#tips on writing realistic dialogue

[3hks]

How to Write REALISTIC and SMOOTH Dialogue

In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!

*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***

>> Keep your characters in character:

Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)

Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!

>> Take the situation into consideration:

This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.

If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.

>> Don't take too long with their words:

Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.

If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.

*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***

>> Having a variety of dialogue tags:

This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!

Examples:

Beginning - She tilted her head, "What are you talking about?"

Middle - "Oh," he blinked, "I actually never thought about that."

End - "Wait up!" She exclaimed loudly, waving her hands around.

>> Using no dialogue tags to create a smooth conversation:

Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.

Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.

*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***

Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.

>> Pauses and stutters:

When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.

>> Filler words and slang:

Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!

Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!

*** CONCLUSION ***

Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!

If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!

Happy writing~

3hks <3

#writing #writeblr #writerscommunity #writing tips #creative writing #writing advice #writing inspo #dialogue #writing dialogue #writing dialogue tips #dialogue tips #how to write dialogue #how to write smooth dialogue #how to write natural dialogue #tips on writing dialogue #tips on writing smooth dialogue #tips on writing realistic dialogue #how to write realistic dialogue

[yeyinde]

writing dialogue is the bane of my existence. the most awkward thing ever, honestly. it always either sounds like a porn parody of High School Musical or two aliens desperately pretending to be human. and failing. miserably.

#and the “helpful” tips and tricks are so unserious omg #“use regular conversations as a blueprint” PLS BE SERIOUS RN #the only thing ive talked about for the last two weeks was the infamous Banff bear The Boss as he came outta hibernation #and you expect me to write realistic dialogue?? #in what universe am i (a clown) supposed to know what real people talk about??

[ancientroyalblood]

Creating Authentic Dialogue: Tips for Realistic Conversations

Imagine your favorite book or movie. What do you remember most about it? Often, it’s not just the plot or the characters but the dialogue that lingers in your mind. Well-crafted dialogue breathes life into a story, making characters and their interactions feel genuine and relatable. Writing authentic dialogue is an art that every writer can master. In this exploration of creating authentic…

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#Authentic Conversations #Authenticity in Fiction #Character Development #Character Voice #Conversation in Writing #Crafting Believable Dialogue #Dialogue Editing #Realistic Character Interactions #Show Don&039;t Tell #Subtext in Dialogue #Writing Dialogue #Writing Techniques #Writing Tips

[noodlenoises]

3 Tips for Writing Realistic & Interesting Dialogue

Author Reyadh Rahaman is here bringing you 3 tips for writing excellent and believable dialogue!

When you’re writing dialogue for every character, it can be hard to make them sound different and genuine. They can come off sounding robotic, generic, and dull if you aren’t careful. Thankfully, there are a few easy tricks you can use to avoid such issues.   No One Speaks With Completely Correct Grammar Think of the last conversation you had IRL. This was probably with a friend, family member,…

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#character dialogue #characters #dialogue #helpful tips #helpful writer tips #writer resources #writers #writing #writing as a career #writing character dialogue #writing community #writing dialogue #writing process #writing realistic dialogue

[deception-united]

Let's talk about fight scenes.

Writing fight scenes requires a delicate balance of action, emotion, and detail to keep readers engaged and immersed in the moment.

Here are some tips to craft compelling fight scenes:

Know your characters: Understand their fighting styles, strengths, and weaknesses—are they offensive, or defensive? Spontaneous, or strategic? Trigger-happy, or reluctant? Their personalities and motivations will influence their actions and decisions during the fight.

Create tension: Build tension leading up to the fight to increase the stakes and make the action more gripping. Foreshadowing, verbal sparring, or physical intimidation can all contribute to a sense of anticipation.

Use sensory details: Engage the reader's senses by describing the sights, sounds, smells, and physical sensations of the fight. This helps to create a vivid and immersive experience—but make sure not to overdo it. Too much detail can distract from the adrenaline of the fight.

Maintain clarity: Ensure that the action is easy to follow by using clear and concise language. Avoid overly complicated sentences or excessive description that could confuse readers.

Focus on emotions: Show the emotional impact of the fight on your characters. Describe their fear, anger, determination, or adrenaline rush to make the scene more compelling and relatable.

Include strategic elements: Incorporate tactics, strategy, and improvisation into the fight to make it more dynamic and realistic. Think about how your characters use their surroundings, weapons, or special abilities to gain an advantage.

Balance dialogue and action: Intersperse dialogue with action to break up the fight scene and provide insight into the characters' thoughts and intentions. Dialogue can also reveal or support the characters' personalities and motivations.

Keep it concise: While it's important to provide enough detail to immerse readers in the action, avoid unnecessary padding or overly long fight scenes. Keep the pacing brisk to maintain momentum and keep readers hooked.

Show the consequences: Illustrate the aftermath of the fight, including injuries, emotional trauma, or changes in relationships between characters. This adds depth to the scene and helps to drive the story forward.

Hope this helped ❤

#writeblr #writing #writing tips #writing advice #writing help #writing resources #creative writing #deception-united

[coffeebeanwriting]

Some Quick Character Tips

Here are a handful of quick tips to help you write believable characters! 

1. A character’s arc doesn’t need to grow linearly. Your protagonist doesn’t have to go from being weak to strong, shy to confident, or novice to professional in one straight line. It’s more realistic if they mess up their progress on the way and even decline a bit before reaching their goal.

2. Their past affects their present. Make their backstory matter by having their past events shape them into who they are. Growing up with strict parents might lead to a sneaky character, and a bad car accident might leave them fearful of driving.

3. Give reoccurring side characters something that makes them easily recognizable. This could be a scar, a unique hairstyle, an accent, or a location they’re always found at, etc.

4. Make sure their dialogue matches their personality. To make your characters more believable in conversation, give them speech patterns. Does the shy character mumble too low for anyone to ever hear, does the nervous one pace around and make everyone else on edge? 

5. Make your characters unpredictable. Real people do unexpected things all the time, and this can make life more exciting. The strict, straight-A student who decides to drink at a party. The pristine princess who likes to visit the muddy farm animals. When character’s decide to do things spontaneously or in the heat of the moment, it can create amazing twists and turns.

6. Give even your minor character's a motive. This isn’t to say that all your characters need deep, intricate motives. However, every character should need or want something, and their actions should reflect that. What’s the motive behind a side character who follows your protagonist on their adventure? Perhaps they’ve always had dreams of leaving their small village or they want to protect your protagonist because of secret feelings.

Instagram: coffeebeanwriting  

#writing tips and tricks #writing tips #writing advice #creative writing #writeblr #writing blog #how to write #writing help #writing fiction #writing prompts #fantasy writing #authortips #authoradvice #writingtips #writingmemes #writers blog #writingblog #authorsblog #howtowrite #writingtipsandtricks #writerscommunity #writers community #writinghelp #writingprompts #writertips #howtowriteascene #writingfiction #fictionwriting #fantasywriting #writing memes

[kurlyfrasier]

NEED HELP WRITING? (a masterlist)

I have likely not added many that I've reblogged to this list. Please feel free to roam my blog and/or ask/message me to add something you'd like to see on this list!

Synonym Lists

Look by @writers-potion

Descriptors

Voices by @saraswritingtipps

Show, Don't Tell by @lyralit

Tips & Tricks

5 Tips for Creating Intimidating Antagonists by @writingwithfolklore

How To (Realistically) Make a Habit of Writing by @byoldervine

Let's Talk About Misdirection by @deception-united

Tips to Improve Character Voice by @tanaor

Stephen King's Top 20 Rules for Writers posted by @toocoolformedschool

Fun Things to Add to a Fight Scene (Hand to Hand Edition) by @illarian-rambling

Questions I Ask My Beta Readers by @burntoutdaydreamer

Skip Google for Research by @s-n-arly

Breaking Writing Rules Right: Don't Write Direct Dialogue by @septemberercfawkes

Databases/Resources

International Clothing

Advice/Uplifting

Too Ashamed of Writing To Write by @writingquestionsanswered

"Said" is Beautiful by @blue-eyed-author

#writing #synonyms #writing tips #writing tricks #writing advice #writing resources

[kestalsblog]

Basic Tips to Improve Your Writing

I used to read a lot of unprofessional writing online, and through that endeavor, I started mentally compiling different qualities that turned me off to people's work right away. I'm sharing some of my thoughts about ways to improve your writing so others don't click off your work right away!

-Change paragraphs when different characters are speaking.

-In that same thread, remember to make new paragraphs and not have one giant block of text. This isn't only discouraging for some readers, but actually physically impossible to read for those who are visually impaired.

-Learn grammar. Sorry, but there is no way around this one. For example, commas aren't just for aesthetic appeal or your personal choice, and it will turn some readers away if your writing is littered with grammatical errors. You can't break the rules for creative purposes if you don't even know them, and the difference is generally apparent.

-Remember the narration style you've chosen. For example, if you're writing in third person limited, you can't think outside the mind of your main character. Don't jump suddenly to the thoughts of other characters or an all-knowing, omniscient voice.

-Slow down. Each word matters, so try not to think of writing as "I must get from Point A to Point B," but "I must get from Point A to Point B beautifully."

-Avoid repeating the same word or phrase too much, especially within the same paragraph. There are exceptions in dialogue, of course. (It's sweet when writers acquire their own personalized phrasings that mark their voice, but I have turned away from works where the exact same line just kept coming up again and again).

-Don't forget about setting. You might be able to imagine where your characters are, but no one else can if you don't let them know.

-Use a consistent verb tense.

-Your characters are not you and generally shouldn't always be mouthpieces for you to share your own values and thoughts.

-Your characters should sound distinctly different from each other, including their talking styles.

-Don't bog the reader down with too much description, and make sure the description you do have is realistic. Think about it. In the morning, do you wake up, go to the mirror, and think to yourself, "I looked at my shaggy dark hair and emerald green eyes"? Nobody thinks that way about their own appearance, and it feels like a forced way to let the reader know what the main character looks like.

-There's no need to start tossing out every character trait if it's not relevant to the story.

-Last, show some passion and excitement for your own work. Make sure the language embodies that passion because if you don't even care about your writing, who will?

#writeblr #writing community #writing #writers on tumblr #for writers #writing advice #kestal #text post

[saraswritingtipps]

Writing Child or Teenage Characters:

Writing child or teenage characters requires an understanding of their unique perspectives, thoughts, and behaviors at various stages of development. Here are some tips to help you capture the essence of child or teenage characters realistically:

1. Research Developmental Stages: Familiarize yourself with the developmental stages of children and teenagers. Understand the physical, cognitive, emotional, and social changes that typically occur during these periods. This knowledge will help you depict characters at appropriate stages of maturity.

2. Voice and Dialogue: Pay attention to the language and vocabulary used by child or teenage characters. Their speech patterns, sentence structure, and word choices may differ from adult characters. Reflect their age and level of education in their dialogue to make it authentic and relatable.

3. Emotional Authenticity: Children and teenagers experience a wide range of emotions, and their emotional responses can be intense and sometimes unpredictable. Show their emotions through their actions, reactions, and internal thoughts. Be mindful of age-appropriate emotional depth and understanding.

4. Observational Perspective: Child and teenage characters often notice and interpret the world differently than adults. Highlight their unique observations, curiosity, and innocence. Allow them to have a fresh perspective that can bring a sense of wonder or discovery to the story.

5. Growth and Development: Portray child or teenage characters as evolving and growing individuals. Show their learning experiences, mistakes, and the lessons they learn along the way. Capture their gradual understanding of the world and their evolving sense of identity.

6. Relationships and Peer Dynamics: Explore the dynamics of friendships, peer pressure, and social hierarchies that are prevalent during childhood and adolescence. Show the influence of friends, family, and mentors on their thoughts and behaviors. Highlight the importance of relationships in their lives.

7. Hobbies and Interests: Reflect the passions, hobbies, and interests that are common among children and teenagers. These activities can shape their identities and provide opportunities for self-expression. Incorporate their hobbies into the narrative to add depth and authenticity.

8. Growth of Independence: As children and teenagers mature, they seek more independence and autonomy. Depict their struggles with authority figures, their desire for freedom, and their exploration of boundaries. Balance their growing independence with their need for guidance and support.

9. Challenges and Coming of Age: Explore the challenges and rites of passage that child and teenage characters face. Address issues such as identity formation, peer pressure, academic stress, bullying, first love, and self-discovery. Treat these themes with sensitivity and avoid trivializing or dismissing their experiences.

10. Evolving Relationships with Adults: Capture the evolving relationships between child or teenage characters and the adults in their lives. Show the shifting dynamics, conflicts, and moments of connection. Avoid portraying adults as one-dimensional authority figures or overly understanding mentors.

#writing #writer on tumblr #writerscommunity #writing tips #character development #writer tumblr #writblr #writing advice #oc character #writing help #creative writing

[hayatheauthor]

Writing Rage: How To Make Your Characters Seem Angry

Anger is a powerful emotion that can add depth and intensity to your character's personality. If you're facing issues realistically expressing your characters' rage, here are some quick tips to help you get the ball rolling. Whether your character is seething with quiet rage or exploding in a fit of fury, these tips will help you convey their emotions vividly to your readers.

This is blog one in my writing different emotions series. Go check it out to explore more emotions!

Facial Expressions

Furrowed Brows: Describe the deep lines between their eyebrows, signaling frustration or intensity.

Tightened Jaw: Mention their clenched jaw, indicating suppressed anger or tension.

Narrowed Eyes: Highlight how their eyes narrow, showing suspicion, irritation, or anger.

Raised Upper Lip: Note the slight curl of the lip, suggesting disdain or contempt.

Flared Nostrils: Describe how their nostrils flare, indicating heightened emotions like anger or aggression.

Body Language and Gestures

Crossed Arms: Show their defensive stance, portraying resistance or defiance.

Pointing Finger: Describe them pointing accusatively, conveying aggression or assertion.

Fist Clenching: Mention their clenched fists, symbolizing anger or readiness for confrontation.

Hand Gestures: Detail specific hand movements like chopping motions, indicating frustration or emphasis.

Aggressive Posturing: Describe them leaning forward, invading personal space to intimidate or assert dominance.

Posture

Tense Shoulders: Highlight their raised or tense shoulders, indicating stress or readiness for conflict.

Upright Stance: Describe their rigid posture, showing control or a desire to appear strong.

Stiff Movements: Mention their jerky or abrupt movements, reflecting agitation or impatience.

Eye Contact

Intense Stares: Describe their intense or prolonged gaze, signaling confrontation or challenge.

Avoiding Eye Contact: Note how they avoid eye contact, suggesting discomfort or a desire to disengage.

Glaring: Mention how they glare at others, conveying hostility or disapproval.

Dialogue

Raised or strained tone with variations in pitch reflects heightened emotions.

Short, clipped sentences or abrupt pauses convey controlled anger.

Use of profanity or harsh language intensifies verbal expressions of anger.

Volume increase, from whispers to shouts, mirrors escalating anger levels.

Monotonous or sarcastic tone adds layers to angry dialogue.

Interruptions or talking over others signify impatience and frustration.

Aggressive verbal cues like "I can't believe..." or "How dare you..." express anger explicitly.

Reactions

Physical Reactions: Detail physical responses like increased heart rate, sweating, or trembling, showing emotional arousal.

Defensive Maneuvers: Describe how they react defensively if someone tries to touch or talk to them, such as stepping back or raising a hand to ward off contact.

Object Interaction

Aggressive Handling: Show them slamming objects, throwing things, or gripping items tightly, reflecting anger or aggression.

Use of Props: Mention how they use objects to emphasize their emotions, like slamming a door or clenching a pen.

Descriptive Words:

Verbs:

Roared with fury, expressing unbridled anger.

Snapped in frustration, indicating sudden irritation.

Shouted angrily, releasing pent-up emotions.

Glared fiercely, showing intense displeasure.

Slammed objects in rage, symbolizing anger's physical manifestation.

Grunted in annoyance, displaying impatience.

Raged vehemently, portraying uncontrolled anger.

Adjectives:

Furious and incensed, conveying intense anger.

Seething with rage, bubbling beneath the surface.

Livid and fuming, exhibiting visible anger.

Agitated and irritated, showing growing impatience.

Enraged and wrathful, expressing extreme anger.

Vexed and irate, indicating annoyance.

Infuriated and incandescent, highlighting explosive anger.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

#hayatheauthor #haya sameer #haya's book blog #haya blogs #blog masterlist #writing community #writing tools #writer things #writing advice #writer community #writing techniques #writing prompt #writing stuff #creative writing #ya writing advice #writing tips and tricks #writer tools #writers of tumblr #writer blog #writers block #writers on tumblr #writerscommunity #writer stuff #author help #author advice #writing emotions #how to write emotions #emotional writing #writing #author

[digital-inkwell]

some rather basic tips to writing

Start with an idea: The first step in creating a good storyline is to come up with an idea. This can be anything from a character, a setting, or a plot point that you find interesting.

Develop your characters: Once you have an idea, it's time to start developing your characters. Think about their personalities, motivations, and backstories. This will help you create characters that are relatable and interesting to your readers.

Create a plot: With your characters in mind, it's time to start creating a plot. Think about what your characters want, what obstacles they will face, and how they will overcome them. This will help you create a compelling story that will keep your readers engaged.

Use descriptive language: When writing your story, use descriptive language to help your readers visualize the setting and characters. This will help them become more invested in the story and feel like they are a part of it.

Show, don't tell: Instead of telling your readers what is happening, show them through actions and dialogue. This will help your readers become more engaged in the story and feel like they are experiencing it firsthand.

Use dialogue effectively: Dialogue is an important part of any story, as it helps to reveal character traits and move the plot forward. Use dialogue effectively by making it sound natural and realistic.

Edit and revise: Once you have finished your first draft, it's time to edit and revise. Look for areas where you can improve the story, such as plot holes or weak character development. This will help you create a polished final product that your readers will enjoy.

By following these steps, you can create a good storyline and use effective writing techniques to engage your readers and keep them invested in your story.

#writing tips #writing advice #micro publications #how to write #writing help #writing resources #writing tools #writing characters

[cripplecharacters]

Navigation: Helpful Posts

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Complication of posts from CrippleCharacters, as well as other blogs providing advice on writing disabled characters!

This list will continue to be updated with new posts.

Last update: 23/04/2024

Character Making Basics and Ideas

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How to Start Doing Research When Writing a Disabled Character Ideas: crutch users Ideas: facial differences Ideas: rollator users Ideas: little people Ideas: intellectual disability General Ideas

How to Describe XYZ?

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Blindness Tropes: the "Blank Look" Describing Characters with Facial Differences as Pretty First Description: when to mention the Facial Difference How Often Should You Mention Mobility Aids? Dialogue and Speech Disorders Sign Language in Dialogue

How to Draw XYZ?

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Tips for Drawing Characters with Facial Differences Drawing Blind Characters Drawing Amputees

General

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Writing a Newly Disabled Character Writing a Visibly Different Character Including Disabled Communities Disabled Characters in Historical Fiction Coming up with Fictional Disabilities Tokenism Discussion Disability and Superpowers Curing and "Fixing" Disabled Characters Is It Realistic to Have Multiple Disabled Characters? "Jaws Effect": how media affect the real world Worldbuilding with Accessibility in Mind How to Let Readers Figure Out the Character's Disability

General Tropes

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"Super-Crip": Magic and Disability I Did a Trope but It's Too Late - What You Should Do - made with the mask trope in mind, but could be applied more widely Magical Cure - made with blindness in mind Including Healing Magic without Disability Erasure

Mobility Aids

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General Overview Overview, but with More Options - not writing advice, educational Magic Mobility Aids Tips on Writing Wheelchair Users "But Mobility Aids Wouldn't Exist in my Fantasy World"

Amputation/Limb Difference

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Constructing Characters with Limb Differences: Discussing Fetishization Do Amputees Always Wear Prosthetics? Does a Character with Amputation Need a Prosthetic? Does a Character with Upper Limb Amputation Need a Prosthetic? Designing a Prosthetic Arm Making a Character with Upper Limb Amputation Genius Amputee Mechanic: Discussing the DIY Prosthetic Trope Causes of Amputation

Blindness

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Making a Blind Character: what to add, what to avoid Designing a Blind Character: Discussing the Eye Covering Trope What to Give Your Blind Character Blindness Tropes: Daredevil, milky eyes, and blindness-negating magic The Blind Prophet Trope Guide Animals: Dogs, Horses, and Their Fictional Equivalents Blind Characters with Superpowers Portraying Photophobia in Pre-modern Times Characters with Albinism Fetishization of Albinism DeafBlind Character not Wanting to be Blind

Deaf and Hard of Hearing (HoH) Characters

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Creating Deaf/HoH Characters Writing D/deaf/HoH Characters Tips on Writing Deaf Characters Visual Indicators of a Person being Deaf Tips on Writing about Hearing Aids

Facial Difference (FD)

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Introduction to Facial Difference: basics, tropes, what I want to see Constructing a Character with an FD: Discussing Disfiguremisia and the "Mask Trope" Does My Character Need a Prosthetic Eye?: alternatives What Would Happen to A Character with a Scar Through the Eye? Personal Opinion on the Scar Through the Eye Trope How Scars Affect the Character, and How the Character Affects the Scar (in the technical sense)

Other

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Introduction to Writing Intellectually Disabled Characters: basics, tropes, how it actually works Down Syndrome and Historical Fiction Writing Characters with Tourette's Syndrome Introduction to Writing Characters with Speech Disorders Writing Little People (characters with dwarfism) Writing and Drawing Burn Survivors: basics and resources Caring for a Burn Scar: the everyday things Writing Characters with ASPD Dwarfism and Fantasy Stories Stereotypes around Characters with Dwarfism Writing a Character with Russel-Silver Syndrome

Making Your Content Accessible to Disabled Readers

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Image Descriptions Tutorial Writing Image Descriptions for People Who Can't Write Them "But how do blind people even use alt text" How to Tag Your Posts (Tumblr)

Recommended Blogs

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@blindbeta @cy-cyborg @a-little-revolution @mimzy-writing-online

#mod sasza #long post #navigation

[lifeinacartoonart]

CREATING AUTHENTIC DEAF AND HARD OF HEARING CHARACTERS: A WRITER'S JOURNAL

Introduction

Creating authentic characters in your writing is essential for engaging storytelling, and this includes characters who are deaf or hard of hearing. To craft a character that accurately represents this community, it's crucial to do your research, gain a deep understanding of their experiences, and portray them with sensitivity and respect. In this journal, we'll explore how to write a deaf or hard-of-hearing character, including key information and preparation steps.

Understanding Deaf and Hard-of-Hearing Characters

Research: Start by researching deaf and hard-of-hearing individuals' experiences, challenges, and culture. Read books, articles, and personal stories, and watch documentaries or interviews featuring members of the Deaf community.

Consult with Experts: Reach out to members of the Deaf community or experts in Deaf studies to gain insights into their experiences. They can provide invaluable guidance and help you avoid common misconceptions.

Diversity Within the Community: Understand that the Deaf and hard-of-hearing communities are diverse. Some individuals communicate using sign language, while others rely on lip-reading, cochlear implants, or hearing aids. Be aware of these differences when creating your character.

Character Development

Backstory and Identity: Consider your character's background. Were they born deaf, or did they become deaf later in life? How do they identify within the Deaf community? Understanding their identity and experiences will shape their character.

Language and Communication: Decide how your character communicates. Are they fluent in sign language, or do they primarily rely on lip-reading and spoken language? Their communication style will influence their interactions with other characters.

Cultural Awareness: Explore the cultural aspects of the Deaf community. Understand the importance of Deaf culture, including its history, art, and values. Incorporate these elements into your character's life when relevant.

Writing Tips

Dialogue and Communication: When writing dialogue for a deaf or hard-of-hearing character, be mindful of their unique communication style. Use visual cues, body language, and facial expressions to convey emotions and context.

Access to Information: Consider the challenges your character may face in accessing information. This could involve issues with closed captioning, subtitles, or accommodations in educational or work settings.

Social Interactions: Depict social interactions realistically. Show how your character navigates conversations, group dynamics, and social events within their community and with hearing individuals.

Preparation

Sensitivity Readers: Consider hiring sensitivity readers who are part of the Deaf or hard-of-hearing community to review your work and provide feedback. Their insights can help you avoid stereotypes and inaccuracies.

Learn Sign Language: If your character uses sign language, take the time to learn at least basic signs. This will not only enrich your writing but also demonstrate your commitment to accuracy.

Beta Readers: Seek feedback from a diverse group of beta readers who can assess the authenticity of your character and offer constructive criticism.

Engage with the Community: Attend Deaf community events, workshops, or online forums to immerse yourself in the culture and better understand the perspectives and experiences of deaf and hard-of-hearing individuals.

Creating a deaf or hard-of-hearing character that resonates with readers requires dedication, empathy, and thorough research. By following these steps and embracing the rich culture and diversity of the Deaf community, you can create a character that is not only authentic but also promotes understanding and inclusivity in your writing. In addition, when writing dialogue for your deaf or hard-of-hearing character, remember:

It's important to clarify why, when writing dialogue for a deaf character, you should continue to use structured English grammar and not sign language structured grammar.

Maintaining Structured English Grammar:

Readability: Writing in structured English grammar ensures that the text remains accessible and comprehensible to all readers, including those who may not be familiar with sign language or Deaf culture. It avoids potential confusion that could arise from using sign language grammar in written text.

Universal Understanding: English is a global language, and adhering to its grammar rules allows for a wider audience to understand and engage with your story. Sign language grammar varies between different sign languages, making it less universally applicable in written form.

Respect for the Medium: While sign language is a rich and expressive mode of communication, it is primarily a visual and gestural language. Attempting to replicate sign language grammar in written text can be cumbersome and may not fully capture the nuances of sign language communication.

Balance of Realism and Readability: Striking a balance between authenticity and readability is crucial in storytelling. Maintaining structured English grammar while depicting a deaf character's interactions helps convey the character's experience without compromising the reader's ability to follow the narrative.

As an illustration, consider the following text: Dialogues with Descriptive Sign Language:

Sarah greeted John with a warm smile, her hands moving gracefully as she signed, "Hi, how are you?"

John returned the greeting in sign language, his expressions mirroring his words. "I'm good, thanks. Did you see the new movie?"

Sarah's eyes lit up as she signed back enthusiastically, "Yes, I loved it!"

In summary, using structured English grammar when writing dialogue for a deaf character is a practical and respectful choice that ensures your writing remains inclusive and accessible to a broad audience while still authentically representing the character's identity and experiences.

Furthermore, it's essential to avoid creating a character who is overly perfect or one-dimensional. In real life, we understand that everyone has imperfections and complexities, regardless of whether they are deaf or hard of hearing. Therefore, it's entirely acceptable to depict your character as a villain with a hearing issue if that aligns with your storytelling goals.

#writing deaf characters #hard of hearing #writing tips #writing resources #sign language #bsl #asl #auslan #fiction writing #building a character #writing guilde #writing characters with disibilities

[welcomingdisaster]

quick tip for writing children's dialogue in fiction!

before you write it, think about whether or not it is truly necessary

not to generalize this to all children, but MANY many kids get shy and overwhelmed in new situations or when dealing with new people

it is in fact completely realistic for a child to default to short "yes"/"no"/"i don't know answers"

it is also completely realistic for a kid to sit there like 👁️👄👁️ when spoken to and stay completely silent. in many cases more realistic than the kid having words to conceptualize their experience/feelings, especially in stressful and novel situations

this has the added bonus of making it so that you don't have to go "oh my god would they say this" for many lines of child!dialogue

a nonverbal reaction is both easier to write and often inherently very relatable!

#writing #lena speaks

[toxicpineapple]

writing tips masterpost

hello to my loyal tumblr followers... i am often asked to give writing advice but usually when people ask me this i'm nooooot completely sure what to say despite having a ton of advice to give. it's such a broad question when there are so many different things i can advise on, right? so i thought i'd make a sort of writing advice masterpost where i can compile the tips that i think people specifically in fandoms could benefit the most from hearing, OR that i wish someone had told me when i was still finding my footing as a writer.

hopefully this will be helpful to you. i am putting all of the advice under a read more since this is going to be a long one. let's roll!

✬ paragraph breaks are your friend

the fastest way to get me to stop reading a fic is if i click in and see that there are NO paragraphs made and the entire piece is in a huge block of text. no matter how good your work is, i just can't read it at that point. the giant paragraph makes me get lost, i can't focus on anything... it's a huge no.

the trick is you want your paragraphs to sort of act as a guide for your reader, taking them through the story, keeping them engaged. do not be afraid to do short paragraphs! i can understand wanting to shy away from one or two sentence paragraphs for fear of not having "enough substance" in your work, but the truth is, a thousand short paragraphs is ten times easier to read than a huge block of text.

realistically, you want to have a good amount of variety in your paragraph length. variety is key. readers will notice when your work gets formulaic, and some people will like that, but for others that can turn people away from your work. but don't force it! a paragraph should end at the end of a statement, or if the paragraph is getting too long then cut off the thought and continue in the next paragraph with a transitional phrase.

as a general rule of thumb, you want lines of dialogue by different speakers to be put in separate paragraphs. you also want to avoid doing huge chunks of narration or exposition in the same paragraph as you introduce a new speaker. just make a new paragraph! no big deal. i guarantee you your reader will be way more engaged and nobody is going to come at you for doing more rather than less.

✬ make sure the reader knows who is speaking and when

you don't have to end off every line of dialogue with "she said" and in fact i would really recommend you don't. but you ALWAYS need to have some kind of indication in the text as to who is speaking, otherwise the reader can get lost.

this doesn't necessarily mean that you always have to explicitly say who is saying what, though. if it is obvious in a scene who is saying something -- so for example, a scene where there are only two characters talking OR the dialogue has some kind of phrase, statement, etc that makes it obvious who the speaker is -- then in that case you can just let the dialogue speak for itself. sometimes in writing less can be more. you disrupt the flow of a scene if you start to exposit unnecessarily when the reader could reasonably work something out for themself.

✬ "said" is your friend too

related to the last piece of advice, here's another note: don't shy away from using the word "said".

don't overuse it, either. obviously, you don't want every single line to be "he says" "she says" back and forth, especially when they might be asking questions or shouting, in which case the word "said" probably isn't all that applicable at all. but it's a nice default. if you catch yourself busting out the thesaurus, my recommendation? quit it. just use said. it's not going to hurt you and the reader isn't going to mind.

but yeah, in the event that a character is raising their voice, whispering, inquiring -- there are tons of other words you can use in lieu of said and then an adverb. it's just context-dependent, and also, you don't really want to lean too far one way or another. like i said, variety is key. too much of the same breaks immersion.

✬ if you wouldn't say it yourself, probably don't use it in writing

another related tip. look, i get it. you want to spruce up your writing with synonyms. but the fact of the matter is that a lot of these words that "mean the same thing" on paper actually have wildly differing connotations and if you don't understand what those are you're going to look kind of silly whipping out a word you just found off the internet. we can usually tell, too.

your vocabulary will naturally grow and expand as you continue to read and learn. you don't have to try and force it to seem smarter in your writing. people who can write compelling prose and dialogue without throwing in fancy words they barely understand look a lot more intelligent than people who have a thesaurus at the ready 24/7.

✬ if there's a simpler way to say it, take it

this one can be sort of style-dependent, so if it's not your cup of tea then feel free to take or leave this tip, but in my opinion, taking a whole seven-line paragraph to describe a simple action wastes both your and the readers' time.

how many times have you read a fic where the main characters are having a conversation with these long rambling paragraphs between lines of dialogue? sometimes this makes sense! if you were writing a death note fic it would absolutely make sense for light or L to be pausing every few seconds to carefully analyse their opponent's move... but that's not always the case. sometimes characters are just making small talk.

i'm not saying you can't show off. you should show off where applicable. but there's a time and place. sometimes a scene benefits more from you taking the easy way to describe something and moving on. flowery language is great, but if you're meandering too much the reader will lose interest and attention.

✬ a metaphor is useless if nobody knows what it means

writing is subjective and highly personal. write for yourself first and foremost, and use the metaphors that feel right to you -- but the best metaphorical pieces, to me, are the ones that people can understand and identify with.

you've read a story like that, haven't you? with a reoccurring theme or motif that comes back into play at the end in a way that makes you feel so satisfied and complete? THAT'S what you aim for with literary devices like that. if you write a story that nobody can understand, with metaphors that just don't make any sense -- then you haven't really successfully told a good story, have you?

i understand wanting to have a magnum opus. i think it's easy to fall into the "misunderstood writer" mindset where you want your pieces to be so magnificent that only the likeminded will get it -- but writing is a form of communication. metaphor is just another means with which we can illustrate how we feel. you WANT your readers to understand what you're doing with the metaphors, you WANT the people who step away from your story to know what you were trying to say. you don't have to be obvious, just make it good. make it something that can be reasonably drawn from the text.

at the end of the day flowery language is just flowery language. that doesn't actually make your story good.

✬ grammar intermission

(.) period/full stop: used at the end of sentences. oftentimes not used at the end of sentences in dialogue, because lines of dialogue are considered a fragment of a larger sentence. use a period/full stop at the end of a line of dialogue if the dialogue is followed up by another complete sentence. example:

"i just went to the store," he said, scratching his head.

"i just went to the store." he scratched his head.

(,) comma: used in the middle or to separate different clauses (parts/sections) of sentences. used for incomplete clauses, AKA sections of the sentence that could not function as individual sentences. also used to indicate a slight pause. example:

she reached for the ripest banana, plucking it from the bunch.

a comma can also be replaced by a conjunction like "and" or "but". example:

she reached for the ripest banana and plucked it from the bunch.

(;) semi colon: used to separate different complete clauses in sentences, AKA sections of the sentence that are related but COULD function individually as their own sentences. example:

he sighed as he looked out the window; it had been so long since he stepped outside.

not to be confused with

(:) colon: used at the end of a line that leads into or introduces another line. example:

his fingers drummed restlessly against the window sill. it was finally happening: he was finally leaving this place.

(-) hyphen: used to connect compound words like three-years-old or hyphenated surnames like jones-smith.

(–) en dash: used to indicate ranges of time or distance, like 3–4 hours.

(—) em dash: a girl's best friend. slash j. but an em dash is used to indicate a few different things: an abrupt end to a thought or sentence, a "cut-in" where you interject something tangentially or unrelated before returning to the original thought, or a diversion in the sentence/thought. examples:

"no, listen, you don't understand—"

he scowled—an ugly look on his usually handsome features—and told her to be quiet.

it's not like she had wanted it to go that way—but when had it ever mattered what she wanted?

(()) parentheses: used to add additional context, information, or a semi-unrelated thought that would break the flow of an ongoing sentence without completely taking the reader out. example:

"no, i'm sorry. i just forgot to call you this morning," he said, looking away. (in truth, he'd sat by the phone for fifteen minutes trying to psyche himself into it, but hadn't been able to muster the courage.)

✬ show don't tell, and tell don't show

show don't tell is one of the classic pieces of writing advice that i do, often, think is correct -- but it's a little more nuanced than just never telling your readers what a character is thinking. you want the work to speak for itself without you implanting messages or themes into the reader's brain. at the same time though you don't want them to be doing too much work because it breaks immersion.

this ties into what i was saying above about simpler being better sometimes. you want to be concise especially in scenes that might call for it. a fight scene should be quick and snappy. no need to dig into the physical sensation of being enraged -- just say the character is pissed! but if a character is having a meltdown or panicking, you can get SO much more out of describing how that feels than just outright saying it.

✬ remember your perspective

another huge thing with show don't tell is that you don't want your character to be able to objectively say what everyone else is thinking and feeling -- unless that makes sense for them within the context of the story. really dig into it. DOES the character have a reason to know what their opponents, friends, etc are thinking? how well do they know the other characters? how attentive are they to the emotions of those around them?

it's better to focus on descriptions than labels in that case. say what face a character is making, describe their body language or tone. your character can have impressions, just make it clear that those ARE their impressions. and let your character be wrong! they do not have to be a completely objective source of information.

✬ when it comes to representation, if you aren't confident you can do it well, don't do it at all

i'm one of those people who's kind of of the opinion that white or cishet or otherwise systemically advantaged people have no place being the loudest voices in conversations about representation, least of all AS the representatives. if you are someone with systemic privilege and you choose to portray someone who is oppressed -- that's not necessarily a bad thing. but you need to be willing to do your research and have a sensitivity reader, and you have to be ready for people to say you did it wrong.

not much else to be said about that. your voice on the matter isn't actually all that important. there are people from the demographics involved who DO have stories to tell about themselves that will be MUCH more valuable than your perception of them, so it's honestly better to just let them tell it. that's how i feel.

✬ don't break the rules unless you know how to follow them. in other words, your rebellion should be obvious

a lot of times i see people breaking grammar or other rules and citing "stylistic" choices as their reasons why. which is all good and well, to an extent -- but you want it to be very clear that you ARE breaking the rules on purpose in a way that adds to the artistic merit of your piece.

if you don't know the rules, then it really just comes across like messy work. you both have to know how to apply the rules, and also how to break them in a stylistically significant way. if it doesn't make sense for the rules to be broken, if it says nothing... it's honestly better to just follow them. that's my take.

✬ don't be scared of names and pronouns

i said before that you want variety in your work, and that is very very true -- but it's also true that certain words like names, pronouns, etc will sort of blend into the background in writing. people don't notice them. that means if you're using a name or pronoun a lot in a scene to make it clear who exactly is being referred to...

hey. look into my eyes. breathe. it's okay. you do not have to resort to highlighting arbitrary characteristics of the characters. i know. just breathe. it's okay. use their names. they have them for a reason. it's all good.

this isn't to say that you SHOULDN'T do that, just do it when it makes sense to. if height is something the characters are noticing then use "the shorter boy". if age is relevant, eye colour, hair colour, whatever -- go ahead and use them. but don't be excessive with it. i should not be having to read the bluenette more than i'm reading shuichi's actual goddamn name.

✬ read

this is the huge one. reading other works informs your writing. it teaches you skills and tricks you can use. it helps expand your dialogue and your world view. it might even highlight to you things you do too much of in your own writing. read, all the time, whenever you can. it doesn't have to be books. it can be fanfic, articles, whatever -- just keep reading, because you will be passively absorbing knowledge during that time and it'll help you grow as a writer.

✬ practice

BOOOOOO TOMATO TOMATO TOMATO! SHE SAID THE THING SHE SAID IT!

but listen, it's literally just true. i write almost every day for at least a couple of hours and i have been on a trend of consistent growth for the past five years. go read my fics from 2019 if you don't believe me. i've grown fast and i've grown constantly. you just DO grow through constant practice, even if it doesn't always seem that way.

not only that, but you start to build confidence too. writing a lot helps develop those muscles to a point where you start to realise that you ARE that good and you DO have that dawg in you. or whatever. you just have to keep at it. you're not going to magically improve thinking for six months about how you want to be a better writer without practicing anything about it.

✬ yeah, betas are good

you want to have a good editor. i know that that can feel like having someone ELSE be the reason your piece is good, but that's genuinely not it. a beta reader is a second pair of eyes on your work, someone who can tell you about the issues and mistakes you're missing. they'll tell you when something doesn't make sense. they'll point out your punctuation errors. you don't NEED to have a good editor for every crummy little oneshot... but it's good to have one.

✬ numbers are fine and all but don't compare yourself to other people

i think almost everyone in some kind of creative pursuit wants to get some kind of acknowledgement for it. we want to be the best we can be, and it can be discouraging to receive utterly no validation along the way! i get it!!

just don't get caught up in crunching the numbers. you are not as good as your fanbase is. you alone know your skillset and you absolutely should not say "well this other writer got THIS much attention" because that'll just wear you down. it really will. external validation will only keep you going for so long, and you'll always end up needing more. you HAVE to build your own personal confidence first or you'll crash and burn.

✬ read your writing out loud

there is no quicker way to see if something is wonky in your prose than reading it out loud and seeing if it makes sense verbally. i highly recommend this to anybody who struggles with sentence flow. it's a good one.

✬ yippee hooray!

🥰 and that's what i've got for now. thank you if you made it this far, please take all these tips as you will, it is all subjective of course, these are just the tips that help Me the most when i sit down to write something.

please feel free to ask me for additional advice (on specific topics if you could!) at any time, i love encouraging new writers and i am passionate about writing so i will gladly offer support in any way i can, including beta reading works for anybody who might need that.

take care now 💖

#writing #writing advice #writing tips #fanfiction tips

[grimm-writings]

on my hands and knees begging you to write that legally blonde idea… obsessed with the idea of reader thinking chil wants to get back w his ex vs chil just wanting to be friends and crushing hard on reader

take it like a man!

…ft! chilchuck x fem! reader

…tags! fluff, reader is into fashion

…wc! 2294

…notes! chilchuck tims and emmett forrest are the same to me (my type). this is so incredibly self indulgent thank you for enabling me anon.  a lot of dialogue is paraphrased from the song/show, such is the way of songfics. enjoy!

Oh, how Chilchuck wished he could say no to you.

He didn’t know what he was expecting from you and Marcille’s ‘sweep your wife off her feet operation’, otherwise shortened to SYWOHF which Chilchuck pointed out was an awful name for a campaign.  You elected to ignore him.

In actuality, he really wanted to just do this his own way.  What he had in mind was just to pay a visit and talk things through.  As those with a little womanly touch, you and Marcille knew that wouldn’t be enough.  Chilchuck had to prove he was serious about this – that he really wanted his wife back in his life!

Seeing how excited you were showing off your step by step plan… he didn’t have the heart to tell you that he really just wanted to remain friends with her.

So, here he is.  Having his eyes covered by your hands as you guide him through the busy streets of… who knows where.

“Almost there,” your breathless though excited voice reaches his ears, “I promise!”

You finally slow to a stop, and Chilchuck also gets the chance to speak about his thoughts on this.  Simply being, “this is pointless.  We don’t need to be doing all this.”

Scoffing, you fold your arms.  “Don’t be like that!  A conversation isn’t the only way to win her over.”

“No,” Chilchuck starts, “but it would sure make me look desperate!”  He swats your hands off and away from his face.  His back is turned away from the building you’re arguing outside of, not even bothering to see what you’re doing.

You frown.  Chilchuck doesn’t easily get so frustrated with you.  That’s what people usually say – if anyone can convince him to do anything, it’d be you.  “Chil,” you try to appeal.  You even try physically reaching out, hand hovering over his shoulder.  “Work with me here.  We can do this in a way that will prove yourself, and let her know you’ve changed.  For the better.”

Chilchuck listens to you, sparing you a sidelong glance as you go on with your speech.  “You make it sound like we’re in some romance novel.  This isn’t ‘for the better’ I just want to talk to her.”

“No you don’t, you want her back in your life!”

“Well…!”  Chilchuck stutters at how blunt your words are.  You are way too observant for your own good.  He never knows how to talk to you cooly when you do this.  “Well, of course I do!  And I can do that by slowly building up trust between us again, without rushing anyone.”

Where Chilchuck expects begging to follow through with your scheme, you simply look at him with a cold expression– colder than he’s ever seen you wear.  “So you have the chance to run away again if things get too much?  Sacrificing your integrity?”

You’re both lucky this little nook in the streets was away from most crowds.  Save for the passersby' conversations, the silence would have been strife with weight.  Chilchuck opens his mouth, then closes it again.  He repeats the action, and tries to use his hands to communicate his thoughts to no avail.

He settles for turning away from you in angered shame, fists balled at his sides and tips of his ears growing red.  “...I guess.”

You smile, knowing you have swayed the half-foot to your side.  Even in the dungeon, your debates went this way.  Chilchuck would present a cynical, logical approach whilst you were more realistic – something your appearance doesn’t really match with.  Chilchuck thinks he wouldn’t have it any other way.

Not like he’d say that to your face.

Hearing your confident hum, Chilchuck sighs and turns back to you.  “Why do you always have to be right?”  He complains about this constantly.  You always seem to one-up him in ways he can never prepare for.

“I don’t have to be,” your attitude and voice returns to its usual, jovial form, “when I’m with you, I just am!”

You reach over to Chilchuck once more right as he’s about to make a scathing comment back at you.  His face is a bit too close for comfort with a wooden door, an entrance somewhere.

“You trust me to help you impress your wife, don’t you?”  You ask, with a clear sense of finality.

Chilchuck doesn’t think he has much of a choice in the matter.  “...Of course,” he responds honestly but you can hear his voice waver.

He can practically sense your smile from behind.  “Then don’t stop now.”

You wish you could say without a spot of bias that you were 100% supporting the operation at hand.  In actuality, it came with a heavy sacrifice of your own feelings remaining unsaid.  Of course you just had to fall for the semi-married man.  You have already tried to move on, from distracting yourself with an operation like this, to asking Izutsumi to pummel your head with a rock (which she was very close to doing).

This will have to do.

It was like magic, how the environment of the building interior rushes through you.  Chilchuck even feels it, his large eyes blinking as he drinks in the sight.

“...Where are we?” he asks, almost dreamily.  A beautiful ceiling lamp shines onto coloured wallpaper.  The scent reminds him of the kind of perfume Marcille would use.  It’s strangely… alluring.

You lean your face over Chilchuck’s shoulder.  “Oh, nothing much.  Just the most trendy half-foot exclusive clothing store in Kahka Brud.”  You can easily sense Chilchuck’s shock from this position – amusing you greatly.  “Here.”

You stand up behind Chilchuck again, massaging his shoulders.  “Just take a deep breath, and let it sink in.  We’ll be here for a bit so get used to the smells and lights.  Feel how it draws you in.”

“I’m feelin’ it alright,” Chilchuck responds, moreso about how he has no idea what convinces people to remain in these environments for so long without feeling overstimulated.

He already feels hot with how you’re handling him.

You move around so you’re in front of Chilchuck.  “Listen, I know this can be… overwhelming,” you start, giving the understatement of the century, “but think about who you’re doing this for.  Swallow your pride and… pick out anything you think is nice.  I’ll do the same.”

Chilchuck nods, about to set off, but not before you take his face, squishing his cheeks a comedic amount so he’s forced to pout and look you in the eye.

“Promise me you won’t run.  Take it like a man, alright?”

You let him go, and Chilchuck swears the heat on his body is from the stuffy maze of clothes stalls.  As he navigates the first selection of half-foot men’s clothes he sees, he tries to ignore the thoughts that seem to non-stop course through his brain.

He’s largely unsuccessful.

What are you getting out of this?  Some sort of second-hand pride at bringing together two estranged lovers?  Wait ‘til you find out the truth – that those aren’t where his true feelings lie.  Why can’t you leave well enough alone?

Why does he let you string him along with every plan you come up with?

You arrive back with a couple of blazer–pants combos, calling out Chilchuck’s name as you do so.  Damn, you sure are speeding through the process.

“So, I took the liberty of picking some of the more fancy kinds of suits.”  You hold them up in your arms.  “Whaddya think?”

“Suits,” Chilchuck repeats dryly, in disbelief of how far you’re taking the idea of impressing a woman.  He looks through each of the three upon seeing your determined expression.

He points at the pale pink option.  “Absolutely not.”

He gestures to the navy one with a thinner fabric.  “I like this one.”

Finally, he only spares at a glance at the creatively patterned suit.  “I think I’d sooner be fed to wargs than be seen in that.”

You assemble each of the selections in order of preference.  You muse, “I see, I see…  Something refined but masculine.  Much better than your ‘tattered chic’ look.  Like an old book forever trapped in a library.”

Chilchuck furrows his brow as you run off again.  “Wh– What’s that supposed to mean, jerk?!”

He sighs.  He watches you as you make a few more choices again, before Chilchuck tries to distract himself looking at ties.  He’s come this far.  He should trust in your instinct.  It hasn’t failed him– or anyone yet.

So what the Hell?

Before Chilchuck knows it, he’s handed the acutely sized down, perfect combination of blazer and pants, and he’s stuffed inside a changing room.  He’s instructed to change into the whole thing.

As he does so, you can’t help but pace.  This is it.  This is the winning goal to help him impress his old flame.  It’ll be like an academy romance – falling in love all over again like you’re teenagers.  You sigh longingly.  If only you can be there, in her place.

“You’re gonna look great!”  You converse with Chilchuck through the curtain.  “You’ll become a whole new man, promise!  You’ll bloom like a rose!”

“It’s just clothes,” Chilchuck, in his usual cynicism, calls back.

You return with a raspberry.  “Don’t be such a Debbie-downer.”

“Wow.  No one’s called me that since grade school.”

“Maybe not to your face.”

Even without looking at him, you can imagine the scoff and eye roll he must be giving you, interrupted by a small choke on his own spit.  “Is this the price?”

“Ignore that!” You quickly respond.  “It’s my treat!  Come out, come out, I wanna see you!”

Better to gloss over the fact you worked hard to do this for Chilchuck with a high budget.  No doubt he’d tease you or outright refuse it.  You open the curtain and pull Chilchuck out by his arm.  He quickly adjusts himself and you both stand in front of the wall length mirror.

“...Woah.”

It’s said naturally in sync.  Both of you hardly recognise the brunette half-foot in the form fitting suit and tie.  With a bit of hair maintenance and more time to actually make himself look presentable… 

“I look like Laios on a good day,” Chilchuck jokes.

Your breath caught in your throat, you can only let out, “y-yeah.”

You pray he doesn’t notice how enthralled you are in his appearance, if slightly ungroomed.

Once the moment passes, Chilchuck makes himself comfortable by loosening his tie and undoing a button or two, then putting his arms where they usually are behind his neck.  “But it’s just me.”

Without hesitation, you find yourself speaking without meaning to.  “Is that not the best part?”

Chilchuck looks at you in confusion.  “What?”

“I-I mean…” you trail off.  You look nervous.  That’s rare for you.  Usually you always had something to say.  Now you look like you’re trying to figure out how to word something in a specific way.  Why?

You move behind Chilchuck to smooth down some of his hair.  “You may look more charming but… this is all you.  Your choices, your style…  It reflects who you are on the inside.  That’s the magic of fashion.”

Chilchuck laughs a little, mostly at his own cluelessness.  He can’t believe he’s underestimated a simple shopping trip.  “Thank you,” he says, with complete sincerity.

“No.”  You shake your head.  “This is not a gift.  I’m just… This is me thanking you for how you let me get away with so much.”

Your hands land on his shoulders, and Chilchuck’s fingers find their way to interlace with yours.  For just a few more moments, you look at yourselves in the mirror.

Catching yourself, you step away from the situation – from him.  “Well?  Come on, you need to buy this.  I’d want to marry you if you took me out looking like this!”

The half-foot flushes red.  You got to know what you’re doing to him.  “That’s not really—”

“Chilchuck.  Please.”  You place your hands on your hips, looking dead serious.  “You look hot.”

…Well, he can’t argue with you.  If you really think that, then who is he to deny it?

“Fine.  I’ll get it.”

You smile that cocky grin Chilchuck has grown to love.  “That’s our man.”

Leaving the shop was like a breath of fresh, unperfumed air.  Chilchuck would nearly fall to his knees and start kissing the ground if he paid too much attention to how his legs ached.  The post shopping trip fatigue is really hitting him.

“I enjoyed this,” he however admits.  “Maybe women are onto something when it comes to clothes.”

“That’s why you should always listen to whenever a woman is speaking,” you wisely advise, making Chilchuck nod with a slight snort.

He stops at a crossroads, where you go back to his place, and he goes back to his.  “You can trust that I will now.”

“Good.”  You sigh in relief knowing your venture was successful.  Maybe too successful, because now you may lose him.

Chilchuck keeps looking at you with affection.  You can’t say you haven’t noticed how he keeps sparing you glances, mostly throughout the shopping trip.  Maybe he has warmed up to you?

Still, neither of you can stop yourselves at this point.

You approach, and for a hopeful second, Chilchuck tilts his head a bit to the left, eyelids lowering and leaning into you.  Your arms wrap around his middle.

Your face nuzzles into his neck as you hug the man tight.  Chilchuck is still for a few seconds.  A hug.  Right.  Of course you’d want a hug…  He responds in kind.

“See you soon, Chil. I wish you luck.”

“Y-Yeah.  Luck with the lady.”

Your happiness comes with a heavy sacrifice of Chilchuck’s feelings remaining unsaid.

He’ll take it like a man.

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