Hilma af Klint's enigmatic life. The scenes where her wall sized work are displayed are worth a look, it shows how monumental they are. A large screen HD monitor helps.
And there is a scene where Edvard Munch invites Klint and her friends to an exhibition of his work, which she attended, though they were very likely aware of each other, there is no documentation of such an meeting. The filmmakers took some artistic liberties with a few other things, like her sexuality. There are no letters or diaries that suggest she was a lesbian.
Painting: Group IV, The Ten Largest, No. 7, Adulthood (Grupp IV, De tio sto虉rsta, nr 7, Mannaa虋ldern), from untitled series, 1907. Hilma af Klint. Tempera on paper mounted on canvas.