It has been almost 200 days of genocide in Gaza, and during this time Palestinians have been in the worst stage of starvation and famine. Children have begun dying from starvation and malnutrition, and more and more photos of Palestinian children are coming out where the child is nothing more than skin and bones.
Personally, I know I take the food I eat for granted every single day. I am no more deserving of a meal than the children of Gaza, so for that reason me and a few of my friends will be doing a minimum of FIVE day hunger strike in solidarity with my brothers and sisters in Palestine.
We will be starting on 1 May, as to hunger strike safely there is preparation needed. I making this post now in case anyone wants to join me and will want to prepare. I am not doing a dry hunger strike, I will be having fluids and I also don’t believe I will be able to hunger strike safely for more than 15 days for health reasons.
“Sponsor me” on my hunger strike!
If you send me proof of a $50 USD donation to Anera (the equivalent of feeding 180 Palestinians), I will add ONE day to my hunger strike (a maximum of 15 days)
Join me on my hunger strike!
If you think this is something you would be able to participate in, I encourage you to participate in any capacity that you can- as long as you’re doing it SAFELY
Here is a resource I have been following to prepare ***YOU CAN’T JUST START A HUNGER STRIKE BY CUTTING OUT FOOD COMPLETELY AND NOT PREPARING***
If you want to participate, please do your research and do it safely. I am doing this for the Gazan children who don’t have a choice right now, and I know in my heart I owe it to them. There is so much we consider a basic right and take for granted that people in Gaza don’t have access to. This hunger strike is solely in solidarity/raise money for Anera, there is no specific end result.
More information on hunger strikes (and why they needed to be prepared for if you’re choosing to do one)
friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me
Dropout is great because while on a traditional network nowadays you would have one knockout concept and be done with it never revisiting it again dropouts like “okay we love doing that now let’s do it AGAIN and AGAIN and make it BETTER and more COOL and more ENJOYABLE and let’s keep doing it until our hearts tell us to stop and we love doing it so that might be never so long as we’re passionate about it” and that’s so fucking cool, in an era of commodified creativity the enthusiastic passion for the arts that drives dropout is not only refreshing but heartwarming and cathartic as a fellow creative who would love to have the chance to do what I love to do like that.
a lot has been said about the variety of Ryoko Kui’s character designs but what i find really interesting is how she seems to actively challenge herself to make each character in Dungeon Meshi visually distinct and recognizable, dedicating a lot of Daydream Hour to stuff like drawing the cast with different clothes and hairstyles, not to mention how the “Dumplings” and “Shapeshifter” stories are basically multichapter exercises in character design
once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that’s puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.
and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots
This week on Dropout: on Monday, a new Game Changer with guests Mike Trapp, Ify Nwadiwe, Siobhan Thompson, and some very special cameos; on Tuesday, a new Um, Actually with guests Grant O'Brien, Keith Habersberger, and Zach Kornfeld; on Wednesday, episode 16 of Dimension 20: Fantasy High Junior Year; on Thursday, the episode 16 Adventuring Party talkback AND the premiere episode of Smartypants, with speakers Mike Trapp, Demi Adejuyigbe, and Vic Michaelis; and on Friday, Very Important People: Last Looks goes behind-the-scenes on Ally Beardsley's episode!
Quackity: These past days I've been in many calls, and I'm not done yet. I've spoken to a lot of people and creators. I've read your comments and I'm well aware of what needs to be done to carry out this project. I want to tell you all, beforehand, that for me the team's well-being is fundamental. I'm very involved in this topic to sort it out and I want to make that very clear. I want to tell you something... I want to tell you all that the administrative staff responsible for so much harm to the project has been fired. Specifically, those who made decisions without my permission, affecting the administrative and financial area of the project. Consequently, after this, I was in charge of doing a financial analysis that's carrying out for the QSMP.
Guys, to be really honest, it was not going to last. Therefore, I've had to make deep drastic structural changes that have lead me to reduce the performance of the server down to the most essential, and this is in order to ensure the well being of everyone involved in it. Having said this, I want to give a very important update: I want to let you all know that the QSMP will have to slow down temporarily. This is to ensure this new structure adapts to the project, because it's a restructuring that's taking place. I'm letting you know, and I reiterate, there are no voluntary positions inside the QSMP.
At the moment, there will not be any more individual update accounts of all 5 existing languages in the project. In any case, during this transition, there's going to be a temporal absence of all Eggs and NPCs. I know these are difficult changes, and I repeat, it's temporary until we adjust to these new conditions that will improve the performance of this new structure that's being made from scratch, both in the administrative and financial part. I'd like to reintegrate people fro the QSMP as time goes by if a financial viability can be found for the project Taking advantage of this update to tell you guys that within the changes of the server as it is, creators will have full control of their lore and stories. The team will not intervene in the way that it was being done. Moreover, efforts will be made to change the competitive dynamics inside the game so as to ease up the game style for the creators. Like I'm saying, all of these changes, and more, are being carrying out to have the project as best as possible, and they're being done little by little. This is a whole new structure that will ensure the best continuity and experience for the creators, the community and the team behind.
Guys, I want to make very clear that this is restructuring process, and again, it's not a fast one. The server being open does not mean everything's perfect, I understand that very well. Conversations will keep taking place, communication will continue and the constant improvement of the project as well. I ask, please, for everyone's patience and understanding regarding all changes. Please do wait for official announcements since a lot of incomplete and incorrect information is being spread. I want to tell you all something- if you don't trust in these changes or have many doubts about it, and don't want to consume any more of the project's content, I understand 100%. I have a personal commitment with the QSMP and I will work until it functions in the way it is supposed to do.
Lastly, I want to let you know that it was being worked on for months on finalizing the integration of Korean creators to the QSMP. For that reason, tomorrow we will be welcoming the new Korean creators of the QSMP, of course, taking into account all the changes I've just mentioned. I hope you can give the new Korean members warm welcome to the project. And as you know, their schedules are earlier. For everyone who would like to watch, they will be joining at 11am Mexico time and at 9am US time. Basically, I wanted to give that update regarding everything that's being done within the project. Again, thank you for your patience and understanding- these are necessary changes and I'm glad they're being done now. And many more things will keep being adjusted.
there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.