in this series. You can find such evidence plastered all across the net, I will probably touch upon some of it myself. This marks my series' conclusion, I hope the evidence I provided and the counter-arguments I’ve made show that Riku is truly in love with his best friend and that it’s not impossible that Riku could love Sora in a romantic way. Thank you all so much for taking the time to read this!!

#kingdom hearts #Riku #Sora #Kairi #soriku #Possessive #Possessiveness #jealous #jealousy #counter-arguments #jealous riku #riku loves sora

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sonicringbond · 3 years

Text

Sonic Ring Bond: The Journey - Scene 37

Time for a little action to spice things up a bit. Maybe it’s because last scene had a gentle let down. Maybe it’s because of the last Survey having so many ties. Whatever the reasoning, enjoy a little action to start...

~I had expected my next meeting with Ix to be troublesome, but I figured with Sonic with me that things would have gone smoother than this. Or at least that he would talk. Ooh~ why does he have to be such a bad person!~

“I had considered our next encounter would have occurred much sooner medium, alas, I have grown far stronger than you could have imagined.”

Ix’s mocking of Rosy came from high above where she was held under Sonic’s arm like a duffle bag while he ran far more successfully across the desert sand than she could. Rosy’s cheeks were puffed up with frustration, but there was little she could do. Though Sonic teasing her didn’t help matters any.

“Some trouble you’ve found, rascal,” Sonic commenting as he risked a glance back at what he fled from.

It was not the first worm like golem Sonic had encountered, but the size of this one was like a small mountain had taken to the sands.

“Ooh~! Ix didn’t make anything this large when I met him! I don’t know what happened!”

“Well, whatever did, let’s just hope Draw can get the help we need.”

Growing more serious, Sonic tried to pick up the pace as even he had traction problems on the sand dunes he skipped across. And fortune did not favor him or Rosy however as a particularly high dune with a view of the ruins of skyscrapers rising from the sand brought them well above the giant stone worm golem.

“This doesn’t look good,” Sonic remarked as a bead of sweat ran down the side of his face.

“At least it looks like fun,” Rosy laughed as a bead of sweat also streaked down her cheek.

A moment later the two of them were tossed high into the air as the golem plowed straight through the sand dune. Sonic couldn’t keep his grip on Rosy, but luck was on their side to a degree as she landed on top of him as he crashed into the side of the golem.

“Tee-hee~♥ Miss me Sonic?”

“Well, you kept me from bouncing off of this thing, but it’s still kind of looking like we’re in a bit of trouble.”

As Rosy sat in Sonic’s lap, she managed to allow him to slide along the wall of sand that rolled off the golem while effectively sitting. He would likely be sore later, but there was little he could do without any real traction. Ix planned on remedying that and had the golem change course under the midday sun.

“WAHH~!” Sonic and Rosy cried out together as the worm turned sharply and coiled around the two hedgehogs. Neither of them saw what happened after that as thew were caught in a massive vortex of sand and promptly buried.

As she was yanked out of the sand by her ankle, Rosy hoped it was Sonic to her rescue, however…

“Ix!” Rosy gasped before coughing on inhaled sand.

“So helpless you seem now, medium,” Ix spoke in a condescending tone. “Is this perhaps the consequence of you being in the company of your lover? No matter, I shall take from you your connection to the gods and return to my search.”

Defenseless as she continued to choke and cough, Rosy could barely squint open her left eye as Ix struck the sand with his staff. Rising between where Rosy dangled and Ix stood, a single Ring formed a window between them, and they locked eyes through it. Ix’s glowing blue eyes, and the broken Red Star Ring held together by an internal gear that Rosy’s left iris became.

“What! Impossible,” exclaimed Ix as Rosy started coughing harder and squeezed her eye shut again. Her coughs after a brief and dizzying moment could not escape her body at all however as Ix’s stone fist closed around her throat.

“Kh…!” Rosy whimpered weakly as her lungs burned and her chest heaved violently. Forcing open her eyes as she grabbed feebly at Ix’s arm, she again graced him with the sight of the unusual sight in her left eye.

“How!” Ix demanded as he tightened his grip and Rosy kicked her legs feebly. “How did you come into possession of a Yoluku Device! Answer–!”

A sudden blow sent the golem flying and Rosy fell into Sonic’s arms as he uncurled from his Spin Dash. “The lady can’t say a word if you’re about to break her neck!

“You alright kid?” Sonic asked as he looked down at Rosy who was clutching at her throat. Not wanting to worry Sonic, she offered him a wordless smile and nodded her head, several tears falling from her eyes. The sight did not please Sonic at all and she could feel the tension that rose from him.

Gently placing Rosy on the ground, Sonic stood up and faced down Ix across the sand. A moment later and he surely would have reduced the golem to a pile of rubble, but that fate was left for the golem that trapped him and Rosy.

~Draw can be pretty imaginative sometimes. I would have never thought of it, but he did. He really is a cute little golem hunter. At least when he isn’t teasing me!

~Anyway, out in the desert we were running along in when Ix suddenly attacked us was more than just a bunch of old skyscrapers sticking up out of the dunes. Though seeing them covered in vines and moss made for a striking sight against the golden sand. But they were nothing compared to the bizarre sight of the castle that plowed through the giant worm golem Ix had used. It was like a thing from a fairytale all covered in buttresses and spires. The white stonework and blue tiled tower roofs were a sight to behold glistening in the afternoon sun. But the really amazing thing was the steam works underneath the town sized castle that propelled it across the surface of the sand.

~I mean Sonic and I couldn’t see them when we tried to run up alongside the castle as we chased it out of Ix’s trap. There was too much sand. But after Sonic picked me up again – honestly, I could have at least tried – we followed flares that Draw shot from within the steam works into the sandstorm the traveling castle stirred up. Once we actually could see them, there were so many pipes and gears it made me dizzy trying to follow them all.

~Soon enough we were whisked through the steam works by people wearing uniforms and a badge with a symbol of a wrench laid across a gear. I think that might be the symbol of the Engineers, but I can’t say for sure. Still, the castle was every bit as beautiful from within as it was from afar.

~I could have wandered the halls covered in the polished floors so reflective it was like I was walking on the soles of my own feet for hours. Whole wings of the massive castle were like towns within themselves, with farms built into some of the larger towers. I’m sure if Tails were here, he’d have spent forever in the bowels of the castle’s machinery, but it was almost a paradise within fit for a city of princesses. And the people were so nice too, without a sign of any of those mean priests in most towns around at all. But our wandering around was not without purpose and Sonic had been doing a lot of talking.

~What Ix had said about my eye had been bothering Sonic. I couldn’t blame him. It looked like a Red Star Ring that was simply crumbling at two of the points revealing a gear that was hidden in it, but Ix called it a device. If it was a machine… Ugh! It’s creepy thinking there’s a machine in my eye. But as this city seemed to belong to the Engineers, there was no one better to ask about it.

~There was just one tiny problem.~

“Not even a hint of red left,” Sonic stated flatly as he looked into Rosy’s eye. She was fidgeting and trying her best just to look ahead so Sonic could get a good look, however…

“Ee~k!” Rosy squealed and covered her face. “I’m sorry Sonic, but having you look so intently into my eyes…! AAH~! ~♥”

Falling over and kicking at the air as she loosely curled up, Rosy earned an eye roll from Sonic and a sigh from Draw. “There really is something wrong with you, you weirdo girl.”

“Rosy!” the pink hedgehog corrected her koala friend while peeking through her fingers. Again, both of her eyes were normal and there was no sign of the unique Red Star Ring within.

“So now what? Draw asked turning to look at Sonic who took to resting his crossed arms on a nearby railing. His ear twitched in response to Draw’s question, but he offered no answer. “What I’d do to get the silent treatment this time! Didn’t I find the town those salvagers out in the desert told us about!”

“It’s okay Draw, “Rosy comforted the young golem hunter by embracing him from behind. Her action frightened free Mote, the fairy companion of Draw’s, who Rosy tilted her head at and smiled. “Maybe you have an idea, Mote!”

Good cheer and enthusiasm were far from enough to convince the fairy that claimed to not be allowed to communicate with a medium to stay and talk. Only Draw could speak with the fairy as it was due to a Ring Bond it had made with it, but he still did not speak up in time to prevent Rosy from vocalizing her disappointment. “Aww~!”

“Give it up weirdo girl,” Draw advised her as he slipped out of her comforting hug. “Besides, Mote says it noticed something here while we’ve been wandering around aimlessly.

“You’re welcome to join us,” Draw invited Sonic reluctantly, and not without making his dislike of that made clear, “though I wouldn’t care if you didn’t.”

“Whatever you say, tyke,” Sonic waved a dismissive hand, but still pulled away from the railing.

With his hands on the back of his head, Sonic followed Draw and Rosy, who in turn followed Mote deep into the heart of the castle.

~The castle kept surprising me with how amazing it was, but some surprises are really too much. I’m sure I covered my mouth when we reached that inner plaza under a big glass dome. The plaza itself was amazing, even if it was just another room inside the castle that served as one. But really, what else could it do. Right in the middle of it was a giant crystal rose the size of a mansion that was encased within a swirling clockwork device. It was just like the one the being in my dream from before my eye started getting weird had. Except the one in my dream actually moved. This one… well once in a while it moved slightly, like a minute hand on a clock, but that was all. Even the rose barely turned where it floated in the air.

~As amazing as it is though, it seemed a normal sight to the people who called the tower home. In a way, travelers like us were the weird ones.~

“Now isn’t this a sight,” a high pitched but friendly voice spoke up behind Rosy and the others. “Don’t see travelers here too often who don’t know about the Rose."

Scene 37 · CLEARED Castle Rose, to be continued

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New character time! By the time this posts they would have already been designed and introduced during the regular writing streams, but I hope everyone enjoys them. there won’t be too much of them yet, but if your familiar with Sierokarte from GranBlue Fantasy you might have an idea of what to expect next week. I hope you enjoy it!

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Special Thanks to Cutegirlmayra Story by @JoshTarwater/SonicFanJ Inspiring Song – The Path of Duty – Yasunori Nishiki – GRANBLUE FANTASY: Versus ORIGINAL SOUNDTRACK

Fair Use Disclaimer

Sonic the Hedgehog and all affiliated characters and logos are the express property and Copyright© of SEGA SAMMY HOLDINGS used without permission under Title 17 U.S.C Section 107 of the Copyright Act 1976 in which allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. “Fair use” is use permitted by copyright statute that might otherwise be considered copyright infringement. The Sonic Ring Bond: The Journey alternate universe (AU) consumer written work of fiction is a non-profit transformative work primarily for personal use and can and will be taken down without warning or prior notice at the request of the copyright holder(s) should it not be recognized under “fair use”.

*Sonic Ring Bond logo created by DEE Art – twitter.com/daryliscute.

Sonic Ring Bond AU and Sonic Ring Bond: The Journey are the creation of Joshua David Tarwater/ynymbus/sonicfanj/@Joshtarwater and is to be, including all contents herein considered for all legal purposes the property of the Sonic the Hedgehog intellectual property (IP) and copyright owners, SEGA SAMMY HOLDINGS. All story contributors via prompt, suggestion, written scene, art, and all and every other contribution acknowledge that all contributed material is forfeit for legal purposes to SEGA SAMMY HOLDINGS upon official request from SEGA SAMMY HOLDINGS.

#sonic the hedgehog #sonic fan fiction #sonic au #sonic au series #sonic ring bond #the journey #classic amy #amy rose #rosy the rascal #au amy #amy redesign #pir'oth ix #sonic oc #patch #draw the koala #mote the fairy

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rosaguard · 3 years

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✒️ + aerzora go

✒️ + a ship = summer talks about them. / selectively accepting.

this takes me a long time to get to the point of actually talking about the ship, i’m not sorry.

ah yozora and aeris. i feel like...they scratch an itch that none of aeris ‘canon’ ships ( and even her fanon ships ) do for me: they have depth that’s satisfying to me. obviously, that probably seems like an ‘unfair’ comparison due to the fact that this is roleplay - we’ve essentially created this ship and can do whatever we want. however, i feel like zeri.th and cleri.th at their base level are meant to be very ‘cute’ and tropey ( yes, there’s angst and death but the majority of their interactions can be summed up that way ) which isn’t inherently bad. i’ve grown to like both of these ships despite having my separate issues with them ( although with cle.rith, it was more so its fans than the actual ship itself ). for instance, i don’t like CC aeris or how her original character was undermined in that game. it’s hard for me to see the depth in a ship where i feel like one half of it was essentially watered down / heavily altered to support it ( again, this is just my opinion / how i bluntly feel about it ). overall, between the shipping wars, the constant essays about what is and isn’t canon, and the fact that cl.oti/zeri.th/cl.erith are all extremely common ‘types’ of romances in FF games, etc. it has just made me somewhat...bored of it all despite still liking and writing content for them.

it doesn’t help that aeris, for whatever reason, also isn’t ‘shipped’ as much with other characters outside of clou.d, ti.fa, and za.ck compared to how those three are with other characters so there’s not like...a taste of something else? the next person outside of that trio is probably seph.iroth ( and i’ll admit that i was super into sep.haeris as a teenager and i might still get a little emo seeing fanart of them ) but even then, that was never a hugely popular ship. i think people are also more vocally opposed to it now? although i feel like weirder / even more questionable ships such as sef.ikura and tse.rith that are popular / don’t get as much heat which is...strange. anyway, while sep.haeris was/is a thing, there’s not a lot of depth there either from what i remember as a teen. their relationship is usually written in 1). an au entirely, 2). an OG rewrite where se.phiroth isn’t crazy, 3). a fic where they come back post-death and sep.hiroth has to ‘redeem’ himself, or 4). a fic where seph.iroth is written as he canonically is throughout the OG and their relationship is toxic. this is somewhat reductive but this is usually the categories they’re in and in every one, aeris is typically written more so how she is in CC/AC/KH: innocent, pure, naive, the one who ‘believes’ in seph.iroth, his light, whatever.

aeris is often written as the emotionally supportive one to her partners which is honestly a too common role with many love interests in FF romances. again on its own, it’s fine but it becomes exhausting when it’s a repeated pattern, especially when the male characters are never written to be as emotionally supportive or caring back until like...a female character suffers, is hurt, or literally dies. the point of all this is that it provides a lot of context regarding how i write aeris in her interactions with yozora - some of its intentional / i’m actively aware of it when writing while some of it are things i just kind of realized while writing all of this. for instance, she doesn’t like him at first in my opinion ( and the feeling is probably mutual ) so there isn’t that instant ‘bonding’ process that cleri.th and zeri.th had over like...a span of a day. they have to actually grow to like each other while traveling together - even if it’s just as friends - so that it matters when she dies. i want their relationship to feel ‘earned’ so that when they’re finally in a place where they’re happy, they’ll actually both did the emotional work to get there rather than one side pushing the other to ‘do better’.

i don’t think we’ve ever decided ‘when’ they first officially meet (ex. the OG, remake, some other timeline, etc. ) but for the sake of this post, i’m going to say the remake. i don’t subscribe to the idea that aeris knows everything like seph.iroth does; i think she gets visions like cloud does but is able to better piece things together due to ‘what’ she is. so if her and yozora were to meet in the remake timeline, a timeline where aeris - a naturally guarded person who typically doesn’t tell people things until she has to - is even more guarded and secretive due to actively being aware of the fact that she’s going to die that that’s not going to be a great mix. canonically speaking, one of the few times OG aeris fully opens up to someone by choice is during her last conversation with cloud in his dreams. that conversation basically gets her killed ( sephiroth finds out where she’s going due to his connection with cloud ). basically, there is a real possibility that aeris would leave yozora to take care of meteor / sephiroth without a word; not even giving him that lasting memory of her like with what OG aeris did with cloud - even if she had already figured out that he had began to grow feelings for her.

as terrible for yozora as that might be: i like that.

i like female characters who are good and kind but are also allowed to make shitty decisions, be uncaring at times, etc. because that’s being human. aeris is a complicated person. she has a lot of layers that canon only touches on but will never commit to because they’re boring ( ex. her guarded nature and issues with abandonment, her friendly nature vs her loneliness, how she tends to not reciprocate the energy she gives out to people, how she was literally raised in a lab and has her abusers - that she has to play nice with - constantly stalking her, etc. ). to circle this back to the start, i guess that’s why the fighting over who aeris ‘loved’ in the end, whether it was za.ck or clo.ud, is silly to me. these men....truly don’t know her at all? how could they? she knew clo.ud for literally two weeks canonically and met za.ck when she was like...16. he didn’t even know one of the most important things about her: her own heritage. how can either one of them be the love of her life when they’ve only seen one side of her - a side that she wanted them to see at that?

it might take literal lifetimes but yozora will get to see those different sides of her as unpretty, uncomfortable, and even hurtful as those sides of her may be at times - yet he will choose to love her anyway and she’ll do the same with him. that hits:tm: different.

tl;dr: there is no tl;dr. read it all or keep scrolling.

#verumking #❀ . ━ ❛ voices of the lifestream ❪ asks ❫ .#this is probably rambling as fuck but i don't care. i've had a long day lol #also *rambly. anyway more of a discussion of my thought process when writing content related to them i guess

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subwalls · 3 years

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Tales from the SMP Presents: The Pit

Another Tales, another Kingdom Hearts comparison post! “The Other Side” is a mix between the soundtrack The Other Promise and the cinematic “Another Side, Another Story” (both of which come from Kingdom Hearts, of course), which evokes a very specific KH character that... yeah. So let’s get into it.

Karl gets stabbed by the king’s new general and finds himself back in the Inbetween. A cool new logo pops up as we enter the Inbetween, which actually is a... very typical example of a Kingdom Hearts world logo / intro card / name card? I honestly don’t know what it’s called, it doesn’t have a name, it’s just a thing that happens every time the character enters a new world.

Castle Oblivion is just one (1) example, but if you just look up “Kingdom Hearts worlds” and scroll a bit, you’ll see what I’m talking about, haha. This doesn’t really change anything, it’s just another little wink and nod to the Kingdom Hearts series.

... Except, of course, the fact that there’s a title placard for this world implies the existence of other worlds. Which we eventually find out is, in fact, true. Fun! There’s a number of associations I could make based off the aesthetic of the logo (the castle reminds me of Radiant Garden, etc) but honestly they’re not worth much without more information.

So, the Inbetween is vividly aware of Karl’s straying from “the path”. It makes a huge attempt to still be pleasant and “nice” and whatever, but we can tell quite obviously that there’s an undercurrent of threat under all those pretty quartz blocks and smiles :]

Speaking of the :] smile, the reveal of Quackity’s previous lore stream actually doesn’t push me to think that it’s directly related to him in any way. It’s not impossible that c!Quackity achieved such heights as... becoming? The Inbetween? Because he’s got reason to be invested in Karl’s powers and keeping him in line. But it’s a reach or long-term thing at best, honestly, so I’m shelving the Quackity-smile association until further evidence appears.

(I could go bonkers and say that this is the culmination of c!Quackity’s ascension after ripping Information out of Dream or even XD, but that’s well into AU territory, so it’s all just shrug emojis for now.)

Which, of course, leads to the question of who that smile actually is associated with, and I think as clear an answer as we’re going to get is... The Inbetween itself. Clearly.

There’s a lot of meaning I could take from that; is it associated with Dream or XD then? Or maybe is it tapping into Karl’s memories of c!Dream doing the :) thing and it’s appropriating that for itself? Why? To intimidate Karl into obeying it?

Mayhaps. Mayhaps!

Anyway, Karl goes up to the tree, and as he approaches, the video feed distorts as the game abruptly switches to a higher-level shader like BSL or something.

Now, I haven’t confirmed it, but the way the audio shifts makes me think it suddenly started playing backwards, too. It’s just the way it sounds; it’s got that... sucking effect that’s pretty typical of musical tracks played backwards.

Karl swims down to the hidden room, which is very dark now. There is a book that tells him to go up the ladder for a surprise.

Also, by the way, I’m back on my wither rose pot association brainrot, because I can’t help but notice that there isn’t one here. There was one in the previous Inbetween segment, but it’s gone now. Now there’s a new book with the :] smiley, which of course should set the audience on edge, since we just saw the first book use it in a... mildly threatening manner.

We know that in Dream SMP it’s a pretty common thing to use redstone as blood. Other characters have used it in bits, some more seriously than others, and I think that’s what this room is trying to emulate.

If I had to guess, I’d... hm.

A part of me wants to say that the blood is probably from the different versions of Karl wandering around. Nobody’s going to notice if a few abruptly take a swerve to bleed themselves out in a room or something, right? But that carries a lot of implications, namely that of control so perfect it borders on possession. So either the Inbetween can control Karls, or it has some other agent capable of dragging something into this chamber to bleed it all over the room.

Neither of those options are particularly nice, I’ll admit!

There’s no Kingdom Hearts associations here, by the way. Due to being so closely tied with Disney, KH is deathly allergic to portraying blood in any way lmao. Not so many messages carved into the walls.

Or painted onto the walls with blood, if that’s what that is. Color correction gets a bit odd with shaders, so I’m not saying anything for certain; the closed books don’t look enchantment-purple, for example.

What does catch my eye are the torches, which will later be the flickering lights that guide Karl to the portal. The fact that they are here makes me think that this was definitely the scene of either a battle or some other conflict between the two sides to this story (haha, get it, Another Side, Another Story, because that’s a Thing in KH—), or at least proves that an influence from The Other Side was here at some point in time.

Karl quickly gets the fuck out of there, and when he swims back to the surface the shaders/music switch back to normal.

Oh, and for all you people who like to point fingers at anything vaguely false and scream “that’s gAsLiGhTiNg!!!1!!111″ about it, here’s an actual attempt at gaslighting. Note the language used here: “Your mind seems to be playing tricks on you :]”. It’s explicitly trying to convince him not to trust his own senses and mind. It’s saying, let me think for you. And that is a very dangerous thing.

Wither rose pot exists again, yay. Definitely a Inbetween voice, this book.

More wither rose book, this time in the, uh, grand entrance hall? The lobby? Yeah.

This book basically goes on a spiel about how the Inbetween is so great for Karl (a declaration, by the way, rather than a hope) and says that he is doubting himself or being less like himself, which is odd, because what he’s really doing is doubting the Inbetween and the path it has laid out for him. In a way, by questioning the Inbetween, Karl is being truer to himself than anything else.

The malicious way this place frames its words becomes more and more obvious with each passing page; it again reminds him that it’s a place to be “feel at ease”, which is super sketch that it has to tell him outright rather than actually being that place. It continues attempting to gaslight him, telling him that his imagination is getting away from him and that he can’t trust himself or anything else but this “path”.

I’ll get back to the “path” thing in a minute, but I really want to drive home that this is the truest instance of gaslighting we’ve ever had on the Dream SMP. Nothing has ever so clearly declared that it must be trusted over the victim’s own senses, practically infantilizing the victim’s concerns and trying to make them think that their worries are just flights of fancy. Please, please keep this in mind any time you want to accuse a character of gaslighting in the future; not all psychological abuse is a form of gaslighting. Sometimes it’s just... abuse. It’s not any more or less worse than gaslighting, it’s just different.

Anyway, about the “path” that the Inbetween is so obsessed with. No idea what the fuck that’s talking about.

In Kingdom Hearts, the only paths that are really of import are is a specific character’s “road to dawn” (redemption without fully yielding his edginess, essentially) or the “paths” that characters take to traverse between different worlds. I really don’t think the Inbetween has anything to do with either of them, but I’ll leave the options there if you want to peruse the possibilities.

What’s more likely, I think, is that this is a vaguely more subtle version of control/possession. The “path” is just “whatever the Inbetween wants you to do”.

Our next book is from the other side, and is plastered nonchalantly but boldly against the wall with no flower pot or anything.

Karl picks it up, puts it in his inventory (which probably indicates that he’s keeping this particular route close to his heart, rather than whatever the Inbetween is trying to make him do), and then the video stutters and he teleports back to the main entrance.

There’s a new book. It’s spooky as fuck, and hilariously hypocritical.

The tone shift is immediate, of course, aided by the abrupt change in background music since he got teleported back here. (I can’t quite nail it down; I assume it’s a slowed KH track like the others, but it doesn’t quite ring any bells for me.) The way the Inbetween speaks through these books has changed too, though; it addresses him by name without any attempt to cover up its intentions with flowery softness.

It does a cool fun thing where it says that it knows more than Karl, and knows what’s right, and then goes on to say that those visions shouldn’t dictate his opinion on the inbetween. (I’m keeping an eye on that lowercase, by the way. Not sure if it’s a typo or intentional, since it’s still one word, but.) As though he should trust the Inbetween’s opinions of itself rather than his own brain? A’ight. Sure, Jan.

Again it tries to tell him that it’s safe here. The lying is getting more transparent now.

He puts this book back, the previous book back, and runs after a double of himself until the shaders and music glitch again.

Fun thing about shaders is that they make dark areas... much, much darker. Especially since we saw that Karl’s got night vision (the effect, for cinematic purposes) on.

The music has a few notes that again sound as though they’re being played backwards.

The book on the tree in this courtyard does not come with its own little wither rose pot, and neither does it seem to come from the Inbetween, since it’s telling him some awful things about these other versions of himself.

It confirms a few things about the mystery other selves, namely that they’re definitely condemned to walk the castle forever, but it doesn’t really tell us why this happens or why the Inbetween (probably) wants this to happen. What’s the end goal?

We’re probably a bit early in the story to figure that out, but they’re questions worth keeping in mind as this storyline progresses.

Karl gets teleported back to the main lobby, which looks very dark and spooky, though in the transition we do see a glimpse of that portal. There are torches around the wither pot book pedestal, and the audio really kicks into high gear with the creepy notes and the visuals get stretched and glitch quite a bit as he opens the book.

Funnily enough, the audio kind of reminded me of some pokemon encounter music, but I think that’s just because I’ve got those notes wired into my brain from years of playing those games. Anyway! The book tells him this is not a warning, and that they’re gonna fucking come for him to make sure he sticks with their path.

“We”.

Who is “we”? Is the Inbetween a collective? Is the Inbetween just part of a different whole? Maybe it counts all the different Karls as a part of it.

Either way, it’s creepy and threatening. Karl starts running; the screen glitches and tells him to follow the torches, which at first I was kind of leery about trusting, but the next series of words helped clear up exactly what side those words are on.

Also, you’ll notice that some other text kinda skitters across the screen before the English, like it’s getting translated. I think it’s Galactic, which is something different from the thing that Ranboo uses for Ender? I think Ranboo uses the Alien language thing or something? I’m not 100% sure on that, feel free to correct me and I’ll fix this portion.

It certainly implies that the speaker isn’t communicating in the server equivalent of “common”, however. Not sure if they’re translating into English or if Karl inherently understands it and it’s translated into English for the audience’s convenience, but either way, the other speaker might be linked to something completely different.

Karl runs on with encouragement and creepy music until he finally arrives at the portal, which is not barred off like it was last time. Thanks, whoever’s responsible for that!

The music dies for this final book.

The Inbetween’s last-ditch attempt to make him stay. It calls him silly a couple of times, and smiles at the end with a :]

Problem is, we and Karl already know that staying with the Inbetween will keep him from his friends. And the voice tells him to leave for his friends.

Karl looks around at this place that calls itself his sanctuary, and makes his decision.

He arrives at The Other Side.

The music appears to be drawn from parts of either The Other Promise or Roxas’ Theme, both of which are heavily tied to the character known as Roxas. The version that Karl uses is slower and lower, the same as with the Dearly Beloved track he uses for his Inbetween segments.

Honestly, I’m not as certain on this as I could be, because I couldn’t find the exact variation on Youtube and there are parts that could just be Emotional rather than Roxas-related, I’m not sure. I’ll probably come back and fix this if it’s untrue.

EDIT: Yeah, uh, it’s Ven’s theme, not Roxas’, but the world itself is still heavily associated with Roxas in naming themes.

For now, I’m going off the assumption that the decision to make both the name and the theme of this world relevant to Roxas is purposeful, which means I’m... going to attempt to explain who Roxas is and what his story is.

Oh boy.

To grossly oversimplify the situation, Roxas is a “part” of Sora who develops his own sense of identity, is betrayed, gets coerced into murdering his best friend, gets kidnapped, gets memory wiped, and then—when he gets his memory back and realizes he super hates his captors—is convinced by those same captors to give up his existence because he “isn’t a real person” and if he lives then Sora will never wake up. So he “dies” and becomes a part of Sora again until later.

(Sora, by the way, is asleep due to the events in Castle Oblivion, which you might recognize as That Place I Keep Associating The Inbetween With.)

He’s also a fan favorite lmao. Take from that as you will, and, I don’t know, flip through his wiki page or something. Can’t guarantee it’s all understandable though.

My point to bringing Roxas up is that his arc... kind of parallels Karl’s. He did his job working for superiors he didn’t really understand in a white castle, with the higher-ups trying to control him, until he realized he was losing his friend/s to them. At that point, he defects. I think this is the point that Karl has reached, in his own storyline. He’s pulled away from the thing that’s made itself known to him, and now he’s wandering down something that hopefully isn’t as awful as the beast he’s just left behind.

Roxas also doesn’t get his happy ending for a long, long time.

Let’s hope Karl is different.

Off the top of my head, I can tell you that the mood this world creates is very reminiscent of some areas that the Kingdom Hearts games explore in 0.2 (yes, zero point two, that is the number of that game. This fucking series, man), specifically Castle Town, in which the player character has to smack a bunch of clock gears to make time go backwards in order to proceed, which is fun. But no exact inspirations come to mind the same way that Castle Oblivion did for the Inbetween.

Until we get a better look at the interiors, I’m going to gently claim that this build is more original and doesn’t take inspiration quite as directly from a Kingdom Hearts source, so there might not be an exact parallel. There isn’t a black castle in Kingdom Hearts that I can think of, honestly.

Also, I will say that I’m going to take this episode as confirmation that the wither roses are associated with the Inbetween and appear next to books that come from / are related to the Inbetween, especially since The Other Side associates itself with a completely different flower: the white tulip.

Anyway, The Other Side tells him he’s home, and that they’ll explore more soon.

This... eerily parallels the Inbetween, which told him that he’s safe, and has lots to explore.

I can’t say that I immediately trust The Other Side, but neither can I say that I inherently distrusted it the same way I did with the Inbetween. We’re going to have to wait and see how this place behaves in future episodes to get a good grasp of it. Who built these places? Are they alive, and writing the books, or is there a mastermind behind them? We still don’t have a lot of the answers, but that’s okay.

For now, I’m content to know that Karl is away from the more obvious perils of the Inbetween.

It could still be a trap, but for now, it’s a refuge.

#dream smp #tales from the smp #tftsmp #im exciteeddddd #general thoughts

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plotdesigner · 4 years

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Hey Gene :) Come from my Inkstone 1: What inspired you to write the fic this way?2: What scene did you first put down? and for DMP... 3: What’s your favorite line of narration? 9: Were there any alternate versions of this fic?10: Why did you choose this pairing for this particular story?

Come From My Inkstone:

1: What inspired you to write the fic this way?

So, the original fic that inspired Inkstone is The Yiling Patriarch’s Harem Drama by robinthelabyrinth, which is a wacky comedy where NHS writes porn to fundraise for the Burial Mounds, and shenanigans ensue as the gang reacts to fan response. After I got the go ahead to write an adaption of it, the original plan was to alternate between fluffy shenanigans with matchmaking and excerpts from Nie Huiasang’s stories, all heavily flavored by the opinions and political agendas of the Burial Mounds crew. (Jiang Cheng stars in a propaganda style war story as an overture of peace and WWX bragging about his brother, Jin Zixuan gets a story about how he’s much cooler than his dad so please help us, highly romanticized flirtering between NHS, WN, LWJ and WWX, etc) it’d end with political (but also romantic) marriages for everyone and a tentative peace, happy ending, etc.

Unfortunately I have this condition where everything I write turns into a political drama or food porn, and the Burial Mounds don’t have any food, so. Things got more serious than I intended, and trying to track down all the political ramifications for things - and also the amount of fun I was having with the goofy bits - means that the fic’s outline has expanded a lot xD Also I have all these Nie brothers feelings and they ended up bursting out here

2: What scene did you first put down?

NHS and NMJ’s argument over NHS’s drinking and NHS’s subsequent snit, the first scene of the fic! I tend to write in chronological order, and I didn’t have a super strong idea of what to write, but -

Ok, tangent. When fanwriters talk about muses, there’s usually jokes about the characters kicking the door down and yelling in someone’s head, right? But in general, (or maybe just for me?), it’s more of an intuitive feeling about what a character would do or say. It’s a metaphorical yelling.

So I sat down, not exactly sure of what to write, and was suddenly possessed with the notion that I had to start with the Nies having an argument because there would be no NHS fic without an NMJ to go with him!

Dead Men’s Party:

3: What’s your favorite line of narration?

this is hard, DMP is a very long story xD But “Lexaus had hair the color of a brick and shaped like many little bricks” is a line I’m fond of, in part because one of my friends keeps on riffing off it with me!

9: Were there any alternate versions of this fic?

The first several years of writing DMP were with the intention that it would be mostly canon compliant, and would involve a finale where Luxord and Facilier turn into a Nobody and Heartless boss duo due to the endings of KH2 and PatF respectively, and Kairi and Tiana would have to use the power of friendship and also Kairi’s big keyblade to help them return to normal and and chill out.

KH3...radically changed the direction of the fic and the canon compliance of it. [shoves the Luxord is a KHUX implications in a corner. none of this goodbye] Things haven’t diverged yet but we’ll be going canon divergent by the end of Days!

10: Why did you choose this pairing for this particular story?

So! When Princess and the Frog came out in like...2009, I went, I saw, I really enjoyed it, but didn’t think too hard on it - until a couple months later, messing around on a disney kink meme and finding a prompt that was approximately

“Facilier has some legitimate grievances and has gone through some shit - can someone get this man a happier ending and a boyfriend?”

and like, yes. yes he should, actually. but who would be a sufficient boyfriend? they’d need similar interests, of course, gambling and divination, probably another antagonist (but a lovable one), someone from a disney franchise - hey, weren’t those shadow monsters in the movie like the Shadow heartless in kingdom hearts? isn’t there KH villain who fits the bill?

Which is to say that Luxord is Facilier’s manic pixie dream boyfriend!

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candra-hearts · 4 years

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Heart of a Queen

This has been a wip on my computer for over two years, and I never really had any intention of finishing it, but @starry-serenade asked me to post it, so here it is!

also lowkey tagging @starswirlblitz and @jessucakes bc you might like it?

This story I think lies between KH2 and Dream Drop Distance, with the change that Kairi is present and has been helping Queen Minnie and the rest. It’s been a while since I’ve dived deep into KH lore, so please forgive any inconsistencies or incorrect applications of KH magic!

* * * * * * * * *

When Sora and Kairi find a mysterious Heartless, they take a chance and bring it back to Disney Castle. Fortunately for them, one lucky rabbit is able to aid them in their quest to find out who it could be…

* * * * * * * * *

“What is that, how did it get in here, and why do you have it?” Donald asked harshly.

Kairi raised her eyebrow at the royal magician. “It’s a Heartless, and Sora and I brought it back for King Mickey to take a look at it.” She protectively laid a hand on the head of the small black creature that crouched at her side.

“Wak? Why?” Donald looked up at Goofy. “How did you even get it here? The castle’s magic should keep out all Heartless!”

“It should. I guess it doesn’t work all the time,” Sora said, shrugging.

“Ah-hyuck. Why would ya bring a Heartless here? What does His Majesty need to see about it?” Goofy asked, scratching the back of his head.

“It looks different than the others we’ve fought,” Sora said. He pointed to the top of the Heartless’s head. “It has pointy ear-things, and its eyes are green.” Which they were, and from all the time he spent helping his friends cleanse the darkness from their worlds, all the time he spent whacking Heartless back into dissipating shadows, he was pretty sure they weren’t normally that color.

“I can feel that it’s special. I don’t think it’s a normal Heartless,” Kairi added.

“But if it’s not a Heartless, then what is it?” Donald asked. “This makes no sense. I’m telling the King.” He darted out of the room.

“Okay. That’s fine!” Sora called after him. “Tell him to come out and see!”

“Sora, I hope your hunch is right,” Kairi murmured to him.

“You said you can feel it’s different than a normal Heartless, right? I trust you, and I think you could be right,” Sora said, putting a hand on her shoulder. “Don’t worry. King Mickey’ll see what we’re talking about.”

Goofy bent down to look at the Heartless, which, frightened, hid behind Kairi’s leg. “Gawrsh. It’s kind of a cute little feller, ain’t it?”

Donald and Mickey arrived in that moment. “What’s all this about a Heartless in my castle?” Mickey asked, raising an eyebrow. He summoned his Keyblade in a flash of golden light.

The Heartless hid behind Kairi, and Sora put himself protectively between her and the King. “Your Majesty, this Heartless isn’t here to hurt anyone. We brought it here.”

“You brought a Heartless? Here?” Mickey put his Keyblade away and looked up at the boy in confusion. “Why?”

“It’s okay, sweetheart, King Mickey isn’t going to hurt you,” Kairi crooned gently, persuading the small shadowy creature to come out from behind her. It looked over at Mickey, still holding onto Kairi’s leg with tiny hands. “I just… I just have a feeling, in my heart, that this Heartless is special. It’s different… it looks a little different, its presence feels a little different…” The girl shook her head. “I don’t know why exactly…”

“Well, remember when I took my own heart?” Sora said, tilting his head. “I got split into a Heartless, and Roxas, my Nobody.” Goofy nodded, remembering. “I got turned into a Heartless, but Kairi…” he blushed, “…turned me back to my normal self.”

Goofy snapped his fingers. “So ya think this might be the Heartless of somebody we know?”

“We… we think it might be,” Kairi said. “Maybe that’s why the castle’s magic… isn’t really affecting it.”

“Hmmm.” Mickey pondered this. “Well, it makes sense. All right. We’ll keep it until we can figure out how to turn it back into whoever it is. But it needs to be watched at all times; we can’t leave it unattended.”

“Thank you, Your Majesty,” Kairi said with plain relief, bowing her head to the mouse king.

“Aw, Kairi, we went over this,” Mickey chuckled. “Just King Mickey is enough.”

“Right. King Mickey.”

* * * * * * * * *

“BLAAAAAHHHHHAAAAHHHHRRRRGGHHAAAAAAAHHHH! OW! OW! OW!”

Oswald spun wildly out of the portal and bounced directly onto Disney Castle’s back lawn. He spit perfectly manicured blades of grass out of his mouth and rubbed his head, sitting up and groaning as his Keyblade Armor disappeared and the portal closed. “I hate between-world travel…”

He’d been a Keyblade Master longer than he cared to admit, but traveling through the Corridors was not one of his specialties. After a couple more minutes his vision stopped spinning and he was able to make out an enormous blue and white marble building towering over him. “Well, at least I’m in the right place.” He stood up and made his way toward the Gummi Ship Hanger, searching for the one mouse who could hopefully help him out.

* * * * * * * * *

Minnie looked around her. She, Riku, Kairi and Donald had spent much of the afternoon in the library doing research on the Cornerstone of Light and Disney Castle, among many, many other things. “Oh, now where were we?”

“The History of Disney Castle, Volume X,” Riku said, cracking a grin.

“The Keyblade War, Volume II,” Kairi added.

“That’s right. Oh, and where is the King? I asked him to meet us hours ago…”

“I’ll go find him, Your Majesty,” Donald offered, and before she could say yes or no he was already out the door and down the hall.

Minnie sighed and replaced a book on the shelf.

Less than ten minutes later, a familiar voice spoke up from the doorway. “Don’t worry, Your Highness, I’m here for ya!”

The Queen giggled. “Oh, Mickey.” She put her hands on her hips. “But you’re still late, what kept you?”

Mickey grinned and stepped into the library, followed by two other figures: Sora and Oswald.

Riku raised an eyebrow. The rabbit who had followed the King in the door was about his height, though his tall black ears added a good foot to his stature. He looked remarkably like the King, but his face was white instead of peach. He wore a similar outfit as well, simple clothes for traveling, he supposed, but it was blue, silver, and black instead of red, gold, and black. Unlike the King, he wore no gloves and no shoes, choosing to walk barefoot.

“Oh, King Oswald!” Minnie curtsied.

Sora and Riku bowed and Kairi curtsied as well.

The corner of Oswald’s mouth turned up in the ghost of what once might have been called a smile, but it vanished almost as soon as it appeared. He waved his hand for the teens to stand and turned his attention back toward Mickey. “Mick, I hate to admit it, but I need your help.”

“’Course, Oswald! Brothers gotta stick together, ya know.”

“Brothers?” Sora whispered to Riku.

“Half-brothers, actually,” Riku replied, remembering a long-ago conversation with the King in which he’d told him about Oswald, about the rabbit king who was his half-brother, who ruled a land much different than his.

“Yeah, but don’t forget, I’m older than you, mouse,” Oswald grumbled, shoving one of his hands in his pockets.

Mickey put his hands on his hips. “What’s the trouble, Os? I haven’t heard from ya in… well… time’s different in each world, but it’s probably been a while.”

“Well, my world was taken by the darkness and—”

Five different gasps punctuated the room. Sora, Riku, and Kairi looked at each other. Minnie looked at Mickey who looked horrified at Oswald. “Wasteland’s gone?” the Queen gulped at last.

Oswald winced but nodded affirmatively. “Yeah. I… I don’t know what even happened. I was out walking on Mean Street when a tidal wave of darkness surged down an alley toward me. I got out my Keyblade and put up a Refleza, but even that didn’t do much of anything; I blacked out and found myself in Traverse Town.”

There was silence in the room for the span of a few heartbeats. “Did… did anyone else make it out?” King Mickey asked with a soft gulp.

Oswald sighed, a deep sigh that seemed to travel all the way from his large black feet up and out of his mouth. “I haven’t seen Ortensia. I don’t know where she is. I looked all over Traverse Town, even asked around, but nobody’d seen her. My sweetie pie, my kitty…” He sighed and reached up to tug on one of his ears in an aggravated motion. “Not to mention my 420 Bunny Children, who knows where they all are… and Gus and all the other Gremlins, I didn’t see anybody and it’s just…”

Kitty? Something clicked in Kairi’s memory. “Oh! Your Majesty?”

Minnie, Mickey, and Oswald all looked at her. “Yes?” they asked with one voice.

“I’m sorry, I mean King Oswald,” the girl amended, twisting her hands in the fabric of her skirt.

The rabbit in question looked up at her. “Yeah?”

“Your wife… you said she’s a cat?”

Oswald smiled dreamily. “The most beautiful cat to ever live.”

Kairi glanced meaningfully at Sora, but he hadn’t seemed to put the pieces together. “Can you excuse us for a second? We need to go check on something.” Minnie nodded but returned her attention quickly to Oswald’s worries.

Kairi took Sora’s hand and dragged him bodily out of the library. “Kairi, what are you doing?” he queried as she continued to yank his arm out of his socket. When had she gotten this strong?

“That Heartless we found, it has pointy ears like a cat, right? I think… I think it might be Ortensia’s Heartless,” she explained.

“Oh. Oh, okay. That makes total sense,” Sora said, nodding like he’d known it all along. “Where did you leave it?”

“I left it in the garden, told Pluto to watch it… oh no.” The pair halted by the railing overlooking the back lawn. The Heartless was there, all right, but so was Donald, and out of the corner of his eye, Sora caught a glimpse of Pluto trapped in a cage made of great icicles. Angry barks echoed between the topiaries as the gold mutt tried to break loose.

Kairi inhaled a sharp breath and felt Sora’s hand cover hers in a comforting grip.

“You’re dangerous…” they could hear him muttering to himself. “You’re dangerous, I don’t care what the King says, I’m gonna take care of you once and for all…”

With a flash of white and silver Kairi was alone on the balcony. Sora had vaulted over the railing with smooth precision borne of much practice and flung his Keyblade at Donald… not to strike him, only to distract him. The Keyblade embedded itself in the lawn up to the teeth a foot from Donald’s beak.

“Wak! Who’s there?” he quacked angrily.

“Donald, don’t!” Sora shouted as he ran to retrieve his Keyblade. “It’s Ortensia!”

“Ortensia?!?” Donald repeated, his brows flying down into a confused line.

“Kai, go find the Heartless!” the boy shouted back up to the balcony.

Kairi nodded and vaulted over the railing herself, scanning the area for the little black creature.

“What makes you think that thing is Queen Ortensia?” Donald complained, folding his arms, his staff stuck under his arm.

“King Oswald’s here, he lost her, and we think this Heartless… might be her,” Sora explained as he summoned his best Fira’s to melt Pluto’s prison.

“She can’t be a Heartless, that’s ridiculous…” the royal magician said, waving his hand dismissively.

Sora put his hand on his hip, still focusing the tip of his Keyblade on the icicles. “Uh huh. And when I got turned into a Heartless, who hit me on the head a bunch of times? I still remember that!”

“Wak! Oh, all right, maybe it could be possible…” Donald relented grumpily.

The Heartless had hid in a bush at the rear of the garden, and Kairi was on its tail. She knelt down and parted the leaves carefully. The Heartless scooted further back until it was touching the marble wall. “It’s okay, it’s okay, it’s me, Kairi, remember me?” Kairi said soothingly. “Are you okay, Ortensia?”

The Heartless seemed to perk up, turning its head toward the girl.

“That’s your name, isn’t it?” The Heartless began to crawl toward the front of the bush and Kairi moved out of the way. “King Oswald’s here. He misses you a lot. Do you want to go see him?”

The black creature parted the leaves, stepping out into the afternoon sun, and gave a very slight head motion that might have been a nod. “Good,” Kairi said, relieved. “He’s up in the castle.”

The Heartless took her offered hand and together they made their way back up toward where Sora had finally freed Pluto.

The second he was out, Pluto darted over to Donald and began barking at him angrily.

Donald fended him off with his staff. “Pluto, cut it out!”

“Ruff ruff gurrr rufff ruff ruff!”

“Okay, okay, I’m sorry for freezing you.”

“Gurrrrruff ruff rrrr ruff grrr…”

“Oh, fine! And I’m sorry for trying to hurt the Heartless!”

Pluto stopped barking and snorted, nodding his head sharply.

“You’re such a good dog…” Kairi said, rubbing the mutt’s head affectionately.

Sora dismissed his Keyblade. “Kairi, you found it?”

“Right here. Let’s go find King Oswald.”

* * * * * * * * *

Fortunately, he hadn’t left the library, as he was still in the midst of a heated discussion with Mickey. “…flung to all the worlds! It’s too reckless, and besides, it’s against the rules. Master Yen Sid wouldn’t be happy.”

Sora elbowed the door open and held it for his girlfriend and her charge. “We’re back, Your Majesties.”

“King Oswald?” Kairi ventured.

“Yes?” He glanced over at her, his arms folded and one foot tapping a frustrated rhythm on the tiled floor.

“We have someone we would like you to see.” Kairi gently ushered the Heartless in front of her, where it stood stock still, seeming to be frightened.

Oswald felt his heart give a soft flip. Only one person ever made that happen. “…Ortensia?” The Heartless looked up at him and tilted its head curiously. Oswald slowly approached it, feeling his heart grow warmer even in its presence. “It is you… isn’t it… Ortensia….” He took its hands, and in an instant had it in a warm embrace. “My Ortensia…”

There was a poof and a flash of light and the Heartless vanished. In its place stood a female cat Oswald’s height, wearing a lacy pink gown and gold gloves. A tiny gold tiara with a white-gold flower in the center was nestled between her pointed ears.

“Oh, honey bunny!”

They separated for only a second before Ortensia began to kiss him all over his face. Grinning he picked her up and twirled her around. She shrieked with laughter. “You’re all right after all! Oh, I’m so glad!” Oswald cried, his heart thrumming with joy and relief.

Mickey sighed and put his hand in his pocket. “Well, that answers that question.”

Donald tapped his foot, grumbling. “…can’t believe it worked…”

Kairi curtsied again. “Queen Ortensia, I presume.”

Oswald stopped spinning and put his wife down. She hopped a little, her black and gold heels tapping on the tiled floor. “Oh, yes. That’s right. Oh, it’s so nice to be me again! Thank you for being so kind to me!”

“Glad to help, Your Majesty!” Sora said, grinning excitedly.

“I… I don’t know what happened…” Ortensia sighed, touching her cheek softly. “I was doing the flower arrangements for the party and all of a sudden everything was shadowy and cold and there were tendrils of darkness everywhere. I tried Pearl and Holy and neither made the darkness retreat for long. I shouted and shouted for you, Oswald, hoping you would hear even though I knew you were out about town today…” She sighed again. “I guess I must have blacked out because I don’t remember much of anything after that.”

“Well, you’re here now, hon, and you’re okay, and that’s what matters,” Oswald said, taking her hand and weaving his fingers between hers, still plainly relieved. “And somehow we’ll figure out how to save our world.”

Mickey shook his head. “It seems like every time we take two steps forward with that, we get pushed three steps back. I thought all the worlds had returned, but if there are some that are still disappearing, then I feel like we’re just… at a standstill.”

Minnie took his hand. “We’re all working very hard to figure out what to do,” she said softly. “And as long as we’re together, as long as our hearts are together, the Light will guide us.”

Mickey pecked her on the temple. “You’re right, Min. We’re gonna figure it out together.”

* * * * * * * * *

BONUS:

“Oswald, where are the kids?”

“Missing? They probably got flung to all the worlds of light just like those puppies did a couple of years ago…”

“All 420?”

“Yes, honey, all 420.”

“What are we going to do?”

Oswald tilted his face up toward the ceiling, a frustrated groan escaping through his teeth before addressing the room at large. “Who wants to go on a quest?”

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