#wanted to write a “main” post here as well

[littlegreenfag-archive]

Regarding @littlegreenfag

Tldr: Adina, known by the Tumblr urls littlegreenfag and prksoda, has spent the past several years lying about many facets of their life. The list of lies includes, but is not limited to, being half manouche Romani, being Jewish, and being descended from Holocaust survivors.

I never wanted to have to do this. I’ve spent months trying my best to encourage Adina to come clean themself. My methods were not ideal. I should not have used anonymous messages. I used to be friends with them, I should've talked to them openly as their friend. I also should’ve attempted to be less aggressive at times, even though I think it is incredibly reasonable to have felt the way I felt when I was sending some of those messages. I understand and regret both of these things. Unfortunately, since Adina has deactivated @littlegreenfag, I cannot provide links or screenshots to every ask of mine that they responded to, only those I saved at the time. I will do this later, upon request. This post is already going to be enough of a monster without them.

Though the last day has been a complete nightmare, I am satisfied with one thing: Adina came clean about everything, even if not publicly. My worry was always with the though of having to reveal their personal information, as many of the things they’ve lied about would require me to, functionally, dox them. Though it's technically all public, I would much rather that no one who doesn't already have access to this information gain it.

So, why am I writing this post? For those of you who were on Adina’s blog last night, you may have seen this post. I was also able to save a capture of their blog on the Internet Archive. Here is a screenshot that I took around when the post was first published. Apologies for the formatting.

To summarize, Adina begins to by admitting to a small lie, that they were born in Chicago, before admitting that they had been lying about their race. Though it was not present at the time of the blog's deletion, I would like to note that Adina had the phrase "jewish and half-romani" in their blog's bio for a very long time. This phrase was quietly removed after I sent the first anon message telling them that I was aware of their lies, on March 16th 2024. This can be seen on the Wayback Machine, by looking at the capture taken on March 5th, 2024, in comparison to the capture taken on March 24th, 2024.

That is what you may have seen. However, it is not the only major lie Adina has told. After suggesting Adina should turn off anons, I sent them another ask with my blog name visible, telling them that I could tell everyone about the other lies for them, if they wished to log off and be done with it. They messaged me privately, and this is the resulting conversation.

I apologize for the block of images, but I figured it was necessary to include the entire conversation. Here, Adina openly admits to not being Jewish. Adina has spent months receiving social benefits for claiming to be Jewish, and they've even used this claim to support arguments. Truth be told, Adina has one Jewish great-grandfather. How Adina expected me to believe they would know about this without knowing his surname, I will never know. However, I should emphasize that Adina is not Jewish by the standards of any main movement of Judaism. Orthodox and Conservative look for an unbroken line of Jewish women, while Reform asks that you be raised Jewish by a Jewish parent. Adina is descended from a Jewish man who converted to Catholicism and raised his children Catholic.

Regarding the Holocaust claim, I understand hat Adina did not directly address this. I will say that I find it suspicious that they deactivated as soon as I mentioned it, but they technically never confirmed it was a lie. However, with the information that:

The ancestors they mention as being survivors or victims quite literally do not exist and

Their Jewish ancestor was born in the United States well before WWII

I believe it is quite safe to say this was also a lie. My screenshots of their claims come mostly from their Reddit account, which is now deleted.

It is absolutely ghoulish to me to create fake relatives so that you can pretend they were tortured and killed during the Holocaust. All to receive sympathy.

Though there are many, many other lies Adina has peddled, such as being a child of divorce and having a dead biological mother, I don't think any of them matter much in the grand scheme of things when these are the other lies that have been told.

It is also worth noting that this is a pattern of behavior from Adina. As some of you who followed them may know, back in 2019, a blog was created with the intent of calling them out for lies. Frankly, this blog, @prksodalies , is what put me on to Adina's trail in the first place. Though I believe that several of the things Adina was accused of on this blog are downright cruel to accuse someone of without evidence, the fact that there were so many smaller obvious lies made me very uneasy. What specifically made me curious was the post, here, where Adina claims that they are half Lebanese. Obviously, this did not make a ton of sense with the half Roma and half Ashkenazi Jewish Adina we all knew. As it turns out, this was one of the very few shreds of truth from Adina. They're a quarter Lebanese on their father's side, and other than that and a Jewish great-grandfather, are of mostly Polish and German descent.

This being a pattern of behavior, alongside the way Adina behaved in messages with me, tells me that this will likely unfortunately not be the last time this person creates a Tumblr blog with a fabricated life story. I feel immense guilt at the thought that they may continue to swindle and hurt people, and that I will never know or be able to help again.

To everyone who was friends with this person and has been hurt by their actions, I am truly, truly sorry. This has been an absolutely miserable experience for me and I can't imagine it's much different for any of you. If you have questions, I'll be available for a least a few hours. I do not want to share any of their personal information, but I will share what I need to (privately) if some of you need or want more information.

[3hks]

Writing Character CHANGE

Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.

There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)

So with this post, I'll be teaching you MY personal tips regarding this subject!

*The Basics*

Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!

A couple of flaws.

How your character views themselves at first.

Your character's morals/ideals and how they think.

These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!

*Change*

Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!

"During character development, your character should grow."

This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.

While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.

Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.

*Negative/Passive Change*

Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!

No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.

If not, then did they really grow?

Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!

*Positive Change*

Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.

Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.

"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.

What am I talking about? Here's an example!

Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.

That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?

He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.

*Different Changes*

As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.

So listen up, because I feel like no one really talks about this.

Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.

Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?

See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!

*SUMMARY*

In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.

Growth = Maturing (gaining a better sense of who they are and the world they live in.)

NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!

For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.

YOUR CHARACTER SHOULD NOT BE PERFECT!

They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.

I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!

Happy writing~

3hks <3

#writing #writeblr #writerscommunity #writing tips #creative writing #writing inspo #writing advice #character writing #writing characters development #character development #character change #writing characters change #character building #tips on character development #tips on character building #advice on character building #advice on character development

[azrielsdove]

1K Celebration Fic List

These are the stories I have planned out to thank you all for 1K followers! I cannot believe so many of you want to read what I write and I hope you will love these as well ❤️. This may not be the order I post them in, and I will update this (along with my main masterlist) with links as they’re posted!

Forbidden Love: Lucien x IC Member!Reader

It is no secret that your courts don’t get along, that anything other than a professional relationship would be seen as betrayal. Unfortunately, that doesn’t stop your heart from being captured by the emissary of the Spring Court.

Littlest Joy: Cassian x Pregnant!Reader

Some fluffy love as Cassian jumps fully into preparing your home for your new babe.

The Night the High Lord Fell: Rhysand x Reader

When Feyre rejects the mating bond, choosing to marry Tamlin instead, Rhysand doesn’t know how to keep on going. He leans heavily on you, his closest friend, as the two of you figure out where to go from here.

Scarred: Azriel x Reader

A nasty incident at one of the Illyrian training camps brings Azriel’s trauma to light, a shame he didn’t like to discuss with you. You take the time to help your mate through his emotions, filling him back up with love.

Petals and Pain: Tamlin x Reader

The events following UTM and the war with Hybern have rendered the High Lord a shell of himself. The court has fallen into disarray, the male who runs it rarely seen. You decide to go up to the manor one night to speak to your old friend, to try to help the court and High Lord thrive again.

#Azrielsdove 1K Celebration #acotar x reader #lucien x reader #cassian x reader #rhysand x reader #tamlin x reader #azriel x reader #acotar x you #acotar x y/n #lucien x y/n #lucien x you #cassian x y/n #cassian x you #azriel x y/n #azriel x you #rhysand x y/n #rhysand x you #tamlin x you #tamlin x y/n

[devilishmango]

The Story of Sin [UPDATE 4/27/2024]

Find the demo here. Link to the main post here.

Hey guys! 

Welp, I finished the chapter just in time for this month’s update. 😅 I really liked this chapter, though… Things are starting to not be ok for Sin, mentally, and I always love writing things like that 

In this chapter, you…

Pick up that small creature! [And NOT hurt it!! Good job!! 👏]

Hang out with Murmur for a bit and learn a bit more about yourself

Hurt Murmur’s feelings :( [It’s ok, you can apologize!]

Have another strange dream

Upset Will. :( [It’s ok again! You can apologize… Eventually.]

Hang out with Murmur and Anya for a bit. 

Some things- I’m slowly changing the look of the whole game. Now that some ✨THEMES✨ are settling in, I’m able to actually make the IF look a little prettier. I have some other art I will be adding later, when something in particular happens in the story, so get ready for that as well! [Also, this is random, but I realize that I’ve never mentioned this… The beautiful hand/forehead model for the SoS banner is my lovely little sister. Just wanted to throw that out there! 😂] I am also introducing a secret stat 👀 I’m not entirely sure how I want it to look on the stat page, so right now it’s just a number that will either go up or down depending on some of your choices. So, until I figure out how I want it to look…… Enjoy just a random number on the stats page. 😂

Also! If you are interested in being a beta-tester/proofreader, please send me a message on tumblr. Or, if you don’t have a tumblr, just send me an email. [email protected] Please only message me if you are serious in beta-testing or being a proofreader. I’m not really picky about how much experience you have, but I do want people who would actively be helping me correct things like grammar, bugs, coding errors, etc. Oh! Also, you will need a discord account to be a beta-tester or proofreader. That’s the only requirement!! 

And, since it’s been a hot second and I have a lot more followers now… If you are able to, and like my art/works to the point that you would like extra content, please consider becoming a patron, or buying me a kofi! I know times are tough right now, so it’s totally fine if you can’t donate anything. But even just sharing/liking/commenting/etc. Are other ways you can help support me. But, if you do have a few dollars you can spare a month, I have tiers on patreon ranging from $1-$5- you get extra content that you can request, and early access to updates and whatnot! 

One more thing! I was just able to get this month’s update done, but I definitely think May’s update might not happen. 🥺 Midterms are next week, AND I’ll be going on a small vacation to Portland, OR. for about a week at the start of May… So I may not have enough time to put together the update for next month! I’ll let you guys for sure when the time comes, but I just wanted to let you know now in case it ends up happening! Thank you for being patient and understanding. ☺️

See you all next update! 

CURRENT WORD COUNT: 45,725 52,969 [+7,244]

#interactive fiction #if #twine #itch.io #twine interactive fiction #update #The Story of Sin #SoS

[cordeliawhohung]

I saw a reblog of the anonymous ask someone sent you about using character ai, and someone responded saying something about how it’s disgusting to even ask that, which is a liiiitle harsh, but I digress.

The issue here, is that there are more people who don’t understand what AI is doing than people who do understand.

ChatGPT, Open AI, Character AI, Gemini, etc ALL steal from published works on the internet. It cannot be prevented, no one can stop it from happening.

I’m not an artist & I don’t publish my writing, but I do genuinely care about the artists and writers who are having their work stolen and receiving absolutely zero credit.

Please, please, please, do not put someone’s work into AI.

If you want to create a character, or a storyline & use character ai, by all means, go for it. But PLEASE, don’t disrespect or disregard these artists by feeding their work into an AI. It completely diminishes all of the hard work they put into their art.

oh boy, nothing like having a post you made in fucking january suddenly gain a fuck ton of attention lmao.

while i understand where you're coming from, i think you completely missed the main point of my response to that anon.

1: i literally explained that ai steals work to that anon. i said it's a pale imitation of what a real human would write. that it takes works that people put so much effort into and regurgitates it out. i told them not to put stuff into ai. i informed them, and i wasn't rude about it either. emotional, maybe, but i wasn't being rude.

2: the main issue i had with that anon, besides the ai grossness, was the insinuation that i'm not "creating enough content" for them. "the readers can interact more with the characters" comment from them really grinds my gears. even if ai didn't steal from creators, and it wasn't a godawful abomination, them wanting me to put my ideas and works into something that they can interact with that isn't through me completely disregards the entire purpose of me having this blog in the first place. which i ALSO explained to them. why would i want to put my work into a 3rd party source and not interact with my followers when that's literally my favorite part of creating? bonding and talking about the shit i put effort into? i had every right to be upset about that, and so does every other writer.

3: i have no control how people reblog my posts. so idk why you're coming in my inbox about what someone else reblogged, really, just to tell me everything that i've already explained to that anon. i know who you're talking about too, because they're a mutual of mine, and honestly, i agree with them. it's disgusting to suggest someone should put something into a third party source so they don't have to wait for me to "churn out works" or whatever. i know people aren't well informed. which is why i informed them on that post and left it at that. i also explained why it's frustrating to receive asks like that, to hopefully prevent them from doing that again.

also, while i have whoever is reading this, i'd also like to mention that the anon who sent that ai ask sent a response back (that i didn't bother to respond to because i wasn't trying to make this a thing) somewhat apologizing and said they asked me that because other blogs on tumblr were doing it too. don't do that. don't assume that just because some people are doing x thing, that means you can suggest it to someone else. it's rude, and comparing blogs is just frustrating in itself.

anyway. i will not be making this a thing. do not come into my inbox debating the ethics of ai or whatever, as i will simply not entertain it. (:

#core responds #fuck ai everything #fuck holding writers and artists to impossible standards #people have every right to be mad about it #and if they're a little rude about it i #really don't care

[the-ravenclaw-werewolf]

Guidelines

THIS IS AN IMPORTANT NOTICE PLEASE READ!

Hi everyone! If you don't me, I am The_Ravenclaw_Werewolf, or Raven for short, and I am currently writing the reaction fanfiction Main Character Syndrome (With Exceptions)!

You can find me at Ao3 or here on my Tumblr, but after some time, I felt need to set some ground rules.

Do not be rude, mean, or anything similar of the sort towards others or to me. I want everyone to have fun here so please treat others with respect!

Please no inappropriate and or offense behavior and or messages! I have been in fandoms long enough to see and know things for reasons outside my control .

ANY FORM OF CEST/PROSHIPPERS DNI. YOU WILL BE BLOCKED!

Those who refuse to follow the guidelines, as stated, will be blocked.

Now with that settled;

I understand that there are readers looking more towards the reaction part of the MCS (WE), or just the story in general, but please bear in mind that this is meant as a hobby, something to do for fun. Which means I may not be putting out chapters as fast as you would like, but I find that the joy of writing is taken away when I get pressured and or questioned about the next chapter. I don’t want to abandon this story so I can only ask that you please do not ask questions about updates and what not because then I feel myself pushing back my writing even further when asked every time.

Next is about my inbox, both on Ao3 and Tumblr. I understand you have questions and or are excited in general and I am really happy to answer and respond to them! But I either get TOO MANY questions or get questions that require me to sit down to write out, which leads me to getting overwhelmed by them, thus turning off both inboxes. And if I get too many questions, I feel the need to answer them FIRST before posting a chapter so this leads to a longer put off of both answering and writing. If you see that my inboxes are turned off, please be respectful and wait until I can turn them back on. I will still answer your questions, just only when I can and or when I am in the proper headspace.

I only ask this because I still want to have fun with this and I want my readers to still have fun as well. But I have a life outside of writing and I must ask to have my boundaries respected and if you can all do that, I would be the most appreciative.

Thank you and enjoy!

Raven

#the_ravenclaw_werewolf #the 40 #main character syndrome (with exceptions) #important notice #important post #please read

[hemeruni]

Well. Here’s what I’ve been planning on doing… I’d like to introduce you all to-

The FIRST ANNUAL tumblr User hemeruni direct, a special event where I get to actually go into more detail about the projects I’m currently more so focused on, while giving important news to what’s next on our menus.

Now let’s go ahead and get this show rolling shall we?

NURSE PHILLY UPDATES

As you know, Nurse Philly has been placed on the back burner for a while as I took the time to work on my other projects. But, starting today, I’m working full speed ahead to officially get the Askblog up and rolling! The scripting process has been tough, but a rough outline has been finished and a overall timeline of arcs and events are all laid out, so it shouldn’t be long for you all to see the nurse in person!

I’m not the type to give out dates, but expect this hush puppy to start around mid-late 2024.

Alright we’re getting the hang of things! What’s next?

GLIMMERLOVE NEWS

This project started as a one off post that quickly spiraled into one of my favorite projects thus far under the hemeruni brand. While there isn’t plans to get a Askblog rolling anytime soon, the askbox will always be open for asking questions to these mysterious folk.

This project doesn’t have much besides that, but if things change revolving my work ethic, I’ll surely consider it.

No date on this one, as it’s currently in a fine state from where I’m seeing it.

HAPPY HATCHDAY HEMMY!!!

By the time I’m writing this, Hemera’s birthday is still ongoing and it might honestly been the most exciting days I’ve had in a long time, considering the fact that I’ve just… haven’t been active as much.

This fox means so much to me and I have Sparklecare and only Sparklecare to thank for creating such a wonderful creature that deserves everything wonderful on this blue marble of a planet.

I love you Hemmy, don’t stop being you.

Me and Uni are making a coffee shop au

Yeah idk what else to say

It’s news to me but I’m just posting this since I thought the idea was funny.

Personal au?? I think?? Only WE get to make one not YOU /J

Now. I mentioned something at the beginning of the whole thing about a change that is going to happen. Before we end this, I might as well say what I want to say.

The Future.

I’m breaking away from this community, for my own mental sake. I’m saying this with a heavy heart, knowing that this whole 'fame' thing isn’t something I enjoy. Besides fame, I’ve been so caught up in comments and reblogs that it mentally drains me to see one post that I spent less time on doing better then one I actually put my effort into.

This culminated in a unfollow from the official Sparklecare account that I’m still assuming is over the criticblog situation. Nevertheless, it left me bed ridden for weeks, realizing that what I worked so hard for was taken from my own dumb mistake.

That taught me a valuable lesson though, which is why I’m finally deciding to just cut contact with the community entirely, besides friend groups and servers I’m in you won’t really see me active on my main, mostly just au updates.

That also means I’m no longer reblogging stuff to my main account, but I’ve already came up with a solution revolving a account called hemerunireblogs (which will be linked later down the line)

That’s the most you’ll see me interacting with this community, I hope you can understand.

Now.

We’ve reached an absolute.

The End.

I wish things could’ve been different, but it’s either I continue down this path and further ruin myself for others sakes, or I finally start to work on myself again. In the end, I decided to choose myself. Call me selfish, I could care less.

For some, I’d like to wish the best, even though we may have not talked much, I’d love to see you again sometime soon.

You all have been a wonderful audience, I hope you all had a wonderful Hemmy Hatchday. Good afternoon, good evening, and goodnight my friends.

-Mx. Hemmy

#my art #sparklecare #hemera philly #hemeruni #uni cornelius #nurse philly #Glimmerlove au #text post #ramblings #long post

[toffeebrew]

eughhh sleepiness is taking over must write about inky boy. ink sans is by @/comyet

i think upon reanalyzing some asks and the FAQ i have begun to understand how inks err emotions work a little better. a bunch of this is me kinda theorizing sooo yeah. it's not as uhh clear as my other rants are

His emotions aren't really "fake". at least my definition of fake. He still feels.

Instead, their main struggle is to balance and understand his emotions. Like in this ask:

So, he can definitely have quote on quote "normal relationships" with other people

One day you may ask him and he'll be like yeah i care about them alot and the next he doesn't feel very attached at all. As i interpreted "not making sense" as to not understanding why or how he even cares for these people. It seems really dependent on his internal emotional balance. The pretending comes in to play where he may exaggerate or lie about his emotions. Perhaps because he himself wants to have these attachments. Or because he wants to spare others feelings.

more yappage under the cut

According to his FAQ, he realizes his soullessness is an advantage (and theres not any realistic/non morally dubious means to obtain one) and wouldn't change that. However, i don't believe he is completely content with some of the drawbacks. He feels the need to hide his soullessness, as indicated in his design notes. But it "shows through". He feels the need to "pretend to have a soul" -from his backstory comic. This may be because he feels insecure in some way. believing his own emotions are less than others. Or his feelings are invalid or fake because he doesn't have a soul. Or at the very least not as real as others. Because he doesn't feel emotions the way others do, it must be wrong. Because hes chaotic neutral, i don't think these are things others contributed to his line of thought. Rather, something hes internalized himself. not that he would ever tell anyone that.

He may also hide this fact not the freak people out. Man does enjoy a bit of mischief, but it probably be kinda hard to work with other people if you have a large chance they may be scared of/don't trust you. I also think he doesn't actually want to like...petrify people. Which i would imagine many monsters would struggle, if they knew. given what people may assume of him. Or at least that's what he thinks ig shsksh.

Given he fears loneliness i think both of these reasons may contribute. He doesn't want people to abandon him. abandonment issues caused by trauma he can't remember.

But he can definitely feel extremes as well. being "overexcited" so much so he forgets consequences. He vomits up ink when shocked or overly passionate. I didn't expand on this as much because i feel like others have explained better than i ever could.

as his FAQ indicates his emotions can be separate from his morality. so its not necessarily contradictory for him to have these big emotions but still have uhh ig a more neutral way of looking at things. ig

btw this post was inspired from this analysis!! i tried to add my own spin on my commentary

#ink sans #im delirious so i apologize if this doesn't make sense #im very eppy #this is all my own interpretation and opinions! #i need a coffee #oh also ik asks aren't completely canon #and head more into headcanon territory #but i decided it would be interesting to talk about anyway #im not as confident in this analysis #apologies if that shows through haha #i have a really tough time explaining why exactly he hides his soullessness #I'll edit this later

[sir-fluffbutts]

OK PEOPLE LETS DO THIS ONE LAST TIME

---------------

HELLO!

my name is sir fluff, also goes by just fluff

i am a adult

i am korean, yes english ain't my first language, no i don't care for typos

i go by any pronouns, place your bets and headcanons, perecive me however you want. just don't go "ermm actually, sir fluff is [your headcanon] 🤓"

-------------

i talk about my ocs (mostly anthro characters) and make storys with them a lot on tumblr

i also make art....sometimes

you may find me on other places such as

main youtube for animations and videos

second channel for streams and funnys

pateron for exclusive pay-to-view content

instagram for art and pet pics

twitter for also art but more active artwise

toyhouse to store ocs

and perhaps even on these places i sometimes visits

tiktok

blueskies

---------------

most frequently asked questions and answers are

what apps/programs do you use to draw?

- i use medibang paint and flipaclip on mobile, and CSP EX on ipad!

can we ship our ocs with yours?

as long as

- my oc in question don't have a official ship going on.

- its not anything wierd

- you lable it as a "AU" or a "fan ship"

sure go ahead!

can we ship your ocs together?

- same as ☝️! go ahead!

can we make ocs in your universe?

- sure! just mention "sir fluff universe" or something like that and you'd be set!

although im not sure if the exact fluffverse character is possible cause not everything about my univserse is written in text.

can we draw fanart?

- of corse!!!!!! 💖

do you have a webcomic/series?

- nope! i just have storys in my head that i draw and make short animations about sometimes.

do you plan to have a webcomic/series?

- i wish 😭 however it takes a LOT of time and costs a LOT of money to do so, so for now im only working on my wee arts and animations

do you have merch?

- not ATM! however i plan to open a merch store soon so theres that!!

are your commissions/customs opened?

- right now for tue public, nope!

if they do open in public, it'll probably be announced on twitter or toyhouse

more TBA if needed!

ty for coming to my ted talk

#pin #wanted to write a “main” post here as well

[wavesoutbeingtossed]

Screaming from the crypt (or how the past haunts the present on Midnights)

I know it's been discussed so much since Midnights came out but just.

I love how there is such a clear narrative throughout the album (and perhaps especially on the 3am/Vault tracks). About questioning and regret and choices and coming to terms with all of it. It is one long story about how we're all a mosaic of the choices we make, each one taking something from us and leaving something else in its place.

(And now a disclaimer: I'm looking at this mostly through a narrator/subject lens, and trying not to dive too deeply into real-life events or speculation except for in a general sense. For this purpose I like to look at the body of work as art, like literature, because I find it makes it easier to see the common threads in the different songs and cohesion in the narrative.)

In looking at the 3am+ tracks in particular, it's fascinating how some turns of phrases or themes repeat themselves in different songs, in different contexts. (I'm only focusing on the non-standard tracks because there are too many songs and I'd be here all day but I bet I could do a part two lol.) I know many people have pointed out the parallels throughout her discography already and I’m not saying anything groundbreaking by writing this, but I love how these parallels run through in the same album, because it makes it seem like it's one long story, or at least, one long rumination on many different stories that are coalescing into a single narrative.

Battle (let’s go)

For instance, the one that jumped out at me when I started writing this post the other week was, "Tore your banners down, took the battle underground," in The Great War and "If clarity's in death, then why won't this die? Years of tearing down our banners, you and I," in Would've, Could've Should've. It's a story about staying stuck in the same cycle of reliving trauma and coping mechanisms and bad habits over and over again and fantasizing about how taking the “antagonist” out and gaining the upper hand for good would bring closure (WCS), but the truth is that nothing ever will. All that cycle does, though, is repeat itself in other situations, and in this case pushes someone away the narrator cares for (TGW). The difference is that the imagined battle in WCS is a two-way street in her mind (that is ultimately unwinnable because it was never a fair fight), but in TGW it's one-sided -- she's the one fighting dirty, taking shots, the way she'd been doing in her imagination (or nightmares) all these years. But the person in front of her isn't fighting back the way the person in her mind in WCS would, because their intentions are honourable instead of exploitative.

And that's paralleled in another pair of lyrics from the two songs, "And maybe it's the past talking, screaming from the crypt, telling me to punish you for things you never did," (in TGW) and "The tomb won't close, I fight with you in my sleep," (in WCS). In both cases, the funeral imagery makes it seem like this past event should be dead and buried in WCS, but it keeps rising from the dead, haunting her no matter what she does and in TGW, another (or perhaps the same?) tomb that won't close keeps unleashing new ways to hurt her and in turn the new person in her life. In other words, the trauma from the past continues to bleed into the present.

(Again from a literary point of view, I'm not saying the events of the two songs are linked IRL, but they're fascinating textual parallels on the album as a string of chapters, which is why Dear Reader is so compelling, but that's a whole other essay.)

To keep the battle motif going, there’s yet another parallel, this time between TGW’s "[You were a] soldier down on that icy ground, looked up at me with honor and truth," and You’re Losing Me’s "All I did was bleed as I tried to be the bravest soldier, fighting in only your army.” In the former, the subject is laying down his armour in the war she’s projecting onto him, waving the white flag, and she realizes that she’s about to destroy something if she doesn’t put her sword down too. By the time we get to YLM, the roles are almost reversed; at the very least they’re supposed to be on the same team, but in this case she’s doing all the heavy lifting, fighting for their relationship in contrast to his apathy killing it. It’s also pretty interesting (if not outright intentional) that one of the 3am+ editions of the albums starts with The Great War, where they find themselves in conflict (even if it’s in her head) that ends in a truce, and ends with You’re Losing Me signalling the end of the relationship, evidence that the resolution in the first song wasn’t an ending but merely a ceasefire before the last battle.

Putting the rest under a cut because this is waaaaay too long now ⤵️

(There’s also another metaphor there in The Great War with its battle imagery: World War I, aka The Great War, was supposed to be the war to end all wars, because loss on its scale was never seen before and when it ended, most thought never again would the world embroil itself in such battle, the horrors and implications were so devastating. Two decades later, the world found itself in WWII, with an even larger scope and more horrific consequences, the intervening time between the two a period of festering conflicts and resentment leading to some of the worst acts the world would see. Bringing real life into it for a second, there’s something a little poetic, though sad, about The Great War the song being about a fight that could have ended the relationship that they ultimately resolved and was meant to be evidence of the strength of their love, but so too did it end up being a period of détente, the greater battle coming for them years later. But that is not the point of this post.)

If one thing had been different

Another major theme in these editions is pondering the "what ifs?" of life, but I think it takes on even more significance in the broader context of the album in the lyrics of "I'm never gonna meet what could've been, would've been, should've been you," in Bigger than the Whole Sky and the repetition of would've/could've in Would've, Could've, Should've (I would've looked away at the first glance, I would've stayed on my knees, I would've gone along with the righteous, I could've gone on as I was, would've could've should've if I'd only played it safe, etc.) In both songs, the narrator is mourning an alternate course their life could have taken* and questioning what they could have done differently, in the aftermath of trauma and loss, and the regret that comes with that loss, and with the loss of agency in the situation because ultimately it was never in their hands. In an album full of questions, wondering about the path not taken, or the forks in the road that have led to a different version of your life, it's digging deeper into the contrast of choice vs. fate, action vs. reaction, dwelling on the past vs. moving on. When you're supposed to let go of the past, what do you do when it is holding your future hostage?

(*I know there are different interpretations/speculation about BTTWS which I am not getting into on main. I'm just saying that whatever the song is about, it's grieving something that never came to be. The literal origin of the song is less important to the album than the sense of loss it portrays. Whatever the inspiration is, it's crafted to tell part of the story of Midnights of ruminating over how, to borrow from her previous work, if one thing had been different, would everything be different?)

(Also I was today years old when I realized that the words are inverted in the two songs. Apparently I've been hearing BTTWS wrong this whole time.)

There's also an interesting tangent in the role of faith in both songs: in WCS, the events of the story cause her to lose her faith (e.g. "All I used to do was pray," "you're a crisis of my faith,") and question all the things she felt had been unquestionable until that point in her life (e.g. "I could have gone along with the righteous"), whereas in BTTWS, she questions whether that very lack of faith is to blame for the loss in that song ("did some force take you because I didn't pray? [...] It's not meant to be, so I'll say words I don't believe"). It's like pinpointing the moment her life changed and upended her beliefs (WCS), but as a result then leaving her unmoored in times of crisis because ultimately there's no explanation or comfort to be taken from what she used to hold true before that (BTTWS). The words she once relied upon to guide her have long since lost their meaning, but in times of trouble it leaves her wondering if that faith she once held then lost could have prevented this pain.

(Shoutout to WCS for being Catholic guilt personified lol.)

To keep on with the vaguely faith-y notions, an obvious parallel is the line in Would’ve Could’ve Should’ve about, “I damn sure never would've danced with the devil at nineteen,” and, "When you aim at the devil, make sure you don't miss," in Dear Reader. All of WCS is about her fighting with an antagonist who haunts her, with whom she wholly regrets ever becoming involved. DR could be seen as a reflection on that fall from grace, warning the audience that if you choose to go after the person (or thing) haunting you, make sure you do so clearheaded enough to be decisive. Again, these “devils” may not be related in real life: the IRL devil in DR could be speaking about her naysayers, or Kim*ye, or Scott & Scooter B, etc., meaning not to cross your enemies until you know you can win. But taking real life out of it and looking at it textually, I am intrigued by the link between WCS and DR, so that’s what I’m going with here. And perhaps that’s even the point in a wider sense; there will be multiple “devils” in your life, or threats to your well-being. If you’re going to commit to taking them down — whether it’s an actual person, or the demons inside you that refuse to let you go — make sure you have the right ammo so that they can no longer hurt you. (Of course, one lesson from these experiences is that sometimes you can’t win, and you have to live with the fallout.)

(Sidebar: I know that “dancing with the devil” is a turn of phrase that means being led into temptation and engaging in risky behaviour, as opposed to describing the actual person. Given the religious metaphors in the song, that could very well be/is the intention, particularly when it’s preceded by, “I would have stayed on my knees” as in she would have continued to follow her faith — in whatever sense that means — had she never met this person, which could also be a more eloquent way of saying she would have continued to be live her life in a way that was righteous (even naive) and seen the world in black and white. Either way, it’s a force she wholly rejects. Like I said, multiple devils, same fight.)

Regret comes up too: in WCS, she says, "I regret you all the time," obviously directed at the person who manipulated her and led to her perceived downfall, citing him as the one impulse she wished she'd never followed, because it won't leave her no matter how hard she’s tried. In High Infidelity, she tells the person to, "put on your records and regret me," and on the surface, it’s like she’s turning the tables, painting herself as the one now causing the regret in someone else, the one inflicting the pain this time. Yet the verse preceding it and the lines following it in the chorus depict a partner who is also emotionally manipulative and vindictive like in WCS (“you said I was freeloading, I didn’t know you were keeping count,” “put on your headphones and burn my city,”). It’s not so much that she’s intentionally harming the person (the way the person in WCS does to her), but rather that the venom in the subject’s feelings towards her seeps through; she’s imagining the way he’s going to feel about her when she leaves, hating her just for by being who she is. (There could be another tangent about how in both songs she’s there to be a “token” in a game for both of the men, who play her for their own purposes.) The regret is dripping with disdain. It’s as though she’s picturing how the person is going to hate her for doing what she’s thinking of doing the way she hates the person who first hurt her.

Sadness, unsurprisingly, shows up in a few lyrics. In BTTWS, “Everything I touch becomes sick with sadness,” sets the scene of a person so overcome with grief that it permeates everything around them; they cannot see their way out of it and feel like the fog will never lift. In Hits Different, it’s, “My sadness is contagious,” the result of a breakup where the person’s grief again touches everything and everyone around them, pushing them further in their despair and loneliness. The reason behind the grief in either case may vary, but regardless of the source, the feeling is overpowering and isolating. They may be different chapters in the story, but the devastation is hauntingly familiar. (As is a recurring theme in Midnights as a whole: there are situations and feelings that present themselves at different points in her journey and colour in the lines in different ways along the road. Like revisiting an old vice and realizing the hit isn’t quite the same as it was in the past.)

Death by a thousand cuts

She also writes about wounds on this album, which isn't surprising I suppose given that the whole conceit is that these are things that have kept her up at night over the years. WCS is perhaps the driving narrative on this never ending hurt when she sings, “The wound won't close, I keep on waiting for a sign, I regret you all the time,” suggesting that no matter what she does, the pain of this experience has permeated everything she’s done afterwards. (Not unlike the overwhelming grief in BTTWS, for instance.) Elsewhere, in High Infidelity she sings, "Lock broken, slur spoken, wound open, game token," and in Hits Different, "Make it make some sense why the wound is still bleeding.” Again I'm not suggesting they're about the same events; the line in HI is about a situation where a partner crosses a boundary, hits below the belt, picks at an insecurity (or creates a new one) and treats the relationship like it's transactional, opening the floodgates in turn. In HD, the wound seems to be more self-inflicted, where she's pushed the person away. (Over a situation real or imagined she feels she needs distance from.) But again, something has picked at her like a raw nerve, and just like in the past, she's hurting, even in a different time and place and person. Almost like the wounds of the past break open over and over again to create new scars. If one were to extrapolate further, it wouldn’t be the biggest leap to wonder if the wound open in WCS, then torn apart in HI makes the one in HD hurt even more.

(I once wrote a post about how I think as time goes on, WCS is going to turn into one of those songs that will be found to drive so much of her work, because it’s just… kind of the unsaid thesis statement of so much of her songwriting.)

Another repeated theme is that of the empty home and loneliness. In High Infidelity, she sings, "At the house lonely, good money I'd pay if you just know me, seemed like the right thing at the time," painting a picture of someone who may have everything they'd want to the outside world, but in reality feels metaphorically trapped in their home (or at least alone amidst abundance), a symbol of a relationship gone sour and a failure to build connection. She just wants someone to understand her, want her for her, but as she's written earlier in the song, she's just a pawn in the game, a trophy from the hunt. Home, in this case, is lonely, isolated, an emblem of her fears. In Dear Reader, she continues this thread, then singing, "You wouldn't take my word for it if you knew who was talking, if you knew where I was walking, to a house not a home, all alone 'cause nobody's there, where I pace in my pen and my friends found friends who care, no one sees you lose when you're playing solitaire." It's the same idea, admitting to listeners that the gilded cage she lived in kept her distanced from her loved ones and real connection, keeping her struggles close to the vest but feeling desperately lonely amidst her crowning success. She's pushed people away and it may have felt like the right thing at the time, but in the end maybe felt like she was trapped. And when you push people away, eventually they take you at your word and stop pushing back; you’re a victim of your own success at isolating yourself. What starts out of self-preservation then further perpetuates the underlying problems.

(There's another interesting link about "home" also feeling unsafe with HI's "Your picket fence is sharp as knives," which further leads into the theme of marriage/domesticity feeling dangerous, which is a whole other thing I won't get into here because it's another discussion and may derail this already gargantuan word salad.)

In a slightly similar vein, we have the metaphor of bad weather for a rocky road or unstable relationship, in High Infidelity again with, "Storm coming, good husband, bad omen, dragged my feet right down the aisle" and You’re Losing Me’s "every morning I glared at you with storms in my eyes.” They aren’t speaking of the same situation or even same kind of breakdown, but it is pretty interesting how the idea of clouds/storms/floods/etc. play such a role in Taylor’s music to signal depression, apprehension, fear, uncertainty, etc. In HI, I think the “storm” coming is the looming threat of commitment to a partner who makes the narrator uneasy (if not fearful). In this case, the idea of making a life with this person is not one that incites joy or comfort, but instead makes the narrator feel that dark times are ahead if she continues down this path. Perhaps in some way, the “storms” in YLM have made good on the threat in HI in a different way; it’s a different home, a different relationship, but the clouds have settled in regardless, and some of her fears have come to fruition in ways she did not expect. The person she once trusted no longer sees her or her struggles (or worse, doesn’t care), and the resentment and pain build with each passing day.

Coming back to heartbreak, one of the obvious "full circle" moments is the beginning of a relationship in Paris, where she says that, "I'm so in love that I might stop breathing," clearly enthralled in a new love that allows her to shut the world out and grow in private, capturing the all-encompassing nature of the relationship. This infatuation has consumed her in the most wonderful way (in contrast to the sorrow of some of the previous songs), and it feels like a life-altering (or even life-sustaining?) force that is so strong she may forget what it’s like to breathe. (Metaphorically speaking, of course.) By the end of the album, though, in You're Losing Me, that heart-stopping love has become a threat: "my heart won't start anymore for you." In the former, her racing heart is full of excitement, but by the latter, her heart has given out completely under the weight of the pain she bears. (YLM is full of death/illness imagery which I already wrote about awhile ago so I won't hear, but needless to say that song deserves its own essay for so many reasons.) She's gone from the unbridled joy of the beginnings of a relationship to the unrelenting sorrow of its end, two sides of the same coin.

Love as death appears elsewhere in the music too, for instance, in High Infidelity’s, “You know there's many different ways that you can kill the one you love, the slowest way is never loving them enough" and You’re Losing Me’s “How can you say that you love someone you can't tell is dying? […] My face was gray, but you wouldn't admit that we were sick.” Though not completely analogous situations, they both tell the tale of one partner’s apathy (or at least denial) destroying the other. In the former, the partner’s actions (or inaction) are more insidious, if not sinister; in the latter, the lack of momentum (or admission of a problem) is passive. In both cases, the end result is the narrator’s demise; it’s a drawn out affair that chips away at her morale and her health and her sense of self. (Breaking my own rule about bringing in alleged actual events into the discussion, but the idea that the relationship in High Infidelity, which was obviously fraught with unease and even fear, ended in a similarly excruciatingly slow and hurtful death by a thousand cuts as the relationship in You’re Losing Me almost did at that time must have been so painful. It almost feels like YLM is wondering why what used to be a source of light in her life was mirroring a situation that caused her such pain in the past.)

From the same little breaks in your soul

I said early on that part of what is so compelling about Midnights is that it feels like an album about ruminating — on choices, on events, on people — and the two final “bonus” tracks of the album depict that as well. In Hits Different, she sings that, “they say if it’s right, you know,” an ode to the confusion of a breakup and struggling with the aftermath of calling it quits. It’s a line that has always intrigued me, because the typical use of the phrase is in the sense of, “you’ll know when you meet the one,” but here it seems to have a double meaning, a reassurance perhaps from the friends (who later on tell her that "love is a lie") that she’ll know if she’s made the right decision in calling it off, but could also be her wondering if the relationship is right, she’ll know, and want to reconcile. In the final bonus track, You’re Losing Me, she sings, “now I just sit in the dark and wonder if it’s time,” this time leaving no doubt about the dilemma she faces, though it’s no less fraught. She’s wondering, perhaps for the last time, if now is finally the moment to end the relationship for good. They say that if it’s right she’ll know, and now she’s wondering if that feeling inside her (that once told her her partner was the one, which is why it hit differently), is telling her that it’s time to go for good. Wait Alexa play “It’s Time To Go.” These are not only the things that keep her up at night, but the things that play over in her mind like a film reel in her waking hours.

Midnights as a whole is a deeply personal album, as is most of Taylor's work, but the 3am+ edition tracks seem to dig even deeper to a lot of the issues raised on the standard album. Almost like the standard tracks are the things she wonders about on sleepless nights, but the bonus tracks are the things that haunt her in the aftermath. The regret, anger, sadness, grief, relief, even joy— they’re the price she pays for the memories she keeps reliving. Midnights might be the most cohesive narrative of all her albums, and really does feel like we’re watching someone work through her journal over time, stopping short of outright naming those giant fears and intrusive thoughts (except for when she does) but making them plain as day when you connect the songs together, and perhaps never more clearly than in the expanded album. It’s incredible how the songs stand on their own to relay a specific moment in time, but that they are also self-referential to each other (whether thematically or overtly) to weave a larger web over the entire work. We’re so lucky as fans to have these stories and to keep peeling back these layers as time passes. (And my literature-analysis-loving ass loves her even more for it.)

This is obviously by no means an exhaustive list, and I know there are more parallels and probably even stronger links (particularly when you add the standard version into the mix), but these were the ones that particularly struck me and I’m just glad I’ve had a chance to sit with this and think it through. ❤️

#writing letters addressed to the fire #me thinking too hard about taylor lyrics #taylor swift #midnights #long post #lyrics analysis #song parallels #Gabby this one is for you friend <3 #here goes nothing #Happy Friday or something idk! #(also i know i said there are things i wouldn’t discuss on main but my dms are open lol) #this is not as structured or well plotted out as I wanted it to be #and turned out to be more stream of consciousness than legit essay #but whatever at least i got my thoughts out there and it can release some plot of land in my brain for other stuff to think over lol #If anyone ever reads this thank you! And I’m sorry? #The best compliment i ever got in school #was when we were doing an analysis of a poem in English lit in college #And i brought something up casually #and my prof went ‘I’ve been teaching this class for eight years and that’s the first time anyone’s ever brought it up like that’ #’and that just blew my mind’ #and i was like ‘who me?’ #so that’s all you need to know about me lol #Midnights: The Great War #Bigger than the whole sky #bttws #Midnights: Paris #Midnights: high infidelity #would’ve could’ve should’ve #Midnights: dear reader #midnights: bigger than the whole sky

[mattodore]

found out while putting together matthias's oc page that his name has the exact same etymology and meaning as theo's name...

i’m sure this is information matthias is very normal about…

#theo is in fact a gift from god so jot that down ! #river dipping #i've been throwing myself into oc stuff bc i'm not doing hot mentally which is... tbh when i do my best writing 😭 #none of this is new tho i wrote the bios and 'at a glance' intros months and months ago when i first made an oc page #which is why i do plan on rewriting them but for now i'm leaving them like this... so i guess the echthroi page is done? #obviously echthroi has more characters than this but i haven't taken new screenshots of everyone yet... #i put the gray cas bg back in my game a few days ago only to completely forget i wanted to take new headshots for the oc page 😭 #like these are just placeholders... i want the backgrounds to match the oc page. oh... or maybe i could just do transparent pics? #i think i remember vyx made a post abt how to do that... will look into that when i open the game again. rn i'm at my keyboard 🧑‍💻 #like i am writing new things! started a google doc for theo yesterday and have been writing on it here and there since then #i've already cried in there... lmaooo. i like oc pages for sure but i think a huge google doc is what i really need to keep track of things #i drop so much lore in tags on here and it's like! river write that down somewhere else or you'll lose it 😭 #like i fr have never actually written down any of the info i've shared on here. i've just had all this oc knowledge stored in my brain. #so i went through and copied over a tonnn of tags and posts i've made into google docs but i just know i'm missing things i've probably #said in the tags of their core tagged posts... 🧍 if my blog didn't have so many posts i'd have an easier time going through it but 🤷 #and on top of that i've been making a bunch of posts about theo and matthias on my main acc. which is like 🧍 well great now there's more #i'm gonna lose track of...... i fr have gottt to get into the habit of actually putting things down in theo's google doc!!! #i'm just trying to figure out the best way to format it all but i've downloaded a few templates that i've been messing with. #...anyway. if it isn't obvious i'm trying to get back to posting on here. i'm opening my inbox now with the intent to just. #sit here in my inbox until i can get myself to reply. lads... avpd is actually so torturous i'm not kidding. #i feel like i'm dying trying to get myself to interact with people sometimes even despite how badly i want!!!! to interact!!! #theo and me and our avoidant trauma responses holding hands and skipping around together

[singsweetmelodies]

AKA: angst, miscommunication and a/b/o, feat. brief/mentioned maxierre with piarles endgame (+ implied maxiel.) happy birthday @boxboxbrioche my love

"Hello, Charles," Max smiles when Charles runs into him (literally) in the Budapest paddock on Thursday. He's wearing the same Red Bull team shirt and jeans as ever, naturally, but something about him looks unusually relaxed and content. Sated, even.

Probably because he's been winning practically every race this season, Charles thinks. That's enough reason for anyone to be looking relaxed and content.

Still, when he steps in a little closer to fist-bump Max's proffered hand, he can't help but notice it. Max's scent is... more than just content. He smells like he's only just come out of heat, and whoever was taking care of him did a very good job of it. He doesn't smell like sex, precisely, but he smells like what Charles would imagine afterglow would, if it had a scent. Golden and lazy and sated.

Oh, he's got blockers on, of course, but Charles has always been blessed (or cursed, depending how you look at it) with a very good nose. So. He knows immediately.

Some too-perceptive instinct is telling him that the timing of this heat has something to do with Daniel's return to racing this weekend. Almost like Max... wanted to get his heat over with before he saw Daniel again?

...That's a big stretch, of course, and Charles would never dare say it out loud. (Except to Pierre, maybe, because Pierre loves theorising about the latest paddock gossip just as much as Charles does.)

So he just smiles politely at Max, and says "Hello" back, and wishes for Pierre to appear out of some corner of the paddock somewhere. It isn't that Charles hates Max, or whatever the media likes to spin, but it's also true that Max isn't Charles' most favourite person in the paddock. (Obviously, that honour goes to Pierre.)

No, Charles' and Max's relationship is simply that of colleagues - good enough, if a little bland.

Which is why Charles is not expecting it at all when Max leans a little closer with something that looks almost like a conspiratorial grin. Charles has no idea what Max might want to be conspiratorial about with him - it's not as though he's leaving Ferrari anytime soon, despite what everyone likes to speculate.

Surprisingly, what Max says to him is not racing or incident-related at all. "Do you know where Pierre is?" he asks, as though Charles is the most reliable source of the Alpine driver's whereabouts. (Charles shouldn't be, but he's very flattered.) "I still need to thank him."

"Thank him?" Charles echoes, a little puzzled. "For what?"

And then Max says the one thing that blows apart Charles' world and turns his day upside-down immediately. "For agreeing to spend my heat with me so last-minute."

He says it so casually, too, and Charles...

Well. Charles knows that many of the other unbonded omegas on the grid like to spend their heats with other drivers. This might seem contradictory at first, but the thing is - while they might not necessarily trust each other on track, you can always rely on the fact that another driver, at least, won't reveal details of that hook-up to the press anymore than you will. Most of the alpha drivers on the current grid are decent enough people off-track that you can trust you'd be taken good care of, too.

It's something that Charles has done himself, too, once or twice - mostly with Alex, who is always incredibly kind about it, and makes sure Charles is comfortable and well-hydrated afterwards.

But mostly, Charles spends his heats alone. He schedules them carefully so they won't interfere with races, and then he bears them on his own, teeth gritted as he works himself open over and over again and clings to whatever article of Pierre's clothing he can find nearby.

It's never good enough, never, but Charles has never really wanted another alpha. He only goes to Alex if his body genuinely cannot go without it anymore, and then it's purely a case of friend helping out a friend.

So, really, Charles has no reason to be this shocked that Max apparently spent his most recent heat with Pierre. The two of them are friends, aren't they? Much better than Charles and Max have ever pretended to be. There's no reason why they wouldn't spend a heat together, really.

Except...

Charles grits his teeth, and it's only years of media training that enables him to still pass it off as a smile. "He did?" he asks, tightly.

Max laughs, still happily unaware that he's taken Charles' day and shattered it like a glass breaking into unrecognisable shards. "Yes," he confirms, and then he bumps Charles' shoulder, almost unbearably conspiratorial again. "You, of course, would know why I now need to thank him."

No amount of media training in the world could have helped Charles keep up his smile in response to that. Max notices - how could he not - and his own smile falls. "You two have not...?" His voice rises up in the end, like he almost can't believe he even has to ask the question.

Charles tastes something sour in his mouth, and by the way Max flinches back, he's sure it must be all over his scent as well, blockers be damned. "No," is all Charles says, brusquely.

Max opens and closes his mouth for a moment, and then he reaches for Charles' shoulder. He hesitates, though, hand hovering awkwardly in the space between them. "I'm sorry," he says, and it sounds sincere. "For assuming. The two of you are so..." He makes a face. "You are good friends, so I thought if he would do it for me, he would of course do it for you too."

"No," Charles says again, and the word tastes acrid in his mouth. "We have never."

Not for lack of trying, Charles thinks bitterly, and then he forces himself to think of something else. Some excuse that Max will accept.

Fortunately, a little gaggle of people in bright Ferrari red are passing by, and Charles latches onto them with almost too much relief. "Ah, my team," he says, pointing. "I need to go."

It's stupidly obvious, as excuses go, but Max has the grace not to mention it. He just watches Charles go, biting his lip.

Charles wants to hate him. He wants to hate him more than anything else - for having a race-winning car, and a team that supports him properly, and championships, but more importantly than any of that, Charles wants to hate him for having Pierre.

It's not that Charles thinks Max is actually in love with Pierre, or even that they're courting. No, it was clearly just a case of friend-helping-out-friend. But even that is...

Unbearable. It is unbearable, because Charles hasn't had even that much.

Charles had only asked once, and only because he'd been stupid with pre-heat already and not thinking straight. Pierre's long, long silence before he'd said, very gently, "Charles... I don't think that's a good idea" had told him all he'd needed to know, anyway.

After that heat, though, Pierre had called Charles and made sure he was okay, and that he knew it wasn't personal, Pierre just didn't think it was a good idea to get that involved with another driver. Especially one who's also a friend.

Charles had accepted it at the time, and he's never had any reason to think that Pierre has changed his mind in any way.

Except now here Pierre is, apparently spending heats with Max fucking Verstappen, of all people. And, really. Out of everyone on the grid - every goddamn omega - it had to be Max, didn't it?

A part of Charles wants to fall to the floor in devastation, wants to tear at his hair and shake and cry to anyone who will listen, why doesn't he want me, why doesn't he want me?

But Charles remains standing, because even more than he's heartbroken, he's furious.

Pierre did not help Max through his heat because they're in love, or because they're courting. So, he must have done it as a favour to a friend.

Then why the hell would he not do the same for Charles?

Charles also asked him as a favour to a friend (and yes, maybe Charles wanted more, but he wasn't stupid enough to ask for that. He'd just asked for a favour, the way every unbonded omega on the goddamned grid asks their alpha friends for favours every once in a while.)

Pierre had said no, and that he doesn't do that. But he'd forgotten to mention the part where he apparently does do that.

If he were here, Charles might slap him clean through the face. It's not an urge he's often had when it comes to Pierre (or ever, really) but today...

Today. It's just. What the hell does Max have that he doesn't? Max and Pierre are friends? Charles and Pierre are better friends. Max is an omega? So is Charles, and he's better at that, too.

It's obviously not even about looks! Because Charles doesn't want to be rude, but he is definitely better-looking than Max. It's just a fact, as true as "the grass is green" or "Charles is Monégasque" or "Charles is in love with Pierre."

No. Fuck that. None of this makes sense.

If Pierre is willing to spend a heat with Max, then there's no reason why he can't help Charles through one, too. It's not like Charles is asking Pierre to love him back - no, he's long since made his peace with the fact that that, at least, is impossible.

Charles has always wanted too much, though, and if he sees even the faintest chance of getting what he wants, even if it is just in the form of a favour to a friend -- well. He will never not go for the gap.

So Charles waits, increasingly impatient, for his media and team obligations to be done for the day. As soon as they are, he heads for Alpine, because there is no way Pierre will have left already - he is far too dedicated to them, staying behind extra hours to learn as many names as he can and give as much feedback as possible and help with everything that needs helping.

Right, because isn't Pierre just so incredibly helpful. Normally, this would make Charles smile, fond - but today, it makes him want to snarl.

Helpful, yes. Except to him, apparently.

No. Charles will not accept that.

Various team members glance up when Charles storms into the Alpine hospitality, freezing with coffees half-way to their lips and tracking him like the spectators to a tennis match as he storms across their building and towards the driver's rooms. One particularly brave soul ventures an "Er..." but Charles is already across the room before he's even finished saying it.

Charles knows the way to Pierre's driver's room as easily as he knows the way to his own (incidentally, it's on the same side of the building) and it's mere seconds later that he's bursting through the door of Pierre's driver's room.

Pierre freezes when the door slams open, mouth caught in a comically surprised expression, but it relaxes quickly into a fond (if still somewhat surprised) smile. "Charlito!" he says, standing up and reaching a hand in Charles' general direction. "This is a nice surprise."

But Charles is not in any mood for pleasantries. "Did you spend a heat with Max," he asks, but it's not really a question as much as it is an accusation, pointed and sharp.

Pierre freezes again, the smile slowly dropping off his face. His scent goes bitter with unpleasant surprise. "I -"

"If you lie to me, I am going to slap you," Charles says, injecting the words with just enough of a snarl that Pierre will know he's not messing around.

Pierre's expression goes from shocked to hurt to angry almost faster than Charles can process. "I wasn't going to lie to you, Charlo. I would never. Not with you."

He sounds sincere enough about it that Charles almost feels guilty, but then Pierre adds, "He's just a friend who needed a favour" and Charles is right back to furious.

"I was a friend, and I needed a favour," Charles says bitingly. He doesn't have to say anything more, because he knows Pierre will understand exactly what he means.

Pierre's face shutters, closing off completely. Even his scent goes blank, like Pierre is deliberately shutting off every part of himself. "That's different."

"How?" Charles hisses at him, and Pierre obviously wasn't expecting the vehemence of it, because he stumbles a step back. "How the hell is it different, huh?"

Pierre's expression does something complicated, and he makes a rough noise, low in the back of his throat. "It just is," he says, and refuses to elaborate.

Charles is livid. "It just is?!" he explodes. "Tell me how it just is, Pierrot, because I sure as fuck don't get it. I am your friend - non, I am your best friend - but when I ask for this favour, you say no. Then when it is Max, you say yes?"

"It's different," Pierre says again, sharply, as though sharpness alone will make Charles drop the subject.

He really doesn't know Charles if he thinks that will work. "It is not different. Not at all. What, unless you are trying to say that you don't want me?"

"Of course I-" Pierre starts, then cuts himself off with a groan, dragging a hand down his face. "I don't want to do this with you, Charles."

"Well, I want to do this with you," Charles retorts, unfazed and as fuming as ever. "What is it, huh, Pierre? You prefer Max over me?"

"Of course not," Pierre says, and he has the audacity to sound almost offended.

"But you must, if you fucked him and not me," Charles snaps. He's not entirely sure what he's trying to accomplish here, but he knows - he knows that he's furious, and Pierre is being a fucking asshole, and he needs Pierre to admit that much. At least.

Pierre, however, seems determined to continue being a stubborn asshole. "It wasn't like that," he insists, and Charles sees red.

"It's exactly like that! I asked you to fuck me, to help me through my heat, and you said no because you do not want me."

And that, somehow, is the last straw.

"Shut up, Charles," Pierre growls - actually growls - at him. "Just, shut up. You don't know what you're talking about."

"Oh, I don't?" Charles snaps right back, goading. "Why don't you tell me, then?"

Pierre snarls again, guttural and furious, and Charles knows that he should be terrified. But right now, he's far too furious to care.

"Tell me," Charles goads again, because he knows that nothing will ever compel Pierre as much as a challenge will.

Pierre is breathing hard, his fists clenched, his shoulders rising and falling rapidly. "You think you know what happened with Max, huh?" he asks, and Charles has never heard him sound like that. Despite himself, it sends a thrill through Charles' whole body. "You think you know what I want and don't want?"

Charles lets his belligerent silence do the talking for him, and Pierre's eyes flash. "Well, do you know that none of it is true? Do you know that none of the rumours of me with all those omegas are true?"

"What do you--" Charles begins, but Pierre cuts him off with a single hand held up, raised as sharply as a slap.

"Do you know, Charlito," he says, almost viciously, "that I've never been able to date any other omega for longer than a few months because I was always comparing them to you?"

Charles jolts where he stands, all the breath wrenched from him. "What--"

But Pierre doesn't give him a moment to process that. "Do you know that I only agreed to spend this heat with Max because he was desperate and out of options?"

"Do you know," Pierre continues, dangerously soft, "that I had to think of you just to be able to come at all?" He stalks a single step closer to Charles. "Do you know that I had to pretend it was you all the time just so that my knot wouldn't go down?" Another step, and Charles is shaking all over, but he can't move. Pierre has him pinned down, completely rooted to the spot with his scorching gaze and world-ending words.

"Do you know," Pierre concludes, softest of all, "why I really said I wouldn't spend a heat with you?"

Charles isn't sure how he even manages to form the word. "Why?"

Pierre's eyes are so, so dark as he stops just in front of Charles, raising one hand to ghost just millimetres above Charles' collarbone. "Because," he says, and his voice is rough. "I knew that if I did, Charles, if I fucked you even just once, I wouldn't be able to hold back. I would bite you, then and there, and I would make you mine."

All the while that he's been speaking, Pierre has been tracing his fingers upwards, a slow, slow torturous slide mere centimetres above Charles' skin. Charles can almost feel the heat of his touch, almost but not quite, and when Pierre stops just below Charles' mating gland - Charles whines and shudders forward, the combination of Pierre's hand there and that word mine too much for him to resist.

Pierre's fingers touch the overheated skin of Charles' mating gland, and the world explodes.

Charles' knees buckle, and his head spins, and he has to press his thighs together in a desperate effort to ease the sudden and burning need there. He's wet, he can feel it, leaking slick all over the place just from that one touch.

Pierre jerks his hand back, of course, but even that split-second of contact was enough to destroy Charles perfectly.

Pierre is panting, and he looks about as wrecked as Charles feels. "So do not stand there and tell me that I don't want you, Charles," he says, and his voice shakes - anger or desperation, Charles can't tell. "Not when I have done nothing but want you for as long as I have known how to want."

Charles shudders, the full weight of Pierre's words sinking in on him all at once. As Charles stands there, processing, he watches as the world rearranges itself entirely.

Charles breathes in, and then he breathes out. "Fuck you, Pear," he says, only a little shakily. "No, seriously, fuck you. How obvious do you need me to be? I literally asked you to spend my heat with me!"

For a moment, Pierre looks so indignant that he forgets to be angry. "You asked it as a favour to a friend!" he protests. "I just said, I can't do that! Not if it's you."

"Yeah, well," Charles says waspishly, "I only asked it like that because I thought you would say no otherwise."

And all at once, Pierre's expression transforms as he comes to the same sudden and brilliant realisation Charles just had.

"Charles," he says, shell-shocked. "If you're saying what I think you're saying..."

He glances down at his hands, clenches them tightly into fists again, then looks back up at Charles, his gaze burning. "You have to know, you can't take it back. I'm not going to let you take it back. Not if you mean it."

"God, Pierre, you are so fucking stupid," Charles says, and alright, maybe he is still a little angry about the whole situation, after all. (He thinks he has the right to be, though.) "Why do you think I was so angry that you went for Max?"

When Pierre doesn't say anything immediately, Charles snaps off a sharp step into Pierre's space, flicking his fingers against Pierre's forehead. "Yeah, it's because I wanted you to choose me. Only me."

Pierre's hand comes up, grabbing Charles' wrist in a bruise-tight hold. He draws Charles' hand away from his face, but then he doesn't let go, just keeps holding on, fingers circling Charles' wrist like they're meant to fit there. "Only you?" he echoes, and it sounds like a question.

Charles nods, because there was never any other answer, and he's about to say it, too, but then Pierre kisses the words right off his mouth.

If Charles' world hadn't already exploded so thoroughly earlier, then it would now.

It's a good kiss. No, it's better than a good kiss - it's a fucking incredible kiss; Pierre's one hand still wrapped around Charles' wrist while the other finds its way to his waist, like it belongs there. Pierre kisses him like he's still a little angry, but also like he's never meant anything more, pouring every part of his soul into it. Pierre kisses him like he's already imagining the night they're going to spend together after this, and he kisses Charles like how he's planning to fuck him later.

Charles has no objections to that. None at all.

Well. Except the one.

He pulls away from the kiss, pressing his palm hard to the side of Pierre's face. "You're going to spend my next heat with me," he says, orders more like, and it's far too possessive, but he can't bring himself to care. Not one goddamned bit.

Pierre growls, low in his throat, and pulls Charles even closer to him. "No, chéri," he says, too-softly. "I'm going to spend every single heat with you from now on. Forever."

"Forever," Charles breathes, and then he kisses Pierre again, hard, making it a promise. "Forever."

#posted this at 01:16 which is not QUITE 1016 but as close as i could get on this fine evening #HAPPY BIRTHDAY BRIONYYYY #myfic #piarles fic #10 x 16 #maxierre #(technically) #(they're really only there as a plot device to get us to piarles endgame) #in other news WHOA MY GOD THIS GOT LONG #(who's surprised....) #but i SWEAR the intention was just to write you something short and sweet for your birthday today since #since we'll only be releasing the main fic later #(well; i say short and sweet; but i don't think SWEETNESS was ever the intention. i wanted to write possessiveness) #(and also miscommunication and misunderstanding and all them GLORIOUS angsty tropes) #and since i have absolutely no self-control to speak of... here we are #BRIONY. my love. i love you so much #please accept this humble offering of my first ever publicly posted a/b/o on the occasion of your birthday #sorry for making the boys angry at each other but i unfortunately think it's very hot to make them scream confessions at each other #hot angry confessions... CHEF'S KISS #and i really hope you like this too!! and go as insane as i did over certain lines #because by God... i fear that you have created a monster #now that i have discovered a/b/o i am NEVER LOOKING BACK #this was so fucking fun to write oh my god. JEEZ #but anyways!! getting distracted here #HAPPY BIRTHDAY AGAIN MY LOVE #and before you say this is too much.... NO. we can never celebrate your birthday too much #this is just more proof to that end #LOVE YOU ENDLESSLY ❤️❤️❤️ #briony's birthday bonanza 😘

[thetarttfuldickhead]

From the AFC Richmond Twitter account.

#i assume it's already been posted here #but i was busy yesterday and going through the main tag to find it now just took too long #and i want it on my blog so here we are #who wrote this by the way? #was it sam? #would he really fine himself for being to[o] talented? #bumber getting fined 'just because' checks though #isaac having to pay 100 'for leading us' #missing a zero in both of jamie and jan's numbers #so i'd like to think that sam DIDN'T write this #but just decided to charge them both more #live karaoke don't come cheap #will? #IS IT WILL WHO WRITES THIS? #could very well be #social media #afc richmond twitter account #3x12

[slumbergoblin]

These were drawn back in September^^;;

#pmatga #my art #betrayus spheros #zac #sunny #I wanted to fully color and finish the top drawing (that's the main focus here. i'm just forcing myself to post my doodles) #but I am just.. out of art drawing energy you know? #I get the feeling to draw but I can't figure out *what* to draw #it's a horrible feeling to be quite honest #I also might be giving up on repostober but I could only be saying that due to a lack of energy u_u #I still have ideas (that I should be writing down) and I'm still thinking about a lot of stuff #I just wish I could get it out of my system >:/ #oh well. usually this feeling comes and goes so I just have to wait it out and see what's able to come to me another time

[skeletoninthemelonland]

#i think i first listened to this song around the time Behind The Codes became an official project #My brain probably associated the feelings of excitement and fear with the song so ig that's why I love it so much #On one side. I love working on the Behind The Codes #there's an overwhelming amount of ways to tell this story: brainstorming. designing. animating. writing and rewriting until your brain- #starts to fry and get foggy with so many ideas. its both good and stressful to push your limits like this #On another side. I'm constantly anxious about it #I've always been afraid to admit the things I enjoy as well as the things that i create #You don't allow yourself to create and embrace new things even when you're essentially alone #and yes I'm aware of the fact that there will be people who won't enjoy the series- which isn't what bothers me #What bothers me is that I might regret certain decisions #'This is not the message I wanted to convey' #'This is not the story I wanted to tell' #The decision to share this song here is the clearest example of what I mean: #Part of me says: this song is so btc oh my god please put it at the end credits wait THERE IS A 2ND PART OF IT AND IT'S EVEN COOLER OOOAAAA #then there's the main thought: this song is so stupid. it's so corny in a way it makes me uhghu7ujhkjg.. #i won against my negative thoughts today. yay #this whole post is just me rambling and being anxious. i dont even know what to say hjdsfbwjkefkdsf #bye :waves: #starbstalks

[take-ya-to-the-ghey-bar]

Just a quick PSA of sorts...

as the title says, this is just a little psa sort of post, but anyways… i just wanted to take a second and say that it's come to my attention that i'm probably a person who misjudges boundaries more easily than i thought i did… sure, i feel like most of you guys i'm mutuals with, and chat even a bit with ooc are people i'm close to-- but i guess sometimes i let the line for that blur a bit too much, and don't end up picking on the fact that the other person i'm talking with might not feel the same way i do…

so in relation to that-- i'd just like to ask all my mutuals, that if we're chatting about something, and i bring up something that makes you uncomfortable-- or i try to send/do go ahead and send you something that you didn't want me to-- please, please make that clear with me-- be a little blunt or rude if you feel that's what needed for me to get it, but just… be clear with me, and communicate if i've done something to mess up and overstep anywhere, please…

#{|ooc post|} #i know the main person this was indirectly meant for isn't likely to see it... #but for the sake of wanting to say it for my mutuals as a whole as well-- i'm still gonna post... #and hell-- i might be taking this whole thing harder than i need to-- but still... i treasure all you guys-- #so knowing i've done anything to fuck up a relationship we built or were trying to build... it fucking hurts-- #and i guess just as a closing comment for this-- since i can't think of much else to add-- #is that given my mood has now taken a dive thanks to this-- and thanks to the fact that i have cooking to do here soon-- #it'll likely be a bit before i can manage any writing-- but... if i feel up to it this evening/tonight-- then i'll give it a shot-- #either here or on at least one of my other blogs