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#when you find someone that can show up not only for you but themselves and the relationship
lovezbrownies · 3 days
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Long live the queen. (Yan!Queen x Reader)
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Masterlist
Synopsis: A queen is nothing without her lover.
Queen Nia x Reader
Warnings: Forced marriage, abuse of power, violence (not against reader), not edited.
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(Set years before Gen and Grim.)
Being the Queen right hand was never easy. But being her beloved wasn’t any easier.
Queen Nia has been ruler of Xelera since she was 16 years of age. However due to tradition she still hasn’t shown her face to the public, or any part of her to begin with. Any of her decrees were announced via the Board of Chiefs. The Xeleran tradition calls for a queen to be crowned at age 30, so a young princess cannot show her face until her coronation at 30. And in regard for princesses crowned before 30, they still were not allowed to show themselves.
Stupid old tradition no one really cared for since every queen was crowned at the perfect age. Except Nia, whose parents were brutally assassinated during some announcement, forcing Nia to take to the throne and own up to her responsibilities at a young rebellious age.
She liked this tradition. Only to use it to her advantage and sneak out of the palace and seek her favorite person. You. Her loved one. You were a servant, but you had the night shift, where you assisted residents and nobles whenever one called for you from 8 pm to 5 am, excluding anything sexual of course. That was a different type of servant and they don’t work nights due to how aggressive nobles can get by then.
There were two sections of her large palace, a section for the public and any noble visitors (Named Pulica), and a section for Nia, a carefully selected team of servants to tend to her, and a few guards (Named Khas). So, when Nia got too bored of her life as queen at age 20, she decided to sneak off into Pulica or even outside the palace entirely and cause some form of mischief with some rando.
But as she finally slinked her way into Pulica, ready to head to the gates exiting the palace she bumped into someone. Ready to flee back to her cozy room, but instead she had her breath stolen right out of her. She was looking at the most attractive person she has seen! And instead of appreciating her beauty as much as she did with you. They just dusted themselves off, bowed deeply, apologized and asked if she needed any assistance.
When she slowly shook her head no, still stunned, you smiled brightly at her. “My name is Y/n, please call for me if you need anything, esteemed guest.” Nia felt incredibly ashamed when she stuttered when telling you her name, how dare you fluster the queen to the point of stuttering. The queen was above that, but of course to preserve her identity she didn’t say any of this outloud.
Since then she would seek you out for entertainment during late nights, you’d stay up with her and play games, paint, knit, whatever hobby Nia felt like participating in that night. The more Nia spent with you she realized how perfect you were for her. So cute, so obedient, so indulgent in her needs. That was your job. That was because you loved her. 
There came one night where she went off to your designated shift area. Nia could not find you, she kept seeing this other servant rather than you. So eventually pulling herself up by her big girl boots she approached them, demanding to know where you had gone. “Y/n? My apologies however they’ve been switched to the day shift.” She raged that night. Her room was in disarray, she looked like a complete mess, and she demanded answers from the Chief of Management. 
Nia had threatened the answers right out of their throat. They confessed to coming to know of her late night activities from a few gossiping servants talking about how some random woman would only appear at night to take up a certain servant’s time. The chief confessed to changing your schedule so Nia can prioritize her time on her duties. Nia saw red, she never saw herself as the aggressive type, not at all, but something completely possessed her at that moment. 
Her tiny 5’4 frame somehow manages to beat the shit out of them, to the point where the big bad Chief of Management ended up on the floor, lying in the fetal position. Nia beat them black and blue, her hands, clothes, and face covered in blood she fired them immediately after. And the first time Nia has ever done any real work since she’s been crowned was to get you back to your old shift.
The next day there was a lot of discussion on who will be the new Chief of management throughout Khas, Nia’s mind, however, was set on you. So, she just picked the first candidate her Board of Chiefs suggested and started getting herself ready and pretty for her beloved.
Years pass as you two keep meeting up at night, you admittedly had fallen for her at one point due to her charm. However, you thought she would never like you back due to her social status, so you moved on. It may have taken a while to move on but you did! It was far easier since you only saw her at nights and she hardly accepts leaving the palace for a night out.
It was always odd for you how she was against leaving palace grounds but you eventually came to the conclusion that she must be the queen’s right hand maid. Those servants aren’t allowed off palace grounds, out of Khas in general, which might be why she only comes out at night. There were a few times you two ended up outside the palace and in the city but Nia would spend a lot of her time looking behind her in paranoia.
5 years left until her coronation and Nia was being pressured to look at suitors to rule her kingdom right beside her. Of course none of them are allowed to meet or see her, most of these suitors were chosen by the board from what they already know from past diplomatic meetings. Nia couldn’t care whose picture and portfolio she was presented. She was bratty, she didn’t want anyone other than you.
While the Board of Chiefs at the time were sick of how snotty she was about you, they realized there would be no way she’d ever marry if it wasn’t you. So they accepted it, they allowed her to propose to you and marry as soon as time will allow it.
Nia was overjoyed! Years of tantrums and abuse of power finally worked! She has you completely to herself! Bingo! It was quite a sight to see a 25 year old Queen dance and jump around in joy. She then ignored all her duties (as usual) and pampered and made herself pretty for you, she put on her prettiest dress, her best makeup, her cutest jewelry. 
That night was special for her. So special, and it’ll be special for you too! Whether you liked it or not. You denied her at first but she knew that it was just because you were scared to be ruler. It’s okay, she will teach you and assist you along the way! Or you two can throw your duties onto other people, as she normally does, and go out and have fun! Nia will ensure your complete happiness.
Nia did not take no for an answer, she guessed you’d be too nervous to accept the Queen as your wife so she had guards follow her until she called for them. And when she did that she commanded them to take hold of you and send you off to Khas, where you two shall spend eternity together, forever.
It was quite a sight, you trying to refuse to sign the contract that will forever bind you to the psycho you called a friend, and Nia threatening to execute your friends and family publicly. With no other choice, you reluctantly signed, making her swear not to hurt your loved ones.
Nia made sure to emphasize that there was no escape. If you do try to escape she will execute someone in your family, and every attempt to escape will end in the death of an innocent life. You were stuck. Forever Queen Nia of Xelera’s arm candy.
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accio-victuuri · 1 day
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this is on hs right now. days ago, there was a similar tag with the first lacoste ad. and it is coming up again because of his lacoste challenge. tho most of it is praise, of course, as things with someone like yibo goes, there will be haters. aside from the usual people who can’t handle how he is living his best life: just finished a highly rated tv drama, a movie to be released may 1st, a new endorsement scheduled to be announced, an international campaign etc. but there is also the side of how some people view a person’s ability to speak english as a sign of absolute intelligence.
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p1 shows the reaction i would say of international fans too cause we found it endearing and cute. it’s nothing serious. you can even hear the people in that video cheering for him by the end of it. p2 are the toxic shits who are gagging to find something negative to stick to yibo. i doubt people commenting could even carry a proper conversation in english. or they do and feel superior about themselves — which is tragic. some even boasting about their ielts score lol. i’m dying. ielts is a dumb exam. i’m sorry but it is. you can’t tell me otherwise. and like, it was supposed to be a fun challenge. but i guess most c-netizen’s lives are so sad that they have to make everything a test.
why can’t you all be happy that someone is representing your country in a positive way abroad???? why can’t you all just chill. yibo was in that campaign along with really well known athletes + a brand like lacoste. the jealousy is so strong when it comes to yibo. and they should prepare to cry every night cause it will only go up from here. yibo will continue to succeed. 👑
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Why Did So Many People Hate Aziraphale?
When the ending of Season 2 happened the majority of the fandom lost their collective shit. They went utterly bananas. A main theme that I kept coming across was the strange and insulting sentiment that Aziraphale "rejected Crowley" or that Aziraphale "chose heaven over Crowley" or that Aziraphale "Was an arse for leaving Cowley", etc.
When I finally got around to rewatching Season 1 of Good Omens and then watched Season 2 of Good Omens and finally saw some context for the ending, I was/am even more baffled as to why people were so cruel to Aziraphale.
Why had they failed to hear what Aziraphale said to Crowley? Why hadn't anyone taken a moment to realize that Aziraphale respected Crowley's choice to not return to Heaven with him? Why did the collective fandom just completely ignore the WORDS, ACTIONS, and EMOTIONAL RESPONSES that Aziraphale expressed in the heartbreaking finale?
Maybe it was the simple fact they just couldn't cope with what they saw. Maybe the fandom needed someone to blame other than Neil Gaiman himself. Or maybe, the fandom just failed to take a moment to carefully comb through and observe the small, tiny details that are far more important than the big, dramatic moments that fill up the runtime.
However, what I noticed most is the total disregard for Aziraphale's lines in the last scene between Crowley and Aziraphale in season 2 episode 6. So this is where I'll Start.
HE WORDS:
Some of his dialogue was/are as follows:
"He said I could appoint you to be an angel. You could come back to Heaven and... and everything, like the old times. Only, even nicer."
"But Heaven...well, it's the side of truth, of light, of good"
"Come with me...to heaven. I'll run it, you can be my second in command. We can make a difference"
"Crowley, come back, to heaven! Work with me! We can be together! Angels..doing good!"
"I...I need You!"
"I...I forgive you"
Do these lines of dialogue give any indication that he rejected Crowley, or chose Heaven over Crowley, or that Aziraphales was being an arse?
No, they do not. These lines of dialogue clearly show that Aziraphale WANTS to be with Crowley so they BOTH can be angels DOING GOOD and MAKING A DIFFERENCE. Aziraphale wanted Crowley to be redeemed so that he could join Aziraphale in Heaven and be on the side of TRUTH, LIGHT, and GOOD.
Aziraphale didn't want to leave Earth WITHOUT Crowley, however, he was forced to because Crowley rejected AZIRAPHALE'S offer to come back to heaven. So instead of forcing Crowley to come back to Heaven with him, even after the awkward kiss, Aziraphale decided to let him go and sacrificed his happiness to SAVE THE WORLD FROM HEAVEN!!!!
It was not easy for Aziraphale to leave Crowley or even Earth or even his bookshop. HE sacrificed EVERYTHING so he could fix heaven's broken system and stop God and the Angels and Metatron from repeatedly trying to destroy the Earth just to win a dick-measuring contest with hell.
Aziraphale doesn't like war. He despises war due to witnessing the rebellion in heaven AND watching the humans go to war and kill each other repeatedly for over 6,000 YEARS. What Aziraphale did was something nobody will ever be able to understand until they find themselves in Aziraphale's shoes.
It's not easy being an angel, who has been forced to "bear witness" and "not intervene in human affairs" because doing so will go against God's "Great Plan" which may or may not be a part of God's "Ineffable Plan".
Aziraphale cannot stand by and let Heaven destroy all life on Earth. Of course, he knows that Heaven isn't all truth, light, or good. He knows Heaven is broken and needs to be reformed. He knows that Crowley is right about Heaven being toxic. Just because he knows that Heaven is toxic and not as truthful, enlightened, or good doesn't mean he's not somewhat in denial.
It's not easy being trapped and suffocated by a cult-like institution whose sole purpose is to keep you from leaving the said institution. It's not easy watching humans committing atrocity after atrocity, and not being able to stop it. It's not easy watching God kill innocent people and children just because they can't get along.
Aziraphale has struggled to figure out what, "doing the right thing" is and how far he's willing to go along Heaven's/God's plans of destruction until he just can't anymore. All Aziraphale has had to keep him going along with Heaven's/God's plans is his faith that Heaven/God knows what they're doing and that complete destruction and devastation will never truly come to pass. Only to find out later that Heaven and God don't necessarily see eye to eye and that God themselves are super unreachable, even in a time of crisis.
Aziraphale has done EVERYTHING he was told and more and it still wasn't enough to keep another armageddon from happening. Since he can't completely stop it on earth, he HAS to return to heaven and find a way to stop it from happening from there, which may prove fruitful and pointless.
What most fans didn't register or realize is the fact that Aziraphale chose to return to heaven for very UNSELFISH reasons. A part of him knew Crowley might say no to returning to heaven with him, so he decided that if that was the case, then he would let Crowley go, so that he, Aziraphale, could fix heaven and permanently SAVE THE WORLD... something he CANNOT do if he stayed on Earth.
Why is this so hard for some fans to see and/or consider? Why is this something only a few fans actually talk about? Why was there so much Aziraphale hate when there shouldn't have been?
It's not Aziraphale's fault that he couldn't stay with Crowley. It's HEAVEN'S fault that Crowley and Aziraphale can't be together because they (Heaven) are too war-minded and emotionally stunted to realize how many innocent people will die just because they want to measure dicks with Hell.
HIS ACTIONS:
The second thing I noticed happened a lot was the initial total disregard for Azirphale's body language and/or actions during the last scene of Crowley and Aziraphale in the final episode of Good Omen Season 2.
Throughout the scene, we see Aziraphale exhibit the following nonverbal cues:
---initial happiness
---confusion
---Distress
---Anxiousness
---restless hand movements
---pacing back and forth
---sadly looking around the bookshop
--etc.
These nonverbal cues show us that Aziraphale went from being extremely happy to an emotional wreck, especially after the awkward kiss.
Aziraphale excitedly told Crowley about his promotion expecting Crowley to be happy for him (Aziraphale), only for Crowley to grow irritable and angry. Which confused Aziraphale and slightly angered him, yet he still somewhat understood Crowley's response.
As the scene goes on you can tell that Aziraphale is desperately trying to keep Crowley from leaving at first, but relents after the awkward kiss and fully accepts he lost Crowley for now.
Aziraphale really wanted Crowley to say "yes", however, it did not pan out that way. So Aziraphale just gradually quieted down, shorted his verbal communication, and tried his best NOT to have a complete emotional breakdown in front of Crowley.
Not once did Azirphale exhibit any controlling behaviors or actions. When Aziraphale and Crowley came to an impasse and Crowley ultimately left, Aziraphale didn't even go after Crowley. He let Crowley go because going back to heaven to fix it and stop the second Armageddon was more important than fixing his relationship with Crowley, and because Aziraphale knew that when everything calmed down, and the 2nd coming was adverted, and there were no more threats then maybe he would be able to have a proper long talk with Crowley and explain why he did what he did and said what he said.
HIS EMOTIONAL RESPONSES:
Some fans also didn't really register how many emotional responses Aziraphale had in the last scene with Crowley in the season 2 finale.
Aziraphale went from ecstatic and happy to confused and slightly angry, to confused, overwhelmed, and heartbroken.
He started the scene excited and ecstatic about his job promotion and he was nearly exploding with joy when he initially told Crowley the "good" news. Only to become confused and a little angry that Crowley didn't seem happy for him and flat-out yelled at him.
At first, Aziraphale is stubborn and confused at Crowley's response to the supposed good news, yet he still listens to Crowley who eventually can somewhat incoherently say that he loves Aziraphale and wants to be an us.
As the scene progresses Azirapale starts to restlessly fidget, heavily breath, and frantically look around as he realizes that the conversation is south faster than the sinking of the Titanic. You can see on his face that he's trying to understand what Crowley is trying to say however, he just can piece it together that well.
Aziraphale understands that Crowley does indeed truly love him. However, Aziraphale also realizes that he too loves Crowley in return and is now getting increasingly overwhelmed to the point that he can't form coherent words.
During the awkward kiss scene, you can see that Aziraphale slightly and very briefly goes to hold/caress Crowley's shoulder right before the rough parting between him and Crowley. At this point, Aziraphale is confused as to why the kiss happened, is overwhelmed by the fact he kind of liked and wanted another one but it simply wasn't the right time, and is heartbroken that he has to leave Crowley, but he doesn't know for how long.
CONCLUSION:
Throughout the entire scene, Azirphale actually struggles with Crowley's disappointment and anger in response to Aziraphale's job promotion, with the idea of leaving Crowley and returning to heaven alone, and with how the hell he is supposed to cope, let alone function without Crowley to talk to.
Nowhere in the scene does it suggest that the decision to return to heaven was easy or simple for Aziraphale. He struggled like bitch and was still left for heaven heartbroken and without Crowley.
Yes, the ending was sad, but there shouldn't have been Aziraphale hate in the first place.
So I leave you with this:
So why the fuck was there so much Aziraphale hate?
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dangans-ur-ronpas · 20 hours
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saw ur vents abt dungeon meishi and while I haven’t read the series yet or watched the anime I have seen bits and pieces and already saw the blowup scene where Toshiro attacks Laois and like. even I with zero context didn’t totally hate him. It sucks majorly that it had to happen but like. Toshiro is going through his own shit and plenty of other characters ALSO don’t like Laois! I think people just see that scene and project the amount of times that’s happened to them with someone in real life, which like. I get it. I’m autistic and reading that scene hit like a gut punch bc it was something I had experienced directly in real life: trying to be friends with someone, thinking you are friends, only for them to reveal one day that they couldn’t stand you and hated your guts from day one. You wonder why the fuck they pretended and let you hurt even worse than outright initial rejection. You wonder why they’d put themselves through enduring you. It makes you feel like you can’t trust anyone, makes you feel like utter shit. I 100% get why it bothers people. But you can’t project real life people you experienced onto this character that does not align at all except for this one moment. Also knowing about the author, she probably put that in on purpose as commentary for how autistics in Japan generally have to go through shit like this bc of the way their social culture is. She’s made plenty of autistic commentaries before, I doubt she stuck that scene in there for no good reason. The fact that Toshiro kept quiet and didn’t say anything until he couldn’t take it anymore is VERY indicative to me of the ways Japan’s typical social system is a struggle on all sides. Not to say these are problems unique to Japan, but the nuance needs to be understood. Toshiro isn’t being a dick just for the sake of it. I want to read it sometime so I can better understand the guy, but I don’t want to hate him based on one scene where he was an asshole. Laois is an asshole plenty of times himself, being very overtly written as autistic doesn’t absolve him from the responsibilities of being an adult.
TLDR: People tend to infantilize Laois and demonize Toshiro, which comes down to the prejudices preconceived for both of them: people see Laois, as an autistic man, as an innocent sweet guy who needs to be protected. They see Toshiro, as an Asian man, as someone who should be “polite and honorable” or whatever and are appalled when he acts like a fallible human being and not some appropriation of a fictional romanticized samurai. I understand feeling betrayed and angry seeing a character be a genuine asshole about something (social expectation does not completely absolve Toshiro of his own antagonizations however much of a reason he had) but when it’s so damn one sided, and especially in a series where almost NO one is without complete asshole qualities that round them out, I find it kind of gross that people hate on him for that. Anyway. Just wanted to send a message of support and understanding. Hopefully after I read more I can offer more analysis to corroborate with you on.
100% CORRECT thank you anon
i also understand the people who are sympathizing with laios bc that scene is very easy to relate to for many autistic or otherwise neurodivergent people (i also got a cold sweat when i was watching it bc. like. having someone you thought was a friend straight up tell you there are parts of your behavior that they can't stand is one of the worst things to experience of all time, ESPECIALLY if you were only showing that behavior around them bc you thought they were your friend and you trusted them) but it's so frustrating seeing so many people have such shallow opinions about toshiro bc of it. im on hands and knees begging people to consider the characters in three dimensions and/or develop better reading comprehension because like!! toshiro's official meeting with laios's new group literally leads with 'oh his name is actually toshiro and we never knew bc our leader had a misunderstanding and microaggressed him and he was too polite to correct him' laios is not an innocent party here!! he is not an innocent uwu autistic baby he's a grown adult man with responsibilities, in that whole time he was partied with toshiro he never learned his real name!! plus using toshiro's crush on falin as a reason to hate him, falin's adolescence was spent in a school and a social setting where she was expected to mask + her being a girl also means she is expected to mask by default -> she is better at masking than laios so why are people saying that toshiro hates laios for the same traits in falin bc clearly not?? also saw one person saying 'he only likes falin because she's hot' NO HE DOES NOT HE WOULD NOT RISK HIS LIFE HEALTH AND RETAINERS IN A DUNGEON ON A FOREIGN CONTINENT FOR THE SAKE OF A WOMAN HE ONLY THOUGHT WAS SEXY!!! PLEASE PLEASE PLEASE DUNMESHI FANS THINK WITH YOUR BRAAIN
the whole fight he had with laios where laios points out that their party is more serious about finding falin and resolving everything also drives me nuts because i've seen at least one take saying that toshiro doesn't care about falin as much as team laios because of this. which yes the fact that team laios understands the importance of health in pursuit of a goal is very very important but for many cases in east asian culture (and actually any culture with emphasis on capitalism and economic growth) productivity will get valued above all else which leads to neglect of personal health, i.e: what toshiro was doing. so this is just a clown take to begin with
also interesting to me that almost every character in dunmeshi thus far has demonstrated some kind of racial bias/misconceptions (i.e: chilchuck about elves, senshi about half-foots, etcetera etcetera) and laios and falin are no exception. race and racial differences and conflict and coexistence is also one of the underlying themes in dungeon meshi, with the elves of the west being considered a major issue to many dungeon-goers and the mayor hating dwarves and having to contend with those elves, and then marcille's motive for studying black magic and even thistle's motive for being the dungeon keeper. so it's real fucking ironic that the fans are really quick and happy to demote toshiro to 'asshole side character who is bullying our autistic rep' instead of, you know, using nuance and thinking about it
tldr; dungeon meshi has great commentary on what it's like as an autistic person in society. but dungeon meshi fans are too quick to write off toshiro as an asshole japanese guy who is ableist and getting in the way of their white woman yuri, therefore helping to promote this website's enduring legacy as the piss-poor reading comprehension website
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Transformer Prime Theory: The Optics
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It’s interesting how, in TFP, the characters all have a variety of optics sizes and shapes, instead of everyone having plain solid colours like in G1 and most other continuities. And I personally believe there is some more biological reasons why some of these optics look the way they are (some big, some small, some solid colours and others not, and some having rings and others not).
TW: starvation mention.
THEORY #1:
The size of the optics is determined by how well fed and healthy the transformer is.
Firstly, we can see that most Transformers with big optics are Decepticons, who we always know have more Energon mines and supplies than the Autobots.
Secondly. Megatron has a big optic that take over the entire frame, and he is totally someone who would have a feast himself first before feeding his subjects. On the contrary Optimus have one of the smallest optic in the show, probably because, unlike Megatron, he would only eat himself when he knows his subjects are well fed. (Poor Optimus)
Thirdly, Breakdown and Bulkhead also have some of the biggest optics in their teams. Breakdown is one of the few in the show whose optics are complete solid colors, and, although Bulkhead’s optics are not solid colours, or completely take over the frame, they are still much bigger than most other Autobots. This is probably because they are both the muscles of the team so they must have been fed more so that they can be stronger and fight better. (Cliffjumper might have been one, too, because he also got a huge optic, but we never hang around him enough to know for sure)
Fourthly: Bumblebee also got big optics, probably because he is the youngest Autobot, and is probably still growing in a way, so everyone would want to make sure he got enough nutrients to grow up big and healthy.
Fifthly: Skyquake and Dreadwing also got solid coloured pupils, because they were also kind of muscles, and also because they were both loyal and high ranked so of course, they will also get a lot of supplies.
Sixly: Wheeljack and Arachnid also have op to call that fill the frame. And tbh Wheeljack is the only Autobot who got optics that filled the frame. And both of them had been rogue for a while. This is probably because, since those two work on their own, and when they find Energon, they don’t have to share with anyone, they took care of themselves fine.
Seventhly: I think this is the best proof of all. So throughout the show Starscream’s optics are always quite big and round (though it is not always obvious in bright lightings).
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(“Partner”, Season 1 Episode 20)
However, in the Orion Episode, while Starscream was sneaking into the Nemisis to steal energons, his optics suddenly fill the whole frame
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(“Orion Pax Part One”, Season 2, Episode 2)
This is likely because, since Starscream had gone rogue at this point, and we know that in “Rock Bottom” (Season One Episode 19) Starscream has been hiding energons for himself, Starscream hasn’t yet learned how to manage supplies sustainably on his own, and quickly drained his resources that he’s hide for himself before. Thus, more energons in the eyes. That’s probably also why he has taken the risk to go back to the Nemisis to steal Energon cause he was out of it already. He was living feast or famine at this point.
Now, there are some bugs in this theory, such as why Knockout have such a small pupil despite not having any reasons to starve. However, knowing Knockout and his obsession with his appearance, I believe he would totally put himself on a diet to look even more fabulous. I don’t think Transformers can really gain weight from Energons, though, at least not in the way we think, but Knockout can also just love the look of a small optic.
One question you might have for the theory, “But it has been going around that Ratchet starve himself to save the supplies for the others, but his optics are big?” Now. Ratchet, I believe, is a different situation, which leaves us to theory #2.
THEORY #2:
The ring around the optic signify how intensely the optic was used.
Firstly, like mentioned above, Ratchet have a special optic: his centeral pupil itself is pretty small, similiar size with Optimus’s, but it got a big ring around it, making it look big. Now I think the ring have nothing to do with how well fed the Transformer is, like the theory above, it is there to supply more Energon to the function of the optic, and making it sharper basically. Knockout also have one, probably for the same reason as Ratchet.
Secondly: Bumblebee also have one. Understandable. He is the scout, he need to look afar a lot. His ring, though, looks differently than Ratchet’s, probably because he uses his optics to look at big things afar, instead of little details up close, like Ratchet.
Thirdly: if you look closely you can see that Optimus got these colorless, metal ring around his optic, too, which no one else have, but it doesn’t have Energon in them. This is probably because he probably used to have them, as Orion Pax, who was an archives working in front of computers all the time. But over the years of not using it in the same way as much as the Prime, Energons left the ring and left the area, leaving the empty ring behind.
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Now, there goes my theories and how I think the optics works, kind of. There is still a lot that I am still working on and might make another post off in the future, such as why some of them had a white ring/circle in their optics (I don’t think white rings work the same as blue rings, cause Bulkhead have a white ring but he doesn’t have any reasons to need good vision more than others.) and why their optics are different colors.
I hoped you enjoy this
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leam1983 · 2 days
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Lisan al-Ghaib
The Hellsite has a thing against White Savior narratives, and for good reason. The idea that general-purpose Natives have some elixir for mindfulness, mental health or even sociopolitical stability is nothing new. It's as tokenistic as you think if you take it at face value, but I think the more classic examples in the genre like Dances With Wolves or, God forbid, Avatar (a revised copy of the previous title, in many ways) tend to focus on something that's a smidge more positive - namely in that the Other - not the Noble Savage, so much as someone with an entirely external perspective - has the power to help us progress. A very debatable posture.
In effect, the classic examples in the genre contend that it's not really about "saving the Natives" or even becoming their saviour, but rather about the unformed or troubled protagonist finding themselves thanks to the Natives' input. I've always thought that Wolves' Sioux never needed Dubar, Dunbar needed them. The Na'vi never needed Jake Sully, some other member of the people would've eventually filled in the blanks and become Toruk Makto. Instead, Jake Sully needed the Na'vi to fix himself. There's nothing magical there, despite the First Nations spiritualism that mostly coats the genre, ripped out of its context and sort of propped up the same way mindfulness is now pulled out of its own context and served up to the masses, as if living with a little anxiety or stress were somehow a symptom for something more insidious. The world forgot Herbert's object lesson, and suggested that for some people, especially damaged goods, the only way to find purpose is to subsume yourself in another culture. You emerge as the saviour, kill the monster, and fulfill your role in the story.
Taking up someone else's problems to fix yourself isn't an actual solution; I think any two-bit psychologist could tell you that. Even if Dunbar and Sully emerge whole and healed from their own tales, they're behavioural abnormalities. Power doesn't allow you to stay humble. Power corrupts.
Ask Shaddad. Ask the Bene Gesserit. Ask the Harkonnens, who never saw their end coming.
Back when Frank Herbert first wrote Dune, Eastern mysticism was taking off much in the same way we're seeing meditation and yoga. He pulled an interesting bait-and-switch in showing us a protagonist who seemed set to go from a mostly nameless aristocrat to your typical conquering hero - but he realized that some faiths can be noxious. Some currents can twist the mind. After all, Paul Atreides' own stories addresses the fact that he comes to align with fundamentalists, and does so willingly.
In many ways, George Lucas tried to play the same melody with Anakin Skywalker being set up as the Force's hero, only for the will of the Galaxy to be made manifest through his son, instead. The problem is, unlike Herbert, Lucas lacks subtlety. The danger of messianic thinking more or less deserves a dream-state vignette on Dagobah, where Luke beheads Vader and sees his own face in the depths of his father's mask. Herbert, in comparison, makes those fears concrete. Paul was on shaky ground the moment he embraced the moniker of Muad'Dib, and slipped into something I might as well call psychosis, after drinking the Waters of Life.
Chani lost the man she fell in love with. Paul Atreides lost himself.
White Savior narratives aren't meant to be seen as the Civilized Man saving the day. They're meant to be seen as an outsider protagonist needing an external point of view to face the abyss, more or less.
If you're an optimist, the protagonist is thankful for the wisdom he's received and plays his part, not for prophecy or for Ego - but for basic care and consideration. Consider Shogun's Blackthorne, by the end of the series. He wasn't one to calculate his next move - he's clearly a man of passion. Japan gave him something to hold onto - and then squeezed around him like a vice made up of niceties and political manoeuvring. Yoshii Toranaga, on the other hand, is the chess player. Blackthorne's fate is the grimmest of the brighter ends of the White Savior genre. He didn't save anyone or anything; he merely proved useful.
If you're a pessimist, you turn to Dune or to any of your local Fire-and-Brimstone preachers.
Considering, when I hear the Hellsite dismiss Dune as just another story written by a White guy about some other White guy saving some vaguely Middle-Eastern-coded people; that tells me a lot of armchair critics haven't picked up the books or watched the movies.
If anything, Dune's very premise gives reason to those of you who decry Colonialist rhetoric. Dune isn't just a seminal science-fiction classic; it's also a warning about what happens when faith goes haywire, and of what happens when the balance of power tips in the worst direction possible.
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teathattast · 26 days
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bunnyb34r · 2 years
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Lmao my day off was yesterday and all this DRAMA just unfolds and I'm like 😭 I just wanted to see funny pictures 😭😭
It was like that community gif with the pizza svdvvfgd
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tearlessrain · 1 month
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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rizsu · 6 months
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he's married ?! nanami kento.
sum. he's easily the top most handsome guy within his job. his relationship status is unknown, so what happens when his co-workers ship him with a female worker?
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nanami is well known within his company. tall, insanely fit, and an attractive voice. it's not uncommon for men and women alike to find themselves thinking about him often. what's not common is knowing about his love life. no one knows anything and he would've kept it that way. but when push comes to shove, and you're shipped with someone who's not your beloved, nanami will make it known that he's not only taken but married.
in the coffee-break room there are three guys. now, there's nothing unusual about this — no, no. they're just three guys that are co-workers... except there's a twist. they aren't your regular co-workers, they're your uncommon trio of male gossipers and nanami just so happened to be their newest victim.
"shh, shh! he's here," guy one, tichi, whispers to the others, raising his eyebrows and pointing his chin to nanami's position.
the other two take a quick glance, nodding their heads when they've seen nanami's back faced towards them. it's a perfect moment to strike up a conversation, especially since it's just four men here.
guy two, tacho, shuffles his feet to the empty space near nanami. he pretends to open a sugar packet, fiddling with it as his eyes peep over nanami's shoulder. his heart skips multiple beats when the man himself turns around.
"morning to you, tacho," nanami greets, nodding his head before he turns his attention back to his cup of coffee.
"y-yeah, morning!" he stutters, awkwardly smiling in return. he turns his head to the other two in the background, mouthing the word 'help' to them. unfortunately, they do not give the aid to their friend. instead, tichi fakes a series of coughs and guy three, toeny, gives him a confident double thumbs up. there's no hope, tacho sighs.
it's a silent moment between the men — only the sounds of coffee brewing and a spoon coming into contact with the mug can be heard. tacho's mouth itches him, he happened to remember his group's recent conversation about nanami. he must ask — even if it costs him a mutual co-worker.
"so, nanami," he begins, waiting for nanami to give him the undivided attention.
nanami doesn't face him, but he hums in response. tacho doesn't mind this as an answer, so he continues, "i was wondering if the rumors of you being with the new worker, yeri, are true?"
there is one big lie in that question: there are no such rumors. it's just a theory the trio has been gossiping about every night. nanami's been helping out yeri for quite some time, one can only think that they have a special connection going on.
"that is bullshit," nanami gives a firm answer. nothing more, nothing less.
tacho's stunned, he blinks a few times to recollect himself. "oh — so you're not with her?"
nanami doesn't answer yet, but the two in the back give their unwanted reactions. tichi clicks his tongue three times, shaking his head in disappointment at tacho's second question. it's obvious dumbass, he thinks. toeny, on the other hand, presses his lips in a thin line, pretending to read a magazine that's been on the counter.
nanami reaches into his pocket, whipping out his phone. the trio's confused until nanami speaks.
"i am married man. this is my wife," he educates, pressing the power button to show you as his lockscreen.
he collects three gasps, internally nodding at their shock. that's right, i'm gladly taken.
"all this time you've been... MARRIED?!" tacho's voice heightens, he drops his spoon in shock. it's unbelievable yet somewhat believable.
nanami breathes out a 'yes', raising his arm to show the wristwatch. "she bought this for our five-years anniversary recently. it's quite expensive, going over four-thousand," he brags, emphasizing on key words.
he's been waiting for the precious day where someone indirectly asks for his relationship status. the day has come and he will spend it bragging about his beloved.
nanami doesn't give them a chance to speak, he carries on with his bragging, "she's a very lovely woman. all my bentos are made by her and she writes little notes for each. some may think it's childish but that's bullshit! they just haven't experienced the love of a woman. matter of fact, her most beautiful moments are when she's freshly awake. the smile she gives me is nothing but angelic."
his speech doesn't stop there, but it did for the trio. his words went in one ear and out the next. nanami's blabbering about his wife immediately set a blank face upon tichi, tacho, and toeny. they're jealous and also surprised.
"the way a woman can change a man will never not be amazing," toeny whispers, blankly gazing at nanami's ongoing speech.
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drchucktingle · 4 months
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THE TEXAS LIBRARY ASSOCIATION HAVE ISSUED AN APOLOGY AND A RE-INVITATION. HERE IS MY STATEMENT
hello buckaroos. the TEXAS LIBRARY ASSOCIATION have issued a formal statement and apology which you can read at the attached link.
while i find the language used to discuss what was done a little unsatisfying, i would like to start by saying i appreciate anyone taking steps to prove love is real and make things right. the genuine feeling of ‘realizing you have made a mistake and hurt someone else’ is a terrible one, and i have so much empathy for this group as they reckon with their choices causing harm. i appreciate their apology.
i also think more good than bad has come from this situation. i am so thankful this happened to me (someone with a large social media presence) and not a smaller buckaroo author without the means to stand up for themselves. i think the next time someone comes to the TXLA with an accommodation need, they will hopefully be taken more seriously
lets trot down to business about specifics now. the TXLA has re-invited chuck to the original panel and even offered to take a moment at the top of the panel to talk about what happened. this is very kind of them and i will say THANK YOU. 
unfortunately i will also have to decline.
the fact that it took this much effort, social media backlash, and discussion to let me simply EXIST PHYSICALLY in a way that is authentic to myself is not a good sign. if this organization immediately questions an authors chosen presentation in this manner, i cannot imagine what my other accommodations would be met with.
sometimes i am at an event and i very quickly need extra space to breathe. sometimes i am at an event and i need special guides to help me along from place to place. these are not ‘big asks’ and every other conference has gladly provided them, but if the TXLA had this kind of initial reaction to my physical appearance, i cannot imagine them readily helping with my other needs without ‘proof’.
this is clearly not a safe place to trot for those who require additional accommodations. regardless of any apology, their ACTIONS have shown that people who appear unusual or unique are not welcome at this event on a subconscious level. i believe the TXLA have some serious inner work to do beyond this apology, and i believe this inner work will involve actions more than words.
but even more importantly i would like to make this very important point: IT DOES NOT MATTER IF MY MASK IS A DISABILITY AID OR NOT. i appreciate the way this discussion has allowed us to trot out some deep talks on autism and proved love in this way, but i think there is a much more important point at hand.
regardless of WHAT someone looks like, it is not the job of an event or conference to pick apart WHY. physical presentation can be a part of someones neurodivergence, or gender, or sexuality, but i can also just exist as a nebulous undefined part of their inner self. it can be a piece they are not ready to openly discuss yet. the guests at TXLA are authors (aka ARTISTS) and the idea that a conference dedicated to an ART is going to deny people with unique and unusual presentations for ANY reason is absurd. since when are we applying a ‘dress code’ to our artists?
without knowing it, i personally believe there is an element of the ‘good queer, bad queer’ phenomenon going on here. there is a push to say ‘LOOK we accept these marginalized groups and cultures’ but behind the scenes that means ‘we accept these marginalized groups and cultures who are quiet and speak in turn and wear the metaphorical suit and tie’. it is easy to show diversity when you only take on the voices that arent too ‘strange’.
to prove my point i ask you this: do you think orville peck would have FOR ONE SECOND been asked to perform at the texas library association event without his mask?
so with that i say ‘very sincerely, thank you, but i will have to decline the re-invitation. maybe next year’
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vanessagillings · 27 days
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I’m posting the ever-so-rare photo of myself alongside one of my characters based on my childhood because today is World Autism Acceptance Day, and I wanted to show my little corner of the internet who this particular autistic person is:  
I was officially diagnosed in February, at age 38 (I’m now 39). A lot of people thought I couldn’t be autistic.  Some people who know me in real life still don’t.  And until around 10 years ago, I didn’t think I could be either, because I was nothing like the stereotype media portrays. I was told that autistics lacked empathy (untrue), and never played make-believe (also often untrue) and only enjoyed STEM.  I was — and am — an empathetic artist -- and make believe?  I can spend days sketching finely bedecked bears brewing tea or carefully choosing the right words to weave tapestries of fiction — though perhaps my hyper focus was a bit of a red flag.  Even so, how could autism describe me?  I was a good student.  I got straight A's. I didn’t act out in class.  I can make eye contact…if I must.  And lots of girls hate having their hair brushed with an unholy passion, right?  Clearly I swim in sarcasm like a fish, so autism couldn't be why I was so anxious all the time, could it?
If someone had told me when I was younger what autism ACTUALLY is — instead of the nonsense I’d seen on screens — I would have seen myself in it.  I didn’t hear that autistics have sensory issues until I was in my mid-twenties, which is when I first began to really research autism symptoms, and I had almost all of them:  sensitivity to light, smells, fabrics, temperatures, textures, and certain touches, all of which make me feel anxious, I fidget (stim), I never know what the hell to do with my hands or where to look, I talk too little or too much, I have special interests, I have entire animated movies memorized shot-by-shot and can remember the first time and place I saw every movie I've ever seen but I often forget what I'm trying to say mid-sentence, I echo movies and tv shows (my husband and I have a whole repertoire of shared echolalias, making up about 20% of our conversations), I was in speech therapy as a kid, I have issues with dysnomia and verbal fluency, I toe-walk, I can't multitask to save my life, I like things just-so, I’m deeply introverted but not shy, I need to recover from all social interaction — even social interaction I enjoy — and I find stupid, every day things like grocery shopping, driving and making appointments overwhelming and intensely stressful, sometimes to the point where I struggle to speak.  It turns out, I am definitely autistic. My results weren't borderline. Not even close. And while these aren’t all of my challenges, and not everyone with these symptoms is autistic, it’s definitely something to look into if you present with all of these things at once. 
So why did it take me so long to get diagnosed? The same bias that exists in media threads through the medical community as well, and because I'm a woman who can discuss the weather while smiling on cue, few people thought I was worth looking into. Even after I was fairly certain I was autistic, receiving an official diagnosis in the US is unnecessarily difficult and expensive, and in my case, completely uncovered by my insurance.  It cost me over $4000, and I could only afford it because my husband makes more money than I do as a freelance illustrator — a job I fell into largely because it didn’t require in-person work; like many autists, I have been chronically underemployed and underpaid, in part due to physical illness in my twenties, which is a topic for another day.  But it shouldn’t be like this.  It shouldn’t be so hard for adults to receive diagnoses and it shouldn’t be so hard for people to see themselves in this condition to begin with due to misinformation and stereotypes. Like many issues in America, these barriers are even higher for marginalized groups with multiple intersectionalities. 
It’s commonly said that if you’ve met one autistic person, you’ve met one autistic person.  This is why it’s called a spectrum, not because there’s a linear progression of severity (someone who appears to have low support needs like myself might need more than it seems, and vice versa), but because every autistic person has their own strengths and weaknesses, challenges and experiences, opinions and needs.  No two people on the spectrum present in the same way.  And that’s a good thing!  No way of being autistic is inherently any better than any other, and even if someone on the spectrum struggles with things I don’t — or can do things I can’t — doesn’t make them more or less deserving of respect and human dignity.
But speaking solely for myself, the more I learn about autism, the happier I am to be autistic.  I struggle to find words and exert fine motor control, but my deep passion and fixation has made me good at art and storytelling anyway.  I find more joy watching dogs and studying leaf shapes on my walks than most people do in an entire day.  More often than not, the barriers I’ve faced weren’t due to my autism directly, but due to society being overly rigid about what it considers a valid way of existing.  My hope in writing this today is that maybe one person will realize that autism isn’t what they thought — and that being different is not the same as being less than. My hope with my fiction is to give autistic children mirrors with which to see themselves, and everyone else windows through which to see us as we actually are.
If you’re interested in learning more about autism or think you might be autistic, too, I recommend the Autism Self Advocacy Network  autisticadvocacy.org and the following books:
What I Mean When I Say I’m Autistic by Annie Kotowicz
We're Not Broken by Eric Garcia
Knowing Why edited by Elizabeth Bartmess
Unmasking Autism by Devon Price, PhD
Loud Hands edited by Julia Bascom
Neurotribes by Steve Silberman
(trigger warning: the last two contain quite a lot of upsetting material involving institutionalized child abuse, but I think it’s important for people to know how often autistic children were — and are — abused simply for being neurodivergent).
Thanks for reading 💛
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writingoddess1125 · 7 months
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The old men of One Piece finding out they have a child with you.
Shanks, Buggy, Mihawk X FemReader
Healthy mix of Angst and Fluff.
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Part 2
Buggy
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"You two get your asses down now!" You yelled, trying to stop the two blue haired boys from destroying the restaurant further. Your two identical twins sons where only 11 years old but they were trouble- Double Trouble as everyone called them. Benny and Danny, who had given themselves the Nicknames of Bee and Dee- cause of course they did.
It wasnt just their dramatic tendencies, destructive nature or lack of volume control that made them silkar to a know pirate but also their appearance Who was non other then- Buggy the Clown. While they did lack the trademarked rounded red nose. They did get almost everything else- Long nlue locks, watercolor eyes and that crooked smile of theirs- it really wasn't fair how your genes didn't even have a chance-
It hasn't exactly been your best of moments when you conceived your children- Having been a performer on the famous pirate ship you ended up sleeping with your Captian one night on his Silly Throne. A few weeks later you started to feel unwell and realized you had been pregnant. In a moment of panic you fled the ship the next time it docked- Running from your Crew and Captian to never be seen again.
Once realizing you were on your own. You did what you could to make a living- opening a flashy little restaurant and using it to raise your two trouble makers. Dee running past you with a giggle snapped you from your thoughts, frowning as you set down your customers order infront of them before following the boy.
"Mom Mom! Look!" Bee yelled as he stood on one of the tables pointing out the window of the restaurant at the open ocean, Dee taking his place next to his twin. You walked closer to see what your son was looking at, the fog being thick that night as you tried to focus on what he was seeing.
Squinting your eyes you finally saw it- a Ship. As your eyes focused you saw the Jolly Roger and gasped, Ice feeling like it ran through your vain. You grabbed the boys quickly and backed away from the window. As if on cue the alarms set to alert that pirates had arrived. The sounds of canons hitting the town soon peirced through the alarms and the whole town erupted in chaos. You rush from the windows to the back of your restaurant.
Rushing down the stairs you knew Buggy and the crew would level the town to ashes. The best place to hid being the cellar, while it was small it would hopefully keep you and your boys safe. "Mom what's happening!?" Dee cried as he did his best to keep up with your fast pace. You didn't bother responding as you rushed to the old underground cellar lifting the rug and opened its little door.
"Mom I don't want to go down there!" Bee cried as you lowered him in the cellar first, Dee following soon after as you tried to sooth them.
"I know I know my loves, But do as I say- Stay quiet and-"
You paused as you heard the sound of crashing from out in the dining room followed by screams. Quickly you climbed in with your boys and lowered the wooden door of the cellar above you and frantically tried to place the rug so it fell onto it before plunging you and your sons in darkness.
You sat there shaking, holding your boys close to your chest as you heard the sound of someone walking towards you. Your hands shaking as you held them closer, feeling the moisture of your sons tears soaking into your dress.
You heard the sound of footsteps starting to search the room above you. Previously looking for valuables or anything interesting-
"Captian! I found the liquor!" The voice above you called out, Clearly grabbing the cases of rum that sat in the room above. Heavier footsteps followed into the room, hearing the cackle that made your skin stand up on end.
"Grab it all and whatever people you can find! We have a show tonight afterall!" You heard Buggy voice sound. The crew mate clearly rushing out with the cases while Buggy remained. You heard him turn through the room, ready to leave before his heavy steps landed on the cellar door above you it's old wood groaning at the weight. Your eyes widened as you realized you'd been caught, Without time to react the door was ripped open and you couldn't help but release a scream.
Buggy- In his hands you see his signature blades as he grinned down in the cellar. Reaching down and grabbing you by the hair and yanking you out-
"A new audience memeber!- wait" He raised an eyebrow as he held you up higher by your hair and looked over your crying face. His eyes looking over your face. "I know you... (Y/N)?" He asked questionably before his eyes shot to see a flash of blue dart at him and kick him as another one came to try and pull you from his grasp.
"Let her go!" "LEAVE OUR MAMA ALONE!" Your boys desperately screamed as they weakly tried to attack the man holding you. Buggy dropping you quickly as he stared down at the three of you, You quickly pulling the boys away from him and behind you.
A awkward silence following this as Buggy released a shaky breath before laughing loudly. A insane laugh that had him doubled over, before looking at you again with crazed eyes. A few crew members coming into the room after hearing their Captian laugh, especially at the sight of you, their former crewmate and two boys that looked like their Captian.
"Freaks, Take these three and lock them in my personal Quarters. We got a family reunion!"
Shanks
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"Mommy I have Missy Luc-ia ready!" You heard your daughter call out. Setting out the freshly frosted cupcake, onto the countertop, that she was just barely taller then. Smiling down at the bright face before you- She may be only 4 but she was the sweetest girl.
"Thank you Vivian. Can you grab the order list for Mommy?" You ask, getting an exaggerated nod and running off. Her mess of bright red hair bouncing with each step. A little clone of her dad, The famed Shanks 'Red Hair' a former fling of yours.
It had been a nice little relationship you two shared, him coming by every other week to meet with you when his ship restocked. Buying random pastries you knew he bought to get close to you, always complimenting your Baking skills and sweetness. Which ended up to many passionate nights both in your own bed and on Shanks ship. The last time you met, Shanks told you he had to go for a while and didn't know if he's return. Tears shed as you watched him set sail- having the feeling you'd never see him again.
As if the gods had sympathy for you or wanted to use you as a cruel joke you fell pregnant. Giving birth to your daughter who ended up being a Shanks part 2. A giggly and happy baby with unique red hair, while she was a perfect mix of the two of you in terms of face she inherited Shank's smile, hair and eye shape.
As you packed the poorly frosted cupcake that your daughter had made. Ignoring the fingerprints in its frosting- you hit it in the back of the fridge you'd never tell her you couldn't sell it since she had eaten part of her work and replaced it with the true finishes product to be delivered.
As you finished your packing you heard the bell of your bakery door chime.
"Welcome to the Sweet treats bakery, how can I help yo-" the words froze to your lips as you saw Shanks. Eyes wide at seeing him again, it was clear he had delt with some serious wear and tear by how the world seemed to settle on his shoulders a bit more.
"(Y/N) long time no see" He said softly as he stared at you, mentally still trying to process what you were seeing. He stepped forward, Looking ready to explain himself away before the sound of tiny footsteps drew him in- Seeing the little girl holding a notepad with all your orders and running to you. Out of muscle memory you scooped your daughter and placed her on your hip, she smiled at you and held the order book out to you again which you gingerly took.
"Here you go Mommy!" She chimed, Looking at you as she noted your shocked face. Her gaze following the now shocked man, He looked like a breeze could knock him down as he stared at her then you then her again.
"Shes mine isn't she?" Shanks asked, his eyes never leaving the little girl on your hip. Vivian looking at Shank's then you confused at what was taking place. Before you could respond however it seemed Shank's answered his own question. Laughing loudly in utter joy and jumping forward towards you, scaling the countertop like it wasn't even there and crashed his lips against yours happily.
"Ha! I'm a Dad!!" He cheered, Taking his one arm around you and starting to spin you and Vivian who at first was scared. But hearing the giggles from the man started to as well- the two even laughed the same which made the Red Haired man even happier.
"Y-Yes Shanks. She is yours...This is Vivian" You said softly, watching Shanks lean in close to view his daughter. It was like he had found the most amazing treasure in the world and it shone in his eyes.
"Vivian, Such a beautiful name for the most beautiful girl in the world" He said in awe, earning a shy smile from Vivian.
"Vi, This is... this is your Daddy" You say softly, watching Vivian look up at you then back at Shanks. Hesitant at first before holding out her arms tk him, taking the opportunity he scooped her up in his single arm and held her close. Tears welling up in his eyes as he looked at her delicate face, her chubby little fingers touching his face and looking over him.
"You're my Daddy?" She asked innocently. A smile breaking over Shanks face as he nodded and held her close, tears pouring down his face.
"That's right baby girl- I'm your Daddy"
Mihawk
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It had been 16 long years since you had laid eyes on Mihawk- a simple one night stand that had long consequences that followed. Your son, your beautiful baby boy who you named Alucare.
It had been at a bar, the two of you drinking and simply talking. Before one thing lead to another in the alleyway next to the bar- You truthfully cringed at the thought of how embarrassing it was to be undone by a few nice words, a charming warlord and some drinks.
"Mother, which one did you want?" Your son asked, snapping you from your thoughts pointing to the fishmongers selection, his emotionless face like a carbon copy of his father's.
Truthfully he looked too much like his damn father- same yellow eyes, black hair, very tall form, stoic face the only thing missing was the facial hair Which you thanked The Gods for since you didn't think you could stare at your one night stands face forever. Alucare did have some differences, he had your nose as well as kept his hair longer. The thick spicy locks hitting the center of his back which you helped him care for. But truthfully that was really it-
You also knew that other people would star long at your boy, a few times Marines having come up to see your son when he was walking to school or going to the market. He knew who his father was, having Marines who had seen him in battle tell him as much. However he never seemed to care, just giving them a frosty look that made them back away before leaving. Whenever you'd brought up the topic of His father he often would sit quietly for a few moments before saying he wasn't interested in such a conversation which you respected.
"Hmm, that one is fresher-" You say sweetly as your boy grabs the fish and plops it in the basket, Handing the merchant the berries.
Always the gentleman he would take your arm in his as the two of you walked. He would hold the heavier baskets and give you only bread or a small bag of fruit. He was too kind as a child, you felt bad at times at how his eyes seemed to know the struggles you had faced when he was born and tried to help you out now that he was older besides your persistence.
"Alucare, I heard from your teachers yoh got very high marks again. Do you want to celebrate? Maybe a nice dinner is in order? Or-"
"It's just a test Mother. No need for so much trouble" He said softly, giving a hint of a smile at his words. You chuckled at him and shook your head. Stubborn too.
You felt your son stop midstep- Glancing up at him as his face turned to stone before your eyes.
"Honey?" You call to him, before following his gaze at what had caught his attention. Across the market a dark figure stood, You immediately felt your heart drop to your stomach as you knew instantly who it was- Mihawk standing there with the same stoic expression as Alucare but his eyes seemed to be a bit wider. Most likely the closest to shock that could come over his face-
You tugged slightly to turn back, not wanting to create a accidental scene but your son clearly had other plans. Instead starting to walk again, His arm still holding yours as he kept his gaze at Mihawk. You expected Alucare to stop infront of Mihawk- a blowup or something but. No.
Alucare just walked past Mihawk- Like he wasn't even there. His face staying forward as no words passed. As you continued to walk you turned to look behind you where you saw Mihawk, he seemed to stagger on his feet like someone had finally peirced him with a blade.. but it seemed to be a invisible one to his heart.
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tubbytarchia · 3 months
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Etho doodles in which I let my inner dinosaur nerd take over 😔 and also have no idea how to shade
Get it cause he's old and washed up haha... ok but actual raptor Etho hybrid justification below cut
To be honest the main reason was because I really wanted a hybrid in the mix who wasn't some furry creature and a reptile or amphibian or smth instead. Etho still ended up feathered but whatever it's close enough! But for ACTUAL reasoning:
He does feel damn ancient, like an old deity of the mcyt space that no one can dislike. Dinosaurs are the same!! They're old but still thought of with great fascination and fondness, everyone loves dinosaurs...
Dinosaurs are ever so mysterious, as many advancements as we make there's still so much we don't know. Just as we know jackshit about mister Kakashi skin man. Also, there are so many incomplete skeletons out there. I didn't have a particular species in mind for Etho, because where's the mystery in that? He can be one of those 5% skeleton 95% speculation dinosaurs like this guy!! Missing jaw and all
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"I'm a runner, not a protector" - so, a raptor, or more specifically the Dromaeosauridae family, which literally has "running/runner" in its name
But! I'm always a fan of stuff going against its nature, especially in this case! Etho states he's not a runner yet protects his allies rather fiercely even in total silence. Eg refusing to kill Cleo in SL or to give away Tango's location during the LimL manhunt, same for Grian in SL. He was a bit flaky in 3L I think? And he only started to have genuine care for allies in LL with Bdubs? Though he is still very much a runner in many cases like during the LL Wither fight. Research also strongly suggests that most if not all raptors were solitary hunters, and the way I see Etho (through my shamefully limited watchtime of his POVs...) he feels a lot like someone who ultimately only trusts himself at the start even if he's pleasant and allying with others, and doesn't seem to think he can carry his weight in groups though he doesn't voice this a lot. That's just how Etho is, very composed, but it feels like there's an insecurity there, showcased especially in SL but again I haven't seen almost any of his POVs in full so maybe I'm talking out of my ass!! Sorry ethogirls I'm only a sidegig ethogirl myself... But yeah tldr to me he gives off the vibe of an otherwise solitary animal struggling to find 100% sure footing in a pack. In whichever ways he does go against his nature, its not usually made a show of
At the mention of a raptor, a lot of people will probably think of the glamourized Jurassic Park Velociraptors. But those awesome guys from the movies are actually the size of chickens. In general though, dinosaurs tend to be a bit.. exaggerated in media, despite how inherently fascinating they already are. And I think it fits Etho because we all know how the Lifers seem to fear and mancrush on him when he's just some dork with perfect capability to become pathetic at a moment's notice. Still, he's a clearly skilled player and still respected without question Etho's not some killer machine like some people make dinosaurs out to be. He's just a fellow creature fulfilling his role in the ecosystem 👍
dinosaurs are cool
The hook-like sickle claws on the feet... something something fishing rod
I swear I'm not turning all my Lifers into hybrids I'm not!! Still plenty normal humans in the mix I swear....... But Etho is such a radical dude, I really wanted to do something more for him. The whole Kitsune thing that I often see associated with him is really cool. I don't actually know the reasoning for it but I assume something something naruto, but also, him being this ancient mythical cryptid who people know so little about, you know? It makes SO much sense. So anyway I turned him into a dinosaur instead rawr
As a herbivore advocate I also considered stuff like the triceratops (known for how they protect themselves and their own) but nah the raptor symbolism...
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ateez as pirates who fall for you (hyung line)
read maknae line here
genre: pirate!ateez x gn!reader (fem!reader for hongjoong), fluff, angst, crack, and as always - a brainrot of every pirate trope to exist
length: 10.4k
c/w: heavy and mature themes - mdni, explicit language (swearing, insults), death, violence, blood & injuries, weapons, illegal acts (piracy, ransoming, verbal abuse, abduction), alcohol, pet names
a/n: maknae line will come yes but who knows when 🤷‍♀️ work has been really testing my dopamine vibes this year 😔👎 thank you @sorryimananti-romantic for keeping a detailed hitlist for me ♡
hongjoong
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pov: you're a royal princess rescued by him
“captain, are you sure we can’t toss her overboard?”
jongho and hongjoong watch as wooyoung’s face falls after you pointedly ignore his attempts to make conversation once again
for someone who is technically their guest aboard the arriba, it seems as though you are hellbent on being as difficult as you can be
“unfortunately, we can’t,” hongjoong grouches to the younger, “not unless we want to exchange our payment for a hefty bounty on our own heads”
when jongho sighs, the captain squeezes his shoulder in comfort and adds on, “trust me, i’ve thought about it too”
hongjoong and his crew are privateers - pirates in theory, but technically excused so long as they have their letter of marque to state that they are authorised to attack other vessels
rescuing a royal princess was never explicitly part of the contract, although he thinks that not rescuing you would have pretty much been equivalent to a blatant show of insubordination
you had been taken ransom by one of the merchant ships the arriba had been plundering
needless to say, they had been close to tossing you overboard too; your kingdom had never paid for your ransom
the lack of response from your parents wasn’t anything you weren’t expecting but it’s a sore spot nonetheless
so it’s certainly hard for you to play friendly when you’re quite literally shucked off from stranger to stranger faster than a hot potato
san tugs wooyoung closer towards him and gently says to you, “he’s just trying to be nice - we all are”
the movement doesn’t go unnoticed by you
“i don’t need your pity,” you answer, the only sentence you have spoken today
you’ve lived two decades of your life pretending you don’t see the pitying gazes of your maids and butlers
you certainly don’t need pity from these people - pirates no less
“it’s not-” wooyoung starts to say
but the captain steps in before he can defend himself
“if this is how you’re always acting, i’m starting to see why your kingdom never paid for your ransom”
had hongjoong been less preoccupied by your words, he would have realised that your tone is candid, as if it is only natural for the people around you to pity you
but he’s clouded with his mindset as captain, unable to stand by idly while his own crew put up with your attitude, and so the words come out anyway - shards of shrapnel that bury themselves into your heart
there is only a fleeting second when your eyes dilate with hurt
you conceal it immediately, replacing it with a steely gaze, yet the image has already seared itself into hongjoong’s mind
“maybe you should throw me overboard, then,” you counter, “i’m sure my family will thank you for it”
and even if you have completely neutralised your expression, no one misses the wounded tone of your voice before you disappear down into the lower deck
mingi lets out a low whistle after the resounding slam of the hatch closing
“you fucked up, captain”
hongjoong doesn’t need anyone to spell it out for him
the heavy feeling in his stomach is telling enough
it isn’t until the moon has long since risen that you emerge through the hatch again
you had bypassed the sleeping quarters to the hold, wedging yourself between barrels of grain until you were sure no one would find you
not that they would have tried to anyway - seonghwa had told them all to give you some space
you had run your finger up and down the sides of the barrels repetitively for hours on end, mind simultaneously void and filled with thoughts
the walls you had built around yourself kept you safe, but it had started to become awfully lonely after a while
when it had become a little too suffocating in the hold and you guessed that most of the crew was asleep, you had softly padded back up the stairs and across the main deck
you now sit on the foredeck where the endless expanse of the sea stretches out in front of you, closing your eyes and letting the swaying of the ship lull you into tranquillity
tonight, the moon winks down fondly upon the waters
hongjoong watches you from the quarterdeck
he’s seen you sit at the front of the ship on many nights when you should really have been asleep
he wonders if you’ve always looked so small and fragile with your knees drawn up to your chest, or whether it’s because the flash of hurt in your eyes and voice is still fresh in his mind
“go, captain,” yunho murmurs from where he’s at the helm, “it’s a quiet night”
hongjoong startles at having been caught gazing, clearing his throat and dragging his eyes away
“why should i, if she’s just going to ignore me?” he scoffs
but he knows he’s just being petty at this point and his chest churns in agreement
“maybe,” yunho hums softly in response. “did seonghwa ever give up on you, though?”
it’s rhetorical - hongjoong knows the answer better than anyone
the captain doesn’t say anything but after several beats of silence, he sighs and makes a move to the foredeck where you are
yunho smiles to himself
you and hongjoong may be more similar than his captain realises
your shoulders stiffen when the sound of hongjoong’s footsteps approaches
you’re not sure what to expect and you don’t exactly want to find out and risk getting hurt
but having spent all day swimming alone in your thoughts, you do want to show that you feel apologetic because admittedly, you were being an ass too
getting up to walk away when he’s taken the first step certainly won’t help your case
you hold your breath in awkward silence as he settles down beside you, leaving a respectable distance between your hunched figures
only now is hongjoong realising that he hasn’t actually thought about or decided on what he wants to say to you
but he can feel the confusion rolling off of you in waves, so he grits his teeth and says fuck it
“i won’t apologise for defending my crew, but i’m sorry for how i did it and for what i said”
he hopes you know he is sincere when he continues, “we all have our prickly edges. i can’t fault you for yours”
compassion is a foreign concept to you and so you’re a little stumped for words
hongjoong isn’t sure whether your silence is a good or bad thing, but you have yet to stand up and walk away from the conversation
“there’s only about a week left until we reach port and we’ll leave after you make it back to your kingdom and we receive our payment. i’m not asking for you to be friendly, but let’s at least be civil with each other until then,” he says
you want to nod, agree, anything
and yet you can’t seem to make your head move or the words to come out of your mouth
rome was not built in a day. but neither did its walls fall in a day
hongjoong doesn’t push for an answer when instead, you ask, “how many people have you actually tossed overboard before?”
he resists the urge to laugh at your question, suddenly endeared by the fact that you’re still bothered by his very empty threat
“none, but my offer still stands. you’re welcome to be my first,” he deadpans
you let out a snort and although you quickly turn your head away, hongjoong sees the hint of amusement in your eyes
no further words are exchanged between the two of you and you do not acknowledge him when he eventually stands to rejoin yunho at the helm
but it’s a start
and as with any relationship, be it friend, foe, or lover, there is always that
a beginning.
hongjoong isn’t really expecting much to change immediately so he doesn’t pay you much mind when you walk into the mess hall the following morning
you hesitate at the entrance when you see most of the crew are already present, the conversation you had with hongjoong last night replaying at the forefront of your mind
you chew on the inside of your mouth
wooyoung stops mid-conversation at the scrape of a plate on the table, looking up to find you sliding into the seat beside him with a tight-lipped smile
to your surprise, he greets you with enthusiasm and immediately drags you into the conversation
hongjoong watches as you slowly warm up and add one or two comments of your own in between bites of your hardtack
and when he catches your gaze after staring for too long, he gives you a smile to convey his appreciation; to acknowledge your efforts
you return it with a small smile of your own and unbeknownst to you, it stays on your face for the rest of the day
slowly, there become more and more reasons that elicit a smile out of you
you still sit out on the foredeck when everyone else has gone to sleep, but on most nights, hongjoong will join you even if just for a while
the two of you are content to sit side by side with nothing but the steady pulse of the ocean and intermittent creaks of the ship’s hull to break the silence of the night
tonight though, you find curiosity burning through you
“what’s it like?” you ask
“being a pirate?” he clarifies
you shrug vaguely, unsure yourself either, “being a pirate. being at sea. sailing with your crew”
he takes a moment to gather his thoughts - not because he doesn’t know what to say, but because there is too much he wants to say
when hongjoong answers, his voice rumbles softly from within his chest, tender and heartfelt
“there’s a sense of freedom that you can’t obtain when you’re bound to land and society. sailing the waters, the only limits are those of the open seas and of your own compass… the sunrises, the storms, the moonlight - it all becomes part of your home”
hongjoong leans back to rest on the palms of his hands, tilting his gaze up towards the twinkling sky
he reflects, “you experience brotherhood and gain a family that is worth multitudes more than the treasures you can accumulate, even if you were to live as a pirate for several lifetimes”
you’re enraptured by his words, like poetry that swirls off the pages of a book and drifts into your very soul
“i may be the captain of this crew, but they make me who i am. without them, i am nothing”
his words wash over you and unearth vivid memories
“that’s what the queen always says to me,” you reveal
a small smile starts to grace hongjoong’s face, but it falls just as quickly when he hears your next words
“that without her - without her title - i am nothing”
it’s funny, how the same phrase can hold such different meanings; can evoke such different emotions
you don’t elaborate any further, but hongjoong doesn’t think he needs you to in order for him to understand
he just wishes he had more time to show you that your mother is wrong
he can’t though
tomorrow they reach port and you will return to your rightful place in the palace
“tell me more about your crew,” you attempt to change the topic, “how did you all find each other?”
so hongjoong tells you
he talks for hours and hours and you listen all the while with a heavy heart, clinging onto his every word
on your final night, you two stay like that until the stars disappear and the horizon becomes streaked with the pale hues of sunrise
after the ship docks mere hours later, only hongjoong accompanies you to your kingdom after goodbyes are exchanged
wooyoung doesn’t take it well, and you find yourself holding back tears of your own as you are let through the palace doors with the captain by your side
but you blink them away when you approach the throne room because vulnerability is not an emotion you are willing to display
“y/n”
the queen addresses you curtly when you enter, and hongjoong wonders for a split second whether he has brought you back to the wrong kingdom
he knows your mother does not treat you fondly, but it’s still staggering to see it before his very own eyes
the monarch glances distastefully over him before her eyes flicker back to you
“i did not expect your return,” she states
your eyes remain impassive as you merely answer, “neither am i delighted to be back”
hongjoong recognises this look
he’s seen it when you first boarded his ship; he’s seen it when your hackles were raised
he’s seen it in himself, when he had been a teenager filled with nothing but growing resentment, before he had met seonghwa
your mother sneers, “then you should have made yourself useful and stayed with the pirates. as a whore or a dog, whatever it took.”
hongjoong has understood you since learning of your demons, but right now, he is you
he sees fifteen-year-old kim hongjoong, standing before a couple who are his parents only by title
he sees fifteen-year-old kim hongjoong, who doesn’t know what he has done that deems him undeserving of love
he sees fifteen-year-old kim hongjoong, all alone with no one to take his hand
“or really, you should have died on the ship”
hongjoong is close enough to you to hear the small hitch in your breath at your mother’s final jab
he may not have had someone to save his younger self, but he can do that now
he can be the person he so desperately needed years ago
and so he does just that.
hongjoong grabs your hand and drags you out of the palace
no one stops the two of you from leaving and he is unsure whether his heart hurts for you or sings with relief
you can only stutter in shock as you try to keep up, “hongjoong, what about your payment?”
his determined steps do not slow down, even as he looks back at you with a sure smile, “i told you before. some things are worth more than money”
the comforting squeeze of his hand conveys that you are worth more than any amount of money
the form of the arriba grows bigger in the distance and you think you can see the movement of excitement on deck when the crew spots your figures
hongjoong has slowed down his steps, but he has yet to let go of your hand
“and you deserve to know that. welcome to the crew, y/n”
to a family and love that you never had
you think you like the sound of that
“thank you, captain”
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seonghwa
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pov: you're a royal navy officer in disguise
you lay awake in your hammock, listening to the soft snores of the crew members around you
sleep doesn’t come easy to you anymore
particularly tonight
you contemplate whether it’s worth the risk to simply not show up
you know what the consequences are if they capture you - a slow and painful death - but you’re unsure whether you want to put ateez on the line too
your ship is currently docked for the night, having made a port stop at alcarres following one of the crew’s wishes to retire the pirate lifestyle and settle in the small town
their last night with ateez had been celebrated with sloshing rum and rowdy jigs, something you had found strange
there’s none of that in the royal navy
when one leaves, it is shameful and through one of three options only; old age, crippling injury, or…death
you had asked seonghwa, the quartermaster, why he and the captain were so accepting when crew members left as they wished
he had simply smiled and answered, “better a small but loyal crew than a large and unpredictable crew”
his words are like a sharp stone in your shoe as you finally slip out of your hammock and make your way off the ship
as ordered, you head to the tavern addressed
you salute the person in front of you and ease into your seat with a formality only when he disregards you
“admiral jang”
“you’re late,” the royal navy officer raises an eyebrow
“sorry, sir. i had to make sure everyone was asleep”
it’s not exactly the truth, but no one needs to know that you had spent an hour in your hammock questioning your morality
he ignores your excuse, jesting as he asks of your captain, “has the pirate king found the chart’s whereabouts yet?”
the charts
centuries ago, a crew of experienced sailors had travelled the six great seas and created the original navigational charts
the charts had become scattered and lost over time, but its value only increased exponentially as more and more sailors became victims to the sea trying to map its waters to the same detail and accuracy as the original charts
of the six originals, only the whereabouts of five are known, with most of them within the possession of the royal navy
it’s rumoured that hongjoong - the pirate king - has his hands on two of them and is currently tracking down the lost chart of the aurorian sea
the only sea that has yet to be chartered after its original map due to its dangerous and unpredictable sailing conditions
you know that your next words can hold an inexplicable amount of possibilities
“not yet. the last lead didn’t get him anywhere. turned out the last of the ahn clan had passed a decade ago”
his lips flatten at the lack of worthwhile information
“where’s the captain headed to next, then?” he probes
for a split second, the thought of lying crosses your mind
you can’t provide a different location - it would be much too obvious and would raise immediate suspicions
but you could give him a different time frame
after all, it’s not uncommon for navigational routes to be one to two weeks off should the waters be unpredictable enough
you find the truth spilling out of you anyway once you’re looking into his stone-cold eyes
“vlasgar. in about three weeks’ time”
for a moment, time stands still as your heart pounds and you attempt to slow your breathing, the officer staring back at you calculatingly
then he finally hums in satisfaction
you think that he is going to dismiss you, but as you make a move to leave, he leans back in his seat
the split second of hesitation was enough
“remember where your loyalty lies, y/n”
the air feels cold with the underlying threat
seonghwa’s words flit through your mind
better a small but loyal crew than a large and unpredictable crew
you swallow, “of course, admiral”
and then you’re dismissed with a nod
the unsettling feeling follows you all the way back to the ship and every miniscule creak of the floorboards underneath you seems to be amplified in the silence
you let out a short gasp of surprise when you’re about to climb back into your hammock, only to see seonghwa blinking blearily at you
“couldn’t sleep ‘gain?” he mumbles
you choke out a response, “yeah”
“i’ll make you tea b’fore you sleep ‘morrow,” his words slur with sleepiness
“okay,” you whisper
but you know it won’t make a difference
after all, there’s no remedy for guilt
it continues to fester the next day, as you linger outside the captain’s quarters
you can’t remember why you had come down to the lower deck, but it doesn’t matter now, not with seonghwa and the captain discussing what you think is related to the aurorian chart
“do you think he’s still in vlasgar?”
“min taesoo? it’s hard to say. but i’m sure he’ll have acquaintances still on the island who may have an idea of where he’s gone”
min taesoo
your brain tries to carefully file the name away, knowing that it’s what admiral jang would want to know, but at the same time, your heart tries to pretend it doesn’t know what you have heard so that you can forget about it
you find yourself scratching the name onto a scrap of paper anyway
unbeknownst to you, at the almost-imperceivable sound of your footsteps walking away, the two men behind the doors share a look
the crew sets sail again in the afternoon towards the next destination - vlasgar - and the scrap of paper in your pocket weighs you down so heavily that you feel off-kilter as you absentmindedly follow jongho up into the rigging to unfurl the sails
you’re near the top of the ropes when a sudden wave lurches the boat to starboard
it’s only a small push, really, but with your mind elsewhere, it catches you off guard and you miss your next step
the feeling of your hand dislodging from the sudden drag of your body weight brings you back to the present with a yell of surprise
(whether it’s your own or jongho’s, you can’t remember)
your sailing experience takes over and you try to swing your body back towards the safety of the rigging
you barely manage to grasp the ropes again but your hands slip down with your weight until they hit the next knot, the hot rush of friction threatening your grip
with adrenaline rushing through your body, you shakily climb back down, where there are several pairs of hands waiting to help you down the rest of the rigging
seonghwa’s hands do not leave you even after your feet are planted on the deck again
dread and shame heat the back of your neck and curl around onto your cheeks, knowing that a mistake like the one you had just made - accidental or not - would lead to a punishment like confinement in the lower deck back in the royal navy
except, when an apology starts to form on your lips, seonghwa bursts out in dismay
“y/n, your hands!”
you let out an unintelligible noise as seonghwa gently turns your palms over and you realise that the ropes have grazed some of the skin off
“it’s fine,” you want to say
but you’re silenced when he leads you to the small sick bay on the orlop deck
even if there is no surgeon on board, there is a small chest fastened to the wall that is home to their few and valuable medical supplies
you sit as he fusses over you with alcohol and strips of cloth
although he does a good job of wrapping your hands, your insides start to bleed with how intensely guilt eats away at you, like a maggot deep inside the core of a festering apple
that night as you shuffle towards your hammock to sleep, you flinch when you find seonghwa already sitting in his
he’s fighting the heaviness in his eyes as he carefully cradles something
upon seeing you, he wordlessly hands it to you with a sleepy smile before he finally sags into his own hammock with a content sigh
you look down and the warmth of it seems to burn through the padded dressing that the man before you has tenderly wrapped around your palms
the sensation travels upwards to burn your heart too
because in your hands is a cup of warm chamomile tea
and yet, despite the emptied cup, you find yourself unable to fall asleep
but in the darkness of the sky, with no witnesses other than the waves and sea foam themselves, a small piece of crumpled paper gets tossed overboard that night
the closer their ship approaches vlasgar, the more distant seonghwa notices you become
he worries
seonghwa thinks he worries for the reasons that he should be
he is the quartermaster; entrusted to protect the crew as the captain’s right-hand man
if that means ensuring no one will compromise the rest of his crew, even if it’s you, then so be it
that’s what he justifies to himself as he walks through the cobbled streets of vlasgar, slinking through the shadows as he follows your figure from a safe distance
(in reality, seonghwa worries for the reasons that he is not quite ready to admit yet)
he follows you into the dim bar of a tavern and carefully situates himself where he can watch over you without being discovered
he orders a mug of common ale as you approach someone
the man is dressed in civilian attire, but seonghwa can tell straight away from his demeanour and expression that he is not as ordinary as he appears
it’s confirmed when he hears you say, “admiral jang”
and then he sees it
the small but striking lapel pin on the breast of the man’s coat - the royal navy’s insignia
seonghwa feels for the sash that’s hidden underneath his own jacket and his fingertips meet the cool metal of the pistol tied inside
“you better have updates for me, y/n. what’s the pirate king’s purpose here in vlasgar?”
seonghwa knows he only has about five seconds to make a decision - one that could jeopardise the crew, or one that could jeopardise you
but you surprise yourself and the both of them when you answer steadfastly, “i don’t know, sir”
despite the din of drunker patrons in the tavern, it seems to fall deathly silent
“am i hearing wrong, officer?” the admiral questions with a disbelieving scoff
to your credit, your voice does not waver when you state again, “no, sir. i believe the captain and quartermaster are lying low. they have not revealed anything to me nor the rest of the crew”
seonghwa suddenly understands why you have distanced yourself
the admiral’s jaw tics
“is that so.”
you do not respond, only focusing on the spot between his raised eyebrows as he leans forward across the table
“where does your loyalty lie, y/n?”
neither the admiral nor seonghwa need to hear your answer to know the truth
a small crew may be outnumbered, but they have strength in loyalty and devotion
there’s a glint of movement from underneath the table as the admiral inches something out from his belt
seonghwa makes his decision
you flinch, eyes wide as there’s a deafening gunshot and the table beside you splinters and scatters the tankards of alcohol onto the floor
instantaneously, chaos erupts
there are drunken yells of fright and weapons clumsily brandished, tables upturned and chairs hurled across the room
it only takes one other misfired shot for the tavern to descend into hellfire as customers who were previously drinking together now turn on one another
nobody notices the two pirates dashing out, not even admiral jang, who is busy wrangling two inebriated men off his arms
your composure dissolves the moment you are dragged into an alleyway several streets away and you look up in shock to discover-
“seonghwa?! why are you here?”
“i could say the same about you,” he counters, hardly out of breath
you’re stunned by the fact that he seems completely unfazed by the mess that he has just dragged you out of
something clicks
“was that you? did you know all along?”
seonghwa smiles, “let’s just say you’re not as subtle as you think you are when you sneak around. plus, it’s uncommon for sailors to have the experience that you do without having had some sort of training”
you curse under your breath and wince, “does hongjoong know too?”
the quartermaster nods and you fear the answer to your next question
“then why has he not…why have you not…”
“killed you yet?” seonghwa chuckles. “i’m sure you’ve realised by now how skewed the royal navy’s beliefs are”
you’re quiet
the royal navy has always been cult-like in preaching the ruthlessness and barbarism of pirates, drilling into the officers the belief that pirates are the scum of the sea
but everything that you’ve known has been proven false since you’ve joined ateez; ironically, the pirates are more humane than the royal navy themself
their crew stand at attention whenever hongjoong or seonghwa walk onto the deck - not out of cultivated fear but genuine respect
when jongho is sore and tired from handling the riggings on a particularly rough and windy day, the others will offer to cover for his chores instead of flogging him into submission
and when mingi is divvying up the shares of the provisions and loot, the others will slip an extra bar of soap for seonghwa, the shiniest ring for mingi, or the largest bottle of rum for yunho, because they want to make each other happy
“hongjoong is the pirate king, yes, but a king should not take the lives of others for his own power. a true king uses his power to change the lives of others for the better…like yours…and like mine”
you frown with a jerk of your head
“what do you mean?”
you can’t see seonghwa as a broken man whatsoever
he gives you a weak smile, “i, too, used to be part of the royal navy”
your jaw drops
everything clicks into place - how he had figured out you weren’t just a common sailor and why he hadn’t confronted you about it
the shame and guilt come rushing back over you in a storm that is much too familiar by now
“i’m so sorry, all i’ve done is betray your trust-”
“but that’s what second chances are for, no?” seonghwa cuts you off, playfully flicking your forehead as he reminds you, “and i’m pretty sure you’ve chosen me over the royal navy”
your cheeks grow hot
“not you. the crew,” you mutter
he laughs and it’s a wonderful sound
“come on, it’s late,” seonghwa beckons. “let’s get some sleep”
when he sees that you’re still rooted to the spot, unsure whether you are deserving to go back, he decides for you and moves behind you to gently nudge you forward by the shoulders
you let him guide you
his hands are warm, you note, even through the linen of your shirt
his hands are also pretty, you observe, when he tries to fluff your hammock once you two have crept your way back to the berth
seonghwa helps you up into the hammock and you watch as he climbs into his
his hands are also teeming with love, you realise, when he wordlessly extends his arm nearest to you in a silent invitation
if you both reach out, you can just entwine your hands together from your respective hammocks
the burns on your palms have healed nicely and without the need for them to be wrapped, you can feel every expanse of his hand covering yours
he doesn’t retract his hand and neither do you, even though it’s not the most comfortable position and you both lose feeling of your arms soon after
but you lay in your hammock, drifting to the soft snores of the crew members around you and the soft tug of seonghwa’s fingers in yours
sleep comes easy to you
particularly tonight
as it will for the rest of your life
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yunho
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pov: you're the crew's navigator
you know it’s going to happen even before it actually does
you can feel it in the air and from the way the baby hairs around your hairline start to frizz
but you never say anything because you wouldn’t trade it for the moment when the first raindrop hits the back of yunho’s neck and he abandons his duty at the helm to drag you out onto the upper deck
(hongjoong only sighs in defeat before he stations himself at the helm instead)
you don’t like the rain
not like yunho does
you are already looking up from the map spread out in the captain’s quarters, a knowing smile on your face just from the sound of his bounding footsteps alerting you of his presence, when yunho appears with the beckon of rain
you pretend to let yourself be dragged to your feet along to his urges of come on!
but then you dash forward towards the hatch with yunho chasing after your bright laughter
in the short span of time that it has taken him to fetch you, the sprinkle of rain has steadily grown and the weathered planks of the deck are already a dark grey
you feel the coldness of the raindrops hitting the crown of your head and the spreading chill as your clothes start to become damp
but that’s not what makes you feel alive
yunho catches up to you easily and then he is snaking his arms around your waist to lift you up into the air
you barely have time to squeal and steady yourself on his broad shoulders before he is spinning the two of you around, the world blurring away as the spotlight shines on him and he is all that you can see
the deck is your stage and the sea is your audience
rain with yunho is twirling hugs, tiptoed kisses and tinkling laughter. it’s soaked shirts and rosy cheeks and the only thing that matters in the moment
you don’t like the rain, but it’s easy to like the rain when it’s with him
(hongjoong lets the two of you be - so obviously and hopelessly enamoured by each other - because when one sees people in love, one cannot help but watch and smile)
the rain eventually peters out and you and yunho must return to your respective duties, but not until you two have changed out of your drenched clothes and sneaked in a few more kisses
a few hours later, you hear the racket above the deck as a ship pulls up beside the arriba and ropes are thrown across from both sides to lash the vessels close together
hongjoong comes down to join you in his quarters, but he’s not alone
behind him is the captain of the silver light, dae jihoo, and his quartermaster, with seonghwa entering last
you note that this crew doesn’t have a navigator of their own
but you suppose that’s one of the reasons why their captain had implored an alliance for this particular raid
the crew of the silver light are wanting to target the prosperity triangle - an area between three large ports that is frequently trafficked by wealthy vessels transporting valuable goods
it’s a raid that would prove difficult for a smaller pirate crew like your own and the silver light, and especially if they have no navigator
but it’s not uncommon for pirates to form temporary alliances for such purposes, and together, your crews have a good chance of plundering a fortune
you nod your head in acknowledgement when hongjoong introduces you to the two pirates as ateez’s navigator
you don’t miss the way jihoo’s eyes seem to linger on you for a second too long before he flashes a crooked grin and gestures towards the navigational map spread out on the oak table
clearing your throat of discomfort, you step forward and flatten the creases out with your hands
“this is the most open spot within the triangle that the vessel we’re after will pass through,” you tap an annotated spot on the chart, “and this is where we are now”
you slide your finger across, “we’ll follow the rhumb line west to avoid the shallower waters and when we can catch the trade winds, it should be smooth sailing from there”
jihoo challenges you, “how can you be sure we’ll catch the ship within the triangle?”
“they’ll need to sail past the equator and i’m almost certain their ship will be slowed down by the doldrums. we can easily gain knots on them”
he squints at the scribbles you’ve made noting down what you’ve gathered of the wind patterns
you know for a fact that it will mean nothing to him, but whatever he sees must satisfy him because jihoo appears to make up his mind
“when do we set sail?” he directs his question to your captain
“three days from now”
he grunts a noise of affirmation and stands, which hongjoong takes as the cue to see them and the rest of their crew off your ship
you trail behind the group as you all head back to the upper deck
you prepare to emerge from the hatch with a playful wink, knowing that yunho will be craning his neck from the helm to get a glimpse of you, when a sudden holler surprises you out of your thoughts
it’s immediately met with the answering cries of several other pirates - none from your crew - and you hurry to clear the hatch to gain your bearings
you’re thrust right into the throes of battle as ateez are forced to unsheathe their cutlasses to defend against silver light’s sudden attack
having been caught off guard, basically none of your firearms are loaded with gunpowder, rendering them unusable
you will have to make do with the short sabre at your waist
there’s no time to account for the whereabouts and safety of your crew members and you just have to pray that you all make it out of this unscathed
especially yunho
but as ateez retaliate, you all notice something is off about the situation
your crew is very quickly overpowering the other pirates - it was a losing fight for them from the very beginning
it makes no sense to you nor the rest of your crew
the losses of breaking the alliance before the planned raid, much less through betrayal, far outweigh any gains they could possibly make from their choice of action
it makes absolutely no sense
until it does.
you are blocking the swing of a sabre with your own when you are tugged backwards harshly by the collar of your shirt
there’s an angry snarl in your throat as you prepare to turn around, but it’s quickly silenced by the warning shot of a pistol right beside your ear
the cold ring of metal is then pressed to the back of your head
you know that firearms require time to reload and there’s a chance that this pistol is now useless
but, like wooyoung has taught the rest of the crew to do, they may have pre-prepared several pistols and you are not willing to play with fire - especially when you are only the flex of a finger away from death
you vaguely hear someone yell out your name in panic, but you’re not quite sure you hear correctly over the clamour of cutlasses clashing, warcries resounding and your own heartbeat pounding
“stand down or your navigator dies,” the voice behind you thunders
it’s jihoo…and he wants a navigator for his crew
“ateez,” one of your men commands, “lower your weapons”
your crew may make decisions fairly, but in battle, only hongjoong has the power to make commands
yunho has never spoken against his captain or disobeyed orders
until now
the words do not come out of your captain’s mouth but yunho’s
the rest of the members hesitate - they will not stand down unless hongjoong commands them to, yet, they are unsure whether they will be able to follow should he demand them to fight on, even if it means endangering your life
but there is no guarantee jihoo will let your crew go unharmed even after you all surrender, and as the captain, hongjoong must make decisions in the best interest for the crew
“captain!” yunho yells desperately
yunho never yells
“stand down,” hongjoong commands
silver light’s captain steps in closer behind you until you can hear and feel the noise of intriguement that leaves his mouth down the back of your neck
“that your loverboy, hmm?”
he smirks
there’s a false moment of primal relief when the press of the pistol is removed from the back of your head, but it is immediately replaced with fear that is irrevocably worse as he aims it in yunho’s direction and shoots
“no!”
you shriek and pull against the tug of his hold, still fisted around your collar, your pupils blown wide with terror at the sight of the clean hole in the mast right beside yunho’s head
“it’ll be pretty boy’s head next if you don’t come with me,” jihoo coos into your ear
the fight slips out of you immediately
because if you can save him, a life for a life, then you will
even if the sight of mingi holding yunho back from lunging forward when the pistol’s barrel returns to your head makes your heart clench painfully
“y/n, don’t you dare,” yunho pleads, voice filled with anguish
you’re barely given enough time to lock eyes with him and say resolutely, “remember what you said to me,” before you are tugged away to the boarding plank
ateez can only watch helplessly as the planks are removed from over the bulwarks and the last of the ropes are untied, releasing the silver light from their ship for good
jihoo tugs you down the hatch as the ship starts to pull away, and just like that, you’re gone from their sights
“fuck!” yunho shouts furiously, unable to contain his emotions as he turns around and connects his fist with the mast
right where the musket ball had made a hole
his hand pulls away with bloodied knuckles from the splintered wood and the sheer force of his punch
a concerned whine leaves seonghwa’s mouth and he tries to approach the taller, but yunho shakes him off and looks determinedly at hongjoong
“we’re sailing to the banver isle just east of the triangle. we’ll ambush them there”
seonghwa looks between the two, hope flickering in his chest at the potential plan, “you think the silver light are stupid enough to try taking on the prosperity triangle alone?”
yunho chuckles darkly, “they were fucking shitbrained enough to take y/n, so yes”
nobody disagrees and hongjoong smirks dangerously
“ateez, ready the sails for banver isle,” he commands. “prepare for battle”
because not only have the silver light taken you away from ateez, but they have also annihilated the light from yunho’s eyes
gone are his warm brown orbs - they are now black holes thirsty for retribution
there will be lives to pay and even that will not be enough for the void
unaware of what your crew is capable of, jihoo looks down at you with a triumphant leer
“you’ll navigate us to the triangle in three days’ time. don’t even think about lying - you’ve already shown me where the location is”
with an even nod you reply, “of course”
it’s true though - you have absolutely no intention of navigating them somewhere else
because you know yunho will be waiting there for you
amidst chaste kisses exchanged between plush lips cold from the rain, yunho tells you in a brief moment of seriousness
“don’t show them where the real location is,” his breath is warm across your cheeks. “you know the coastal island roughly ten nautical miles away? show them that instead”
you tilt your head to look up at him, “you think they’ll betray us?”
“no,” he reassures you with a deeper, slower kiss, “but we can never be too safe”
and even if your vessels miss each other this time, you have complete faith that yunho will sail to the very ends of the world just to find you
two days before the originally-planned raid, the arriba sails as closely to banver isle as possible without risking running aground
yunho has navigated the ship around the back of the isle so that the form of the rocky terrain conceals them from sight
once the anchor is lowered, the crew members use every ticking moment to make preparations
swords are sharpened and firearms cleaned
mingi distributes the gunpowder and ammunition, which is pre-loaded into muskets, pistols and swivel cannons ready to be engaged
the ship’s sails and riggings are checked and yeosang keeps a keen lookout in the crow’s nest
and it’s as if the world itself can sense the brewing storm that grows inside yunho
the sea is eerily still and silent, but the sky is an omen to something impending, its rolling clouds dark and angry with the threat of rain leering over the waters
yunho doesn’t actually like the rain
he only likes it because it’s with you
rain with you is barefoot dancing, breathless confessions and bashful giggles. it’s drenched locks and fluttering eyelashes and the only thing that exists in the moment
but as the profile of the silver light finally approaches the isle two days later, the heavens split open and you are not by his side
rain without you is falling pinpricks, frigid winds and flaunting mockery and yunho despises it with his entire being
at yeosang’s call of, “vessel approaching from starboard,” up in the lookout, yunho smothers the fervid desire to barrage the other ship with cannonballs like hail from hell; to unleash an inferno that blazes through their hull as he sadistically watches the crew jump for their lives
he stamps out the hunger to shoot the ones that make it into the sea, not to kill, only to maim and induce a long, painful struggle in the open waters until death becomes inevitable - until there is enough blood spilt that it becomes the only stench in the air that stretches across for miles
yunho leashes his monsters with an iron fist
because he will not do anything that could even remotely endanger your life
even if it means that he has to hold back - to sit and wait like prey instead of advancing on the other ship like a predator
at least not yet.
silver light do not know, but this is the calm before the storm
the heavens may be crying, the winds may be howling and the waters may be roiling
but this is nothing compared to yunho
yunho is a tempest of unparalleled rage and their ship is in the eye of his storm
as the bowsprit of the silver light starts to appear around the isle, the members ready their grappling hooks and yunho draws his cutlass with a menacing whisper of unsheathing metal
you are his treasure, and pirates never lose sight of their treasure
today…you return to him
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yeosang
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pov: you're a tavern keeper
watching the ale reach the brim of the tankard you are holding, you’re about to step away from the barrel when the voice of a patron sounds behind you
“‘scuse me, could i get a mint-”
you look up and turn around in confusion as their voice cuts off
only to have the question taken right from the tip of your own tongue as you’re met with the face of the person you had loved for years
the same person you have spent twice as long trying to forget
eyes searching each other’s in a surprised stupor, seeing kang yeosang standing right in front of you takes you back to those memories that you have tried to remember and simultaneously bury
it thrusts you headfirst into what used to be of your shared love - like the feathery remnants of a dream, so distant from the fingers of your consciousness, suddenly returning to vivid existence when you least expect it
“hey, mint leaf. i’m back”
yeosang at least has the perceptiveness to appear a little apologetic, immediately pulling you into a hug and pressing soft kisses against your hairline uncaring of the other people in the tavern
it’s been several weeks since you last saw him, and whilst he had warned you he would be gone for longer this time, you hadn’t expected it to mean two whole months
he’s a small merchant who also fishes along the coast to earn enough to make ends meets, so he’s often gone for a few days or a week or two
you knew what you were in for when you first made it official with him, but just because you become accustomed to something, doesn’t mean it gets any easier
and he’s never been gone for this long
something must have happened - something good - because he looks alive, cheeks glowing and eyes fiery
“i met the crew”
“the crew?” you ask, hands reaching for the bourbon to prepare him a drink as he lets himself behind the counter to stand beside you in your workspace
he nods excitedly, "wooyoung’s pirate crew, ateez"
you think you know where this is going to go and you hate that your stomach sinks at the thought of what your future may become, because yeosang looks so happy to tell you about this and a happy yeosang is all that you could ask for
“the captain offered me a position as their lookout”
you pick out your next words carefully as you hand him his finished drink - a mint julep with two sugar cubes, just the way he likes it
"aren't…isn't being a pirate dangerous?"
“not as dangerous as you might think, actually. they’ve been showing me the ropes the last couple of weeks and…and i think i want to join them. officially”
there it is
the forked end of the road
you wonder how far two people can keep walking with their hands intertwined before the distance becomes too great and they have to let go
his words become a little muddled when he goes on to tell you about how they divvied up their recent loot to include his share too
how he’s gained more money than he’s made from the last two years of working as a merchant and fisherman combined
if he joins his old friend and his crew, he could earn enough to buy his parents a proper house; earn enough to build you your very own tavern
you want to tell him that you don’t need the tavern, just him, but you also know just how important his family is to him
his filial desire to take care of his parents was one of the very reasons you fell in love with him in the first place
before you can say anything though, the tavern keeper is interrupting to let you know that your shift is over
yeosang immediately perks up and herds you out of the place, claiming that there is a new fishing spot he discovered that he has to show you
and so you sit while he rows his modest boat, only the splash of his oars disturbing the peaceful stillness that has settled over the waters as the sun dips below the horizon
the waning light casts a soft, warm glow over him, like a gentle kiss against his skin and birthmark
if angels graced the earth, there would be one sitting right in front of you
“i missed you, mint leaf,” he confesses, gaze shyly averted. “i thought about you when i was gone”
“did you think about showing me this place?” you feel a little breathless
he nods, “every single night”
and that’s enough for you
it feels like everything is okay again
it doesn’t matter if you’re standing at a forked road
you think that perhaps, for him, you can walk on an unpaved path - just so that you can keep holding his hand
“y/n”
yeosang’s voice is deep
the word sounds foreign to your own ears but you don’t dwell on it
(because if you do, you’ll wonder whether it’s because you’ve forgotten the sound of his voice or because you want to hear him calling you something else)
“what would you like to order?” you ask
(because it’s easier to pretend that he’s just another patron than to admit that he used to be all that you ever knew)
yeosang fumbles a little but then regains himself, “oh, um- just a mint julep, please”
you turn your back to him to prepare his drink, hands reaching for the barrels lined along the bottom shelves without needing to look
you’ve made this drink too many times to count
half of those times were in the safety of the darkness that midnight offered; when the tears could flow freely without anyone seeing
it’s only when you start to mix his cocktail that yeosang realises he didn’t ask for his sugar cubes, but he figures the drink will taste bitter tonight either way so he opts to watch you instead
he wishes that he could walk past the counter like he used to and wrap his arms around you
he wishes that he could whisper endearments into your ears and press them against your lips
he wishes that he could show you that he still loves you
“do you still love me?” your voice wavers with hurt as you stand in front of him
he’s finally back after being gone for four months this time and you hate this conversation as much as he does, but it was bound to happen eventually
yeosang pleads, “more than anything”
“then why does it hurt so much? loving you…and being loved by you”
he doesn’t have an answer
but god be damned if he doesn’t try to find a way to fix things
“tell me, mint leaf, what can i do?”
you blink back your tears furiously, having already made up your mind while he was still at sea
“let’s break up”
because in the end, unpaved paths have too many rocks, too many thorns and too many arched roots; they were never meant to be walked along
you pass yeosang his finished drink without another word and then move further down the counter to serve a different customer
his eyes linger on you wistfully before he tears them away from you
it’s a good thing his hair has grown long enough to cover his face when he looks down
because his eyes start to grow wet at the sight of the mint julep you have made him
with two sugar cubes in it, just the way he likes it
perhaps, once you’ve loved somebody, you never really stop loving them
yeosang shows up again the next day and seats himself at the bar
you don’t serve him though, actively avoiding his end of the counter and letting another of your staff tend to him
he orders his usual but he leaves out his request for additional sugar cubes
it feels wrong for him to order it from someone that isn’t you
but you’re watching out of the corner of your eye as the worker mixes the bourbon, sugar and water, topping it with a few mint leaves and then sliding it across the counter for him
you let out a little sigh, half amused, when he takes a small sip and smacks his lips together at the bitterness
you take two sugar cubes and drop it unceremoniously into his pewter cup before you realise what you’re doing
yeosang immediately seizes the opportunity to talk to you
“my crew’s docked for the fortnight…” he waits to see if you’ll respond. you don’t, but you also don’t move away, so he continues. “we’re making some repairs to the hull and sails before our next raid”
you have half a mind to walk away after you reply, “i didn’t ask” 
he forges on regardless
“we’re going to work with another crew for this one. it’s going to increase our chances of a successful raid because-”
your voice comes out a little harsher than you mean for it to when you hiss again, “i didn’t ask”
yeosang’s mouth closes as he pulls away slightly, back straightening
then he says in a softer voice, “i’ve been doing well. wooyoung still takes care of me, even though i’m not new to the crew anymore. i also saw my parents today and they’re happily retired now…”
you don’t stop him from talking this time
because how many sleepless nights have you spent sitting outside your tavern looking up at the stars; how many times have you served a mint julep to a patron and accidentally added sugar cubes; how many moments have you been consumed by the thought of him, simply wondering if he is living well?
this is everything that you have ever wanted - yeosang in the flesh letting you know that, yes, he has been well
but it is also everything that you have ever feared - that he has been well even without you
you don’t know what to feel
“my parents asked about you,” he says gingerly. “how have you been?”
his voice is barely audible, as if he is afraid of what you might say
or perhaps, afraid that you might not say anything at all
“good. excellent,” you force a small smile, your eyes still focused on the mint leaves floating in his drink. you don’t think you can look at him. “i own this place now”
his body loses its tension, cheeks rounding as he looks at you with genuine relief
“that’s…that’s really good to hear”
his words sting
you are unsure if it stings your ego or if it picks at the wound in the shape of the person you have lost
but it hurts to know that he has worried over you in the exact same way you have over him, the whole time you two have been apart
you’re suddenly overwhelmed by the realisation and hot tears well in your eyes almost immediately
your bottom lip starts to crumple so you rush into the back room to escape
“y/n!” yeosang calls out after you, alarmed
when you don’t stop, disappearing into the storage, he jolts up from his seat and follows
your body shudders with every heaving breath you take, unable to stop yourself from crying even harder when you feel him tug you into his chest
you try to pull away but his sturdy arms tighten around you
yeosang refuses to let you go once more
“i hate you,” you sob, struggling against his hold as you hit his chest weakly
he hushes comforts against the crown of your head, soothing noises as he endures your fists
“you have every reason to”
yeosang holds back tears of his own
he feels your body gradually losing its fight, sinking into his embrace instead, hands desperately holding him close
your voice is so impossibly small when you tearfully confess, “but i still love you”
“oh, mint leaf,” he brushes the stray locks of hair away from your face and cradles your jaw tenderly, “i still love you, too”
he presses a soft kiss against your forehead, pulling away once only to reaffirm, “so, so much”
when he kisses you again, his lips taste salty against your own, but nothing has ever tasted sweeter than this
your breath no longer stutters but the tears continue to run down your face because your heart finally feels right after all these years apart
and yet-
you pull away
“we can’t do this”
yeosang feels his heart shattering
“why not? i don’t understand,” he whimpers
“you know why,” you say distressingly, “my life is here, yeosang. i can’t just leave and return whenever i want. but you, on the other hand? you can. you go where your crew goes - you belong with them”
“but my heart belongs to you. please, y/n,” he begs
his arms are still wrapped around you and you feel his desperation as his fingers cling onto you like a lifeline
you look earnestly into his bloodshot eyes, your own vision blurry, “yeo, you’re not the one who gets left behind here. you’re not the one who waits weeks, months, years on end, just hoping that the next person to walk in is the person that you want to see”
he wants to plead that he waits to see you, too, but he knows that he’s the one who leaves, too
“you’re the right one for me - the only one for me - but it’s not the right time,” you tell him gently
slowly, his arms lower themselves from around you
“it wasn’t the right time then and it isn’t the right time now,” he repeats, “then when is the right time for us?”
you shoot the question right back at him, “when is the right time for someone whose life is to sail the world?”
neither of you know the answer
nobody does, because loving a pirate has no certainties
but yeosang doesn’t give up
“if we can’t ever be sure, why don’t we just make it the right time ourselves?”
you caress his cheek sweetly, and despite having stepped away from you earlier, he leans into your hand, starved of your loving touch and affection
“yeosang…what if we’ve already had it? what if…meeting each other was already it? what if we’re just meant to love from a distance, not side by side?” your voice is poignant but resolute
he brings up a hand to cover yours, still warm and tender against his wet cheek
how is it that he can be touching you yet simultaneously feel worlds apart from you
“okay,” he accepts with a whisper
if loving you silently is the only way he gets to love you, then he will choose it in a heartbeat over losing you entirely
he thumbs away the remainder of your tears
“can i kiss you? one last time?” he asks
you nod
“one last time”
your lips slowly meet, slotting together as they find their home in each other’s dips and curves
his hands cradle the small of your back and neck and your own hands rest against his chest
the kiss you share is steady, longing and bittersweet
it conveys everything that you want to say to each other, and even then, it is hardly enough
thank you
i’m sorry
i love you
goodbye…
you can feel your eyes burning up again, but you focus on the feeling of yeosang’s lips against yours instead
because you know that the moment one of you pulls away, that is it forever
in the world of love, there are people who are ill-fated
they meet the right person, but at the wrong time
and then there are people like you and yeosang
not ill-fated, but star-crossed lovers
the right person…
but just not meant to be
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inkskinned · 3 months
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crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.
i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.
in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.
i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.
i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.
plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.
the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.
we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.
i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.
a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.
today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.
loved beyond thinking.
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