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#touching her like he's allowed to
acursedhalo · 10 months
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Touch.
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nikikikiko · 3 months
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i was thinking abt kid’s humanity and contemplating if i should post an analysis about it and then it hit me that maka albarn would probably listen to nightcore. but also i feel like soul would absolutely despise nightcore with his whole body (he gets a very visceral reaction. he really hates the sped up and squeaky voices nightcore makes) so it probably ends up with a lot of conversations like this:
soul “what r u listening to?”
maka, listening to Monster How should I Feel Nightcore “nothing. dw abt it.”
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searihart · 2 months
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Imma make doodles for everyone because I can. Also Fuuta mains the Blaster in Splatoon
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itspileofgoodthings · 4 months
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#the thing is. and it doesn’t matter#but like. Ken’s love for Barbie was played as a joke but it also wasn’t#and I just think that his charisma and love should have been allowed to center her more and sort of …. I don’t know#sweep her up on the wave of his charm as she headed out of Barbieland into the real world#it didn’t even HAVE to make it full on romance#because I think the sort of splitting up of Barbie and Ken as this joined identity was good and necessary#and she had this journey to becoming human she had to take first#and tbh I think it would have worked if they had ended the movie as friends#with only the hint of something more#but the simple truth is that the most consistently human thing in the movie as far as SHE was concerned#was that he really loved her! and being loved that way. Is part of being human and even part of becoming human#it’s to feel that warmth and understand it#the Gloria thing didn’t really carry enough emotional weight for me. nor did the vague girlbossery. The creator was shoehorned in#or even the touching (in itself) montage of mothers and daughters at the end#but the realest relationship Barbie had the closest thing she had to it was being loved by Ken#and if they both became human? and she stepped into that space with that warmth of love supporting her#and making her step into this wider world? that would have been something#and the thing is yes yes. He’s basically the Michael Scott of Ken’s. He’s doing the things he shouldn’t be doing in reaction to it#and he has to learn and NOT do that and realize he’s kenough#but that stupid line at the end? Where Gloria’s like ‘honey he stole your house etc. don’t feel BAD for him’#rings hollow. especially because the General Public DID feel bad for him. He was the only one to feel bad for!!!!!!!!!#so Greta and co. Tried to make this Point about rejecting the guy who thinks you Owe him Something#But Ryan’s Ken was not really that guy! He just wasn’t! The core is too pure the love is too real! so the ending is just kinda mean#and it de-centralized her! Ironically enough!!!! Ken WANTED her to have the world. His best self did!#the movie should have let him give it to her. that is really it at the end of the day#barbie
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notwithaste · 1 year
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the fact he doesn’t let go of her, even though he’s seen burn, even though he knows it’s bound to end up in paper and land him in hot water; his instinct is still to hold on
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merrysithmas · 2 years
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i will never, ever be over obi-wan siccing vader on reva like a rabid dog with the ice cold threat, "you're not bringing me to him, i'm bringing him to you."
it's like the obi-wan version of this moment:
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softquietsteadylove · 5 months
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Can you write a story which thena and gil a childhood best friend but one day gil got kidnapped and everyone assume his dead but not thena her family even sent her to a mental institution to make her better, Year after year past she still can't accept gil is gone, then one day Gil appear in front of her out of nowhere and was like "Sorry to keep you waiting"
"Hi, I'm Gil."
She could always remember him being like that--so warm and open and inviting. She had met him as just a little boy, her age, maybe a year older. And when kids are young like that, one year can be a huge difference to overcome, but young Gil had come right up to her, a gap between his front teeth and the biggest smile she had ever seen.
"Wanna be friends?"
The would become the very best of friends. Always together, always doing something, or nothing, so long as they didn't have to be apart for it. He would play anything with her, even if it was a game 'for girls', or 'babies', like her brother would say it was. Gil would collect butterflies with her, or help her learn to braid hair, or set up elaborate tea parties. They did everything together.
Even as they got older, and even as they gained other friends, nothing came between them. Ikaris still always insisted it was dumb that Gil liked playing with his baby sister more than him, but neither of them cared. And Sersi and Makkari never minded Gil playing with them.
Not even starting school divided them. They weren't exactly in the same class, but recess and lunch were their little moments of reprieve. Gil would share the snacks and lunch he got as a growing boy, and Thena would happily trade away the parts of her lunch she didn't like but knew Gil enjoyed. Everything else could wait, whether it was school, or their own circles of friends.
They were barely 11 years old when Gil went missing.
"Hi sweetie," she could remember a police officer kneeling down in front of her. "Do you remember the last time you saw your friend?"
"Lunch," she had answered, feeling completely numb. She had already assumed something was wrong when Gil was nowhere to be found when it was time to walk home together. "We always have lunch together."
"And do you always walk home the same way?"
There were plenty of questions like that. Thena could remember Gil's family and hers mulling around their home, police officers walking in and out all evening. Gil was missing--just vanished in the few minutes no one from the school had eyes on him and before she rounded the corner from her classroom at the back of the building to join him.
If she had been with him just a minute earlier, it could have saved him.
Everyone told her not to think that way, of course. She was put in counselling, but her determination that Gil was still out there somewhere was 'something to keep an eye on'. The word 'obsessed' was tossed around plenty as well, but Thena had more important things to worry about: Gil.
Makkari and Sersi were worried too, but their support exceeded their concerns. They supported her when she said she wanted to go into criminal psychology. They supported her obsession with true crime and morbid and macabre curiosities. Even if they were worried, they understood why she was possessed by the idea of understanding what would make a person do something like that. And more importantly, learning about what would happen during, and then after the abduction.
For all those calling it a sick obsession, it served her well. It drove her like nothing else. She excelled, advanced quickly and aggressively in all she did. Who cared what the reason was? At least she was doing something, unlike everyone who had inevitably given up on him.
The officers who had hounded her with questions?--gone. The judge who deemed the case cold?--nothing. Her own family--Gil's own family! Ikaris believed it too, but every time he tried to tell her to give up for her own well being they just got into a huge, violent fight over it. So he stopped trying to convince her.
Once she had enough knowledge to begin her own investigation, then it was a bridge too far. The worry could no longer wait, and everyone decided that she needed help. Sersi and Makkari pleaded her case, but her parents deemed her mentally unfit. Even Ikaris stood by as she was hauled away into the back of a van, kicking and screaming for all of the neighbours to whisper about.
Let them watch, she figured. It was a good opportunity for her to remind them that they had failed an 11 year old boy because of their blind eyes.
"Go on."
Thena lifts her eyes and then looks back down at her lap. They ask her this every year, around the time Gil disappeared. There are plenty of other routine appointments through the year, but they only bring up Gil and her past at this certain time.
If she just admits that there's no way he's still alive, and that her obsession is a coping mechanism, then she gets to go home.
"He's alive," she claims outright, nailing another stake in her coffin. Her eyes are clear as she looks at the psychiatrist who then scribbles something in her notes. Thena narrows her eyes at her, "I know he is."
"Tell me more about Gil," the psych asks of her, switching tactics instead of locking horns with her. Not that it gets anyone anywhere.
Thena sighs. She has nothing better to do, staring out the window of the office and at the leaves changing. "Gil was...the best."
"Gil was sweet. He was sweet in a way boys usually aren't, especially so young. But he liked playing quiet games or drawing or playing house more than he did roughhousing. Other kids called him names for it, of course, but he didn't care."
She smiles.
"We would play house, and he would braid my hair and wave me off to work," she laughs at the memory of how they thought the world worked back then. "I would come home and he would have a beautiful pretend meal set out for us. He would put on whatever music we could find and ask me to dance for our anniversary."
"That sounds very sweet."
Thena glares at the woman for interrupting her blissful trip down memory lane. But she continues. "Gil was always sweet. Even when we got older, started school, he never stopped spending time with me even though I was a girl, or I was younger than him. He would defend me from older children and I would defend him from just about anyone else."
"He wanted to be a chef," Thena says, and her throat tightens and she chokes on her air. Because he would have become such a brilliant chef, and he would have that smile he always had, and she doesn't even know what he looks like now.
"It sounds like you two loved each other very much."
Thena doesn't bother answering that. No one understands, anyway. Everyone likes to think of their friendship as this precious thing of the past, like they were such angelic things. Everyone acts as if her memories of Gil are all she has left of him.
"Thena," the therapist shifts in her seat as she tries to breach more dangerous territory. "I know how much you love Gil. Can you tell me how this time of year makes you feel?"
Not this bullshit. Thena resists the urge to roll her eyes, looking out the window again. The leaves are changing, and it makes her think of the leaf Gil saved for her the morning he disappeared. He gave it to her before school, claiming he'd never seen a leaf the colour of her hair before.
She still has it. It's one of her few possessions, pressed into an old and worn copy of Robert Frost work. She sighs, "Gil liked poetry."
The therapist resigns herself to being ignored.
"He liked making things rhyme, rudimentary literary devices, jokes and brain teasers," Thena smiles again, now just speaking aloud to herself. "I told him he could be a poet. He said it wouldn't pay well, and then how would we do things like pay mortgages and have two cars?"
"He really thought of everything."
He did. Gil was very forward thinking as a child. He always considered every possible angle of something, despite looking more like a kid who would act first and think later.
All the more reason to believe that he wouldn't have just wandered off with someone, or that he would have found a way to escape if he did get plucked off the street somehow.
"Thena-"
"I believe that's our time," she cuts the therapist off, standing and beginning to walk out the door on her own. She's been here long enough that they aren't quite as strict with her.
"Indeed," the psych stands as well, at least giving her the respect of sending her off properly. "I'll see you next week."
"Can't wait," Thena mutters as she heads for the common area. Sometimes she wonders if prison would be better than this place. At least prisoners are allowed to keep things in their cells.
It'll be winter soon, and she'll think about Gil, wonder if he has to endure winters in some terrible little cellar. Or maybe he did manage to get away, because he was always clever. Maybe he managed to find a new life for himself somewhere.
After a trauma like that, maybe his mentality was so affected he wouldn't be her Gil anymore anyway. A morbid thought, but she didn't study psychology for some delusion that he could be completely unaffected by it all.
She has been in this mental institution for years now, too. Her parents don't want anything to do with her, and she could be released if they weren't funnelling money in to keep her here. All they want is to hear that she's forgotten about Gil completely.
Well, it's never going to happen, so her parents can go to hell.
Thena arrives in the common area, devoid of anyone else this close to meal time. The food is awful anyway. She would rather starve and think about Gil's cookies he would make every winter.
She leans on the windowsill, looking out at the trees. "These woods are lovely, dark and deep. But I have promises to keep."
"And miles to go before I sleep."
She doesn't turn to look at who's joining her. She doesn't much care, and she doesn't recognise the voice, although it is familiar.
"And miles to go before I sleep."
It is familiar. It's soft, and gentle, deeper than she imagined it. Soft steps come closer to her.
"And be one traveller, long I stood," it continues until it's right behind her, "and looked down one as far I could."
"To where it bent in the undergrowth," Thena finishes and frowns. She knows why she knows this poem, and plenty of others from the same volume. But it's rare to find someone else who does.
"Your hair's so long, now."
She stares at the window as gentle hands run through her hair, mindful not to hurt her as they start to wind the locks together. Her throat tightens and she chokes on her air, "y-you still remember how to braid?"
He just chuckles, and it's when she hears the hint of his laughter that she realises this is real. She hasn't finally succumbed to this hell around her and lost it.
She turns. Her hair is half braided down her back, but Gilgamesh is standing there, still just a year older than her, but looking completely unlike he once did. But it's definitely Gil. "You're here."
"It's our anniversary," he smiles at her like when they were children, playing house in her backyard. He holds his hands out, "sorry to keep you waiting."
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djosephqueery · 1 year
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Robin's joined the mix!
They're here to judge you.
pspspsps @corrodedcoughin look it's Them
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pop-punklouis · 12 days
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-
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The freezing metal against his palms is almost a relief, for once. The uncomfortable sensation draws him out of his thoughts, grounding him back in the real world. 
Hours upon hours he had spent silently hoping, begging anything out there that might listen to let his brother still be alive. 
Now, Crosshair almost wishes that Tech had been killed after all. 
He still remembers so viscerally how swiftly his free will had been snatched away from him, before he had even noticed it was gone. As if he were nothing more than a mindless clanker. It’s one thing for it to have happened to him, but the thought of it being forced upon Tech, innocent, infuriatingly selfless Tech - his hands curl into fists, fingernails digging into his palms as he fights off a sudden wave of nausea. 
Crosshair’s only hope is that whatever they’ve done to him is stronger than the inhibitor chips were. That if the real Tech is still in there somewhere, he isn’t aware of what’s happening to him. Because if he is, if he knows what he’s being forced to do… it’s worse than any torture that Hemlock could devise. 
The tightness in his chest is growing again. He swallows, pushing past the constriction to force himself to speak. “Omega?” 
The little girl shows no sign that she’s even heard him. She hasn’t moved from her curled-up position since the door sealed behind them - arms locked around her knees, frozen to the spot except for the trembling of her shoulders. 
There’s a part of him that wants nothing more than to retreat back into his own shell, to shut Omega out along with the rest of the world, and yet he can’t. Something about the way her breath hitches with barely stifled sobs twists his gut into knots.
“Omega,” he hisses, leaning forward to give her shoulder a wary nudge.
There’s silence, before Omega finally unfurls herself. For a moment, she just gazes up at him, despairing eyes glistening with tears. And then, she surges forward, flinging her arms around his neck with a sudden reckless abandon. 
It takes a lot to surprise Crosshair, but that certainly does the trick. He stiffens, his arms automatically straightening in front of him - just short of touching Omega. She’s crying properly now, burying her face in his shoulder as she sobs. 
Should he say something? What is there to say? He knows better than to lie, to assure that everything will be alright. What’s the point in telling her something that both of them know not to be true? 
Hunter would know what to do, they all would, but he’s not like them. He’s a ticking time bomb, a fractured, savage beast held together by fraying threads.
And yet he’s all that she has left. 
There’s nothing that he can do for his brother, not now. But there might be something he can do for Omega. 
Tentatively, he wraps an arm around her back, holding her closer against him. The other hand mechanically combs through her curls, a wooden attempt at replicating the way Hunter used to soothe him. 
Whatever he’s doing, it seems to be working. Gradually, Omega’s breathing slows, her sobs fading to dejected sniffles. She makes no move to raise her head from his shoulder, still clinging on tight to him. 
Crosshair is her only anchor in the storm, now. Him, the last person in the galaxy she should trust to keep her safe. 
And yet, for some unfathomable reason, she does. 
Promises can be dangerous things, especially ones that have no guarantee of being kept. Crosshair knows that all too well. 
But danger has never put him off before, has it? 
The promise that he makes to himself in that moment is a silent one. It doesn’t change the fact that they’re still imprisoned in a cell with no conceivable way of escaping, or that all it takes is one word to make him disappear, or that his own brother is one of the ones keeping him trapped as a lab rat. 
All the same, something seems to shift inside him. The pain hasn’t gone away, but now there’s something else alongside it. A fire that died long ago, and is only just starting to glimmer back to life. 
It’s him that got Omega into this hellhole in the first place, and it’s going to be him that gets her out of here alive. And after he does, nothing is ever going to hurt her again.
Whatever it takes. 
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pastafossa · 1 year
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Hey Pasta! It turns out I'm addicted to drawing Jane and Matt so here they are taking a little stroll and having a chat. I thought it was cute and wanted to share!
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WAIT I LOVE THIS THOUGH????? I LOVE THIS I LOVE IT I LOVE IT
I
LOVE
IT
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SO LET'S FUCKING TALK OK
Matt's grey suit? CHECK i love his suits leave me alone BUT I also love the little touch here like the WAY he's holding his cane, I've seen him hold it like this sometimes. My theory is it's when he's comfortable while moving and doesn't need a super tight grip on it cause he has a general idea of what's around or he has a good guide (AND JANE IS HERE SO IT FITS), and I have zero idea if this is the right reasoning, but either way you've got it drawn in here and that was a lovely touch.
Do I dare talk about his perma-stubble???? HIS HAIR??? HIS SMILE AND THE HAPPY BODY LANGUAGE i'm hopeless help me
I think his suit makes a good contrast to Jane here too which i LOVE, LOOK AT THOSE CONVERSE, hair down and relaxed and casual. As much as we see it in TRT (simply because that's where the plot leads), her getting to relax and just have a fun walk and be casual is not something she gets to do often. She's incredibly professional looking when meeting clients and then she's usually wearing cheaper, easy-to-dirty-up clothes when tracking in case she needs to crawl into down a grate cause half the time she's gotta chuck those clothes out. I genuinely enjoy seeing her like this in art, seeing her relaxed in clothes she might actually ENJOY wearing as opposed to necessity, seeing her happy and just chilling and getting a slice of Something Normal, especially with Matt who's kinda in the same boat (not style wise but just in Happy Normal Things territory).
AND HER KEY IS THERE
JUST
LOOK AT THEM SO HAPPY
MY BABIES 😭
Thank you thank you THANK YOU for coming to show me this! I LOVE IT SO MUCH
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mylonelydreaming · 1 year
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Never forget zelinkers
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honorthysalad · 2 months
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Hikaru’s mom compilation. 3 times she shows up. Outside of this- I think she’s mentioned three times: cut up some watermelon, one of the reasons Hikaru doesn’t want to die, and then to say she, along with the hikaru’s grandma, doesn’t know anything about Hichi-san.
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n3ongold3n · 1 year
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Accounts of their hard lives and garden adventures
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pallases · 8 months
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lorephobic · 2 months
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Have you seen these pictures? I was literally cackling when I saw it. Like barry, your girlfriend is right there lmao. They're both so bad at pretending
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yes god these pictures are made even more insane by the fact that that woman is SABRINA’S MANAGER 😭😭😭😭 like she probably set up their whole prelationship and somehow she’s the one walking out of the oscars party with barry draped over her.
idk what to make of any of this tbh. everything points toward sabrina being the one limiting pda and pretending they’re not dating even though everyone on the planet knows that they are? it’s especially frustrating that she’s doing all of this and is still comfortable joking about going home with/stalking cillian murphy??? which leaves barry in this awkward position where he has to leave this sopping wet ass comment reminding her that they’re supposed to be something. 😭😭😭
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I DON’T KNOOOW. i don’t know whose fault it is, i don’t know who to be mad at, i just think that both of them are pretty miserable atp and somethings gotta give.
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