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#Audrey Marshall
derelictdumbass · 2 years
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@space-sweetheart made this lovely lady and now I have brainrot so I had to draw her 😭💕
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I had to draw her a LOT
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closetofcuriosities · 1 month
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Twin Peaks (1990-2017)
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heatherfield · 1 year
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Teachers have first names?!
Headless: A Sleepy Hollow Story, Episode 2 “The Ghosts in the Graveyard” [x]
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gerrycoco · 1 year
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And that’s a wrap folks 
Stellar job as always Shipwrecked Comedy 👏
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neverscreens · 7 months
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— TWIN PEAKS, season one.
Pilot, Part One and Two.
Traces to Nowhere, 440 Screencaps.
Zen, or the Skill to Catch a Killer, 403 Screencaps.
Rest in Pain, 384 Screencaps.
The One-Armed Man, 429 Screencaps.
Cooper's Dreams, 426 Screencaps.
Realization Time, 399 Screencaps.
The Last Evening, 464 Screencaps.
Downloadable in RAR files, 4,6GB
3.798 Screencaps in 1080p BluRay.
You can find this resource in gallery and also rar file. Like or reblog if it was useful, every interaction shows us that we should keep making screencaps for y'all ♡
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shipwreckedcomedy · 1 year
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Some behind the scenes photos from the set of Headless, taken by our set photographer, Christopher Higgins.
HEADLESS: A SLEEPY HOLLOW STORY A new 10-part series inspired by The Legend of Sleepy Hollow Written & Created by Sean Persaud & Sinéad Persaud Directed by William J Stribling
Out now in full on Shipwrecked Comedy's YouTube Channel
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artfilmfan · 11 months
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Esme, My Love (Cory Choy, 2022)
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untamedame · 2 years
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😅
Headless: A Sleepy Hollow Story
Episode 2 - Ghosts in the Graveyard
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dylsprousefan2022 · 7 months
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Carnival after hours 🎡
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giraffe44 · 1 year
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High Wall, 1947, Is Playing on TCM on May 16
High Wall, 1947, is playing on Turner Classic Movies on Friday, at 1.15 p.m. est. I highly recommend this film.  Robert Taylor is playing totally against type as an injured war veteran who has a haematoma on his brain that is causing him to act irrationally.  This is so far from the glamorous Taylor we know and love and demonstrates his amazing range as an actor. High Wall is a departure for…
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View On WordPress
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space-sweetheart · 2 years
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🐎🌼friend's self ship: Dean x Audrey🌼🐎
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audoodle · 2 years
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maybe this is a nothing take but I noticed the way I talk about corporate queer art and independent queer art is very different. when there's a piece of corporate art with any actual gay characters trans character etc I find myself needing to stress that they're there at all. and I don't mean like this character has two moms marvel whatever background character meaningless nonsense. even in shows and movies that have queer main characters or have them in focus it feels like something to be emphasized and underlined. where as I'm fully willing to just drop a link to a webcomic or album I like and just say "it's queer go nuts" not even really giving the examples or context to how it is. I'm just willing to give the art the trust that it is queer and the people im recommending that they will find those elements naturally.
and like I kinda think all the factors to why this is is obvious? queer art that has to go through a corporate filter to a point where even well meaning and queer creators will have some rough edges sanded off and that's after many long hard fights. and then there's the very well earned skepticism we all have of companies to do that right because often times they aren't well meaning (hello onwards lesbian cop). Both of these factors lead into the reality which is it's much easier to find independently made queer art and it's MUCH easier to find any that's good at all. It feels like every other band I listen to has multiple members who are openly gay or trans and it comes through in what they write. same for most of what I read nowadays especially online.
and like. that's fantastic on some level. that I have this art that speaks to me and has helped me explain my identity and can feel genuinely naturally non leeringly or baitingly queer. I love having that so much. but at the same time this sucks! that I don't know if my mom will ever see a trans character who I feel I see myself in. everything that will be given to a mainstream audience will have at best a gay character in the background. that they'll have to promise cis and straight audiences that the gay people are just like you don't even worry about it! they definitely arent freaks and they definitely definitely aren't crumbling under societal weight! see we gave them a gay character for a scene they're fine!
I definitely have specific more examples of corporate art failing, cishet people acting as if the scraps we get are enough, and queer art that genuinely I see myself in. but I wanted to keep this more general and I definitely think I've gone on long enough. and I definitely don't think big art just *can't* have well done queer elements. I just don't know if they can ever catch up. because it doesn't seem like they want to because the money isn't there for that.
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closetofcuriosities · 1 month
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Twin Peaks (1990-2017)
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cartooniack-sims · 2 years
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Here some Sims from one of my other personal saves featuring my revised Simself and his friends.
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fearsmagazine · 11 months
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ESME MY LOVE - Review
DISTRIBUTOR: Terror Films
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SYNOPSIS: “When Hannah notices the symptoms of a terminal and painful illness in her aloof daughter, Esme, she decides to take her on a trip to their abandoned family farm in a desperate attempt to connect before they have to say goodbye.” - Terror Films
REVIEW: The air is peppered with unease right from the start and continues to build as this mother/daughter trek into the woods becomes terrifying as it descends into madness in ESME MY LOVE. This realistic nightmare set in a dark forest is heightened by a mother’s deteriorating mental state that puts her young daughter in peril.
Cory Choy and Laura Allen’s screenplay is an engaging tale. We are introduced to Hannah and Esme and slowly there are small ticks in the mother’s personality that make us aware that something is off. In the woods lies an abandoned family dairy farm where Hannah’s quest to reconnect with her family history is revealed. Hannah becomes obsessed with digging in order to unearth buried secrets. Esme begins to understand she must put aside her childlike ways and grow up in hopes of getting herself and her mother home. As her mother’s actions circumvent any hopes of either leaving the woods, Esme discovers mysterious clues in the old family home that allows her to get a handle on her mother’s obsession. The writers create a layered and interesting character study - a mother entering into madness and the daughter coming of age. The story plays with the concepts of memory, loss and illness. Hannah and Esme are both plagued by their own phantoms. In terms of the “illness,” the question of it actually being a result of a genetic condition or a psychological condition brought on by guilt is never clearly answered and the viewer is left to form their own opinion. There is a facet to the narrative that reminds me of a Shirley Jackson story. By the final act the viewer’s emotions can feel frayed if they’ve made the emotional investment into the story.
The film rests on the shoulders of actresses Audrey Grace Marshall and Stacey Weckstein. Audrey Grace Marshall is a talented young actress, and I recalled her work in “The Girl Who Got Away” and the TV series “The Flight Attendant.” She delivers a rich and dynamic performance as she goes through a character arc catalyzed by her mother’s unraveling. Actress Stacey Weckstein likewise delivers a strong, unforgettable performance. She demonstrates this internalized struggle where we perceive her dark intentions and her motherly instincts fight for control. Over the course of the film her personality slowly morphs and by the end we are confronted with a different person. The two actresses are compelling, skillfully drawing the viewer into the drama.
The film has beautiful production values. They capture breathtaking images of the wilderness as they play with the lighting to draw out the shadows adding menace to the forest. They maximize the effect of the abandoned locations, and I am curious to see images of what they looked like when they found them and how much dressing they did to achieve the look. I’m sure that there were elements from the plot that added to the set, but they feel organic and seamless to the tale. Director Cory Choy creates hypnotic moments through complex and powerful performances she extracts from her actors. She juxtaposes the characters’ surreal moments, adding depth to the visual narrative. She finds a lush quality in the wilderness and the rustic nature of Hannah’s family’s detritus.
ESME MY LOVE is a surprising and gripping psychological horror thriller. It presents two well crafted , strong female characters that are brought to life through fervent performances. There are some thought-provoking elements woven into the narrative that provide some comparisons and contrast to what transpires. It all comes together in a uniquely haunting cinema viewing experience.
CAST: Audrey Grace Marshall & Stacey Weckstein CREW: Director/Screenplay/Producer - Cory Choy; Screenplay - Laura Allen; Cinematographer - Fletcher Wolfe; Score - Stephanie Griffin & Charlotte Littlehales; Editors - Emrys Eller & Ellie Gravitte; Production Designer - Kyra Boselli; Special Makeup Effects Artist - Chelsea Paige. OFFICIAL: www.esmemylove.com FACEBOOK: N.A. TWITTER: N.A. TRAILER: https://youtu.be/dHqNxHLzZ9U RELEASE DATE: On Demand and Digital June 2nd, 2023
**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)
Reviewed by Joseph B Mauceri
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theoccultranch · 1 year
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Audrey: Look at how you stand! People who had good childhoods don't stand like that
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