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#it's almost hilarious how every year i go OH NO I AM A FAILURE
lilbugprincess · 1 year
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The other day I was driving home, feeling a certain anxiety about the future... That feeling of inadequacy, feeling like I can't get my shit in order, can't remember, can't DO. The ADHD depression, you know? But then I remembered, like
I have not been taking my meds as regularly as I should
I decided to go without planners this month to see how I do without them (badly)
It's January and I do significantly worse EVERY january
I am actually doing quite well at keeping on top of things at work, where it matters, so like. Actually, that's pretty good, huh? I am doing okay where I most need to be on top of stuff.
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toomanyfandoms02 · 3 years
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Shameless // Fred Weasley
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Summary - The gang challenges Fred and the Reader to fluster eachother after each being called shameless.
Word Count - 1.7k
I'm not gonna lie this was hot LMAOO
Fred and I were often compared to eachother. These were usually the words we were called
Outgoing
Spontaneous
Idiots
Humorous
Shameless
Pranksters
Delinquents
These were said by a mixture of people, but most knew us as best friends. I marched the halls with the twins every day, but everyone knew I was a just a little closer to Fred. There was just some connection there. A connection lots of people took out of context.
Sure, we flirted, but I flirt with a lot of people. Theres another word we were called, flirts! Though this had a good majority of my friends convinced that we were in love. It was at the point where people openly talked about it in front of us.
*"Nice ass Weasley!" I shouted as I entered the Great Hall. This drew a few eyes towards me, snickering. Fred turned around and looked to me, gesturing to his bum.*
*"Oh this old thing? Nothing compared to yours." I licked my finger and made a sizzle sound. Everyone was right, we really had no shame.*
And that's what my friends were on about at the moment. A big group of us were sitting in the Gryffindor common room. This included Harry, Hermione, Ron, the twins, Seamus, Dean, Angelina, and Ginny.
"You two flirt all the time without getting all ruffled. How do you do it?" Ginny asked.
"I don't know, it's just how we are I guess." I shrugged to Fred as I answered. He nodded in agreement.
"Matter of fact, I don't think I've ever seen either of you flustered." Dean butted in.
"I say we change that." George said with a simple nod. Fred looked at him with furrowed brows. "I say we challenge them!" It was clear that not one person in the room knew what George was on about, so he continued. "Alright see, I give them 3 days to see who can fluster who first. One of us has to see it though, to know it happened. Can the unflusterables fluster one another you think?" Georges arms were crossed at his chest cockily.
"I think that's a brilliant idea." Hermione agreed.
"That's easy, I'll totally win. I have no shame, no embarrassment." Fred announced with glee.
"We will see about that." I smiled at him with one eyebrow raised.
*Oh its on.*
After barely an hour of thinking about this whole challenge alone in my dorm, I realized that I walked myself right into failure. It wasnt that I though Fred could win, it was that I *knew* I would lose. In the way that I had never really charmed any boy. I didn't have anything up my sleeve. I was really just going to have to wing it.
That being said, Fred was quite the charmer. It was hilarious watching 1st years see him for the first time and swoon over him. Pulling girls in with simple winks and little waves across the room.
But now it was dinner time, so I see this as round one to this weird challenge George has concocted.
I made sure to make my way into the Great Hall nearly unnoticed, walking in with a sea of other students. I immediately spotted Fred and made a beeline towards him. Some of the group spotted me but said nothing, letting me go with my improvised plan.
I stood right behind Fred, reaching my hand into his hair and running my fingers though it. He turned his head slightly to see me.
"Hello love." He smiled at me sweetly. I continued, wrapping my arms around his neck lightly and leaning down so my chin was rested on his shoulder.
"You're hair is so soft." He turned his face to mine, our noses almost bumping.
"Thanks sweet cheeks." He put a small kis on my nose which made me smile, sitting next to him after.
"Nothing? Really? No blushy cheeks, or stuttered speech?" Angelina was flabbergasted clearly, her hands gesturing wildly in the air as she spoke.
"I honestly don't know if it's possible." George shrugged. "I just thought it would be interesting if it was."
"Oh I've got plans don't worry, this sexy ass will be blushing to the moon and back when I'm done with her." Fred looked down to me, smirking. He gave a challenging face.
"I know your deepest darkest secrets Weasley. Don't test me." I raised my eyebrow cockily as the whole group just stared puzzled.
"I wish I could talk to Cho like that." Harry huffed, earning a laugh from most of the group. (Aside from Ginny, who I was quick to tap her hand under the table at the comment. She had told me weeks ago how agonizing she felt.)
Later that night a good portion of the gang was hanging out in the common room again. I had just walked through the entryway and saw Fred sitting on the couch. As soon as we made eye contact he patted his lap. All heads whipped my way. I walked over and sat right on his lap, making myself comfortable. He grabbed my face lightly and put a small kiss on my jaw.
"Where were you love, we missed you." The few first years that had joined whatever conversation was going on looked as if they were going to be sick.
"Just went on a walk handsome." Everyone shook their heads with disappointed looks.
"Nothing, seriously?" Hermione laughed in disbelief. The youngins asked about the situation and it was explained to them. They all giggled about it for a while as we watched. Soon Fred was leaned very close to my ear.
"You should just give up now beautiful, you know you're going to lose." He whispered ever so lightly in my ear. I pushed his face away from mine so his ear was towards me.
"Really cute of you to think so." I whispered back. That was the last we spoke that night seeing as it was 10 pm.
I woke up the next morning hearing giggles from Hermione and Angelina. I sat up slowly, rubbing my eyes. They got very quite as they saw me waking up.
"What are you two up to?" They looked down at the books they had in their hands, ignoring me. Just then I heard our shared bathroom open, seeing Fred come out wearing only a towel hanging low on his waist. I looked him up and down with a smile. "Not bad Weasley. Working out lately?"
I would never admit it outloud, but this one almost got me. He's only in a damn towel. I mean come on, everyone found Fred attractive.
Right?
"Yeah. Maybe you can try this whole thing in my dorm later? Maybe surprise me?" He winked and left the room quickly.
"Hey! Get your arse back here, that's my towel!" The girls followed us close behind, peaking out of the door to watch us in the hallway between the rest of the dorms.
"Oh you want it back? Her you go love." He pulled it right off his body and handed it to me. I knew if I closed my eyes, or covered them, they would count it as a loss for me. So I just maintained eye contact with him and yanked it from his hands. "Nervous?" He squinted at me. Man was the boy lucky there was not one else in these halls at 6 am.
"Never." I replied with a smile and turned away, walking back into the dorm. "Nice try ladies!" I dropped the towel in our hamper and they fell back onto Hermiones bed with a loud groan.
Later that day Hermione, Fred, George, me, Dean and Seamus had free time in Care of Magical Creatures.
"He was literally naked in front of her and she didn't even blink." Mione deadpanned.
"Maybe it's because shes seen it before." Fred elbowed my side.
"You wish." I rolled my eyes.
"Maybe I do." He stared daggers into my eyes.
"At this point I feel like even if you guys made out nothing would happen." George shrugged. This gave everyone a collective evil smile.
"Oh are we doing that now?" I asked as nonchalant as possible. Even with my heart racing a mile a second. Fred looked at me with confusion. "Unless you're too pussy." That wiped the confusion off his face.
"Nope." He grabbed my face and pulled it inches from his.
"I'm just going to warn you, I've never kissed, let alone made out with, a boy before. So I apologize in advance." I laugh-whispered to him, pushing my lips onto his. I grabbed the back of his neck, pulling him closer, running my hands through his hair.
His hand traced my jaw with one hand and the other was gripped to my hair.
"Pretty good for never kissing anyone, you sure you arent lying?" He said quietly in between kisses.
"I would never lie to you." He took my open mouth as an opportunity to use his tongue and deepen the kiss. I was ready to give up at this point, this boy was unknowingly ruining me. "Would you ever lie to me?" More questions between kisses.
"Never."
"You like me don't you?" His nose bumped with mine at the question. Starting to kiss up my jaw near my ear.
"Of course love." He laughed lightly, pulling back from the kiss. We turned back to the group which was a mixture of disgust, confusion, and knowing glances.
"Seemed like a lot of whispers for just making out don't you think?" Georges arms were crossed over his chest. We both shrugged.
"Sometimes friends just make out." I admitted, which was a very obvious lie.
"So you would make out with me then?" George challenged. Fred grabbed my waist and pulled me closer to him with a glare to George.
"I think I won in a different way than anticipated." George smirked. "So are you guys going to get together or what?" Everyone nodded.
"Was that what this bullshit was about?" Fred asked loudly.
"Yeah of course. Two dimwits you are, walked right into it." Hermione shook her head. Fred grabbed my hand and squeezed it, making me blush furiously.
"I win!" He pointed to my heated cheeks.
"Shut up ares hole." I elbowed his side lightly.
"It didnt even take 3 days!" George cheered.
*Boy are we going to have some stories when we get older.*
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evilwickedme · 3 years
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ok so to sum up my feelings for leverage: redemption, season 1(a): (long post warning, there’s a tl;dr at the end)
I knew that Hardison wouldn’t be in most of the season due to Aldis Hodge being a busy bee nowadays, but I didn’t realize that meant he’d only be around for the first two episodes. He was sorely missed, not only because of my attachment to him, but also because he’s usually the grounding factor in the group dynamic, and his role as info guy and tech guy was split evenly between two characters who had their own issues.
That said, Hardison is absolutely a highlight of the two episodes he’s in. his speech about redemption was everything I could’ve hoped for (plus, more evidence for the Jewish!Hardison pile...). I wish we’d gotten to see more of his dynamic with Breanna because what we saw was funny and sweet and we don’t generally get to see Hardison taking care of somebody who so desperately needs taking care of. I hope that Aldis Hodge is around for more episodes in 1(b), because what we’re left with feels a little hollow.
Sticking to original leverage characters for now, for the most part the leverage crew still felt true to the original series as characters, even if the show itself was a little bit confused at times. The actors understand their characters and embody them so well that I think one could give them the trashiest script ever and they’d still sell it. Sophie is a particular focus in 1(a) because of Nate’s death, and she’s particularly well written as a result.
That said, I’m super bitter that we saw little to no mastermind!Parker. Parker’s character being given the mastermind role was a big deal and it feels like they’re walking it back because they feel uncomfortable with it. It is eventually given an in-text excuse, but literally in the last episode, and it was not a particularly convincing reason, and in fact contradicted moments from previous episodes (Sophie leaving for a client meeting and ignoring Parker in ep3 comes to mind). It’s frustrating, it makes the end of the original leverage feel pointless, and letting Parker make a decision once in a while is not the same thing at all. The original series repeatedly showed us that while everyone in the team had their strengths, Parker works problems and solves them in unique, interesting ways, and other characters’ days in the limelight tended to be comedic or even failures. It’s a broken promise, and a pretty major broken promise at that.
On a more positive note, Parker’s dynamic with literally everyone was fantastic. She’s possibly the best written character this season. They’ve taken the autism out of the subtext and into the text (although obviously still undiagnosed), and given her coping mechanisms that were taken seriously in the text even when they were played for laughs, which I appreciated. Her attempts to mentor Breanna were sweet, her friendship with Sophie was electric and at times (CRIMES) hilarious, and as usual, she has a fantastic dynamic with Eliot that makes my heart burst. If you don’t think they’re romantically involved, at least acknowledge there’s a life partnership here. They’ve spent the last decade together.
(We’ll get to Harry.)
Eliot isn’t given much arc-wise, which is frustrating since he’s my favorite. He’s being presented as the goal at the end of a redemption arc, ie to keep working at it every day until your soul heals or whatever, and it doesn’t reflect the message they’re trying to convey via Hardison’s speech and our two new characters. He’s got his moments, but I think they under utilized his potential.
Breanna!!! Breanna’s my new favorite, except for Eliot. She’s hilarious, she’s insecure, she’s nerdy and excited in a way that’s similar to Hardison but still distinct in its inherent teenage-girl-ness and I LOVE IT. Unlike the previous series, where Hardison’s “age of the geek” was often a joke played on Hardison, we’re at the point where Eliot and Parker are both right there with him, and so they accept and even appreciate Breanna’s nerdiness. Also, canon gay character? In YOUR Leverage? It’s more likely than you think.
(No, I never thought they’d make ot3 canon on screen. I hoped, but I didn’t think it would actually happen.)
I think Breanna’s the character that will be the most interesting to see grow. She’s got a lot of potential and a list of crimes a mile long (or more). I adore her with all my heart. I want to see her tiktok account.
Harry. Oh, Harry.
It took me a while, but I do like Harry. It took a while, because the narrative positioned him at the same level as Nate back in episode 1 of original Leverage. But in episode 1 we didn’t know the other characters. We had Nate as the POV character, and so we cared about him because we were seeing the world through his eyes. (This is TV Studies 101. I know this, because I took TV Studies 101 in 2019.) In Leverage: Redemption, we no longer have a POV character, for several reasons:
Nate, previously the POV character, is dead.
As it is, by mid-season 3 of leverage Nate was no longer a POV character. This is, coincidentally, the point where the leverage writers realized they had four other characters in the main cast they could do something with, and in-universe, Nate accepted that he was a thief, not a special Good Man.
Sophie is sort of a POV character for the first episode of the revival, but only for the first few minutes. Afterwards, the series settles into the groove of seasons 3-5, i.e., the entire crew is our POV. We know our crew, and we love them as is.
Narratively, however, Redemption insists on positing Harry as the POV character, because it is his redemption we are pursuing most vehemently. And I think they really relied on us already knowing the actor - I’ve never seen him in anything before, so to me he was a completely fresh face and they put almost no effort into selling him to me. Beyond being competent and consistently mildly baffled by the antics of the leverage crew, I honestly don’t know who this man is by the end of EIGHT episodes with him. I have a much better handle on Breanna by the end of 1(a), and I can tell you I knew all five of the original leverage crew better by the end of the first episode of the original series than I do Harry. What’s the name of his daughter, John Rogers. Is he still married. How old is the daughter. Why is none of this worth mentioning. Give him a sense of humor that isn’t reacting to other people’s shenanigans. I’m so frustrated. It’s bad writing.
I did manage to grow to like Harry by the end, but I’m pretty sure this is down to Noah Wyle’s charismatic portrayal of an under-developed character, at least partially. And I never stopped being frustrated at not knowing who this man is at all.
The two highlights of the season are undoubtedly episodes five and six. Episode five was the first time I felt like the episode was more than a collection of good moments between the main cast and mediocre moments between the main cast and also the main plot. The issues with pacing and tone that I suffered through for most of the season were mostly non-existent in ep5 and 6, and at least in episode 5 I attribute that to the pared down cast. They had time to focus not only on our actual characters - Sophie, Parker, Breanna - but also on the case. This is the only client from 1(a) I am going to remember next week without googling it first, mark my words.
Episode six worked for the exact opposite reason - it completely disregarded the client and plot and immersed itself in the characters. Breanna gets a moment to shine, but everybody else gets their bits and I wouldn’t be surprised if that was the script that was most fun to write. The characters felt natural, real, and captured the found-family dynamic that’s been missing all season for the first time.
While episode 2 is the weakest episode, I don’t actually have much to say about it. I am disappointed in episode 8. For a mid-season finale, I really expected them to do something. Instead, it was an episode about Nate Ford that copped out of being about Nate Ford (both with fake-Nate and with the new version of him being relayed to us). I would have told the writers to give that energy back to episode 1 and write an episode that’s about anybody who isn’t Harry, oh my God. I know I said I grew to like him but so many episodes were about Harry. He’s the newbie! Why didn’t Hardison get an episode that was actually about him, considering he was only around for two episodes? Why does Eliot have to be the butt of the joke when the theme of the series should directly tie back to him in a much more meaningful way? The last episode parodies their own tagline by saying Eliot isn’t just a hitter, but it deftly avoids noticing that they’ve turned him into nothing more than very muscly comic relief, including in that very episode!
Also, I hated the Marshal. Eliot actively looked uncomfortable around her.
tl;dr
The season took a while, that’s definitely true. But it did find its footing eventually, and by the halfway mark of 1(a) it finally felt cohesive again. The characters were played fantastically even when they weren’t well-written, and if nothing else, the humor landed every time. It still has its kinks and problems to work out, but if you look at it as a brand new show rather than a continuation of one that went off the air over eight years ago, it’s actually doing rather well. I’m choosing to judge it in both lights - according to its own standards, it establishes its identity in episode five; according to Leverage standards, it establishes its connection to its roots in episode six. Either way, I thoroughly enjoyed 1(a), and continue to have high hopes for 1(b).
fic writing will commence in three, two, one...
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the-darklings · 4 years
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coa one year later & self-reflection
(*drags out a creaky metal chair and plops down on it heavily*)
Hi. It’s me, ya boi skinny--
Wait, wrong one. Do over.
Hi, it’s me, Kat, and I’m not dead. Clearly. Today being one year anniversary of COA has kinda put me in a reflective mood, so I guess I decided to sit down and just...talk about some things, thoughts and feelings I’ve been bottling inside for a hot sec. Especially given how radio silent I have gone on here and people deserve a bit of perspective. 
And before anyone starts worrying, it’s all good, and I’m still around and currently in good health for the most part. 
So, let’s take it back to the start. Regardless of how dramatic it may sound, we need to go back a year for that. 
By technicality alone, COA actually turned one year old on October 12th. That’s when the first part was posted. However, the reason I’m treating today as the aforementioned birthday is simple: I had no intention of this story ever being more than a short two-parter. I told this to the discord gang already but COA was only going to have two parts. V was going to die in Tokyo and the rest of the story follows glimpses of John throughout the movies and it’s her ghost that haunts him. Skipping ahead, it was going to have a bittersweet ending of John eventually dying, having completed his task, only to be greeted by V, Daisy and Helen in the afterlife. A peace of sorts. Then, I realised that, well, no. I have more to say on this world and intrigue about this placeholder character V kept growing. 
November 1st happened and I made a very last minute call to continue COA but with the added pressure of doing it during NaNoWriMo 2019. And boy did I. Most of the story was figured out during that very intense month. I posted Part 2 on this day a year ago because I was so eager to share it. Perhaps, in retrospect, a bit too eager. 
For those of you who may not know this, I work as a writer full time for my actual every day job. I’m the main writer for an original webcomic called In the Bleak Midwinter on Webtoon.com and have been for almost two years now. Getting what is essentially your dream job is amazing. I’m very lucky on that front but it also taught me stark realities of having your job and only hobby overlap. It’s a dangerous creative mix. Especially because I was not used to being constraint in what I create or the feeling like I have to please anyone else. Writing as a job is a whole other avenue of creative exhaustion. I love my job a lot and am very, very lucky to have it but it doesn’t change the fact that those initial stages made me fall back on COA a lot for creative freedom that I craved so desperately. To an unhealthy degree looking back on it now. 
But going back to November last year. NaNo time. I did it. Finished on the 24/25th I believe. A juicy final count of 52k+. All while maintaining a weekly update schedule for a fic that usually hit around 10k per update, if not more, even during those early days. Add writing an original story on top of that. Writing every day for hours on end (we are talking 10-12hr days) without any time for other hobbies or time for myself in general. I kept pushing and pushing and pushing. Losing weight and sleep in the process. I think the thing that convinced me that I should continue doing so is the fact that the outpour of support for COA ended up surpassing anything I ever expected or even dared to hope for. I’m not a huge numbers person but the outpour of love and just sheer investment in the story and characters blew me away. John Wick fandom is on the smaller side and has been going through downtime when I posted COA so my expectations were...well, small tbh. I like keeping expectations low to avoid any disappointments in general. But I’ve also always had an issue of being a massive 0 or 100 kind of person. If I love something, it consumes me. In this case, it brought me as much joy and freedom as much as it was steadily pushing me towards the ultimate crash. 
That being said, I can’t thank you all enough for every comment, like, reblog and message and fanart. You’re the reason I got this far. With your support. It brightened some really dark days for me.
But. 
To be frank, it’s never been about you guys. I never wrote or pushed because I felt like I had to appease anyone. That creative mindset is pure poison and I long since learned to let go of it. I kept pushing and kept working myself to the bone because I liked it. I liked how reading peoples’ responses made me feel. I liked the addictive nature of reading all the comments and theories after an update. I loved the idea of brightening peoples’ days and giving them something to cheer them up after what might have been a shitty day. Even if that was at expense of my own time/well being. But for a long time, it wasn’t. I love writing a lot but facts remain facts. 
It was beyond unhealthy and burnout wasn’t a question of if but when and that when was approaching at neck-breaking speed. 
So we come to the end of November. Part 4 has just come out. People were invested and I was invested alongside them. I was just finishing up Part 5 which (back then) was the biggest single chapter I’ve ever written and god I still recall my sheer dread because that was the beginning of Santino being established as a LI. Looking back on that now, it’s downright hilarious how worried I was about the reception of him and V together after John.
So honestly, I hit burnout at around Part 8. Because that’s the first time I recall struggling with writing a chapter. Part 8 came out on December 28th. I had a brief break for holidays. But my mistake was not taking longer back then. Because I continued writing with a barely healed burnout. Followed by almost a year of struggling and continuously creating through that state. It wasn’t like I eased off the pressure, either. Oh, no. The chapters grew in size, the world and the characters with it. AUs amassed quickly and while I adore every single one - again, I didn’t know how to pace myself well enough.
I’m spiteful though. The more the chapters struggled the more I pushed against the burnout. By the time Chicago arrived, however, I knew I was in trouble. I ended up writing 43k+ in a span of 2 months, I believe. And while to some it may not seem like a lot given the time frame, it’s a lot when you’re burnout to a crisp & writing an original story for work + deadlines. Which I was burned out and then some. Chicago was something I was looking forward to writing for months. I have built it up since Part 4. It was a long time coming. So while I’m still proud of it, I would be lying if I said that some scenes were not sacrificed for the sake of keeping to my invisible schedule that no one but me actually cared about. You guys have always been patient. I never felt pushed into anything. It’s always only ever been me doing the harm. 
Chicago was the downwards spiral for me mentally. I felt like I was failing to live up to my own expectations. That people were drifting away from it. I was plagued by the thought that the story I poured so much into was falling apart and growing weaker. Which this has always been an issue with me: I am my own harshest critic. Always have been. In fact, I’m a downright mean little fucker when it comes to just tearing at myself. I know writing is for fun - and it is - but I still like the idea of being proud of my work which only made everything worse despite the love each update received. 
This takes us to the beginning of June. Specifically, June the 2nd. Or, as I like to call it: Kat Makes Another Impulsive Decision but This One Actually Works Out For the Better. On this day, I created the COA Discord server. And damn, I’m not sure what exactly I was expecting when I did ngl. I did it for fun and as an escape more so than anything. But somehow it ended up being the best decision I made in a long while. I know some of you are reading this. So love you lots, dorks. It’s such a privilege to be able to call so many of you my friends even outside of COA now. That little community has given me some of the best memories from this year and helped me to crawl out of my own metaphorical pit I was stuck in. Mentally, I’m doing much better than I did beginning of this summer. Which could be summed up as a constant self-hatred cycle and a feeling of inadequacy. 
That, however, does not mean my burnout magically disappeared. If anything Chapter 17 just put a nail in the coffin so to speak. 2020 has been a shitty year just across the board for obvious reasons I don’t need to go into here but that can only partially be attributed to my mental state. Chapter 17 was...exhaustive. To say the least. But I was determined to stick with my vision and not split it up. I was also starting to be a bit more forgiving towards myself in terms of how long I may take to write it thanks to guys on discord though the feeling of failure and worry never quite faded fully. I’m proud of Part 17. Truly. But that was also when I hit rock bottom creatively on COA. It drained me completely. 
I tried writing Part 18 for weeks after, day in and day out, not getting past the first scene and hating every word I wrote. So I took a deep breath and stopped. Figured I let it marinate and wait instead of trying to piece one of the most crucial chapters in this story like some Frankenstein monster two sentences at the time.
So my solution was simple: give myself some distance from it and write other things. Get my spark back. Of course that’s always a good idea. Having multiple creative escapes is the best thing you can do for yourself creatively. There was just one tiny little problem. 
I was still burned out. Still am. The problem went deeper than just being burned out over COA. I was burned out over writing itself. 
Which is an issue for a person who only has writing as a creative outlet.
I don’t have any other way to express myself. So I was stuck in a runt, trying to write because it’s the only thing that makes me genuinely happy even when I really shouldn’t have. And let me tell you. It’s a shitty fucking feeling. My burnout worsened. I had a thousand ideas but every time I tried to get them down it felt forced, fragmented, and weak. Repetitive and dry. Now, this is also in part because English isn’t my native language, so my vocab is limited as a result, but I hit that sweet rock bottom in that regard, too. 
So, I worked on V (but in her OC form Clara), Lucien and The Elites. All those characters have grown so much since you last read about them. I have multiple original projects planned down the line that will feature all of them existing in their own world, with their own stories and no longer constrained by JW canon.  
Which, finally, takes us to the end of October and beginning of November 2020. 
I was convinced that the best course of action was to do NaNo again but with an original story this time (involving V). Suffice to say, it took a grand total of maybe 5-6 days and hating every second of writing it while also feeling like this project I’m so passionate and excited to write (still am) is just...going down the toilet to be blunt, to realise I may have made the wrong call. 
Still, the stubborn ass that I am, I pushed through. Convinced I can get into it if I just keep going. The realizations that I am sharing with you right now won’t have been possible if it hadn’t been for a rather curious turn of events about a week and a half ago.
I recently bought a gaming laptop, all in preparation for Cyberpunk 2077 dropping ofc. But, in the meantime, I kept recommending a game to a friend on the COA server. That game? Far Cry 5. (It’s a blast to play btw, just a side note.) And playing it brought back all the feelings of nostalgia from the days when I used to write for that fandom. So I revisited some old work. Checked the stuff I never published and that has been sitting ducks in my docs for months and hoo boy. Let me tell you it was a vibe check of the worst kind. 
The stark difference in the prose and the ease with which it flowed was...startling. It made me remember why I love writing so much and how proud I used to be of what I wrote back in the day. Which is not to say I’m not proud now, but it was just such a sharp dip in quality it was impossible to ignore.  
So I didn’t.  
I paused NaNo, moving it to another month. I paused writing for everything but work, which with our season coming to an end I will also get a rest from soon, too. I kinda paused in general. For the first time in a while, I finally forced myself to switch off. Rest. 
The reason why I haven’t been on here is simple: guilt and not having energy to be on here. I like making my blog a safe space for everyone. Similar to escape it has become for me. I couldn’t pretend I was fine when I wasn’t. I felt obliged to perform and being here became exhausting. I haven’t been checking my inbox. Haven’t done much of anything except occasionally dropping by and reblogging a random post so people know I’m alive.
And that’s that, folks. That’s where I am currently. Resting. Completely exhausted mentally but resting. Getting my energy back. 
So where does that leave us, huh? If you read this far, dunno what to tell you. Thanks, I suppose. It’s still odd to think people actually care about my existence sometimes.
I know what you’re likely thinking, too. So does this mean COA is never gonna be finished? What is gonna happen to it? Are you abandoning it?
The answer: no. 17 out of 25 chapters and 250k+ in, I’m too far in not to give it a proper conclusion. Not because I owe it to anyone other than myself. I want this story to be a stepping stone for my future as a writer. I want to prove to myself that I can get this done and finish it. As of right now (as you can no doubt tell with how long it’s been since last update) it’s on a soft hiatus while I rest. This rest? Not sure how long it may last. Right now, my plan is till mid December at which point I will reevaluate. Ideally, I finish the year with an update. But my New Year’s resolution is to finish COA. That timeline has become a little more murky now but, again, ideally it’s within the first quarter of 2021. Will that happen? I don’t know. And I don’t want to make false promises, either. 
All I’m saying is that it will be done. I’m just no longer sure how long, exactly, it may take me to reach that Epilogue. I don’t expect many people to stick around for however long it may take me, but if you do, thank you. Truly. I really and deeply mean that. 
So what’s on the cards for this blog in the meantime? Well, CP77 is coming out in under a month (if it doesn’t get moved again lmao rip) and I expect that to be my soft return to posting my writing on here again. We will see where the muse takes me, if at all. Regardless though, I’m excited. 
One doctorate thesis later, here we are at the end of this really long rambling session. I hope that this has given you some perspective on things going on behind the scenes. I spared you some of the gorier details but I think this post has been long overdue. I suppose I, myself, was just too unwilling to face these things despite knowing about them deep down for a while now. I’m too self-critical not to notice but acting on correcting this behavior has been a whole other matter clearly. 
Thank you for reading this post, my writing in general, and supporting me. I’m not going anywhere. I’m still around. More is on the way in the future. I’ll be seeing you all real soon. And all my love to all of you. 
Love,
- Kat.   
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autumnsart22 · 3 years
Text
Oikawa x reader ch. 7
Longer chapter today, sorry! I just couldn’t stop writing this scene 😫
“Y/n, come on!” Kindaichi jabbed me in the side. 
“Ow!” I said, punching him. “I don’t want to go!”
“But it’s tradition,” Hanamaki said, coming up on my other side. 
I groaned. The idea of going to a mall arcade with 12 teenage boys and me as the only female might have been appealing to some girls, but not to me. When Kindaichi had asked if I was going yesterday after the practice game, I had almost immediately said no. But apparently, it was Seijoh’s tradition to go out and celebrate after every practice game we won. 
“Come on Iwa, tell her!” 
I glanced up to see Oikawa and Iwaizumi approaching, Oikawa’s knee was in a brace, but he wasn’t limping as badly as yesterday. The doctors had apparently given him a good amount of pain medication, but I hoped he wasn’t pushing himself too hard. I knew that despite my words yesterday, he still was disappointed in himself for not finishing up the game, but that wasn’t an excuse to keep hurting himself. 
“Tell her what?” Oikawa stopped in front of us, a hand on his hip. 
Yahaba smacked me across the head lightly as he spoke. “We’re trying to get her to come to the arcade with us.”
I rubbed my head, glaring. “And I told you, I have no interest in spending the afternoon with losers like the Aoba Johsai volleyball club.” I grinned wickedly, and Oikawa placed an offended hand on his chest. 
“Who else would you spend the afternoon with? Karasuno?”
I rolled my eyes, but I was suddenly getting accusatory glares from all the boys. 
In truth, I actually had been planning on hanging out with Karasuno, but there was no way I was admitting that. “How long are we going to be out?” I asked in a resigned tone. 
“A few hours, usually.” Iwaizumi said with a pitying look. “We usually go at 12--” 
“You can ride with me!” Oikawa interrupted, throwing an arm around me. I shrugged him off and raised my eyebrows. 
“Iwa literally lives down the block from me, so I can just ride with him. You’d just be going out of your way.” I glanced at Iwaizumi. “If that’s ok?” 
The ace nodded, his eyes shifting to Oikawa who looked a little put out. 
“You’re so mean, Y/n-chan! You never want to spend time with me!” Oikawa complained. 
I grinned and poked him in the shoulder. “Maybe it’s because you’re such a baby.” 
That night, I called Kiyoko. I felt like I hadn’t seen her in ages, even though it had only been a week. I told her that I would have to come to the Karasuno sleepover a bit later than I expected, but I would still make it. Hopefully two teams in one day wouldn’t be too much for my poor mental state to handle. 
I wanted to tell Kiyoko everything about Oikawa and the team, how I finally felt like I belonged at Aoba Johsai, but at the same time, I felt like a traitor. It was stupid and irrational, especially since she had been the one to tell me to become Seijoh’s manager, but we were no longer directly involved in each others day to lives. It made me upset, but I vowed that I would have her meet my new team as soon as possible. 
The next day, Iwaizumi pulled up in front of my house in his huge black pickup truck at exactly 12. My mom, reading through paperwork at her desk by the front window, stared at the intimidating vehicle in mild confusion or disgust, but I thought it was hilarious. 
I snatched my purse from the kitchen table, stuffing my phone in my pocket, and then I ran out the door to meet Iwa. As I jogged up the passenger seat, I blinked in surprise to see Oikawa already seated there. 
As I crawled into the backseat, I asked, “What are you doing here?”
“I slept over at Iwa-chan’s house. Is that a crime?” 
“Nope. You just stole my seat.” 
He reclined his seat all the way back until it was resting on my lap, and I could barely move. “Oikawa!” 
He grinned up at me, poking my cheek. “You’re so cute, Y/n-chan!”
I rolled my eyes and stuck out my tongue. “Will you get up?”
“Honestly, I’m pretty comfortable here.” 
“Ughhhh.”
Iwaizumi gave me an “I’m so sorry” look, and punched Oikawa. “Get your ass off her, Shittykawa.” 
The two argued the whole way to the arcade, which was around a fifteen minute drive, and Iwaizumi almost hit Kunimi pulling into the parking lot because he was too busy trashing Oikawa. 
The rest of the team was already waiting by the entrance of the mall by the time we all walked up, and they greeted me with just as much excitement as the two boys. I got swept into a tide of Watari, Matsuwaka, and Kindaichi, who literally dragged me through the glass doors of the mall and towards the arcade. I could hear pounding music and flashing lights coming from within, and I sighed, resigning myself to a long day. 
The arcade was huge, way bigger than I expected. Every arcade game I could have imagined was there, ranging from the Jurassic park shooting games, to classic pac man, to car racing, each one flashing dizzyingly in the darkness. 
“Usually we play to see who can get the most tickets,” Kindaichi practically yelled over the music. I nodded to signal that I understood, and followed them through a maze of games to the race car driving. There were exactly four seats, and it didn’t take long for us to get into a violent competition of racing. 
I ended up winning three out of the four games we played, boasting a huge handful of tickets by the end. The three boys were shocked, but I had Tanaka and Nishinoya to blame. Over the course of two years, I had probably played the game at least a thousand times with them, giving me quite the edge. 
My eyes were burning from staring at the screen for so long, so I quickly excused myself to go to the bathroom. Almost instantly, I was lost in the maze of games and darkness, completely turned around by the dozens of blinking screens. 
“Are you lost?” An unfamiliar voice asked from behind me, and I turned. A tall guy with dyed blonde hair and dark undercut and earrings looked down at me, smirking. He wore a white t-shirt and black sweats. 
“Oh, uh...yeah I am actually. Do you know where there’s a bathroom--”
“What’s your name? You’re pretty cute.”
As the guy spoke, I noticed he had a tongue piercing. 
“Um-” 
“There you are Y/n.”  I felt relief pierce me like a knife as I turned to see Oikawa and Iwaizumi prowling towards me, both of their eyes spelling out literal death for the guy still standing behind me, a little too close. 
“Is this guy bothering you?” Iwaizumi looked down at me, face blank.
Oikawa wasn’t as subtle. His arm slid around my waist, tugging me into the protective shelter of his side. He had a truly terrifying smile on his face as he glared at the blonde guy, daring him to say something. 
“It’s ok. He was just leaving.” I tried to say, but Oikawa was suddenly leaning forward, a look of delight crossing his face. 
“Wait a minute...You’re Terushima Yūji, captain of Johzenji high volleyball club, aren’t you?
I blinked, looking back at the guy. Captain of Johzenji volleyball club? Karasuno had played Johzenji a few times in the past, and as I stared at the guy in front of me, I felt a vague sense of recognition. 
Terushima smirked, not looking very intimidated by Oikawa or Iwaizumi. “Wow, I guess I must be popular. And wait, let me guess...hurt knee, annoying attitude--you must be Oikawa Toru from Aoba Johsai.”
Before Oikawa could respond, Terushima’s gaze was moving back to me. “But the better question is, who is she? She’s very…” His eyes trailed slowly down my body, and he smirked wider. 
I felt Oikawa tense up so hard, I was sure he was trying to hold himself back. I turned to look at him, my hand wrapping around his shirt. “Oikawa,” I whispered, tugging. “It’s fine, seriously.” 
Iwaizumi was who I didn’t count on. The wing spiker shoved Terushima so hard, the other boy almost fell on his ass. “Get the fuck out of here, you disgusting piece of shit. If you ever talk to her like that again, I will personally beat the fuck out of you.” 
I had never heard Iwa so angry. Terushima glared, but he seemed to realize that Iwa and Oikawa were ready to fight, and he was outnumbered. Instead, he grinned and flipped Iwaizumi off. 
“I look forward to seeing you all at the next game.” He winked at me before turning and sauntering away. 
It took almost a full five minutes for Oikawa to relax and let go of me. I tried to tell both him and Iwa that I was totally fine, that Terushima hadn’t even done anything that bad, but they continued to look murderous. I was almost afraid that they would go after the captain of Johzenji the second I let them out of my sight, so instead I tried to distract them. 
“Oikawa, hey! It’s fine! We’re at an arcade, so can we please play some games?”
They finally agreed, and we all set up in front of one of the zombie shooting games. I usually wasn’t particularly good at them, and this time was no exception. Iwaizumi ended up getting the most points, Oikawa close behind him, but I barely even killed two zombies. My failure seemed to cheer up Oikawa, who went back to his typical annoying self, poking fun at me as usual. 
“You’re terrible at this, Y/n-chan!” He mocked, putting down his gun. Iwaizumi put in a few coins to start up another round, and Oikawa moved behind me, arms wrapping around my shoulders, my back suddenly flat against his chest. His hands were almost twice the size of my own as they guided me to the proper position to hold the plastic gun. 
“Wha--” I stuttered, brain short circuiting at the setter’s sudden proximity. 
“You hold it here, and move around like this,” he said in my ear, breath washing across my neck. I felt like my face was on fire, and I was sure that if anyone saw me, they’d think I was a tomato who had come to life and started speaking. 
A zombie jumped out, and Oikawa’s arms tensed around me as he fired the fake gun at the screen. I could barely focus, far too aware of his chin hovering just over my shoulder, his arms around my torso, and his hands tight on mine. I felt like I could melt right there. 
The game was one of the longest five minutes of my life, but also ended far too soon.  Before I knew it, Iwazumi was slamming down his gun in defeat and turning to Oikawa. I felt the heat of Seijoh’s captain pull away as he dropped his arms and stepped back, and I let out  a breath that I didn’t even know I was holding. 
I turned around, heart still racing, but Oikawa was already moving towards another game. It didn’t mean anything. I had to remember that. 
I stood in front of the claw machine, arms crossed and pouting. I had already wasted half my coins on the stupid thing, trying to get a sweet blue whale stuffed animal that rested in the corner of the box, but it looked like it was impossible. 
“You still didn’t get it?” Iwa asked from the air hockey table, where he played viciously against Kunimi.
I glared at him. “No need to sound so condescending!”
“Move, I’ll get it for you.” Oikawa came up and shoved me out of the way, and I made a noise of indignation. 
“You don’t have to--”
But he was already shoving coins into the slot, smirking at me. “Watch the master, new girl.”
I sighed, rolling my eyes. But as I watched Oikawa manipulate the level, I practically leapt out of my skin from excitement. Hands against the glass, I simultaneously watched the claw as it moved across the box, positioning over the whale, and also Oikawa’s concentrated face. I had only ever seen him get this serious during a volleyball game. 
The claw descended, wrapping around the whale with a precarious grip on its tail. My eyes were wide as it got closer, closer, and--
The whale dropped into the box, and Oikawa handed it to me, a proud and smug smile on his face. I let out a cry of delight, abandoning any pretense as I flung my arms around his neck. I couldn’t see his face, but he hugged me back tightly. 
“Thank you so much Oikawa, I love it,” I said, pulling away. 
He grinned.. “I have one condition: you have to name him after me.”
“What?! How do you know it’s a boy?”
He crossed his arms, raising his eyebrows. 
“Fine, Tooru the whale it is.” I hugged the stuffy tightly, not noticing Oikawa’s cheeks get red in the darkness of the arcade. 
“Wait one sec.” The setter whipped out his phone and held it up, and I had just enough time to hold up my stuffed animal and smile widely before the camera flashed and the picture was taken. 
“You’re so cute, Chibi-chan!” Oikawa said, holding out the phone. In the photo, I smiled widely and happily, Oikawa’s head resting against mine as he held up a peace sign. Of course, Oikawa looked far better than me, but there was no use complaining about that. 
“Wanna play the dance battle game?” I asked, noticing it as we walked back towards where the rest of the team was. 
Seijoh’s setter looked down at me. “Are you ready to be destroyed?” 
“Ha! As if.”
“I guess we’ll have to see then.” 
I laughed, setting down Tooru the whale and my purse off to the side. “What song do you want?”
I didn’t know many of the options, so Oikawa picked Five More Hours by Deorro and Chris Brown, an American dance song. 
The arrows began to flash on the screen, and Oikawa and I both furiously began to jump on the arrows, probably looking ridiculous. The song was fast paced and I was completely out of breath from laughing. By the end, I abandoned all attempts of getting the right arrows, and just danced around to the beat of the music, watching Oikawa crush the game. How was he so good looking while dancing to such a ridiculous song? 
“Wow Oikawa, I think you should look into becoming a professional dancer!” Hanamaki yelled, standing a few feet away with his phone out, filming us, the rest of the team behind him. I almost immediately became embarrassed, but Oikawa clearly revelled in the attention. 
He flipped off Hanamaki before turning to me with a wide smile. Before I could stop him, he grabbed me around the waist, holding one of my hands up so we were dancing together, abandoning the game completely. 
I laughed in delight as the beat dropped and we both started jumping around crazily like idiots. Oikawa still held my hands, but my overwhelming happiness pushed the embarrassment aside. 
When the song finally ended, I collapsed in a fit of giggles. Oikawa was laughing and panting, leaning against the railing for support, while the rest of the team clapped and whooped. I stepped off the raised floor of the game, stumbling over to the rest of the team where they slapped me on the back. I cringed; their slaps were unbelievably hard from volleyball. 
“Hanamaki, send me that video,” Oikawa said, joining us over by the basketball game. 
“I’m hungryyyy,” Kunimi complained. 
Iwaizumi crossed his arms. “Me too. Want to go to the food court?” 
“I’ll join guys,” Watari said, and Kindaichi, Kunimi, and Kyōtani nodded, all of them agreeing that they were ready for food. Yuda, Sawauchi, and Shido all wanted to play another round of motorcycle racing, so I was left alone again with Oikawa. 
Neither of us were hungry, so instead we headed to the photobooth which sat by the door of the arcade. I didn’t really like getting my picture taken, since I always seemed to look awkward and terrible, but Oikawa insisted. 
“As our new manager, you need a picture with your captain, obviously.” 
I gave him a look. “Do you just have a wall of photo booth pictures with all the managers of Aoba Johsai over the years?”
Oikawa smirked, tapping me on the nose. “Nope, you’re the first one.”
“I’m honored.” 
The booth was very small, and Oikawa’s legs were scrunched up as we squeezed next to each other on the bench. I tried to ignore the fact that we were completely wedged next to each other, with me practically in his lap. 
He clicked the screen, and a countdown started, and I stuck out my tongue. The second picture we both smiled widely, and the third we made weird faces at the camera. 
In the fourth and final picture, I turned to Oikawa and kissed him on the cheek. 
It was completely random, a spontaneous burst of courage, and before I could really think about it, the camera had clicked and the picture was taken. 
We climbed out of the booth, my face hot. Oikawa scooped up the two printed sheets of photos, handing one to me. He looked completely delighted as he stared down at them, which only made me blush more. Just friends. 
“What time is it?” I murmured aloud, realizing I hadn’t checked my phone in a while. Tugging it from my bag, I choked. It was already 4:15, and Kiyoko, Daichi, and Tanaka had called me a total of 11 times. 
I quickly clicked Kiyoko’s name, turning from Oikawa without an explanation. “Hey Kiyoko! I’m so sorry, I lost track of time. I’m about to leave the arcade and get an Uber, so I’ll probably be there in like twenty minutes.”
“It’s totally fine, we were just worried about if you had died or something.” Kiyoko said, a smile in her voice. 
I heard Tanaka in the background of the call. “Is that Y/n? Tell her to get the fuck over here!” 
“Ok, I’ll see you soon!” I said, and clicked end on the call. 
“You have to leave?” Oikawa asked. Was I imagining that he looked a little put out? 
“Yeah, I’m going to run and catch an Uber,” I said, pulling the app up on my phone. 
“I’ll walk you out.”
“It’s fine--”
He flicked me on the shoulder. “Let’s go.”
The sun was starting to set and a purple sheen passing over the sky, but the mall was still busy, late night shoppers just beginning their trips. I carried my stuffed animal in one arm, my purse in the other, the photobooth picture stuffed into one of the pockets for safe keeping. 
We stopped at the curb, and I turned to Oikawa. “Thank you for today. I actually had a lot of fun.”
“Aw, Y/n-chan, no need to thank me. We should do it again sometime.” 
“After we win the next practice game?”
“Well--”
At that moment, the Uber pulled up next to us, and I stepped off the curb towards it. 
“Talk more later ok? I’ll see you Tuesday, Oikawa!” I smiled brightly and waved before stepping into the car. 
Chapter 6
Chapter 8
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discotreque · 4 years
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LwD 1.08, “Veritas”
aka GIANT SPOCK IS CANON, or: “Today didn’t have to end in eels!”
Line-for-line, this might have been the funniest episode yet. It moved even faster than “Terminal Provocations” but felt like it had twice as many jokes packed in, and holy fuck were those jokes landing for me.
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(Obligatory gorgeous planet shot. It’s a little anachronistic to me to see that font used for a location chyron—those weren’t really a mainstream thing on TV before The X-Files, and while I remember them on VOY and maybe even DS9, I think TNG was too early for them—so we’ve never actually seen it used like this before!)
Anyway, I loved the way this one switched up the usual LwD format of “sitcom A-plot + sitcom B-plot + entire A-plot of a TNG episode C-plot”—though I was slightly disappointed at first that it wasn’t the Rashomon-style story I thought it was shaping up to be, I didn’t really have time to dwell on that because then we were off to the RACES.
Seriously, the jokes in this one:
The execution of the bit with the Red Alert happening everywhere except their repair bay? With the almost-subconscious setup of the klaxon quietly fading in and back out of the background SFX as the doors whoosh open and closed? While you’re still supposed to be paying attention to Mariner and Boimler arguing in the foreground? And then Jack Quaid’s delivery of Boimler’s exasperated “Rutherford!”? That whole scene was just *chef’s kiss*
Mariner doesn’t want to get kicked out of Starfleet because then she’d have to live on Earth, “where there’s nothing to do except drink wine and hang out at vineyards and soul food restaurants.” If she doesn’t want to, I will definitely take her spot.
SAMANTHAN RUTHERFORD. Still not over it.
His “rebooting” into increasingly bizarre situations with absolutely no context (“Updating Klingon fonts!” “Why do I even need tha—” *thud*) reminded me a little of the Futurama episode “Time Keeps on Slipping,” and I always like being reminded of that episode.
GORN WEDDING! (Some really fetching dresses in that scene, tbh #notascalie)
Ransom mistaking Tendi for a special-ops “cleaner” (when she was just there to sticky-roll Dr. T’Ana’s fur off the chairs, another screaming-into-my-hands moment) was comedy gold-pressed latinum. Also, I’ve decided she has no martial arts training, she’s just that good under pressure and that afraid of failure (and, obviously, still in good shape from the Academy).
Okay so my personal tastes re: bleeping regular swear words in normal dialogue are that it’s sometimes funny, sometimes just distracting—I’m getting used to it on this show, though—but that’s different from using super accurate, ultra nostalgic LCARS beeps to “censor” classified information—hilariously poorly—which is a classic trope that gets me every time. Ransom’s final “There’s no indication that the Rom... (beat) ... (bleep!) ... (beat) ...ulan High Council detected us” had me scream-laughing into my hands.
“You know who I hate? Remans.” “Oh, they’re the worrrst.”
I was expecting a whole episode about Q, but this was about the perfect amount of him w/r/t Lower Decks—and Mariner just blowing him off was easily on par with Sisko punching him out, omfg
Come on, a soccer game (with a singing ball) against anthropomorphic playing cards, on a chess board, which is actually a puzzle, that they have to solve to prove humanity’s worth, except really Q is just fucking with them—that’s straight out of a Peter David novel and I was living for it. What more do you need?
Boimler giving a rousing This! Is! Starfleet! speech—and then ending it by shouting “Drumhead!” and mic-dropping the Horn of Candor—was such a perfect microcosm of this stupid, stupendous show :D
“Creepy? This is one of our nicest Event Silos! I got married here!”
And now for some prop talk! The phaser rifles that Ransom and Tendi and [REDACTED] were carrying look like they’re of a design lineage with the ones we saw on VOY (and then late-period DS9), with the angles and proportions “modernized,” in a way the others feel distinctly of-the-90’s now, and that’s such a nice subtle touch—I love how much attention LwD pays to whatever “set dressing” is called in animation.
I was going to get into a whole Thing there, about how phasers were “de-militarized” in design for TNG, and how they’ve since regressed to resemble IRL firearms—RIP the tome of Star Trek essays in my head nobody will ever pay me to write—but honestly? I’m just delighted that this show is making me think so hard about Star Trek As A Concept. I literally feel like a kid again.
TNG and DS9 left me so hungry for post–Dominion War worldbuilding, and then VOY fucked off to the Delta Quadrant, and then ENT fucked off to prequels and the franchise got stuck there for 20 years… and sure, in my heart of hearts I sometimes wish this show had maybe 15% more chill—which is just because I’m getting old—but in so many other important ways, it feels like coming home <3
Oh, and this week’s “Am I actually, literally Beckett Mariner?” moment was when she didn’t care about classified information because “knowing things means more work.” If that’s not me filtering emails at my day job...
Next week: A holodeck hijinks episode, but it looks more VOY-style holo-hijinks than TNG-style—which is basically trashy cable movies vs. PBS, so fuckin’ sign me up.
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antigoneidk · 4 years
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Just thought of this cuz of tiktok. Tom meets one of his famous look a likes and comes up with an idea to prank reader into thinking the look alike is him, only problem is reader doesn’t fall for it at all cuz she knows all his little things that make Tom...well, Tom .
Same|t.h.
a/n: as I was writing this I realised how scary actually this is. i mean can you imagine having someone looking exactly like you?broo😂thank you for your request
warnings: fluff..not really
Bill Jackson: as the lookalike(yes that's what came to my mind nvm)
_
Tom was standing still, his hands on his pockets, big smile on his face looking at the cameras around him, flashing at him capturing every move of his. He didn't try to fake anything, it was just himself at a red carpet.
After a few minutes people with cameras and microphones were all waiting patienly for celebrities to come. All of them asking either really stupid questions or personally ones, trying to take any juicy information they could. He was all giggly answering with confidence, fearless.
" Have you met Bill Jackson yet?"a woman asked.
"No is he here?"he returned the question, full of enthusiasm. The woman in front of him nodded."No way! I want to meet him so badly"
"You look literally the same. How's that even possible?"
"Maybe I have a twin that got lost in the hospital"he raised his shoulders and laughed. The blonde lady thanked me and he got back to his assistant and three of his friends when suddenly a man stood in front of him.
"Oh my God"Tom covered his mouth socked with the person across him. It felt like he was seeing him self through a mirror. Almost every little thing looked the same.
"Finally we met. How are you?" The man hugged Tom. "I am starting to believe that we are actually twins"
"Me too. I mean I could walked down the streets and people be like" Are you Bill?"and I have to admit that sometimes I like to trick them. But when I speak for a long time they're figuring it out and I'm like "Damn" "
"Well I least you tried"Bill interrupted burst out laughing. "But they don't see you with y/n?"
"She is the reason I don't get mistaken when we're out together to be honest"he smiled when your figure came to his mind.
"Isn't she here?"
"Y/n is here, she just left for a moment"he answered, but he couldn't resist to the plan he had for months in his head.
"Could you please do me a favor? I know we just met and I'm really sorry but I kinda want you to listen"he made a silly face that Bill found hilarious.
"Of course I will. Tell me"
"I want to prank my girl. She always says that she would always recognize me but I don't think she would be able to" The man in front of him stopped Tom with his hand. "Right now? Oh she would trust me. I mean the outfit...we're not wearing the same suit"
"Oh no she hasn't see me yet we're fine" Tom looked behind Bill's shoulder, seeing you talking with a man, who was holding a camera with him."Y/n's here. Please can you do this for me? Only for a minute or so, just to prove her wrong"
"Tom I got you" Bill laughed and Tom ran meters away, hiding behind a couple of people, close enough to be able to hear you.
You walked towards the familiar faces, placing your hand to your man's back, showing your bright smile.
"How are you baby?"you asked but looked at Tom's assistant, who was showing you some of your obligations you had to get done. His hand hugged your waist.
"I'm good darling"a deeper voice answered, not the one you waited to. You turned your face immediately to the direction the voice came from. You blinked fast for a moment. It wasn't Tom. It was a man who looked similar to him, but not like him.
No way.
You tried to play it cool. You smiled back at him and returned your attention back to the group around you. They were all acting the same way as before, like nothing had changed. But you were sure that the person next to you wasn't Tom.
"Babe? Can I talk to you for a second?"the mysterious man nodded at you and led you next to an another group, all of them strangers to you. He was holding your hand but that feeling you hoped you would feel, didn't appeared. A sign that proved you right.
You stared at him, clueless for a second. You tried to recall in your memory his name. He looked almost like Tom.
"Are you okay my love?" he seemed concerned, his eyebrows raised and his mouth slightly open. My love. That was something that he would say to you, but yet you were convinced that this was not him.
"Yes, well not but I'll be fine" you tried to act, holding your stomach like it was hurting you.
"Are you sure? Do you wanna leave? We can go, you don't have to worry about that" his voice got higher. He was good.
"It's okay sweet. Tell me now how did you do?"
"What?" the curiosity took all over him.
"With the interview part. You said that you were nervous to the phone" your side smile showed up and you crossed your arms to your chest, waiting for his respond.
"It went perfectly fine, you know some of them were a little rude but other than that I was good"his hand rum through his hair, a move he used to do when he was nervous. But there was not a reason to be nervous about. Who was he?
"I'm glad. And I'm sorry for being late but there was so much traffic"your hands got up in the air "I accidentally started yelling at the driver. But before you say anything I apologized to him"
"Y/n why?"
"I just wanted to be here with you Tom" you said making a sad face and lowered your face, just like a puppy would do.
Tom was listening the whole time. He was right behind your back, hardly holding his laughter, knowing you didn't have an idea of what was going on.
A flashback crossed your mind, a conversation the two of you had days ago about his identical twin, a theory that everyone has someone that looks like them. Tom had said a name, but it was blank. You only wanted the name of this person that he was talking right now. Poor man.
"Are you listening y/n?"
"I zoned out. What did you said?"
"Do you want to get back to them? They have been waiting for so long it's not right"his hand pointed their way."We gonna have time after this to talk for as long as you want"
"Well yes but I'm surprised you haven't kissed me yet" you bit your lip seeing a weird expression from the mystery boy. Tom would have kissed you way before.
"Um"he was searching with his eyes for help from anywhere, until he looked back at you"You said that you felt sick and I didn't want to make it even worse"you nodded and walked back to your team. They all greeted you and kept their conversation going. The guy who followed you, stood now next to you and tried to keep up with the others. A few more humans had been added, not familiar at all. You noticed that some of them looked at the mysterious male.
You scanned the area around you, hoping you will find the real Tom but nothing. And then you saw a light at the end of the tunnel.
Bill. Bill Jackson.
He looked like the boy you fell for, but from the way his hand was at  your waist to the way he talked to you, the sensation wasn't the same. Less emotion, no butterflies, no warmth.
You giggled quietly and looked at Bill with a smile. You leaned discreetly to him, kissing his cheek and you made your way to his ear.
"I love you" you whispered. His nose didn't cracked and his smile wasn't the one that you'd usually expect from your lover. This time an awkward  little smile and a disgust face combined, a hilarious thing to watch. You started laughing loud and he followed after a while.
"Nice try Bill"you said and he huffed disappointed.
"Admit it I got you for a moment"you laughed denying his statement.
"No I know him too well. To be fair I have studied him too well" you didn't feel embarrassed at all. He was your boyfriend you loved too much and cared about. Of course you had noticed every little thing he had done, years now.
"Then he is lucky to have you"you blushed hearing him. You asked where your real boyfriend was. He just shouted his name and Tom appeared looking at you with a smile as he was coming towards you. He hugged and kissed you gently on your lips.
"So?"
"So what?" you asked curious. His shining smile got even bigger.
"Was he convincing?"
"Yes you guys got me"you lied not wanting to ruin his mood. He looked so adorable and cute to destroy it and make him feel like a failure.
"I can believe that this rumor was true though"you admitted scanning the two men next to you. Of course for you wasn't like that, but for the rest of the world they looked exactly the same.
"I told you baby. Somewhere out there is your too" Tom hugged you from behind, your butterflies flying in your stomach. Finally.
"Then be careful" Bill laughed and Tom pretended to be shocked and mad at you but with no success.
The night went by fast, with you having a great time together and actually getting to know better Bill. Yes, he wasn't like Tom.
_____
Sorry for mistakes. ALSO ITS CHRIS'S BIRTHDAYYYY🎉they grow up so fast and I'm stuck helpp
96 notes · View notes
yakumtsaki · 4 years
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Well guys, it’s that time of year again. To recap, Jojo is still not a werewolf, Wyatt has shattered every record of incompetence and still not reached the top of his career, noogiesexual Shajar got dumped by Sophie Miguel and befriended a vampire, Cyneswith continues to date black-lipstick-broken-face-template flop Don Oates, Wulf grew up in the most iconic outfit of all time, and we got a new cat named Alcibiades for D’vorah to mate with since she refused to have kittens with poor Sweets. So let’s pick up right where we left off, which is of course the endless battle of getting D’vorah to procreate..
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-Come on sweetie, we got a new boy toy just for you, get on with it, you’re almost an elder!
-NEVER! I’m a direct descendant of Zoroaster’s cat herself, I’ll never sully my bloodline with the genetic material of some pound mutt! You find me an appropriate mate before I go full Henry VIII!
STOP MIXING HISTORICAL REFERENCES AND FUCK ALCIBIADES ALREADY. His name undercuts my point but still.
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-Do we have any custom blue fur paint for my balls?
ALCIBIADES SHUT UP. You assholes are by far the worst generation of pets yet, the two cat losers are bad enough but then add fucking Maxx to the mix-
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-AND FORGET ABOUT IT. Look who’s getting along all of a sudden! 
-Yes, now that it’s become clear that this cat legacy shitshow is crumbling, I’ve stopped beating up the cats because I will look like a bully kicking them while they’re down. It’s part of my image revamp to get the audience behind a dog legacy! 🐶
Maxx, nothing personal, but I hate you more than you can possibly imagine. Let’s check in with the humans, I’m sure they will be totally normal, likable and stable as always-
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-I can see your beating heart with my x-ray vision. I want to eat it. 
-Yay, let my sister eat your heart! 💗
-Stop patronizing me, you little bitch, I can get my own hearts to eat. 
-I just get excited when we do things together! 💗
-GAWD GTFO CYNESWITH, you’re ruining my Aztec sacrifice!!! 
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-Ah, to be middle aged and in love, with your terrible children about to fuck off to college at any minute.. Looking at you, Wulf. Literally looking at you. 
Somehow that is already enough checking in with the humans for one update?
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-HAHA I GOT YOU! GIMME IT!! YOU DON’T EVEN NEED IT
-LEAVE MY HEART ALONE, SHAJAR, I KEEP TELLING YOU IT’S A VITAL ORGAN
-No it’s not, the paper that got my father kicked out of the mad scientist association said so! 
They hated Jojo because he told them the truth.
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These two are actually getting along great and I get my hopes up that Shajar will stop being a literal incel! Let’s all join together in prayer-
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-Did someone say ‘prayer’?
GODDAMMIT SOPHIE YOU HAVEN’T SHOWED UP AT ALL AND YOU CHOOSE THIS MOMENT TO MAKE YOUR GHOST DEBUT?? FUCK OFF  
-HAHA I was waiting for a situation where my appearance would hinder the biggest amount of sin!!!!
UGH you’ve gotten even more religious in death?!
-Of course I have, what do you think heaven does to your faith?
How the fuck are you both in heaven and wandering the earth as an apparition?
-My spirit takes earth vacations to cockblock! 
Well at least you’re dying how you lived: pissing me off. 
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And of course Maxx goes in for the kill with his ‘good doggie’ routine, terminally distracting Blueshirt Whatshername from Shajar’s heart-eating charms. As always, big thanks to our pets, both alive and dead.
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End of the road, Shajar! Enjoy this dancing scholarship that you hilariously earned during all the outings I forced you into to get rid of your incelitude.
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As Shajar leaves for college a kissless noogiesexual, I decide to try and solve at least one of my problems, and that problem is called Don fucking Oates. So we call Lakshmi back, hoping she has forgiven me for our last tense interactions-
-I have not.
Wow ok well now you’re just being petty, you saddled me with Don Oates, don’t be a sour winner. Now is there anyone out there that can potentially beat Cyneswith and Don’s natural 3 bolts???
-Nop. 
LAKSHMI COME ON, YOU’RE NOT LOOKING HARD ENOUGH
-I’m telling you, there isn’t anyone else, they’re a perfect match!
Well I refuse to accept that reality, so hit us with your best shot.
-Whatever, it’s your money.
I mean technically it’s Jojo’s and maybe I shouldn’t be spending it so freely..
-Daddy wouldn’t have a problem with it! 💗
Yea he sure wouldn’t, Cyn, since he’s literally this post.
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IS THAT ANOTHER TRICOU LOVECHILD AND THE LAMEST ONE TO BOOT???
-Yup.
HARD PASS. 
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-Je suis back et je non get prόmόted agàin! :D
Another hugely successful day for Wyatt as usual. Honestly as long as you don’t get fired or demoted for a third time, whatever.
-Sό je can go to sleepé?? :D
Yea sure, it’s not like there’s anything for you to do around here now that the kids have grown up. Not that you ever did anything to begin with-
-Oui oui, all tres fascinàting, bonne nuit now!
Oh actually wait, I do need you to do something before you go to sleep for 16 hours.
-Quoi???
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-Ohh, le pόrtait de le morté!
Le portrait de le morte indeed. Jojo is predictably super into his death portrait being painted, as one is. Seriously what are you doing.
-Composing a tragic opera about myself, what else.
On a casio??
-I could afford a concert piano but it wouldn’t fit into this pathetically tiny house you built, would it?
Ok I get where you’re coming from, but in my defense, given your youthful days, who the fuck could had anticipated you evolving into a financially successful and mentally stable adult instead of a bankrupt lunatic that eats his own feces?
-Oui, that’s what Shajàr est going to be! Huhu!
-HAHAHAHA oh Wyatt, you’re so attractive when you’re insulting our two terrible children. Where is that little goblin anyway?
Omfg you assholes, she went off to college yesterday.
-She did??? About time! One down, one to go. If only Cyneswith could stay here forever :(
-Oui :(
-________-
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Speaking of, let’s try this one more time. Lakshmi please, for the love of god, give us something I can work with. 
-Alright fine, you wore me down. Ask..
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-..and you shall receive.
OMG YAS RICKY CORMIER, I LOVE HIM AND HIS FACE TEMPLATE. What the fuck are you wearing, Rick? Don’t dress up on our account. 
-I was teleported here right from work, where the fuck am I???
That’s a great question Rick, you’re in our front yard on a date with our resident 10 nice points freakshow, Cyneswith. And I see that you have 7 nice points to Don’s 4, so you crazy kids just go ahead and hit it right off now!
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-Not if I have anything to do with it!
VICTOR NOW IS NOT THE TIME FOR GHOST BINGO, FUCK OFF
-It’s always the time for ghost bingo.
I try my best to make this date go well but Ricky isn’t into Cyneswith AT ALL. It’s honestly pretty offensive and I hate him now. 
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‘I’ve had better dates’, you’re like 15, Casanova, calm down. What a twerp. 
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With that last doomed attempt to break her and Don up, the time has come for Cyneswith to fuck off to college as well, and yes, Don is coming with us to be endlessly cheated on by Miss 20 Simultaneous Lovers/Grey Hair turn on. Fuck both mine and Don’s lives. 
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As if my failure to perform a Donectomy wasn’t bad enough, what does Wyatt get the day he’s finally guaranteed to be promoted, BUT ANOTHER FUCKING CHANCE CARD, WITH WHICH HE HAS A 2 OUT OF 2 FLOPPING SCORE. One of them got him demoted, the other got him fired, it took us forever to get him the 9 fucking friends he needed, so this is just terrific. Istg I could go to a police academy in real life, graduate, join the force, rise up through the ranks and become a superhero in less time than it has taken Wyatt to do it. Here goes nothing but Wyatt’s hopes and dreams..
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AAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHH FINALLY
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F I N A L L Y. 
OMFG.
I CANNOT BELIEVE THIS SHIT WAS LEGIT HARDER THAN KOMEI’S 6 PETS CAREER ONE, FUCKING HELL WYATT.
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What a sight for sore eyes. 2 days before elderhood, but we did it, mon bebe! I’m so proud of us, but mainly me, for not giving up and making you a househusband which I know realize I should had done, because you’re so gonna destroy this city. 
-Je will savé la city! First ordér of enterprisé, àpprehending le killér seriàl knόwn as Dr. Gingér Violetté! ⭐
Oh boy. Good luck with that!
52 notes · View notes
comfeyworks · 4 years
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Alastor writing/ Character ref sheet
NOTE: This is MY interpretation/ notes of my characterization of Alastor. Most is speculation and the other parts are just me having fun imagining what his character could be like. This is no way meant to be official or taken as cannon in any way.
A wonderful user by the name of dolly moon complied a lot of information from Viv’s streams. I’m referencing some of the information here so please check them out, they did a fantastic job making notes.
Warning: Contains talk about murder, cannibalism and other possible triggering subjects.
General
---NAME: Alastor--- Died: 1933 Age: 30′s Occupation: Former radio host and serial killer. Currently powerful overlord in hell
Main Personality/ notes
Always smiling (He sees people frowning as weak)
Sadistic
Charming and charismatic
Very proud( puffed out chest, arms behind back)
He's controlling/ does things his own way
Careful! He's not too braggy, or too forceful/ demanding. Ex: Viv stated in her qna that the pilot was originally going to have Alastor boast about himself and his backstory. Instead vaggie narrates his backstory. She changed this because Alastor wasn’t the type of person to flaunt his achievements. He knows that everyone knows how powerful he is, he’s not the type to rub it in. He's supposed to be charming, but still proud, juuuust in the right way
He knows what he wants, but doesn’t necessarily brute-forces his way to get it. Ex: "He-" "-llo!" He KNOWS he's getting in hotel regardless, but waits for Charlie to open up the door before invading the hallway.
Deceitful; When asked why he wants to help out at the hotel, he says: "Consider it an investment in ongoing entertainment for myself!" 'This is what you can think my reason is...' is essentially what he's saying. He answers Charlie’s question in a roundabout way that givers her what she wants to know while still keeping his true intentions secret. Time and time again, he lets his mask down slightly when Charlie isn’t looking. At 24:10 he narrows his eyes when she has her back turned to him At the beginning of his song he distracts her with magic so he can push Vaggie away. When he says “...And it’s just laughable-” during he reprise he turns away from Charlie to say this, he leans down to Vaggie.
He’s a hypocrite (hates being touched, invades other’s personal space)
Watches people do things the hard way and then reveal he can do it once it's done just to watch people fuck up
DELIGHTS in watching people failing/ struggling to do things. He likes observing people/ sinners as they are battling with their conflicted emotions.
He’s curious (He stopped by the ‘radio shack’ place to see what Charlie was talking about on the broadcast, and cocked his head when she started singing. To me that meant, “Oh? What’s this now? Something new?” he was intrigued and wanted to know more)
He analyzes people. He looks at the Magne family portrait when left alone. You can briefly hear him playing Charlie’s “Inside of every demon is a rainbow” song, and smiling.
He picks up on things quickly. Vaggie makes it clear she doesn’t like the idea of him being there, and he messes with her. He puts his elbow on her and pushes her away ( 20:44-20:48) He pulls her chin up and tells her to ‘smile’
He’s egotistical. No one is really ‘up to his level’
He gives verbal and physical affection constantly throughout the pilot, but it’s not genuine.
Likes being unpredictable
Primary drive:   Decisions are weighed in his own wants/ feelings. He wants to be amused, he chases exciting/ entertaining things. Think of him as like a cat chasing a mouse.
Fears: He doesn’t fear anyone. But is wary of powerful threats. He dislikes dogs Physical Expression: He’s VERY, VERY expressive through his body language and eyes. Large/ easy to read emotions can be perceived through his body language (Leaning towards someone, or leaning away). Smaller/ pinpoint emotions can be read through his eyes and type of smile (Wide eyes, squinted, closed vs open smile, etc.) He’s like a bird, fluffing out his feathers constantly. (He fixes his hair briefly at 24:41) He expresses himself proudly. ‘This is who I am, remember that!!’. Viv said the reason why almost all of characters have nicknames is that a soul’s real name is dangerous, its a way others can have power over you. Yet Alastor uses his first name, because he’s not scared and confident in who he is as a person. He doesn’t hide from any aspect of himself. I’ve stated he hates being touched by others. When he picks up Nifty in the pilot, she poofs out and spreads her limbs out. At 25:41, Alastor turns his head away from her briefly so she doesn’t touch him.
Flaws/ Weaknesses:
(Note: Basically anything already stated can be a problem depending on the situation, I’m just saying things about his character that he’d find weak or naturally cause problems)
His mother, he’d do anything for her.
He has a darker/ more powerful demon side to him where he runs purely on instinct/ primitive emotions.
He’s arrogant. This can cause problems!
---
Killer/ moral compass profile (Living)
Motivations:
Thrill Killer- Pleasure from pain
Slight power/control aspect involved as well.
‘Causes’
Childhood trauma (abusive father)
Environmental factors (mother died when he was 18-20)
Type of killer: *Note: I’m still not 100% satisfied with this part, I might make some changes later*
He won’t just kill anyone. They have to meet a certain list of requirements.
Viv compared him as someone similar to Dexter
He’s a very goal oriented killer. Whatever he did it was with reason and purpose, meticulously planned. Ex: Maybe one year he’d kill someone who was a real jerk, to see how the others around him flourished. Likewise he might kill someone who was important to the community just to see how the grief made everyone react.
He was a very careful killer, he ended up dying purely on accident, bad luck.
He killed for the fun of it, pure joy, excitement, curiosity. But he only killed people he thought deserved it.
He considers what he does to be ‘work’. He expresses in the pilot how after decades in hell it’s become ‘mundane’ and ‘aimless’.
The victims had to be overconfident to some degree.(This ties into the ‘he wouldn’t chase his victims.’ They had to be somewhat full of themselves or naive)
Some kills are personal (Someone wronging him, trying to hurt him, otherwise he just wouldn’t care if some guy is an asshole) but others are just because he feels like they’re bad/ they’ve have done something that they need to die for.
He used ‘personal’ ways of killing people. (Knife, his hands). I don’t think he would have used a gun of any kind because of the noise, but he could have once every blue moon.
Generally doesn’t draw things out for too long ”...If I wanted to hurt anyone here... I would have done so already.” (He defeats Sir Pentious in under a minute. But still takes the time to crush him and drag his body across the floor.)
He ate people, and knew how to make delicious meals out of them.
Buried his victim’s bodies/ remains on a hunting ground for deer.
Morals
No human is pure or kind just because. They’re selfish beings. Who take and act to help their own causes. Everyone is a monster on the inside. “...redemption, the nonexistent humanity!”
Everyone puts on a mask to hide who they truly are. Life is one big game to see who can survive. “...the world is a stage! And the stage, is a world of entertainment!”
People don’t change “...there is no undoing what is done.”
Puts himself first, and above everyone else. He also degrades others. “I don’t think there’s any hope left for such loathsome sinners...” ”Inside of every demon is a lost cause, but we’ll dress them up for now with just a smile!” “...and show these simpletons some proper class and style...” “...do I know you?” “You think I’m [husk] some kind of fuckin’ clown!?” “...maybe!”
People deserve the consequences they get for being themselves “...the chance given was the life they lived before, the punishment is this!”
He understands what society views as good and evil, but doesn’t really believe in those standards himself. What is considered evil he just views as a hobby or something fun to explore. Ex: Cannibalism is wrong by society’s standards, but to him he thinks the greater wrong is killing something and not making use of it.
He has some level of empathy. (Again, He’d never kill a child or those running away.)
People’s emotions are a fun little game to him. “...I want to watch the scum of the earth struggle to climb up the hill of betterment! Only to repeatedly trip, and tumble down into the firey pit of failure!”
Doesn’t see value in being nice or honest. (He does find it funny to watch)
Other notes/ hc
He’s knowledgeable. In more ways than one. He knows not to fuck with certain people if he doesn’t want to get hurt, he’s got knowledge on the workings/ operations of hell and deal-making.
Likes to cook
He likes bitter things (Bloody meat, alcohol, black coffee)
He’s got a party side to him.
He speaks french!
He plays musical instruments
He knows how to fight without his powers
He’s an only child
He’s part creole
He hates silence, he always surrounds himself with noise of some kind.
Husk and Alastor have a long, complicated relationship
He does things to make Nifty happy (Wearing sweaters)
He’d go out into a hurricane just to let it beat him down for fun (Why is this so funny to me)
Despite all he is, Alastor is capable of having friends and loving.
Has absolutely NO romantic experience.
He hates modern technology in general, but hates tik tok the most
The idea of Alastor cross-dressing to lure his victims in is absolutely hilarious to me, but I don’t think he’d ever do it.
61 notes · View notes
fleckcmscott · 4 years
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The Knot
Summary: Arthur and Y/N finally have the wedding they discussed on their sprint to City Hall.
Warnings: Swearing
Words: 4,238
A/N: This was requested by @sweet-nothings04​. It is the fluffiest thing I have ever written. Special thanks to @ithinkimawriter​ for the support and beta-reading!
If you have any thoughts or questions, please comment, feel free to message me, or send me an ask. Requests for Arthur and WWH are open!
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The nightly routine Y/N had developed over the years was a simple one. Her barely-there foundation, neutral eye shadow, eyeliner, and light mascara would be washed away with soap and water. After changing into a nightgown, she'd brush her teeth and hair. Moisturizing cream would be dabbed on her forehead, cheeks, and chin. (A couple of thin lines had formed at the corners of her mouth, and she hoped to prevent more.) She'd crawl into bed beside Arthur, they'd talk and cuddle, then she'd kiss him good night and wait for sleep to take her. It was a relaxing end to the day that didn't require a lot of effort.
But this evening was not routine. What Patricia seemed to have planned for it put Y/N's habits to shame. Peeking into the mint green satchel she'd brought caused a grimace. It was possible the clay and honey cosmetic masks wouldn't be too bad. The toe separators and nail polish and pumice stones didn't interest her. And the floral, spray-in hair perfume was pungent. God. All this fuss prompted Y/N to pour the both of them the rest of the wine.
"This is too much for me." Y/N frowned in the bathroom mirror and examined the mud on her face. "How long do I need to keep this on?" she asked, the alcohol making her grumble.
"Ten minutes." Patricia set a timer and placed it on the sink. "And don't whine. This stuff is why no one knows I'm over fifty."
"And here I assumed it was your vibrant personality." After taking a sip from her glass, Y/N turned to the tub. There were about five inches of hot water in it, topped with pink foam that smelled like artificial roses. It reminded her of the dusty, scented candles her grandmother had kept in the bathroom, but never lit. Patricia sat on the edge, dipped her feet in and waved for Y/N to join her.
Patricia started scrubbing the ball of her foot. "Are you excited?"
Y/N made a thoughtful noise. When she and Arthur had gotten married at city hall a year ago, she hadn't needed a wedding - she'd needed to be married to him. He'd wished for one, though, and she'd promised him that. "The wedding I had before was stressful. I could go without it." A gentle smile came across her cheeks. "But I am for him." She sighed contently as she submerged her feet. "When we were filling out the invitations a month ago, he was so happy. He pasted one in his journal - he showed me the page - and put exclamation points all around it."
That wasn't all he'd done. Arthur had convinced her to practice a slow dance to one of his mood music records. It hadn't taken much effort for him to talk her into it. ("I've imagined this a lot," he'd told her.) She figured she'd gotten pretty good, having learned to let him lead her instead of trying to anticipate his steps. His generous encouragements and the pleasure in his eyes had helped.
Snorting, Patricia grabbed a nearby smoother and began working on her heel. "How did a hard-ass like you end up with a sweet man like him?"
"He thinks I'm sweet." Y/N shook her head, splashing around with her toes. "Don't tell him he's been had."
At the buzzing of the timer, Y/N sprung up and went to the sink. Getting the mask off was as annoying as she'd suspected. The packaging said to use a cloth, lukewarm water, and circular motions. But the clay was stubborn and didn't want to leave her face. Patricia apparently found it hilarious, laughing all the harder when Y/N looked at her with indignation. Three washrags and an empty glass of wine later, her skin was clear. Irritated, but clear.
Patricia gestured over her shoulder as she dried off. "There's a present for you in my bag. You said no gifts, but it's nothing. And I didn't want to give it to you in front of Robert and Matt tomorrow."
Intrigued, Y/N retrieved the bag from the floor and sat next to her on the tub's edge. Matt, Y/N's former boss, she could understand. But what would Patricia give her that she didn't want her own husband to see? It only took a little digging to find the box, slightly bigger than her hand, with a red ribbon around it. "You shouldn't have." She opened it and pulled out what was inside. Her best friend had given her a black, satin thong with side ties. She stared at it a moment, then burst out laughing. "It's so tiny," she exclaimed, the triangle front barely large enough to cover her palm. "I don't have the ass for this!"
Winking, Patricia nudged her upper arm. "It won't stay on long enough for Arthur to notice."
~~~~~
Meanwhile, Arthur was at a pub with a friend for the first time in his life. He'd been to comedy clubs plenty of times, and Y/N had introduced him to numerous restaurants. But his general lack of interest in drinking and absence of companionship had never made bars a desirable destination. It had been Gary's idea, though. And with his company, Arthur was part of the crowd instead of apart from it.
They were seated at a small booth near the kitchen, away from everyone. Their conversation was sparse. Despite his overall increase in comfort, Arthur still had a hard time with social situations. Granted, Y/N had told him he was steadily getting better at them. And now, with the effect of the Fuzzy Navel in his hand, he was doing all right. There had been no forced laughter (which only happened a few times a month), no bouncing of his legs, and no nail biting. He was proud of himself for that, especially given the hint of nervousness he felt.
Tomorrow was their big day. The wedding was going to be at their apartment. There would only be four guests: he'd made it clear Penny wasn't welcome, and the elderly woman Y/N had invited, Ms. McPhee, had declined with an apology and cookies, saying she was too ill to go anywhere. Dinner would be potluck style. Finally, he'd fucking have what he'd dreamed about for years. Although it was implied every time he touched Y/N, he'd get to vow, publicly, to stay with her forever. To take care of her, no matter their circumstances. To love her ceaselessly. And, he reflected, she'd promise to belong to him, too. He grinned around his cigarette as he smoked, looking into his drink, joy rushing through him at the thought.
Gary took a swig of his porter. "Are you looking forward to tomorrow?"
"Yes." Arthur answered without hesitation. "But I don't know why Y/N wanted me to spend the night out. We're already married."
"You can't sleep with the bride before the wedding. It's tradition."
Tradition. His chest tightened at that. Tradition hadn't meant anything most of this life, anything besides futile yearning. He couldn't remember if he'd been read to as a kid. Lost teeth probably ended up in the garbage. Holidays had always been too expensive to take part in, and with Penny's apathy and all the hours he'd worked, he hadn't had the energy to try. He was glad to be making up the deficit with Y/N. Still. This was an odd custom, and not really applicable to them. "But I've been sleeping with her for two years." Almost as soon as he spoke, he realized his double entendre. He brought a hand to his forehead. "Shit. Sorry, Gary."
A sly smile crossed Gary's face, but he didn't seem upset. Which made sense - filthy jokes and dirty tales often flew around the locker room at HaHa's. The shorter man reached into the breast pocket of his striped shirt, then held out a small package. "Here. I got this for you."
Curious, Arthur examined the cellophane enclosed carton. The teal box of NoDoz said it would keep him awake, was fast acting, and safe as coffee. And there was a sentence, written in a cursive font on the bottom edge: "Number 1 with Newlyweds!" Oh. Oh. He knew what they were for. Once in a while he'd come across The Honeymoon Game when flipping through channels. The tablets were often mentioned, along with comments about "being busy all night long." The burning in his cheeks only amplified his giggles as he tucked them in his pocket. "Thanks. For letting me stay over, too."
"You're welcome. It's just the sofa." Gary gave a shrug. "What time did you want to get back home?"
Arthur recalled the list of errands Y/N had helped him make. He had to stop at the flower stand near their place and get a white carnation for himself and a bunch for her. Garlic bread needed to be ordered at Marchetti's, to go with the lasagna Y/N was attempting. He wanted to give himself a good half hour to change, fix his hair, and practice saying what he'd written.
Gary agreed getting back to the apartment in the early afternoon would be fine. Arthur wasn't expecting his follow-up question. "How'd you know she was the one for you?"
Trying to hide the embarrassment behind his answer, he sipped his cocktail. "Gary, no other woman ever wanted to be with me."
"I'm sure that's not true," Gary replied. Arthur didn't move to correct him. Maybe he'd successfully hidden his prior failures from his former co-workers by simply not joining in when they all talked about women.
It took time to come up with a response. When he gave it, the words were quiet, his tone almost reverent. "She never acted like there was something wrong with me." The corner of his mouth quirked up as he tapped the ash off his cigarette. "No one else ever did that. Not even my mother." Realizing he may have insulted Gary, he backtracked quickly. "You- You were always nice."
Gary visibly brightened and waved at a waiter to order them both another round. Arthur sat back against the torn cushion of the booth, already slightly dizzy from the first one. It was going to a long, hopefully good, night.
~~~~~
The preparation for the 4:00 PM ceremony did not go as smoothly as planned. The dish Patricia brought, which she had wanted to keep a surprise, was macaroni and cheese. Y/N ran out and bought three salads from the deli so there'd be an option besides pasta. She'd made a small tear in the hem of her light blue wedding dress, one she'd picked up at a consignment shop, when she'd gotten caught on a doorway. And Arthur insisted on not seeing her in her dress beforehand, so she spent most of the time cooped up in the bathroom. She could hear Arthur's hushed tones as he paced the living room and spoke to Gary ("I'm gonna fuck up. What if I start laughing?"), and Gary trying to reassure him ("Arthur, just read it.").
But those snags were nothing compared to the issues at her first wedding. The flowers had never arrived. The cake topper had fallen, splitting the groom's head in half and breaking off the bride's arm. And, about halfway through it, she'd realized she was making a mistake. Presently, standing in front of the mirror while she fiddled with her high, split neckline and waited for Patricia to get her, she knew she hadn't erred. Doubt never entered her mind when it came to Arthur - only love, happiness, and gratitude.
When the door opened, Y/N ran her palm along the embroidered lace of the dress's bodice, smoothed the chiffon of the full-length, A-Line skirt, pulled at the wrists of the long, translucent sleeves, and took a deep breath. Her heart quickened when the faint notes of Arthur's favorite, sentimental Jackie Gleason Orchestra LP reached her ears. She stepped out. All the furniture had been pushed up against the walls, leaving space in the middle of the room. Their four friends stood there expectantly. Then she looked at Arthur, and the excitement she'd told Patricia she felt for him suddenly became her own.
He'd slicked back his hair, the way he always did when he was trying to be formal, curls loose around his ears. The white button-up he was wearing was a tad large around the shoulders. But the likely second-hand black vest and trousers he wore fit perfectly. The carnation in the waistcoat's breast pocket was a nice addition. He was wearing his red and yellow tie, still the only one he owned, in spite of it being part of his Carnival outfit.  As she approached him steadily, she studied his face. The affection in his soft expression caused her breath to hitch, as did the drawing together of his dark brow as he admired her. She giggled, hoping he liked the nontraditional dress.
There was no need for the question, however. As soon as their hands met, he clutched hers and smiled. The autumn sun, which was already halfway down the sky, brought out the deep chestnut undertones of his brown waves. And the clear green of his irises glistened beautifully in the bright light. If it would have been acceptable, she would have kissed him on the spot. Instead, she settled for mouthing, "You're gorgeous." The blush that resulted, the way he lowered his head as he grinned happily, and his silent, "You, too," made her stomach flutter.
Listening to what the yellow-pages officiant said was nigh impossible. And from the expression on Arthur's face, he couldn't concentrate, either. But they managed to get through the basic vows, those same, time-honored words spoken at nearly every wedding she'd attended. (Except for "worshiping" and "obeying" - she'd insisted those parts be removed, explaining they were equals.) They'd each come up with their own short pieces, too, and at his insistence, she went first. "I didn't come to Gotham to find love. I just wanted to leave everything behind. Then I met you. You made getting remarried the easier decision I've ever made."
What Arthur said in return, reading softly but clearly from a worn piece of paper, had her beat. "People think I'm weird. But you don't." His Adam's apple bobbed and a slight tremor entered his voice. "You're my one and only person that can understand me." His rasp turned into a hiccup at the end, and he sniffled and scoffed while he tucked his notes away. The clench of her throat was immediate, and she threw her arms around him, not waiting for the words "you may kiss the bride" before joining their lips.
~~~~~~
​​​A wedding day was supposed to be special. Out of the ordinary. Exceptional. Anything but regular. But Arthur couldn't remember the last time he had felt normal for as many hours in a row as he did today. The flash of a pocket-camera when he'd cupped Y/N's face and kissed her after she'd lunged at him. Their short dance, with the shallow dip they'd practiced and her stepping on his foot only once or twice. The gentle "I love you" he'd murmured against her lips. The acceptance of her friends when they congratulated them both. All of these extraordinary moments coalesced into a warm, tender, soothing ache that, in spite of his doubts, confirmed he was a real person, worthy and capable of love.
The glass door opened behind him, and, expecting Y/N to drag him back inside, he flicked his cigarette away. But upon turning he saw Patricia, drink in her hand. They'd spoken briefly a few times since initially meeting a couple years ago. Arthur didn't yet have a clear impression of her. Y/N and she were close, he knew, and they often met for lunch. And Patricia had helped her try to stop the Wayne Foundation case from going forward. Observing the older woman, he noted the gray scattered throughout her hair, the lines on her face that were less prominent than his own, the minimal rouge on her cheeks. She reminded him of Penny before her health had declined. Before everything had changed.
"Could I have a cigarette?" she asked, indicating the pack he was holding.
He blinked at her. "Sure."
She stepped to him as he retrieved one for her. After she plucked it from him and placed it between her lips, she took his lighter. "Y/N doesn't know. Keep it that way. You may not have picked up on it yet, but she can be bossy."
Chuckling, he cocked his head. Y/N had warned him about her bossiness early on, but it wasn't as bad as she'd claimed. Sure, she was assertive about certain things. But smoking was the only thing she was overly pushy about. The reason for her nagging prevented it from being more than a minor annoyance, though: she wanted them to spend a hundred years together, she'd said, instead of him dying prematurely of lung cancer. Blunt to a fault, as usual, with an inkling of sweetness underneath.
"Y/N was crazy about you from the start," Patricia said, pulling him out of his musings.
A glow blossomed in his chest and he dropped his gaze bashfully. "She talked about me?"
She smirked up at him, as if she was about to reveal a secret. "She gave me a note with hearts and exclamation points on it after you slept together."
Eyes widening, he turned back towards the street and focused on a manhole cover. It shouldn't have surprised him - he'd spoken with Gary about Y/N - but it did. And meant the world to him. But he was beginning to wonder what else she'd disclosed. Christ, was Patricia aware he'd been inexperienced? Had Y/N said he'd done a good job? Had she...Could she have talked about his body, the way the men at HaHa's described the women they were seeing? Those notions were laughable, he tried to tell himself, and attempted to push through them amid his growing discomfort.
Patricia gave his forearm a maternal pat, allaying his unease. "It was because you were gentle with her." He watched her angle her body towards the window and peer inside, and he followed her gaze. Y/N was pointing at a spot in the living room for the folding table they'd rented, along with six chairs. "She's gritty - she's been through a lot. I'm glad she has you to let go with."
Nodding slowly, Arthur understood. He was a good partner, a good husband to Y/N. And it wasn't only the woman he loved more than his own life saying it - it was her closest friend, her confidante. Intermittently, his conditions made it difficult, particularly on those days when he needed repeated validation, or the fury he carried deep within him threatened to bubble up. (Though it had gotten better with treatment, the stability his life now had, and Y/N's support.) Patricia recognized that he was trying and believed he was doing well. Accomplishment wasn't a sensation he often experienced, but the foreign sensation creeping into him must have been it. "Thanks," he said, clearing his throat. "I love her a lot, too."
They went inside and put up the chairs and set the table. There wasn't a table cloth, but Y/N had taken out their "good plates," with gold filigree on the rims. One of their cotton napkins went missing, so Y/N put a paper towel under her cutlery. After he lit the two cream taper candles he'd found in a drawer, everything looked perfect.
The food and drink were something else. The only macaroni and cheese Arthur had ever had come out of a box. Patricia's tasted savory rather than salty, but he wasn't sure if he liked the tomatoes it had in it. Although the pasta was too soft, Y/N's lasagna was good, if a bit heavy on the sauce. The garlic bread helped with that. The salad was mostly ignored; he only ate the small serving she stuck on his plate. The scotch Gary brought was passed between himself, Matt, and Robert. Arthur did try a sip, but it was exceedingly strong and stole his breath. He decided to stick with wine.
As the evening went on, Arthur grew pleasantly warm and drowsy. Y/N and Patricia had taken over most of the banter, guffawing and being mildly foolish. Matt had brought a chocolate sheet cake for twenty-four instead of six, and Y/N had to hold her stomach to quiet her tipsy laughter when it was sliced. Arthur's hand crept to her thigh and squeezed lovingly, his eyes locked on her with adoration. The depth of his feelings, his keen awareness of her, her presence at his side, was drowning out the rest of the room. It didn't take long for her to turn to him and mouth, "Let's say good night."
Y/N sent everyone home with leftovers and a hug, and forced Matt to take most of the cake with him. Gary gave Arthur a wink and a nod as he left, and Arthur snorted as he shook his head and shut the door. Propping himself against it, he sighed, trying to clear the fuzziness from his head. She came up behind him and kissed his shoulder. "Patricia's going to have the photos developed in triplicate and give us the negatives."
He twisted to face her and put his arm around her shoulders, slightly dizzy. "Does that mean we'll get copies?"
Giggling, she pressed into him and nuzzled his cheek. "Yes. We'll get three copies." She looked up at him as she leaned back. The ardor in her gaze made his pulse skip a beat. Then she lead him to the bedroom without preamble, blowing out the candles on the way.
He'd read and seen enough to recognize what was expected of him. This was their wedding night. It was when the music would swell and the screen dissolved to black in the old movies he would watch. He was supposed to take charge and make love to her. And he wanted to. Truly. But he'd eaten more than he usually did in two days. That combined with only having slept a couple of hours the previous night, anticipation having kept him awake on Gary's couch, lead to the tiredness he now felt.
Her hands were everywhere, though, roaming his back as their mouths melded together. Arthur slid his tongue between her lips, and he could taste the wine they'd toasted with and spent the rest of the night drinking. Breathing raggedly, he swallowed her moan and held the nape of her neck. When she presented her back to him, he paused before caressing the lace on the back panels of her dress. He took the dainty zipper between his thumb and forefinger and slowly pulled it down. The intimacy of what was happening, of Arthur Fleck unfastening the dress of his bride, made him shudder. Once the bodice was completely undone, he pushed his forehead to her and kissed the soft skin at the top of her back.
The dress fell slowly, catching on her breasts and hips as she brought it down. When she turned to him, his brows lifted. She was wearing the smallest pair of black panties he had ever seen. They barely covered her sex. He huffed. "Where did these come from?"
A grin broke out across her cheeks. "Patricia was convinced you'd love them."
Smirking, he gave a little nod. "I do." They were tied at her waist. If he just pulled the string, she'd be revealed to him. "You're so pretty." His fingers teased a bow, trying to will himself to perform. But he wasn't feeling it. "Um." He chuckled sadly, knowing he was about to disappoint her. "I ate too much. And I think I'm drunk. I'm sorry." He winced and looked away from her.
Y/N stared at him, then laughed throatily and squeezed him close. "Oh, thank god. Me, too. It's been a busy day."
His grasp on her tightened. "But a good one?"
"A wonderful one." She pecked his mouth and moved towards the bed, not bothering to take off her bra before slipping beneath the blankets. "You can untie me in the morning."
As Arthur undressed, he folded each piece of clothing and placed it on top of the vanity. He'd take care of it whenever they got up. By the time he sat on the bed in his briefs to take off his socks, Y/N's breathing had slowed to a steady rhythm. Sleep always seemed to come easily to her. Carefully, he got in beside her and stroked her hair back. Not wanting to wake her but needing to touch her, he kissed her brow bone faintly, gliding his fingers along her cheek. Then he ran his hand down her side and teased the string on her hip, loosening the knot until he could whisper his fingertips over her without obstruction. She mumbled quietly but didn't stir.
Smiling, he breathed against her temple. "I hadn't been happy one minute of my entire fucking life before you." He sniffled and swiped at his nose, sighing contentedly. "Sometimes I am now. Like today." He rested his head next to hers on the pillow, his arm going around her waist to tuck her back against him. "Thanks, Y/N Fleck."
~~~~~
Tag list (Let me know if you want to be added!): @harmonioussolve​ @ithinkimaperson​ @sweet-nothings04​ @stephieraptorr​ @rommies​ @fallenstarsabyss​ @gruffle1​ @octopus-plasma​ @tsukiakarinobara​
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darksunrising · 4 years
Text
Sola Gratia (9/?)
Masterlist
Rating / Warnings : General audiences, no particular warnings.
Fandom : Bram Stoker’s Dracula, BBC’s Dracula, various Dracula and vampire lore.
Part 9/? (2000 words)
Author’s notes : I’m trying to get the chapters a more consistent length, I think 2000-2500 is good ! Means I’ll be able to work more consistently, but please don’t hesitate to tell me what you think about it ! Also, sorry for all the build-up, but a girl’s gotta set the decor a bit !
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During the following weeks, the presence of the Count became almost familiar. Every day, he waited for me with a different kind of pastry. I tried to protest at first, but quickly had to make my peace with it. At some point, seeing me wince at my terrible coffee, he forbade me to drink it anymore, and added that to my daily breakfast. I asked him exactly once why he insisted on feeding me, to which he replied that he liked my blood healthy, with a toothy grin. I hit him over the arm, he laughed. Other than that, he was careful not to step over my boundaries, and seemed to find the way to only be there at the appropriate time.
That was not the case for Leah, however, who was delighted to see Vlad was going to be a recurring presence in our lives. The two of them got along far better than I would have wanted. Vlad especially enjoyed playing along with her when she started asking probing questions about the both of us, although I had to admit he was an expert at deviating any question that could have revealed his true nature.
It took me some time to fully realize how much he had actually seen, and lived. He died around the 1470s, which meant he had all the time in the world to see the Sistine Chapel being painted, the construction of the Eiffel Tower, or the damn french Revolution. He could have just been a very polyvalent historian, which is what I told Leah. She interpreted that as a challenge, considering he and I were, as she put it, “introverted nerds who need to see the light of the sun once in a goddamn while”. She started dragging us along in random activities. There was a pottery class, to which I was barely able to make the Leaning Flower Pot Of Pisa, while she somehow made an incredible owl sculpture, and Vlad had made a delicate greek-inspired vase. Seeing him, sleeves rolled up over his elbows, hair tied up in a ponytail, his long fingers working in precise, expert gestures, probably had noting to do with my absolute failure to make anything correct. I decided then that manual activities were a no-go for me in the car ride, where I sulked on the backseat, while Leah and Vlad were still crying-laughing about my sorry excuse for a pot.
After the rousing success of that experience, she wasn't about to stop. We did a haunted castle themed escape game, which Vlad curiously sucked at. That would explain some stuff. Leah then found out that a Renaissance faire was taking place in a small town, about an hour or two outside the city, and decided we definitely had to go. I tried to pretend I had too much work and wouldn't be able to make it, but Vlad and her insisting, I caved, and marked down my calendar with the red pen of defeat.
Being stuck in period costumes with the both of them wasn't the only reason I tried protesting. Laurent really did throw a ton of work on my shoulders, and that wasn't considering the whole Stephan Helder situation. The kid was highly motivated, sure, but he started making me feel uneasy, for some reason. After all my classes, he came to chat, and always found a way to ask questions about Vlad. Strangely phrased questions, or about how he couldn't find publications under his name. Legitimate questions, to be fair, but his insistence was bugging me.
“I'm telling you, that is weird. Those are weird questions”, I told Vlad, sitting on my windowsill. He didn't react. “I am serious, what if he knew ?”
“How would he know ?”, he sighed. “Why would he even want to know ?”
“Well, that's a fair question. Which needs an answer, don't you think ?”
He tilted his head, softly smiling. “I think you are being a bit paranoid.”
“I spend most of my free time hanging out with an immortal murder-machine, I think I deserve the right to be a bit paranoid”, I snapped.
“Fair enough”, he laughed.
Being immortal had to have dulled his sense of danger. Although, I could see how a skinny 20-year-old medieval history student wouldn't spontaneously raise red flags.
“By the way, I am going back to Romania”, he told me.
I felt a small pinch to my heart. “Oh.”
“Only for a few days”, he completed with a smirk. “I have to pick up some things, and oversee the moving company. I do not trust them with half my things.”
I furrowed my brow. “Moving company ?”
“Oh, did I not mention it ?”, he innocently replied. “Before I even arrived, I bought a little something a little ways outside the city. The renovations are done, and you of all people understand I cannot live there without a decent library.”
I took a second to process it. He had a smug look, obviously enjoying my confusion. I had to say I didn't even think about where he spent his nights. I figured he either turned into a bat and hanged somewhere upside down, or simply didn't sleep. Did he even need to rest ? Gods, so many questions I didn't even think to ask. Every day, I felt like I discovered a puddle, only to realize it was part of a lake.
“When I come back, would you come visit ?”, he asked, sounding a bit hesitant.
“Sure. I mean, as long as I don't have to wear heels if you decide to go feral on me.”
He took a dead-serious expression. “I promise you, Eris Cetero, that as long as you live, I will never, ever, make you wear heels again.”
I threw my head back with a groan of agony. Was it so bad that this kind of humor was actually funny to me now ? Was having a six century old bloodthirsty creature imply he might try to murder me again really that hilarious ? Apparently so, as I was unable to contain a giggle. Maybe it was because the look he had was all but threatening. Maybe because every time I was near him, even with all that happened, I felt... Safe. For a few weeks, I had been able to decide staying over at the University library until ungodly hours. I didn't have to thing about what time I had to leave at before it became too risky for a woman with very limited knowledge of martial arts, alone.
I mean, he was arguably more dangerous than any encounter I might have had, but still... I knew he wouldn't hurt me. Maybe it was wishful thinking. Then again, he had plenty of occasions to lose it. Last week, for instance, I had no idea what to expect when I left my apartment, dosed with painkillers, as Mother Nature, that ruthless bitch, decided to drop by for her monthly visit.  He was simply waiting for me at the usual spot, looking a bit off, but holding a large box of chocolates along with my breakfast. He made himself scarce for the following three days, but I could tell he tried to act natural.
“I should let you get some rest”, Vlad told me, dragging me out of my thoughts.
I nodded, slowly. “When are you leaving ?”
“Some time tomorrow. I will still pick you up, if that is what worries you.”
He smiled, teasing. “Yeah, that's... That's it. I'd miss my personal chauffeur.” I looked away a second. “Now, get off my window, I need to sleep.”
“Of course, my Lady”, he replied, and backed away with an overly low bow. “I bid you good night.”
Once again, with a fluttering sound, the usual bat replaced the tall man. I called out to him, offering my hand as a perch. The tiny black creature gripped a finger. I would have expected a Vampire Bat, to be fair, and almost laughed when I realized it was a common little brown bat, only changing in the darker color.
“Well, don't you look adorable”, I told him.
I could take a more frightening appearance, if you want me to.
“Telepathy, huh ? That's new”, I commented. Nothing surprised me that much anymore, to be honest.
I try not to pry, it's usually considered rude.
“You don't say.”
He stretched out his wings. They were so thin I could see the tiny veins running across the membrane. I had to use all my will not to just scoop him up and pet his tiny head, or scratch his belly. Now, that would have been rude. Probably. Those kind of reflexions were a bit new to me.
I would stay here all night if I could, but I am starting to feel a bit hungry.
“Oh, by all means. I won't keep you.”
I heard a small squeaky sound I interpreted as a laugh, and he left. I closed the window, and the quiet made me rethink the situation. If he was gone, that would leave me some time to look into the Helder situation without him interfering. Now, I just needed the help of my favorite professional stalker. With a little smile, I slipped under my covers, and almost instantly faded into sleep.
~ ~ ~
After Vlad let me off at the University, he only came over to say hi to Leah, and announce his departure. He left right after, with a kiss for her hand, and one for my forehead.
“Do you need some ice ? You look pretty hot”, she snarked at me once he was gone. “A cold shower, perhaps ?”
“Oh, shut up, will you ?”, I groaned, placing the back of my hands onto my cheeks.
She snickered. She was the best friend I could ever hope to have, but man, as soon as someone was involved, she became absolutely unbearable.
“By the way, I need your help with something”, I told her, lowering my voice a little.
“Oooh, sneaky voice, I like it already. Tell me.”
I brought her inside, and we went straight to my office, a small, cluttered room in the old building. I dragged a folding chair next to mine, behind the heavy wooden desk.
“I'm having a weird feeling about a transfer student”, I told her. “I wondered if you could-”
Before I could even finish my sentence, she had already taken out her laptop, her glasses sitting on her nose. She turned on a bunch of apps she left running in the background, and turned to me.
“Name ?”
“Stephan Helder, with 'ph'”, I told her.
I kind of felt bad about it. If it was nothing, I was just prying into his personal life – or having Leah pry, anyway. She began typing away, and in less than three minutes, she had results. Stephan Jonathan Helder, 18, your typical genius type. Skipped a few middle-school classes, finished high-school at 15, with straight-As. Spotless criminal record, less so for the medical one, with a few bad cases of pulmonary infections. Didn't have one in years, though. Seemed like he was from a good family, but then again, no information on them showed up. Huh. I asked Leah to look into them.
“That's crazy”, she said after a good five minutes. “I mean, there's barely anything.”
“You mean he's an orphan, or something ?”
“No, it's just blacked out. I mean, most of the stuff has been scraped, erased.”
She sounded annoyed, but also excited. I knew she loved a challenge.
“Nothing I can't break”, she commented, and went back to it.
After a few more minutes, she finally had a triumphal shout.
“Got 'em”, she told me. “Stephan Jonathan Helder, the father is Thomas Mark Helder, and the mother is Mary... Huh. That's a cool name.”
“What is ?”, I asked, leaning over her shoulder to read.
My blood froze in my veins instantly.
Mary Van Helsing.
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Taglist : @carydorse @angelicdestieldemon @bloodhon3yx @thewondernanazombie @battocar @moony691 @mjlock @thebeautyofdisorder @festering-queen @paracosmfantasy
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alistircrat · 4 years
Text
Hetalila Fanfiction Recs
Here’s a list of some of my favorite Hetalia fanfictions. Most have pairings, which I’ll specify. I put this up because I know I’m always on the lookout for good fanfiction and I wanted to help out anyone else who’s in the same boat :D Feel free to add onto this or rec me some too ;) Also a good master list of the ones I like LMAO. I’ve noticed I either like tragic, angsty fanfiction or really fluffy ones. A lot are rated M. And a LOT of USUK and Spamano #srynotsry Disclaimer: I did not write any of these; they all belong to their respective authors.
Update: Ive had this sitting in my drafts for like over 4 years and i began it when i was super into hetalia n fanfiction LMAO, what better time to post this when i should be studying lmao its nearly 4 am halp
UsUK
The Secret : Rated T, 32k words, 5 chapters, Drama/Romance, Complete Arthur's sister, engaged to prince Alfred, is killed before she even meets him. Arthur's parents do not want to shame themselves by ending the engagement and force Arthur to dress like his sister and marry Alfred instead. But can this secret be kept? (note: very interesting!! I loved every second of it)
The Courting of Alfred Jones : Rated M, 26k words, 13 chapters, Romance/Hurt/Comfort, Incomplete Alfred Jones is the most popular guy in school and also extremely homophobic. This is why Arthur is his new favourite 'victim', but Arthur has no intentions of grovelling in the dust for him. Punk!ArthurxJock!Alfred (note: Rated M, so there IS some explicit material and I advise viewer discretion. Another highschool AU. Sad that it’s probably not going to finish but it’s worth the read)
When I Only Wanted to Save the World : Rated M, 29k words, 11 chapter, Romance, Complete Alfred is a firefighter in New York City. When he gets badly injured, he takes a trip to London to recover. There he meets a man named Arthur, who ends up helping him recover from wounds he didn't even know he had. (note: warmed my weeb heart)
United Again : Rated T, 31k words, 7 chapters, Humor/Romance, Complete Arthur gets a letter in the mail informing him of his school's ten year reunion.
Unexpected : Rated T, 5.7k words, One-shot, Humor/Drama, Complete World Academy. When Arthur was asked to tutor the star of the American Football team, he expected several things. Sitting in an apartment full of Asian children was not one of them. (cute!)
The Invitational Year : Rated M, 208k words, 41 chapters, Romance/Drama, Complete Alfred is an awkward dork, despite the fact his dad is President. Arthur is a member of British royalty, and he's a perfectionist loner. Both boys are given an invitation to attend the prestigious World Academy and, naturally, they're roomies. (note: A favorite of mine! Quite long but very much worth it. Highschool AU. Can be silly yet dramatic. Anyways, you should read it! Viewer discretion due to sexual themes)
The Sophomore Year : Rated M, 173k words, 34 chapter, Romance/Drama, Complete After meeting at boarding school, Alfred and Arthur became unlikely friends and then lovers. Now, they'll face their sophomore year in America and all the challenges that come with being young, famous, and madly in love. (note: sequal to The Invitational Year)
And All That Jazz : Rated M, 98k words, 22 chapters, Romance, Complete Alfred is approached by the Student Body President, Arthur, for help on his math exam. They hate each other, but maybe opposites can attract with the help of something unexpected. (note: I love this fic. Highschool AU. Also involves music...cuz liek yknow the title)
1912 : Rated T, 52k words, 9 chapters, Romance/Drama, Complete Cynical, overweight and bored in the dull twilight of his empire, Arthur finds distraction in the form of rekindling his relationship with Alfred on board the RMS Titanic during her doomed maiden voyage.
The Arrow was Shot : Rated K+, 5.8k words, One-shot, Romance, Complete In order to win his family's respect, Arthur enters a tournament to win the Princess of America's hand in marriage. At the tournament, he befriends the mysterious Alfred- a fellow competitor who is equally determined to win. As he and Alfred grow closer, he begins to question what is more important to him: his family's respect... or Alfred.
Flirting with Failure : Rated T, 2k words, One-shot, Romance/Humor, Complete Alfred just wanted to get one date with Arthur Kirkland before the semester ended. To do that he had to speak with him. Thus, he was set up for failure.
Hero Frequency : Rated T, 12k words, 3 chapters, Romance/Humor, Incomplete America's got the coolest and most awesome band in school, and he's totally going to win the Battle of the Bands contest. Or at least he might, if he can get England to put aside their past issues long enough to play guitar...
The Gentleman and the Hero : Rated T, 57k words, 21 chapters, Romance, Complete World Academy students have been paired up for an anonymous email exchange program, so they can talk to someone about school and personal problems in private. These are the emails of two students nicknamed 'The Gentleman' and 'The Hero'. (note: I also love this. I find it very cute and also very in character. I want an email buddy lol. Highschool AU)
Breathless : Rated T, 35k words, 4 chapters, Angst/Hurt/Comfort, Complete Arthur Kirkland never thought that golden boy Alfred Jones would ever have a reason to attempt suicide. Then again, how much did he really know about the oh so popular blonde? The rumor mill would surely chew him up and spit him out. (note: p sure this is another favorite of mine. Though angsty, I really enjoyed the development between the two. Highschool AU. Really great read!!)
Static : Rated T, 45k words, 9 chapters, Drama/Romance, Incomplete Sequel to Breathless. Arthur always thought that the incident with Alfred's arms would forever be the biggest hurdle their friendship would face. But as the looks change and the touches linger, it becomes frightfully clear that he was dead wrong about that. (note: continues after Breathless, but not finished ): worth the read anyway)
Ask Me Anything : Rated T, 7k words, One-shot, Romance/Humor, Complete Alfred starts to follow Arthur on tumblr. It's not long until they become friends... and possibly more.
The Cost of Affection : Rated M, 61k words, 32 chapters, Angst/Romance, Incomplete Being a whore is easy: all Arthur has to do is spread his legs and take the money. He doesn't have to face his past; nor does he have to deal with love. And for good reason - because when he does fall head-over-heels for someone, he's forced to realize that his sins go beyond prostitution, and that even as he rediscovers himself, his past is coming back to haunt him after all.
You Can’t Take the Sky Away From Me : Rated T, 113k words, 32 chapters, Adventure/Romance, Incomplete Ace pilot America is on a mission for the World Military when a chance encounter with a group of sky-pirates leads him to team up with their captain, England, against a malevolent group that wants to fill the sky with zeppelins. (note: Steampunk AU. This is a really cool fic!)
We’ll Meet Again : Rated M, 43k words, 13 chapters, Romance/Angst, Complete WW2 AU. London pub owner Arthur Kirkland is driven to distraction by loud, brash American fighter pilot Alfred Jones. Unable to stop it, Arthur finds himself falling for Alfred's charms... just as the pilot is preparing to leave for war. (note: a hetalia fandom clASSIC. MUST READ. unfortunately the OG fics were deleted so someone reposted it, giving credit to the OG author George deValier. this will rip ur heart out n tape it poorly back together)
Franada
La Patisserie de La Rose : Rated M, 35k words, 6 chapters, Romance, Complete Accountant Matthew Williams is used to being unnoticed, ignored, and forgotten. That is until pastry chef Francis Bonnefoy appears like a burst of colour in his dull, grey life. 
AmeViet (yes, Vietnam!)
Hard to Get : Rated T, 57k words, 20 chapters, Adventure/Romance, Complete During World War Two, serious, limited Vietnam meets the boisterous America. Amid fighting, friendship, and stress, America tries to get Vietnam to like him, but she won't let that happen. Or will she? (note: One of my all-time favorites, unforgettable. I can never find fics of this pairing, it’s so hard! But this is a really great fic, highly recommend. also after learning more about Vietnam history, i might give this yet ANOTHER re-read with my new perspectives)
Of Broken Promises and the Taste of Freedom : Rated T, 1.4k words, One-shot, Hurt/Comfort/Romance, Complete Vaguely, Vietnam wondered if this was what freedom tasted like. If perhaps, the hot waves that crashed through her body and set her skin on fire was what it was like to know that you are truly free.
GerIta (apologies, I don’t read too much GerIta LOL)
Auf Wiedersehen, Sweetheart : Rated M, 104k words, 18 chapters, Romance/Angst, Complete WW2 AU. Feliciano Vargas is a passionate, if slightly scared, Italian resistance member. Falling in love with a German fighter pilot was the last thing he expected... and it will test his national loyalty, and his heart, to their limits. (note: another VeraVerse, so well written! you will not ragret. also a repost since Og was deleted, all credit to George deValier)
RusAme
Dear Diary : Rated T, 55k words, 17 chapters, Humor/Romance, Complete Alfred F. Jones isn't gay. Just read his diary; you'll see. (note: I absolutely love high school or college AUs, omg. Also this is hilarious. I can really relate to how Alfred's rambling)
PruHun
The Most Awesome Date Plan Ever : Rated T, 7.5k words, 6 chapters, Romance/Humor, Complete It was foolproof. He had worked out every plan, every detail and each possible outcome almost guaranteed him Elizaveta's love. Until it was ruined by Gilbert's two cockblocking best friends. (note: funny and cute)
Táncol? : Rated K+, 24k words, 6 chapters, Humor/Romance, Complete Elizaveta is determined to find out who Gilbert wants to ask out for the school dance. If that means bullying his friends, being hired by Gilbert to slave over a cake, and invading his diaries, so be it. (note: Another favorite! Very cute)
Hello Hurricane : Rated T, 61k words, 18 chapters, Hurt/Comfort/Tragedy, Complete Sequel to "Táncol?" Elizaveta, Ludwig, Francis, and Antonio are forced to watch Gilbert slowly fade away every day. (note: It might seem like I have lots of favorites, cuz I do and this is one of them. Warning, I cried a lot towards the end. Highly recommend)
PruCan
That Song Called Love : Rated T, 62k words, 25 chapters, Romance/Drama, Complete Matthew had always resigned himself to a fate of musical obscurity on a supporting instrument, but after meeting an ex-delinquent named Gilbert, he just might learn to take the lead. (note: contains other minor pairings. Although she doesn’t play a huge role I’m so happy Vietnam is in it Dx)
Operation Not to Hot : Rated T, 10k words, 2 chapters, Romance/Humor, Complete Gilbert Beilschmidt is dorky, nerdy, and has serious confidence issues. He doesn't really care about himself until he sees Matthew Williams, AKA super-hot-hockey-jock. With Matthew's heart in mind, Gilbert undergoes a complete transformation. (note: funny story. Prussia being Prussia)
Overdue : Rated T, 12k words, 8 chapters, Romance/Supernatural, Complete "Well, Gott, Mattie, at least look someone in the eye when you tell them you're a ghost. Make a good impression!" (note: cute lil one-shot series)
I Have all Summer to Fall For You : Rated T, 162k words, 38 chapters, Incomplete At school, Gilbert makes fun of Matthew, and Matthew just wants to be left alone. But then when the hot days of summer roll around, and they have nothing but free time, things happen that NO ONE could have planned for! (note: MY ALL-TIME FAV PRUCAN FiC Ever. Probably will never finish but the length and quality make up for it)
PruAus
Please Don’t Read the Verdict : Rated M, 57k words, 11 chapters, Romance/Crime, Incomplete District Attorney Roderich Edelstein is faced with a gruesome, controversial murder. He has three months to build a case against the accused, but more than his will to prosecute may be destroyed in the process. (note: sadly not done, but highly interesting!)
Lily of the Lamplight : Rated M, 27k words, 4 chapters, Romance/Angst, Incomplete WW2 AU. Austrian musician Roderich and German soldier Gilbert are forced into an army prison unit and a fight for survival on the Russian Front. But in the midst of blood and death and hell on earth, how long can they fight their desire for each other?  (note: MY 👏 FAV 👏 VERAVERSE 👏 I loveeee this fic, I’m so SAD it’s nEvEr going to be completed. Savor those 4 chapters. Luckily theyre long *cries* Also love the set of main characters, including Prussia, Austria, Berwald, and Poland. Also listen to the song the title is based off of, i luv it too)
SuFin
Cheers to a New Life : Rated M, 94k words, 47 chapters, Romance/Family, Complete Sweden could only find a job as a Kindergarten teacher and the famous Kirkland's little Peter happens to be enrolled into his class. But it is not Mr. Arthur Kirkland who is picking Peter up, it's this angel with the greatest ass Berwald's ever seen. (note: viewer discretion, mostly on later chapters. also has cute lil Peter/Sealand)
My Heart, In Segments : Rated T, 14k words, 10 chapters, Family/Hurt/Comfort, Complete Berwald is a man left alone, and Peter was a kid left behind. Berwald's not really the perfect dad, Peter's not really innocent anymore, and Tino's not really sure he's ready for something so real. But, maybe... Maybe it's time.
In Want of a Wife : Rated T, 41k words, 18 chapters, Romance/Humor, Incomplete Berwald's life is turned upside down when he is accepted into Hetalia International University, and everything changes for the better when he catches a glimpse of his future wife who lives down the hall. Who cares if Tino doesn't accept it yet? (note: Human AU; Lietpol is a bonus in all this hehe)
Treatment : Rated T, 55k words, 12 chapters, Romance/Humor, Incomplete Tino is a young psychology major, well known for being kind and eager to help others with their issues, but less so for his habit of profiling "patients" on campus. His therapist's eye has fixed on Berwald, but will he be the one who ends up on the couch? (note: Though not fully done, it’s one of my favorite sufin fics. Also hilarious bahah)
Catch Perfect : Rated T, 35k words, 8 chapters, Romance/Friendship, Incomplete When Berwald loses everything he is forced to move into a share house with an insane Dane, a sociopathic Norwegian, an unfathomable Icelander and a perfect Finn who makes it all worth putting up with. (note: can be crazy and random, which is probs why I liked it so much. also by George deValier I believe, reposted onto wattpad after it got deleted)
DenNor
Hummingbird : Rated T, 61k words, 12 chapters, Tragedy/Hurt/Comfort, Complete Lukas' only goal in life was to take care of his younger brother, until he was diagnosed with an irregular heart rhythm. His originally peaceful stay in hospital was interrupted when the loud, cheerful Mathias was moved into the bed beside him and refused to leave him alone; yet as his health began to deteriorate, the Dane decided to fall in love with him. (note: I love this fic so much, it’s also another favorite of mine. Very cute but with lots of angst, ahhh just what I ordered)
Secret Crowds : Rated M, 3.4k words, One-shot, Hurt/Comfort/Romance, Complete An explosion leaves Denmark with a permanent brain injury and Norway struggles to find his role in their relationship as the line between lover and caregiver begins to blur. (sad and touching)
I also read a lot of DenNor so im like ?? where the fics at LOL. but i think i read more DenNor doujinshis, so that’s def something yall should look into
Spamano
A Beautiful Story : Rated T, 16k words, 10 chapters, Tragedy/Romance, Complete Lovino Romano Vargas is a suicidal designer who is unhappy with his fate. One day, he chances to meet Antonio Fernandez Carriedo, who turns his life upside down.
Flashlight : Rated T, 38k words, 11 chapters, Parody/Romance, Complete "If I throw a tomato at you, vampire bastard, will you still sparkle under the sauce?" (note: OKAY SO This is actually a Twilight parody w Romano as Bella and Spain as Edward. I don’t really like Twilight but I really like this version of it lmao. Funny and a good read. Mostly Romano’s POV, cRACK )
New Batteries : Rated T, 41k words, 10 chapters, Humor/Romance, Complete Sequel to Flashlight. "WELL, I NEVER LIKED YOU, EITHER. WHAT NOW, YOU STUPID SPARKLY EXCUSE OF A VAMPIRE?" (note: also a parody, just the sequel to the previous one listed. I understand the Twilight plot through these better than the original)
Kismet : Rated M, 174k words, 52 chapters, Romance/Fantasy, Complete Lovino learns the hard way that things change and that they can change quickly. The necklace fell and now he's in a strange land far from home. Will he ever see his brother again? Will he find his way home? Or will he discover home is where the heart is? Fate is a strange woman and can work in mysterious ways. (note: RATED M, viewer discretion. the author has a list of warnings on the first chapter you can look at so you know what you’re reading. Fantasy AU)
Catch You, Catch Me : Rated M, (basically)37k words, 7 chapters, Drama/Romance, Complete Clumsy, clueless detective Romano is on the trail of the infamous handsome and charming thief El Apasionado Caballero. But there's more to this, what seems like a simple game of cat and mouse, than meets the eye.
The Bet : Rated T, 20k words, 9 chapters, Romance/Humor, Complete When someone kisses you, and then moves away you'd think that would be it. But when Antonio comes back from Spain he wants Lovino to be his again. Except Lovino now hates Antonio...which sucks for Lovino because Antonio isn't going to let go that easily.
Zero Tolerance : Rated M, 55k words, 24 chapters, Romance/Drama, Complete Lovino lives a perfect life. Or atleast thats how he is suppose to appear. Antonio lives a life as a dangerous gangbanger. North Side meets South Side as these two are partnered in their Chemistry class. But there is one chemical reaction these 2 arent prepared for- Love. (highschool AU)
Breathless in the Atmosphere : Rated T, 31k words, 3 chapters, Hurt/Comfort/Romance, Complete Antonio only needed money for marble. He needed to make his art. And a chance encounter on the subway offers him a job as a male escort. It was just for the money. He could stop anytime he wanted to. Really. (note: viewer discretion advised. contains prostitution and suicidal ideation)
Before the Snow Falls : Rated T, 19k words, 2 chapters, Romance/Drama, Complete Lovino, jersey number nine, right winger. He was ready to pass the ball, ready to set up the win, but Antonio, opposite team, center fielder, was ready too. Someone thought, and someone didn't, and they crashed. Hard. A few months later, Lovino's on crutches, Antonio has scholarships, and they have to deal with the aftermath of what happened.
Door to Door : Rated T, 3.5k words, One-shot, Humor/Romance, Complete Do not open the door. It could be a zombie, an unwanted boyfriend of your brother's, or a persistant salesman by the name Antonio Carriedo.
Numbered Lithograph : Rated M, 133k words, 29 chapters, Drama/Romance, Complete When Lovino starts attending art school with his brother he finds his most important lesson doesn't come from his professors, but from a culinary student at a sister school: sometimes the flaws hold the beauty. (note: Probably my favorite spamano fic. Very touching. Has fluff and angst)
Bésame Mucho : Rated M, 48k words, 6 chapter, Angst/Romance, Incomplete WW2 AU. Lovino Vargas only ever wanted something exciting to happen in his boring, everyday Italian village existence. He never expected war, Resistance, love, passion, treason, or a cheerful, confusing, irritatingly attractive Spanish freedom fighter. (note: ANOTHER 👏 ONE 👏OF👏MY👏FAVS👏 BUT SAD BC ITLL NEVER FINISH HDUEOFREGH. Also by George DeValier and reuploaded onto wattpad (originally on ff.net)! I’m in love with the writing. Incomplete but sooo worth the read.)
Bad Touch Trio (may or may not contain pairings/slight pairings)
Oh No, We’re Hot : Rated T, 1.4k words, One-shot, Friendship/Humor, Complete In which, after a summer apart, the Bad Touch Trio realizes that they have become really attractive. Really slight hinted Spamano. (note: I absolutely love the BTT, this is a cute short fic about them)
The Trap : Rated T, 4.7k words, One-shot, Friendship/Humor, Complete The prompt was Prussia and Spain meeting France for the first time, thinking he's a girl, kiddy-courting him, then finding out he's a boy, but still kiddy-courting him. Exactly as wacky as it sounds. (note: another cute story about the BTT and their rad friendship! I need this in my life)
Multiple Pairings
Playing Cupid : Rated T, 24k words, 15 chapters, Romance/Humor, Complete In Everett High School there is a secret club called the yaoi club. It is their job, during Sadies, to set up couples. This year Elizabeta has an ambitious plan. She is going to find a date for the infamous Lovino Vargas. Her choice is Antonio, unfortunately half the girls want to ask him too. Will she and her friends succeed? Spamano, UsUk, Prucan, GerIta, others (note: very cute highschool AU! highly recommend! also contains many of the hetalia girls, which is amazing~)
No Pairings
Bad Pasta : Rated T, 13k words, 6 chapter, Mystery/Tragedy, Complete Kiku and Arthur trade rooms. (note: Author also made a game based on this posted on deviantart: Bad Pasta game. I really liked it, especially since I’m into hetalia fangames and whatnot. warning, contains death of characters)
Fun with Former Vikings : Rated K+, 63k words, 17 chapters, Friendship/Family, Complete Brothers that are too awkward to even stand next to each other, husband and 'wife,' and that one guy that drinks a lot. The Nordics couldn't be any more different. And neither could the situations they get themselves into. (note: I love love love the Nordics. This is also probably one of my all-time favs. I love them as bros Dx)
God Only Threw the Humans out of Paradise : Rated K+, 4.5k words, One-shot, Friendship, Complete 12 years is nothing in the life of a Nation. But to a puppy, it's a lifetime. This is a look at 12 years of England's life through the eyes of man's best friend.
Gutters : Rated M, 98k words, 20 chapters, Adventure/Drama, Complete 'The Calamity' has left the world stripped and dying. Alone in a civilian bunker in Munich, Sealand will be reunited with the last known living member of his surrogate family and together, they will set out across Europe to find those they have lost. (note: It’s an adventure story starring Sealand and Denmark. Can be really intense and eMOTIONAL i cried like a bitch, highly recommend. Probably one of my 👏 favorite👏  fics of all time)
Ditches : Rated M, 2.4k words, 2 chapters, Drama/Family, Incomplete Prequel to Gutters. In the days leading up to The Calamity, the world braces and families struggle not to be torn apart.
Breathe Me : Rated T, 66k words, 21 chapters, Angst/Hurt/Comfort, Complete "God I'm so fat." "No, Alfred. You're not. You're –" "Stop it! I am and you know it! The whole world knows! Just stop okay?" Trigger Warning, Human AU, and F.A.C.E. Family. (note: very important TRIGGER WARNING due to mention of eating disorders, verbal abuse, self-harm, and suicidal thoughts.)
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televisor-reviews · 4 years
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Top 10 WORST Movies Of 2018!
As everyone is talking about their favorite and least favorite films of last year, I’d much rather take a look at what came out two years ago! This is what I do every New Year, get used to it. And keep in mind that I haven’t seen every film from 2018, so as bad as I’m sure Sherlock Gnomes and Pacific Rim: Uprising are, I haven’t gotten around to them. If you’d like a list of every film I have seen, I have them listed on my Letterboxd: https://drive.google.com/uc?id=1HnDnQ4ibO82ryM9lOCGgw1FZhVLdC4SZ
#10. Fifty Shades Freed On my 2015 list, I didn’t even bother putting Fifty Shades Of Grey on it because I thought it was absolutely hilarious! On my 2017 list, I placed Fifty Shades Darker at the very top for its lack of even the basics of what makes a decent flick, notably there being no real plot. So I guess I’m meeting this franchise in the middle by putting Fifty Shades Freed at the tenth spot for just how batshit this movie is. Shit kinda just happens randomly with little to no reason while also not being funny in the slightest. In fact, large segments of the film is kinda boring, particularly the sex scenes in which there are so many that by the 20th time, you’d just get used to it like a jump scare in Winchester. Really, the biggest reason this is only at #10 is because Fifty Shades Freed has Freed us all from this series, assuming that a film adaptation of Grey isn’t made. And that’s the greatest compliment I’ve ever given to one of these movies. #9. A Wrinkle In Time I once heard someone justify Disney’s live action remakes by saying they help fund their more unique film escapades like Nutcracker And The Four Realms (which barely didn’t make the list). The problem with that is that I don’t want those ether! And considering how Solo and The Rise Of Skywalker turned out, maybe Disney’s live action department should just stick with Marvel movies. Honestly, I don’t completely remember why I left the theater after seeing A Wrinkle In Time so angry, like legitimately pissed off. I remember the girl who looks like one of the Mean Girls being treated like a member of the Losers Club, how terrible the child acting was, how even worse the adult acting was, how annoying everybody who wasn’t Chris Pine was, and how that little kid was named Charles Wallace because the characters said it at least a million times! Considering how angry I am just writing about it, I’m guessing it was a combination of all of those elements being wrapped up with a pretentious bow. Honestly, A Wrinkle In Time was a humongous waste of my time. #8. Show Dogs It’s a bad sign when the movie starring Bojack Horseman yelling at Ludacris dog is only at #8 on my list. The big reason for that is because this is so terrible that I had to break down laughing at times. Not because Show Dogs is genuinely or ironically funny, it’s just so batshit insane that I had to laugh. Almost like a defense reflex: like if I wasn’t laughing, I’d end up jumping off the roof. The plot is crazy, the acting is crazy, the whole fucking idea is crazy! I’d like you to stop and imagine Will Arnett with the straightest face possible yelling at a dog voiced by Ludacris that nobody can actually hear in the middle of a very serious police station about the dog fucking up an undercover job and somehow not laughing your ass off. That is what it was like watching Show Dogs. You’re welcome. #7. Slender Man I think people really downgrade how good horror has been lately. I know that in a world of Insidious: The Last Key and Truth Or Dare, it’s easy to be pessimistic. And I think people also dismiss the greatness the internet has had on modern pop culture. Considering how bad things like Daphne And Velma and Mowgli: Legend Of The Jungle are, I kinda get it. In reality, these tend to be the outliers among a lot of greatness, but after seeing Slender Man, I’m starting to think similarly. I was one of the only people who was actually excited about this movie because I’m young enough to remember a time when Slender Man: The Eight Pages was the scariest thing in the world and after seeing how well Hollywood treated the character in Beware The Slender Man, I was really hopeful. Little did I know that Madhouse Entertainment had one of the least interesting and least scary horror movies I’ve ever seen with boring characters, a monster that’s barely in the movie, and a script that’s closer to Rings than it is to its source material. I really hope this’ll go the way of Ouija and Annabelle and end up having a really good followup or else Slender Man will be a huge blot on the legitimacy of the internet. #6. Snake Outta Compton I’m gonna be straight with y’all, I have been doing a pretty bad job at keeping up with horror B-movies lately. I mean, I did watch The Last Sharknado: It’s About Time and Leprechaun Returns but those were mostly just mediocre, even within the context of the rest of their franchises. So when I saw the title Snake Outta Compton, I knew I had to watch it expecting something really stupid and funny as all hell. Instead I got a boring and uninteresting barely even an attempt at cinema. I really hated this film, it’s just such a boringly dull film where little to nothing ever happens and I hated every dumb second of it. The terrible rapping, the awful effects, the horrendous acting, everything in snake Outta Compton sucks and I hate it. #5. Norm Of The North: Keys To The Kingdom Remember that god awful polar bear movie starring Rob Schneider from a few years ago… yeah, they made four of those. Normal people would say the first Norm Of The North was the absolute bottom of the barrel, I say “No!… It’s Norm Of The North: Keys To The Kingdom,” and even more suicidal people would probably say it’s Norm Of The North: King Sized Adventure. If you thought the animation in the original was bad, you’ve seen nothing! This is so bad that I’m not even sure it should be considered animation! This is so bad that it makes Duck Duck Goose look like The Grinch! This is so bad that they couldn’t even get Rob Schneider back! The plot, it’s like this is one of those straight to DVD Disney sequels that were made up of episodes of conceled TV shows except why would anyone try to make Norm Of the FUCKING North into a TV show! But apparently it made money considering how (and I’ll repeat this again) there are four of these! Maybe the immense failure of Arctic Dogs will stop Entertainment Studios from making any more. #4. The Thinning: New World Order Speaking of sequels that’ll make the originals look like masterpieces, we’ve got Logan Paul’s magnum opus, coming straight outta that Japanese suicide forest. A film that tells you that a country made up of the smartest 95% of citizens are stupid enough to not catch on to the pretty obvious government plan going on in this universe. Even more so, apparently presidents to be are allowed to just make major laws that’ll arrest about 50% of the population before being sworn in as president. But even more so, I’m to believe that Logan Paul of all people is smart enough to escape these poorly conceived concentration camps. This is a key example of suspension of disbelief gone too far. I don’t believe for a second that this world actually could exist. And I want everyone reading this to remember The Thinning: New World Order after seeing what I put at number one that even liberals can make terrible movies too! #3. The 15:17 To Paris No shit, this is easily the worst movie I’ve ever seen in theaters. No joke, no sarcasm, the Clint Eastwood trainwreck that is The 15:17 To Paris is by far one of the worst movies of the decade… and it’s only at #3 on my bottom 10 of the year. Let me explain. Where the absolute bottom of the barrels of the year are total slogs that I wouldn’t be able to stand watching again, this is actually really fun to watch. Immediately after seeing it in theaters, I wanted to see it again just to make sure it wasn’t a fever dream. In every conversation I have, I recommend this movie because it has to be seen to be believed. Of all the films on this list, this is the only one I’d actually recommend to people. No other film has the balls to portray three normies with ADD talking as boringly as possible taking selfies in Venice for 30 minutes for no goddamn reason. In no other movie will you see a bunch of comedians try and do serious roles that they had no right being casted in. When I went back to school and brought this up with my film nerd friends, every one of them had a different story of watching this. My god, please watch The 15:17 To Paris so that we can convince Clint Eastwood into making The 15:18 To Paris. #2. Gotti Let me tell ya, Gotti is one of the wurst felms ya’ll evar see! Who in da hell convinced John Travolta that he culd do serious roles! But in all seriousness, this movie sucks. I’m not super familiar with the story of John Gotti, and by that I mean I’ve never even heard the name before seeing this film. And I’m pretty sure that to even get what’s going on in this, you’d have to see a 3 hour documentary on the guy beforehand or else you’d be incredibly confused the entire time because I know I was! Don’t even ask me what happens in Gotti because I have no clue. It goes all over the place with different characters doing different things at different points in time and eventually, I stopped paying attention! I do remember that there were about 20 characters named “John,” John Gotti only kills one guy though I’m pretty sure that as a mob boss he’d kill more, and I have no idea how this mafia makes money. Oh, and this convicted feline is apparently also Jesus Christ. I’ll tells yas, ya can live 100 yeers an neva see a moovy as bad as Gotti. Before we get to #1, let’s do some runners up!
Jurassic World: Fallen Kingdom I wanted so bad to put this on the list because as a pretty big Jurassic Park fan, I can fairly say that Fallen Kingdom is easily the worst film in the franchise. If only because of that dumb ass twist at the end with that kid I kinda forgot even existed. Or just for those annoying ass comedic reliefs that are consistently useless. Or just because on a base filmmaking level, this movie sucks. Hurricane Bianca: From Russia With Hate Listen, I’m openly and proudly bisexual, so I get how important it is to get good representation out there in the film industry. And I also get why a lot of the Ru Paul: Drag Race fandom has latched onto this series. But Jesus Christ guys, drag queens can do better and they deserve better. From Russia With Hate is definitely a step in the right direction with it being way more interesting and fun than the first Hurricane Bianca… but come on guys! These aren’t good movies! Just watch more Drag Race, it’s much better. The Happytime Murders Disney, please let Muppets Now be good! The puppetry artform deserves better than this garbage! The Happytime Murders is a movie in which half the jokes is that a puppet is jizzing a lot. Honestly, my biggest beef with this film is that it doesn’t even get to the heart of what people love about the Jim Henson style of puppetry, notably the fun. Look at most of the cast, they are very humanoid compared to Kermit The Frog or Fozzy Bear. This movie is, first and foremost, not fun. Bob Lazar: Area 51 And Flying Saucers This is my nomination for worst documentary of the year. It’s just annoying to me that this guy can get away with lying to so many people without any repercussions. In fact, he gets this whole documentary that’s basically sucking his dick the entire time! I went in expecting something along the lines of Behind The Curve, a doc that takes an even stance at looking at its crazy subject matter but in a respectful way. In reality, Area 51 And Flying Saucers isn’t even in the slightest being totally on Bob Lazar’s side without questioning his all knowing wisdom for a second and is n’t respectful in the slightest for the intelligence of its viewers! Fuck this doc! A Simple Favor This is my nomination for best worst movie of the year. A Simple Favor is a crazy film with a cast and crew taking it weirdly seriously for a comedy, all with super monotone voices. None of the actual jokes are genuinely funny but lots of them are ironically hilarious. Granted I was very high while watching this, but as far as I’m concerned, that’s the best state of mind to be in while watching it! And did I mention how nobody acts during this but rather just say their lines monotonely! Loved it! God’s Not Dead: A Light In Darkness This was the year Christian propaganda got boring. I was so excited when I went to see I Can Only Imagine in theaters as my first theatrical Christian film experience only to be totally disappointed when it turned out to be pretty dull. Even more so when, later on in the year, the newest installment in the world famous God’s Not Dead franchise, the same one that first brought upon this new age of Christian based filmmaking that’s brought me so much joy before, turned out to be similarly dull. There was a split moment when a character states, “Jesus Christ was the original social justice warrior,” when I was brought back to life with its own stupidity, but it turned out to be fleeting. Not outrageous enough to be put on the list, but too outrageous to be any good. So this is how God’s Not Dead ends: not with a bang, but with a whimper. The Meg And speaking of boring, The Meg has to be the most boring shark movie ever made. A film that feels like it lasts for days and in which no real stakes feel like are in play. This has got to be the most boring and dull and uninteresting and BORING movie of the year! And considering how boring of a year it was for film, that’s saying a goddamn lot! Mary Poppins Returns I feel like I went through an arc of my own while watching this. I went from, “this isn’t bad,” to, “okay, this is a little too much like the original,” to, “why the fuck am I watching this?” Mary Poppins Returns feels like one of the Disney live action remakes because it’s basically just a shittier version of the original with absolutely no good reason to exist let alone to watch, especially compared to said original. And the climax makes absolutely no sense with the logic of the film universe; she can literally fly! And by god, does this feel like anything but Mary Poppins. Blockers Listen, I get that this film is sex positive and that’s a really great thing and all the actors are really trying their best. But it is all in vain for this film with a really unfunny script and that’s kinda important for a comedy. Sometimes Blockers can get a chuckle out of me because of how over the top it can get at times but those are just outliers in a mostly mediocre movie that got built up too much because of how much positivity is in this. Proud Mary Proud Mary is the perfect example of a film in which just because someone can do it well, doesn’t mean everyone can. Ever since Quentin Tarantino has been making movies like Pulp Fiction and Kill Bill, throw back action films have been really cool to see. Then, all of a sudden, the director of London Has Fallen had to come around and remind everyone that they can’t all be winners. Mostly dull dialogue between characters I don’t care about waiting for the action that isn’t even all that good. I was really hopeful that Proud Mary would be fun, but it’s anything but. #1. The Trump Prophecy Listen, I get that when I say that a movie literally titled The Trump Prophecy is the worst film of the year, it comes off as if I’m making a big political statement but believe me, I am not. Politically, admittedly, I am pretty liberal but I’m not really a political dude. But I do know terrible filmmaking when I see it, and believe it or not, a film about a crazy firefighter who gets a vision in his sleep from a god orb that Donald Trump must be president might not be very good. In fact, fuck this cynical, piece of shit, taking advantage of conservatives, monotonely acted, with no love or passion put into it, goddamn movie! As much as I didn’t like any of the movies I’ve mentioned on this list, it’s clear someone, anyone, was passionate about making them. But considering how clearly the director never asked any of his actors to do a second take, no love is clearly put into this. How cynical, how shameless. As someone who does genuinely love the art of filmmaking and would adore the opportunity to make a relatively big budget movie myself, the fact that something as lifeless as The Trump Prophecy gets to be put into any theaters really pisses me off. Say what you want about The 15:17 To Paris, at least it had its heart in the right place. Say what you want about Gotti, at least John Travolta was obviously passionate about the project. This has nothing and is easily the most hatable film I’ve seen in years!
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Spider-Man: Into the Spider-Verse (semi-stream of consciousness) Thoughts Part 1: Mind = blown!
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I saw Into the Spider-Verse tonight.
SPOILERS below the cut, but the SPOILERS free tldr version is that this movie is...
·         The Marvel/superhero movie I enjoyed most this year and there were a lot of contenders
·         The most (at least spiritually) faithful Marvel/superhero movie this year
·         The best animated Marvel movie of all time, and I have seen most of them
·         The best theatrically released animated superhero movie ever exempting Batman: Mask of the Phantasm, which is equally good but in a very different way
·         The single most unique animated Marvel/DC superhero movie ever made and I mean that in a good way
·         Worth sitting through to the end of the credits for
·         A feast for the eyes
·         Side splittingly hilarious
·         Easter Egg laden for Spider-Man fans
·         The best version of Miles Morales and of his origin
·         A bazillion times superior to Spider-Man: Homecoming
·         The best Spider-Man movie released since Spider-Man 2 by Sam Raimi, which (like Mask of the Phantasm) is equally good but in a very different way because the stories and styles they are employing in telling them are chasing different things
·         A love letter to Spider-Man, Stan Lee and Steve Ditko
·         Potentially revolutionary
·         The perfect way to cap off 2018 for Spider-Man
In other words this movie comes with my most aggressively high recommendations.
I expected this movie to be a fun enough time.
I didn’t expect to love it as much as I did.
And when I say love it as much as I did I mean ‘walked out the theatre with a new entry in my top 10 favourite movies of all time’
Not top 10 comic book movies or  superhero movies.
Top 10 movie movies!
As I said this is something of a stream of consciousness and that’s partially because I do not know where to start.
I guess I should start with the things I didn’t like.
The movie ended.
There you go I’m done.
I’m dead serious maybe stuff will come to me in time but as of this writing...I have absolutely nothing negative to say.
Those of you who’ve read my thoughts on previous Spider-Man cinematic outings in recent years will no doubt be aware this is a stark contrast to my usual outlook.
Whilst the live action Spider-Man films have alternated between overhyped, overstuffed studio managed messes (Spider-Man 3) misguided and shallow retreads with talented actors and action scenes (Amazing Spider-Man 2012), raw incompetent writing and filmmaking also with good actors and action scenes (Amazing Spider-Man 2), fun and half well written movies with talented actors, okay action scenes but fundamentally broken understandings of the character (Spider-Man: Homecoming and Infinity War) or else dumb yet fun/so bad it’s good dark camp (Venom 2018), here is a humble animated movie from neither Sony’s big budget live action division nor the Marvel Studios juggernaut that just kicked all of their asses.
Hard.
...And it wasn’t even a contest....
So superlative is this Spider-Man movie some people are hailing it as simply the BEST  Spider-Man movie outright.
And whilst this is very much an unfair and unnuanced perspective that doesn’t take into account changing standards or the different goals of different movies at different times...I can also entirely understand where they are coming from.
Lets look at just one example as a microcosm of what I am talking about.
One of the most frequently incited problems with Spider-Man 3, Amazing Spider-Man 2 and the infamous (though now perhaps more fondly regarded as so bad it’s good) Batman and Robin.
Too many villains.
Each of those movies boasts 3 villains and this was attributed as a major reason for Spider-Man 3’s critical failure as well as ASM 2’s, both killing their respective versions of a Spider-Man film franchise. Batman and Robin of course killed the Batman film franchise for 8 whole years.
This failures served to insist a conventional wisedom within comic book/film fans and to a lesser extent the film makers that too many villains can lead to disaster. Whilst success stories exist it is still something regarded as best avoided. Spider-Man: Homecoming somewhat subverted this by featuring 3-4 villains but one of those was a replacement for the other (and served as a sub-boss) whilst yet another was ostensibly a background player.
In what surely breaks a record for a Spider-Man or an MCU movie, Spider-Verse boasts both six protagonists AND villains.
And they all work. Everything is organic.
Yes some villains take more emphasis than others but the context allows this to gel together and by the end of it, especially if you are a Spider-Man comic book fan, you do have to gaze in wonder at the fact that you are in truth watching a single movie giving several minutes of screentime to:
·         Kingpin
·         Prowler
·         Doctor Octopus
·         Green Goblin
·         Tombstone
·         And Scorpion
Oh and cameos from the Lizard and another Doctor Octopus!
That shouldn’t be possible!
I need to stress, these are not blink and you’ll miss them references. All of those characters get multiple scenes or else and extended scene of screentime!
And it goes this whilst ALSO featuring six main protagonists and at least four supporting characters!
Holy shit how did the film makers pull this off?
Well I can summise it via two ways:
a)      They know how to balance things out by giving certain characters more emphasis than others. That is to say that whilst this is an ensemble film, Miles and Kingpin are the PRIMARY hero and villain respectively even if they are not the main ones in the way they would be if this was a solo story
b)      It’s an animated movie.
 What do I mean by that?
Well I’ve recently come up with a little theory.
Animated film making and live action film making, whilst obviously having a lot in common, differ in critical ways.
Both are of course incredibly expensive and time consuming but if you really break it down, generating five minutes of footage for a live action movie is in general actually going to be comparatively easier than for an animated movie.
One of the key factors in this is the fact that live action movies have the luxury of multiple takes allowing film makers to select the best shots and takes to use in the final product.
They have in other words much more options than animated film makers. Scenes might be cut from an animated movie but typically there are not outright alternate animated scenes available.
What does this mean?
It means in short animated film makers need to make damn sure the writing for the movie is as polished as possible before they start animating anything.
And this is why, to be as brutal and blunt as possible, 90% of the time animated movies are honestly better written than their live action competition.
Look me dead in my metaphorical eye, put your hand on your heart and swear on your life that most Pixar movies, most Renaissance era Disney classics (Lion King, Beauty and the Beast, Aladdin, etc) and most modern Disney animated films are not in fact better crafted in their writing than the majority of the movies released those same years.
Often I think people praise the writing of animated fare almost to be hip or alternative. Like this thing for kids is actually better than this thing for adults, isn’t that funny, doesn’t that say so much about the sorry state of ‘adult’ entertainment?
The thing is it’s actually just common practice and entirely practical. An animated film is in many ways more costly and labour intensive than live action ones and since most of them are aimed at families more work is put into them in order to entertain multiple audiences with very different sensibilities.
And that is how we arrived at a Spider-Man film that has more heroes and villains in it than possibly any theatrical superhero movie and ice skated through it.
That is how we have a Spider-Man film that in absolute sincerity challenges 3 MCU movies AND Deadpool to the crown of best comic book movie of the year!
THAT is how we wound up with a Spider-Man film that is better than every live action Spider-Man film since 2004!!!!!!!!!!!!!!!
We got to this point precisely BECAUSE it was animated and aimed at kids AND adults.
I will write more on this movie I promise but I need to go to bed dammit!
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Watamote Review: (Oh, The Cringe)
"Beware that, when fighting cringe, you yourself do not become a cringe lord yourself.. for when you gaze long into the abyss. The abyss gazes also into you." - Friedrich Nietzsche: 1886 -(Probably) -(Don't Google it)
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 Hello there, everybody. My name is JoyofCrimeArt, and the word "cringe" is definitely thrown around a lot these days, to the point where some say that the word is starting to lose all meaning. "Oh, you like some band or movie that I don't like? That's so cringe, lol." No, Damn it! I'm sick of all of it! I'm looking for true, unadulterated cringe, in it's purest form! The type of cringe that makes you unsure if you should laugh or cry. The type of cringe that makes you question if our species evolutionary process is going backwards or forwards. That is why I am on a quest to find this cringe, for the good of science! So today in my journey to find the most cringe thing ever created (other than myself, obviously) we will be diving head first into the deep end of the cringe pool, as we head to Japan once again to talk about the 2013 anime series Watamote. https://www.youtube.com/watch?v=PWOTQRduHeA
(Yes, I'm using the ending credit song here. I know people love the shows opening, and while I think that the song on it's own isn't that bad and the visuals are really nice, the heavy metal doesn't really match the show in my opinion. Couple with the clever lyrics here, I find this song a better representation of the show, and much catchier.)   Watamote (Aka: No Matter How I Look at It, It’s You Guys' Fault I’m Not Popular! Aka: No Matter How I Look at It, This Series Really Needs a Shorter Title.) is a twelve episode anime series based off of the manga by the same name written by two writers who both go by the pen name Nico Tanigawa. The series follows the misadventures of main protagonist Tomoko Kuroki, a very socially backwards teenage girl who's about to enter her first year of high school. Being unpopular in middle school, Tomoko decides that high school is going to be a fresh start for her, as she decides that she will not only become the most popular girl in school, but will also get a boyfriend as well. Things do not turn out that way and hijinks ensue. Seems like a fairly standard, if not somewhat bland premise, right? Well you might assume that at first, but what if I were to tell you that this show handles the subject in such a unique and creative way, that it was actually able to became one of my personal favorite animated series of the decade so far? Why is that, you ask? Well, let's dive in and find out.  Let's start by talking about our main character, Tomoko Kuroki. Tomoko is a first year high school student who dreams of becoming popular and getting a boyfriend. However, there are two big things that makes this hard for her. The first thing is that she is not a very friendly person. She's bitter, cynical, and even a bit demented at points. She has her soft moments, but in general she tends to assume the worst in almost anybody, and holds a lot of resentment for people who are more socially skilled than she is. The second thing is that Tomoko is HEAVILY implied to suffers from a surprisingly fairly realistic depiction of social anxiety disorder. At the start of the series Tomoko is completely unable to talk to anybody outside of her own family. These two facts, particularly the latter, are what makes Tomoko's goal of becoming the most popular girl in school such an enormous challenge, and Tomoko trying to break out of her shell serves as the main arc of the series. Social anxiety disorder is not a topic that I've seen covered very much in other forms of media, and I can't think of any other series that covers it in the way Watamote does. But I'll get to that a bit later.  There are some other side characters, but honestly there aren't that many. There's Tomoko's younger and stoic brother Tomoki, who has to put up with Tomoko's annoying antics. There's also Yu, Tomoko's only friend from middle school who now goes to a separate high school. While she too was unpopular in middle school, unlike Tomoko she actually was able to reinvent herself when she entered high school by dying her hair blond and hiding her love of anime. She acts as a good contrast to Tomoko as a reflection of what Tomoko wants to be. There's also one other character who comes in near the end of the series, but I can't really talk about her to much without getting into mild spoiler territory. All of these characters are good in there own right, but other then them the show is mostly about Tomoko. This is clever as by keeping the cast of side characters small, it helps drive the point home about how lonely she really is due to her social anxiety. Resulting in about eighty five to ninety percent of the shows "dialogue" to actually be Tomoko's internal dialogue, as she talks to herself about whatever situation she is in. I've never seen a show do something like this before and it's really an interesting thing to do. It ties the audience much more into Tomoko's struggle by truly making the series her story, and her's alone. However, this means that the entire series does rely on you liking Tomoko as a character. If you don't than there isn't much else to latch on to.    Episodes of the show are pretty formulaic. They almost always center around either Tomoko coming up with some kind of hare brain scheme to get more popular or involve her being forced to act in some kind of social situation. Often times the plots do not act as much of a "linear plot" as much as a series of short vignettes that center around a theme. Like episodes four, where the plot is that "it's raining" and we get several different segments of Tomoko doing stuff while it's raining. Or episode seven, where the whole plot is just Tomoko doing several things during her summer break. It's a pretty unique format that I haven't seen many other times before and makes the episodes feel less like a coherent stories and more like just moments of Tomoko's life. I really enjoy this way of storytelling, as it makes the stories seem a lot smaller. That might sound like a bad thing, but I think it helps ground the world and the characters, and makes it feel more relatable. It makes the stories feel like something that could actually happen in real life.  Now despite how depressing this show might sound from my description of it, it is still a comedy. It's just that it's a very dark comedy. Most of the jokes in the series coming from Tomoko's failure to understand the way that people are suppose to act socially, or the leaps in logic she makes when it comes to her schemes to become more popular. This often results in what is known as "cringe comedy" or as what I like to call it "Oh God, please stop." comedy. This is a style of humor that this show has perfected to a t. Every situation that Tomoko finds herself in is uncomfortable to watch, in the best of way. It's actually a great show to watch if you are socially awkward, cause then you can say, "Well hey, at least I'm not THAT bad." Unless of course you are that bad, in which case you really need to question your life decisions.
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THIS IS THE STUFF WE'RE DEALING WITH, PEOPLE!  Tomoko's plans are always doomed from the start, to the point where failure is an inevitability. This actually provides an interesting viewing experience in a strange kind of way. Most of the time in good stories a character will think of a plan that is just crazy enough to work. You as the viewer will be unsure of whether or not the characters plan will work or not and that's how the series builds suspense. But Watamote's plot structure doesn't work like that. The plots of Watamote function less like conventional stories and more like a car driving into a brick wall. What I mean by this is that whenever Tomoko comes up with any kind of plan to become popular you know form the very beginning that it's going to fail. The schemes are so disconnected from any kind of reality that it's obvious to anyone who isn't Tomoko that the plan won't work. An example of this in the episode six where she tries to become more attractive by playing dating sims game, due to the fact that she believed that by being aroused by these games, her body would create more feminine hormones, and those hormones would make her more attractive. And that's not even her dumbest plan she has in this series! You know from the start that this plan makes absolutely no Goddamn sense, but then you have to sit there for the next six to ten minutes and watch it fail. You have to watch the metaphorical car crash unfold. The show definitely has a niche style of humor that won't be for everyone, but I personally can't get enough of it.  Now, while the show has gotten mixed to positive reviews from fans and critics, those who do dislike the show site a major problem with the series being how it deals with the topic of social anxiety. Many say that the show does not tackle the topic with much tack or grace, as the series is basically about laughing at how miserable Tomoko is because of her illness. Not to mention the fact that pretty much no adult in the series tries in anyway to actually help Tomoko through her problem. Not even her parents. Many argue that this show is taking the subject to lightly. Honestly though, I disagree with this analysis, and honestly I have no idea where they would get this idea from.
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Oh, Tomoko! You're so CRAY CRAY! Ha Ha! You see, it's funny because social anxiety is hilarious!  Okay, in all seriousness, I can get that complaint. Heck, now that I think about it, I honestly don't think this story would have been able to air if it came out in America due to the way it handles the issue. So the question becomes "is this show offensive to people with social anxiety disorder"? Well, I don't think so. The show does play a lot of the social anxiety stuff for laughs, but it is also played for drama as well. Tomoko's whole character arc is about her learning to cope with her condition while also trying to conquer it. And while I don't have social anxiety disorder (Though I am EXTREMELY introverted, so take of that what you will.) I think that the story would be very inspiring for someone who does have it. Watamote is a lot like an TV-MA rated version of the comic strip Peanuts, (hear me out, here!) Like Charlie Brown Tomoko is a character that the world is just out to get. She tries her hardest, but from the very beginning we know that failure is inevitable. But Tomoko never stops trying. And when she does have even the smallest of victories it feels all the more satisfying. Because Tomoko does change over the course of the twelve episodes. The change is very gradual, but as the series goes on she does become more and more confident speaking around other people, and it feels like a real accomplishments, even though it's clear at the end of the series that she still has quite a way to go. Even her motivations change over the course of the series, going from "Wanting to be the most popular girl in school and having a boyfriend" to "Just wanting a boyfriend" to "Just wanting to have a friend." It shows the struggles that comes with anxiety, but it also shows that with hard work you can rise above it, even if it's only one step at a time. For a comedy driven show it actually has a lot of heart behind it. And it's this heart that I think keeps the show from being just a show that uses social anxiety as a punchline, into a series that really treats the issue with the respect it should be treated with, albeit in a comedic way.
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 The show treads a careful line into dipping into "torture porn" territory (Which, for anyone who is not aware, is a term often used to describe a show that features one character suffering over and over again for no good reason. BTDubz, we also learn is one of Tomoko's kinks.) What I mean is that as an audience member you want to watch the main character succeed in there endeavors. However, Tomoko fails ninety nine percent of the time. The series could easily dip to far and end up becoming too depressing and mean spirited. But luckily there able to carefully avoid this my making almost of Tomoko's suffering is caused by internal forces, not external. No one actually bullies Tomoko for her condition, or anything. it just that most people don't know she exists. If Tomoko could actually just talk to someone instead of overthinking things she wouldn't have a problem making friends at all. This stops the series from coming across as overly mean spirited. Because it is Tomoko, or more specifically her condition, that makes her life hard. Not anyone or anything else. Tomoko life is separated from all of her peers, and the show cleverly illustrates this by having a lot of the background characters being drawn without faces. Because, to Tomoko, there just a faceless mob. That and it probably helps cut cost on the character design budget-
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 Also, the fact that Tomoko is such a jerky character also helps the series feel less like a torture porn. Cause while obviously you don't want Tomoko to suffer, it is a lot easier to watch a lovable jerk suffer compared to someone who did nothing wrong. I mean seriously, look at the way Tomoko talks about her only friend Yuu in her internal monologue!
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She's such a jerk!  But because we know what she goes through it stops her from becoming to unlikeable...For the most part.  That leads me into some of the flaws with the show. While I do really love this show a lot, I believe that everything has pros and cons to it, and it deserves to be talked about. Just keep in mind though that many of these flaws are kinda nitpicks, that don't distract too much from the series as a whole.  Sometimes Tomoko can come across as to mean spirited and unlikeable. The bit before the train scene in episode four is probably the worst of it, though there at least she does learn that she was wrong. The show also has a tendency to reuse music from previous episodes, which while not that bad does get fairly noticeable as the series goes on. The series also has a lot of references to both Japanese pop cultural references and references and Japaness culture in general. For some reason a lot of the Japanese brand names or anime series that are names dropped in the series are censored out in the sub? It's weird because there not removed like they are in the dub, but they'll have one or two letters blocked out. I don't get the point. But yeah, a lot of those jokes went over my head, and would probably work better if I knew more about day to day life of a Japanese youth.  Also the ending of the series is kinda lackluster. I'm not going to go into spoilers, but Watamote is based off of a manga. A manga that is still running today, so they didn't really have an ending they could adapt. And it's kinda clear from the feeling of the finale that the people behind the anime didn't really know what to do when they got to the end of there twelve episode run. The finale isn't really that bad to be completely honest, but it does feel like a very abrupt end written by people who where just kinda guessing what the ending of the manga might end up being like.  Also, while I don't see this as a flaw, this show will not be everybody. This show will make you feel uncomfortable. A lot of scenes are really hard to watch, just due to how intentionally awkward they are. I kept out A LOT of the really cringy moments from the show out of the review as not to spoil them, but trust me. It gets truly hard to watch at some points. This is Butch Hartman's YouTube channel levels of cringe! (Okay, that's a lie, nothing is that cringe. Sorry Watamote.) It's both the shows greatest strength and greatest weakness. The humor is both very unique but also very niche, which is why while this show was fairly successful when it came out, I would find very few people other than myself who would call it one of there favorite anime series.  Now, it's time to talk about the age old debate. How should you watch the series, Dubbed or Subbed? Well, honestly, I don't really care. It's your life man, As long as you're not hurting anybody what do I care? But if you wanted my opinion, I'd be happy to share it with you! Since most of the lines come from Tomoko she'll be the big deciding factor. For the sub we have the performance of Izumi Kitta. Ms. Kitta nails the role of Tomoko in my personal opinion. She has such a meek and high pitched voice that it really sells the emotional scenes in the series. When Tomoko is forced to talk to someone in the sub her voice is at a near inaudible whisper, which really does help give you the sense that Tomoko is truly unable to communicate with most people. In the dub Tomoko is played by voice acting legend Monica Rial. Her take on Tomoko's voice is less cutesy and is a lot more nasally, which does work as an interpretation. She captures the comedy moments really well too. However, I feel like she isn't as good at capturing the moments of anxiety as well as Kitta, and due to Kitta managing to pull of the comedic and the touching side I think her take is the better version.  No offence to Monica Rial though. I do love the fact that her version of Tomoko sounds like a cross between Renge from Ouran High School Host Club  (Who she also voices in the dub) and Peridot from Steven Universe. THAT'S A MATCH MADE IN HEAVEN I TELLS' YA!
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 So in the end, should you watch Watamote? Well, I think it depends on who you are. The series won't be for everyone. It's brand of humor is very unique, and will likely turn a lot of people off. But I think if you're the type of person who likes weird, uncomfortable humor they'll be something for you here. ESPECIALLY if you're shy or introverted. There will definitely be a part of you who will be able to relate to the show, even if you're not exactly proud that you related to it. The series is also only twelve episodes, so it isn't that much of a commitment. It's really a shame that it's only twelve episodes though, as they only ended up adapting about three and a half volumes out of the still ongoing ten volume run. They could of done more if they wanted too. But then again, leave them wanting more as they say. (That way you can force them to buy your manga set...) The series can be found subbed on Crunchyroll for free, or on Hulu if you already have an account. Unfortunately the only way to find the series dubbed legally is on DVD or blu-ray sets, and those are about thirty bucks on Amazon here in the US. However, depending on your financial situation it may just be worth it...(But God knows I don't have that kind of money!) If this review got you at all interested consider checking the series out.  So that's my review of the anime series Watamote. What do you think of the series? Which moment was the hardest to watch for you? Tell me all that in the comments down bellow. I'd love to start a conversation, even if you don't necessarily agree with all of the points I've made. Please fav, follow, and comment if you liked this review, or if you have any suggestions for any other reviews in the future. Have a great day. (Interesting fact. Whenever I'm at work during my lunch break at work I will either go to the bookstore that's right by my work establishment or I'll just sit in the break room reading my volumes of  Watamote mangas by myself while trying to make it so my co-workers can't see what I am reading. THIS SHOW IS SO ME AND THAT'S NOT A GOOD THING-) (I do not own any of the images or videos in this review all credit goes to there original owners.)
https://www.deviantart.com/joyofcrimeart/journal/Watamote-REVIEW-Oh-the-Cringe-698766244 DA Link
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minaminokyoko · 5 years
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Avengers Endgame: A (Late, Incredibly Long) Spoilertastic Review
Well, it’s done.
I did it. We did it. We all watched the original lineup of Avengers’ stories come to its end.
So what did I think?
It was phenomenal. A worthy ending to a more than worthy series of films and stories.
There are just so many things to go over and so many points to hit that I have to warn you this review is likely going to be just as long as Endgame’s running time, so strap in.
Overall Grade: A-
Naturally, spoilers below.
I’m taking a note from a friend of mine and have decided that due to the film’s epic length and its history, the best way to tackle my reactions is first per character, and then I can evaluate things like plot and story and action. Just a heads’ up. So here we go.
Tony
Christ. I…wow, where do I even start?
There’s just so much to talk about with this movie and the arc that Tony Stark has been fulfilling since his first film. I almost don’t know how I can even put into words what I feel for this character. Tony came to us as this swaggering, arrogant diva, and yet the first Iron Man breaks him down to his core character. Tony Stark is a man with everything and nothing. He has the looks, the intelligence, and the resources to have everything a person could want, and yet he has no family and no deep connections with others aside from Rhodey and Pepper when it all starts. The core of the MCU was very cleverly built around the theme of Tony’s heart, and that’s perhaps why so many of us are devastated to know his fate. We all saw it coming. There was sadly no other way Tony’s story would pan out if we wanted to stick to his full arc. Tony could not rest until he knew the universe would be safe, and he made sure it would be before he left us. His legacy is incredible. It’s so…hell, to use a bad pun, heartwarming.
I guess the best thing to do in order for me to not just recap every amazing thing he’s done since Iron Man is to recap moments in Endgame for Tony that leapt out at me as exceptional:
-The intro with Tony playing paper football with Nebula. Stab me in the heart. That was so cute. It’s so very like Tony to try and keep her strong and keep her spirits up when they were literally staring death in the face. It was unexpectedly adorable, and even without us having seen the days they spent together, you could tell that Tony treated her in a mature-ish fashion and that’s why Nebula appeared to be affectionate, or at the very least, respectful towards him when she is usually very distant. You could tell they totally depended on each other and it was an important partnership. I was very, very touched when she scooped him up and put him in the seat when they were approaching their final day together. It’s such a powerful thing to see how far Tony has come, through the lens of Nebula showing such compassion for him even in such a short amount of time. I love how the Russos are so good at conveying thoughts and emotions and story without saying it outright. It’s an amazing skill in filmmaking.
-Tony’s arrival back to earth, and his confrontation with the Avengers. Ow, ow, ow, ow, ow. My fucking feelings, y’all. Christ. I mean, the Russos already know how to gut-punch you and then kick you when you’re down, but Tony’s complete and utter break down still hurts like a mother. It’s just so raw and emotional, and it should be that way after a loss on this kind of scale. What really tipped me over into choking down frustrated tears was that Tony just looks at Cap desperately when he stumbles off that ship and says in this broken voice, “I lost the kid.” He can’t even bear to say Peter Parker’s name. The shame and loss and guilt is too much for him to say his little Spider Son’s name. Oh, fuck you, Russo brothers.
And then the team being in utter shambles over losing to Thanos, all of them just barely holding it together, and then Tony just shatters. He’s home and he’s with family, but he can’t get over this kind of failure. What really tears it is him going after Steve so viciously, and it’s so complex. He’s angry at himself, and he chooses to direct that anger at Cap because we all know Tony took it as a personal loss, as all of them did, that he couldn’t stop Thanos even though he literally gave it everything. He gave every last bit, every last drop, of effort, and he couldn’t stop Thanos. It just hurts. And the resentment that was already between Cap and Tony after Civil War is still clearly there, so the entire scene is just like being dragged naked over broken glass. RDJ and Evans’ acting here is some of the best of the entire series in this scene. It sets the stage and reminds us of the stakes amazingly well.
-Tony’s post Snap life, and his interactions with his family. All of us Tony stans called it that Tony would be a phenomenal father. He’s already shown us that he can be the right amount of strict and caring, and everything with Morgan is exactly what I dreamt it would be. I could rewatch the scenes with Tony and Morgan a thousand times. People can shit on Tony all they want and I will never listen to them, because it’s so apparent how much and how deeply he cares in scenes like this. Where he confronts Pepper after he figures out the time heist equation. Years ago, Tony may have lied to her or made a decision without consulting her, but Tony has grown as a person and he approaches his wife with one of the most important things he will ever do in his life and he asks for her opinion before he does anything. It’s such a good comparison to how he used to be. Tony’s heart is so huge in this whole sequence. It’s such a good representation of his internal battle between doing what is right for everyone and doing what is right for him.
-Tony and Cap’s reconciliation. Oh, my heart. I love how Tony approaches it in such a Tony sort of way, forgiving Cap and agreeing to move past their resentment for what happened in Civil War. I like that it was done in a brisk sort of way, and that a lot of the power in the scene comes from RDJ and Evans’ facial expressions. Really, these two act off of each other so well that part of why we’re all crying so hard about this movie is the horrible knowledge that we don’t get to see them act opposite each other in this context. I pray they stay friends in real life, and I would love to see them reunited on screen someday. It’s such a great relationship and it’s at the core of why this is such a great film series.
-The New York heist. Oh God. I can’t wait for them to tell us if the comment about Cap’s ass was in the script or if it was an improvised line by RDJ or Paul Rudd. It is by far one of the funniest things ever to happen in the MCU. Dear God, I was howling. The best part is that during the premiere we were all laughing so hard that I missed Cap’s initial reply, which was, “No one’s asking you to look, Tony.” Christ, I can’t deal. I know it’s straight up Stony pandering but I don’t give a fuck, it was hilarious. And it’s a very meta joke since Chris Evans’ gorgeous, flawless body is a meme thanks to his Dorito proportions (if you haven’t seen that yet, oh god, please look it up) and the fact that he has an absolutely phenomenal ass, especially for a white guy from Boston. Anyway, Tony and Scott’s whole interaction was perfect, and I loved how the scene went and how it led into the next one.
-The army base heist. Tony running into his father was such a good twist. I absolutely did not see that coming, but it was a really welcome conversation to give Tony closure. He’s felt so guilty for how he left things with them, and it was so touching to see him get a second chance at it, even if Howard was none the wiser. I really hadn’t expected anything like that, but it worked well with Tony’s arc and I thought it was very sweet.
-Tony’s reaction to seeing his baby boy, his little Spider Son, running up to him. My God. This was everything. I am a hardcore supporter of the Iron Dad and Spider Son dynamic, and this was the reunion I so sorely needed after the sick, demented, painful scene that was the final moments in Infinity War. Like the rest of you, the level of trauma that hit me when Peter Parker died is just…hell, infinite. The pain was just infinite. I both love and hate Tom Holland and RDJ for doing that shit to us. I did not know I could cry that hard about a fictional character, but I openly wept to the point of sobbing when Peter Parker died in IW, and to see him back in this scene was so wonderful. In my second viewing, the audience actually clapped when Peter swung through the portal, and that was quite sweet for me to experience. But back to the point: once again, I have to simply compliment RDJ’s acting. This is why we love him so much. It’s not even about the big, loud moments. His acting is so precise that the flurry of emotional expressions that Tony went through when his tiny son helped him up and started excitedly babbling to him about being dead, of all things, and then Tony just doesn’t even interrupt him, he just walks forward and pulls that little boy into his arms and holds him tightly in a hug and it’s just…wow. This is some spectacular acting on both their parts, and it heals a really wounded part of my heart, even though the next scene I talk about just breaks it all over again. Plus, at the time I wrote this review, the Spider-Man: Far From Home full trailer just dropped and (SPOILER ALERT) the opening scene is Peter Parker and Happy mourning Tony and I just feel like someone hammered a stake into my chest. This scene is so fantastic. It’s just another reminder of how damn much Tony Stark cares about the people around him and that he has an actual family now, and that’s why the next scene is possibly the saddest one of all.
-Tony’s death. Like Loki’s untimely demise, I knew this was coming from years and years of being a writer. Based on the track for his character arc and because RDJ announced this is his final official performance as the character, I knew Tony was going to die. There was no way around it. His determination to save everyone and correct the wrong done to the universe by Thanos would drive him past his limits and cause him to sacrifice it all. It’s just…man. I wish it had ended differently for him. Anyone who follows me on Tumblr knows that I tag all Iron Man posts with “we stan Tony Stark in this house” and that is how I feel. While Tony is not my favorite Avenger, I will stand up for him all day, err day. Tony Stark is the epitome of the human spirit, and in a different way than Cap, if you ask me. Tony is all of the dark and seedy parts, but also the defiance and the self-deprecation and the obsession and the power of the human spirit. He has so many vices and yet so many virtues. He cares to a fault. He blames himself to a fault. He has come so far after that brutal conversation in Avengers when Cap accuses him of not being the man to lay down on the razor wire and let the other guy crawl over you. He made the ultimate sacrifice play. As much as I reject the idea, we all knew it had to be him. It had to be. Because at the end of the day, Tony’s need to make his family safe was more precious to him than his own life. He gave up a future with his loved ones to make sure Thanos could never hurt them again. And all of it was capped off with a line that will probably haunt me forever, of Pepper’s soft, forgiving goodbye, “You can rest.”
-Tony’s farewell message to his family. Want to know something crazy? I cried so hard at the premiere. So hard. I was almost dry heaving with how hard I cried at Tony’s funeral. But then I had a week of time and I saw it again this past Sunday. I was choked up during his death but I didn’t shed actual tears this time until “I love you 3000.” Somehow, it didn’t hit me until the second time how they filmed Tony’s goodbye to us. They shot it in such a way that as he leans down to turn off the recording, he’s actually looking at us. Not directly into the camera, but so close to it that it finally hit me that this was RDJ’s goodbye and thank you to the fans. It was so touching and sincere that I finally broke down and actually cried again. What truly hurts is knowing that his loved ones have to be without him, and even though his sacrifice means everything, he is going to leave behind such a void. Even with his problems and his flaws, Tony was a damn good man and he was the right choice to begin this epic series. I can’t express how much I am going to miss him and how much I am going to miss RDJ in this shared universe. He’s so charismatic and wonderful and complex. It was not only a comeback for Tony Stark, but a comeback for a very troubled man, and it’s come full circle that Tony had a loving family just as RDJ has a loving family after his checkered past. To be honest, I’m likely going to do as I did for Loki and have a cutoff point in my brain for the MCU, where I don’t accept what happened because it’s too painful. I just pretend that nothing happened after that hug with Peter Parker and they all won the day and no one died. That’s just how it’s gotta be for me to survive a post Endgame world.
Thank you, Tony. You gave everything. I love you now and always.
Thor
-Thor executing Thanos. Standing. Fucking. Ovation. Right, so, I know that Thor probably should not have outright killed Thanos before they had more information, but at the same time, there was nothing more to get out of that son of a bitch and I clapped when Thor swung Stormbreaker and lopped that mo’fo’s head clean off, and I flipped off Thanos’ corpse with both fingers. Good boy. He told you he’d kill you, and he killed you, you sorry bastard. A+++
-Thor’s depression and weight gain. Alright. *rolls up sleeves* Time to make some enemies. I think Fat!Thor is a great idea, but the execution could have been done better. I recognize writing tricks when I see them, and Fat!Thor seems to be two ideas in one, and one of them is what is bothering the semi-reasonable part of the fandom. What I’ll do is explain my take on both parts of the overall idea.
(1) Thor’s depression at his failure (at the time) to reverse the Snap and save everyone is 100% accurate, in character, and is damn good writing. Thor has never actually full-on failed at anything in his life. The closest he has come is between being cast out in the first Thor movie for being irrational and cruel, and in Ragnarok where he had to let Surtur destroy Asgard in order to save his people. Even then, Thor lost battles, not the overall war. Therefore, Thor does not understand how to process failure. Yes, he also failed to save his mother, but at the same time, it’s not a failure on this level. He lost Frigga, Loki, the Warriors Three, and Heimdall, but this was literally trillions of lives that he feels were weighed on his shoulders, and his shoulders alone, even though as Rocket pointed out, losing the war was the fault of a LOT of people, not just Thor (and not Starlord either, you bunch of whiny hypocrites in the fandom, ugh). So becoming an alcoholic and giving up on his life as a hero is definitely how Thor would handle things. Think about it. He no longer has any guidance from his family, or his best friend, since they died. All he has is his Avengers family and Valkyrie. I’m sure the Avengers tried to talk him out of it to no avail, and that’s a really sad thing to know, that they couldn’t get him out of his depression spiral, so they let him wallow in it. As for Valkyrie, she’s still just barely recovered from her own trauma, and I am sure she probably tried to snap him out of it too, but he was too stubborn to listen. What I like about this point for his character is that Thor is right—he has always been expected to be “worthy” and to be the savior. Thor is the big gun on the team alongside the Hulk. He has always been the bravest, the noblest, and the most powerful person on the team, and he is expected as a king to win the day every time. But he lost. And he can’t reconcile it since he has always triumphed in the end. So it’s very understandable for him to lose control and just want to have nothing to do with the hero business, because if you fail once, you can fail again, and he couldn’t bear the thought of failing again, not after it cost him literally everything.
(2) Fat!Thor was an easy source of cheap laughs to keep the mood from getting too dark considering the subject matter handled in this movie. I am of two minds about this issue. On the one hand, I can see why certain people feel that this is fat shaming. It is. But the problem stems from the fact that the fat shaming is still a large part of American culture, and people have not broken the bad habit yet, and so it gets shifted into the easy laughs category. The easy laughs are for the Average Joe viewer. It’s for people who aren’t as conscious of how it sounds to mock him for his weight gain who are just used to “ha ha, fat person jokes.” Some fans felt uncomfortable that he was the butt of a few jokes because a lot of us who suffer from depression know that this is in fact a side effect. When you’re depressed, it’s easy to stress eat and overeat, and you lean heavily towards comfort foods that cause you to gain weight, and your depression makes you tired, so you also don’t exercise and that’s how you can end up overweight. On the other hand, while I agree with these folks about not liking the fat jokes, I also think it was necessary to show a character we all admire falling into the same pitfalls that we as mere Midgardians deal with on a daily basis. I don’t like the jokes, but I do like Fat!Thor’s inclusion in this story because people need to realize what depression does to a person. It shouldn’t have been handled this way, but from a strictly observer perspective, I understand why they went for the low hanging fruit. People needed to laugh since Endgame has very, very dark elements to it. I would have preferred they approach his weight gain in a more dignified fashion, but not every part of this movie was written for me and I sadly have to accept it. That’s my feelings on it.
-Thor’s encounter with Frigga on Asgard. I. FREAKING. LOVE. THIS. I did not see it coming, and I love it with every fiber of my being. This is such a heartwarming scene. I want to rewatch it a thousand times. I love Frigga immediately knowing what’s up (she’s not stupid and of course she noticed and it’s everything to me) and I love that she can clearly see how distraught her beautiful son has become. I love Thor having a panic attack, because that’s extremely realistic after he’s gone so long not having done any hero work, per se, and having to face his previous failed relationship with Jane, and with facing the day his mother died again. It’s really compelling writing. Frigga’s gentle reassurance is exactly what he needed, and it’s exactly what we needed to see him go through. He had to let go of the expectations piled upon him and accept himself for who he is, not who he needs to be as a warrior king and an Avenger. While I do wish they had gone on to show us a little more of who he considers himself to be instead of who he is supposed to be, I am really excited to hear Chris Hemsworth is one of the Avengers who has chosen to stay past the end of Phase Three. He’s young and funny and vibrant and I think Thor is his best role of his career anyhow (no offense meant, Hems, if you ever read this, you handsome golden retriever, you). I think exploring Thor’s personal goals and future will be very interesting.
-Thor’s reaction to Natasha’s death. This is a very small moment, but I actually like it a lot. I like that Thor’s optimism here is a form of denial. I like it because there are certain Avengers who despite the 11 year saga have not interacted with each other much, and Thor and Nat are probably my leading example. When it hit him that they couldn’t use the time stone to bring her back, the loss and devastation on his face almost made up for the fact that Thor and Nat have almost no lines with each other in the film series. I like it because it hurts and because it shows that she does matter to him, even though they don’t interact. It’s a nice detail to include since I was often a little sad I never got to see these two have dialogues. I personally have even written a bit of fanfiction about what their relationship could have been like, and I think it could have been sort of brother-sisterly. It’s a shame we won’t get to see it, but I like that it is given attention here at last.
-Thor wanting to undo the Snap. Yes. This is a very good character beat for him. Again, I agree it’s annoying he ends up getting another fat joke thrown at him (nice work, Rhodey, sheesh, it’s not like the poor guy was traumatized or anything), I like that Tony talks him down. I like that Tony doesn’t think he can’t do it, he’s worried that Thor is in so much pain that he shouldn’t try to make such a rash decision that could cost him his life. Tony seemed dismissive, but I think he was trying to protect his friend more than anything else. I think Tony also knew that it would be rough if Thor either died or became permanently crippled by undoing the Snap. Being able to fight is extremely important to Thor, even with his depression, because Thor is essentially a space Viking. It shows that Tony is aware that Thor’s not just bumbling around as a chubby drunk, but he’s legitimately in pain and he needs to take things slower.
-Thor giving Valkyrie the throne. First off, I need to sling salt at the freaking part of the Thorkyrie fandom that is somehow complaining about this scene. Are you kidding me? What movie did you watch? This is the ultimate freaking Thorkyrie scene, you bunch of whiny nincompoops! Thor literally gave Valkyrie the throne because she is so smart, powerful, and kind that he trusted her to take care of the people he loves with all his heart. The amount of trust and respect that is in this scene makes me want to just squeal for hours. I can’t handle how affectionate and reverent Thor is as he gives Valkyrie the throne. I love the long gaze they share. I love the handshake. I love that Val asks when she’ll see him again. I love that Thor has faith in her and how she will lead his people. Anyone bitching that this is an anti-Thorkyrie scene did not see the same movie we did, and you can all piss off. I love this scene to my core. I love seeing Valkyrie being assured to be a relevant part of Thor’s story and that it likely means Tessa Thompson is going to join us again for either Thor 4 or Guardians of the Galaxy 3. I am a giant freaking fan of her character and I can’t scream “SIGN ME THE FUCK UP” loud enough for her to be in future films with him, and with the MCU in general. I hope she signed a three movie deal or more. That would be amazing. But anyway, my point is, this scene is fantastic and I will be rewinding it a lot when this movie gets to DVD. Nothing makes me happier than Thor shooting heart-eyes at Val, and he was shooting them so hard in this scene that he even took his sunglasses off. God bless this scene.
-Asgardians of the Galaxy. I DON’T KNOW WHAT IS GOING TO HAPPEN WITH THIS BUT I LOVE IT WITH MY ENTIRE FUCKING SOUL YOU GUYS. Everything about Thor hanging out with the Guardians makes me so incredibly happy. I can’t wait for shenanigans. I would assume the plot of the next one is finding Gamora and bringing her home and re-teaching her about her family and falling in love with Quill again, but who knows what wackiness awaits us? I can’t deal with Thor being a little shit to Quill. I could see his Hemsworth peeking through, and I am here for it. Half the reason we all love Thor as much as we do is that Taika was one of the first people to suggest letting Hems be more like himself, and Chris Hemsworth is basically a giant, hilarious puppy, and it really made Thor more fun and likable. Don’t get me wrong—I loved my noble prince, but he was still a big golden retriever even when he was more Shakespearean and all they truly did was dial it up to be a bigger part of his personality.
Really, I like what Thor went through in Endgame and how it connects with lots of elements in previous movies. While parts could have been done better, I thought it was fantastic and it shook things up in a way that should be quite intriguing for his future appearances. Of everyone, Thor is the character I am most excited to learn about continuing to be in the MCU.
Natasha
-Natasha taking a leadership role in the Post Snap years, and her conversation with Steve. Anyone who knows me knows that I am a die-hard Captasha shipper, but more than that, I think the friendship and love (platonic or otherwise) between Nat and Steve is by far one of the best relationships in the Avengers saga. I love how it began, how it developed, and where it is when we watch this scene of them together. I love how soft and gentle Steve is with her, and yet he teases her in this subtle way that’s almost like a verbal hug. Steve is just so compassionate and conscious of her emotional needs, the same as how she has been with him. I think this is such a precious relationship and it’s vital to both of them that they have someone to confide in when times are hard. It’s possibly even more beautiful because they aren’t canonically together as a couple; they’re just two friends who have bonded and been partners ever since The Winter Soldier, and they without a doubt love each other. (Side note: and I am not alone in this because Chris Evans even ships it, and that makes me so very pleased.) I gobble up all Captasha scenes, honestly, because it’s so well written and it’s come a long way from the first time they met in Avengers. But to get a little more in depth, Nat’s brief breakdown about Clint is really something else. Seeing her struggle with the idea that the man she loves (again, platonically) has become a monster, and struggling with the idea that she should move on but she can’t because she’s lost her family, is really damn hard to watch, but it’s necessary. It’s a really good reflection of the level of loss and trauma and pain our poor Avengers have had to deal with since the Snap. It’s an excellent scene.
-Nat going after Clint to bring him home once they figure out that the time heist is at least possible. Ow. This is another scene that is a big kick in the nuts. “Don’t. Don’t give me hope.” “I’m sorry I couldn’t give it to you sooner.” Bury me, this is such a good, quiet little scene for her. I really like their friendship and their bond. When Nat mentions family in the previous scene, this is what she’s talking about, and I love how Endgame might be the first film to openly acknowledge that the Avengers are family to each other. And what I like is that this series has earned that. Nothing makes me angrier than when people drop the F-bomb where it is NOT deserved. (*side eyes Suicide Squad and Deadpool 2*) The Avengers have fought and bled for each other, have supported each other, and have loved each other through hell and back, and they ARE a family. Bringing Clint home was a big deal to her, facing her fears of what he’s become, but seeing that he is still somewhat the man she knows and loves because he does return to the fold in the end.
-Natasha’s death. Hoo boy. Okay, so like Tony and Loki, I might just stick this in my Denial category. I was hit with a huge wave of “oh no, please no” when I found out Clint and Nat would be the ones going to retrieve the Soul Stone, because of course it had to be them. However, it was thematically the right choice for it to be Clint and Nat, since I personally think the only other combination it could have been was Steve and Tony or Steve and Nat in terms of “give up that which you love” that the Red Skull illuminated is the price for the stone. I think all the team members genuinely care for each other, but if I wanted to use the word love, yes, I’d say it comes down to members of the team who truly love one another, it’s Tony and Steve, Clint and Nat, and Nat and Steve. So I am in a very weird place about Nat’s death in this movie.
First off, I love how it was handled because it couldn’t have gone any other way. Of course both of them wanted to jump on this grenade for each other. Of course they both think they are the unworthy one who should die for the other person they love. Of course they fought over it.
Here's the thing, though: from a writing standpoint, it did need to be Natasha.
And before we go further, let’s address the elephant in the room fandom-wise: FOR THE LOVE OF GOD, YOU MORONS, THIS IS NOT THE ‘STUFFED IN THE FRIDGE’ TROPE. God, I hate you sometimes, MCU fandom. I knew as soon as she sacrificed herself that all the fake feminists would run into the streets and climb onto their soapboxes and try to call the Fridge trope. Shut up. It’s not a Fridge.
For those not familiar with the trope, Stuffed in the Fridge is when a typically female character is unceremoniously killed off for usually one of two reasons (1) to cause a male character to angst (2) to further or advance a male agenda somehow.
Natasha’s sacrifice is neither of these things.
First off, it was her choice. Clint made it completely clear that he loves her and he did not want her to die for him. One of the primary problems with the Fridge trope is it robs the woman of her choice, and Nat is the one who decided that she would be the one to die for the Soul Stone. Calling this a Fridge is a blatant, insulting erasure of her motivation as a character.
Second off, Nat’s death is a sacrifice that wins a war. It’s not pointless, and it’s not just for angst, and it’s not just for a male character to get ahead in the story. She literally saves trillions of lives by trading her soul for the stone. Trillions. Yes, the team is devastated, but her death is not simply there to make you shed tears and nothing else. She saved them all. So don’t you dare try to pin this dumb trope on her, because it’s not accurate or correct.
Third off, this completes Natasha’s character arc. We’re introduced to the beginning of her arc in the iconic scene of The Avengers where she tricks Loki into revealing his scheme, but it turns out that while she does succeed, we find out what motivates her, and that Loki’s cruelty did affect her in the end. Clint was sent to kill her, but he shows compassion and instead recruits her. Clint gives her a second chance. And Nat, in sacrificing herself for the Soul Stone, gives Clint a second chance. It’s come full circle. One of my all-time favorite lines in this entire film series is hers, “I got red in my ledger; I’d like to wipe it out.” That. Is. A. Fucking. Great. Line. And this is the pay off and the completion of Nat’s character arc. She’s done horrible things and they have been chains on her soul and she felt that she needed to repay her debt in this way, and in a way that would save so many innocent lives. I will not have these people running around discounting that and acting like she is some victim. Natasha Romanov is not a fucking victim. Natasha Romanov died a hero. She is one of my favorite Avengers and I cried so hard at her loss, but I acknowledge that she did a brave, selfless thing for everyone she loved, and she will be remembered for that always.
Now. That being said…if you want to complain about a female character dying in a majority male story, yes, go right ahead. That is a legitimate complaint. It sucks that Nat died when most of the team is male. I will heartily concur with this criticism and offer no counterargument. It sucks. Period. I hate that she dies in the first act because I really love her fighting style and I wanted to see her kick more ass in the final battle because she’s amazing to watch. So yes, that’s a point I do take off from this movie.
In the end, I’m sort of straddling the fence for losing Nat, as I am with Tony, but I think a lot of people feel the same way. It is great writing, but the loss is so painful that I might not accept it totally.
Thank you for your bravery, Nat. Seriously, you’re one of my favorite female leads and you’ll be sorely missed. I can only hope the Black Widow movie helps me deal with the pain of losing you.
Steve
-Steve quietly taking all of Tony’s trauma-fueled ranting. This is so important. Chris Evans is so fantastic at acting in general, but all of his expressions as Tony lays into him are so underrated, man. He knows that Tony has reached a breaking point, and so he offers no vitriol in return. It’s a huge contrast to the scene in Civil War where the two of them argue. Steve is by no means a timid man. He recognizes that Tony is in such pain, as are all of them, and he just takes that rage because he knows it’s just how Tony chose to process everything because he can’t come to terms with it. We know he blames himself for being unable to stop Thanos, same as all of them do, and it’s such a testament to what a good man Steve is that he doesn’t fire back at Tony, and he is deeply concerned for him instead. Especially when Tony throws it back in his face that they’d lose together, and that’s what hurts the most during this scene. Tony was alone when he lost. Nebula was the only survivor, and she was a complete stranger to him until they repaired the Milano and tried to get back to civilization. I think Tony would still be angry and traumatized, but he’s always been able to look to his team members for ideas or comfort or just companionship in hard times. He nearly died, and that left a mark on him that ran so deep he just couldn’t stop spitting vitriol at possibly one of his closest friends, and it’s also important that they hadn’t spoken since the end of Civil War, so all of that anger and resentment is also tangled up inside them both. What a scene, man. What a scene.
-Steve mentoring people in the Post Snap years. This has a couple of really great things as a scene, honestly. First off, I love that even with Steve being heartbroken and refusing to move on, he still knows it is important to help others. Second off, I love that it’s almost implied that this is in honor of Sam Wilson, who did the same thing for soldiers who returned home from war struggling with PTSD. I really, really love Steve Rogers with all my heart for this scene. Even though he’s broken down and just as devastated as everyone else, he is still out there trying to help others. That is who he is at his core. Steve is the man who cannot stand by and let other people suffer. He won’t do it. It doesn’t matter what it costs him. He will defend and protect and nurture, always. By God, I love that about him.
-Steve’s quiet reconciliation with Tony. We discussed this above, but I love that Steve says so few words here and lets Tony do all the talking. There’s an almost silent “I’m sorry and I love you and I want you to be happy” in this scene together. Tony bringing back the shield just…my feelings…oh God, my feelings.
-Steve’s miniature speech before they head into the Quantum Realm. I love that even Rocket is impressed.
-Steve’s reaction to Nat’s death. Fuck. Me. Up. This hurt so badly. I can’t. I can’t with how Steve looks at Clint and Clint just looks back at him, and you can almost hear him telepathically saying, “Steve, we lost her.” Like I said before, Steve and Clint without a doubt love Natasha. Yes, Bruce does to some degree, but it’s not the same (sorry, y’all, I think BruceNat was trash and I will never accept it because it was forced and awkward and made no sense to me) as the deep vein of friendship and love she had with both men. It killed me when they were out on the dock and Steve was openly crying for her. We saw Steve crying in the trailer but we didn’t know this was the context. Oh, this hurts me. Steve loved her with all his heart. She was his best friend, same as Sam and Bucky were, and to lose her with no chance of ever getting her back is a terrible, terrible loss. Boy, this scene was rough to endure. I can only imagine how he must have felt having to let her go after he’s lost so many people he loved. Poor Steve.
-The entire New York heist. Oh God. I’m just in heaven over how Steve handled things, everything from the intentional recreation of the iconic elevator scene in The Winter Soldier to the insidious “Hail Hydra” (*makes strangulation hands in the direction of the Russo brothers because they KNOW most of the fandom hates Hydra Cap from the comics and so of course they put that in there just to screw with us*) to the smug smirk on Cap’s face as he walked away with scepter to Cap laying the beatdown on himself to Cap acknowledging his sweet, sweet, round, perfectly firm ass. (Seriously, Chris Evans, if you ever read this, marry me, we already met and hugged each other, we could make this work.) Yes. Special props to Cap vs. Cap’s interactions. It was just…everything.
-Steve wielding Mjolnir. Jesus. Fucking. Christ. So everyone’s already raved about this scene, but I don’t care, I have to rave about it too. Good gravy. Good God. This scene is everything. Honestly, it is easily one of the greatest things ever conceived not only by the MCU, but in action movies period. This can stand toe to toe with some of the best beatdowns in all of cinema. It’s just…where do you even start with how good this fucking scene is?! I mean, every second of it is just glorious. Whether it was the Russos or Evans or the script writers, whoever I need to thank, THANK YOU. Thank you for gift wrapping this total surprise. Every one of us was wounded that Cap didn’t easily lift Mjolnir in Age of Ultron, but at the same time, I loved the humor of that scene when Mjolnir did actually start to move and Thor totally panicked for a second. It was funny as hell. But for the Russos to fulfill our fantasy in a way that was not only a surprise, but just an absolute joy to watch, I can’t even express my fangirl tears. This scene is better than sex and chocolate and cocaine. It’s flawless. Everything about it is flawless, from Steve summoning the goddamn lightning to Thor’s gleeful “I KNEW IT!” I wish I could frame this scene on my wall in .gif form, and I apologize in advance to all my Tumblr followers, because the second this scene is giffed after the DVD release, I am going to reblog it three billion times. I will never stop reblogging it. This is the height of MCU perfection and it deserves to be known as such.
-Steve facing off with Thanos in his last stand, and actually holding his own. Dude. Steve Rogers is a human man, and he withstood Thanos. I just…I can’t with how awesome it is. He lost in the end, but he beat the shit out of Thanos for a good bit and I just have to give him all the props for that. He did the impossible and survived him. That’s amazing.
-Steve strapping on his broken shield and staring down Thanos and his army. This is peak Steve Rogers right here. “Yeah, you have thousands of soldiers. Yeah, you sheared my shield in half. Yeah, you beat me and my comrades. And I don’t give a single solitary fuck.” This is also an amazing echo to the moment in Infinity War where poor Wanda had to kill Vision, and Cap stood up to Thanos with his goddamn bare hands. Steve standing up after getting the shit kicked out of him is what he is all about. He doesn’t care that he is outnumbered. He doesn’t care that he is outgunned. He is Steve motherfucking Rogers and he is going to stand against evil period. This is top tier stuff, man.
-“Avengers Assemble.” Like everyone else, I jizzed in my pants. Full on. We all had a hunch that they would save it until the final Avengers film with the final appearances of the original team, and it was everything we dreamt it would be.
-Steve catching Stormbreaker as well and then trading it with Thor mid-battle. A tiny but hilariously awesome scene. I’m so glad they included it, and it was another little nod to Steve and Thor always having a small adorable friendship moment in each Avengers movie. Thanks for that, truly.
-Steve passing the mantle over to Sam Wilson. Holy shit. So a lot of us were relatively sure with Chris Evans confirming this as his last full appearance as Captain America that the mantle would go to either Bucky or Sam. My money was on Sam, simply for him still being new blood having entered at Phase 2 in the MCU, and because Sam is a lot more of a dynamic main lead that I think the MCU needs in the role. Anthony Mackie, as any hardcore MCU fans know, is a bundle of fun behind the scenes. He’s really hilarious and charismatic, and I think he’ll bring a lot to the role of the new Captain America. It’s such a touching scene as Steve hands him the shield. I really, really get choked up about how it was handled with such respect and trust and honest to God friendship. “How does it feel?” “Like it’s someone else’s.” “It isn’t.” Wow. What a beautiful scene. I’m a little misty as I type it out. And I do like that there was just this little nod from Bucky, who has been antagonistic to him pretty much all the time but here, he shows his support and it’s kind of just known that he will back Sam up no matter what. I cannot express how much I love this idea and its execution. It was perfect. (By the way, please look up the way Anthony Mackie found out about this before filming. It’s too cute.)
-Steve’s ending. Oh my God. Of possibly everyone on the team who I wanted to have a happy ending, I wanted Steve’s the hardest, even though I love Tony to death and beyond. Thank you, Russo brothers. Thank you for letting this man have his second chance at a life, and that he got to spend it with Peggy. I was already crying from the funeral, but the fact that they decided to end the saga with possibly the sweetest imagery in the MCU is just overwhelming. I loved their little slow dance. I love the tears of joy on Peggy’s cheeks. I love the softness in Steve’s expression as he dances with his lady love. I love the song choice. I love how he just looks down at her and she looks up at him and they kiss to close everything out and say goodbye to us all. What a scene. What an ending. I love it more than anything.
Thank you, Steve. Thank you for being our ray of light and sunshine and guidance all these years.
Nebula
I really did not expect to see an arc for Nebula, but I am delighted that we got it. This was very, very interesting considering what a sadistic murderess Nebula was in the previous films, so fueled by rage, and yet here we see that she is still powerful and effective and yet vulnerable. I enjoyed seeing her growth and getting some amount of closure with Thanos’ demise and saving Gamora as well as the rest of the universe.
Bruce
So here’s the thing: Bruce is probably my least favorite Avenger, next to Clint, but that’s not because anything is wrong with either character—I just find their personalities and abilities the least interesting. Therefore, I’ve heard complaints about Hulk not kicking ass in Infinity War and Endgame, and while they are valid points…I don’t care. I guess the thing is that Hulk has kicked ass in all his previous appearances, and I think it was nice of them to get back to the fact that Bruce is indeed a scientist and there is more to him than just crushing things. He is a very conscience driven character, and I was totally fine with him as a supporting member of the team, and of his brave decision to Un-Snap everyone back to life. I especially liked his sympathetic approach to bring Thor back home. “You helped me.” I fully admit that made my lip quiver, honestly, since Thor was obviously so traumatized and was in a lot of pain, and Bruce was gentle with him. That, to me, is just as important as all the bashing he could have done. Same with his impassioned plea with the Ancient One. Sorry that he didn’t kick ass in these last two movies, but honestly, I felt things were balanced and that it’s important to show he is more than the Hulk.
Clint
As mentioned above, Clint is my least favorite Avenger, but again, not because there is anything wrong with him or that he is written poorly—the others just outweigh him in what I like about them. I have to say opening the film with Clint losing his entire family with no knowledge of what was going on was almost as gut-stabbing as how Infinity War began and ended. It was somehow even more cruel since Clint would not have known what was going on until he called the Avengers. And yes, someone’s pointed out to me that it’s crazy he didn’t know about the war, but I have a headcanon that he just cut everyone off once he decided to retire, and he wouldn’t answer when they called so he wouldn’t be dragged into more shenanigans. I highly doubt the whole team just flat-out didn’t tell him what was going on. There’s a good chance Clint decided not to hear from the team again after Cap busted them out since he risked everything and almost got jailed for life after his decision.
All that being said, I did feel Clint’s loss very hard after Nat sacrificed herself. It was extremely well done on Jeremy Renner’s part and there was never a doubt that he loved her. Their bond has always been very cute and I never shipped them, so I wasn’t disappointed by the reveal of his secret family. I thought it was a nice touch and a surprising turn in the story. I’m glad he got to go home to his family in the end, and I especially liked the touching moment he shared with Wanda after Tony’s funeral.
Loki
Holy shit, y’all.
I did not expect this, and I love it more than anything in the world.
Right, so, I am sadly a fan of Loki’s ever since The Dark World, but at the very least, I am not a rabid fan of the character. He is an absolute fucking trashlord and I acknowledge it while still loving him anyway. I was positively giddy that they invited Tom Hiddleston back to shoot new scenes of Loki rather than simply using the old Avengers footage. And I definitely didn’t expect Tony, Cap, and Scott to screw up and Loki gets the Tesseract and vanishes. This is amazing. I can’t wait for the Loki mini-series on Disney Plus, and I assume this is what it’s going to be about. I’m really excited to see what kind of shit he gets himself into, and I loved the little bits we got of him mocking Cap even though they all just kicked his ass, and I loved him rolling his eyes in the background during the heist, and being the only one who knew something fishy was going on. Love, love, love it to pieces. Thank you for giving me more of my stupid trashlord, Endgame. You rock.
Scott
Oh, poor, poor Scott. Not only did he awaken to find his new family gone, but he lost five years of time with his daughter. Ouch. I really have to commend Paul Rudd for the reunion scene with his daughter. The shock and pain mixed in with the gratitude that she survived the Snap was so palpable. I’ve never really considered him much more than an easy going comedic actor, but he did a great job here. Kudos.
Gamora
I am really, really deeply hurt that this means our Gamora, the one we came to know and grow with, is truly gone. Like many fans, I had hoped she was somehow inside the Soul Stone and they could bust her out, but like Nat, it appears that we did truly lose her. I’m not okay. I feel so bad for Quill, who wooed her with so many great moments, and now he’s lost her again. He’ll have to try to make her fall in love with him again, and it hurts me because the sequence of events from the first two Guardians movies are how they fell in love, and it’ll be so much harder to make her understand what they meant to each other and what they had with one another as well as their little stitched together family. Damn it all. This might be one of the biggest underrated losses of all for me. Gamora is my favorite Guardian, period. I adore her, so I am both anticipating and dreading the third Guardians movie as a result.
Carol
Alright, I do have to admit one of my letdowns, even though it’s a total nitpick, is that the trailer gave us Thor and Carol, but the actual movie did not. Oh, why did you lift my hopes up this way?! I really wanted Thor and Carol to bond and have hilarious pissing contests about who is the strongest Avenger, and become battle buddies! However, this might be possible later since we know Hemsworth has agreed to at least one more film, if not more, so fingers crossed he and Carol share screentime. I adored that “I like this one” scene and Thor would play very well off of Carol if you ask me.
That being said, when Carol came back for the final fight…yassss bitch yassss fuck it up! When she came after Thanos, he was fuckin’ shook and I am here for it. I loved that failed headbutt. I want to frame that on a wall. Carol Danvers is not having any of your shit today, you purple Grape Ape punk ass bitch. She laid down the law, and it was glorious. 11/10 good shit of Carol whupping his ass and he had to suckerpunch her just to try to win.
And kudos for the utterly adorable interaction she had with my Spider Son, “H-Hi, I’m Peter Parker.” “Hey, Peter Parker. Got something for me?” *kisses fingertips* This could not have been cuter. Thank you so much, Carol.
Oh, and extra kudos for the Ladies of the MCU smackdown moment. My God. I loved every second of that assault. Please make that into a whole separate team someday and make a movie about it.
Wanda
Standing ovation for Wanda in every respect: her entrance, her powerful line (“I don’t even know who you are.” “You will.”), and the fact that she flat-out almost killed Thanos by her damn self. Wow, wow, wow, my girl. You brought the pain. I miss Vision too, honey, and I’m so sorry we can’t have him back. It’s so unfair that she’s lost her brother and her love within this story, but she still manages to keep going. Wanda is a testament to just how strong women truly are in spite of adversity.
Plot/Story
I know some fans didn’t want it to be as straight-forward as it appeared to be with them going back in time to grab the Stones and undo the Snap, but I was honestly fine with it. The story still managed to genuinely surprise me, especially with the development that the two Nebulas are what caused Thanos to find out what was going on. Holy shit, that was very creative and a great way to let her be a central character considering the trauma she has been through and overcome. I thought the pacing was excellent, and I will have to sit down and think it through but I don’t feel as if we had unnecessary scenes aside from the diner scene being a little longer than it needed to be. (You could have cut the photo op bit out and no one would miss it, for instance.) Like Infinity War, I felt that all the scenes had a use and showed us something, and the action was magnificent and creative. The Avengers pulling the entirety of the MCU together in the third act is some seriously iconic stuff that I really hope people will take into consideration as a legendary thing no one has ever really done before.
A friend of mine mentioned that you can neatly divide Endgame into three sections of story: build up, heist, and pay off. One of the best things about Endgame, to me, is the pay off. I love how many continuity nods we had and how many threads were tied off in a satisfying manner, from deeply emotional relationships to just sublime action sequences. We have so many films in this series that it’s hard to rank them, but I have to say I really would put Endgame in the top 10 for my preferences. It was a worthy ending to such an amazing set of films, and while I will miss the actors who won’t continue past Phase 3, I am incredibly grateful for their time and talents spent on this franchise. It is in its own category, honestly, with consistent quality in nearly every aspect it attempts. I think it was the perfect mix of solemn but affectionate goodbyes and bright, hopeful new beginnings. I am excited to see what is in store and what new ground we’re gonna break with the future stories.
So thanks for everything, Endgame. I’m glad to have had this era come to such a satisfying close.
See you in the funny papers.
Kyoko
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