at this point, i feel like if all the opportunities to relax were given to me, i wouldn't be able to get used to it. like if someone took me to the seaside or a meadow, gave me some kittens and puppies to pet, indefinite time to sleep in and relax, and told me that they were going to take care of all my financial problems etc. i would probably break down and wouldn't know what to do. if i ever get the chance to TRULY relax, i need to be accustomed and socialized like a feral animal
20 notes
·
View notes
I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.
Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”
Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.
Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)
For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.
I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.
206 notes
·
View notes
Angst time :D👍
You can read my rambling about her in the tags
235 notes
·
View notes
blitzø scratches all my character need itches: terrible decision-making skills, clearly loves his duct-taped family to bits and thinks they'd all be better off without him, tragic backstory that haunts every relationship he has, abrasive and off-putting in uncountable ways and yet practically everybody wants him carnally, incredibly protective of the people he cares about but it can go under the radar because of his keeping everyone emotionally at veeeery long arms length, keeper of the show's main themes and therefore the narrative has to put him in an emotional blender over and over, specific kink that once you notice it pops up everywhere...
127 notes
·
View notes
We're going to save your brother.
777 notes
·
View notes
this is a largely meaningless observation but, based on the fleki uniform demonstration comic, mithrun seems to wear the default style of the canary uniform, probably because he has no desire to personalize it or preference for how to do so, etc. when he does seem to pick his own clothes, though, they don’t look super in-line with what we’re shown of elven clothing styles in his region: high collars look like they’re fairly popular with elves in general, but out of uniform he tends to be a lot more covered up than everyone else—long sleeves, long pants, boots rather than sandals, and he dresses that way both prior to getting eaten and after the events of the series. anyway it’s kind of cute that after everything that happened to him, someone cared enough to remember what his clothing preferences used to be.
102 notes
·
View notes
I’ve been seeing a lot of people shit on straight couples in shipping and in general as a "joke" lately, particularly in the Dungeon Meshi fandom. Friendly reminder that, besides the evil straights, when you mock or put down straight couples for being straight/"not queer enough", you also make bi and pan people, and trans and ace people who experience hetero attraction feel unwelcome and lesser. Negativity hurts, love is love, happy valentine’s!
96 notes
·
View notes
One thing I enjoy about The Narrative in Princess Tutu is how implicitly tied to gender Drosselmeyer’s story roles are. Take Princess Tutu and the Knight. They ostensibly have the same fate: dying for the Prince while achieving absolutely nothing. But while Princess Tutu gracefully turns into a speck of light after confessing her love, the Knight is gruesomely torn apart. Over and over again in Drosselmeyer’s narrative, femininity is associated with romance while masculinity is associated with violence.
The Princesses are given one goal: earn the heart of the Prince at any cost. Meanwhile the Prince and the Knight are both expected to be fighters. The Knight will fall against the Raven and the Prince will be left to battle for the rest of his days. And while the Prince is strongly tied to love—he loves everyone—he isn’t expected to compete the way the Princesses are pitted against each other. The men are protectors against the Raven while the women are left to fight over them.
We see the strain these toxic gender roles have on the characters. Without the influence of the story, Fakir most likely would have grown up to be a writer. Instead, the combination of trauma and growing up under the expectations encapsulated by the role of the Knight hardened him. In this way, violence was something that was imposed on him, something he learned to embrace. Likewise, Duck doesn’t want to compete for Mytho or make him hers. She’s more preoccupied with protecting her friends than finding romance.
That’s why it’s so cathartic to see these characters defy their fates. Duck is perfectly contented without her Prince, Fakir puts down his sword in favor of a peaceful life that he’s much more suited to, and even Mytho rejects the idea that he must love everyone equally to pursue romantic love. In this way, defying fate is also defying gender.
222 notes
·
View notes
dennis is an angry character btw im sorry but he is full of rage but that rage is not exclusive his anger does not negate sadness and fragility and insecurities in fact they work together and dtamhd was one of the first times where his anger was not used as a joke via a surface level rage explosion from him but instead explored the fragility of his anger. the way he keeps reassuring the workers he encounters (and himself) that he's not mad. when he tells daisy he's not mad but he is a little bit upset. dennis is angry and that anger is what makes him so fragile. he was upset and it manifested as rage bc he doesnt know what to do with his own sadness
158 notes
·
View notes
Sabo still struggles with memory loss. He had his childhood back, of course, he remembers Ace and Luffy and everything they did together. But he doesn't remember some stuff. Some anecdotes Luffy tells oh so excitedly? He can't recall that those happened. And if he does, it's all blurry and never at all like Luffy says. But he never says anything because that would break his brother's heart, to know his older brother isn't fully back with him, so he nods and smiles and pretends he knows what Luffy is talking about every time.
His room is filled with Post-it notes. Stupid, really. Dumb stuff. But he has all the meetings he needs to remember and the missions he has to do, along with everything he wants to write down at some point properly. The walls are covered in pictures of the people he loves (Luffy, Ace, Koala, Robin... All the others that have ever meant something to him because he refuses to forget somebody again).
He keeps writing dumb stuff down. Anything. He refuses to forget. He denies the possibility of doing it again.
But he forgets. Sabo keeps forgetting important dates. Important parts of his life, like his past with his brothers (he forgets a random adventure they had that he swore he had talked about the day prior) and crucial things he has to do. He has a hard time picturing his memories. Putting them in his brain. Turning them into images. Saying it's frustrating is a huge understatement.
Koala helps him out, of course. She's hard on him so he finishes his paperwork, but she knows it's difficult sometimes. She's his personal calendar and diary. She informs him of what he has to do during the week and always tries to talk and talk about anecdotes that she knows he still remembers but knows he loves to hear again.
His mental health isn't the best either, but he refuses to acknowledge it. There's a revolution at hand, he can't stop working. And fighting. And doing more and more and more. But sometimes it's just too much. Sometimes he goes into depressive episodes he can't control, and the medication is either addicting or the worst thing that has ever happened to him. Sometimes he's a bit too intense. Koala says he needs to calm down, that he has a problem with his fixation on the revolution and his past. Sabo keeps saying that it's fine. But he sometimes forgets or has blurry images of the fights and the people he has killed, filled with energy and excitement and like he has the power of a God. He doesn't like those. Enjoys the moment. Hates to forget it. Hates to know what he did during it too, even if it was for a good cause. Despises the look Koala gives him, also. Makes her promise not to tell Luffy about all of this.
But it's fine, he keeps saying. Sabo will keep trying to never forget anything ever again.
60 notes
·
View notes
41 notes
·
View notes
wip wednesday
tagged by @rewritetheending @onward--upward and @alyxmastershipper 💓💓💓
i haven’t reeeeally started writing anything other than planning this out broadly because it’s very plot heavy but got a little lost thinkin about the intimacy of shaving the other day so this is from x files au in some shitty shared motel room while they’re cryptid hunting or chasing aliens idk we’ll figure it out
When he emerges, hair towelled dry and in clean clothes, Eddie frowns at him.
“What?” he asks. “Promise I didn’t finish all the hot water.”
“No, you just look—” Eddie gestures at Buck’s face, “—scruffier than usual.”
“Oh,” Buck says, running a hand over his day-four stubble. “I forgot my razor.”
“Oh,” Eddie’s face clears, “just use mine.”
Buck swallows. “Um. Okay. Thanks.”
Eddie nods at him and goes back to squinting at his phone, so Buck about-faces and re-enters the bathroom.
It’s not a big deal, he tells himself as he foams up his face. It’s like—like sharing a hairbrush. Intimate, sure, not something you’d tend to do with people you don’t know well, but it’s not a big deal.
He wets the razor and brings it to his throat, heart hammering there so violently it feels like his Adam’s apple is trying to get out. If his hand doesn’t stop trembling he’s going to nick himself, and God, he is being absolutely fucking ridiculous.
Deep breath. The razor glides over the thin skin of his throat, muscle memory even as he stares at himself in the mirror. Doesn’t think about Eddie doing this every morning, using this very razor. Blade edge kissing his jaw the same way it kisses Eddie’s. Doesn’t think about Eddie doing this for him, hand holding his chin as he shaves Buck carefully, grip firm when he turns Buck’s face this way and that. Doesn’t think about Eddie kissing where the blade kissed him first.
Doesn’t think about any of that when he rinses the razor clean and slots it back into the travel mug, where Buck’s toothbrush rests against Eddie’s with such easy familiarity it’s about to spark a whole new crisis.
tagging @try-set-me-on-fire @jeeyuns @housewifebuck @anxieteandbiscuits @forthewolves @zahlibeth @athenagranted @buckactuallys @transboybuckley @icecreampotluck @diazblunt if you have anything to share today or later!
89 notes
·
View notes
Ik gorts attractiveness is like controversial but i never found him ugly like most people do and i was just neutral to him for the longest time bc i felt like act 3 was lacking over all anyway, but thats a different topic. Although now that I think about it, Im kinda glad he looks like that and I love his facial features. He's very fun to draw. I think he's very unconventionally attractive. I just wish it translated better to my art style because sometimes I look at it and im like... I could make him rougher. I'm learning though. Its difficult coming from 2 years of genshin art to suddenly realistic faces with wrinkles and all 😂
57 notes
·
View notes
ode to the drowned rat. who’s hiding under there??
309 notes
·
View notes
WWDITS writers, please, I am on my hands and knees BEGGING YOU to take cues from OFMD in actually having the fortitude to follow through on plot points and actions from previous seasons and episodes. Emotionally repressed characters can in fact communicate about past events to a degree that is satisfying to the audience, continues story threads left hanging, and also manages to stay in character and make sense for the narrative. Traumatic events can in fact continue to affect characters for more than the duration of a single episode. Actions can have real, lasting consequences.
Shocking, I know, but. It's possible. It can be done.
IT'S NOT DIFFICULT AND CAN STILL FIT INTO A SERIES FOCUSED ON COMEDY. EVEN, DARE I SAY, HORROR SHENANIGAN-BASED COMEDY.
WITH JUST A BIT OF DEDICATION AND EFFORT, YOU TOO CAN CRAFT A SUCCINCT STORYLINE THAT WRAPS ITSELF UP IN MORE THAN JUST A THROWAWAY SENTENCE THAT'S NEVER MENTIONED AGAIN. YOU CAN WRITE CHOICES AND ACTIONS FOR CHARACTERS THAT MAKE SENSE.
I KNOW YOU CAN DO IT.
IT'S. NOT. HARD.
144 notes
·
View notes