#neither of them has a choice in this and its incredibly fascinating because it again implies a tie deeper than just

[queen0fm0nsterz]

Why didn’t the lady just turn six into a nome? Is she stupid???

I was gonna tell you I slept with your mom but I actually may have a serious answer to this.

One of the very important things the DLC did to enhance the plot of LN (and the character of the Lady overall) is that is gave us a very precious interaction where comparisons can be drawn: it shows us how the Lady would react to a normal kid VS how she reacts to Six.

When circling around the defenseless Runaway Kid, the Lady takes her time with approaching him. She goes around him thrice, with each approach getting closer and closer until by the last one she's essentially face to face with him. It almost feels like she's studying him, in a way, before she decides what she ultimately wants to do with him.

You'd think she would take the time to kill him instantly, especially since he was unlucky enough to catch her during one of her most vulnerable moments, but instead she opts to turn him into a Nome after she slides directly in front of him and gets a clear view of him. By the looks of it, it really seemed like she was trying to check something.

(You can watch this video so you can see what I'm talking about. Go to minute 23:58 so you can see what I mean)

When she sees Six, however, she's immediately on the run after her. What's strange is that eventually when Six escapes her the first time and reaches the corridor on the other side, she lets her get the mirror relatively unharmed, and then follows the... "ritual", let's call it that, to a tee. So much so that when she loses, she doesn't retaliate. She accepts defeat. Going as far as to move to make room for Six to bite her neck -- as if she already knew what was going to happen.

(As you can see, her pose here has changed. She's holding herself up to be right at Six's height with her neck.)

When Six does bite her, the Lady lifts her hand as a reflex, but does not make a motion to grab or push Six away. Regardless of whether she was defeated or not, she is still the larger being. If she was to push Six away - especially now that she's weakened by her hunger - the kid would either fall on the ground or, at worse, bite her hand. Nothing life threatening.

What gets me is that SHE, who is so keen on keeping the Maw alive and who is the reason the whole operation is even still going to begin with, the living heart (figuratively) of the submarine, would let herself be defeated without so much as a complaint... UNLESS this is the way to ensure the Maw's survival.

This Lady dies here, sure, but through this process, the Maw gains an heir. The Maw has lived before her, and with this, it will most likely live after her. So her duty is done, essentially. Obviously, though, because she is human, the Lady does not want to just die and give up without a fight at least -- which is what leads to the non-canonical deaths (a.k.a. every time the player gets caught by her and she instantly kills you) and possibly to the ritual even being structured the way it is when Six comes around.

More than a ritual, it is rite of passage, if you will. "The Lady Circles" does sound very solemn and contained, starting with a lone and low percussion that one could compare to the "starting horn", as in the beginning of the battle.

Six is "off limits". In the sense that she can't be turned into a Nome because of her position in the Maw's system. In the words of Tarsier themselves:

Beyond Six's control, because she did not want to be on the Maw in the first place -- but beyond the Lady's, too. Because she doesn't want to die and be replaced. But it's part of the cycle taking place in the Maw, as it has been for a long time, so the Lady must accept it, whether she likes it or not.

Now, whether the Maw did actually survive thanks to Six staying or not... that is up in the air, as of now. We'll find out eventually.

#little nightmares #little nightmares theory #little nightmares meta #ln meta #six #little nightmares six #ln six #the lady #little nightmares the lady #ln the lady #the lady ln #six ln #the runaway kid #the runaway kid ln #ln rk #rk ln #runaway kid ln #{im very passionate about the 《two characters thrown together from forces beyond their control》 point in particular #neither of them has a choice in this and its incredibly fascinating because it again implies a tie deeper than just #six being a random kid with the hunger and the lady casually being the means to solve that problem #and also why im so convinced the lady used to have the hunger as well. to have the solution to a problem you must first experience it no? #and it would explain why Six out of all the kids having dreams dreamt of the Lady and not a place/specific moment in time #the connection between them is strong while also being nonexistant in terms of past relationships. like they didnt know each other prior #n they just started beefing. LMAO}

[golvio]

I think the metanarrative reason for the Princess being put into an antagonistic role in the “intended story structure” instead of being the protagonist is a big hint to her true nature.

While the protagonist gets to have the POV and make the major decisions that determine the story’s resolution, the antagonist is the one who actually makes things happen. Even when she’s not an antagonist and you’re working together, she’s still making things happen solely by being the only visible character present. Her mere presence changes things.

It’s very, very difficult to have a story without some external force or another character acting upon your protagonist and pressuring them to make a move. Even stories told primarily in flashbacks have the main character interacting with something, even if only in the past tense. A story where the main character just sat there, never interacting with anyone or anything, never having any experiences to learn from, would be incredibly boring. Simply having someone else there to talk to and play off of is enough to get things to move again.

Contrast this with The Narrator’s ideal story, which is a Wholesome™️ story where the main character does what they’re told and then never has anything bad happen to them ever because, as the only character left in the story, they’re safe from conflict, change, or heartbreak. Sure, it might not be a controversial story that would upset someone, but it’s also incredibly dull and unfulfilling. The credits roll and that’s it? That’s all we get?

It’s absolutely hilarious to me that, while The Narrator inserted his echo into the Construct under the conceit of being the literary device that’s the vehicle delivering the story to the reader, he really sucks at storytelling. He can’t build rapport with his audience (us) because he doesn’t understand what we want or how to persuade us beyond vague moral arguments with no emotional hooks whatsoever. He’s so inflexible and refuses to allow alternate interpretations that he can’t handle when things go off script, and can’t get the story back on track when we start going off the rails short of pulling a deus ex machina (which only works when the audience still has enough faith in him to take him seriously as storyteller instead of doing their own thing). Things only get interesting when the Princess gets involved. Things only move forward when she forces the issue, particularly in the Nightmare route, where you refuse to commit to a choice out of fear of potential consequences.

A friend of mine who recently did their first playthrough commented on how the underlying quest to collect perspectives for the Shifting Mound was basically an improv session. I think they’re right on the money. Each chapter is like a game of “Yes, And” between you and the Princess that continues until neither of you can think of anything else. The developers mentioned in an interview that Shifty M. only arrives to take the vessel home when the story “ends.” That is, when there’s nothing left to do. Improv is one of the genres of performance that best encapsulates Change in its demand for adapting to circumstances and new information, so of course The Narrator would be against it, preferring simple, linear narratives.

People tend to become fascinated with antagonists because they’re the ones who make things happen. Adding an antagonist who’s also a person is one of the easiest ways to start building a story. By making the Shifting Mound and her fragments our enemy and requiring us to get within talking distance in order to slay her, The Narrator shot himself in the foot by making Her the most compelling and interesting character by default.

#slay the princess #slay the princess spoilers #stp spoilers #the shifting mound #the narrator #princess princess

[note-boom]

(abt ur tags on that fic rec list post) I'd love to know more gen bsd fics!!! if u don't mind pls make a list of them

OP, I hope you understand that you have unleashed a monster considering how many BSD fics I consumed. But that said, I'll try to keep it short and strictly gen for this ask, then just reblog with the rest (some do have implied ships, though). Most of them are just fluff and one-shots. And I haven't really read much fanfic recently, so most of these are my bookmarks from before I even really got into this blog and my memory on them might be shaky; generally, I either liked them because good writing, good characterization, good analysis, and/or it was just too funny/too interesting to not bookmark. Some might have Americanisms/Westernisms of things that probably don't really happen in Japan (probably?) and some might have slight character assassinations, but I don't think anything should be too gratuitously unforgivable. Also, all opinions are my own and do not reflect on either the writing or the author's original intent.

So under the cut are my absolute favourite of favourites.

Morning Light (18021 words) by FallenBrie (time loop, Atsushi character exploration, ADA!found family)

O expectations, stale and dismal airs, leave this body of mine! (20976 words) by aptlydapper (3 chapters, still my all-time favourite bsd fanfic for the writing and the concept and its execution, Chuuya joins the ADA basically but so much more than that to me)

Conundrum (23921 words) by AdmiralTDeVanto (hi, I love this AU so much, role-reversal where aku and atsu are the older figures and dazai and chuuya are the younger ones, some other au roleswaps happen but that's a surprise)

circle of praise (1898 words) by Oxalisalis (have a few by this author (love their works so much, they have some great BEAST things), basically compliment assault, ADA family, sweet and funny)

The Scent of Milk Tea (1343 words) by Sternstunde (Atsushi and Chuuya are housemates, neither is aware of the other's job, please let them meet in canon, 2 chapters and unfinished)

Reason To Live (1746 words) by Allwalkfree (time travel fic with a take on akutagawa's future character arc that left me DEAD, just...him being better than the people he was taught by okay? and him having a clearer picture of the stuff he went through etc)

hell is empty (all the devils are here) (1065 words) by Origamidragons (legit one of my FAVOURITE Gin character explorations, shoutout to the use of her character's irl short story)

in the end, you write your verse (6858 words) by Origamidragons (ADA and PM role swap and it's honestly SO GOOD that I desperately wish there was more of this (in a this fic is INCREDIBLE way, that is))

In The Choice, There's Peace (2561 words) by treetrunkdaddy (chill vibes, fic that explores Atsushi's character so nicely to me through how he copes with anger)

Mark of a Teacher (527 words) by Seito (Kunikida has been framed as a terrorist apparently and his students see the news headlines, it's hilarious and just fun)

A Study From Stripes (teach me to be loved again) (29684 words) by MidnighttWriter (beloved fic with beloved writing, Atsushi trauma exploration, might feel a little dark or emotional for bsd (in a different way, since BSD doesnt exactly shy away from being emotional or dark) but honestly beloved and SUCH a fascinating Atsushi character study to me)

would you believe me if i said i was blinded by the light? (1203 words) by elijay (half-blind Dazai real to me, but no its a really neat headcanon and that's all the fic is, which is all i wanted)

good bones (838 words) by Quintessence (I LOVE THIS SO MUCH, another Atsushi has a lot of trauma and the agency is flabbergasted)

5 Times Dazai Didn’t Understand Math And The 1 Time Kunikida Tried To Do Something About It (3746 words) by zededs (math is difficult, so is Dazai, Kunikida is stressed out, just a funny story)

how to get away with murder (10000 words) by magdalenes (11 chapters and unfinished, but it's SO SO good, the author is setting up the mystery so well, and it's basically just....detectives doing detective work but possibly also avoiding other detectives, more plotty than charactery)

what is a name (640 words) by Seito (guys, seriously, read this, im serious it has SUCH a good theory and the IMPLICATIONS of this to the larger bsd story????)

a secret for a secret (2302 words) by Oxalisalis (another of my FAVOURITE Gin fics, this author DELIVERED so well on their characterisation, slight canon divergence but perhaps not?)

But yeah. Because I somehow ended up opening over 130 tabs (that was after narrowing things down. i am so normal about BSD) for this ask, I'll just....reblog with more for those who are interested in gen fics. (It's why it took me a while, apologies.)

#despite what the reblogs of this will look like #i really do have to take a step back because busy life so im not sure how the queue will look (its already looking pretty low though) #but uh.....yeah #have fun seeing me being utterly unhinged about bsd guys #bsd fanfic #bsd #note's nonsense #me: i am absolutely normal about bsd #also me: makes a list of 130 bsd gen fics just cause i can

[testudoaubrei-blog]

Well, it’s not quite a master’s thesis, but this is (the first of) a series of posts on why Catra and Adora are the best love story in the history of kids TV animation and maybe the greatest love story in the history of TV. This may in some ways be faint praise - romance on TV is generally not very good compared with books or movies. Often it’s just some will they/won’t they sexual tension that is defused by getting characters together and re-heightened by breaking them up. TV is full of nearly shark jumping pointless dramas like Sam and Diane (Cheers, holy fuck am I dating myself, though that was technically before my time), Ross and Rachel (Friends, which was no Cheers) etc, but also some less annoying couples like Ben and Leslie (Parks and Rec) or Amy and Jake (Bk99) who are mostly just kind of cute and fun. Other shows, like the X-Files, teased viewers for years with unresolved sexual tension. In kids shows most romances are, appropriate for their target viewers, mild, sweet relationships based more on self-conscious flirting and blushing than on complex and conflicted feelings or deep passions - which is pretty realistic when the characters are young teens or even mid-teens. Some of these relationships are really well done - Finn and Flame Princess, Dipper and Pacifica (yeah I ship them), the early stages of Katara and Aang (before the showrunners imbued this childhood crush with cosmic significance), Steven and Connie, etc. Catra and Adora, though, are different. Their love story is not a side plot or a sub plot, it’s the heart of the show. It isn’t a childhood crush, it’s a very messy and passionate relationship between two young adults. She-Ra is an emotionally complex lesbian romance just as much as it is a thrilling action/adventure show. Everything about their relationship is baked into the show’s plot, its themes, hell even its musical score. The dramatic tension between Catra and Adora is not the result of stretching out a flirtation for ratings, but a coherent dramatic arc that runs through the entire show. As Noelle said, he made Catradora so central that execs couldn’t take it out without ruining the show. And the show is better for it. In this series of posts I’m going to try to show why, as well as showing why She-Ra is such a fantastic love story.

First off, let’s talk about how Catra and Adora’s character arcs are foils for each other, and how they come together and apart through the series. This is actually a post that I’ve been working on for a while but I keep summarizing the show rather than cutting to the chase, so I’m not going to recite many plot points so much as sketch out what’s going on with the dramatic structure at the time. But also, let’s talk about what each character’s arc is saying, and how they are commenting on each other. Spoiler alert: Catra’s arc is a subversion and critique of stories of empowerment through ruthless self-assertion and revenge, while Adora’s arc is a subversion and critique of chosen one narratives and stories of self-denial and self-transcendence.

When the show starts, Adora and Catra are shown as rivals and friends - their first scene starts the recurring motif of them reaching out for each other as one of them dangles above an abyss, as well as establishing their flirtatious banter and easy camaraderie. We quickly learn that these two young women plan to conquer the world together. These scenes and later flashbacks show Catra and Adora as deeply enmeshed in each others lives, to the point where neither of them (but especially Catra) have clear identities outside of one another. There is so much genuine love on both sides before Adora leaves, but also resentment, envy and fear, especially on Catra’s side, as well as a protectiveness on Adora’s side that deprives Catra of her autonomy. They are both being abused by Shadow Weaver - Catra physically  and emotionally, Adora emotionally. It wouldn’t be too much to say that Shadow Weaver holds Catra hostage to control Adora (this is why critiques that Adora abandoned Catra to be abused are actually kind of messed up, since they accept Shadow Weaver’s premise that Adora is responsible for what Shadow Weaver does to Catra). In addition, Catra and Adora actually see the world incredibly differently. Adora already sees the world in terms of right, wrong and her destiny to right wrongs - this is why it’s important for her  to accept the Horde’s obvious lies - she couldn’t keep living if she didn’t. Catra, on the other hand, sees the world solely in terms of survival and personal loyalty - everything for her is about preserving herself and the person she cares about - Adora.

Then, when Adora finds the sword, she leaves because it’s the right thing to do. Catra doesn’t even have a concept of ‘the right thing to do’ being something she should care about, or perhaps, something she can care about as an irredeemably evil, awful fuck-up. So at Thaymor neither one understands where the other is coming from, and Catra and Adora begin to part. This is the first turning point in their relationship. Adora chooses duty over what she desires, Catra chooses to protect herself (such as she sees it) and nurse her sense of betrayal and abandonment.

Their relationship until Promise is a kind of weird Frenemy thing that is fascinating to watch and sold me on the show. Neither one wants to fully admit to themselves that the other is now their enemy, neither one has given up on changing the other’s mind. Each is furious at the other, and desperate to see her again at the same time. There’s a lot of heartache and just as much sexual tension, especially at Princess Prom. Both of them come alive when they fight each other (more about that in a later post). But they’re already growing apart - Adora embracing her destiny as She-Ra, Catra rising in the ranks for the Horde. Adora now has the purpose she always wanted, plus other friends and a sense of being chosen to do something great, while Catra now has power - the means to protect herself from people like Shadow Weaver as well as the vindication she had always been denied, and even the opportunity to beat Shadow Weaver at her own game.

The next turning point is Promise. Holy fuck, this episode. It’s an episode that is even more heartbreaking after you’ve watched the show because you know just how much worse things are going to get, and yet, it’s a necessary part of both of their character arcs. Even through season 1 Catra and Adora had remained very much enmeshed in each others lives in an increasingly fucked up way as they grew apart but refused to turn away from each other. Even though they aren’t -exactly- a romantic couple (Adora doesn’t recognize and acknowledge her feelings until the last episode of Season 5), Season 1 of She-Ra is one of the worst breakups I have seen on TV. As I said in a couple of previous posts, this is the kind of shit that the Mountain Goats write songs about. Everything that was poisoning their love for each other even before episode 1 bubbles to the surface and combines with them fighting on opposite sides of the war to make a truly fucked up situation. In the end, it’s Catra that makes the choice to turn away from Adora. This isn’t a -good- decision. It’s spiteful, and destructive, and based on an outright deluded understanding of their relationship (inspired by Light Hope’s manipulations and her own issues), but it’s in some ways a necessary decision. Catra has been so wrapped up in Adora for so long that she isn’t going to be able to figure out who -she- is without cutting Adora out of her life. And the same is true of Adora.

But each of them do this in about the worst way possible. Catra embraces destruction, ambition, manipulation and outright cruelty, turning the tactics of her abusers against them and against everyone around her. She first triumphs over Shadow Weaver and manipulates Entrapta into trying to corrupt Etheria itself. Meanwhile Adora ‘lets go’ and commits herself to the self-denying mantle of She-Ra. Over the next several seasons, their respective paths will nearly lead both Catra and Adora to their deaths (in the Season 4 finale).

For the next season (counting season 2 and 3 as one) Catra and Adora are still closely linked, but as enemies. Still, there’s more than enough flirtation between them (that ‘Hey Catra’ in the first episode of Season 2 is something else), and especially on Adora’s side we see her hold back with Catra, and often take responsibility for the harm Catra inflicts, just like she had when they were kids. Yet they still drift apart - after facing off every other episode in Season 1, they spend less and less time on screen together through season 2 and 3. Catra continues her ascent to power and descent into villainy while Adora becomes more of a stressed out mess as she takes the fate of the world and the wellbeing of everyone she cares about on her admittedly broad shoulders. Catra’s one moment of vulnerability is rewarded by Shadow Weaver’s betrayal and her exile, then Catra triumphs in ruthless badass fashion through sheer desperation and aggression. In the Crimson Wastes, we see Catra at her most independent, and she almost seems happy. But once Adora shows up and Catra hears about Shadow Weaver, she’s sucked back into the worst of her resentments, and she makes very clear that being happy is less important to her than making sure Adora is miserable.

This changes everything. Catra completely breaks with reality and tries to kill Adora, herself and the world rather than lose to Adora and Shadow Weaver (I do think it’s important to remember that she does that after Shadow Weaver nearly kills her). Catra betrays everyone around her when she exiles Entrapta, threatens Scopria and lies to Hordak. Then she flips the switch. When Adora tries to fix things, Catra fights to her own death to make sure that the world disintegrates with her. For her part, Adora fights first to understand what is wrong with the world and then to fix it. Finally she tells Catra that destroying the world is her choice and she has to live with it, decks her, and then sees her off with a death glare once the portal is closed. With this, Adora writes Catra off even if, as she says later, she never never hated her. By doing that, Adora casts off the guilt that had dogged her and takes responsibility for her own life rather than someone else’s - this is actually a huge step for her, and one that will become more important in Season 4.

Season 4 is in many ways the nadir of their relationship. They only see each other once during the entire season, in Fluterrina, when Adora tries to blast Catra, much to the latter’s shock. There’s a sense in that scene that Catra is trying to have the same flirtatious enmity she used to have with Adora, and Adora is having none of it. Catra almost seems hurt by this, which is an early hint at how isolated Catra is beginning to feel. Catra spends the rest of the season at her highest and lowest. On the one hand she spends most of 12 episodes winning by every standard she has ever claimed to care about, besting Hordak himself in single combat and making herself co-ruler of the Horde and coming within a day’s march of ending the Rebellion. In many ways it is the ultimate empowerment fantasy - the abused young woman has defeated her abusers, showed up everyone who doubted her and forced everyone to respect her. But I think it’s striking that the show starts with her and Adora dreaming of conquering the world together and in Season 4 Catra nearly succeeds in conquering it alone, almost like she was trying to live out her old shared fantasy while proving she didn’t need her former best friend. 

At the same time, Catra is clearly miserable. She’s always been unhappy, but in Season 4 we see her completely isolated and lying to herself and everyone who will listen in a desperate attempt to justify her actions. Turning the tactics of Hordak and Shadow Weaver against them to gain power and then against Scorpia and Entrapta to maintain it haven’t vindicated Catra, they’ve made her more and more alone as Entrapta is exiled and Scorpia drifts away. Meanwhile Catra reaches out to Double Trouble, and her interactions with them reek of a kind of desperate desire to have someone in her life (the feeling of their interaction is of an unhealthy casual relationship where one partner becomes emotionally invested and the other takes advantage of that while denying the other the closeness they desire). As people leave her, one after the other, it becomes clearer and clearer that Catra doesn’t want power at all - she wants connection, friendship, love, and power is a very poor replacement. As I said in my long Catra rant, Season 4 is both her ‘Walter White as a Catgirl’ season and the beginning of her redemption. Everything comes to head when Sparkles destroys everything Catra has tried to achieve, Double Trouble delivers those harsh truths and Horde Prime shows up and makes it all irrelevant, just highlighting how futile all her struggles and sacrifices and crimes have been.

Meanwhile Adora spends Season 4 becoming her own her and her own woman. After telling off Catra, she grows more and more disillusioned with Light Hope and critical of Glimmer (though the latter has more than a shade of her old habit of taking responsibility for others - Adora’s development is not linear). She’s gained the courage and confidence to strike out her own path, not just follow a destiny. At the season’s end she once again breaks with her best friend to do what is right, and discards the destiny that she was being prepared for. But in this case she isn’t chasing one packaged destiny for another, instead she’s making her own choice and literally shattering the thing that she thought gave her life purpose. It’s badass, and heartbreaking, and along with decking Catra and jumping after Catra into the abyss (see below) it’s the perfect Adora moment.

In many ways Season 5 starts with Catra and Adora farther apart than they have ever been. They aren’t even enemies anymore, they’re completely out of each other’s lives. And both Catra and Adora are lost at the beginning of Season 5 - Catra is useless and alone on Prime’s ship, completely defeated despite ostensibly being on the winning side, and she goes through the motions of her normal plotting without any particular conviction and none of her normal flair. Meanwhile Adora is even more miserable and self-destructive than usual, throwing herself at Horde Bots and working herself until she drops of exhaustion. In a very real way they both stay lost until they have a chance to help the other. Catra takes responsibility for what she’s done and what she can do, saves Glimmer (at least partly for Adora’s sake), apologizes to Adora, and sacrifices herself. Adora only seems to come alive when she decides to turn around, face Prime, and save the cat. And when she does, Catra and Adora’s arcs, which had separated so completely in season 4, come crashing back together to end the series.

Adora during Save the Cat is such a contrast with the uncertain, hesitant and self-destructive wreck we’ve seen so far in Season 5. This is possibly her craziest plan in 3 years of mostly cazy plans, but she never wavers or questions herself. Even when Chipped Catra appears and we see Adora’s heart break while we watch, Adora doesn’t back down or relent. She keeps at it even as the tears stream down her face. She fights better trying to save Catra without She-Ra’s powers than she fought at the Battle of Bright Moon with them. Catra’s just about as desperate - we see her cry and plead, and now is probably as good a time to any to point out how amazing a job both VAs did throughout the show, but especially in this episode, and how good a job the board artists did. 

Seeing each other for the first time in a year, and only the second time since Catra blew everything up, Catra and Adora are probably the rawest and least restrained we’ve ever seen them. There’s barely any banter, no bravado, and no pretense that they are anything other than two women who desperately need each other (Prime doesn’t help with ‘You broke my heart’.) Then Catra is flung to her death, Adora jumps after her, breaks both her legs in the fall (we see her crawl to Catra, as though she couldn’t walk) and becomes the real She-Ra. It’s such a triumphant and deeply queer moment seeing a woman transformed into a warrior goddess to protect the woman she loves, and it’s the reason that, as dark as it is, Save the Cat is my Comfort Food episode.

Let’s not sleep on Taking Control, though. This episode is like a microcosm of what this show does best, especially the A plot with Catra and Adora. Catra’s reversion to lashing out at everyone and her refusal to be open to Adora shows just how much of a struggle this whole ‘being good and trying to connect to people’ thing is. Catra’s outburst gives Adora a chance to stand up for herself and refuse to be Catra’s punching bag, while also not trying to control her. Adora’s ultimatum gives Catra a chance to reach out to Adora (quite literally), and allow herself to be vulnerable. In this episode, we see just how far Catra and Adora have come since the messed up stew of their relationship in Season 1. Adora lets Catra be responsible for her own actions; Catra lets herself be vulnerable to Adora and takes responsibility for her actions. They’re both better people and better friends and better partners than they were, and the show has shown this in a strikingly nuanced and realistic way. 

The important thing to note in the next few episodes of Season 5 isn’t just how much closer Catra and Adora get to each other and how much they flirt (So much. So much, y’all) but just how -happy- they are. We see both of them transformed in the other’s presence. Basically, since they’ve parted, both Catra and Adora have been defined in no small part by how miserable they often are. They have both had their triumphs and their lighter moments, but there’s been a sense of melancholy dogging both Catra and Adora since episode 1. And now that they’re together again, that lifts, somewhat. Catra’s verbal barbs have lost their venom, and she can openly show how much she cares for Adora and even Bow and Glimmer. She’s still herself - snarky, cynical, somewhat devious - but she’s not engaged in a self-destructive zero-sum struggle with everyone around her. Meanwhile Adora has spent 4 seasons being a neurotic and sometimes nearly joyless mess who takes responsibility for everything and often doesn’t let herself enjoy anything other than the odd BFS group hug (exceptions include trying to uh...impress Huntara and reveling with the butterfly ladies of Elberron in Flutterina).  Around Catra, though, she’s a cocky, swaggering jock who gives as good as she gets. It’s a side of Adora we’ve only seen hints of before, and one that’s so much more confident and joyful even as the world is ending around her. Apart, Catra had tried to protect and vindicate herself with power and conquest, while Adora had tried to forget herself in duty and sacrifice. Together, they can be themselves again. This dynamic is crucial to the show’s portrayal of Catra and Adora’s romance because it doesn’t just show how much they love each other, but how they’re -good- for each other now that they’ve grown as people, and that they are so much better than they were when they were apart.

Until Shadow Weaver shows up. Their old abuser reintroduces tensions but even then things are different than they were. Now Catra isn’t just resentful of how Shadow Weaver prefers Adora - she’s  protective of Adora, which is clearest in Failsafe when she calls Shadow Weaver out for being willing to sacrifice Adora. And while Adora takes the Failsafe, it isn’t to follow her destiny or because she has a death wish - it’s because she loves her friends, and she is the only one who has any hope of doing this and living (though Catra’s suggestion that Shadow Weaver take it is a good one). And finally, when Catra leaves Adora, it isn’t because she hates Adora, nor, despite what she says, is it because she really thinks that Adora chose Shadow Weaver. At least, not exactly. It’s because Catra loves Adora, and can admit that to herself, and can’t stay around and watch the woman she loves sacrifice herself rather than choosing Catra. Before Catra leaves, she asks Adora ‘What do you want?” It’s a question that echoes Shadow Weaver’s speech in Episode 1: ‘isn’t this what you always wanted since you could want anything?’ As much as Adora has grown as a person, and defined herself and stood up for what she thinks is right, she still has never answered that question - it’s never been ‘what do I want’ but ‘what do I have to do?’ and that’s how Adora answers Catra’s question. This is Adora’s last gasp as a self-transcending hero, letting go of what she wants (not that she ever dared articulate what that was) in order to do what must be done. And it nearly kills her and dooms the universe, because Adora can’t be the hero that she needs to be by being anyone less than herself.

But it’s losing Catra that inspires Adora to tell off Shadow Weaver for good (not that she’d ever really warmed to her after season 1). And it’s love for Adora that inspires Catra to stand up to Shadow Weaver and demand that she do the right thing. In both cases, Catra and Adora aren’t just standing up to their abuser, but holding her to account for the harm she’s caused, and it’s the love that they have for each other that inspires them to do this. In Catra’s case in particular her refusal to let Shadow Weaver weasel out of finding Adora is a much greater triumph over Shadow Weaver than beating her up and breaking her mask in Season 1 - it’s proof not so much to Shadow Weaver but to Catra herself that Catra really is better than this and that she deserves better than this. It’s not turning her abuser’s tactics against her, but truly holding her to a moral standard and demanding that she do the right thing.

And then there’s Catra and Adora together at the heart. Catra has already come back for Adora and stayed to the end, choosing to die with her even if she can’t share a life together (not out of some death wish, but because Adora needs her). And Adora, who’s been avoiding answering the question for three fucking years, finally let’s herself want Catra when Catra finally confesses her love (breaking the last of her self-protective shields) and asks Adora to stay -for her-. And by admitting what she wants, Adora can truly be at peace with herself and be the hero she needs to be, lesbianism saves the universe, The End.

So anyway, that’s how Catra and Adora’s stories are woven together and how they compliment and comment on each other. Narrativiely, Adora and Catra start together, come apart, find something of themselves, and truly find themselves and each other when they are reunited. Thematically, they are critiquing seemingly opposing narrative tropes - empowerment narratives and narratives of self sacrifice. But by showing the flaws in both types of story and showing how neither self-seeking empowerment nor self-negating self sacrifice can actually make us happy, She-Ra asks and answers more profound questions than most prestige dramas for adults do. I’ll get into how the show sells the idea that the power of love can bring us happiness (and save the world) in a future post. But next up, I’m going to celebrate just how much Catra and Adora’s relationship revels in ambiguity, complexity and contradiction and so tells a grown up love story in a kid’s show.

#she ra #she ra spoilers #she ra adora #spop #catradora #she ra netflix #she ra and the princesses of power #goat ship #long #meta

[dangermousie]

Here it is - the moment my heart switches from like to love, for Crichton and the show, on every rewatch.

It is such a little moment. Aeryn and John escaped and Aeryn made contact with Crais, her superior officer. Of course, neither John nor Aeryn know that Crais wants to kill John because of the accident which killed Crais' brother (And this is so the Farscape ethos - John is doomed and hunted for a moment of pure bad luck that happened the moment he ended up here, a moment he did not know about and cound do nothing to change. As he said in a much later episode, they’ve basically found the map to the cruelty of the universe.)

And there is the scene. John is captive, peacekeeper guns all around him. Crais circling him like his personal piece of property (Poor John. This is only a start. This is not the Aurora Chair, not Grayza, not Scorpius, not Scarrans, not Harvey). John watchful and realizing the wrongness (and OMG his innocence breaks my heart) and Crais telling him he'll dissect him. And Aeryn speaking up and telling Crais (and I love this. She didn't have to say anything. She didn't have, she should know it's a risk in such a society) that she didn't believe John was capable of killing Crais' brother because he is not intelligent or brave enough. And Crais, crazy Crais, fixating on her and asking her in this tone 'just how much time did you spend with this human?' And. And. And. This is the moment I fell in love with John Crichton all over again. He gives this quick, intense glance at the situation and he speaks up (to Crais), quietly and a little bit desperately: 'Not much, not much at all.' Why? It's so hard to put into words. I think because in the middle of all this (where there is the probability of him being killed in a gruesome fashion) he speaks up for Aeryn automatically, without the second thought. Maybe because even though as an alien he has no idea what is going on, he catches on so quickly, judges it so quickly, recognizes the danger to her, before she does herself. Maybe it's the seriousness, and the intensity, and the reassuring little nod he gives to her. Even utterly helpless himself, he tries to save Aeryn. This Crichton is not yet the Crichton that will literally turn the galaxy upside down to save the woman he loves, not someone who will make impossible choices and bear it all, but it's all in there already, all the qualities, and you can see that. In a way, knowing how all of these people will end up makes it even more delicious. Seeing Crais, all neat and orderly, before he went so crazy and AWOL (and his dishevelment definitely paralleled his fall from grace) and way before he redeemed himself. Seeing D'Argo as a self-concerned, immature, angry being. Seeing Aeryn as Peacekeeper Aeryn Sun, not a complex evolving human being yet, not a woman, not a being of her own will. But the seeds are still there. I cannot imagine other peacekeepers speaking up for John, trying to save him a bit. When John says 'You can be more' that is the thing. There is a 'you' in her to be more. There is something to start with. She has a soul that is not warped past return. And the chemistry between the two? Amazing. Even in this first ep, where they are nothing more than reluctant allies at first, disdain on her part and confusion on his. Btw, that first meeting? I love it love it love it so much. I watched 'pilot' after I've seen S4 and I remember going, as Aeryn threw him against the bulkhead and hit him and then demanded his rank and serial number. 'John, meet the future mother of your child.' Heh. God. It amazes me how far the two will come and yet how organically. And it's so true about all the relationships. Watch D'Argo and Crichton interact here: the anger on D'Argo's part the 'he is crazy' on John's. They don't even tolerate each other and yet by the end they are the best of friends. I love that Farscape, even though its romantic relationship was so crucial (didn't David Kemper or someone describe Farscape as a 'love story') also had all these incredible, well-developed, organic, fascinating other relationships: friendships, familial. Another thing I love? John saves the day with his brain. God, how much do I love that. He is a scientist, not a military guy, not a 'space jockey' like his Dad. He is a scientist. And that is why he can never get used to collateral damage, to killing, no matter how much of it he does, he is forced to do. And the show never forgets that. Farscape is one of those rare fictions (because I am not just talking about shows, but movies and books as well) where I do get convinced that John is indeed brilliant. And that he loves the science, he loves discovery, he loves the work. Despite wormholes being tainted so much with everything else, he is genuinely excited, involved in working on them. I keep remembering the S3 finale where even though he is pretending to work for Scorpius, he can't help but get into it, where equations literally pour out of him in scribbles everywhere, on windows, on pieces of paper, writing on his own arms. John is an obsessive. Here it is yet small: he wants to prove his theory. And even in the middle of the escape he is excited that it's proven. His obsessiveness will of course be brought out spectacularly by his stress later on, and his feelings, but it's already here.   But to get back to what I was saying: I just love that he gets to win with his brain. And that is consistent. Because that is why he becomes the defacto leader of Moya. Not his amazing fighting prowess. He becomes quite competent in the later seasons, but he will never be pure warrior the way D'Argo or Aeryn are. It's his brilliant, crazy, completely creative plans. That, and the power of his conviction. John's conviction is an utter, absolute, contageous thing. It's not brought out fully yet, but I am struck by the foreshadowing of when he tells Aeryn to come with them, tells her she can be more, changes her life. It's the same conviction that will later have him walk into a Scarran station, unarmed, most wanted man in the galaxy, to get Aeryn out. And getting the Moya crew to come with him.   But then, all of John is already here, just not forced to the surface yet. His crazy humor as way of coping with the insane universe about him. The core of steel (he is lost and dazed in this new word which is great because he is in a way proxy for the audience, but he doesn't bend before D'Argo e.g. and he is adamant to D'Argo about taking Aeryn with them or no one escapes), the inner decency and basic kindness (that kindness will be almost beaten out of him but shadows will always remain) when he tapes up the broken eye-stalk of the DRD - “merely” a mechanical critter on Moya. Oh. GUH.

@mousieta I am so glad we are doing this!

#farscape

[lilover131]

Chapter 55 Thoughts

It’s been a while since I’ve taken the time to actually write down my reactions and thoughts about a chapter, but after a agonizing 3 month wait for a new chapter, I had a lot of time to think about a lot of things. The final day was certainly the most difficult, and I slept horribly trying to wait for this chapter to come out (it’d be nice if companies could regularly list like....a release time on a certain date so people aren’t literally refreshing the page every 5 minutes to see if it’s up. Or at least have some consistency!). My lack of sleep and constant thoughts about CCS though did manage to stir another CCS related dream, which I will talk about in a separate post. 

But hot damn was this chapter worth the wait! It certainly wasn’t what I expected, but it was really great in a lot of ways! 

ANYWAYS, I’ve rambled enough. My thoughts on this chapter are below the cut! 

So I will start off by praising the hell out of Sakura for her quick thinking in using SIEGE. That was definitely a wow moment for me and really shows her growth as a magic user and as a person honestly. This action not only spoke to her skill but also to how quick thinking she is in such an uncertain situation. Surely, having never had any reason to doubt Kaito or question his abilities before, It is almost unbelievable that she managed to think of that and do that in the mere seconds she had to respond after Syaoran made his accusation of Kaito. I’ve noticed as of late that her instincts in particular seem to be really really on point. She starting to trust herself and her feelings, and because of this, she is able to act without hesitation, and I have a feeling that is  going to be extremely vital later on. 

Sakura starts off by asking the real important questions and things I would ask myself in her shoes having just met another magic user, especially one with unclear intentions like Kaito. She seemed like she was studying him to gauge him and the reasons for his actions or what he might do. What intrigues me about this part is she first asks him if he knows about her being able to use cards. He answers with a simple “Yes”. But when she asks about if he knows about Syaoran, his answer is far less simple, and that might potentially be telling. Kaito stated that he knows Syaoran to be a “extremely gifted sorcerer” and “the next head of the Li clan”. Now, perhaps I’m overthinking this, but he could have just answered ‘yes’ like he did with Sakura, but instead he listed specific details about him that shows Sakura he has done his research and knows a lot about him. Now, we already knew that he had this information of course, but why does he want Sakura to know this in that moment? I’m fascinated by this and what he was trying to tell Sakura by telling her he had this sort of knowledge. Additionally, why is it that when it pertains to Syaoran, Kaito behaves so much differently than he does with anyone else? I’ll probably delve into that in another post, but I have some theories on that. 

After making this statement, Sakura and Kaito exchange some meaningful looks, though it’s unclear what the both of them are thinking in that moment. Sakura turns to look back at Akiho and Syaoran and appears nervous, like she’s concerned about something (I have a theory to that as well, but I’ll leave that for another time). Then, Sakura mentions Momo and asks where she went, indicating that she has not forgotten about the other person around earlier. Sakura seems to really be evaluating her situation with these questions she’s asking, but unbeknownst to her, Momo has been cut off from her tv drama and is pouting in the mansion. hahahaha! 

Momo, while upset that she can’t see what’s going on anymore, praises Sakura for her for her quick thinking and mentions that neither she or Akiho’s mother accurately predicted how powerful Sakura would become. The implications of this are unknown as it is unclear what they are trying to stop to begin with. 

The scene changes back to Kaito and Sakura’s ‘standoff’, and Kaito states that Sakura cannot stay hidden in SIEGE’s field forever. I believe he was trying to stir a reaction and speed things up as probably the longer he has his time spell up, the more it affects his body, so he cannot afford to waste any more time. In what appears to be his way of showing desperation (at least in my opinion), he points his staff in Syaoran’s direction and threatens Sakura by stating that “He will make the first move” if she won’t. My jaw dropped a this, and though I don’t believe he actually had any intentions of hurting Syaoran, just the implications and threat of it was enough to make my blood boil. Lmao. 

BUT ONCE AGAIN, SAKURA IS QUEEN and reacts ridiculously fast to protect her man and uses one of her newest cards, TRANSFER, to switch places with Kaito and....well...she put him in a box. Hahahaha!! Seeing Kaito all crammed in that small space inside of SIEGE was honestly so satisfying and it was nice to see him on the losing side for once. I can’t imagine he was happy about it either. He’s used to things going his way, and in this particular venture, it has been anything but. 

However, this unfortunately also becomes Sakura’s downfall. By switching places with him, she put herself out of the protection she had before and was now affected by Kaito’s time magic. She managed to take a few steps, running towards Syaoran, before she ultimately was stopped. Kaito makes mention of her progress. When you think about it, she’s gone from being able to move a pinky to moving as far as she did this time, so it’s a significant growth. 

He goes on to talk, though it’s unclear if Sakura could hear him at all, about a phrase Akiho had learned in her Japanese dictionary one time about “growing leaps and bounds”. He seemed lost in a memory where Akiho spoke of how she wished to improve her Japanese so she could become even better friends with Sakura and the others, and how happy she looked when she spoke of this. Honestly, this sentiment from Akiho is super relatable and resonated with me. I am fortunate to have so many friends in so many different parts of the world, and I absolutely love learning about their cultures and words of their native language so that I can become closer to them. But what also makes this moment so meaningful is that in this particular moment, Kaito is thinking about Akiho and her smile. One may wonder “Why is he saying this right now?”, but it really does display how much Akiho is on his mind and how much he cares about her and his reasons for doing all of this. 

Shortly after saying this, he seems to be in pain again, showing once again the deterioration of his body the more he uses time magic, and it seems clear that he really is getting closer to his own demise. He even says as much when he pleads to Sakura to please make the card he needs soon, before he runs out of time. I don’t think he’s necessarily displaying a will to live or anything yet, but more a “I have to get this done before I perish, or it will all be for nothing”. 

Disappointingly, time is rewound once again, and he takes it back to before he and Akiho decided on a location for their outing. @meimi-haneoka​ mentioned this, and I agree with her, but he could have rewound to any point in time and could have completely undone their entire day, but he chose to still have that outing with her anyways. It was a conscious choice he made, though he quite casually made sure they changed the choice of location (for obvious reasons). Lmao!!! 

Now we get to the really exciting part. So after Kaito rewound time, I gave a big sigh and thought “Well, here we go again”, but something was very different this time. Sakura’s serious expression standing in her hallway said it all, and she suddenly grabbed her phone from her purse and called Syaoran, saying “We need to talk. It’s important”. 

So Syaoran, being the most adorable worried boyfriend he is, runs into her house literally in the next panel and immediately asks if Sakura is okay. I can imagine that he probably ran the entire way to her house too, and it’s just so wholesome I can’t even. It’s crazy how well CLAMP shows the strength of their love just through small actions like these, and it really is a work of art with its subtleties. 

Kero and Suppi have not been told why Sakura’s behaving so seriously, as she was waiting for Syaoran to get there first, but soon enough she tells them all at once about how she remembers using SIEGE at the botanical garden. This understandably confuses Syaoran, since in his mind they haven’t even gone there yet. But, she goes on to explain that she remembers using SIEGE, but more importantly that she remembers seeing Kaito using magic. This is HUGE. Not only is this progress (have we finally gotten out of rewind hell?), but this means that Sakura likely will not be nearly as affected by any time magic in the future. And if Kaito cannot make her forget about him using magic, that makes every action he does in the future very precarious. It’s unclear what the implications are of this revelation, but it’s going to entirely change how she reacts around Kaito, perhaps how she reacts around Akiho, and the dialogue she has with Syaoran. Syaoran should theoretically be able to talk to her now about Kaito and what he’s done so far and what they know, and I’m so so curious to see what Sakura will do with this knowledge. Will she be upset? Will she be mad? Certainly she won’t be happy to know that Kaito’s been forcibly keeping Syaoran silent, but Sakura is a forgiving person in nature, so it’s hard to say what she’ll do. 

Anyways, this chapter was incredible and I cannot wait to see how this develops from now on. I have a feeling things are going to get real intense here soon now that Kaito can’t control things like he’s been doing a majority of the series. Things are definitely different now, and honestly it’s about fucking time. 

#cardcaptor sakura #clear card #chapter 55 #spoilers #chrissy talks a lot #theories #analyzation #summary #thoughts #kaito #sakura #syaoran #akiho #momo #manga #clamp

[rise-my-angel]

Hi! I really liked your take on Hopper's character. You're incredibly insightful and I'm genuinely in awe because you REALLY hit the nail on the head and are absolutely right about his character. Can I ask what your takes were on Will's character in season 4 (apparently the Duffer brothers completely forgot Will's birthday 😒) and the whole Nancy and Steve thing happening again?? I'd love to hear your thoughts!! Thank you Mimi!! You've got so much depth and I love the way you think/ view things. 💜💜

This is so sweet, i just remembered really liking how Hopper started off as a man adrift, a cop lost after tradgey trope, but didnt have to turn into a confident gun slinger to get out of it. Instead he learned to trust other peoples instincts and support them, and learned how to be okay with being a father again and then being so confused as to why he was suddenly that gun slinging loud mouth in season 3.

Will though? I dont think the duffer brothers knew where to take his character after season 2. Will that whole season his fascinating, he grapples with being back in the real world while fighting these incidents of feeling like hes been pulled back to the upside down. Only to lose himself in a creature beyond his comprehension, like that scene where they are trying to burn it out of him as the mind flayer uses will to desperately manipulate them into stopping is such a great piece of acting that we never see again in his character

Season 3 Will actually had potential to really elabotate on the concept that Will has felt left behind. He lost so much to The Upside Down that he really needed an arc that helped him learn that he can never get those stolen years back, but that he can find new purpose in the life that has been gifted to him. And in season 4, I wish they just did more with Will and El. I get the importance of Mike to both of them, but Els story starts heavily with struggling of the loss of her dad.

Will, is the only one there who can even remotely relate to her struggles and I with there was more focus on Will doing to El what Johnathon did for him, support her in a way that doesnt just calm her upset, but helps her start to feel like she has a family in him. Will would relate to her more then his own family at this point and I wish they let him form into an older brother, finally coming to terms with his own past and using it to guide someone else out of a dark place like he once was in. Instead of just playing this weirdly passive role of just going along with the groups choices.

Also I know why theyre doing the Stancy angle. They spent a lot of time on the Nancy and Jonathon arc, only to find that the fans really didnt get hype the way they wanted. The fans liking that kind of storyline, instead were invested in Steve. His growth, his friendship with Robin, how he stood on his owm without anyone else.

Hinting at Stancy puts an interest in Nancys storyline back to align with a character who the fans are invested in. Its why neither her or Jonathon mention the other once the plot starts. They want you to forget how much time they spent trying to invest you into that relationship, and force their female teenage lead into a storyline with the other popular character in her age group, regardless that theyve established that they not only are NOT compatible or good for eachother but that theyve never even hinted at still liking the other.

Steve didnt run a car into Billys car to protect Nancy only to get out and share a moment of romantic awe and care, no he did it beacuse he would do it for any of them. If they want to explore Nancy maybe regretting her decision for the first time ehen her and Jonathon finally have a real conflict thats one thing, but Steve has moved on. Let him move on he doesnt like Nancy anymore.

#season 4 is good #but its backing a lot of character development off of the badly written ways of season 3 #which sucks #beacuse everyone ends season 2 with closing the book on their past traumas and personal struggles #only to have season 3 either make them out of character in order to fufill the 80s action angle they are trying to emulate #or under write them out of a lack of interest in developing a new path for them #and season 4 just reiterates that #its a shame beacuse season 4 is so good in so many ways but its flaws really show in their dedication to this under written #or out of character path they took in 3 #sorry #I just #i love media analysis #i love analysing character development #long post

[itsclydebitches]

Voyager. Now that’s a kettle of fish. Obviously watch/enjoy whatever you wish, but I do recommend also checking out SFDebris’ reviews of the episodes (he’s the rwde of Voyager). He is a lot smarter and more eloquent than me.

Putting these two asks together since my thoughts on both are all jumbled! 

Now, I want to emphasize that I’ve only watched the first 16 episodes (Season One + Season 2 premiere), so idk if Voyager is going to go seriously downhill later on, but right now I do really like it. And not in a, “Lol yeah compared to the other crap on it’s good, I guess” way, but in a completely honest, “It has its flaws, but is overall a solid, compelling show with lovable characters” way. Out of curiosity I watched SFDebris’ review of “Phage,” though I’m afraid I didn’t agree with it. The only part were I was like, “Yeah okay” was pointing out that they had the Doctor using a keypad when he supposedly wasn’t solid, but that’s precisely the sort of continuity error that, in an otherwise strong show, I’m willing to shrug off. For all the major points, it sounds like SFDebris is concerned primarily with the show he wants Voyager to be, rather than the show Voyager actually is. Which I know sounds familiar--I’ve heard that criticism leveled at my own work: “You just want RWBY to be a totally different show”--but the difference is that Voyager is a part of an established franchise, following three other TV shows, an animated series, and a collection of films. It’s not an original show (like RWBY) that can take itself in any direction the story may need/claim to want (again, RWBY). It has a brand and those established characteristics seem to be bumping up against SFDebris’ critiques: 

Hating Neelix as a character - You’re supposed to hate him. Or at least find him frustrating (I don’t personally hate him) because that’s what all the characters are grappling with too. From Tuvok forced to have an awkward conversation while Neelix is in the bath to Janeway dealing with him taking over her dining room, Neelix’s conflict revolves around how others learn to accept him. Star Trek as a franchise is about “Infinite diversity in infinite combinations.” Voyager begins with the problem of how the trained Federation officers are supposed to work with the more violent Maquis. Difference doesn’t just create “Wow, you’re so amazing!” reactions, it also includes frustration, disagreement, and outright hostility. Creating an outsider character with a kind heart but incredibly overbearing personality is a great way to test the other characters’ convictions. Do they actually care about all life in the universe? Or do they only care about life when they personally find it palatable? Having Neelix around is a great reminder for them--and the viewer--that just because someone annoys you at times doesn’t mean they’re any less worthy of love, respect, and companionship. It also doesn’t mean they don’t have something to offer: he keeps the crew fed even if his cooking is horrible, he provides information about this area of space even if he sometimes gets it wrong, we roll our eyes at the “Morale Officer” stuff, but Neelix does provide much needed perspective for characters like Tuvok. If Neelix made fewer mistakes, stopped bugging the crew, became a “cooler” character for the audience to root for rather than be frustrated by... a lot of the point of his character would be lost. 

Frustration about discoveries not carrying over to the next episode - AKA, the crew finds inanely powerful, alien tech and then (presumably) never uses it again. This would indeed be a big problem in a serialized story (like RWBY) but Voyager maintains much of Star Trek’s original, episodic nature. Though we have continuity in the form of them inching towards home and evolving as characters, the world still resets to a certain point at the end of each episode. This is what allows Star Trek to explore so many different questions and have so many different adventures. If you demand that serialized continuity--this character needs to have an arc to deal with this traumatic experience, the crew has to follow the thread they just discovered, our Doctor needs to do something with the new tech they just found--then you lose the variety that Star Trek is known for. Instead of a new story each week (or, occasionally, across two weeks) you’ve got a single story spanning months. Neither form is better or worse than the other, it’s absolutely a preference, but there’s a very specific, structural, intentional reason why the characters “forget” about the things they’ve discovered and, at times, experienced. Unlike Ozpin forgetting that he has a nuke in his cane for seven volumes, or Ruby forgetting to use her eyes at crucial points, Star Trek deliberately sets things aside to ensure there’s room for new ideas and questions next episode. 

Janeway doesn’t kill the Vidiians to get Neelix his lungs back - No Starfleet captain would. At least, not during this period of Star Trek. Sisko has development in that regard (making morally gray choices), but that’s built into the heart of the show from the start: he’s on a station, not a starship, that is jointly run by the Federation and the Bajorans, and built by the Cardassians. The rules of the Federation always had a tenuous hold there and Sisko as a character always pushed the boundary of the Federations expectations (Q: “Picard never hit me!”) Janeway, in contrast, is 100% a Federation captain and, more importantly, has explicitly told her crew that they will be operating as a Federation vessel, despite being so far from home. That’s the conflict between the officers and the Maquis. That’s why Tuvok accepts the alien tech in “Prime Factors,” recognizing that Janeway can’t. That’s why Seska is a compelling antagonist, pressuring the crew to abandon their ideals for survival. The series (or at least that first season) revolves around questions about identity and whether they’re willing to give that identity up now that they’re out from under the Federation’s thumb. Overwhelmingly, they choose not to... which would make murdering the Vidiian a complete 180 for her character. We’re not necessarily supposed to agree with Janeway’s choice, we’re supposed to acknowledge that murdering another sentient being is not some simple choice to make, especially when you’re a leader devoted to a certain set of ideals. We’re supposed to recognize the challenges here (many of which SFDebris doesn’t acknowledge) like how you’re supposed to keep a prisoner for the next 75 years when you’re already struggling to feed and take care of the crew you have, or the fact that they claim to take organs from dead bodies and this was a rare time when they couldn’t. (It’s only in “Faces” that we learn this is complete BS and they actively kidnap people to work as slaves and then be harvested.) The frustration that Janeway doesn’t act here stems from wanting her to be a character who is, fundamentally, not a Star Trek captain. 

Granted, I only watched one review, but that’s what the whole thing felt like: wanting a series that’s not Star Trek. Something without a token, challenging character, without hand-wavy science, that’s more serialized, and doesn’t adhere to a “do no harm” code. (I just started “Initiations” and Chakotay asks a vessel to stand down three times, while actively being attacked, before finally retaliating and then he tries to reestablish communications and then he warns them about their engine and then he beams them aboard his shuttle. That’s what Star Trek (usually) is: that idealized love of life, even when that life is actively hostile). And like, that’s obviously fine! As you say, Flawartist, “watch/enjoy whatever you wish,” but just based on this one review I wonder if SFDebris just wants something other than Star Trek. 

I think one of the reasons why I feel passionately about this (beyond my love of context and recognizing when shows are actively trying to accomplish something specific) is that I went through this with DS9. For years I heard about how horrible the show was. It’s trash. It’s a mess. It’s not TNG, so don’t even bother. Or, if you do, be prepared for disappointment. There was this whole, strong rhetoric about how silly it all is--Star Trek is, by default, silly, so supposedly only the Shakespeare loving, archeology obsessed captain is sophisticated enough to save it--and then... I found nothing of the sort. I mean yeah, obviously Star Trek is silly as hell (that’s part of its charm), but DS9 was also a complex, nuanced look into everything from personal agency to the threat of genocide. There’s so much wonderful storytelling there... little of which made it into my cultural understanding of DS9. And now I’m seeing the same thing with Voyager. When I did some quick googling I was bombarded by articles saying how bad it is and now I have an ask comparing it to a show I don’t think has even a quarter of the heart the Star Trek franchise does. Which is is not AT ALL meant as a knock against you, anon. I’m just fascinated by this cultural summary of Star Trek: TOS is ridiculous but fun if you’re willing to ignore large swaths of it, TNG is a masterpiece and that’s that, DS9 is bad, Voyager is bad, and to be frank I haven’t heard much of anything about Enterprise. It’s weird! Because I watch these shows and I’m like, “Holy shit there’s so much good storytelling here.” Is it perfect? Not on your life, but it’s trying in a way that I can really appreciate. It’s Star Trek and Star Trek (at least at the time) meant something pretty specific. Criticisms about divisive characters or idealized forgiveness feel like walking out of a Fast and Furious film and going, “There was too much driving and silly combat. Why didn’t they just fix the situation in this easy way?” Because then we wouldn’t have a film about lots of driving and silly combat! If you make all the characters palatable, make Janeway harder, extend the impact of all the discoveries, remove the ridiculous science that doesn’t make any sense... then you don’t have Star Trek anymore. 

#star trek #ST #mymeats #flawartist

[joestarsecrettecnique]

I am so very sick and tired of the toxicity that’s been poisoning the snk fandom as of the last couple years. I gave myself time to digest the ending and my feelings on it, before embarking in a journey to debunk many misconceptions and critiques I’ve seen floating in the fandom.

By the way, by no means I think this ending is perfect. I think this is textbook execution by Isayama to tie together every loose end left behind in an orderly manner, and I think that it was a bit rushed and oversimplified. I would’ve wanted more of Eren and Armin’s conversation, more of the squad realizing what his true goal had been, and some narrative choices I don’t 100% agree with. But still, what I saw in other fans’ critiques post 139 frankly appalled me, so I feel the need to make this. Also, this obviously are my own interpretations, I am not Isayama himself lol

“Ew, so Eren did pull a Lelouch after all”

No, Eren did not pull a Lelouch. While his action and the final result may seem similar, I find very different nuances between the two. Lelouch wanted for the whole world to be united in fighting against him, and thus he made himself the world’s greatest enemy. His will to turn himself into a monster was selfless. Eren didn’t give a damn about the world, he had no noble intentions whatsoever. He said it in chapter 122, his goal was to protect Paradis and, more specifically, his closest friends. He turned himself into a monster, killed 80% of human population, and endangered the lives of those very friends he wanted to protect, so that by stopping him, those friends could be safe. Eren had no intentions to break out of the cycle of hatred or unite the world against himself, he just wanted to give his friends a chance to survive, and that is not selfless, it’s selfish. Eren’s goal was incredibly selfish, and biased, and driven by his feelings instead of rationality. Nothing like Lelouch!

Now this, this I myself am not the greatest fan of. I feel like it makes that great scene in chapter 122 loose a bit of its strength, Ymir obeying the king for 2000 years just because she loved him. Honestly, I always thought there was a bit of Stockholm Syndrome going on, but I didn’t think it would be the only reason. However, like it or not, it’s undeniable that it makes perfect sense in the narrative that aot has always strived to tell. Love has been a theme strongly woven in the story, and it also draws a great parallel between Karl Fritz/Ymir and Eren/Mikasa. Ymir was a slave to her love for King Fritz, just like Mikasa was a slave to her love for Eren, in that she struggled to accept reality until the very end despite the atrocities that Eren committed. Ymir stayed bound by her love for King Fritz, until she saw Mikasa break from her own poisoned love, aknwoledge it, and kill Eren despite of it, or maybe because of it. Only Ymir knows that one, heh. But the point is, Mikasa showed Ymir that she could break free of a toxic love, she was that someone that Ymir had been waiting for to finally free her of her burden.

“What? But that makes no sense!”

Now, on my first read, I simply thought that Eren had ordered Dina to avoid eating Berthold, and that he had made her walk down that road unaware that his mother was trapped (because we know that the Attack Titan’s future memories aren’t infallible, there are still gaps), killing her indirectly. I’ve since then read some theories stating that Eren willingly killed his own mum in orther to give kid himself a reason to feel enough hatred to kickstart the whole story. Honestly, I like this version maybe more! But let me explain to you why this is not a plothole, like many people think. In this same chapter, we have Eren explaining how the Founder’s power works in synergy with the Attack’s: “There’s no past or future, they all exist at once”. This means that time travel in aot doesn’t work in a manner where Eren extracts himself from time and space, and from a separate realm he operates on the past. The way I understood it, the mechanics works kind of like Tokyo Revengers’ time travel. MInd you, I only watched episode one, so my understanding might be jackshit.

Spoilers for Tokyo Revengers’ episode one. In the show, the main character loses consciousness and finds himself reliving his past. He interacts with someone in this “new” past, and when he wakes up again in the present, past events had been over-written by the changes he made. I think this is how aot timetravel works, with the exception that, since past and future (and present, of course) all happen at once, side by side, there is no old past to be rewritten, neither a future to return to, and present Eren wouldn’t be aware of the changes that his future self would make. It creates sort of a time paradox, yes, in the sense that there’s a loop where present Eren’s mom has been eaten because future Eren, in the future, operated on the past by causing past Eren’s mom to be eaten, but all these Erens are one and the same, as all timelines exist at once.

“Boo-hoo they ruined Eren’s character, he’s such a wimp!”

I have to confess (isn’t this appalling, that this is a thing that I have to confess, what the actual fuck), I am an Eren stan. I absolutely do not consider myself a Jaegerist, I think Eren’s option was better than Zeke’s, yes, but it was morally wrong and awful and he absolutely was not only in the wrong, but also if he wasn’t dead I’d want him to be punished for his crimes. I didn’t particularly enjoy him pre-timeskip, and I started to like him because I found his evolution fascinating. I wanted to understand his motives, what was going on in his head, he was a puzzle that I wanted to solve. Maybe because I’m a psychologist, who knows. Anyways, if you’re an Eren stan only because he acted like a chad and now you cry his character was ruined, I’m sorry to say, you never understood him. Eren was not a god, he was not a strategist playing 5d chess with perfect rationality, Eren was the same he has always been. He was a young man spun along by his passions. Eren feels things with burning intensity, he lets himself be driven by his emotions. He almost flattened the world because he was disappointed that he and his friends weren’t the only human beings inhabiting it, for fuck’s sake, he’s always been irrational, selfish, and immature. Of course he doesn’t wanna die, of course he want’s to live with all of them. You really expected a 15 year old hot-headed brat to become Thanos after he suddenly found out he killed his own mum and all his dreams had been crushed? Of course he felt conflicted, of course he suffered, of course he wanted to live, “because he was born in this world”. Honestly, when I read his meltdown, I felt relieved that his character hadn’t been turned on its head, it was heartbreaking to see that he really was the same brat he’d always been, that he’d tried to steel himself to do horrible shit for his friends’ sake and that he felt bad about it! It made me appreciate his character a lot more, I felt nostalgic towards the times when I was irritated by his screaming and pouting. Suffice to say, this is also my answer to all those people that believe his internal monologue to convince himself the Rumbling was what he really wanted were bullshit since he “pulled a Lelouch”. How can it be bullshit? Maybe he planned to be stopped, but he also said that he thought he would’ve still done it if they hadn’t. He also said that killing a majority of the population was something that he wanted to do, not a byproduct of the alliance not stopping him early enough, because with the world’s militaries in shambles Paradis would’ve had time to prepare accordingly. Anyways, of course he needed to convince himself to do this awful thing even if he knew he wasn’t gonna succeed completely, can you imagine how horrible it would be to know your only chance is to kill thousands?

I also maybe think it was because of the spine centipede thingy? When Eren says “I don’t know why I did it, I wanted to, I had to”, he gets this faraway look on his face and we get a zoom in on one of his eyes, which is drawn very interestingly and kinda looks like the Reiss’ eyes when they were bound by the War Renounce Pact? So maybe it was also the centipede’s drive to survive and multiplicate that forced Eren to do the Rumbling so that its life wouldn’t be endangered. I don’t know how much I like this, I feel like it takes some agency away from Eren and also makes it feel like he’s not as responsible for the genocide he committed that we initially though, which mhhh maybe not, let’s have him take full responsibility for this. As I said, I’m not defending Isayama blindly, I do have some issues myself with what went down.

“What the fuck, did he say thank you for the genocide?”

Guys c’mon, this is like,, reading comprehension. Yes, it was poorly worded and a bit rushed, but by now you should have full context to make an educated guess on the fact that no, he didn’t thank him for committing a genocide what the fuck you guys. Armin started bringing up the idea that maybe they should have Eren eaten because he was doing morally questionable things ever since the Marley Arc, which for manga readers was like what, 2018? Isayama has been showing for three years how not okay Armin was with Eren’s actions, how could it make sense for him to thank him for a genocide? You see some poorly worded stuff, and your first instinct is to ignore eleven years’ worth of consistent characterization to jump to the worst interpretation possible? Let’s go over this sentences and reconstruct what they mean.

“Eren, thank you. You became a mass murdere for our sake. I won’t let this error go to waste”. Armin recognizes that Eren had no other choice, but does not condone it. He clearly calls it an error, which feels like an euphemism but for all we know the japanese original term used could’ve been harsher. Point is, he clearly states he think what Eren did was wrong. But he recognizes that Eren’s awful doing opened up a path for Paradis to break out of the cycle of hatred. Not a certainty, but an opportunity. He thanks Eren for giving them this chance, and promises not to waste it, even if it was born out of an atrocity. He thanks Eren for sacrificing himself for their sake, even if he doesn’t agree with the fruit of his labor, so to speak. He’s thanking Eren for the opportunity that his actions gave them, not for the actions themselves! Where the hell do you read “thank you for the genocide” guys, sheesh. I’m mad at y’all.

“How could Eren send MIkasa memories if she’s an Ackerman and an Asian, and their memories can’t be manipulated by the Founder? I call plothole!”

Now, here we’re going into speculation territory, so you’ve been warned. I don’t think that that information they gave us was true, about Ackermans being immune to memory manipulation. We know at least that the clan is in some way subject to the Founder’s power, or Mikasa and Levi wouldn’t have been called in the Paths by Eren multiple times. Stories never being entirely true or false, or relativity, better said, has been a strong theme in the story, we know this by Marley’s and Eldia’s different accounts of history compared to the actual Ymir backstory we got. So who’s to say that the belief that Ackermans aren’t manipulable is the truth? Maybe they’re just hard to control, not impossible. We know that by the Founder’s ability Eren experienced past and future happening simultaneously, so he could’ve very well been trying to send those memories into Mikasa’s head ever since the beginning of the story, only just succeeding in chapter 138. It would at least explain Ackerman’s headaches as Eren trying to manipulate their memories and failing. Of course, we’d need Levi side of thing to know for certain, as he had headaches too and we weren’t shown in the chapter if Eren spoke to him in paths like he did with the rest of the squad. We know he didn’t talk to Pieck, but he even went and spoke to Annie who he basically hadn’t seen since Stohess, so I hope he spoke to Levi too. Who knows, maybe he even spoke with Hanji, but she died before she could remember. I wish we were shown that, honestly, I’m sad that it was skipped, especially after Levi said in an earlier chapter that “there was so much he wanted to tell Eren”. Fingers crossed for the anime to expand on it.

“So Historia’s pregnancy was useless”

What? No, it wasn’t useless! Eren told her to get pregnant to save her life, so that she wouldn’t be turned into the Beast Titan. If she became the Beast Titan, then Eren would’ve had to enact the plan with her instead of Zeke, and yeah, Ymir brought the power of the titans with her, so theoretically Titan Shifter Historia would’ve had her time limit removed, but we saw that the only way for the Alliance to stop the Rumbling was killing Zeke, so Historia would’ve had to die. Useless to say, when Eren talked to her about his plan, she was very vocally against it, so I don’t think she would’ve helped Eren with his plan. It was Zeke or nothing, and the only way for Zeke to keep his titan was for Historia to be unable to be turned, hence the pregnancy. Did y’all read the same thing I read? Anyways, she could’ve definitely been handled better, but she wasn’t necessary to the plot anymore, and her being removed from it in such a way was sad, yes, but it made sense.

“They massacred Reiner!”

Yeah, can’t really say anything about this. I definitely understand the sentiment behind this scene, which I appreciate. It’s to show that thanks to his Titan being removed and the times of peace approaching, Reiner was finally able to shed the weight he bore on his shoulders and “regress” to his more carefree persona he had when he thought he was a soldier, instead of a warrior. I am very happy for him, and I think it’s a nice conclusion to his arc, that he’s finally happy, but it could’ve been portrayed in a less comic relief-y way. It just sledgehammers all his characterization. Feels surreal that we saw him attempt suicide a couple month ago in the anime and now he’s sniffing Historia’s handwriting.

Guys, this absolutely sends me. There are people who unironically believe Eren actually reincarnated in a bird? Guys. It makes no sense, it violates every rule that Isayama established for his universe’s power system. How could he even reincarnate in a bird? Guys, c’mon, this is symbolical! Birds have been heavily used in aot to portray freedom, and this is a nice, poetic, symbolic way to show that Eren who lived his whole life chasing freedom and never actually got it, is finally free, like a bird, now that he’s dead. It’s also a pretty explicit nod to Odin, I think. Aot is heavily inspired by Norse Mithology, and I think there were some pretty clear parallels between Eren and Odin/Loki in the later arcs of the story. Eren has been shown to “communicate” through birds like with Falco in chapter 81, or with Armin in chapter 131. Emphasis on “communicate” because again, this is symbolic, I don’t think he actually spoke through the birds, he simply talked to them via paths, but birds are associated with Eren’s character (see also the wings of freedom, y’know?) and the shots were framed so to give the impression that he was talking through the birds, but he wasn’t. Symbolism. Anyway, I really think they were supposed to be a nod to Odin’s crows.

Aaaaand that should be it! Even though I most definitely forgot some other criticism on the chapter, it’s crazy the amount of negativity floating around. Hope I didn’t bore you!

#attack on titan #aot #shingeki no kyojin #snk #snk manga #aot manga #aot spoilers #chapter 139 #aot ending #eren jaeger #mikasa ackerman #armin arlert #aot 139

[chemicallady]

Matching

Greg Sanders x Reader!

A/N: Hi everyone! Have you ever noticed that there are not enough Greg Sanders fanfiction in the world? I have looked for some for a while, but nothing. Now, stop complaining and let's have fun togheter, this is my first Greg Sanders x Reader! I hope you will like it! Besos! 

 Couple: Greg Sanders/Female!Reader 

Category: Fluff 

Content Warning: // 

 Summary:  this is the first time Greg tries to find love with an app. Who knows whohe  is gonna meet with a cyber matching?

  ***

Las Vegas, October 5th 2015 

The last month was rough for him. Many things had changed forever. Nick had resigned from the team, Sarah decided to take a break after a big promotion in order to restore her relationship with Grissom, Catherine is back to her position as the leader of the night shift. 

Russell is moving on with his life and Finn is gone. Forever. No matter how much his tried to save her life or they prayed for her, she is gone. 

Greg is not confortable with big changes. For the first time in forever he is feeling like he is flooting. Dr Robbins said that is normal, in a moment like this one, in which he has escaped the death again, to feel this way.

«Maybe you need a fresh new start.»

Everyone is starting something, whatever. Nick is a boss now, Sarah is happy with her ex husband and former director of the lab. Even Hodges is living the moment, with a new girlfriend. 

«He met her on a website», Henry said to Greg during a coffee break. 

He laughted, then he used this information against Hodges. 

«It isnt a website... I am not dating a russian wife!»

Greg smirked, «No more girls interested in your Visa after the italian one?»

«Shut the fuck up, Sanders. Nowdays is normal using dating app. You should try and stop wasting my time!»

****

He didnt download Tinder only because Hodges suggested it. 

Of course.

He decided to try the app only to dimostrate that is a poor life choice. 

But the amounth of time he have spent in looking at girls profiles is already too much to look credible. Furthermore, Lindsay have noticed him swapping girls away and she giggled amused. «You should try to go on a date. Dont tell my mom, but I met a guy once, on Tinder. He was really awsome, but he was a tourist. An advice, always take a loool if she is a resident!»

And he followed her suggestion, making the opposite. Just to have some fun. 

There are many people who only are in Vegas for having fun and even if was cool, meeting girls who only want a one night stand, after three or four date started to make him feel bored. 

He always talk a little about is job, fake interesting in the girl’s plan for her vacation and everything ending in the morning. 

So he decided to try something else. 

A serious date, for once. 

***

He is exploring your profile since the moment you two matched. He is fascinating by your (y/e/c) eyes in the profile picture. You look smart but gentle at the same time. No mention to the fact that even if you are linving in Vegas, you are from (you hometown/nation) and you are a PhD candidate in Archaelogy. 

You dont look like the other girls he met in the last period. You are a student, a really good one. You have a picture in front of Columbia University, which you attended for your MSc and graduated.

So you are not only smart, but really intelligent. 

You have those beautiful (y/h/c) hair and a gentle smile. 

So he picks all his courage and writes you a simple ‘hi’. 

You dont answer immediatly, even if you have read the message. So Greg closes the app with disappointed. Well. It’s proved. You cant find love in one of this app. 

He decides that is far better to start with the awfull pile of documents on the desk, before is too late. Or to early, depends by the point of view. 

*** 

He had finished with paperwork around 7 am and so he decided to go home.

In the moment he enters the living room, he feels so lonely. It’s happening quite often in the last period. He kicks his shoes away and sits on the sofa, taking a deep breath. With his eyes close, he starts to thing about the last serious date and its look like a century ago.

And it was a complete failure.

Everytime he fell for a girl is always the same old story. Firstly, amazing. Then a mess because of his job.

But he doesn't have to change is life only because he feels the emptiness of his house. He has worked so much to achieve this results and now...

Now? What he has? A good position in an horrible schedule shift. An amazing group of team mates - unfortunately Hodges is still working in the materials lab, but who cares- but no social life. No family. He is 40 now and he was looking for a 25 years girl.

So silly.

So stupid.

But what's is even silliest? Losing himself in those throughs instead of sleep. He has his shift starting at 11 pm, but he has the laudary to do. And he need to clean the apartment. Is full of dust.

****

After seven hours sleeping, he feels himself far more positive. It's around 2 pm when he wakes up and start with the laudary. He gets a look on the phone and answer to Morgan under a pic on facebook, than he notices that he has a new notification on Tinder.

He is so surprise when he realises that is you.

-who wrote 'hi' at 4.30 in the morning?-

He blushes a little, thinking about it. It was really early and he hasnt realised it.

-someone who is working at night...?-

The answer is not the best. But you are smart and you bring a good observation.

-like a hooker?-

He laught a little, rising his elbow.

-sorta. But not so well paid.-

Making fun of the hookers is not a good way to start a conversation, but someway, it works. You two share some messages and then you give your phone number to him.

You are free tomorrow for lunch, even if is unusual meeting someone with the sun in the sky, in Vegas.

And he is totaly down.

***

Is strange for you to go on a date with someone you don't know. But it is even strangest go for a lunch date. It's look so formal to you, but the guy in the profile pic looks potentially awsome. You have read from his description that he works for the Clark Country Police Department and this is a hot detail: you have a thing for cops.

You dressed nicely for the lunch inside The Venice's restaurant. Classy choice by the way. But not elegant because is 12 am. You also decide to go easy on your make up, because after this date you have to help in teaching a bacherlo class and you are hoping that you won't have enough time to change, after the meal.

So here we go.

In front of the restaurant.

You look around and see a figure a couple of meters away from you. He is pretty tall and with dark blonde hair. He is also well dressed, better then you, but not formal.

Your glazes meet in the middle of the atrium and you both smile embarrassed. He is the first one to move some steps near to you.

《Hi. You are (y/n)?》

《Yes. And you must be Greg.》

You shake his hand and then catch his invitation to enter in the restaurant first. The waiter reserved you a nice place on the balcony. The cannel is fake, not even similar to the Italian one, but is romantic.

One score for Greg.

《What would you like to eat?》, he asked so politely that you can't help yourself, but smile back.

《I thing I'll go with a sandwich for lunch》

《Nice choice, I am down. Wine?》

《Sorry, but I have a class in the afternoon...》

This time he is smiling. 《Then water for two.》

He is so kind. He decides to drink water because you can't drink wine. This is another score.

After you two have made your orders, it's time for questions.

《Do you usually meet people this way?》, je asks, nicely. Even if there is no accusation in the tune of his voice, you blush a little.

《It's not the first time, but I am still a skeptical, by the way.》

《Why?》

《Because I've met only morons on Tinder. 》 You try your best smile. 《Hope you are not one of them.》

《I share this hope with you》, he jokes. 《I am looking for your verdict at the end of the meal, so.》

You both laught. Is a nice company and the tension is going away.

《So you are a cop?》

《Not exactly. I work for the crime like as a crime scene investigator.》

You looked impressed. 《Sounds amazing but hard at the same time. I am asking to my self you an awsome guy like you is still single.... is for your job?》

This time is Greg the one who blushes. 《Yes is really... It takes most of my time. Someday all of my time.》

《I can relate》, you say. 《I am not cool as you are, I don't save people for live, neither I am good in puzzle but... I work on field so I spend several weeks abroad. Sometimes even a month or two and when I come back...》

《...You have the feeling that everyone is carries on with his life but you are static》 he ends your statement. 《Yes, you can relate, totaly.》

You two share a smile and then he starts to ask you some questiom about your job, your position at the UNLV and stuffs.

In the end, after a sweet fight, he insists to pay the meal, but you put on the table the tips.

《It was really nice 》, you say and he agrees. 《We should do that again. What's your spare night?》

《Monday》 he aswers, immediately 《If my boss wont tell me otherwise.》

《If you are agree, you can see eachother again on Monday, so.》

《It will be amazing.》

Another smile and a little silence. You have no idea of what to do now. Is too soon for a kiss, but an hand shake would be awful. So you decide to come closer to him and kiss his cheek. Is so cute the way he blushes again. Greg is near now and you can feel his breath on your lips. For him, is not too soon. He gently puts a hands on you hip and drag you into a soft kiss.

The best way to end a good date.

****

《So how is she?》

After two weeks dating, Greg decides to tell the guys about you.

Terrible idea.

《She is so nice!》 He starts excited, while Catherine is laught, shaking is head and look at David Philips in the classical 'told ya' way. 《She is beautiful and gentle. She is also tremendously determinate. More than anything, she is so intelligent and her smell is amazing.》

《She can cook?》, Super Dave asks, joking.

《Everything you can say, she can do it. Is incredible. She speaks like five languages and is so sexy in bed.》

《This information is not necessary 》 is Catherine's comment.

But Dave wants to prove a point now. 《....She speaks five languages in bed or it was not correlated?》

《Guys, we are on a crime scene.》

The two boys share a small smile and wait for Russell to be far enough. So Dave asks one last question. 《Are you only fancy her... or maybe you are already in love?》

Greg thinks about it for a couple of second. 《I am already fucked.》

Dave laughs, 《of couse you are.》

#csi #greg sanders #greg sanders imagine #greg sanders x reader #greg sanders fanfiction #csi fanfiction #fanservice #fanfiction #character x reader #csi x reader

[crimsonfluidessence]

Prompt 11: Preaching To The Choir

Esredes was always somewhat tense on these nights. It was recruitment night, and one he was at the head of. Ysayle did the bulk of these, seeing who showed up to the invisible ink on the innocuous flyers and seeing who would step forward and join their ranks. She was incredibly good at it, even from the start. But the woman could not be everywhere at once, and Esredes was one of the many others who volunteered to do the task. Security was always tight at the meetings. A lot of his own stood by as guard to both the invited guests and the speaker, and incidents were rare. The meeting was always held somewhere they did not return to again, and with plenty of room to get away by flight, and plenty of distance between the speaker and the audience, surrounded by his people as guard as they were. Yet it never helped that tension of the fact any one could be the incident, and there was still always so much put on the line. Not to even mention, being the speaker himself was always worse than simply guarding it. When he was standing by and managing these events, he was in his usual combat uniform inspecting people one by one to check for weapons, and then standing near Ysayle as guard afterwards. But when he was the speaker, the uniform didn't cut it. The speaker had to have presence, they had to try and captivate the vulnerable and questioning audience. So the weavers at the camp had settled on constructing him a long, black cloak that draped down to his feet, with equally long and draping sleeves. The sleeves add a lot of character, they said. The whole of the cloak was adorned with silver stitched accents, in a way they claimed evaded feeling too fancy, yet evoked a sense of mysticism necessary to captivate the audience. Every other speaker had a similar cloak attire made to them. It seemed they were the uniform look to go with. Esredes somewhat understood the power of the cloak. When he wore it before the ceremony began, it felt a bit awkward, like he was pretending to be a mage when he was an imitator of it at most, and he found himself fumbling idly with the sleeves often. It was only once he took his place and got into the thick of it that he truly felt the concept of presence it evoked. For now, though, Esredes had to stand awkwardly among the rest of the guard on a cliff above the gathering, as below his people continued their process of vetting everyone who came, and watch quietly, reciting his speech in his head repeatedly. It didn't matter how many times he had given this exact speech before, or the fact he often went scriptless for motivational speeches to his people, he still felt the need to be sure he did not mess it up. Behind the cloak's hood, his orange eyes peered out at every new person who arrived carefully, contemplating to himself if they would join or leave, if he would get to know them or they would be just another lost speck on the wind, and what brought them here. There was always an element of fascination to each individual story, no matter how many similar ones came. Finally, a hush fell over the gathered crowd. The guard moved into position, a circle upon the cliff, and he took his place in the middle. How odd it did feel, to be the guarded item in the middle, as if he wasn't just as often on the outer circle, as if there was really anything to guard and he wouldn't just immediately attack anyone who thought they could shoot the messenger. But spectacle was spectacle. Esredes slowly made his way into the center and peered down at the crowd once more from beneath his hood. The air hung silent for a moment as all eyes peered on him, and then he raised his hands up and let his gloved hands point out at the crowd as the long sleeves trailed down gracefully. "Good evening, people of Coerthas and beyond," he began. "Whether you have truly come from within the city's walls or lands beyond, I give you the warmest welcome to our humble little gathering. Though I am sure all of you come from vastly different backgrounds, one thing has brought you here tonight- doubt." He made his first strategic pause, watching the crowd a moment as his words fell down below to them. "We live in a world where there is much and more to doubt- how can the people of Coerthas be truly certain of sleep's next embrace with all that rages above and below?" He paused for a small moment, and began to pace to the left, one arm across his abdomen. "Nor will the walls of Ishgard itself protect anyone, for within them the Church listens to your every thought and ravages its people for heresy. Thus, you are brought here." He turned the other way and dropped both arms, returning slowly to the center. "In all of the doubt that swirls within you, you have come to listen to a truth that hides out here on the northern wind. A tale of the lies of the Church and the origins of our very nation." He faced the crowd full on once more, and held his arms out directly out from their place on the side of his body, forearm and palms raised a little and facing the sky. "The Dragonsong War that has plagued the lands of Coerthas for a thousand years did not begin how we are asked to believe it is. It began even earlier." Murmurs and whispers came from the crowd, and Esredes allowed them to ripple through before he continued. "Long ago, when these lands were fresh and new to the Elezen, they came to settle and encroached directly on the existing territory of the dragons. When war broke out, only one thing could bring it to a ceasefire- that of a maiden named Shiva. You might know her as a witch who lied down with dragons, the original heretic- but she is anything but. She is the one who had the courage to seek out the voice of the other side and found the great wyrm by the name of Hraesvelgr. The two fell in love, and it was the witnessing of their bond by all that lead to a ceasefire. For two hundred years, man and dragon worked together, they built structures that still stand today in Dravania. But it was not Nidhogg who ruined this fleeting peace, but the very founders of Ishgard." Esredes paused. "Do you ever stop to wonder why the wyrm is as lost to vengeance as he is? Why his rage upon the city is so unending? It's because he was betrayed. The founders lured him to the city and stole his eye, devouring it for the taste of a dragon's power without the need to rely on one. And so the wyrm rages on, forever unable to regain that which is lost." Esredes paused once more and trailed slowly across his makeshift stage. "Nidhogg rages on, trying to destroy Ishgard. And Ishgard crumbles piece by piece to his attacks, accelerating its own destruction by tearing each other apart from the inside with accusations of heresy and the lines between high and lowborn. Tonight, all of you have come to the middle." To emphasize his point, he stood in the middle again and raised both hands up. "We are the people who fight not for the self destructive Ishgard, nor the raging horde, but for the one thing neither of them are capable of, peace. For just as Shiva brought man and dragon together once in the midst of conflict, so must something rise again to be the missing link, or else the lands of Coerthas and possibly all of Eorzea, will be eventually be consumed in dragonfire." Another strategic pause came and went. The crowd had much louder murmuring this time. "Until the people of Ishgard can see the light of the truth, there will be nothing but continuous warfare, and the continued destruction of its own people. Ishgard is eating itself alive day by day in its desperation to survive. It fights and resists us at every turn, but it is up to us alone to bring it to parley by any means possible. We will bring salvation to Ishgard and punishment to the wicked, through the collaboration of people of all kinds and dragons who will rise to the task. The very future of this land rests on everything we try to accomplish." Esredes stepped forward and scanned the faces of the crowd. "I expect for many of you beyond the simply curious, you have come here because something in your heart cries out for justice unseen. And for all of you, I say now- justice is possible, and justice will come. Your wounds are not without their sources of healing. For Ishgard is never to flourish again without the weeds exterminated from the garden. Imagine it, for a moment. A land where once again man and dragon work together, benefitting from their mutual talents, the populations of each flourishing and allowing the land to thrive. Children never again wake up afraid of being burned by dragon's fire. That is our greatest future. And that is a future worth fighting for." Esredes moved his hands up to his hood and threw it off, exposing his face and hair to the crowd. With it, he rose his hands all the way up past his head and into the air. "People of Eorzea! I ask you now, to search through the depths of your hearts, and find it in you to take a stand for something greater than yourself. To channel the grievances of your heart into making a world in which others will not suffer the pain you go through each day, and this land will shine with beauty it hasn't glimpsed in a very long time. It is a path of hardship and sacrifice, but it is nothing compared to what will befall everyone if the war is allowed to continue to stain the soil with blood. Through our collective will, we shall bridge the gap, we shall sweep upon the hearts of man and dragon to make them one again- and nothing Ishgard may do will stop us until the Archbishop has atoned for his crimes and every dragon in the land is beyond blind rage." He paused there, to let his words fall over the crowd for a moment, and slowly lowered his arms back to his side. "If you would like to stand with Shiva's people, please step forward and gather by the group of people in front of you. If not, you are free to leave, and never speak of this night again. But make your choice with all due consideration, as there will be no reversing it." The crowd looked to one another. Slowly, one person stepped forward, then another, until every single one had stepped over. The guards began to instruct and lead them up the cliff to rejoin his group up here. And with that, Esredes stepped aside and rejoined the group himself. "Well done," one of them said to him with a soft elbow nudge. "Have you ever considered becoming an actor after you're done saving Coerthas?" "Not in the slightest." Esredes said. "This is just practical acting for a purpose. I don't think I could do artistic acting. People train a long time for that." "Maybe we'll put on our first ever Disciples play and cast you in it someday," he said with a wink. "I would kick you out of this movement." He chuckled. "That's the spirit, Esredes. Never change." Esredes smiled faintly back, and then began walking. "Now," he said. "Let's hope the room counts are accurate tonight..."

#screenshots #in action #ffxivwrite2021 #ysayle #writing

[anika-ann]

Errare Humanum Est - Pt.4

Learning to Breathe

Type: series, soulmate AU series  (part 1, part 2)   x Supernatural

Pairing: Steve Rogers x reader (past?)    Word count: 2600

Summary: You must get on the road so things finally start moving. One little thing tho - you really need some clothes of your own. ...yay?

Warnings: swearing, amnesia, Dean being Dean being themselves

The briefest guide to SPN characters of Team Free Will (at the end of the post)

Story masterlist

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You grew tired of staring at the screen after a while. There was so much information to look up, but you didn’t even know what you should be looking for. You had to mentally confirm Dean’s earlier words – brains were weird, like really freaking weird. You couldn’t remember your favourite drink or food or the reality of soulmates. On the other hand, you knew how to operate a tablet and what the Internet was. The names Natasha and Ryan popped up in your mind with no obvious reason, Rogers downright striking something in you.  

You wondered if any of those had to do something with your soulmate; your mind always ended up with him (and you were ninety percent sure they were a ‘he’), still fascinating you.

You shut the tablet down and eyed the couch. You knew you weren’t tired enough to fall asleep, your brain was too frantic for that, not to mention you had been sleeping (read dead, apparently), so you had your fill, but you didn’t have too many options. Your feet itched to take a walk, but you resisted – Sam had been right, you couldn’t just walk, less so in the middle of a night. The alarm on a nightstand read 4 a.m. You had no clue when Sam and Dean were usually getting up.

You didn’t know the men and their behaviour was puzzling you. They seemed to have never met you before, yet they were inclined to help you – with no outlook for a reward. God only knew why they were doing what they were and maybe quite literally the God. Castiel claimed to an angel after all. They had spoken of monsters. Who the hell were these guys?

It was hard to doubt their words – with little knowledge and unreliable sources on the internet, there was neither confirming nor denying their words. Then again, seeing Castiel just vanish into a thin air was pretty convincing.

You felt a headache starting to build up and decided to lie down on the couch at least, not even daring to hope for getting a shut-eye.

You were out in no time.

Gentle voice of a man you couldn’t remember guided you into the dreamland while whispering senseless words; there was one though that struck something deep inside you, making you jolt awake with a gasp and a faint pleasant taste on your lips.

“Doll…” the soft sigh followed you to full consciousness, echoing in your ears, tingling your spine.

“Morning, Natasha,” a different male voice greeted you and you yelped, spinning its direction, memories of yesterday events flooding your brain.

The tall long-haired man standing in the bathroom door was Sam and the man sitting on the bed, looking like he just woke up, short hair sticking in every direction and expression utterly confused, was Dean.

“S-sam,” you stuttered, your mind elsewhere.

Doll. Doll.

It definitely sounded like an endearment. A pet-name. The man’s voice was laced with emotions, gentle and warm, powerful and tender. You knew him. You must have known him, his name was on the tip of your tongue, begging to roll off and yet no sound came out when your lips parted. You blinked several times, chasing your dream, unable to add neither a name nor a face to the voice.

Your chest tightened, making it hard for you to breathe in, an inexplicable fear squeezing your lungs, sudden tears gathering in your eyes.

“Natasha?” Sam’s voice sounded from distance, strangely muffled. “Natasha? What’s wrong? Can you hear me?”

Your eyes automatically snapped up when a gentle hand appeared on your shoulder; Sam’s face was blurry, making you blink the salt droplets away.

Then, as if someone snapped their fingers, the suffocating feeling vanished and you welcomed the change with a fierce inhale.

“Natasha?”

“Yeah, yeah,” you panted. “I’m fine. I’m okay. Sorry to scare you first thing in the morning,” you tried to smile at him, probably failing.

He gave your shoulder a hesitant squeeze, his green-brown eyes mirroring concern. He exchanged a glance with Dean, who seemed way more awake than a minute ago.

“You good, kid?” he threw at you, his eyebrows furrowed.

Kid? Fire Princess? Sweetcheeks? What would come next? The ‘doll’ one? You hoped not.

Funnily enough, the addressing brought you back to reality better than anything else, your mind set straight; well, as much as it could be when you still didn’t know your own name.

Dean behaviour towards you was different than Sam’s and you couldn’t tell whether you liked better or not – it was just… different. And it ignited a spark inside you.

“I’m good, dad,” you hummed back, raising one corner of your lips, this time succeeding.

“Looks like she’s alright,” Dean smirked at Sam and the taller man rolled his eyes.

“It was just… a strange dream. It was probably nothing,” you explained, which caused Sam to finally release you. You found yourself missing the soothing weight of his hand and wondered what it said about you.

“Okay. We should get something to eat and get on the road. Dean?”

“Food. Coffee. Then think,” the man explained, making you chuckle. You stomach growled in agreement, blood rushing to your cheeks at that.

“Sounds good.”

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Running the facial recognition brought no results, much to Sam and Dean’s annoyance. It was ‘all quiet at Castiel’s front’, which was a statement you didn’t quite understand, but you assumed the expression was a private joke.

In other words, you had no clue who you were besides your soulmarks, the made-up name and a pleasant male voice following you from your dreams – not that you shared that with either of the brothers.

The name on the other hand….

“Uhm…” you started intelligently, as Dean and Sam were finishing their coffee (and yours, because you found out that coffee was not quite your thing), catching their attention. “I looked up some names common in the US and… uhm, Rogers-“

“Okay. That’s cool. Common enough, not too obvious like Smith. Good choice, Nat.” Dean glanced at you briefly. “You don’t mind being called Nat, right? ‘Cause I will call you that, it’s shorter.”

You blinked, confused. Huh? What did Dean mean? “Good choice…?”

“Well, yeah. We need to make you an ID. We should be heading to the bunker…” Dean mumbled absently, staring into the cup as if he wished there was more of that disgusting liquid.

“ID? Like… a fake one? You can do that?!”

They could make a fake ID? Seriously, who were they? Was Dean and Sam even their real names? You tried not to panic, because they had been nothing but kind to you, seemingly genuine and honest, but… but.

“You need to have one. We could just drop you at a police station and call it a day, but we think it’s better if you stay with us. For that, you need an ID,” Sam hurried to explain and you honestly didn’t know how to react.

You didn’t like the idea of lying about your identity to anyone, then again, you couldn’t remember your actual identity and apparently had been brought back from the death, so you were out of options so to speak.

“Okay,” you sighed, ignoring the unpleasant knot in your stomach. “You talked about… a bunker?”

Which didn’t sound ominous at all. Or creepy. Nope.

What did they do for living again?

“Yeah. It’s our base of operations.”

“For?” you urged Sam, your shoulders tense. Here it came; the fearsome reveal of the truth. Sam sighed and eyed you warily, as if agreeing with your unspoken thoughts.

“This is gonna sound crazy… but the unhuman things we talked about? We hunt them. We are finding strange crimes all over the country and go there to investigate them, finding the ‘cause’, which usually is some kind of a… monster….”

“And you kill the monster,” you finished breathlessly, feeling your heart jump to your throat.

Wow. Wow. You had no idea what to say to that announcement. There was no doubt Sam wasn’t lying. Why would he even make up such thing? They were killing monsters… things that were hurting people. It was unimaginable, incredible and impossible to wrap your head around, but strangely, it kinda…. made sense.

It only meant one thing.

“So… you’re heroes,” you exclaimed breathlessly, astounded.

The brothers stared at you blankly, frozen at your words.

What? What did you say wrong? They couldn’t be offended at that, right?

Dean chuckled and patted your shoulder. “Thanks, kid. I wish more people saw it this way…”

“Oh,” you paused, your mind racing. Right. They were able to make fake IDs. They probably didn’t have the jurisdiction to do what they did. And they were probably impersonating police officers of something like that to ‘investigate’, which meant they were technically outlaws. The revelation should give you creeps… but somehow, it didn’t. Knowing the truth actually calmed your nerves.  It probably had everything to do with the fact that knowing anything at all was better that knowing nothing – which seemed to be the standard for you now. “Right. Your lives must be peachy. Thanks for having me nevertheless.”

Now you most definitely broke them, didn’t you? They looked like you broke them. Dean’s expression was wary as he stared at you blankly and you shifted uncomfortably under his gaze.

“That’s it?” he asked, his green eyes looking like seeing the bottom of your soul. Ha! Was that a thing? Could he see your soulmate there?

Never mind…

“Uhm… yeah?”

Dean turned to Sam who was watching you with equally weirded out expression on his face and met Dean’s gaze as the shorter brother spoke up again.

“I love her.”

Your eyebrows shot up at that, but you recognized he wasn’t exactly confessing his undying love to you. Yet, you couldn’t deny that both brothers seemed happy about your reaction. It was strange, but all of what they were apparently doing, the way they lived… it didn’t feel that unreal.

For all you didn’t remember about your life and the world in general, you couldn’t help a distant feeling that there was a certain level of insane you should be used to.

Momentarily, you were grateful for that, because otherwise accepting all of this madness might actually cause you to fold like a house of cards. Instead, you just shrugged when Sam looked at you, relieved.

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Breakfast absolutely was the most important meal of the day for Sam and Dean. You spent almost an hour with it, but you couldn’t complain – they fed you, they clothed you (though the way they did was beginning to be a problem, people stared and you didn’t really feel comfortable wearing that), they were patient with you not knowing shit… . You didn’t want to be too much of a burden to them; there wasn’t much you could pay them back with. At least not yet.

You were in the town of Clayton in Ohio. You somehow understood that it was in the United States, you knew there was such thing, but you were glad to have it shown in a map – not that it told you much. The names of towns and cities didn’t remind you of anything. Nothing seemed familiar.

It sucked.

Apparently, the famous bunker Dean had mentioned was in Lebanon, Kansas, which was about a 13-hour drive. You were horrified, but once again kept your mouth shut, knowing very well that you had no right to say a word besides ‘thanks’.

You obediently climbed on a backseat of a fancy black car, not forgetting to compliment it instinctively. Dean flashed you a pleased grin, patting his ‘Baby’ on the roof before taking the wheel.

Funnily enough, he pulled over after what could be five minutes, earning himself your puzzled gaze. Huh? Sam seemed equally confused until he looked outside, nodding and catching your eye in the rear-view mirror.

“So, Natasha… ready to do some shopping?”

You weren’t; apparently, Dean wasn’t either, because he excused himself, taking a beeline with the car to get gas and left you alone with slightly uncomfortable Sam.

“I… I promise that when you manage to… help me get on my feet anyhow, I’ll pay you back,” you said quietly, worrying your teeth over your lower lip.

Sam quickly fixed his expression, his face inviting once more. It made you feel worse. He was suffering just like his finances… wait, how did they get finances? People didn’t pay them for what they were doing, were they?

“Don’t worry about that. I’m just wondering if I’m the right person to help you with shopping.”

You chuckled at that, imagining Sam carrying tens of shopping bags.

“I won’t need much, Sam. In fact, I wouldn’t need anything really-“

“Absolutely not,” he shook his head, his long hair swaying around his head. It was cute. “You need your own clothes. Dean’s too big and… his wardrobe is not exactly for women.”

“Well, I probably should merge with the crowd, right? And you’re the only crowd I know, so…” You looked around the shop, a slow smile spreading on your face when you found what you were looking for. You held up a female plaid shirt, clearly surprising Sam if his confused expression was anything to go by. “What do you think?”

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Shopping wasn’t terrible; you only picked necessities, blushing like a tomato (did you like tomatoes?) when you headed to certain department Sam didn’t dare to follow you to. You didn’t bother with cosmetics – you could use theirs and as far as you were concerned, you didn’t need the particular set of supplies for women just yet.

It took you only half an hour, Dean already waiting in front of the shop in his Chevrolet, lightly drumming his fingers on the steering wheel in a catchy tune. He grinned a boyish smile when he saw you, not at all bothered by your presence and continued enjoying the music from the radio. He was downright adorable.

Two men built like rocks who hunted monsters for living and you both found them cute within an hour. They were incredible goofballs. You loved it.

“Look at you, all in plaid and yet looking like a woman,” he hummed and your cheeks coloured in intense red.

“Dean, shut up,” Sam scolded him, eyebrows furrowing as he circled the car and took the shotgun seat.

“What?” Dean complained, turning his palms up. “That was a compliment.”

“It was accepted,” you assured him and smiled at both him and Sam, which caused the driver gesture towards you as if he was saying ‘see?’ to Sam – he only rolled his eyes in response.

“You don’t mind music, do you?”

“Not at all,” you replied to Dean, not even considering a different answer. Even if had been annoyed at it, you sure as hell wouldn’t say.

“I might actually love you, Nat,” Dean threw over his shoulder, staring the engine. “Oh and we’re not heading to the bunker. I found us a case-“

A case? As in… a monster case?!

“We already have a case!”

“It’s witches, Sammy. I couldn’t ignore that.”

You caught Sam’s expression in the rear-view mirror, his nose scrunched in disgust, which spiked your interest despite the worries twisting your gut.

“Oh God, I hate those.”

“As do I, Sammy, as do I,” Dean agreed grimly. “It’s in Lancaster, Pennsylvania. Oh and Garth agreed to make Nat an ID and deliver it to Bedford, which is on our way.”

Your lips parted in silent shock. What? That fast? Who was Garth? Also… just how much Dean managed to do while Sam was playing your walking wallet?

“Good. Thanks for taking care of that.”

“Thanks,” you echoed Sam’s words, too taken aback to speak out loud. “Thank you, Dean.”

“Sure thing, Nat. Sure thing. Now let’s get this show on the road.”

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Part 5

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Heya, lovlies!

I’m not posting another chapter for at least a week, because life, but I hope tha wait will be worth it. We’re gonna take a step back and see how Steve has been doing and how spy!Natasha is onto something. Thank you for reading!

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Tags: @cxptain​​​ @smilexcaptainx​​​ , @murdermornings​​​ @irepostthingsiwanttoseelater , @polarcrystall​​​ @eliza5616​​​ @rayofdawnworld @victor-criss-bish​​​ @skychild29​​​  @elysianecho​​​ @simmisblog​​​ @scentedsongrebel​​​ @orions-nebula​​​, @sergeantrosabellaswan​​​ @songofcosplay​​​, @ilovesupersoldiers​​​ @wxstedhexrt​​​ @silver-winter-wolf​​​ @guardian-tn @janieavalos  @vxidnik​​​, @patzammit​​​ , @annathesillyfriend​​​ @maravderofthephoenix​​​

Anyone wants in or out, shoot me a message or an ask :)) It’s (usually) no problem ;)

#marvel #supernatural #fanfiction #steve rogers x reader #steve rogers soulmate #steve rogers x you #steve rogers imagine #steve rogers au #dean winchester #sam winchester #dean winchester imagine #sam winchester imagine #captain america #captain america x you #captain america x reader #captain america imagine #marvel x spn #captain america x spn #avengers #team free will #spn fanfic #spn fanfiction #mcu #soulmate au #errare humanum est #anika ann

[spacesnaill]

Holds you at gunpoint. Every question for Jupiter. (you can skip some if you want-)

i love you, you motherfucker 🔫

1. what is your character's relationship to the traveler?

jupiter is aether’s and lumine’s big sibling, so they all get along very well. i like to think aether and lumine are way more brash and “act before you think” kind of people, while jupiter usually is the one who takes lead (both because of the big sib energy and because they are way more analytical). that being said, jupiter is aware that the twins are very much capable of surviving on their own and fighting if there is any need for that, which is why even after losing touch with them in tevyat they know that the twins will manage somehow, they just need to find them

2. is your character proud of, ashamed of, or indifferent to their feelings towards members of a certain gender?

i’d like to think that the species/society the trio comes from doesnt give a fuck about gender and sexuality so jupiter would never feel ashamed or upset about their feelings towards specific genders. i dont think they would rlly label themself but they are definitely not straight. as to having feelings towards others: they are usually straight forward in their approach

3. what is your character's relationship with themselves?

jupiter knows their purpose and objective very well, but that often clouds their true desires. i like to think that they havent really been thinking for themself up until they were stranded in tevyat and had to rely on themself. they came to realize their own opinions and perspectives that they carry with themself everywhere they go. tho, their views are rather flexible, because they are very much willing to learn if an oppoturnity arises. that being said, they dont quite know themself well just yet, they are still learning after all

4. what is their favorite region? why?

with how much of the game is available rn, liyue is definitely their favorite so far. it’s culture is incredibly rich and full of fascinating stories and legends. i personally am looking forward to the release of sumeru, but what will come out of it is yet to be seen

5. what is their relationship with Zhongli? do they have one at all?

oh they very much do. while his charm and politeness are qualities that they very much enjoy, what originally drew them closer to him was his vast knowledge over liyue’s traditions and customs. at first during their stay at liyue harbor they would wait to catch him during his afternoon and evening strolls around the city to ask him things and carefully listen to everything he has to say. id like to think that zhongli appreciated having such an active listener and even a conversation partner at some point. eventually their little friendship grew into fondness for each other and they would seek each other’s company, until jupiter straight up confessed. id like to think their relationship is fairly innocent and very much founded on mutual respect and admiration. they both value honesty and communicate with each other rather well. and even though, zhongli hesitated before agreeing to travel with them, leaving liyue behind, he doesnt regret doing it

6. who is their love interest? If they do not have one, who is their closest friend?

while zhongli is both their love interest and their dear friend, venti is their first close friend. during the events of chapter I they both bonded. venti seemed like someone containing a vast amount of knowledge that jupiter was eager to discover. it quickly became apparent to them that the bard doesnt particularly like to talk about the past in detail, but venti still would surprise them with how much he knew about art and the culture surrounding it. they are both pretty light spirited so they always enjoyed each other’s company and their bond only grew stronger during their travels.

7. what do they think of Mona?

they are curious about and intrigued by her methods. they can also very much relate to her pursuit of lost/forgotten knowledge. they like to ask her about astrology and theorize with her, asking her to teach them little things for an exchange of a hot, homemade meal

8. what do they think of The Knights of Favonius?

their opinion on the knights is mixed. they can very much see that most of the people working for them are underqualified and not cut for the job or only doing it for the renown. while the idea of a city without a ruler is appealing, in practice the knights are the ones ruling over it and jupiter was left feeling sceptical when thinking about their methods and the possible future. they dont have anything against the individual people in the organization, but they do think their approach is highly flawed

9. wine is Mondstadt's most popular drink. do they drink wine?

while they do indulge in alcohol from time to time, they dont seem to be able to get drunk or even tipsy. they’ve concluded that since their body is built differently than a person of this world’s, its very probable that they dont react to certain foods and products the same way. alcohol is like any kind of a drink for them and many people are terrified when they see them consume it in large quantities

10. what do they think of Kaeya?

they like his playful nature and think he is a highly intelligent person, who doesnt show anyone what he is truly capable of. his methods, while very  cunning, seem rather brash, which somehow reminds them of their siblings. while they are very much curious about his motives and history, they dare not to pray if it isnt welcomed. during their stay in mondstadt they would often times catch kaeya lurking in the tavern and spending time with the local gangs and bandits in order to extort information from them while drunk. in the rarer occasions where he would be alone, they would sometimes keep him company, filling the night with talks about nothing in particular

11. if they were forced to make the choice between killing their love interest/friend or killing themselves, what would they choose? why?

that very much depends on when that would happen. pre-separation with their siblings, they would very much operate on the hard logic of “whoever has more information/more important information should survive”. however after spending time in tevyat and meeting its people, jupiter learns to greatly value life and their inicial stance would change to a more selfless one. the more they get to know about the world the more they are willing to put their life on the line to preserve life in it, especially if its the life of someone they hold dear

12. what do they think of Childe? 16. is there a canon character your character hates? why?

at first they were open to the idea of being childe’s friend, however with time they started noticing that something was wrong with his overt friendliness. when he revealed his true intentions, jupiter was not surprised, but learning what he had chose to do made them absolutely despise him. staying in liyue has taught them a lot and made them care about the people living in this world. however childe seemed to have no disregard to them. they will not hesitate to fight him if their paths do cross again

13. do they carry a lot of Mora?

having a large amount of mora is basically a requirement when travelling with zhongli and venti. jupiter does take on a lot of jobs and comissions, though mora is mostly a secondary issue for them. they do find themself owning quite a lot of it at times until they overspend with their companions and are forced to rely on their survival skills in order to save up enough to get a roof over their heads

14. does your character side with Kaeya, Diluc or neither?

when it comes to the family feud: neither. jupiter doesnt like to pry into family matters and they understand both kaeya and diluc never talking about their issues with one another. while they cant imagine siblings behaving like that, due to their own experience, they dont feel like its their place to judge.

when it comes to the knights of the favonius: jupiter slightly leans more on diluc’s side, recognizing the many weaknesses of the organization as it is, however they both come from different places when critiquing it.

15. what do they think of Venti?

venti has become their best friend and they value him deeply. they worry about him sometimes, aware of the origin of his appearance and the history behind it. they like how venti seems to perceive life in a very poetic way and are fascinated by it. they get along very well and venti often fill their time during their travels by his songs, both known and not yet named

17. how did they acquire their vision?

they seem to be blessed with the same ability as their siblings when it comes to being granted powers without aquiring a vision themself

18. what is your character's weakness?

their curiosity and hunger for knowledge

19. what is their strength?

they utilize the knowledge they have gathered into things they can use to their advantage be it in battle or daily life

20. what is your character's theme song?

pure gold by half·alive

21. what weather do they love the most? why?

they love when its sunny. jupiter very much enjoys the feeling of sunlight on their skin

22. what do they think of Paimon?

jupiter would be Ecstatic to get to meet paimon. her vast knowledge in all matters would make her a valuable companion. in the current story they have no idea who she is as of now though

23. what do they think of the Fatui?

while they do not approve of the fatui’s methods, they cant help but think that something much deeper must be going on. jupiter wants to believe that the tsaritsa cant be simply evil and that perhaps she has some other, hidden motivation for her actions. having spent time with and got to know the fatui in liyue, they also know that not all of them are cartoonish bad guys

24. what do they think of the archons?

overall the concept of archons seems very new and intriguing to them. they do try to get as much information about their godhood out of venti and zhongli. they wonder whether this world really needs the archons as much as it claims to

25. what is the worst thing that could happen to your oc?

either losing their siblings or losing their memory (its a great fear of theirs)

26. what does your oc want the most?

their long term dream is to write down all the knowledge they’ve gathered so far and make it accessible and understandable to anyone willing to read it

#genshin impact #gi #genshin impact oc #gi oc #original character #oc #the third star au #ask #friends #jupiter

[bisexualsilver]

Still can't believe silver antis exist, but on top of that.... while neither could change the past and go back to a higher societal position (one with more privileges) because it would be a denial of who they are (specifically for flint a denial of his sexuality, his love, & what has been done to him because of it) its very obvious that silver has nothing to go back to in the first place. we don't know his past fully, but there is no home, no wealth, nothing waiting for him that he's left behind

[2nd ask srry] what sane man stays on a ship where his death is inevitable? one with nothing to lose. yeah he tried to scheme to get away in s1 but there was always something holding him there & he wasn't running towards anything, he just kept moving. Flints anger is fueled in large part by what he has been forced to deny & what has been taken from him when he had a chance to succeed, but silvers loyalty is due to never having anything, and later by losing his leg to really exaggerate that fact 

yeah like, even if we’re never told his story, the fact that silver couldn’t even put words to it just speaks to how bad of a place he came from, and i doubt he was the exiled son of a nobleman too. and i just feel like often when talking about privilege we fail to consider how class/social status also plays into it, cause even if silver was the straightest straight guy (laughable really) he would not be more privileged than thomas or james were. and it’s really lazy to take a show like black sails where there is a clear Bad Guy (the empire, colonization), and look at the marginalized characters who have to make decisions about their future that are very much informed by their own past and stories (i.e. silver choosing to end a war in order to prevent more loss, at the cost of everything else), and decide that some of them are good and some are bad

and tbh silver’s character arc is so fascinating and it speaks of everything but privilege, cause this is a guy who from day one is constantly running from everything (his past, a figth, flint, a war) and who is again and again forced to confront that (losing a leg, caring about the crew, flint, madi) and who in the end has to make the hardest choice in order to save them, and to me that just calls back to an incredible loss that he doesn’t want to go through again, but ymmv. and i do love the fact that we don’t get to know his past, because he’s a blank slate for anyone to relate to, and because in a way black sails then becomes silver’s backstory 

but anyway he fucking loses a leg isn’t that the epitome of privilege /s

#this turned into me rambling abt silver whoops #black sails #meta #black sails meta #john silver #answered #anon

[nellied-reviews]

The Sound and the Fury Re-listen

Well, I've reached episode 7 in my Wolf 359 re-listen, which means it's time for:

The Sound and the Fury

In which Hera and Minkowski are fighting, Eiffel gets caught in the middle, and Hilbert just wants them all to submit to the biologically superior will of the Blessed Eternal.

Straight up, I should probably admit that I forgot about this episode, or rather I didn't link the episode title to the episode's events until I was listening to it. And then I was like "oh, yeah, this is that episode" all the way through. For whatever reason, I thought, in particular, that the plant monster didn't come back until Season 2, with The Paranoia Game. That said, I love the plant monster to a possibly unreasonable degree, so its return here was more than welcome, and the rest of the episode was also fun!

We open in the middle of an argument - and for once, it's not Eiffel's fault. In fact, Eiffel isn't even involved, except insofar as he's trapped in the middle between Hera and Minkowski, and is forced to be the voice of reason as the two of them have it out. 

And look, that is always going to be a funny set-up. Hera and Minkowski are both incredibly stubborn personalities, and not at all shy about asserting their opinions, so there's definitely potential for a comically drawn-out, petty argument there. And casting Eiffel as the reasonable, level-headed peacekeeper, in contrast to the two of them, is perfect. It's in character - Eiffel always has been the most pacifist crew member - but it's also a role he's just totally unsuited to, because faced with the combined stubbornness of Hera and Minkowski, he's outmatched, and he knows it.

In an effort not to get involved, then, Eiffel briefly runs through the week's schedule, in a section that isn't really linked to the rest of the episode, but is full of little oddities that remind us just how weird the Hephaestus is. They have a compulsory chess tournament that Hilbert always wins. They have movie night, but only a VHS of Home Alone 2. "On Friday we'll have mustard." It's so weird, and I love it.

We're interrupted, at this point, by Hilbert, who sounds very strange, even for him. And naturally, Eiffel ignores it completely at first, focussed as he is on the unfolding Hera-Minkowski conflict. I've said it before, but I'll say it again, for such a pop culture-savvy guy, Eiffel falls into literally every horror movie cliché. He's so oblivious!

For the rest of us, it's obvious that something's wrong, and our suspicions are confirmed when we learn over the course of his conversation with Eiffel that Hilbert went looking for the plant monster, which now seems to be mind-controlling him, to the point where he's convinced that it's "the most evolutionarily competitive lifeform on this station, the most deserving of life."

And okay, I love the plant monster, but that's very alarming, and is made even more so by the fact that it's something that Hilbert might conceivably have said anyway? I mean, it's cold and Darwinistic and smacks of eugenics, yes, but it also has a callous ruthlessness to it that's totally Hilbert's style, as well as that trademark lack of concern for human life. It's like the plant monster just exaggerated what was already there, turned the mad scientist dial up to eleven. In other words, it made Hilbert even more Hilbert-y.

Luckily, Eiffel realises soon enough that something's wrong, and goes to warn Minkowski. Minkowski, being a mature, rational individual, immediately drops her argument with Hera and goes to - oh, wait, no, she does basically the opposite of that, ignoring Eiffel in favour of continuing her argument with Hera. Great. Good job, Commander.

It's at this point, of course, that we finally learn exactly what Minkowski and Hera are arguing about. And is it petty. Turns out, Minkowski wants Hera to submit reports on the various systems she runs around the station in case there's an emergency, but also just because Minkowski wants to know what's going on behind the scenes. We don't get to hear Hera's side of things just yet, but already, we can see the irony in Minkowski's arguments. Sure, she wants to be better appraised of everything going on onboard the Hephaestus in case of an emergency - but her stubbornness here means she's missing the emergency that's unfolding right under her nose!

Eiffel's attempts to make her see sense don't really help either, at this juncture. Instead, they just get him dragged into Minkowski and Hera's argument. Which I'm sure is that last thing he wants, because those two play dirty. First Minkowski pressures him into saying, to Hera's face, that he doesn't think AIs should be trusted. And then Hera, angry, plays Eiffel's words from earlier back to Minkowski, twisting what he said around so that both parties are angry at him. As a result, Eiffel ends up walking an impossibly thin line, trying to appease both of his friends, while keeping himself out of their argument as best he can and while getting increasingly frustrated with the both of them. It's a painfully awkward situation, and I genuinely feel sorry for him.

That said, the argument that then plays out is fascinating to me, because I think it shines a really interesting light on the power dynamics onboard the Hephaestus, putting the focus on Hera and Minkowski's relationship in a way that we haven't really seen before. Up until now, after all, they seem to have worked in tandem pretty well, with Minkowski giving orders and Hera carrying them out. Here, for the first time, we see a tension between them, stemming from the fact that Minkowski, as the commanding officer, nominally has the most power onboard the Hephaestus, while Hera, as the ship's AI, probably actually has the most power, between her vast sensory array, her huge databanks, and her literally running the entire Hephaestus. Yes, Minkowski is technically in charge, purely by virtue of her being a human. But Hera, on a day-to-day basis, is actually more crucial to their ongoing mission - even though, as an AI, she doesn't get to hold an official ranking position.

That's possibly why Hera takes Eiffel's well-meaning dismissal ("It's just her programming") so personally. It's a reminder of her different, subordinate status, and it reeks of a double standard - she's right that nobody would think to blame a human's erratic behaviours on their biology. That would be patronising, right? As much as Eiffel means well, writing Hera's reactions off as mere programming strips her of her agency - something that comes up again and again in her character arc. How much is Hera responsible for her actions, if she can also be programmed to act a certain way? In what ways has she been "made" a certain way, against her will? And how can she best deal with that while still retaining a sense of agency and control over her life and identity?  They're big, complicated questions, and we're only really scratching the surface here, but I do think it's a solid foundation for later developments. At the very least, we get the impression that Hera doesn't like to be reduced to her programming - and rightly so, I suspect. To some extent, at least, she is more than just the code that she is made of, just like humans are more than the sum of their biology. And that's a good thing to be establishing now, buried in the middle of a relatively low-stakes argument, before the more plotty stuff kicks off later on in the show.

And of course, it also bleeds into Hera and Minkowski's argument, which really picks up steam at this point, after an impassioned but ultimately futile speech from Eiffel about how it's a stupid fight to begin with and how making him pick sides is dumb and unfair. Hera, ignoring this, accuses Minkowski of feeling threatened by the big, powerful AI. That, for Hera, is why Minkowski is micromanaging her. It's because she's a typical human, insecure about an AI having more power than her.

Hera's point is almost immediately complicated by Minkowski, who rightly points out that the issue, for her, isn't that Hera's an AI. It's that Hera' unreliable. She keeps breaking down and glitching, and so the crew keep experiencing emergencies that could maybe be avoided if Hera would just give Minkowski the reports she wants. We've seen Hera break down as recently as last episode, and so this does kind of ring true, even if the way that Minkowski brings up Hera' vocal glitching feels like a bit of a low blow.

Both of them, then, have a point, and I think it's also worth noting that it's also, as Minkowski points out to Eiffel, a question of protocol. Whether Hera likes it or not, Minkowski is, technically, her commanding officer, and should be able to just give her commands and demand reports from her. Refusing to do so undermines Minkowski's authority. That said, Hera didn't exactly have a choice when it came to joining whatever weird sort-of military thing Goddard has going on. She never signed up for the whole "commanding officer" thing, so why should she obey Minkowski? Because she's programmed to?

It's messy, grey situation, with no clear answers, and it's worth noting that the argument doesn't really get resolved. Neither Minkowski nor Hera back down at any point. Instead, a combination of Eiffel calling them out for being childish and Hilbert attempting a coup snaps them out of it, reminding them that they have bigger problems right now. There is a time and a place for the discussion they were having. But that time is not now, and so they decide, without really discussing it, to set aside their grievances. It's not that their respective opinions aren't valid. But keeping each other (and the rest of the crew) safe comes first, and so they bond over being annoyed at Eiffel, and they set off to save Hilbert. It's sweet, in a way, and I like how quickly they both just get on with it. And Eiffel's dejected resignation at the end is the cherry on top. Bless him.

And so we get to the end of an episode that, while it's reliably funny, also gives us an outline of the main points in an argument that we probably should have seen coming. It's yet another example of how stress and tension can easily build up in the contained, isolated atmosphere of the Hephaestus - only this time, we don't get Eiffel cracking and hoarding toothpaste, we get Hera and Minkowski cracking and unleashing the titular sound and fury. The points raised get us thinking, in particular, about Hera's status, as an AI, but also just as a member of the Hephaestus' crew. Eiffel, meanwhile, is forced into a responsible, mediating role that he is neither comfortable in nor particularly good at. And at the end of the day, we're reassured that Minkowski and Hera do, at least, have their priorities straight. Arguing over reports is fine and dandy, but it's not worth getting killed over.

And of course, perhaps most excitingly, the plant monster returns. Surrender your flesh, and feed your new master :)

 Miscellaneous thoughts:

It doesn't escape my attention that this is the second title that's a Shakespeare reference. Keeping it classy there, Doug

"Umm... that's all it says for Friday."

The schedule bit is basically the Night Vale Community Calendar segment, but in space

Hilbert's voice in this is sooo weird and dull and creepy ugh

I know the science of it isn't really the focus here, and I'm 100% down with that, but also how does a plant mind control people?!? I want to know!

"Our operating system is a tin-headed, insubordinate, feckless fool!"

"Sit your Swiss ass down, and take a side, Doug."

Aww, Eiffel just sounds so confused and stressed-out by the whole situation :(

And finally we get the obvious Little Shop of Horrors plant monster joke :)

I didn't go into much detail about Eiffel in this, but his speech where he finally gets them to shut up and work together again is also great and I love it jsyk

"Shut up, Plant-Hilbert." Bwahahahaha.

#wolf 359 #wolf359 #w359 #wolf 359 relisten #the sound and the fury #nellied reviews #time to overanalyse Minkowski and Hera's argument #also #plant monster! #my not-so-small herbaceous child is back #gotta love it

[beneaththetangles]

Can a Christian Watch Naruto and Dragon Ball Z?

I often receive questions from concerned viewers of anime who struggle with certain aspects of the medium, or in some cases, the entirety of it. On occasion, it feels appropriate to share that question with our broader audience, as well as my response. Here’s an example I recently received:

Is it okay to watch Naruto / Dragon Ball even with the underlying messages in them?

I found this question fascinating because it touches on something other that which I normally encounter. Oftentimes, and for good reasons, Christians are concerned with content in anime that isn’t necessarily particular to the form—namely sexual scenes and fanservice, though also violence and language. When answering, I’m able to draw from other media we consume to create a broader picture of what we’re viewing and what the culture is creating. It’s not just anime, in other words: We’re examining what humans are creating for our enjoyment, and have to consider how we’re approaching those forms.

But this question seems to infer something beyond those largely surface-level decisions made by animators and mangaka. Setting aside the rich themes of many shounen series (friendship, teamwork, sacrifice), many also exude ideas that are deeper in a more religious or spiritual way; both can be connected to a human desire to seek God and do what we were made to, but they can also run contradictory, especially when considering that the latter usually reflect non-Christian religions. But that’s to be expected. Surveys have told us that Japan is only 1-2% Christian. Most Japanese are a mixture of Buddhist, Shinto, and atheist, a conglomeration of culture, practicality, and modernism. Rumors abound of certain Japanese directors and voice actors in the industry being Christian (I personally attempted to ask the question of a seiyuu during an interview but was flatly denied by the interpreter), but rarely confirmed, while tendencies to see Christian principles on some series, like Haibane Renmei and Puella Magi Madoka Magica, are countered by Japanese religious themes just as strongly, if not more so. Naruto and Dragon Ball (and its sequel series) reinforce the spiritual ideas of Japanese culture very strongly as well. Animism, reincarnation, and the such are part of life in those character’s worlds. My assumption is that the asker is referring to these non-Christian worldviews.

The answer to whether it’s okay to watch them or not is a complicated one. It’s both yes and no. I’ll start with that earlier, more positive response.

In a vacuum, the act of watching Naruto is not a sin. Neither is watching something that shows sin. If it were, reading the Bible would be the greatest sin of all! Speaking of other religions, how much worse can it get than child sacrifice, rape, and murder? So yes, you can watch these series.

The issue arises when something becomes an idol, when it takes God’s place. Media, and anime specifically for all us otaku, is a danger in this way. Let’s face it—anime is most likely in some degree an idol for all those reading this article. We’re capable of incredible feats, and also susceptible to the influence of culture; if anime affects pushes us away from God, that’s a problem. Further, the anime viewer finds herself reveling in things that are not of God. Even one like me, who spends a great deal of time looking for signs of the invisible God in anime, can’t help but to be aroused sometimes by fanservice, laugh at crude jokes, and be awed by even vile violence. So as I enjoy those things, probably far more than I realize I do, I am sinning. There’s the danger.

Particular to this question is also the hazard of accepting an entire worldview as good, when only God is good. And I’m not talking about watching an episode of DBZ and thinking, “You know what? I think that when I die, God has prepared a training place for me in the clouds!” I mean in a more subtle way as one embraces ideals that aren’t godly, as in a warped view of love, a desire to focus on ourselves (and even others) above God, and a view that ultimate aims in life are separate from worship of the creator. Watch enough anime and see if these ideas don’t become a part of your worldview, a temptation that takes you away from doing “good,” from actively worshiping God by loving and obeying him, and by reaching out to others in order to share the good news.

And yet, I continue to watch anime. Is there a hypocrisy there, a concession to the world? Am I playing with fire? Perhaps! But I also believe that the goodness that God imbues in us often shines through anime, and can be something that reflects the goodness of God, that draws us closer to him. Thus, Beneath the Tangles exists, a place where we take the goodness expressed through our favorite art forms and then worship God all the more by pondering upon his greatness in love, creativity, power, justice, and holiness, which then hopefully convinces us all the more to directly do his work. When I approach anime with eyes looking for these wondrous things, I’m more able to enjoy the wonderful qualities of God, like beauty and humor, expressed through anime, and enjoy less the sinful aspects (and rather disdain them as I grow in my faith). I find that I’m approaching anime this way when my personal life is dedicated more to Christ, when I’m desiring him, enjoying him, loving him. If I’m not in that place, I probably should avoid anime that is more able to tempt me to sin, and focus on getting right with God.

And so, the answer, again, is both yes and no. As with so many things in life, God parents us by giving us choice. As you grow in faith, so too, will your decision-making ability increase. And as you love God more and more above the world, my hope is that you’ll also be impacted far more by him than by culture, media, and anime, so that this question becomes an easy one for you to answer as every fiber in your being reminds you—God’s will be done.

#Anime #Manga #Christianity #Naruto #Dragon Ball #Dragon Ball Z #Articles #Author: TWWK