Idea: Sebastian is trans, Sam and Sebastian are dating and have been since before seb came out, which happened while kent was deployed. So when kent left for war he knew his teenage son had a “girlfriend,” and when he comes back, his young adult son now has a boyfriend, and he doesn’t realize it’s the same person, so he’s like, “why did Sam never write to me about breaking up with that girl or coming out as queer and starting to date this guy,” and doesn’t understand why Sam’s new boyfriend that he’s never met is acting somewhat familiar with him
272 notes
·
View notes
i find it an interesting detail that this is where the thumbnail comes from, specifically the frame where he says "demonized" (from the titular song)
now i've only watched npmd once so idk if there's any like. subtext as to if max was a typical bully in how if he bullied others due to his own background or insecurities or if he was just genuinely just a terrible person, but it seems interesting that starkid chose this specific frame to go on the thumbnail (i get it he does look frightening and cool at once and it conveys the vibe of the musical)
i mean it's obvious that he's a completely deranged person (i think especially after coming back from the dead) but yeah, what i thought was interesting, was that by starkid choosing this specific frame, they're also immediately demonizing him to anyone that stumbles upon the musical, even before starting it so!!!
183 notes
·
View notes
The thing that gets me the most about intersexism is the fact that... it doesn't matter how many intersex people there are - no matter if they are as common as redheadheaded people or anybody else - when the intersexist sees human bodies and their states as a inherently a political battle, an agenda to be "won," the intersex body will always be an "anomaly," something crude and unnatural, regardless of how oxymoronic the "unnatural natural body" is.
155 notes
·
View notes
Crepus, probably, at some point: What's your deal kiddo?
Kaeya: Well, I'm actually a secret spy for some country that's been destroyed for hundreds of years and I was sent here to save said nation and the world maybe. I am lying to you every second we are together and our relationship is built on fraught foundations.
Crepus: No seriously, what's your deal? Can we not joke about it for a second and talk about what's actually wrong?
205 notes
·
View notes
you know what really gets to me. is how jack loosens up david’s morals. like how david starts off as a staunch pacifist because of the Optics and strategy of it all, but then later he kicks a cop in the face and threatens him with a swing + tries to punch jack when he scabs. and both instances occur specifically because he cares so deeply about jack. But also there's this tidbit from the 91 script
it's like. up until now, david's interactions with jack have largely consisted of david being openly skeptical/confrontational whenever he detects any kind of bullshit. and while he immediately clocks that all this stuff about santa fe is a lie, for the first time, he decides to let it go. Because there's a kernel of authenticity to the statement, though the authenticity doesn’t lie in factual truth, it’s in how jack desperately "wants it to be true". because. this is david's first time seeing the soft underbelly to jack. because david IS charmed by jack despite not really trusting him
28 notes
·
View notes