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#I am working on a whole series of these
peaches764 · 2 months
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inkskinned · 2 years
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i hate how commodity and capitalism has ruined so much storytelling . i hate how sequels and prequels and whatever else all ring like merch sales; i hate that i as an author have to include any social media following i have as a marketable trait; i hate that everything feels like a xerox of a copy of a dream of a memory.
i hate that my nostalgia has been turned into profit. i hate that companies fear consumer backlash so no real commentary may be made; i hate that companies care more about quantity over quality. i hate that so many artists and creators are being overworked to the point of complete collapse rather than being allowed to tell the story their way. i hate that every point of representation has to be fought for. i hate it i want us all to go back to living in a cave .
when you sit with friends over a bonfire and the night is getting long and people start telling this slow, almost hypnotic story - in this quiet voice, like they don't expect you to listen while they say the most fucked up shit you've ever heard - that is storytelling. who cares if the punchline is car hand hook door. storytelling has always been about community, about us all sitting in the dark, choosing to fill the silence while the last embers are dying. we forgot that storytelling is spellwork. hallucinating together, our breaths held, waiting for the ending we already knew was coming.
#this is specifically due to my rage and undying hatred of megacorporation#disney.#and specifically bc i think there COULD have been a really good series of new#dinosaur island t rex movies#if they had just fucking gone the distance#stopped with the fucking bad CGI#and made the whole thing about late-stage capitalism#do you wanna know what would ACTUALLY sell and work on the big screen more than a trex screaming in front of a volcano#(u absolute jerkweeds)?#so they've rebuilt the island and the park. but the narrative is 100%#that nobody wants to fucking work there and it feels AT BEST cult-like and insular. nobody is paid well for this#at EVERY possible place they are cutting corners. the dinosaurs might have higher walls#but the handlers are paid 5.34 an hour due to island laws. the corporation has RFID tags in their costumes which they are forced to wear#the employees are not allowed to drink water in 120 degree heat bc it would be upsetting to guests#u know real things i experienced working for disney#(but it was 8.90)#anyway it turns out the park CEO knew the risks and just didnt care bc bottom line BAYBEE.#it would be so much more sobering and fucking GOOD if it was like. scientists being like ''i am an environmental scientist''#''after the epa was slashed this is literally the only job i could find. i literally HAD to take it or i couldn't feed my family.''#''i hate what i do. i am disgusted by it. i literally CANNOT STOP because the company also charges us 400 dollars a week to live here''#the dinosaurs escape EARLY in my movie. like minute 45. and then... 1 week later#the park reopens.#half the staff are missing. they're just fucking gone. it doesn't matter tho the company tells everyone to work 2x as hard#that those people weren't loyal enough or they are tragic heroes bc they died doing what they love#and the movie isn't like ''wow dinosaurs scary!!!'' it's...#that in a global fucking pandemic disney kept sacrificing employees.#but it'll be disguised bc the pandemic will be dinosaurs.#this my beloved is what we call an ALLEGORY but unfortunately certain companies have never heard of them#allegories require critical thinking and that doesn't test well with audiences
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harunefrog · 4 months
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I drew a thing!!! You know this one!!!
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ctl-yuejie · 9 months
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"It will just end how it started"
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xxivletxx · 4 months
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Warrior Cats x Fire Emblem Awakening
(Collaboration with @ghost-tm !)
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pencilofawesomeness · 4 months
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“I made her feel powerless, I knocked her down and— and she still makes me feel scared.” —Satoru, So Find One And Seize It, Chapter 5
So a consequence of rereading Chapters 4 and 5 of SFOASI from The Odyssey series by the utterly incredible HotCocoaaa ( @biscaanii ) and then listening to Hawk in the Night by Maddie Buckley soon afterward is getting immediate brainrot for the most depressingly brutal piece I could start 2024 with. It worked too well for the Gojo Clan, especially Cocoa's rendition of Satoru and his grandmother, Akemi. She's a terrible woman and she fascinates me.
Go read this series guys it's so great—
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khathastrophe · 1 year
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one whole day late to the KP Anniversary but at least I made it here
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greenerteacups · 19 days
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What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭
So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.
With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.
Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.
But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.
#greenteacup asks#sidebar: I know Minister “of” Magic is an Americanism but mea culpa#Someday I might actually bite it and pay someone to britpick Lionheart but I can't do it now#because I have a ban on editing published fic unless it's finished. Otherwise I'll never get around to writing the actual ending#I have a Process#is it the best process? likely not! but it makes the words go. so here we are.#I also think the fact that JKR is Gen X makes a difference here. careers worked differently in the 80s and 90s than they do now#i.e. we have the gig economy and a lot more mobility and EXPECTATION of mobility in your early life#that means career changes & professional pivots through your 20s and 30s are increasingly normal#and in fact have always been normal — but the image of the 'true' or 'ideal' career has changed#so we look at those careers and go hm. really? none of them changed?#none of them even went to uni? do wizards... just not?#but again. I believe the epilogue was written almost completely without consideration as to what happened between the BOH and then#I really believe that JKR did not know what happened to Harry except a wedding and 3 kids. because that was the whole point#I don't think she even knew what his career was when she wrote that scene#It existed to marry everyone off and do a quick munchkin headcount#because of the understandable temptation as an author to keep your hand on the wheel. but it didn't even matter!#the epilogue changed NOTHING! it was the most useless chapter in the series! I just — GOD#you can absolutely accuse me of being sour grapes about my ships getting nixed. I AM sour grapes. I AM a hater.#AND I have plot/theme/craft reasons for disliking it.#I'm not objective. I just want credit for being a sophisticated hater. my grapes may be sour but they're still artisinal.
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todayisafridaynight · 9 months
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barely four hours into the new month and im already silly
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aquanutart · 2 years
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an upside-down truth / a fallen star
#the dragon prince#tdp#aaravos#gif#aquanutart#hi i would like to thank everyone who said on my last pic 'i am reblogging this for the puffballs'#as well as 'your tags have murdered me' etc#truly made the whole experience worthwhile. i still can't tell if anyone got the joke but i no longer care#next in our series of 'it's 2022 why don't you make a brush' i should really make a star brush#instead of sitting there going dot dot dot dot dot dot dot dot dot dot dot ...#even traditional art has a shortcut method for this (it's called putting masking tape on everything and then: splatter)#(advisable to do this first before drawing anything else...)#the good thing is it doesn't actually take a long time to do the dot dot dots it's just kind of repetitive#and you get bored and start writing about it in your tags and then it takes longer because you're not working#i listened to the ff8 soundtrack while making this#i had actually planned to listen to the triple triad music the entire time but#it turned out i couldn't take it for several hours#even though i quickly realized my mistake i ended up having triple triad stuck in my head the whole time anyway. i did this to myself#anyway i was determined to finish this before season 4 dropped#because i also had the idea three years ago and i need to post it before the new season possibly makes it obsolete#threw a wrench into my own schedule by deciding at the last minute that i needed to animate it and i don't know how to animate#then tdp kind of also threw a wrench by releasing the first episode a week early but it's okay i'm still basically in time#i'd personally like it if aaravos were someone who warps and twists the truth and/or has a warped perspective rather than outright lying#i'm convinced there's a meaning to the upside-down star arcana and maybe rotating the key of aaravos can unlock something ??#saying this suddenly gave me flashbacks to the rotation keys in skyward sword rofl what if he's being held in prison#by his own startouch marking being upside-down because it's out of alignment with the universe or something#TWO MORE DAYS let's GO i've been waiting three years to have my theories blown apart
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iguessitsjustme · 11 months
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I have not been able to stop thinking about this since episode 9 aired and I read an excellent insight into Pat’s character this morning by @wen-kexing-apologist so I wanted to talk about Jeng because he is the character that I relate to the most. Granted, I am not a high level manager in my parent’s successful company, BUT I’ve worked office jobs and I’ve been in management positions and overseeing people. Please keep in mind that I am approaching Jeng as a white queer person who was raised (all over) the United States so I can only truly add the perspective that gives me. Also I wrote this while bored at work so I was definitely not nearly as articulate as I like, and this might not be anyone else’s interpretation and I completely understand if you do not agree with me here. With that said, here we go:
I am probably the most cishet passing person in the world. There’s no particular reason for this other than it’s just the way I am and how I like to present. I don’t risk my safety by presenting queer, I just don’t. I live in a big city, my family is incredibly supportive, my friends are queer, a good number of my coworkers are queer, I am not closeted. But people see me and they assume that I am straight. For the purposes of this post I'm focusing on sexual orientation rather than gender what I’m focusing on because my relationship with gender right now is basically the shrug emoji. Despite being out as bi since I was 24 many years ago, I still find myself constantly coming out to people because if I say nothing, assumptions are made about me and those assumptions are based on a heteronormative worldview that society has cursed us all to and those assumptions about me are wrong. 
Now let’s look at Jeng. I’m not gonna mention Pat because I fully believe that Pat’s response to learning Jeng is attracted to men was entirely based on his own repressed feelings and not entirely an assumption that Jeng is straight. Jeng passes as straight. I’m sure that’s due to a combination of his position, his family, and just his overall personality. We know that Jeng is out to people. He talks to his friend about Pat, Jaab asks him about his feelings towards Pat, and when he brings Pat home, Jeng’s parents see Pat and make some assumptions about what occurred. So a significant number of people in Jeng’s life know that he is gay and it’s not only a significant number that know but the people closest to him know as well. The other people that are able to clock Jeng in this show are the other queer people. Chot and Jen just know. They see how he looks at and interacts with Pat and can see the humongous crush that Jeng is nursing. So Jeng is working under the assumption that around these people, he is out. He might present straight and he might keep that up for work purposes, but he believes himself to be out to at least the other queer people near him.
Then Pat says this:
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And Jeng breaks. And I get that. Jeng knows that Pat is gay, Jeng thought that Pat knew he was gay. Jeng thought they were on the same page. Other queer people in Jeng’s life have known he was gay without him needing to explicitly state that. Pat, the person Jeng has been flirting with and has confessed to (while he was so drunk he couldn’t understand Jeng you beloved idiot) had no clue. At least that’s how it appears to Jeng, who is now in the unfortunate position of needing to out himself. Let me tell you something, it is exhausting to have to constantly come out to people. Every new person that I meet, if I want them to know that I am queer, I need to explicitly tell them because if I don’t, they will never know. I’ve had people think that I’m just a really good ally before. There are times I wish I was so entirely and visibly queer that no one would ever doubt it, and I’m sure Jeng felt that in this moment with Pat. It just takes one look at his face during this scene to know that Jeng has been here before and he is tired and his heart is breaking.
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How many people do you think Jeng has had to make a choice between outing himself or letting them work with false assumptions regarding his sexuality? How many times has Jeng chosen to closet himself instead of being who he is? How many times has Jeng been interested in another man but had no chance because that person didn’t know or care to believe he is gay? Just needing to make the decision on whether or not to explicitly say, “Yes, I like men” or “I’m gay” is tiring in and of itself, but then the actual saying of the words? Depleting. Especially to someone who you thought already knew. It hurts when people think I’m just a really good ally. I can’t imagine the pain Jeng felt at Pat’s surprise because to Jeng, that surprise indicated that Pat saw him as a good ally (again, I do not think that’s what was going on with Pat but this is about Jeng and his interpretation) and not as someone with interest in him.
Then Jeng learns later on that Pat just doesn’t understand how someone like Jeng can like him. It doesn’t make sense to Pat. How many times has Jeng been made to feel like his sexuality, coming from him, doesn’t make sense? I’m sure his dad had some things to say about it. I’m sure part of the reason he left previously was due to that. So while Jeng is out, it is a constant coming out process and then an entire new process to get people to believe it. Jeng’s sadness is mostly about Pat rejecting him, but I’m sure at least a small part of it is also the tiny piece of him that was so sure that Pat at least knew he was gay.
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Jeng now believes that Pat has only ever seen him as his straight boss and that can’t change. Pat sees him as a coworker, not even a friend, not even a member of the queer community. Just a coworker and nothing more. The revelation that Jeng likes and is attracted to men, made Pat uncomfortable. Is it because Jeng doesn’t obviously present as gay? Is it because he isn’t as clockable as someone like Chot? Now Jeng has to think of not only all of his interactions with Pat, but also all of his interactions with the other queer people in his office. Does he have to come out to them too or do they already know like he thought they did? Jeng was so busy being the most smitten man in the universe, it didn’t occur to him that his giant, massive, all-consuming crush on Pat might not have been obvious. I’m guessing the straight people in his office have been working under the assumption that he is straight. Will he need to come out to them too? He has been handling this for who knows how long, but this time, this time it HURTS.
Jeng was so worried about crossing the boundaries by being Pat’s boss that he didn’t even think about how dating a man would impact his worker’s perception of him. I don’t think he ultimately cares about what they think of his personal life or his personality as long as they are able to function as a department. But when Pat asked if he liked men, Jeng had to start reevaluating everything. Not just his interactions with Pat, but his interactions with the world. No wonder he seemed so just completely and utterly tired this episode. When Jeng and Pat finally work through their little miscommunication issues (which makes so much sense and work so well with this show I can’t even begin to describe my actual love for it which is weird cause miscommunication is my least favorite trope), I don’t think Jeng will actually change anything about the way he presents himself to the world. He still has his family to think about, and he’s still, well, he’s still Jeng. But I think this gave him some things to think about himself that he probably already knew but didn’t think he would have to explain to another queer person. Especially not Pat. Pat is out at the office, but it wasn’t entirely his choice. Pat outed himself so he would stop getting put in awkward conversations about the women in the office. Jeng might have seen something similar to himself in Pat. Pat could potentially pass as straight, and in fact did at the very beginning. He let people think he was dating a woman. Pat was careful who he came out to at the office. Jeng probably thought that of all people, Pat would understand him the best. Not explicitly out, but not in the closet either. How heartbreaking for both of them that their experiences clashed in such a way. But once those two get on the same page? They are gonna be the cutest couple in the entire world and I am so excited to see Jeng, finally, finally, be able to express his love for Pat to Pat as much as he wants to.
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benevolenterrancy · 4 months
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AND IT'S COMPLETED! Last chapter finally posted!
The Torchwood team manages to get themselves dumped into the middle of the Korean War and have to struggle their way through injuries, medical staff, time anomalies, demon hunters, and more general confusion than even they're used to dealing with on the regular in order to find a way home.
Meanwhile the MASH crew get a bunch of British spooks who just may win for being the weirdest patients they've ever had, and that's saying a lot.
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artisdrama · 2 years
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“right now, i feel useless. no, i've always been useless. i never exist. i have no feelings. i don't freaking have anything left within me. i can't take myself anymore, vegas.”
we all kept saying that vegas and pete are parallels to each other to what the same kind of abuse can lead to. it’s almost tiring how many times we analyzed how vegas weaponized his trauma by turning into an abuser in self defense, but we were a little blinded by pete’s smile because we genuinely believed pete was always being completely open about everything. his tattoo says it all, doesn’t it? no legacy is so rich as honesty. didn’t he share with vegas what his dad did? didn’t he follow what his heart told him? isn’t he gentle, a good friend, a good subordinate? that must be who he is.
vegas craves attention, acknowledgement, and he thinks he never received it because he never accomplished anything. pete did, though. he won the fight, and yet his dad still hit him. it doesn’t matter how good he is or how much he contributes to his surroundings, he’s never actually seen. it doesn’t matter how much effort he puts, how much emotional labor he puts in his relationships, he’s still secondary to their choices, a supporting character. it’s not just vegas that was never recognized as a person, it’s pete too. 
it’s pete because he can disappear and people that he holds dear to him wouldn’t even notice until someone dreams about him. because he keeps being the wingman to others, but no one ever falls for him. he solves the problems for everyone, but not only that, his efforts always turn into more responsibility since he’s so reliable - never, i don’t know, a vacation i guess? his work has no emotional return to him, and while he’s loved by tankhun he’s still a subordinate and not a friend. it’s his boss, and he has no say in their relationship like the other does. “my most understanding bodyguard”. pete understands tankhun and shows his concern for him through how he takes care of the other, but tankhun loves pete exactly for that, and not for him. no one sees the true him.
he puts his heart in everything. yes, the honesty is there. and he does everything without expecting anything in return, because he knows that doing the right thing sometimes isn’t rewarding. that doesn’t mean he doesn’t crave recognition, it’s just that he doesn’t feel he’s ever going to receive the type of recognition he so desperately wants. and he can’t show this side to the others, because then he will be a burden and not fulfill the role he wants. he honestly wants to make everyone around him feel ok - and he’s fine with that, in some levels. he thinks helping others is rewarding because you can see the smile in their faces after it.
“i’m sorry. i aim to spread more smiles than tears.”
he’s content. it’s enough to keep him going, to inspire him to keep making others around him happy, because if anything that’s the only thing he knows. he has to live each day by itself, because if he sees the big picture he’ll feel like a side character to his own life. but deep inside, even though he has come to terms with his father’s abuse, he can’t distance himself from the violence. it’s his whole environment, it’s how he learned relationships work, it’s thrilling - and makes him feel alive. after being successful in destroying vegas’ plan, he’s so high on his accomplishment that the torture is almost a recognition on how well he fucked up vegas, and he can take it with a smile in his face.
but after all the violence and the torture vegas puts him through, he still can’t turn his caring persona of, because he’s so used to finding patterns in people in order to make them smile that he easily cracks the code to what’s vegas’ problem is. it’s almost instinctive at this point to only comfort him, not because he actually feels for vegas but because he is simply like that. he opens up just enough for vegas to understand that he’s being seen, but not enough for vegas to see him. he says just the right things at the right time, never giving information about himself or opening up. his goal was never to have vegas obsessed with him, but just to live each passing day and try to handle it as best as it could.
but vegas gets obsessed with him - actually, the idea of him. vegas is so caught up with the idea that someone understood him and didn’t judge him harshly that he completely ignores that pete is not “someone” in the sense of an abstract concept in his mind, but a person entirely separate. he starts seeing pete as an extension of him, projecting his feelings and his desires into the other. but this obsession shows up in the form of little actions of care and attention (in vegas’ way, of course), in the sexual tension, and this desire is so intense that it moves pete’s heart.
because, for a second, pete wants to believe that all that intensity and emotion is for him. that vegas actually saw who he is and understands, and is desiring him. when vegas tells him he’s sexy, is he saying that because he sees pete’s body and thinks he’s attractive or because the sex they had and pete’s submission is sexy to him? vegas proceeds to only talks about him and his feelings, but he never asks pete how he feels. he opens up - “i thought i was a freak”, but it’s not followed by a “have you ever felt something like that, pete?”. vegas finally asks him “how did you survive in this environment?” and pete’s finally smiling, asking back “why, do you think i’m a good guy?”. he’s expecting vegas to give an actual insight on it. but vegas shows how little he understands pete telling him he’s “stupid” - pete is far from stupid and he knows. and it’s not just bickering, because pete realizes that vegas truly believes he has nothing going on inside his mind, that he’s just what vegas wants him to be.
after that, he slaps himself in the face to wake up - vegas isn’t seeing him as a person, he needs to leave. that life is not what he wants. but then why did he say yes to him? why did he kiss vegas? of course there was a previous build-up of desire between the both of them, but what was that made him give in? he has never been into subspace before and he’s still trying to understand himself and what he wants, but right now he’s completely sober. and he blames himself a lot for everything. but when vegas gets inside the room mad, he’s doing it again - he’s trying to help vegas.
vegas still doesn’t sees pete, only what he wants to see. so it’s easy for him to simply act up and vent all his violence on the other when pete shows again how understanding he is (and he switches his emotions as if he wasn’t, a few hours earlier, putting all the care in the world making a dish for him). vegas still believes in what he told pete in the last episode before they kiss, that pete likes that side of him and that it turns him on, so it never occurred to him that acting like that again could have any other effect. not only that, but the line about them sleeping (which was already making pete dwell on self hatred for what he did and what he desired) finally snaps pete, because not only he isn’t in the mindset to enjoy that type of violence, but also because he’s done - he understands everyone, even vegas, but no one ever tries to understand him.
vegas’ obsession isn’t seeing him, but just a toy that will behave how he wants and like him the way he wants. pete wants to be desired intensely, madly and deeply, but he knows this isn’t what’s actually going on. it’s all a lie he’s telling himself, because he had a hard time coming into terms that vegas’ liked what he provided for him - comfort - and not him. he’s once again secondary to someone else’s feelings, and it doesn’t matter what he wants and what he likes, what his pain is, he’s not seen. and now, being punished by something he didn’t do, unable to even comfort vegas with his words, he’s useless too.
pete’s so done that he asks for vegas to kill him, and vegas is so out of his mind that he goes on to grab a knife and actually threaten to do it. vegas isn’t thinking properly but he does think this is just pete’s usual bratty behavior, and in his mind is something that can easily be solved like every other instance between them where he plays abuser with pete and then leaves. but this time, pete’s finally honest about his feelings. he’s done with everything, and he’s done with vegas treating him like that. he feels like shit, and there’s no point on keeping with this if he will still be treated like that. he tells him, he’s lost his humanity. he’s not living as a person, but as something. in this case, vegas’ plaything.
after all that, vegas sees the huge mistake he’s making, and starts begging - and that touches pete’s heart again. because vegas is begging him so desperately to not kill himself, that he’s sorry and that he needs pete so much, that pete falters a little. he knows that vegas still isn’t truly seeing him (if anything, he’s just finding out about him) but the feeling of having him begging for pete to stay with that face creates a bitter taste in his mouth. he wants vegas to desire his true self like that, and not the character vegas created in his mind. and that reinforces pete’s desperation either dying or running and leaving.
“i’m a human, vegas. i have feelings.”
vegas insists on needing him, which pete finally throws in vegas’ face that is not him that he needs but a mirror. he keeps projecting onto him, and never asking what pete needs, treating him like a pet. and pete shows him - if he actually needs him as a person, why the chains? why aren't his needs being met too? and vegas begs him to promise he won’t leave him. the fact is, pete can’t lie to vegas at this point, because he’s opened his heart so much he can’t pretend anymore he would do something like that. and he touches vegas’ face, because deep down he’s still conflicted with all those feelings, but he finally chooses to put himself first and knocks vegas out.
and while they’re apart, vegas never leaves his mind. even though he’s loved by everyone and everyone is grateful he’s back, there’s still a lingering feeling that he only ever felt being with him, and he misses it so much. because now that he had the taste for the obsession, for being almost consumed by someone else that wants them so badly, how can he go back to his normal and mundane relationships? he’s numb, both traumatized by what happened and dwelling in guilt because even though everything was so terrible he wants a little bit of it back. and he feels the shame of the intoxication he feel, unable to open up to anyone about that. him lying and denying to tell porsche is not only because he wants to protect vegas, but because he wants to protect himself from acknowledging that he doesn’t despise him as much as he wanted to, as he should do.
“get the hell out of my life.”
pete screams, but he’s unable to shoot the gun and end it all. when vegas takes the gun to his chest and screams, pete has an automatic reaction of fear that doesn’t go unnoticed by him, but he keeps pushing to try and make his point. but pete can’t say anything, just cry the tears he has been holding all throughout the episode since he left vegas’ house. and again, he is only truly honest in that moment where he lets himself fall to the ground from how painful everything is, and vegas is comforting him. the worst, for him, is that he’s allowing once again vegas in his space, touching him intimately and taking care of him. and his hand goes trembling to the other’s face, unsure if it’s the right thing to do or not, because he’s pained by everything that went down and all the abuse - but also a little bit glad that vegas is still so obsessed with him that he’d follow him there. he’s conflicted because he can’t reconcile the idea that he wants vegas and, maybe, vegas wants him too, because it’s never the case. just like he said, he’s useless, has never existed, has no feelings, no humanity. there’s no point in hoping that vegas would do that to him. but he wants to believe in him so much that he can’t stop crying.
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ctl-yuejie · 10 months
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you remembered, quite observant |hidden agenda ep. 1
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sylvies-kablooie · 7 months
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i do think it is an important thing to consider: loki and mobius as ghost hunters. which one is the believer and which one is the skeptic.
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deus-ex-mona · 27 days
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series i’m gatekeeping from my family vs series i’m ✨ok✨ with my family knowing i’m into:
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#‘why do you gatekeep hw from your irls?’ well. the thing is. i just ✨don’t want to✨#and. like. i’ve already led my family to believe that i bought bl manga when i was buying idol sengen at animate#so i think im already past the point of no return in that regard. so. um. yeah.#thank you village vanguard for the unexpected μ’s content in 2k24 you truly are yappa saikyou#i s w e a r falling back into my ll phase almost 10 whole years after i first got into it is unexpected tbh#compounded with the fact that i can now actually afford whatever im looking for. so. like. my wallet is in crisis lol#i had just reached my savings goal last month but now i’ve overspent bc i saw great deals on resold honoka-chan hoodies and i couldn’t help—#so now i have 2 identical hoodies lol. but i’ll keep one of them safe in its packaging bc im unwell like that ig#my merch whaling is out of control i s w e a r but my oshis are just too cute aaaaaaaaa#i probably should open another savings account instead… maybe that’d keep my spending under control…#b u t for now honoka-chan jersey im looking for you#tfw ur oshi is decently unpopular amongst the fans so hardly anyone resells her merch lmao#so ig the relatively fewer fellow fans she has are more dedicated to her than fans of other more popular characters lol#but at least her stuff (when resold) isn’t as overpriced as the actually popular members (birb and tomato)#so my wallet isn’t crying as hard as it could’ve been? ig? hunting for almost 10 year old merch is a pain fr though#either way. the grip idol series have on my wallet is truly insane#i wonder how many bags of chips i could’ve bought with the amount i’ve spent on hw and ll merch to date…#at least a thousand… i think. maybe even 2 thousand if my past gacha game whaling is taken into consideration…#…this is probably why it’s important to have a decent paying job ig.#oh well. at least i may be making b a n k this month with how much ot i’ve had to do this week so far…#i hope i won’t have to work till 5am again over the next 2 days… that had been a horrible experience.#help what am i even talking about anymore why am i having a life crisis right here and now u m.#anyways. dni if you dislike honoka-chan. thanks for coming to my crisis rant. see you when the last stage mv drops ig ok byeeeee
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