the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.
"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."
translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"
It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!
Four gave a ton of unnoticed help when Twilight was injured
The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal
But Four did something that no one else really thought of to help- He took care of Twi's stuff
From the beginning he told Twilight to not worry about them
So Four took care of pretty much everything but the others (that Sky and Wars handled)
He took care of Epona
Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her
And for Epona, a horse so attached to her human, having some company can help so much for reassurance
He took care of Twilight's stuff
He got Twi's shield- his bags and equipment, and organized it into one place
And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.
Also- because of his placement in this scene
I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything
And he did housekeeping!
Wars payed for the inn, so Four took care of the inn
Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in
Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn
Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn
Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious
There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future
But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way
Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things
No matter what develops in the future- this amount of care shown is important ya know?
I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :
-
(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )
I want married Kathony gossiping about the family in season 3 so bad. I want overprotective Anthony with Francesca and Kate being the only one to calm him down (but she’s just as bad.)
Violet watching Anthony give another death glare to a suitor: it’s a miracle Daphne got married at all
Kate: Anthony *wraps her arm around him*
Anthony: *eyes turn to mush*
Kate whispering: he’s not good enough for her, don’t waste your energy on him.
Fran: I’m never getting married am I?
Violet: *exhausted sigh*
Eloise: can they do that with me????
Ben writing to Colin: come home Brother there’s two of them now I’m outnumbered.
[ID: A Scum Villain edit of the "missing the point" meme. A bullet arcs from velinxi art of child Shen Jiu kneeling while furiously glaring. The bullet says, "People are not entirely one thing or the other and holding them to these extremes ignores the complexities that come with their humanity." It arcs over the head of a person across from it, who ignores the bullet and exclaims: "Wow!! Shen Jiu's only crime was being mean and was wrongly hated!" End ID]
putting my hands on your shoulders looking directly into your eyes why are you so insistent that Dazai is faking every emotion every second of every day except when he's acting mean or evil why do you think his dark side is more true than his happier or sillier sides
do you not also have multiple facets you show different people? are we not all beautiful multifaceted individuals? are your actions and reactions not influenced by your emotions and state of mind?
can't he laugh at his own jokes? can't he fondly think of the Agency? can't he be dramatic because he wants to? can't he be surprised by something suddenly happening, even if he knew it would happen? do you not jump when the jack in the box gets out even if you were the one working the mechanism?
why would the mean persona be more real? why would any and all joy be faked? why are you only allowing him misery?
there was a point in late 2023 where i felt like i overstayed my welcome on simblr and i planned on just wrapping frozen pines up as quickly as possible and moving on. continuing to write when it's clear that the audience for it is dwindling felt so embarrassing that i almost didn't even want to put effort into it anymore, because i was afraid it just looked pathetic (obligatory disclaimer: no one made me feel this way, you're all so lovely, it's just the nature of seeing a community change over 7 years). writing already feels very personal to me and it's becoming increasingly harder for me to put my work out there (again, for reasons unrelated to simblr and entirely related to mental illness 🤙🏻). i know my story is so long that it deters new readers, and so sporadic that it makes old readers drop off with time. this has really been bothering me lately because i don't know what i can do to fix it. i don't think there IS anything i can do.
but. okay. don't make fun of me for saying this. dan and phil returning to youtube kinda changed my mindset? they may be pulling a fraction of the views they got in their peak, but they're happier than they've ever been and they're working on things they actually want to do, not things they think will be particularly popular. seeing that has made me realize that it is possible to keep finding joy in a community that has largely moved on without you. obviously my little blog is nowhere near the same scale, so this feels kind of silly, but i've been thinking about all the things i used to do on simblr that were never fun for me, i mainly did them because i knew they would get notes or because i felt like i had to do it. making cc, lookbooks, sim requests, reshade help (oh my god the reshade help), lot downloads, etc. they DID get notes, but i can't imagine spending my time doing any of that stuff ever again tbh.
on top of that, it makes me sad to scroll through my dash and realize that i don't recognize most of the people i see anymore. i still talk to some wonderful people here who i consider friends and that's invaluable to me (💖), but the broader community aspect is something i no longer feel a part of. and believe me, i know i'm at fault here because it's not like i'm going out of my way to talk to new people or participate in trends like i used to. i don't blame anyone except the passage of time!!
frozen pines, and simblr by extension, played such a gigantic part in my life when i needed it the most. and that's not to say that i don't still care about it, because i absolutely do, but it's a different kind of feeling. i've always promised that i would give frozen pines a satisfying conclusion rather than silently abandoning it someday, and though i do intend to keep that promise, i know it's possible that i might never get there. but i don't want to let my own insecurities get in the way of something i really enjoy doing. writing is an intrinsic piece of me that i'll never quit doing, but sharing my writing on tumblr is something that can't (and shouldn't) last forever. i know that. but i'm going to enjoy it to the fullest while we're all still here together 💞
to anyone who's still reading my silly story after all these years (especially those of you who still check in on my blog even though you're not on simblr anymore): thank you thank you thank you THANK YOUUU. you don't have to change a single thing about what you're doing. this is not me fishing for compliments or putting down an ultimatum, this is just me trying to make sense of my feelings.
but with all this being said, i've decided to quit simblr and start my own exclusive streaming service for $60 a year, i hope you'll all support me as i increase my production value 😌
maybe my job is just rotting my brain but I’m ngl the bits that little kids do are so fucking funny to me sometimes. today we had a three year old girl who kept handing my coworker different pretend foods from the kitchen but then every time after my coworker took a fake bite she would shout “IT HAS CORN IT IT!!!” and giggle furiously (the joke being that the food being served Should Not have corn in it). like. “here’s your tea!! 🥰 HAHA IT HAS CORN IN IT!!” and I don’t fucking know why but for some reason it killed me. I was like damn she would do numbers on tumblr.
When Rick returns to the CRM and receives the Echelon Briefing, he’s presented with a fork in the road that has two clear options:
Path A: Save the people he loves by going along with mass murder.
Path B: Save the people he loves by going home.
We all know how that ends (with a table slide 🥵), but as I was (re)watching, I couldn’t help but wonder—What would have happened if Michonne hadn't found him? What would have happened if Commando Rick was the one hearing the briefing? What would have happened if the E1 version of Rick had to choose?
On its face, what General Beale offers is the solution to Rick’s biggest problems and the salve to his deepest wounds. When Beale callously, manipulatively, rudely says that even Rick’s best efforts (chomp, chomp) weren’t enough to save Carl in the end, he offers the secret army within the CRM as a way to do what Rick couldn’t and can’t—keep people safe.
But…
But.
“The Ones Who Live” is an epic love story. In virtually every single interview they’ve done leading up to the show and every single interview they’ve done since it aired, Danai, Andrew, and Scott have been very clear about the story they wanted to tell. This quote from Danai stands out to me in particular:
“When love is the driving force, when it is the propelling thing, when it is making the plot move, what does that look like?”
In other words, what does it look like when love is both the reason for and the result of our actions and decisions?
Throughout TOWL, we get to explore all types of love: romantic (e.g., Rick and Michonne), platonic (e.g., Michonne and Nat), familial (e.g., the Grimes), community (e.g., the caravan), self-love (e.g., Michonne’s articulation of how she views herself for leaving her Shoto and Little Brave Man to find Rick), as well as all the types of love that Ancient Greek philosophers talked about.
We also get to explore the bastardization of love. We get to see its abuse, its disregard, its minimization, and the consequences therein—
When Beale rejected love, he sacrificed his community.
When Thorne lost faith in love, she devoted herself to Beale’s fascist mission.
When Okafor abandoned love, he killed his wife.
Even when Beale is showing Rick a version of paradise where the people he cares about are safe, he starts to say “a lov-” and cuts himself off with “I don’t give a damn.” For him, a love or lover is inconsequential. This thing that ties us together, that makes us us is something trivial that can be cast aside for the bigger picture…
And while we don’t see the other briefings, we do know that Beale’s done 2,533 of them, so—assuming they all accepted—that means there are 2,531 other people besides Okafor and Thorne who have rejected, minimized, destroyed, forgotten, been hurt by, fear, lost, and/or given up on love, too.
So back to Rick, the fork in the road, and my hypothetical question:
I think that, if Michonne hadn’t had found Rick, if he was still deep in the trenches of the CRM and Okafor’s mission, if he was still walking around dead inside, I think he would have rejected Beale’s offer. Not because he didn’t want to be reunited with his family, but because he wouldn’t have wanted to be reunited with his family like that.
He wouldn’t have wanted to be with Michonne with his disregard for humanity standing between them.
He wouldn’t have wanted to hold Judith—that sweet precious baby he left behind—and taint her innocence with his sins.
Because as Michonne told him, “That’s not how you love.”
(And, needless to say, in this hypothetical scenario of Michonne not finding Rick pre-briefing, he wouldn’t know about RJ so he wouldn’t have been accounted for in this decision-making process.)
If there was no reunion and Rick was left to make this decision without the buoyancy of Michonne and all that she reminded him of, if all he had was the memory of the love and life he left behind, the paths in front of Commando Rick would be bleak af:
Path A1: Go along with the mission to murder millions and be reunited with his family. (Essentially becoming everything he stood against pre-ZA and pre-CRM and never truly being with them again.)
Path A2: Pretend to go along with the mission, but actually try to sabotage it. (Although he might feel trapped because the briefing was the same day as or just before the Portland attack and he might not be able to undo it all on his own in time.)
Path B: Try to escape. Again. (But likely not succeed.)
Path C: End his life. (And at least die knowing that Michonne and Judith might be able to get away and continue living.)
Which path do you think he would take? 😔
This is why I internally chuckle and roll my eyes at the critiques that TOWL focused too much on love. The way the finale—and the show as a whole—unfolded was the only option. Everything about Rick and Michonne and who they are in this particular world led to this moment. Everything they'd been through for nearly a decade (nearly eight of which he was held captive) came together.
An epic love story indeed.
The failure to see that and the desire to disregard the power of love—the power of Richonne’s love—simply means you weren’t having the experience you claim you want to have. Go back and watch from the beginning, babe. Pull up E1 and hit “play.” I promise you’ll like it so much better when you allow yourself to believe.