#this is not a problem for me but it is for many people and like. talking about how incest is bad while not protecting the people hurt by it

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[ms-demeanor]

You posted about adhd and I was hoping to follow up to clarify something. I’ve explained to my partner a million times about how the borderline-hoarding mess of his space is very mentally draining to me, and he understands but we’ve both essentially accepted he won’t clean his mess because he can’t because of his adhd. You’re saying he’s actually being a shit head?

This isn't necessarily an issue of him being a shithead, but it also isn't a sustainable situation. It's not good for you and there's a level of clutter that's probably not good for him either.

Large bastard is a lot more clutter-y than I am. The solution we've come to is trying to keep our messes at least isolated from one another; he can have his messes and I can have mine, but he can have those messes in his spaces, not all over the place. Sometimes those messes migrate, and that's when it's important for him to make the effort to rein them in rather than trying and failing to make a daily effort to keep our entire shared space tidy.

I think when you say "we've both essentially accepted he won't clean his mess" what I'm hearing is resignation; you're not happy about this but you don't know what to do so you've thrown up your hands and he feels helpless and unsure of what to do to improve the situation. This is the kind of "it's fine" that isn't really fine.

I think it would be worthwhile for you to each separately think about the mess and talk about it together. Are there areas that YOU *need* to have not-messy? Both for utility and your mental health? Are there areas where you can tolerate more mess than otherwise? Are there areas that are going to be harder for him to keep the mess out of than others? Are there things he doesn't *know* about cleaning up the mess?

I'm obviously a big "communication communication communication" person so I'm going to recommend a lot of talking about stuff, which is probably going to mean a lot of thinking about and interrogating stuff. I'm going to say "talk to him about why the mess bothers you" which means you also have to really articulate to yourself why the mess bothers you (for instance I'm not actually *bothered* by a messy kitchen, but I know it's going to reflect badly on us - and me specifically b/c of presumed gender roles - if someone pops by and the kitchen is a disaster, AND a messy kitchen is going to be harder to use). Genuinely, sometimes knowing *why* something is a problem might make it easier for someone with ADHD to do something. And it's not that he doesn't care that it upsets you, it's just that "Oh if I don't wash my breakfast dishes Anon won't have clear counterspace to make lunch" might be stickier in his brain (and less hard to look at emotionally) than "this thing I forget to do upsets my partner so I should do it."

For the record, I think that people with ADHD should read up on Demand Avoidance and see if it might explain some of the issues that they have in their day-to-day life; I've seen some really unfortunate situations with friends where trying to do things that their partner needed became the subject of demand avoidance. *I* have experienced negative outcomes of demand avoidance. The solution to that, however, isn't to stop making attempts to do the thing OR to simply try harder to do as they're asked/told (which reinforces the demand), it's to work on setting up a situation where the partners' needs are not interpreted as a demand. This is fuck-off difficult and requires a lot of patience and care and many attempts to succeed and will be different for each person and relationship.

(Also for the record demand avoidance isn't *super* strongly linked to ADHD and it's not a definitive symptom; like Rejection Sensitive Dysphoria, it is something that occurs in some number of people with ADHD and can be a useful lens through which to examine various behaviors; you don't need to have DA or RSD to have ADHD, and having DA or RSD also doesn't invalidate your diagnosis; they're symptoms. For me, DA often feels like "if I don't look at it, it can't get me" - If I ignore all the messages I've got they aren't real and don't have real consequences so I'll just ignore my texts. If I don't look at the vendor email about the order, the problem with the order isn't real and it won't get added to my task list. If I don't look at the requests in my inbox I can't let people down when I don't do them. It's a self-protective coping mechanism but it's *maladaptive* and I can't just ignore the vendor email or all my texts. I need to work on a way of doing the stuff that I'm avoiding in a way that makes it less stressful and doesn't hurt the people relying on me. That takes a lot of effort, personal insight, trial and error, and )

But before I dive into specifics I want to be really really clear about one thing: sometimes people are simply incompatible. Sometimes one person has such a low tolerance for "mess" and the other person has such a high threshold for "mess" that it can't be reconciled. It sucks that this can end up being a thing that people break up over, but it is MUCH better to acknowledge incompatibility as early as possible instead of spending years and years building resentment.

There used to be a great forum called MiL's Anonymous that I spent a lot of time on. It had a lot of people in a lot of difficult situations struggling to get by and hold their relationships together. The question that was used as a litmus test to approach each situation was simple: If you knew today that everything about living with this person would be the same in five years, would you stay?

Because you can't control your partner. You can't control the future. You can only control yourself and your proximity to situations that are harmful to you. If you knew, 100%, that things wouldn't get better in five years, would you be okay with staying in this relationship? If the answer is "no," then that's that. Don't worry about questions of whether or not your boyfriend is a shithead, start the process of ending the relationship because there's a good chance the situation is going to be exactly the same in five years.

If the answer is "yes," and you'd stay in the relationship regardless of whether or not things changed, then it's time to take actions to improve your life within the context of the relationship.

(No judgement on that yes or no, btw. If you would hate living like this for another five years, and you would feel like you'd wasted your time and hadn't done the things you wanted to with your life, get out. Bail. Go. It will be better for you and better for your partner if you split instead of spending half a decade building resentments and and problems that you'll have to spend another half a decade healing from.)

Also, a note: you describe your boyfriend's mess as borderline hoarding - is the issue *mess* or is the issue *clutter*? I have friends who are very tidy, but whose homes are very cluttered. They like things, they have many things, they keep many things around, but their houses are always clean and well-dusted and orderly, just with a tremendous amount of *stuff.* I am addressing all of this as though the issue is mess, not clutter. If your boyfriend's situation is clutter (the space is busy and packed with things but it is functional and clean) and your issue isn't with *mess* (things out of place, things not having a place, things that need to be cleaned up gathering in stacks, falling behind on regular chores like laundry and dishes and taking out the trash) then you definitely need to assess whether or not you are compatible.

For instance here's a room that is messy but not cluttered compared to a room that is cluttered but not messy:

That first room is a *mess* but it would be very easy to clean up in under an hour. The second room is fairly tidy, but would take significant effort to pare down and declutter. BOTH of these can be difficult to live with but the second one is not dangerous or threatening to anyone's health. (The second one is QUITE cluttered and if every room in a house looks like this it can be overwhelming to live with; this is actually harder to deal with in a relationship than the first one in a lot of ways. I don't have a lot of advice for what to do if your partner is a high degree of tidy-but-cluttered because I don't actually think it's a problem or wrong to have thousands of books or bins full of lego or a million kitchen appliances as long as you have the space and can keep it safe and well-maintained; this is a really significant compatibility issue)

Okay, all that out of the way, here's the hard work.

Talk about this shit

Talk to your partner and define "mess." Make sure you are on the same page about what you mean when you're talking about what a messy room looks like versus what a tidy room looks like. Gather reference pictures. DRAW reference pictures.

Explain not just that the mess upsets you, but *why* and *how* it upsets you. In this context don't think of it as your boyfriend's mess, think of it as an unpleasant roommate. Discuss this using "I-statements". "When I have to pick up laundry all over the apartment, I feel like a parent more than a partner." "When there are piles of miniatures all over the table, I feel like I don't have anywhere to do things I'm interested in." "When there are dishes in the sink, I feel frustrated because I have to clean before I can feed myself."

Discuss, frankly and openly, whether he knows how to clean. I'm not trying to make excuses for him here but a lot of people with ADHD have a lot of stress and avoidance around cleaning because they spent a lot of time getting yelled at for not knowing how to clean properly.

Discuss your needs, be firm about what you require but willing to compromise. You *need* some spaces to be clean, and some spaces may be harder for him to keep clean than others. It may be MUCH harder for him to keep a bedroom tidy than it is to keep a kitchen tidy; if you need a clean and empty bedroom with everything put away and he simply cannot do that, that is a compatibility issue. But perhaps you need *your* side of the bedroom to be very orderly and can tolerate a moderate level of mess and clutter on his side. Maybe you're really really bothered by a messy kitchen, but it doesn't bug you if the dining table is covered with projects and papers. Figure out something more workable than "his mess goes everywhere and i live with it because he's incapable of cleaning" because he probably is not incapable of cleaning and you deserve to have places in your home that are comfortable for you.

Reduce friction for cleaning

Sometimes the problem isn't cleaning, the problem is the many many steps before cleaning, or not knowing where something should go when you are done cleaning. One of the absolute best things I've done for myself for cleaning my space is getting a broom holder and mounting the broom to the wall. Sweeping is now essentially thoughtless. I don't have to find the broom or pull it out from a pile of fans or go scrounging around for a dustpan it's right there on the wall, frictionless. So here are some ways to reduce the barriers to cleaning:

Make sure you and your partner both know how to use your cleaning supplies and know where those supplies are. When I switched dishwasher soap I had to re-show Large Bastard where I was storing it and how it was used, because to him what happened was the dishwasher tabs just vanished one day and he didn't know what I was putting in the machine or the process I used. He sometimes puts tools away in places that I can't see (he's more than a foot taller than me) so sometimes I can't get started on a maintenance project until he shows me where he put the battery pack for the drill.

Consider making a how-to chart to or having him make a how-to chart to keep someplace accessible so he can reference it while cleaning. Goblin.Tools Magic ToDo is great for this. Basically a lot of the time people with ADHD have trouble knowing what to do from step to step even if they've done something before, so having a step by step guide can make it easier (I have notebooks full of step-by-step guides for everything from paying for my tuition to removing licenses for my customers to weeding my yard)

Remove obstacles; don't keep cleaning chemicals in the garage in a box that's behind a stack of parts, keep them in the room you'll be cleaning. Don't keep the cleaning supplies that you use to clean the bathroom in the kitchen. Sometimes this means buying two bottles of bleach solution and two scrubbers and two sets of cleaning gloves but having fewer steps (fetch the windex, fetch the paper towels, fetch the gloves) is often the key to getting things done (open under-sink cabinet and grab windex, gloves, and paper towels that are there instead of in the kitchen).

This sort of overlaps with the next category, which is:

Create Dump Zones

One thing that I've found that seems very different between people with ADHD cleaning and neurotypical people cleaning is that neurotypical people are good at getting to a point where the cleaning is "done." They have checked off their tasks and they have finished and it is over. There are *SOME* chores that are like this (taking out the trash is a binary state, the trash has been taken out or it has not) and some chores are perpetual (horrid cursed dishes) but I think with people with ADHD, some chores that are binary for neurotypicals are actually perpetual chores. For instance "clean off the counter" is not a one and done for me. "Clean off the counter" may involve a three day reorganization project. "Clean off the counter" does not mean "wipe down the tile and put dishes away" it means assessing whether or not I need to make vegetable stock and bleaching three tea containers and reconsidering whether or not the sharps container should live somewhere else and going through the mail and figuring out what needs to be responded to and taking out the recycling and on and on and on.

We have had company at the house for the last two weeks, so I asked large bastard to clean off the dining room table, which is largely a project zone for him. Cleaning off the dining room table meant putting away his meds (and since he's a transplant patient that involves a 30 gallon rubbermade tote), throwing away some trash, and totally reorganizing his workshop. It also incidentally involved picking up a table from facebook marketplace and moving my plants, which has now involved moving my former plant rack outside (moving buckets, finding and organizing planters and gardening tools) and taking the former table to the thrift store (not done yet) and cleaning the rug that was under the former table. So "either the table is clean, or it isn't" isn't really true for us.

HOWEVER "hang on we can't eat until the table is clear so let's drive to Pico Rivera to get that console table right now" isn't a workable plan, so you create dumpzones as areas of holding between the start and the finish of the chore.

A dump zone can be a laundry basket. It can be a craft bin. It can be a back room or under your bed. It is a place to put things that you are going to deal with later because if you deal with them now it is going to derail the thing you are actually trying to do, which is set the table for dinner.

Dump zones are vital to cleaning with ADHD and I recommend them for day-to-day cleaning as well. The day-to-day dump zones might be more for you than for your boyfriend. For instance, Large Bastard works with bullets and he sheds bullets all over the house. I used to get stressed when I found bullets when I was cleaning because are these work bullets? Are these recreational bullets? Are they in testing? Do they need to be pulled? Do they go in the workshop or the office or the garage or does he need these today so they have to stay on the counter? And the answer now is "that's not my problem naughty bullets go in the jar." Which is perfectly sensible because he gets to say "mystery yarn goes in the bin" and "art supplies go in the bucket."

I feel helpless when cleaning a lot of the time. I'm frustrated and lost and I don't know where stuff goes and everything I pick up spins off into three projects in my head and every step feels like a wall to scale. Dump zones help me with that when there's pressure or a reason for cleaning beyond day to day home maintenance. People are coming over? The bedroom is a dump zone, I'll deal with that later. I'm just cleaning up because I need to? Okay I can find a permanent home for this new dish soap.

AS A VERY IMPORTANT COROLLARY TO THIS:

Active projects do not go in dump zones while you or your partner are cleaning. This may mean designating a project sanctuary area like a corner of the table or one particular chair in your main room where a project can be placed so as not to be disturbed. (if my current crochet project ends up in the yarn bin, that may mean that I don't pick the project up for another three months, it lives on the windowsill behind the couch because that's where it'll get worked on)

Do not put things away for your partner, put them in the dump zone for your partner. Your partner has to be the one to put their own stuff away in a way that works for them. I tend to find that this naturally puts a limit on the time stuff sits in the dump zone, because eventually you'll go "hey where's my thing?" and will put stuff away. If that doesn't happen, it's still generally better to have stuff in a dump zone than all over the home.

Do not decide you know what things go together from your partner's stuff and try to "put like things together." The neurotypical urge to put like things together is the mindkiller(j/k). You do not know which things are "similar" in your partner's organization schema and attempting to organize things on your own is going to end up with all of the things "organized" being functionally lost forever from your partner's perspective. Large Bastard's mom would do this and it was infuriating, she'd say "oh I put all the electronics stuff in one box" and she would mean soldering irons, transistors, ham radios, HDMI cables, and cellphone chargers. We are *still* going through boxes of stuff that she "tidied up" when he was hospitalized in 2020 and 2021.

To prevent the need for quite so many dump zones over time, you can work on setting up landing zones and "homes" for projects and tools.

Landing Zones

Landing zones are places where things go when you come inside from doing various things. Sometimes your landing zone only needs to be a tray for your wallet and keys, sometimes your landing zone needs to be a place to take off muddy boots and put a trowel and gloves down before you shower.

To make an effective landing zone, consider what behaviors you're trying to minimize and whether the people using it are ACTUALLY going to use it. For instance I was tired of the corner of my hearth getting cluttered with random junk so I hung up some hooks and put a shelf and a basket there and it became a really effective landing zone for my bag and keys and the mail, but it was VERY ineffective for Large Bastard because it's by a door that isn't the primary door he uses to enter the house. As a result I always know where my keys and bag are but he has trouble finding his keys and wallet. He tends to enter the house through our bedroom and has an overloaded valet next to the door and that's usually where his wallet ends up. Mounting a shelf to the wall above the valet and putting a basket and a hook on it will be a better place for his stuff to land. It's not that he's not using the first zone because he doesn't know that it's there, or because he doesn't care about lost time when I'm searching for my car keys after he borrows them, he's not using it because it's not by the door he uses. That's all.

I have a landing space for when I come in for gardening that's different than the one when I come in from grocery shopping. I have a landing space for when I walk into the dining room instead of the kitchen when I get home.

Landing spaces prevent stuff from piling up all over the place because they are a limited functional space that should be used frequently. Mail ONLY goes in the landing zone. If you have mystery mail or if you're not sure it's safe to toss, you put it in the landing zone. You can't let the mail get piled up too high or you won't have a space for your keys. You can't let the change in your wallet tray get too deep or your wallet is going to slide off, etc., but you also don't just put change on the coffee table or your nightstand because the landing zone is right there.

Homes for items are just what they sound like. They're the place the item goes. It lives there. My meds live on my nightstand. You would not believe how poorly I did with taking my meds on my vacation because they weren't on my nightstand. A while back large bastard lost one of his sets of sorted meds and we tore the house up looking for them because he couldn't find them in his nightstand, which is where they live. *I* found them in his nightstand because I emptied out the entire top drawer (he had only looked on the top layer) and found them underneath a radio and a hammock. Even though they were *hidden* they were in their home, so they were findable. I recently needed ink for an art class. Art supplies live in a dresser by my desk. Ink lives in the art bin or the top left drawer. The ink was not in either of these places (it was on a cabinet in the dining room behind a teacup) so it took me weeks to find it.

Sometimes the reason that ADHD spaces are so messy is because objects have been assigned homes in places that are visible and if they get moved they get lost. This is a genuinely difficult problem that requires a lot of effort to solve and can involve a lot of trial and error for creating a tidy living space. For some people, open shelving and visible storage might be a good solution. For some people, assigning a VERY clear home and inculcating that location by habit is the only way to clean up a space. For some people one very cluttered corner to at least isolate the chaos does the trick (for me and large bastard open shelving doesn't work because anything in one place for too long becomes invisible; that means that I rely on assigning things homes and large bastard relies on having contained chaos and a general idea of where to search but what that DOES NOT mean is that he is clean or tidy. His spaces look like an explosion. But he can mostly find his stuff and do what he needs to do and as long as that's limited to specific places in shared spaces I can live with it; the dining room table can be a disaster, the kitchen cannot).

People organize things differently. It often takes a while for neurotypical adults to settle into an organizational style that works for them and ADHD adults may need to settle into a new system every few months for it to continue working. The cleanup and declutter is most likely going to be a permanent project that is always going to demand some level of attention from everyone in a shared space, but "my ADHD means I can't do it" is not really going to fly. Maybe his ADHD means that he can't keep his space tidy, but it doesn't mean you can't move stuff from shared spaces into dump zones or that he can't do stuff around the house.

If he's insisting that his ADHD means that he can't clean it is possible that he's not being a shithead, he just feels helpless and doesn't know where to start and has adopted the belief that he's a useless piece of shit who can't even keep a tidy space like a grownup because he's internalized a lot of shitty attitudes (hello, my internal monologue about keeping a clean house). But it's also possible that he's just being a shithead.

It's something that's worthwhile to investigate with him. If he's unwilling to make an attempt, then he's being a shithead.

It is also not your responsibility to rehabilitate another person. If he wants to clean and it's something he feels bad about and needs some help and support with the way that someone might need help or support for learning to use a mobility aid, that is fine but you don't have to be the one who gives him that support if it's detrimental to your health, and you don't have to be the one to teach him that stuff if it's not something you're capable of. And if he is NOT interested in working on making your shared living space more accessible for you, that is not your suitcase to unpack and you just have to ask yourself the question from the start: would I stay with this person if I knew the situation was never going to change?

IDK, I'm sure a lot of this reads like "anon you must take on the emotional labor of training your partner to be an adult" but it's really meant to be more of a way of assessing yourself and your relationship. If you created landing zones do you think he'd use them? Would he get angry if you assigned a laundry basket as a dump zone for his stuff while you tidy the living room? Is living with him long-term going to be comfortable for you if nothing changes? Do you have enough of a shared definition of "mess" that you're at least in the ballpark for what counts as a clean house?

anyway good luck, and a reminder to folks that I'm compiling a bunch of adhd resources and other information on my personal website, ms-demeanor.com. It's coming along slowly but it will eventually include stuff like ADHD cleaning tips and how to tackle a hoard, so maybe keep your eye on that space.

[finniestoncrane]

Pleaseeeee can I have a softer Cooper who worries a lot about his girlfriend having to deal with people looking at them weird all the time, but who would be happy to yell "THIS IS MY MAN!" to anyone who would listen?

Willingly

Cooper Howard x Fem!Reader, word count: 1.5k i am already on the soft cooper train oh no lmaooooo just a little bit of soft boyfriend cooper, or as soft as i imagine he can get, being defended by his partner 🤎 request info • prompt list • send me a request • kofi • masterlist minors DNI!! 🔞 cw: guns, blood, violence, good old fashioned trope fic!

Cooper struggled against your gently grip, his gloved hand pulling away from yours, fingers no longer entwined with yours. You looked to him, noticing he was avoiding your inquisitive gaze, and then noticed the crudely painted sign on the wall ahead of you. The gates to the nearest settlement were just ahead of you. Your last stop before you headed on to the next job.

“What? Are you embarrassed to walk in here holding my hand, Coop?”

His easy, charming smile seemed a little off as he spoke to you, still looking straight ahead.

“You kiddin’? Darlin’, this is for your benefit. Not many settlements are alright with folks like me at the best of times, but with you on my arm? We’d both be in danger, and I can’t keep spendin’ all my time savin’ you.”

You scoffed, rolling your eyes.

“I can hold my own. You know that.”

There was no response, but you knew better than to keep fighting your corner in this particular arena. So instead, you sighed, placing your hands which now felt so incredibly cold and empty, back into your pockets to keep them from mindedly grabbing Cooper’s hands again. You couldn’t be too annoyed. For someone as stoic and cold as he could be, the fact he tolerated holding your hand at all was a pleasant enough gesture. But his willingness to offer up any form of physical affection dwindled completed when there was a risk of running into people. He became reserved, quiet, well-behaved almost. It was something you hadn’t expected from him, to be shy or to allow someone else’s opinions to hold him back. And admittedly, a lot of the time, you had worried that it was because he didn’t want to be seen with you. But you knew it was the other way around in his mind. He was afraid of how people would look at you.

As though he could hear your thoughts, knowing you well enough after all this time together, Cooper spoke finally as you sidled up to the gates.

“You wake up to this face smiling. You call me handsome. You say I’m charming. Good lookin’ I might be in your books, but there ain’t a lot of charm left in these old bones, sweetheart. I couldn’t talk my way out of an argument, and since you keep remindin’ me that I’m not allowed to cause problems everywhere we go…”

He tapped his thumb against the barrel of his holstered gun.

“… Then I just better not give anyone any more reason not to like me.”

“Well, I like you, Coop.”

“And I will forever question your judgement on that, kid.”

Smiling, you both passed through the open gate of the settlement and separated with a nod to get the supplies you needed. Quicker, and safer, to go separately. But still, you kept your head down, Cooper with his ragged mask up and his hat brim tipped to cover as much of his face as possible. Quiet, subtle, nondescript.

It didn’t stop them though, three of them. Pointing towards you, setting their beer bottles down on the stained and rusting bar top as they rushed to follow you.

“Hey! Hello there, pretty lady! You all alone?”

Turning, you spotted the colour of the uniform first, immediately recognising that you had made a mistake in even acknowledging them. That telltale burnt orange jumpsuit. The arrogance in their smug smiles. The Brother of Steel.

“No. I’m not alone.”

“Sure looks like you are… you know, maybe you could come on over and we’ll by you a cola?”

They laughed amongst themselves as you walked on. That one answer and a quick disappearing act was all you were willing to give them, turning quickly back and trying to lose them in the crowd as they slapped each other’s backs and spat to the ground.

And you thought you had been successful. You found a trader with everything you needed on your list before you returned to wait just beyond the gate for Cooper, no further interruptions to your day from the louts at the bar. But the entire interaction had out you on edge, so much so that when Cooper appeared behind you, leaning in without you noticing to whisper in your ear, you jumped out of your skin. Luckily, he was quick, and managed to grab your wrist before your fist struck the side of his face.

“Jumpy, aren’t you? Maybe you don’t think I’m so handsome after all.”

His wink made you blush, it always did, and you bit the inside of your cheek to stop yourself from grinning like a fool.

“You surprised me is all, smartass.”

Cooper smiled, tightening the grip on your wrist and pulling you closer to him. You feigned some resistance, pretending to put up a fight against his grin, his charms, his strength. But you were following his pull, your lips almost touching his before the blow was landed.

Cooper’s body was knocked completely off balance, his body falling to the ground in a cloud of dust. Turning in the direction he was hit from, you found yourself staring down the three members of the Brotherhood from the market. Holding back some of the choice words you had for them, you managed to narrow it down to one question simple enough for even them to answer.

“What the fuck are you doing?”

Shocked by your ungrateful attitude, one of the men, the largest of the three, stepped forward and pushing your shoulder with his finger.

“We’re saving you from assault, lady! This monster had its hands all over you, but don’t worry, we’ll take care of it. And you’re welcome.”

You scoffed, face going red with rage as you knelt to help Cooper up.

“You’re not saving me, asshole! You’re ruining the fucking vibe, you dweebs.”

Again, a far more polite term than you had wanted to use, but that didn’t seem to make the men any less aggressive towards either Cooper or now you. The largest of the men grabbed your arm, pulling you back up and away from the hand that Cooper had held out to you.

“Oh… you’re one of those freaks! No wonder you turned down some good old-fashioned heroes like us then.”

One of the others nudged you to the side, the other pushing Cooper back down to the ground with a kick, turning around as all of them converged on you until your back was against the wall. Nowhere to go. Trapped by them as they made their disgusting comments.

“Why would you waste your time on some abomination like that, huh? You into freaky stuff? Cos I could sure show you a thing or two. What’s he got? Like two cocks or something weird like that?”

You spat out your retort, well aware of the repercussions, but not caring.

“He could be feral and I’d still let him touch me before I even thought about letting any of you near me.”

Bracing for impact, you squeezed your eyelids shut, opening them again moments later when you realised you hadn’t been hit yet. Instead, all three of the Knights were on the ground, Cooper kneeling over them as he tightened the lasso and added the long length around their wrists for measure.

“Oughta keep ‘em long enough for us to make our escape, hm?”

You nodded, smiling, surprised still at how effective he was at handling anything the Wasteland threw at him.

“And I did it all without too much violence and noise, like you asked.”

“My hero.”

You swooned playfully, watching him as he made his way to stand beside you, both of you looking down without an ounce of pity at the men who writhed before you in the dirt.

“And look at you, shouting all those kind words about me for anyone to hear.”

“I keep telling you, Coop. I can hold my own, and I don’t care what people think.”

“You sure about that, darlin’? The likes of these fellas don’t put you off none?”

His eyes darted towards the Knights, now trussed up and struggling against each other on the ground, straining their necks to move their heads out of the line of Cooper’s gun.

“What? You think I’m put off by the Brotherhood? Yeah… and the rads put me off stuffing tin after tin of delicious cram down my throat.”

Cooper grabbed your hand in his, initiating the contact for the first time, and pulled you away back onto the cracked road. He knew he’d let go before you hit the next settlement, but he felt a little bit better about the risks associated. Especially since he had to admit, you could hold your own. And you were determined to do so when it came to him. It was nice to feel like he could let the affection be reciprocated.

#fallout #fallout amazon #x reader #finnie writes #cooper howard #the ghoul #fallout fic #cooper howard x reader #the ghoul x reader #cooper howard fanfiction #cooper howard one shot #cooper howard smut #cooper howard imagine #fallout tv #fallout tv series #walton goggins #cooper howard x fem!reader

[fairuzfan]

I'm sorry for being so stupid with this stuff but what exactly is not voting supposed to do?

I always see people say not to vote and just leave it at that with nothing to do beyond that and I'm not entirely sure what the purpose of not voting is anyway because I don't think the movement is big enough for politicians to really care. I would love it if you could explain it to me please.

I guess my question in response is that I don't understand what *voting* is supposed to do? Like what are your goals for voting? For the "vote uncommitted" campaign, it's to scare Biden enough that he takes some sort of a stance. But for voting for him...? What does that do other than not have trump in office? And "not having trump in office" is an ideologically meaningless position if the person you're voting for is an out and proud genocider. So like, who are you helping if you claim to care about Palestine?

My point is, I genuinely don't understand that if you're someone who cares about people dying — which is what Biden supporters say is the reason they're voting Biden no matter what — then why are you voting for the guy that is killing people so openly? What is the moral reasoning? Is it "sacrifice the few to save the many"? If so, then you're not voting on the basis of caring, you're doing a cost benefit analysis using human lives. That's at its core a morally flawed way to look at the world.

So how can you, as a moral person, agree to subscribe to such an immoral system that forces you to make this "decision"?

I know I'm getting more ideological than practical here but there needs to be a serious reckoning behind why everyone is ok with being part of this system we are in. "Well what else would you have us do?" Some might say. And in response, I'd say, I don't know. But to be a moral person as you claim you want to be, should you not refute immorality as a structural system?

I'm not sure if this answered your question, if not feel free to send again but honestly, my only real response to "what does not voting do" is a headscratch because I don't understand what *voting* does that you believe will fix any of the problems we have?

[jordyn14]

Maybe today wasn’t so bad after all | Joe Burrow

Summary: After a terrible start to a day that had such high hopes, two people do something that should lead to an even worse day, but in ends up better than it started.

Pairing: Joe burrow x first person fem reader

Words: 5058

Notes: this fic is kind of all over the place, but I didn’t want to split it up into 2 fics. I hope you enjoy!! <3

Taglist: @wickedfun9

The Bengals season was officially over following the win against the browns on January 7th, though we all knew it was over after the loss against the Chiefs on December 31 which kicked them out of playoff contention. In honor of adding another season into the books, Sam was hosting a little party for any player or friend of a player who wanted to come today. To say the day was not going great so far was the understatement of the century. First, as soon as I woke up in the morning, I stepped in some fresh poop from Mike, the cat I got Joe for his birthday, who apparently forgot where the litter box was. Because she's new-yes, she, Joe named her after Mike the Tiger at LSU-and I absolutely adore her, I shook it off and took a very in dept shower, making sure to scrub my feet extra good in order to rid myself of it completely.

Next, during breakfast, I was transferring my eggs onto my plate after putting some on Joes and the handle broke off of the pan and dropped onto my feet. The eggs went everywhere on the ground and were quickly eaten by Tucker, the dog Joe got me for Christmas, who flew in immediately after hearing the commotion to see what happened. I thought I was in the clear since two bad things happened to me in a span of an hour and a half-so what else could go wrong-but that was soon proven wrong when I was carrying Joe and I's pre-workout smoothie so we could get in a light workout together in the basement, and I tripped down the stairs. Not only did I spill the smoothie all over myself and the stairs, which made for an annoying clean up, but I also face planted, which made for an awesome bruise right on my jaw.

After that, I showered for the second time, drank the new smoothie Joe whipped up for the both of us, and we got in our little workout for the day. Once done with the workout, I took Tucker for a walk and went to the grocery to store to stock up on all of the necessities. While in the grocery store, I completely forgot that I was supposed to start my period, so I got blood all over my new jogging pants Joe gifted me for Christmas and had to buy a new pair of pants at the store, along with a pack of tampons, which weren't the ones I usually buy because, ironically, they were all out.

Finally, everything seemed to be going right for me and the day turned out pretty good, until it came time to get ready for Sam's party. I did my hair and my makeup without a single problem, but then of course when I put on my new dress that I was excited for, I put it on only for me to realize the zipper broke when I washed it. Because I was on my period and very hormonal, I started to cry. My mascara got all over my face and when I tried to wipe it off, my other makeup came off with it so I had to redo it all. Plus, while crying, Joe tried to comfort me, and because I was hormonal, I got mad and told him to get away from me. What made me cry more was that Since my new dress broke, I had to wear an old one that wasn't anywhere near as pretty as the other one.

So, now, as Joe pulled into the parking lot, I took a deep breath and prayed that this night wouldn't be a disaster like the whole day was. The party was at a little convention center in the middle of Cincinnati that has held frequent get togethers and parties in the past. Since this party symbolized the end of the season and it could be the last time some of the guys see each other, it was very special to so many of the guys. To make it even more memorable, Sam got Jeff Rubies to cater and he had one of his favorite bars set up a little bar. Because friends were invited as well, I was excited to see some of Sam's friends that I probably have not seen since college.

Once Joe put the car in park, he looked over at me with a sigh. Seeing him look at me in the corner of my eye, I looked over at him and we made eye contact. "Well here goes nothing, I guess. Let's hope this goes well." I said with a little defeated laugh, the both of us knowing how the day has been going for me. "Let's be optimistic, what's the worst thing that could happen, right? There's no stairs...that I know of." Joe said, and started to rack his brain in an attempt to try and remember if there are stairs at this place. I tried to remember with him, because if there were stairs, I was certainly doomed. "There aren't any stairs where the party is at-well, that we'll have to walk up anyway- there's an elevator leading up the floor we're on." I said, remembering exactly where the stairs and elevator were at.

Joe laughed and pinched the bridge of his nose. "Y'know, it's kind of pitiful that we even had to think about that." Joe laughed. I laughed and nodded. It was extremely pitiful. Who would need to think about if they would have to go up stairs? Definitely not many people. "It is, but with the day I've been having, It's better to be on the safe side." I said. We chuckled a little bit together before Joe turned the car off. "Sha'll we?" Joe asked. "We sha'll." I giggled and opened up the door quickly. I stepped out of the car and then met Joe in front of the car. Because of my situation at home-having to redo my makeup-we were about 30 minutes late. Luckily Sam said not to worry because he has the place until midnight, then we're kicked out.

Joe and I walked inside together and got into the elevator. On the way up, we made funny faces in the mirror on one side of the elevator and then took a funny picture that I had to promise wouldn't be posted, which I have to do with every picture I take of him. By now, he should know I won't post them. For one, I know how private he is, and I am too, and for two, I would never share these moments with anyone, other than close friends who probably have the same kinds of pictures of him in their phones.

The elevator opened up with a little ding and revealed a huge and bustling room. People were scattered around across the whole room and there were orange, black, white, and striped decorations throughout the whole room. Immediately after hearing the elevator open up, the majority of Joe's teammates looked over to see who arrived, and when they saw Joe, they all began to hoop and holler and call out his name, excited to see him. With a smile, I let go of his hand and went to go find some of the wags, mainly Gracie and Tianna since both Holly and Morgan were out of town with their husbands.

It didn't take long for me to spot Tianna who was messing with Cody who had a far from amused look on his face. When Tianna spotted me, she immediately stopped annoying Cody and ran over to me excitedly. "Finally! It's been boring without you!" She yelled and hugged me. "Girl it's only been 30 minutes." I laughed. "Uhm...exactly." She said and emphasized it with her hands. I shook my head and laughed at her, continuing to look around at the little buffet Jeff Rubies set up and then the little bar in the far right corner. "So, what did I miss? Anything fun or crazy happen?" I asked, needing to be caught up on any of the tea that I missed while I was gone.

Tianna gave me a look and signaled for me to come and sit down at their table, so I followed. "It's not really with the team, but apparently one of Sam's friends just got cheated on. He's here and a bunch of people were talking about it when they first got here." She said. My mouth dropped open in interest and I looked round to make sure I didn't see Sam anywhere. "Who? Maybe I know him from college." I said. Tianna raised an eyebrow and looked at me with a small smile. Why was she looking at me like that? I raised my eyebrow back at her in confusion, needing her to tell me so I wasn't confused. "Did you sleep with some of Sam's friends or something?" She whispered with a little wink. "Women-shut the fuck up, she ain't like some of your friends." Cody said.

The three of us started to laugh at what Cody said, but she continued to look at me, still thinking I might've slept with some of them. "What-no, I have been with Joe since 12th grade and we didn't cheat. Now, show me." I said. "Okay okay." Tianna said quickly and began to scan the crowd to try and find whoever it was she was looking for. I looked with her and tried to see if I recognized some of the people, but I wasn't having any luck. So far, none of the people looked familiar except for the players and their wives or girlfriends. "Ooh- there." Tianna said excitedly and pointed at someone somewhat discretely so they didn't see. I followed her hand and spotted one of Sam's friends. I knew exactly who that was, and I wasn't too happy that he was here.

"I know him, that's Aiden." I said and took my eyes off of him. "Why do you say that in a bad way?" She asked me. Why was there a hint of attitude in my voice? Well, because Aiden and I were kind of friends back in college. This particular friend group of Sam's consisted of me, Joe, Sam, Jessica, todd, and Aiden. We were all good friends and always either studied together, went to football games together, or went out to parties together. From the very beginning, Aiden knew Joe and I were together and in a very closed, strong, and long-lasting relationship. But he just couldn't help himself from crushing on me. The crush got so big that he eventually confessed his feelings for me while drunk and tried to get me to cheat on Joe with him. To say he was persistent was an understatement and it happened more than once.

Of course I told Joe who told Sam. After that, Aiden didn't really hang out with us too much. "Let's just say he had a crush on me and wanted me to cheat on Joe with him." I said. Tianna let out a small gasp as she processed what I said and then looked at Aiden with a little scowl. "Well in that case, the jackass deserved it." She said with a little 'hmph'. I grabbed onto the drink I snagged from someone passing them out and held it up. "Now that's something I will fucking cheers to." I said with a little laugh. "Hell yes." Tianna picked up her glass and to her surprise, Cody picked up his as well. Tianna looked over at Cody, surprised that he was into this conversation since it was a girls conversation. "Really babe?" She asked. "Uhm...hell yes." Cody said. We all laughed a little at his reaction and then clinked our glasses together. After we clinked our glasses together, we each took a sip of our drinks.

We've been here for about an hour just hanging out with people and catching up, even though every single person that I'm good friends with on the team I've been texting. After Tianna, I made my way around to some other people before finally sitting down at a table with Ja'marr, Tee, and Sam. Joe was sitting down with us too until he left to go get him and I drinks at the bar.

"So, Mrs. burrow….” Ja'marr said and leaned back in his chair. I raised my almost empty glass to my lips and said a small, "Mr. Chase?", before taking a sip, trying to figure out what he was going to ask me. "What are the chances that baby Burrow makes an appearance this year?" Ja'marr asked me. I set my drink down and shook my head at him with a little laugh. From around the small table, Tee and Sam just listened to our conversation, who obviously were both aware of what Ja'marr was going to ask me before he said it. "Slim to none." I gave him a short and sweet answer, although I knew he would pry and want more from me. "And why is that? I mean come on, everyone else is doing it." Ja'marr said. "Unless I accidentally miss a birth control, which I never do, or by some miracle I just so happen to get pregnant, it's not gonna happen this year. Plus, I’m not everyone else." I said.

This has been an ongoing conversation between Ja'marr, Joe, and me for a while now. Ja'marr is fully convinced that it's time for Joe to knock me up, even though we disagree completely. "Come on, why? You've been married long enough." Ja'marr added in. "Some people have plans jackass." Sam added in. I looked over at Sam and pointed at him. Ding Ding Ding. "Exactly, thank you. We have had a plan for a long time, and a baby, while it's included in that plan, isn't listen for a long time." I said. Ja'marr just glared at me jokingly for a few seconds. Don't get me wrong, I wanted a baby and I would want one right now if not for football. Joe and I are at the perfect age to have children, but Joe is currently in his prime years of his career. It would be completely unfair to ask him to juggle being a new father and being an amazing quarterback all at once.

It felt like Ja'marr and I were having a staring contest. Both of us tried not to laugh or blink, until Tee interrupted. "I mean this with no disrespect, but If you don't want to get knocked up by Joe, I think that bartender over there will gladly volunteer." Tee said and signaled over to the bar. I turned my head in the direction he was signaling to. It only took me a few seconds to spot Joe who was standing at the bar. The bartender was mere inches away from a very uncomfortable looking Joe who kept trying to back away, but in a way that wasn't too noticeable. That boy was way too respectful. They were in mid conversation, and every time Joe would say something, she would laugh-a little too much- at whatever he was saying. I know Joe Burrow, and never have I once laughed that much during a simple conversation with him.

Now, unless he was making endless jokes, which I knew he wasn't because of his body language, that girl was just doing way too much. I glared at the two of them as they talked, a little annoyance and maybe anger building inside of me. I wasn't mad at Joe who was obviously trying to get away from her as she kept bombarding him. I was secure enough in my relationship with Joe, even though it took a while to get to that point. I was, however, mad at the girl who kept touching his arm and giving him flirtatious looks and laughs a little too often. Those flirty eyes were the same exact ones that I give Joe. I was mad at the girl's occasional glances at his wedding ring on his left hand that told me everything I needed to know: She was well aware that the quarterback for the Cincinnati Bengals was married, but she didn't care one bit. Plus, she obviously couldn't tell when someone was uncomfortable or not feeling a conversation. She was obviously not a girl's girl. What a bitch.

As I continued to stare at the two of them and read Joes extremely uncomfortable body language, Joe glanced over at me. We made eye contact and immediately after, Joe's eyes widened and he sucked in his lips a little. I smiled a little bit at his plea for help and how much he was practically begging for me to go over and help him. I looked over at the guys sitting at the table who were just watching me and then Joe, interested in what was going on. "You know, girls are bitches. Excuse me, while I go save my husband." I said and scooted my chair back. "You need our help with the clean up job?" Jamar asked. "You can keep her body in my car." Sam added in. I rolled my eyes jokingly and stood up with a laugh. I headed over to save Joe from this awful conversation he was having.

While I walked over to Joe, he glanced over at the table again, but when he saw me, his face immediately lit up and he smiled slightly. The girl, seeing Joe's facial expression from his side profile, looked over to see what he was looking at. As soon as she saw me walking over, I could tell she had absolutely no idea who I was or that I was even married to joe. In her eyes, I was just another person that had a crush on Joe, like her. That still didn't change the fact that she could still flirt and give my husband the 'fuck me eyes', all while knowing he was married. Now I'm not usually one to come out and say that a girl's being a bitch, because I get it, we all have our own problems that we're dealing with, but I mean come on, to flirt with an obvious married man? Now thats low.

I looked down at Joes hands and saw the two drinks in his hand. One of the drinks was a whiskey and the other was a vodka spritzer. Perfect. Once I got to Joe, He looked down at me with his best 'thank you' eyes and handed me the drink. I grabbed the vodka spritzer in one hand, and with the other, I wrapped it around Joes waist and kissed his shoulder. "Thanks babe." I said, the both of us knowing damn well that I never call him babe-But maybe I should, because Joe's cheeks flushed red when I said it- and I knew Joe wasn't a fan of PDA but figured it was needed given the situation he was in. He never has been and he probably never will be. The only time he's fine with it is with close friends or family, so certainly not here with prying eyes. "Of course." Joe said, going along with what I was doing. After I kissed Joes shoulder and smiled up at him, I looked over towards the girl who realized who I was. Did you seriously think his wife wasn't here and watching you? Unreal.

Going along with the part, I held out my hand a little bit out of politeness and acted sorry that I interrupted their conversation. "Oh my-I am so sorry that I interrupted,” I said and then introduced myself, “and you are?" I asked, Looking down at her name tag. I read the name, 'Caitlyn'. Caitlyn knew exactly what I was doing and I could tell by her facial expression that she wasn't enjoying it one bit. "I'm Caitlyn, it's nice to meet you. We were just finishing up our conversation, you weren't interrupting." She said. I flashed a small smile her way and nodded. "Well good, I would've felt terrible. It was nice meeting you, but we should really go find Ja'marr." I said and looked up at Joe, tapping his back a little bit. Joe straightened up and nodded, "yeah-right, it was nice talking to you." Joe said.

We both started to walk away, though I could tell she was staring at us as we left. The audacity of some people is wild. "You are a literal saint, I love you so much. That was horrendous." Joe said as we walked to our table. I began to laugh as we reached our table. "Y'know, fuck her. She knew you were married and still flirted with you, why didn't you leave you pussy?” I joked with him. "I tried, but she kept talking and flirting with me to the point where I felt like I would be rude leaving her and then a news article would come out titled, 'Joe Burrow turned down talking with a fan, what a loser.'" Joe said with a laugh. The both of us laughed as we reached our table. “She can stay jealous.” I laughed. The three of them just looked at Joe and I before Tee spoke up, "wow, she’s like your knight in shining armor brother.”

"Shut up, he was just trying to be polite, some girls just Don't know how to keep their hands off of handsome men that aren't theirs." I said with a 'hmph' and a laugh after sitting down in my chair. Joe followed after me and sat down right next to me in his chair. I leaned in closer to Joe as he put one arm around my chair and sipped his drink. "There Ain't nothin' handsome about Joey B." Ja'marr said, messing with Joe like he always does. Speak for yourself. I looked over to the most handsome man here as he laughed and said, "At least I ain't as ugly as your ass." The whole table laughed as we listened to Ja'marr and Joe joke around back and forth about who the better looking one was.

Other than the incident with the bartender, the night was going pretty well. We were all talking, drinking, and having an amazing time. At one point, all of the D-linemen and O-linemen had a little game of who was the strongest, which was extremely entertaining to watch. The whole time they were competing, Joe was cracking up laughing, and not just the belly laugh. He threw his head back, his eyes were sealed shut, and he could barely breathe. It was like a breath of fresh air to see Joe having an amazing time after such a stressful and uncertain season; the injury.

Currently, I just got done in the bathroom and was walking back to the table we were sitting at. I barely got in 2 steps before I heard a voice I haven't heard in years call out my name. Everything in me told me to just keep walking and pretend like I didn't hear him, but out of politeness, I stopped and looked over at him. "Wow...I haven't seen you in forever. I was hoping I'd see you here." Aiden said. I gave him a small smile and walked over to him so we didn't have to speak too loudly. Hopefully he just wanted to say hi and let me go, or maybe even apologize for trying to get me to cheat on Joe, multiple times. Without me expecting it, he took a step closer, closing the distance between us, and wrapped his arms around me before I could even get in a word.

"Uhh...yeah, it had been a while." I laughed awkwardly as we separated. Aiden kept smiling down at me like he was looking at someone he is really good friends with but hasn't seen in a while. Don't get me wrong, we used to be friends and haven't seen each other in a while, but to want to talk to me and act like nothing went down just felt wrong and uncomfortable. "It's so good to see you, Mrs. Burrow." He said with a big smile. "It's good to see you too." I lied to him with a fake smile, unable to muster up a real one. Right after I said this, he took a step forwards, if that was even possible, making me uncomfortable and making this whole situation awkward, at least for me. I watched him as he smirked a little bit. You better not try something.

I took a step back for comfort and was about to excuse myself when he said, "you look beautiful, even more so than back in college." I furrowed my eyebrows a little bit, disgusted and appalled that even after what went down at college that he could still be face to face with me and try the same things as he did back then. One of his hands found my side and his fingers danced over my hip bone. "Joe wouldn't have any issue if we hung out for a bit, right?" He asked. Don't react, just let Joe handle it. The last thing I wanted to do was create a scene here and draw attention to myself and Aiden. I scoffed a little bit, not able to hide my disgust and disappointment any longer. "It's funny how even after I rejected you in college, you still have the balls to do it again. If I wouldn't cheat on Joe back then, what makes you think I'll do it now?" I asked him, but he still didn't take his hand off of my waist. "Oh come on, don't be like that." He said. I looked down at his hand and then tried to look past him in an attempt to see if Joe was at the table, but he was blocking my view.

All of a sudden, I saw Joe walking over to us, looking as pissed as ever. His fists and jaw were both clenched in anger. I breathed a sigh of relief that he was here so neither of us could cause a scene and draw attention to ourselves. "Get your fucking hand off of my wife." Joe said, putting one of his hands on the small of my back. I looked at Joe and gave him a little nod of assurance before looking at aiden whose eyes grew 10 times bigger once he realized Joe watched the entire thing, and his hand slid off of my waist. I watched as Aiden’s shoulders fell in submission and embarrassement, obviously thinking he was going to get away with flirting with me and putting his hand on me even after what happened in college.

"I-I-" Aiden began to say. "What? You Didn't think I'd see you flirt with my wife? Come on man, you're not that stupid." Joe said and put a hand on his shoulder, squeezing so tightly that aiden winced a little bit. "I was just trying to catch up with her, that's all." He said. I backed up a little bit and stood next to Joes side. I glanced around us a little bit to see if anyone knew what was going on, but nobody even looked at us. Everyone was just caught up in their own conversations. Thank god. "How dumb do you think I am, Aiden?" Joe asked. Aiden swallowed hard and shook his head. "Look man, I'm sorry, it won't happen again, I'll leave.." He said. "You're damn right it won't. Now, you can stay if you want, I won't tell Sam because I know he likes you-Why, I honestly have no clue-but I don’t want to ruin that. But, if you do stay, I don't want to see you near her again. Better yet, I don't even want you to look at her," joe said, and waited for a response, and when it didn't come, he added in, "you got it?" Aiden, who was obviously embarrassed, nodded quickly and said, "Yes sir."

With that, Joe nodded, took a step back from him, and began to turn slightly. Following his lead, I walked by his side and then we walked back with each other to our table that was now empty. This day just kept getting better and better. First it was the cat poop, which I wasn't even too mad about, but then one thing led to another and both Joe and I had someone flirt with us...and the both of them knew we were married. As we walked, I shook my head and sighed a little bit, just wanting this whole day to be over. Once we found our table, the both of us just sat down. "I'm sorry, baby. I cannot believe that fucker had the balls to do that for the second time. I couldn't stand to see his hand on your body, especially when you were so uncomfortable with him in the first place." Joe said.

"Hey, listen to me, Aiden is a jackass, I love you, and I'm all yours. Y'know, I hope he looks at us so he can be jealous of what he'll never have." I said with a smile and shrugged my shoulders. Joe just looked down at me and smiled. It was weird telling Joe that I was his, but I liked it. Normally there are people all over throwing themselves at Joe or accusing him of cheating to try and destroy our relationship, so telling him that I was all his felt... exhilarating, in a way. I was all his. He was all mine. And nothing or nobody could change that. Ever. I couldn't help but notice the little smirk that was growing on Joes face in place of his smile and I knew he liked when I said that I was all his. "Mmm, say that again." Joe said hummed quietly. I giggled a little bit at his reaction and said, "I'm all yours. And by the way, that whole thing with Aiden was really hot. Maybe today wasn’t so bad after all.”

#joe burrow #joeburrow #cincinnati bengals #nfl #joe burrow bengals #joe shiesty #joey b #bengals #joey burrow #joe burr #joe burrow x reader #joe burrow imagine #joe x reader #joeyb #imagine #joe burrow fic #joe burrow fan fic #nfl fan fiction #nfl imagine #burrow #fanfic

[readychilledwine]

Rhys w a small reader with a big mouth?

Little Girl, Big Mouth

Rhys with a mouthy reader headcanons

Warnings - implied smut, reader could be seen as trashy but Rhys loves it

A/n - This anon actually came from an IRL friend. She texted me about it, and I had her clarify if she meant a gossip or big mouth as in a girl who is prone to talking shit and fighting. It was talking shit and fighting, so thanks, Sammie 💕💕

Ps- I will figure out what your username is 👀 but you're very sweet for doing this the way the rest of my followers do instead of just texting me first😭

You aren't a doormat. He refuses to let you be seen as one. Even if that means you get into a verbal argument here and there.

Those verbal arguments have gotten physical.

My baby daddy always tells me not to write a check he can't cash (if you don't know what that means, it means don't start a fight that he can't finsh.) You don't have that problem with Rhysand.

If you stand, mouth firing off insults as someone else is, he will stand too. Ride or die, he won't let you fight without him.

And that is if the man isn’t already behind you, warning the male standing over you without even having to speak that if he lays a hand on you or speaks out of line, he will be finding out why Rhysand is proud to be half illyrian.

You do know time and place, but if someone insults your male, your family, or your court first, all bets are off.

Your mouth is equal opportunity. High fae, lower, male, female, high lord? You don't care. All bets are off the table with you. No one is safe.

Beron? Constantly roasting him. Asking him if beating his wife helps him feel like a real male. Keir? Verbally torn apart. How pathetic he must be to think he has some pull when he lost out on being high lord.

Hell, illyrian males aren't even safe from you. Not when three immediately are behind you the second they feel your mood change.

And it isn't that you can't fight. You are well trained and can more than hold your own. He just prefers you let him.

He's only held you back once. It was from Amren, and he hardly caught you in time before you jumped on her.

Cassian was disappointed. He wanted to watch two tiny females wrestle it out. He said it would be better if pretty lacy outfits were involved, but he was ready to settle for you in your dress and Amren in her two piece outfit.

Rhys did not stop you, nor Amren, from tackling Cassian for that comment.

He will throw you over his shoulder, ignoring you as you scream for him to put you down while still running your mouth as you're carried out of the room. But only if family is involved.

Mother knows they are no exception. You all get on each other's nerves from time to time. Besides Azriel. You could never fight Azriel.

Rhys loves it. He loves how spicy you are. He loves how much fight and sass you have. He loves how it's always to people who are mean.

He does love fighting for you as well. Sometimes, he asks you to pick fights when it's someone he has been itching to get his hands on.

He rewards you throughly when you oblige him.

"Where's that big mouth now, darling?" While your back is arched off the bed, and your mind is just a haze. "Thought you had so much to say earlier."

He loves making his girl with so much to say and so many opinions go dumb for him.

He loves it when all you can think to say is his name and barely thrown together words.

He loves putting your mouth to other uses if you start in on him, too.

He'd keep you tucked under his desk for hours, putting your mouth towards something actually useful if you two fight.

And that's rare. Your opinions are normally shared and mutual. It's why you two work. Otherwise, you would be constantly at each other's throats with how vocally dominant you both like to be.

Overall, he'd change nothing about how sassy you can be. He loves you as is. Even if it means you bandaging his hands after a trip to Illyria.

#elizabeths.updates #send asks #send anons #acotar x reader #rhys headcanons #rhys x reader #rhysand x reader #rhys acotar #rhysand acotar #rhysand x you #rhysand x y/n #rhys x you #rhys x y/n #rhysand headcanons

[supercalime]

No one asked but I have a take haha.

I have zero problem with buck and eddie being an item, the biggest problem I have is their stans acting the way they are now with the current storyline with tommy.

I mean, I hate to break it to the b*ddie st*ns but you can think your friends are hot and like, not want to pursue them, whether you realize you’re queer or not. The fans are undermining so much of the current storyline that it makes me sad.

Im as aroace as one can be, but also I have eyes lol. I see hot/attractive people, I of course can admit that they are hot/attractive. It doesn’t mean that I want to be with them specifically sexually or romantically.

Also, figuring out your sexuality is confusing and weird. I definitely thought I had a crush on a friend solely because they were a person I got along with and spent a lot of time with and thought that was what I was supposed to do (by the time I thought I was allo).

What I mean is that it’s not always black and white when it comes to what attraction is.

Another thing, and this is pure speculation on my part: the actors are VERY aware of b*ddie and know that it’s one of the biggest reasons people keep watching the show, so they might keep on stirring the pot a bit in the interviews because they know it can create enough buzz for the show to trend and make the network/producers/investors keep renewing it so they can keep their jobs for as long as possible.

Im not saying b*ddie fans are delusional or anything like that but I am really disappointed how many of them (or at least a loud minority) is treating the canon ship as if it’s a stepping stone for another that has yet to be fully confirmed on screen. Sure there are signs in retrospect, but like I said, you can think someone is attractive without wanting to be with them.

This whole thing of buck having always been in love with eddie irks me a bit as it falls in a trope I don’t personally like (someone sticking around because they are pining over their friend the whole time and the friendship is a stepping stone to romance). I mean, if b*ddie happens and it’s done well, I’m all for it. What I really don’t want to happen is the trope I mentioned above. If it’s meant to happen, the best way in my opinion is for the two guys to develop those feelings with time, not it being a realization that they were in love the whole time. Heck, there are dcoms that did friends to lovers quite decently in the past and it wasn’t a “it has always been youuu” situation.

In conclusion, the only thing we gotta take is what is confirmed on screen, in canon. If we are supposed to listen to anyone talking about ships and storyline is Tim Menear and the other writers. And what has been confirmed so far by Tim is that Buck was jealous of Eddie being with Tommy because he was attracted to Tommy without realizing it. In canon so far, that’s what is happening and you have to accept that. The story is about Buck coming to terms with his bisexuality and him and Tommy being in a romantic relationship.

#by the way I only censored b*ddie because the stans scare me #also if I didn’t make it clear in this long as post I ship bucktommy #I really love them together and I’d love them to be endgame #also actors can say whatever shit they want in interviews yall #they aren’t writing the show #just cause they are pro a ship doesn’t mean it will be canon #of course they can be #also also #this isn’t marvel #the network doesn’t care if they are spoiling or straight up lying #anyway I already talked too much #I hope I don’t get chased with pitchforks lmao #lety rambles #911 #911 abc #oliver stark #bucktommy #tevan #firefly #firepilot

[foone]

weird thought: I think if I was a teenager now (or anytime in the last decade or so) I think I would have written (and read!) a lot more fanfic than I did in reality, where I was a teenager in the 90s.

See, I've never been hugely into fanfic. Never had anything against it exactly, but it just wasn't something I was into. But I think that has to do with an interesting combination of how my brain works and what time I was first really getting into being a fan.

I've got a "librarian" brain (I'm literally typing this from within a library, WHERE I WORK). It wants to know things like "what are all the works in this series/by this creator?" and "are they all accessible?" and "what info is available about how it was made?"

I'm the kind of person who will watch a show then go look it up on wikipedia to see how many seasons it has, who made it, if they're still making it, check tvtropes for any more info, etc. Or I hear a song I like by a band I've never heard of, so I go listen to their entire discography while researching them. I just focus on things I'm into that way, you know? I don't half-ass my interest. (this is probably related to my autism, of course)

So what does this have to do with fanfic? like, do I go read some fanfics as part of this process? No, and I think the reason for it is when I specifically first got into fandom, as a teen.

See, this sort of fandom-librarian was harder to do in 1997, you know? You couldn't just pull up the wikipedia for that new show and see how many episodes it had. You also couldn't just listen to the whole discography of that band! Forget Spotify or Google Music, even Napster didn't exist yet.

So my interest in fandom focused a lot more on very basic questions: How many episodes/albums/books/whatever are there? Where can I see/hear them all? Like, I remember getting excited because I found some fan magazine that had a list of all the Star Trek: The Next Generation episodes. Just a list! Not even descriptions or anything. I finally could take that list and see how many I'd seen, so I'd know when I saw them all in late-night reruns.

So I'm focusing on these very basic parts of being a fandom-librarian and I stumble across some fanfic. I'm like "oh, is this a transcript of an episode I haven't seen yet?" and I realize it's not, it's a story written by a fan, and I get a knee-jerk reaction of "that's not helpful to my quest to know and find all the episodes". It's like I am on a quest for the holy grail and I found a fake cup. It's not helpful to me, and at worst it's a distraction from my goal.

And the thing is, I think the fact I had that reaction is entirely due to the time and situation in which I first encountered fanfic. It was in that environment of "I can't even find a list of the episodes, let alone a way to watch them all!" and that anxiety that colored my response to finding fanfic.

I think if I instead was first introduced to fanfic NOW, where those fandom-librarian drives aren't so difficult to fulfill, I'd be way more positive about fanfic. If I could get a list of episodes with a quick google search, and watch them easily on netflix/prime/whatever, I'd be less "THIS DOESN'T HELP! I AM STRUGGLING WITH THE BASICS HERE!" and more "yay, more content for the fandom I'm obsessed with!"

Like I said, I'm not anti-fanfic, I never have been, I just never got into it. From the beginning I had this reaction that was "this is not useful" and I never developed any real interest in it. Which is a shame, honestly. Fanfic is great. It just never became one of my interests, and while I've written it and read it from time to time, I imagine I'd be way more into it if I didn't have the weird reaction to it due to the worries of the time in which I first encountered it.

I don't know how many other people have brains that work anything like mine, but if they exist, I'm glad they're now growing up in a world where they won't have these problems. They can get into fanfic without this weird baggage caused by a lack of information.

#fanfic meta

[sailor-aviator]

Hey.

Go ahead and get settled because this will be...long, in true Liz fashion.

So, by now I'm sure most of you have heard what's happened. If not, you can search this blog for some answers or others for more.

I joined this fandom offiicially at the end of September after being a long time lurker. I had just lost my job and times were uncertain for me. I felt inspired to write, and as someone whose formative years were shaped by the fandom experience, I wanted to feel that sense of belonging again - to feel like a part of a community. I've talked about it on here before, but I started my fandom days in the original Hunger Games fandom when the first movie had just come out, and then I shifted gears towards the SuperWhoLock fandom. If you know anything about SuperWhoLock, then you know you had to have pretty tough fucking skin to be a part of any of it.

Of course, this was back in the day when fandom was an actual community and not authors having to beg for scraps of engagement and people thinking its a numbers game. I was a fairly large blog within the SuperWhoLock community (Waywardly-Carrying-On was the username), but I left fandom for a few years because life got hectic and I felt like I had outgrown the fandom itself as I was no longer watching any of the shows. As the years went on, I started to yearn for the fandom experience again, which is how I found myself dipping toes into several different ones.

I was so excited to publish my first fanfic. I had convinced myself that I wasn't a good writer (much to the chagrin of my irl friends), and I had put a pause on writing my original story. I wanted to write this idea about a cowboy and a girl using characters that I had grown to love like I did way back in my older days. So, I started posting, and I was so excited for the story, that I kept posting almost daily. MamaMay was one of the first people to embrace not only my story, but me as a person into the fandom. She made me feel welcomed and wanted.

Pretty much right off the bat I was already getting anons telling me that I was being too much and that I needed to calm down with all the posting. I was confused because...this is Tumblr. It's literally a blogging website? Why wouldn't I post? I decided to ignore the mean words (not before giving my opinion, of course) and kept on doing my thing. Well, the anons got continually worse and worse. I had a suspiscion as to who the anons could be, but I never had concrete proof. So, I experimented with blocking suspects until finally it worked. I'm not naming names because that's not my style, so don't even bother asking.

The fact of the matter is, some of you have entered fandom spaces for the first time, and you don't know how to act. You don't care to learn fandom etiquette as you've made abundantly clear by calling fandom olds every name under the sun while utilizing the anonymous feature. Newsflash, you're part of the problem. You're the reason why authors don't want to publish anymore. You are the reason that something that's supposed to be fun is starting to feel like a goddamn chore.

How many times can authors on here say that we aren't machines? We have lives outside of this website: family, friends, jobs, school, etc. Some of you really are just hellbent on making everyone around you miserable, and it's sad. You can't just leave well enough alone and let people enjoy something, no you feel like everyone has to enjoy it the same way as you.

Some of you go after authors on here because of some weird sense of jealousy too. I don't know why my shit blew up, babe, I really don't. But I started out with no followers and no support just like everyone else. I'll tell you what helped me though: following fandom etiquette and reaching out to other creators to build an actual community. None of this "I've reblogged three of your things and now I'm messaging you so that you return the favor." No, I reached out to make actual friendships which is what fandom is SUPPOSED to be. If someone was clearly not interested, it was fine!! I backed off and kept doing my own thing.

Some of you think being mean on the internet makes you big and bad. Guess what! It doesn't! It's loser mentality and I feel genuinely sorry for you. I'm sorry that people in your own life made you feel so small as to feel like you had to lash out at strangers on the internet who are just trying to have fun.

Anyway, this is my really long way of saying that I am taking a break for a little bit. I have no idea how long it will be - could be the weekend, could be a couple of weeks, could be forever. I need time to decide if this is something I want to keep persuing. If I come back, I don't know if I will remain a TGM blog or if I'll shift gears and hop into another fandom with a rebrand. Guess we'll just have to see.

To the people on here who have been a constant source of joy, laughter, and support: thank you. From the bottom of my heart. Your presence has meant everything to me, and I hope that my break sees me wanting to come back and giggle about the silly plane movie with you all again.

Nothing but love,

Liz 💛

#psa #public service announcement #this has been a psa #liz speaks #liz rambles #long post

[cripplecharacters]

Salutations! I’m in the process of creating a story wherein both characters are missing an eye. One has a prosthetic, but is presently isolating themself in the woods, and wears an eyepatch to protect the eye while alone; the other’s socket is either empty, or they have a glass eye with no actual details (iris, pupil, etc.). I’ve struggled to find references for the latter, and fear it may come off as unrealistic. I understand prosthetic eyes keep the eyelid from collapsing, but aside from that could a person just not wear one? If these options are unrealistic, please let me know. I can supply you with concept art if need be.

The story itself centers around these characters after one of them finds the other by accident. They��re painted as foils—the one hiding out in the cabin adhering to a self-made sense of logic that centers on cycles and confirmation bias, while the only who takes refuge there after running away is deeply paranoid and prone to hallucinations. The first character is missing their left eye; the other their right. I don’t want to make a symbol of their disabilities, but I feel their designs simultaneously stress their opposing perspectives, as well as the fact they paradoxically still manage to see “eye-to-eye.” Their visual impairment is just one of many ways they’re able to connect across the story, as they also bond over their obscure passions and delusions, and respect each other’s warped worldview to such an extent said worldviews start to blur together. In addition to this, the story places an emphasis upon an entity known as the “ocellus,” which is basically the “false eye” you see on moth wings. In my outline so far, it’s the name of a mysterious band which the pair discover in a record collection, and resolve to solve the mystery of (regarding the members, music, etc.) One of the characters also sleeps with an eye mask with the pattern of moth wings and their respective ocelli overlaying their own eyes; their paranoid counterpart also sees eyes in the trees and wood of the cabin.

Absolutely none of this is set in stone; before it is, I just want to know how much of it is fine, which parts “moralize” or make a symbol of a disability, and what is straight-up ableist. Please let me know if you need more details.

Hi!

The prosthetic eye has two main functions: 1) to keep the eye area stay in shape, 2) to protect the socket. Both of these can be achieved by conformers (it's like a big contact, except it goes into the socket and not on the eye) which I talked about here!

A blank prosthetic eye would probably be fine. The process of getting it custom painted is expensive from what I know, and IRL a lot of people will decide on the generic kind rather than a custom. If in your world the generic happens to be a blank, there's no problems I can think of? Potentially, you could explicitly say that it's not how most prosthetic eyes look like (maybe someone else knows a person with an eye prosthetic and they comment that it's unusual?). You mentioned that the character doesn't have it in all the time, so I don't think the trope of "blind character has blank/white/milky eyes" applies here because it's clear that it's a prosthetic.

A person could decide to go bare, but the sensation of blinking could be uncomfortable, and they would need to clean their socket more to get rid of anything that could get inside. Normal saline could be used for that.

I don't think there's an issue in them missing different eyes at all. If you want to make sure it's not giving "Just Magic Symbolism" energy then you could incorporate some boring everyday things that would make sense. If they go somewhere together, they could decide to walk missing eye-to-missing eye, so that they see what's going on the sides rather than in the middle, things like that. It could make it feel more grounded, so to speak.

I don't see any issues with the moth fake-eyes symbolism either, I think it makes sense for the story you're trying to tell.

If you want to be very safe, I would have a character (can be minor, or background) that's also missing eye(s) that's not connected to any of the potential symbolism and is more of an average Joe of Not Having an Eye.

In case you decide to get into that, it would be nice for them to have different causes of why they don't have eyes. It feels like in fiction it's always physical trauma, but there's a whole more that could cause someone to not have an eye;

anophthalmia,

retinoblastoma,

severe eye infection,

elective enucleation (removal) of an already blind/painful eye,

just to give you a few ideas! Giving them "boring" everyday reasons of eye loss will also make it feel less symbolic and more like a regular disability. Think "dramatic swordfight with Huge Meaning" vs "yeah I had cancer in my eye when I was 2".

I hope that this helps; if you have any further details you'd like to ask about feel free to send another ask!

mod Sasza

#mod sasza #anonymous #face difference #eye prosthetics

[dulcelem]

An analysis of Ivan's life

Part 1

I've thought about doing this since I finished alnst. Reasons? I wanted to try to better understand what was going on in this man's head trying to base myself solely on official things. Also, this is all written under the assumption that events are shown to us chronologically, even tho I know that may not be correct. I'm just trying to see a different point of view. Without much ado:

From the beginning, when Ivan is adopted by an alien, he is taken to places without a collar, offering his absolute submission (because of his apparent apathy towards the situation) in exchange for not being abused. Compared to Till's life, his life was monotonous and not very eventful—after all, how could there be turmoil if the aliens seemed to adore him?

Truly like a tamed pet, he followed his owner wherever the latter wanted. Not only that, but he has a certain kind of affinity with the alien that Mizi and Till previously encountered. In short, even before performing on stage, Ivan already had everything he needed to be one of the most loved by the public, not to mention that his owner was a businessman, as Ivan himself admits in the interview.

However, Ivan was an unexpressive child who did not know how to show emotions, or, perhaps, because he lived in a world so different from how it should be, few things impressed him to the point of showing reactions. A tamed, loved dog that didn't cause any problems: perfect.

Despite the fact that Mizi, Sua and Till were his only colleagues, in the interview he states that he had many "friends", that is, people also liked him. However, the feeling didn't seem to be exactly reciprocal: they all seemed trivial to Ivan. Unlike them, these three friends he had, each one meant a different thing.

Starting with Sua, it has already been made clear to us that he identified with her to the point of thinking that they were the same. There could be several reasons for this, the same background, similar stories, but I will highlight what I think is most likely: apathy. Ivan comments on Sua's eyes as she looks at Mizi with such resentment that I can't help but think that's one of the biggest similarities between them. Dead, empty and hopeless eyes. That world is all they know, all they will ever know. Her succinct, reserved, and quiet personality reminded him of his own. That is, until he sees the way her eyes light up when she sees her goddess, her universe — her clematis. Suddenly, he once again became the only different child in that place and, as if that wasn't enough, Sua's goddess returned all that sparkle in her eyes in a way that the person he chose never did, would never do. Anger, frustration, confusion—envy. Something bitter, ugly and painful.

As for Sua's beloved, Ivan doesn't seem to have bad strong feelings for Mizi. No jealousy, no hate. All we see between them are friendly and kind interactions (in particular, Ivan reminds me of an older brother when it comes to MiziSua). Nothing as expected. He likely understands that it's not her fault that Till doesn't love him back. A curious fact in their relationship is that Mizi's blinding light doesn't seem to affect Ivan. While others cling to her like a beacon amid the darkness and water in the desert, Ivan is not affected.

#alien stage #alnst #ivantill #alnst ivan #ivan #alien stage ivan #alnst mizi #sua alien stage #till alien stage #alnst till #guys this is going to be LONG #he's so........ #i need to study him

[missbluesunflowersstuff]

Gotham being a fuck up City once more

Gotham is a City with a lot of problems, Jason Todd knows it very well. And this is not about the pollution, corruption or the villains but the city itself is like that. The City is vile, dirty and knows how to make your old wounds bleed.

And sometimes Jason really hates Gotham because of this, the City plays with everyone and anyone. Oracle sent some messages to everyone, saying something about weird supernatural shit happens and everyone should be careful that night while Batman is working... Well Jason don't care.

Jason Todd is having a shit week and he is fucking tired! He just wants to go home and sleep - and maybe some beer and shower. Be the whatever shit is batman doing now it's definitely not his problem.

And Jason actually did it! He manages to avoid his siblings the whole way to the safe house. but before entering he sees a woman sitting against the door, his whole body freezes and he regrets not having paid attention to the warning because Jason knows that woman. And she definitely doesn't should be there.

"Jason" the woman got up and smiled at him, "look at you... You become so tall"

Jason's first instinct is run, but his body doesn't move, he barely can think

"look at your hands" Catharine keeps smiling and holds her son's hands, there's so much sweetie in her voice "I remember when you were a baby, your hands were so tiny, both of your hands fit in one of mine... look at you now... this time I'm the one who has to use two hands to hold one of yours"

Jason doesn't want to believe in it! She was dead! He knows it! She died years ago... But...but...

Catherine lets go of Jason's hand when she notices that her son is silent

"I understand, you must be angry with me... I'm sorry..." she starts to walk away, after all, what kind of mother was she?

That was enough for Jason to panic, whatever that was in front of him, he wasn't going to let it go that easily. He didn't understand why his parents always abandoned him, but whatever it was, he wanted to keep her there a little more

"I... I... I hurt people, mom..I hurt so many people" Jason doesn't know what makes him say that, at all the things he should say he chose. Why can't he do nothing right?

Catherine looks for her son again, She brings her hand to his face, wiping away the soft tears that have started to fall.

When did Jason start crying?

"You were trying to protect someone, weren't you? I know who you are Jason, you are my son, I raised you... you must have become such a smart man, do you still like books? I remember you loved going to the public library to read, it was a free trip so we walked there every weekend"

Jason hates it. Why Gotham keep tutoring him like that? Why Gotham keep doing this?

and the rest of the night the boy and his mom are just talking with each other in the same way they did before the drugs... She asked about the books he was reading at that time, his friends, if he had someone in his life...

They talked for hours but not enough... And then she disappears before the sun rises followed by the Oracle message "situation over control now, everything will be normal for now on"

And Jason starts sobbing on the floor again. He definitely hates how Gotham plays with everyone

#catherine todd #jason todd #dc comics #batfamily #dc comics fanfic #this come to me as a vision sorry if this is not good

[greghatecrimes]

Okay. Buckle up babes, it's finally Foreteen time and I wrote an essay.

Foreman and Thirteen are so interesting to me in so many ways. You have Foreman, who thrives off of control, and Thirteen, who refuses to be controlled in almost every aspect of her life. In the sense of them as individual people, they both have a lot of their own issues going on. Hot messes, the two of them. But in the sense of them as a couple, I think Foreman specifically is the only one who has issues with the relationship. (Or rather, Thirteen's issues aren't being projected onto the relationship and causing difficulties at the end of s5/beginning of s6, while Foreman's are.)

Foreman's biggest thing, at least in the latter part of their relationship, is control in regards to emotions. After they found Kutner, he coped with everything by isolating himself. A huge part of me thinks that's because this terrible thing just happened, the floor just fell out from both of them in so many ways, and Foreman feels like he doesn't have a grip on anything anymore. The only thing he can control is himself, and how he reacts. So Thirteen? Even though she's his girlfriend and he's worked with her for two years, her emotions and reactions are fundamentally beyond the scope of his control; she's still a wild card. She's not safe. So instead of letting himself lean on Thirteen, letting them grieve together, letting them comfort each other, for his own stability, Foreman chooses to cope (and thus reject Thirteen when she reaches out for support) by retreating into an environment that he's intimately familiar with. He surrounds himself with only variables that he can confidently predict. It's his gut instinct. It's always worked before, so why wouldn't it work this time? Why would it have any reason to cause problems?

In season four and the first half of season five, Thirteen was very much the same way. When things became too overwhelming for her, she repeatedly dealt with them by running, by hiding; by trying to isolate herself from the people who care about her and want to help her. The same base principle drives them both at this point: "what's out of my control is dangerous in some way or another. The only one who's safe to be around is myself, because I am the only person that I can control." But by mid season five, Thirteen has come a long way from that. Slowly she's becoming much more of a "recovering control freak". She's starting to be okay with the fact that she's not always going to have the amount of control that she has right now. She knows that all of it is something she has to come to terms with, and slowly she's getting to a point where she's accepting her diagnosis and working on all the baggage that comes with it.

Thinking about that– the fact that, by mid season five, Thirteen is approaching a point in her life of letting go, of learning to 'go with the flow'; while Foreman is very much still on the side of "I thrive and keep myself safe by controlling every aspect of my life possible"– makes them fundamentally incompatible as a couple from the get-go, even with all of the chemistry they had. Because the moment they get together (the Christmas party in 5x10 "Joy to the World") is right after Thirteen's decided that she doesn't want to die; when she's just starting to process her diagnosis instead of running from it.

Do I think there was/is love there? Yes. They absolutely care about each other, both during and after the relationship.

Do I think they would have worked out long term? The simple answer is "no".

The more complicated answer is that if they had been able to avoid the fiasco of Foreman running the department and then firing Thirteen after House quit, I think they could have made it work. But it would have been rocky, and it would have been especially rough for Foreman. Extremely so if it were to reach a point where they've stayed together for years and years, and Foreman is with Thirteen when she really starts to decline with her Huntington's.

Foreman is Thirteen's friend; he's also seen people slowly wither away from degenerative disease (his mother, with Alzheimer's), and he's a neurologist (and so he knows exactly how she'll decline, down to every last detail). All of those things give him greater emotional stakes in her Huntington's diagnosis beyond what's typical. But specifically in the situation of them facing this as a couple, you have this level of involvement where Foreman– someone who needs a high amount of control to function on a fairly basic level– is in an incredibly intimate relationship with Thirteen, whose entire life is inevitably and actively slipping out of her control. And in that scenario... I think that when the decline does start happening, it would absolutely terrify Foreman. To be the one that's by her side as a partner– seeing all of it firsthand, the pain and grief and sickness? And as her significant other, being the one that would potentially become a medical proxy when she's too sick to advocate for herself, faced with the possibility of making life or death decisions (like whether or not to euthanize the woman he loves)? I think that would have the potential to utterly destroy him.

As a friend, though? ("Ex-partners who have gotten back to a shaky friendship after the breakup, and still care about each other deeply", but "friends" for short.) The entire situation completely changes. I firmly believe that post-canon, if Foreman knows House offered to kill Thirteen before he "died", he would offer to kill her in House's stead in a heartbeat (just like I think Chase does). THAT sort of involvement with Thirteen's decline and care is far less terrifying, because now this is not the decline of someone that he's based his entire future on. This is not someone he's given half of his heart to; this is not someone he's built an entire life with and entwined himself so thoroughly with.

With the way things work out in canon, they're still friends, and they still care about each other; but at the end of the day, they're two separate people with two separate lives, two separate futures. And so Foreman doesn't lose a single ounce of his control as Thirteen's is slowly taken from her, bit by bit. Witnessing that is still a pain that is unimaginable. But for him, it's survivable. And that's the key difference (and why I ship Foreteen during season five and season six, but not post canon).

#this has been sitting as a bunch of voice memos in me and Bee's discord convos for MONTHS and i'm so happy to finally write it out #doomed yuri vibes and i can make another post to elaborate on that at some point #i love them a lot even when they hurt me #house md #hate crimes md #hatecrimes md #remy thirteen hadley #eric foreman #remy hadley #foreteen #my meta #meta

[screamingcrows]

Chase - Dottore x reader

Note: Same reader as Tomorrow and Settling in. All of this is just stuff that will never make it into my long fic because those guys don't get to have the happiness these two will get. Keep this out of character ai bots or I'm spreading Pseudomonas aeruginosa in your garden.

Tags: fem reader, reader from Fontaine, she works under him, anger, talk of murder, weapon, angst?

MINORS, AGELESS, BLANK BLOGS DNI

"Doctor? I need to ask you a question," her voice was a far cry from the usual sharpness.

Dottore laid his pen down before taking in her face. It was uncanny how easily her voice could halt his thoughts. Faint traces of salt lingered along her cheeks, but worse still were her eyes. He motioned for her to continue, unwilling to break the delicate silence.

"Why do you pursue knowledge?"

That caused him to pause. She should know, by all means, it was a fact well known throughout the Fatui. But if she needed to hear, there was no harm repeating himself. It was a quiet day after all.

"As you know, there is a discrepancy between what information we, as inhabitants of this world, are allowed to possess and-"

"That wasn't my question," she hadn't snapped at him like that before.

He couldn't help but scrunch his nose in distaste as he briefly considered reprimanding her. The way her flame had wavered during the last month hadn't been lost on him.

Too many nights she would stay long past what was necessary, his segments conveying that they'd found her collapsed atop her desk, freezing cold and difficult to rouse.

"Pose your question better."

"What drives you? What do you want to see at the end of this? I guess," her words faltered when she finally arrived at the right question. "What do you feel when you achieve a goal?"

"A sense of satisfaction from unraveling a mystery, from solving a problem, accompanied of course by a barrage of new objectives to pursue"

His eyes flickered up to her and he found his hand reaching for the mask, diverting the movement to run his fingers through his hair instead. At the first sound of her quiet sniffles he turned his head away, crossing one leg over the other. Something so foreign and so desperately familiar was taking root.

"I feel.. I feel nothing. Like some pitiful ghost that can't move on. And I hate myself for it. Because it means they were right," her voice grew more frantic along with her sobs.

She'd begun pacing back and forth in front of the desk, the force of her steps making his pens rattle in their cup. Dottore felt it in his bones.

"I killed all those people, and it felt so good while they clawed out their eyes. So why is it so empty now? I proved myself, proved that I could, my idea worked a-and they're all dead for doubting me!"

Her frantic laughter rang through the room, making his hands tighten around the armrests. There was nothing he would say to console her, knowing there were only two options from here. It was not something to be driven by another's hand.

"It's not fair!"

The worn desk creaked with the force of her fists bearing down upon it. When he looked upon her again tears adorned her cheeks, and for a moment there was an itch to reach out and brush them away. Run a finger along her bottom lip, swollen from how she'd been chewing on it. Like so much else, it never became more than a simple fantasy.

"Did you expect to bury your troubles along with their bodies?"

"I-.. Well, yes. Obviously."

He had to bite back a chuckle, the hesitation in her voice confirmed his suspicion. She did know better than that. Taking a life out of vengeance was one thing, but living with the consequences was an entirely different issue.

With a small sigh, Dottore reached forward towards where she was leaning over the table, head hanging in defeat. He caught the longing in her eyes when she noticed the approaching hand. It was difficult not to wince when the look was replaced with disappointment when his gloved hand pulled a few things back from the edge.

"You knew it wouldn't make me feel any better," venom laced your words, unsurprising but still unpleasant to hear.

"Yes."

At least her crying had ceased, reduced to nothing but faint sniffles while she rubbed at her eyes. Her voice had risen in pitch, the sound uncomfortably invasive.

"You let me work myself to near-death knowing it was for nothing?"

"We now have a terrifying new weapon in our arsenal, and I'm sure you can improve upon it. I'll get one of the segments working on something to more efficiently deliver it, perhaps we should-"

Dottore tilted his head to the side, narrowly avoiding the pen she'd thrown at him. For a moment, everything stood still as he awaited her next action. There was nothing but the faint sound of his heel repeatedly hitting the ground. Had he misjudged her?

"You absolute bastard, you.. you.."

It was difficult to remain a spectator when the realization became comically clear in her expression. Oh he hadn't misjudged her at all. She knew. What had transpired was entirely by her own choice.

A small curse passed his lips when she threw a mug onto the floor, porcelain shattering alongside her resolve. There was barely time to stop her when she stormed out of the laboratory. Perhaps a segment could check on her later.

#dottore x reader #il dottore x reader #zandik x reader #genshin impact x reader #crow with a pen #dottore x fem reader #x female reader

[thesummerestsolstice]

Unwritten Fics game

I was tagged by @runawaymun to talk about all my as-of-yet unwritten fic ideas! I have many, many of them. Here are a few. Feel free to send me asks about any of them, or to tell me which ones you'd most like to read in the tags!

Earendil-drinks-the-Silmail-AU: see Tumblr post here. Elwing gives Earendil the Silmaril's light to try and heal him from an illness, and both he (and later E&E) now have the light of the Silmaril within them. This causes problems for the Oath of Feanor. Can't decide whether to make it serious and heartbreaking or extremely silly.

Immortal Elros AU: definitely need to post about this one. In which Elros sees the mortals who will become the people of Numenor, loves them, and decides the best way to help them is to be immortal, to protect their descendants and maintain their legacy long after they're gone. He becomes Numenor's beloved guardian, caring for it's people for centuries. This all goes pretty well until Tar-Mairon shows up on the island.

Faustian Bargain AU: when both Gil-Galad and Celebrimbor are captured during Eregion's fall, Elrond makes a dangerous deal with Sauron to get them back. In exchange for their release, Elrond offers to become Sauron's captive, and to help him in his efforts to reach the Void and free Morgoth. Elrond, of course, has other plans. So do the now-free (and incredibly worried) Gil Galad and Celebrimbor.

Unexpected Problems: see Tumblr posts here and here. All about the issues Elrond runs into in Valinor– from people debating about whether or not he counts as an Ainur to Noldor being scandalized that he only wears a couple pounds of jewelry. Also his repeated attempts to stop Galadriel and Bilbo from completely destroying Valinorian society.

The Love of a Parent: Elrond's parents continue to look out for him, whether from beyond the circles of the world or from the stars above. Probably largely outsider POV. A chance for more eldritchry.

On Estel: In which Earendil goes into the void, searching for Maeglin's lost spirit. Slight AU in the sense that it's very Maeglin sympathetic, and has him having a good familial relationship with Turgon, Idril, and Earendil.

Ten Little Soldier Boys: my take on who Finrod's faithful ten were, why they were so loyal, and the moments they each decided they would give anything to keep Finrod safe. OC heavy but very dear to my heart.

Misfits, Outcasts, and other Characters of Ill-Repute: a series of oneshots about the various people who end up in Rivendell and how they got there. Includes canon characters (Glorfindel, Erestor, Lindir, etc.) and some OCs (including an old Feanorian diehard and one of Thingol's bodyguards, and, of course, Garthaglir the Library Orc)

No pressure, but I'm going to second Runawaymun's tagging of @jaz-the-bard (I don't think they've done the game yet but I might've missed it on their blog)

#silmarillion #silm fic #silm au #tag game #elrond #elrond peredhel #elros #elros tar minyatur #gil galad #celebrimbor #earendil #maedhros #maglor #elwing #galadriel #maeglin #finrod #bilbo baggins #rivendell #eldritch peredhel #kidnap fam

[radiation]

Video games talk dont even mind me

Bro video games as a whole are so far behind movies in terms of storytelling and pacing that it’s kind of baffling. Which of course is obvious and makes sense for plenty of reasons but like, just think about it — watching movies a lot can’t help but train a certain muscle that gives you a strong instinct for structure. I find that people who watch movies very casually, without too much artistic consideration, and don’t really know the language associated with it are still very often irked by specific issues with a movie’s pacing, dialogue, etc and are relatively capable of putting it into words. Likewise, for many movies out there, regardless of your opinions on any specific directorial choices, you do feel as if the movie is essentially cohesive and creatives involved reasonably knew what they were doing and were acting very intentionally, and there weren’t any major oversights. This includes independent films as well. Meanwhile I think both players and developers much more commonly lack the instinct for narrative cohesion when it comes to video games. Definitely a fair amount of exceptions to this, but in general I find it’s difficult to find video games that are very narrative heavy & aspire to great artistic heights that don’t suffer from inherent structural problems, pedantic dialogue, tons of dead air, etc in a way that wouldn’t slide as easily in a movie. A lot these flaws certainly have to be due to the presence of gameplay elements and having to balance that with story when the two are almost always, at least in some small respect, inherently at odds. As for the inability for devs and players to pick up on / fix these flaws…is it because gameplay can distract from it and make up for it? With longer games that have runtimes closer to the experience of a television series, is there a similar reaction where if it’s long enough you will sit thru smaller, momentary issues because you enjoy the bigger picture? Yet games are a lot more engaging than a show as a audio, visual, and tactile experience, you can’t multitask and tune the information out as easily as with a boring episode of a show, so you’d think people would be more picky? But maybe because it’s so attention-demanding people are more immersed, and believe in the experience enough to more easily accept the story? Books demand the same kind of active attention to experience though, and the bar for story in books is a lot higher, so what gives? Well a lot of these have kind of obvious answers but still Interesting questions to ask that lead to Damn , That Is Still Crazy How Much This Shit Is In Its Infancy like sometimes I feel like I’m going crazy with how many writing issues are present in games, particularly in indie games that are Trying To Be Good At Writing that feel excessively obvious and yet I often struggle to find my sentiment mirrored by others. IDK. And back to movies the thing is I feel like if the same people trying to write these kind of games had pursued movies instead then they would’ve ended up making well structured movies that avoided all of these pitfalls. WHAT IS IT WITH GAMES? Well we know what it is with games and we could spend all day discussing a million more reasons this is the way it is but no matter what I think we should just be super conscientious of these pitfalls when making narrative focused games and aspire to a greater level of intentionality that is absolutely possible . Build that muscle by really understanding the quality of storytelling long-present in other mediums.Well the other issue with indie devs is that everyone believes they are totally breaking new ground story wise that they don’t take a step back, humble themselves a bit, and cross-reference what they’re doing with the tons of other stories that have already achieved similar things But thats a conversation for another day .