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#I just came up with this in the spot
mmmairon · 3 months
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All patched up
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starry-bi-sky · 2 months
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I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.
Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.
And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.
Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.
They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.
When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.
Alfred owns the apartment next to them and comes over regularly. Danny clings to him.
When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.
"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.
"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.
Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.
Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.
Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.
When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.
Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.
because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far
when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)
danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.
and god help him, he's going to help people.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#dpxdc prompt#this is just me torturing danny for a little bit because im stressed and i cried for an hour while i was driving so im taking it out on B#thanks for being my little stress ball danny#aha my old middle school habit of frankensteining two characters together is resurfacing again :) yall should've seen my wattpad drafts#in middle school. i had 50 of them and most of them were me combining two characters together to make one person and putting them in one au#my most memorable being skydoesminecraft and harry potter. THAT was a fun worldbuilding experience#do i think that growing up with the fentons would fix bruce/danny completely?? hurm. no. dont kid yallselves jazz is not a licensed#therapist not even at like. nine when she meets danny. she's not helping him through his trauma in the slightest. she's nagging.#she's his sister or sister-like figure before she's his therapist. would he be#*entirely* like canon bruce tho?? no. dannybruce is a mix of the both of them. but this is still the first post of the au and is more so#just me doing the equivalent of popping a stress ball so nothing is smoothed over. mostly im just trying to keep bruce's trauma prominent i#danny's character because he IS Bruce. i dont want him to just be 'danny with bruce's backstory but without any of the ugly bits'.#danny and bruce is used interchangeably because they're the same person but sorry if his personality feels imbalanced i came up with this o#the spot. was going to type more but the stress has left me. for now. watch ur back danny 👀
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this is probably one of my favorite outfits that i've ever put together! and it's all for one of my top five fav character designs, like... Ever!
rambles:
i would like to note that my dear beloved Jaime (@/awkwardalphajay here on our very own hellsite<3 check em out <3) helped out a Ton by sending inspiration photos and providing insightful commentary on details and vibes!
overall i wanted Sally to have fancy vibes! while i was originally going to have her fit very much based on her canon one, i wound up veering off course and - while still keeping some elements - mostly went for Medieval Entertainer and Her House insp! continuing with the day/night theme, and leaning heavily into the fire aspect - she's a literal star fallen to earth, after all!
it was suggested that she should have dragonscale used in the making of her clothes since she's, you know, kind of made of fire! and it was genius! I imagine she has extra fire charms on this fit and also the rest of her clothes, since dragonscale is hard to come by and is a finite resource once Gathered. she gets better at Not burning everything she wears over time, thankfully!
i think that, like Frank, she'd have One (1) Dagger. for emergencies! it's likely very ornate, and she'd hate to scuff up the gleaming blade. Probably. plus, why would she need it? she's got firepower, babey!
there isn't quite as much to say about this as usual... mostly because this one was more Vibes than strategic "ok this and this and this because this and also-" i was just! makin a fun outfit!
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skitskatdacat63 · 7 months
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For Dru (@fortheloveofaussiegrit), thank you for completely and utterly brainrotting me with this moment 🙏
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fisheito · 1 month
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at last....yakumo with CHIKEN
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sonlc · 2 months
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new oc, this is calypso! i drew them a little while ago but just never posted them here. their backstory is that they got stuck in a cave, couldnt find their way out, and only ate rocks for years. they also have memory loss and became besties with knuckles once they got out of the caves
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cynameru · 1 year
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they play mlp with each other between classes
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sysig · 7 months
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Hey, hey! RnR not requested! (Patreon)
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cloudcountry · 4 months
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🐇 — AUBURN'S OTOME GAME WINTER EVENT!!
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send in winter themed prompts with your favorite otome game character and get a ~300 word drabble!!
(this event will run from december 19th to january 9th)
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hello everyone!! since i'm on break and i've been working my ass off in school, i can feel the inactivity melting my brain. it's only been like three days. so i'm asking for your help to make sure i have stuff to do that will actually be fun for me!!
OBEY ME, IKEMEN, MYSMES, AND THE ARCANA REQUESTS WILL BE ACCEPTED!!
the company policy you ask?
for requests . . .
i only write x reader content!!
no luke (obey me!) requests allowed. that's creepy and you should know better.
oliver (ikerev) isn't allowed either simply because his character design rubs me the wrong way. he's technically an adult sure but yk...weird.
only one character per request!! and only one request per person.
no nsfw asks!!
poly ships are allowed and they are the exception to the only one character rule!!
the company policy is open to be modified if a customer brings up a question!!
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Sometimes I imagine Spot Conlon with the personality of Draco Malfoy from A Very Potter Musical and idk where this came from, but I love it.
Just Spot entering a room yelling, "DID SOMEONE SAY SPOT CONLON??" and Jacks just in the corner like "What do you want Spot."
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doodlingbot · 1 year
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Fake screenshots
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probablyaseamonster · 6 months
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If your character says to another character either "you did this to me!", "what have you done to me?" or "look at me!", there is an 89% chance that they will now be my favourite character from that media and also my new blorbo.
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moghedien · 10 hours
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If Lae’zel raises that egg, the kid is gonna end up as a bard and it will be 100% because of her influence
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bonesandthebees · 24 days
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Hi Bee!
I really admire your work and I'm currently attempting to write my own fic, and I'd love to have some advice on writing stuff.
1) Do you have any tips for writing the beginning of a fic? I cannot figure out how to start writing with a decent sentence. It all falls apart when my fingers go on the keyboard.
2) Do you have any tips for pacing/plot/outlining? I still have barely figured out what pacing is, because I cannot tell when authors are like "oh I don't like this because I rushed the pacing". I literally can't tell most of the time, unless there is not any space to breathe between things that happen.
3) Do you have tips for writing surroundings and the parts of the paragraph that aren't dialogue? Like. How do I naturally fit the description of the area into the fic? And how do I naturally fit extra commentary into a paragraph that has dialogue in it, especially when it isn't the pov character's dialogue?
Again, adore your writing. I feel kind of awkward since I've never done an ask before; idk if there's some kind of etiquette.
Hope you're doing well!
-Royal :)
hi sorry it's taken me a bit to answer this one! I'm more than happy to give some advice!
okay so first off, writing the first line of a fic is borderline torture sometimes. it's so fucking hard. to me though it's kind of like jumping into a cold pool. you can stare at the water thinking about how cold it's going to be and how unsure you are, but then at some point you have to bend your legs and jump before you can overthink it or else you'll never do it. you have to just put something down for the first line.
one method I like employing when I'm really struggling is starting with a line of dialogue. it instantly throws the reader into the scene as they have to try and find out who is talking, what they are talking about, and where everyone is. an example where I used this is in the stars and their children, which opens with a line from tommy "Hey Wil, can you hand me the epli?" this tells us multiple things right off the bat. it establishes a character present in the scene (Wil) and that there's something different about this world from ours (epli—it makes the reader want to know what it is and why it's being handed to the character speaking)
other times I try to either start with a line that describes the setting ("The streets were crowded at this time of day." - everything else has gone wrong), or start with a line that describes the emotions of the pov character ("Lessons were the most unbearable in the afternoon." - under the hanging rose). basically, you're trying to find a way to throw the reader into the scene in one line. it's difficult, but try any of those angles and hopefully you'll think of something that fits. but again, it's jumping into a cold pool. you just have to put something down so you can start. you can always go back and change it later
okay putting the other two under a read more bc it got long
2. okay now pacing. that's a bit more difficult to help with because a lot of pacing is just getting a feel for it. one way is to just think about it logically. say you have two characters that start as strangers and you want to get them to be best friends. you can show them meeting for the first time, but then you often have to show them bonding before they can reach best friend status. there's pacing here both in the literal world of the story, but also in the text itself. you don't want to write them hanging out for a few hours and suddenly decide they're best friends (although ofc there are exceptions to this like if they're little kids bc, well, that is a thing little kids do where they'll declare a kid they just met their best friend), nor do you want to write them meeting for the first time, write a line saying "they hung out every day for the next three weeks until they were best friends" and then just act as though they're besties (again, there are exceptions to this in specific cases). it just feels weird yknow? It doesn't get the reader invested in this relationship because it doesn't feel like it's been earned. it's a similar thing with plot beats. you have to make it feel natural both in the world of the story itself, but also the timing with which you tell the story. like I said though, pacing is really something you just get the hang of naturally with practice. reading published novels will help as well because it'll help you get a sense of what good pacing feels like.
3. ohhhh you've hit a specific issue I had a lot when I was younger. when you have a dialogue scene going on there's a lot of ways you can balance the text outside the dialogue. ofc if the dialogue is going by at rapid speed, you can straight up just do the dialogue lines and you don't even have to specify who's talking if it's clear within the text
Ex:
"You can't come to my nuclear reactor, Tommy," Tubbo sighed.
Tommy scowled. "What the fuck? Why not?"
"Knowing you you'd find a way to cause a nuclear meltdown."
"Would not."
"Would to."
"Would not."
"Would to!"
"So what, you're a bitch who can't handle a little radiation?"
"Oh for fuck's sake-"
see how after the first two lines of dialogue where I established who is talking in which order, I stop using the tags all together? it's still clear who is talking because the dialogue is ping ponging back and forth. it's a fast-paced conversation, so cutting out the tags helps that effect.
but of course this is only the case in a few instances. most of the time, you do need lines outside dialogue not only to establish who is talking, but also to keep the characters present in the scene itself.
you have several options for what to include outside your dialogue. one of my go to's is always character actions.
"Don't you have one of those swimming pools you keep the nuclear shit in?" Tommy asked, leaning against the wall.
Tubbo pinched the bridge of his nose. "Yes but before you ask, no, you can't go swimming in it."
there we include the action of tommy leaning against a wall after he asks the question, which is followed by tubbo pinching the bridge of his nose. this lets the reader see exactly what each character is doing, which can also establish the emotions each character is feeling without saying them outright. tommy is comfortable enough with tubbo to annoy him with his questions, which we see by him casually leaning against the wall. tubbo, meanwhile, is annoyed just like tommy wants, which we see by him pinching the bridge of his nose.
characters sitting down, standing up, wringing their hands in front of them, folding their arms over their chest, shrugging, curling their hands into fists, etc. are all examples of character actions you can include to give the reader the ability to picture the scene more accurately
then of course you have thought process and scenery description you can include as well. thought process is just including what your pov character is thinking as the conversation progresses.
"Yes but before you ask, no, you can't go swimming in it."
Tommy huffed and folded his arms over his chest. Tubbo was so fucking boring these days with his 'safety rules'. He'd nearly been nuked before and was fine! A little radiation wasn't going to hurt him.
that right there is a glimpse into what's going on in tommy's head at that moment. he's frustrated with his friend because he thinks he'd be fine swimming in the nuclear pool. it gives us more insight into the pov character and how they're reacting to the conversation at hand.
then for scenery description:
Silence fell over them as Tommy glared at Tubbo. Tubbo glared back, refusing to budge. Around them, the snow coating the ground glittered in the afternoon sunlight. Clouds of breath puffed in front of Tommy's face. An icy breeze wound between the buildings, making goosebumps rise along his arms. He tugged his sleeves down, still not breaking eye contact with his friend.
the conversation falls silent for a moment, so we take a moment to step back from the two characters. we look at the setting around us, which emphasizes the pause in dialogue and makes it feel quiet even to us as the readers. you don't have to restrict your scenery description to moments where a conversation takes a pause, but taking a step back gives a sense of a 'silence' to the reader even if it's brief. another example of this could be,
"Don't bullshit me, Tubbo. Why won't you let me see it?" Tommy asked after several long beats.
Clenching his jaw, Tubbo's eyes flickered to the ground. The snow beneath their boots was muddied. Tommy spotted a dead worm frozen against the hard earth.
Then, Tommy understood.
"You don't trust me anymore."
now let's see this a different way
"Don't bullshit me, Tubbo. Why won't you let me see it?" Tommy asked after several long beats. "You don't trust me anymore."
see how without all that extra description the pause feels much shorter? and with that shorter pause the weight of Tommy's next sentence loses it's emotional impact?
if you want to add scenery description to a dialogue exchange, imagine it like it's a movie. you have two characters that are talking, and suddenly the camera pans away from them to look at the setting around them. why does it do that? what effect does it have on the scene playing out? your words are the camera zooming in and out on the characters. there are a lot of ways you can use this 'camera' to change the rhythm/flow of a scene. you just have to play around with it to figure out how to use it
I hope that's helpful!
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xxcherrycherixx · 2 months
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May I request a drawing of the outfit Cupid wore at the beginning of “Cupid Finally Scores”? I need your talent once again, it’s perfection! 😘👁️🫦👁️🫂
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i present you this
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genshinfamdynamics · 5 months
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It’s his birthday!!! He gets presents and cake and a hug from his little sister (and a kiss from his boyfriend later)
I think I put more effort into the backstory of the birthday banner than the rest of the drawing but that’s okay
+the original sketch I completely improvised in five minutes, featuring Diluc who I ran out of energy to draw
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