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kindnessoverperfection · 9 months

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Please, if you can, take a moment to read and share this because I feel like I'm screaming underwater.

NPD (Narcissistic Personality Disorder) stigma is rampant right now, and seems to be getting progressively worse. Everyone is using it as a buzzword in the worst ways possible, spreading misinformation and hatred against a real disorder.

I could go on a long time about how this happened, why it's factually incorrect (and what the disorder actually IS), why it's harmful, and the changes I'd like to see. But to keep this concise, I'll simply link to a few posts under the cut for further reading.

The point of this post is a plea. Please help stop the spread of stigma. Even in mental health communities, even around others with personality disorders, in neurodivergent "safe" spaces, other communities I thought people would be supportive in (e.g. trans support groups, progressive spaces in general), it keeps coming up. So I'm willing to bet that a lot of people on this site need to see this.

Because it's so hard to exist in this world.

My disorder already makes me feel as if I'm worthless and unlovable, like there's something inherently wrong and damaged about me. And it's so much harder to fight that and heal when my daily life consists of:

Laughing and spending time with my friends, doing my utmost best to connect and stay present and focused on them, trying to let my guards down and be real and believe I'm lovable- when suddenly they throw out the word "narcissist" to describe horrible people or someone they hate, or the conversation turns to how evil "people with narcissistic personality disorder" are. (Seriously, you don't know which of your friends might have NPD and feels like shit when you say those things & now knows that you'd hate them if you knew.)

Trying to look up "mental health positivity for people with npd", "mental health positivity cluster bs", only to find a) none of that, and b) more of the same old vile shit that makes me feel terrible about myself.

Having a hard time (which is constant at this point) and trying to look up resources for myself, only to again, find the same stigma. And no resources.

Not having any clue how to help myself, because even the mental health field is spitting so much vitriol at people with DISORDERS (who they're supposed to be helping!) that there's no solid research or therapy programs for people like me.

Losing close friends when they find out, despite us having had a good relationship before, and them KNOWING me and knowing that I'm not like the trending image of pwNPD. Because now they only see me through the lens of stigma and misinformation.

Hearing the same stigma come up literally wherever I go. Clubs. Meetings. Any online space. At the bus stop. At the mall. At a restaurant. At work. Buzzword of the year that everyone loooves loudly throwing around with their friends or over the phone. Feels awesome for me, makes my day so much better/s

I could go on for a long time, but I'm scared no one will read/rb this if it gets too much longer.

So please. Stop using the word "narcissist" as a synonym for "abusive".

Stop bringing up people you hate who you believe to have NPD because of a stigmatizing article full of misinformation whenever someone with actual NPD opens their mouth. (Imagine if people did that with any other disorder! "Hey, I'm autistic." "Oh... my old roommate screamed at me whenever I made noise around him, and didn't understand my needs, which seems like sensory overload and difficulty with social cues. He was definitely autistic. But as long as you're self-aware and always restraining your innate desire to be an abusive asshole, you're okay I guess, maybe." ...See how offensive and ignorant that is?)

Stop preventing healthcare for people with a disorder just because it's trendy to use us as a scapegoat.

If you got this far, thank you for reading, and please share this if you can. Further reading is under the cut.

NPD Criteria, re-written by someone who actually has NPD

Stigma in the DSM

Common perception of the DSM criteria vs how someone may actually experience them (Keep in mind that this is the way I personally experience these symptoms, and that presentation can vary a lot between individuals)

"Idk, the stigma is right though, because I've known a lot of people with NPD who are jerks, so I'm going to continue to support the blockage of treatment for this condition."

(All of these were written by me, because I didn't want to link to other folks' posts without permission, but if you want to add your own links in reblogs or replies please feel free <3)

#actuallynpd #signal boost #actuallyautistic #mental health awareness #narcissistic personality disorder #people also need to realize that mental health professionals aren't immune from bias #(it really shouldn't come as a shock that the mental health field has a longstanding pattern of misunderstanding and mistreating ppl who ar #mentally ill or otherwise ND)#the first therapist i brought up NPD to like. literally pulled out the DSM bc she could barely remember the criteria. then said that there'#no way I have it because I have low self-esteem lmaoooooo #anyway throwback to being at work and chatting with a co-worker. and the conversation turning to mental health. and him saying that #he tries to stay informed and be aware and supportive of mental health conditions & that he doesn't want to be ignorant or spread harmful #misinformation. and then i mentioned that i do a lot of research into mental health stuff and i listed a bunch of things. which included #several personality disorders. one of which was NPD.#and after listening to my whole ass list he zeroed in on the NPD and immediately started talking about how narcissists are abusive and #he knew someone who had NPD and how the person who had it had an addiction and died from the addiction in a horrible way and he #was glad he did #fun times #or when i decided to be vulnerable and talk abt my self-criticism/self-hatred bc i knew my friends also struggled w that and i wanted to #support them by sharing my own coping methods. and they both(separately!) started picking and prodding at my npd through the lens of stigma #bc i'd recently opened up to them abt having it. they recognized self-hatred as a symptom and still jumped on me for it. despite me #trying to share hurt vulnerable parts of myself to help them and connect with them.#again..... fun times

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izzys-bluebell-woods · 2 months

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I feel like people have been quick to dismiss Mimzy's importance in Ep. 5

I've been seeing a lot of Mimzy hate, mainly on Reddit, where people are genuinely REALLY hating on Mimzy because she was annoying, interrupted Hell's Greatest Dad, and served no purpose in the episode.

Whilst the previous two points are down to personal taste, I feel like considering Mimzy's role in this episode nonexistent, or that she just exists for fanservice here, is greatly overlooking what this episode is about. There are two focuses to the episode, one of course being Lucifer and his relationship with Charlie, but it's also the deepest look into Alastor's actual character that we've gotten so far, I'd say significantly more than the finale. We see two sides to Alastor that both Mimzy and Luficier bring out, and I wanted to kind of highlight my thoughts and what the episode was trying to show us about Alastor that we wouldn't have gotten if Mimzy wasn't there.

Alastor's instant hostility towards Lucifer makes it incredibly clear that Alastor can't keep his cool all the time - his two biggest flaws is that he is power-hungry and incredibly petty. From what we know - and what is likely to be true considering Lucifer is shown to have no idea who he is - Alastor has never met Lucifer before this. If the theories that he belongs to Eve/Lilith in some way are true, there is reasonable ground to say that this immediate hatred towards him could be justified, maybe it was in some way Lucifer's fault that he's caught in this deal and this is his way of taking it out on him or trying to uphold his end of that deal.

But look how much his mask slips, look how annoyed and angry he is. If this was a font that he was doing to somehow make Lucifer intentionally mad at him for some sort of personal gain, he wouldn't have looked so murderous. Him just leaning down and hissing 'fuck you' right in his face was so shocking for the audience purely because no one has done that to him before, no one has pushed him so much.

This indicates that Alastor isn't just playing some sort of game, Lucifer genuinely got under his skin, because he is so obviously more powerful than Alastor and he HATES that. He hates being reminded that he's not the biggest meanest in Hell - this was explored more in his showdown in Adam, but at the time of this episode's release, this is the most flawed and 'human' Alastor has ever felt. He's dropped from this force of mysterious evil, to randomly picking a fight with the Devil himself because he was so catty about being shown up.

As further reinforced with him snapping at Husk when he also reminded him he wasn't as all-powerful as he sees himself to be, Alastor will lash out at those who make him feel like he isn't the one in control and pulling the strings of everything - we finally see a hint of motivation for him sticking around at the hotel at all.

But then there's Mimzy.

We immediately go from seeing Alastor at his worst, at his most aggravated and petty, to seeing him literally melt into a hug. The demon who, according to Viv herself, hates physical contact so much that he would distort and melt himself to get away from it. We so quickly go from being shocked that Alastor is behaving so spitefully to now having to take in Alastor being ecstatic to see someone who he considers to be a friend.

Having this be so directly after his massive tiff with Lucifer is so important. If this wasn't included in this episode, our only insight into the person Alastor actually is would be that he's an asshole. Picking fights with people just because he wants to stay on top, that its the thing he cares about the most. But Mimzy does come along, and we see that it isn't true at all - and its confusing, and that is so perfect.

You think you're getting somewhere with the person Alastor is, but you see that, hold on, there is actually a semblance of heart in there, here he is actually caring about someone. But what is so important about this being a relationship he shares with Mimzy, and something that couldn't at all be explored with, say, Rosie, is the kind of person Mimzy is.

Mimzy double crossed Alastor. And, according to Husk, this is a somewhat regular occurace. We can see that Alastor is annoyed at her, and I think most of us were prepared for him to do something to her like he was doing to those loan sharks a few seconds before this confrontation.

But...he doesn't. Not at all, he doesn't even snap at her. Perhaps scold her a bit, but other than that, he is so nice to her and just politely tells her to leave and that is that. He does more shit to Lucifer, who literally hasn't done nothing but exist in his presence, than someone who just trampled all over his ego by using him, both as a shield and, well, somewhat emotionally.

In this episode, Alastor is shown to lash out. Easily. All you have to do is be more powerful than Alastor, and he won't like you - that's the impression you'd get from his scenes with Lucifer alone. But we have his scenes with Mimzy as well, and you're being told, hold on, no, that isn't quite correct, because he's not acting the same here. What has Alastor got to gain from letting Mimzy get off of this with no repercussions? Mimzy, someone who has probably sold her soul to someone else and has absolutely no power at all.

Nothing. He does it because Alastor cares about her.

I don't think I would have considered his friendship with Rosie to be genuine at all if it wasn't for his friendship with Mimzy. Rosie is so powerful, and Alastor has so much to gain from being in close cahoots with her, but it's so clear that he doesn't care about that, but he sees her as an equal. If all we saw from Alastor in that episode was him lusting for power, it would render the way we see all his relationships with people to be of some gain to him somehow. ESPECIALLY Rosie and other Overlords like Zestial.

This makes Alastor and Mimzy's relationship arguably one of the most interesting in the show. Someone who is so powerful and unpredictable, who hardly cares for anyone other than himself, caring about this absolute gremlin of a woman. He likes Mimzy purely because she's fun to be around, a sentiment you might expect from Alastor, with his stated reasoning for joining the hotel being to laugh at people, but he's in no way laughing at Mimzy. You can tell that he doesn't intimidate her at all, because she has the absolute balls to pull off the loan shark thing with him.

Mimzy and Lucifer's interactions with Alastor has made him to be one, if not THE most interesting character in the show. Because you're exploring two contradictory sides of the same coin at once. One where he gets so worked up and angry over not having the power he sees himself as having, and one where he's visibly hurt that his long time friend used him. In one instance you have him pulling out all the stops to be as hostile as he could be to Lucifer without actually hurting him (even though he clearly wants to), and another where he has full range to hurt Mimzy as much as he wants to, but he doesn't.

Alastor cares about people. But also disregards people like playing cards. He is such a mixed bag, so far from being one note, and you wouldn't have gotten that insight without Mimzy.

#alastor #alastor hazbin hotel #hazbin hotel #mimzy #hazbin hotel mimzy #lucifer morningstar #hazbin hotel lucifer #hazbin hotel analysis #also very telling that reddit shits so strongly on one of the only plus size women in the show over her acting like a bitch in hell #you know #like so many other characters in the show

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ahaura · 6 months

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i saw someone point out the frequency with which liberals back social justice movements... how, for instance, when ferguson happened under obama it was not popular and there were many, many liberals who found the blm movement, in a sense, "in violation of [liberal] sensibilities" (when liberalism as a rule does not challenge the status quo, only maintains it and sees any call for revolution or real change as disruptive or 'bad for optics' and therefore not acceptable) but then when trump became president and he opposed blm a lot more liberals decided that the blm movement had merit because they viewed it from a team-sports perspective rather than a worldview based on morals and an understanding of the systems in place in the U.S. - that it was more comfortable for them to operate from a "trump bad" basis rather than "the american justice system and the police are inherently white supremacist, which are inherently, automatically, and always violent"

+ that, if trump was president while israel is carrying out its genocide, liberals would have NO problem denouncing israel and demanding for a ceasefire because they're comfortable operating from the 2-party system basis, NOT from a framework based on material conditions or factors or any acknowledgement or analysis of imperialism, colonialism, or capitalism. but because biden is a democrat, and democrats are supposed to be "the decent party" "the lesser evil" "more respectable" when, in functionality - in real practice, they don't want to disrupt the status quo. (internally, maintaining systems of white supremacy and capitalism; externally, furthering U.S. imperialism by maintaining hegemony and continuing the practice of exploitation and extraction of labor+capital+resources from the global south)

which is why we're here, a month into a genocide, and liberals are so cowardly and gutless that, in the face of our democrat president allowing and funding the genocide of palestinians in order for the U.S. to maintain its military base in the middle east, liberals IMMEDIATELY jump to "well, you HAVE to vote for him still, because trump will be worse!" and go "well im powerless there's nothing i can do", immediately folding like a wet paper bag in the face of the american empire rearing its ugly head in the most blatant, naked way in years, instead of thinking "this is unacceptable, i should pressure my elected officials and do everything i can - be it combating propaganda, contacting my congresspeople or senators, protesting, or engaging in direct action - to ensure this stops as quickly as possible".

there are liberals STILL IN MY NOTIFICATIONS who go "well you'll be electing a fascist if you vote for trump" not realizing that YOU CAN'T SIMPLY VOTE FASCISM AWAY. (which is not to say you should vote for republicans; that's not what i'm saying. none of us have said it.) we're pretty much already there. it's 2003 all over again, with the patriot act and all. the american war machine is pumping out racist, orientalist, pro-colonial, pro-genocide propaganda on behalf of the ethno-state america and its allies have backed since the so-called state's inception. people are being doxxed, fired, harassed, and attacked for visibly supporting palestine/opposing israel. islamophobic hate crimes are on the rise; a 6 year old boy was murdered not one month ago, an arab doctor in texas was stabbed to death. antisemitism is on the rise as well, thanks to the conflation of antisemitism with anti-zionism (which nazis have and will attempt to co-op in order to 'justify' + then act on their antisemitism, racism, and genocidal worldviews). our government is silencing people, brutalizing protestors, and arming and funding an ethno-state committing genocide - everything that would have been called fascist if it was under trump. but because it's a *democrat* liberals place "vote blue no matter who" and "optics" over the extremely basic moral stance that "genocide is wrong and people have the right to self-determination, autonomy, and life". arabs and muslims are already so dehumanized in the west that liberals (whether they consider themselves liberals or not) consider it an inconvenience to talk about the ongoing genocide that is happening with the blessing of OUR government. in this they expose their selfishness, the shallowness of their morals, their chauvinism, and their racism/orientalism/islamophobia/et cetera.

for example, if you see israeli troops waving a gay pride flag and the israeli state touting its support of gay people while said iof soldiers are murdering men, women, and children en masse every single day and you somehow????? think that because gay people are the ones doing the killing or a state claims to support gay people is doing the killing is ok then 1) you have fallen for pinkwashing propaganda and 2) that you find the murder of palestinians, or any people, permissible by a colonial force that uses causes liberals may genuinely care about in order to disguise, whitewash, or "lessen" the severity of the injustices it does unto usually black and brown people outside of the U.S., then you are just as bloodthirsty and depraved as anyone you would personally assign those descriptors of.

once again, it goes back to resorting to a team-sport understanding of the world rather than approaching it from a material one.

#uspol #another mini-essay directed specifically at usamerican liberals.#pre-emptively blaming left-wing people or arabs or muslims for the inevitable loss of joe biden #instead of the fact that biden IS SUPPORTING GENOCIDE and also has been. generally a failure within the US as well.#like bitch look around you! look at the state things are in! AND A DEMOCRAT IS PRESIDENT!!!#📁.zip

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dykefaggotry · 5 months

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honestly i think a HUGE part of the issue is that most of the left doesn't really understand antisemitism

after wwii it became wildly Unpopular to be blatantly antisemitic. obviously, it still happened. but the result of this is that instead of antisemitism being studied as a historical and pervasive form of oppression that has been around for thousands of years & has many many precedents BEFORE the holocaust.... it became:

something just simply Rude to say or do. if you're a polite liberal/conservative or a leftist, it's just something that is socially unacceptable. there is no real weight to this.

something when FIRMLY believed is ONLY held by people like nazis and white supremacists. who, as we know, are The Enemy and none of us can ever be like them at all ever by the virtue of... not being them. no need to watch your own behaviors, bc you are not a nazi! only nazis could ever be Actually antisemitic

something that erupted out of the ground in germany in the early 20th century, culminated with the holocaust, and ended after. antisemitism did not exist before that and it was solved after when the saving grace of the united states and england liberated the jews from the nazis out of the goodness of their hearts

however absolutely none of this is true. antisemitism stretches back thousands of years and it has not, for the most part, been only "fringe" conspiracy theorists and white supremacists who perpetuate it

antisemitism has been, by and large, presented as very logical. throughout, again, the thousands of years of history of antisemitism, very regular people have been antisemites. and most of them had reasons they felt were perfectly logical and understandable and most of all just. jews were trying to kill their children, of course they hated them! jews were purposefully trying to keep them poor, of course they hated them! jews believed Wrong Things and were morally and spiritually corrupt, of course there was something wrong with them. jews betrayed their country, lost them a war that ended with their husbands and brothers and sons dead, and now were living among them and taking advantage of social benefits out of the goodness of the hearts of the german people, of COURSE they hated them! and the nazis themselves were backed up by science at the time. scientific racism was THE science at the time. charles darwin was a scientific racist. it was all very logical.

and did jews actually do these things? no. but these people saw enough proof that aligned well enough with their morals and their beliefs and their fears & so to them it was completely logical and justified. it wasn't a fringe theory that only an insane person would believe in, or something impolite. it was true to them. to their morals, to their fears, to their core beliefs. it was true.

and so now we see a LOT. a lot of leftists being dragged ass first into antisemitism. because they don't even think they CAN be antisemitic. THEY aren't nazis and THEY aren't white supremacists, of COURSE they aren't antisemitic. but... well. the jews are doing things that go against their morals. they're doing things that validate their fears. the jews are violating things that go against their core beliefs! so of COURSE it is LOGICAL that they should hate them. of course, it is still rude to say "the jews are evil" so it gets replaced with "zionist". (and before you ask yes i am anti-zionism and do deeply believe what israel is doing is unjust and cruel) but even that is slipping.

it is getting all the more popular to go that one step further and instead of just making posts like "spam the hanukkah tag because the Zionists need to learn what their religion stands for" that are blatantly just replacing "jews" with "zionists", they are logically moving to being mask off. if zionism is wrong and half the world's remaining jewish population lives in israel, what about the rest? aren't they suspect? would they not ALL commit atrocities if given the chance? aren't they all racist for believing they're an ethnicity? aren't they all complicit? aren't they all threatening our deeply held leftist beliefs? it's a little weird and everyone has been too quiet for too long bc it's been rude to say but now you can get 300k notes for posting blood libel so why would you keep quiet anymore?

why WOULDN'T you just say "thank god someone finally said it i was worried about stepping on toes" when someone makes a post full of antisemitic conspiracy theory. why WOULDN'T you say "i don't care if all of israel gets bombed and every single person dies after this lmfao they deserve it"? (which would wipe out, again, half the world's population of jews- many of whom living there are anti-zionist and actively protesting their government. or. you know. children.) why WOULDN'T you make posts about how jewish identity is just nazi aryanism? why wouldn't you make posts about how the jews are privileged in america bc they run hollywood and the economy? why WOULDN'T you say the star of david is a hate symbol to you now and that you mistrust anyone using it? or that you find anyone speaking hebrew suspect?

these are all perfectly logical. to you. and YOU are not a nazi or a white supremacist. so it can't be antisemitic.

#antisemitism #long post #yall are just fucking exhausting and im going to go on a blocking spree in a moment but truly and deeply #just fucking think for two seconds about what you say

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fairuzfan · 1 month

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Would you rather have a president that enables a genocide? Or would you rather have a president that vilifies immigrants, promotes facism, dismantles the rights of women and minorities, emboldens white nationalists, worsens the wage gap, defunds vital services, AND enables a genocide?

It's an unfair and unreasonable question to ask. I know. Unfortunately those are our choices for president. It sucks, but it's a 2 party system. And until any change is made where a 3rd party vote is no longer equivalent to not voting at all, it's better to just vote blue for the presidential election. Not because Democrats are the "lesser evil", but because NOT having a Republican president will prevent further suffering of Americans and will lessen the risks of minorities' rights being threatened and revoked.

The president chooses the members of the supreme court who hold lifelong positions and whose legal decisions have decades-long ramifications. Trump picked 3 of the 11 current members who currently hold a Republican majority. It was that supreme court that overturned Roe V Wade and that decision is harming thousands of people today in multiple states.

Biden already nominated one SCOTUS, and in his next term he could appoint 1-2 more Democratic members who would work to protect rather than erode American rights.

The Trump administration was lethal for thousands of Americans for a multitude of reasons, including his failure to properly respond to and then proceeded to politicize the COVID-19 pandemic.

As awful as it sounds, as hard as it is to believe in the moment, ESPECIALLY with the atrocities Biden is perpetuating in Palestine right now, don't believe for a moment that this genocide would be even slightly less cruel under Trump. The difference is Trump's cruelties would extend to Americans as well— especially immigrants.

The point I'm making is the only ethical choice for this election is to vote for Biden, but at the same time that vote is not the same as condoning his actions. Don't let voting be the end all for political action, and I hope you understand why this choice is necessary in an unfair voting system. Please participate in your local elections, Call your representatives. Continue demanding a permanent ceasefire and an end of Israel's occupation over Palestine. And please keep helping Palestinians.

I think it's quite wild to say people domestically haven't been dying under Biden. Hundreds of thousands disabled people have died during the Biden presidency due to covid. I myself only got covid because people around my family stopped masking. Even some of my family members stopped masking because of the CDC thing. There have been countless other things that I'm too tired to list as well that directly contributed to the death of people.

I'm sorry I don't know why you sent this I'm not going to change my mind. I'm not voting for the man that killed people I know and lied to our faces about it.

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tossawary · 22 days

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"Fullmetal Alchemist"'s use of fantasy elements is interesting to me because of the way it... reduces... certain horrors to these unflinchingly direct basics. (Warning for spoilers and unorganized overview discussion of canon-typical violence.)

Like, the violence and pain is depicted in hideous, nightmarish detail, and/but the pursuit of power at the expense of other people's lives is simplified at the climax into an equation so straightforward that it hurts. All previous prizes of land and resources, which are forms of power, have been stolen by the Amestris military by way of terrible, hateful bloodshed. Father's Promised Day array then throws all that aside, throws it onto the fire, and takes a step further to directly exchange human lives for godlike power.

Another example is that Roy Mustang is not permitted the false distance of a bomb, but has the effect of one using his own two hands. The result is the same, but State Alchemists are not permitted separation from their tools: they ARE the weapons of war. A gun is nothing without someone to hold it. It really underlined to me that if Roy HAD used bombs instead of alchemy, it still would have been his hands that killed an unimaginable number of people.

I don't think FMA is above criticism, but this specific aspect felt to me an incredibly effective narrative tool, especially because things like "our military was created from the beginning to do evil" are accompanied by / backed up by normal humans knowingly going along with Father's plans out of greed and fear, as well as normal humans supporting the country's crimes out of idealism and fear and hatred and selfishness and confusion. It's not just "oh, it was inhuman monsters secretly manipulating everything from the shadows all along"; it's "oh, it was inhuman monsters secretly manipulating everything, representative of humanity's most deadly sins, appealing to our most selfish desires and basic fears, and we all WENT ALONG with it".

From the very first chapters, all of the friendly adult characters were directly saying things like, "Edward, you shouldn't be a part of the military. It's corrupt. I have killed innocent people for nothing and it haunts me." In the final battle, inside the command building, the Armstrong siblings and their allies are straight-up fighting against mindless, starving, created soldiers that kill everything they come up against and stop for nothing. The fascist Amestris military, after years of violent, fabricated conquest and violent, inhumane research, is EATING ITSELF FROM THE INSIDE.

And, of course, the characters cannot use their magic system to escape reality: the Elric siblings cannot undo their mother's death. Life is so incredibly precious because some things cannot be undone. And grief and arrogance allowed to run rampant takes heavy tolls on Edward, Alphonse, and Izumi's bodies.

The only way to miss the messaging in FMA, to have the point go over your head, is to intentionally duck it, because the author is throwing it at your face like a brick. Repeatedly. There are so many bricks. It's not subtle. And I enjoyed it.

#tossawary fma #character death #violence #roy mustang #spoilers

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luveline · 4 months

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hey! would you mind writing sirius black x reader (ole flame or something) when they meet for the first time since azkaban at a meeting for the order? thank you and happy holidays!

thank u for requesting, hope this is OK! ♡

—you and sirius both get to go home eventually, 2.2k. fem

You were still kids when Sirius… went away. You thought he hurt James and Lily, and it didn't matter that you loved him because he was evil and cruel and he hurt the people he loved most in the world, and then you were outposted thousands of miles eastward, your life a shadow.

Remus sent you letters. You always answered, even when it hurt, but his last was too much to believe. You told yourself that someone forged his handwriting through a curse or some new gimmick, and then a second arrived with a smaller envelope hidden inside.

No name written on it. No Dear anything to begin.

Things are different to what you've been told. Please come home, it said. This penmanship was shaken like a hand out of practice, but something felt familiar in the curves and dots.

If Remus’ letter (and the second smaller one too) were in fact telling the truth, it means you did something awful, and so, for a while, you don't go.

Please, the next letter says, again enclosed within a larger explanation from Remus, I'm sorry. I just want to see you again.

Getting home isn't as simple as he might think. You have to picture the destination very clearly to disapparate, and you have no sustained recollection anymore of the places you used to go. You remember silly things, slices of memories; the four of them laughing in a big green field, the sweet smell of hair oil to your left; the beige walls of a rented flat where you'd lay in bed for hours, sometimes days at a time, before things got too terrible to sleep; a string-lit garden that last summer, hands of poker on a glass table. These places aren't real anymore. You can't go back to them.

Upon your request, Molly forwards you an address and a secret code.

Trains, buses, trains again. A long walk through a cold street. Some secret this or that. You arrive in the night and a frowning face ushers you in, past a painting sealed away and up the creaking stairs. You spend hours sitting on the end of a bed coated in dust waiting for the sun to rise, your back stiff with nerves. You could slip out before anyone else knows you're here, it's not as if Moody would give you away. But why did you come, if you were going to run straight back to your outpost?

You don't want Sirius’ betrayal to be true, of course. It took your breath away imagining what it would mean if he hadn't done what you thought. If it's all lies (as it seems to be), if he's innocent as he and Remus claim, it means you turned your back on him and left him to suffer, and he's still asking you to come home.

A few people stir for breakfast. Molly, who's voice you remember, and some younger sounding ones that may be her children, or perhaps the newer Order recruits. Then comes Remus’ voice. He sounds different. Less Welsh, more tired. Homely anyways as he passes your door with someone beside him.

“...any day now,” he's saying, “try not to worry.”

“I do worry. I've worried about it every day for years.”

You freeze up.

The stairs creak, Remus’ voice moving further away. “She doesn't need worrying.”

Sirius must stay at the top of the stairs for a moment. He sounds close. “I wouldn't know what she needs.”

“Come have some breakfast.”

“I'll write her again.”

“After breakfast.”

“What if she doesn't come?”

“After breakfast,” Remus insists. “She can ignore you once we've had toast.”

“I forgot how funny you are,” Sirius mutters.

Hearing his voice fills you with doubt. He sounds nothing like he used to, no easy confidence to be heard, just fatigue.

You look down at your hands. Hearing his voice has a new emotion sprouting, too. When you first learned what had happened to your friends, you felt anger like a knife everywhere you went. How could he do that to them? How could he do it to you, be that person, ruin everything you'd loved and made together? But later, when anger faded and grief ached, you'd missed the Sirius you loved. Shamefully, in longing pangs, you'd toss and turn to dreams where things were different.

Now there's a chance he might still be that person, and you're hiding from him in his own house.

“There's someone here,” Molly says as you leave your room, her voice nearly too quiet to hear from the kitchen. “Moody's told me this morning.”

“What?” Arthur asks.

“Who?” a younger voice says.

A small intermission of quiet. “Well, I don't know,” Molly says eventually, though she must have guessed it was you from the letter you sent. “But I'll need another loaf of bread. You'd better go, boys.”

“Mum,” one whines.

“Come on now.”

The stairs whimper as you descend, the bannister sticky with old gloss under your hand. Paisley wallpaper and drapes catch your eye as you pass the overflowing shoe rack. There must be more people here than you'd thought. The coat stand is similarly overloaded.

You can see into the kitchen as soon as you take the last step down. Molly stands wringing a dish cloth between her hands, two teenage boys at the kitchen table. Remus stands near her right with a cup of tea, and when he sees you, he genuinely smiles.

“Oh, good,” he says, the scar that bisects his lip pulling as he takes a sip of tea.

The teenagers turn to see you. “Bread, boys! Arthur, you can go with them," Molly says.

Arthur doesn't complain. You falter in the hallway, quiet as the trio of Weasley's leave the kitchen in their slippers to take a quiet exit from the front door. They smile politely as they go, but the boys whisper as the door shuts behind them. You wonder if they have an inkling of who you are, and then you wonder what you might say now they're gone.

Molly remains, inquisitive to know that you need privacy but also the security of her company. She was always smart like that.

“Come in, then,” Remus says.

“I–” You clear your throat. “I'm not sure I should.”

A startle of silverware against china.

Remus gives you one of his looks. It has tears threatening to well. Why didn't I fight to see him more? you think. Suddenly years have passed and he's changed, but his reassuring glances remain. It's like he's saying everything is fine, why wouldn't everything be fine? Chin up, dove.

Sirius appears in the doorway. Dark circles beneath grey eyes, his cheeks gaunt with hunger rather than the sleek sharpness he once possessed. He's still pretty, if wounded. It's as though you've found an old photo of him that's been smudged with age. He's stepped out of one of your moulding albums to haunt you.

“Angel,” he breathes, his hand clasped low on the doorway, “you're here.”

You look past him to Molly and Remus. There isn't a reality nor dimension where they'd let him stay here if they didn't believe his innocence. Remus explained it all in the letter and still you worried if he might have gotten it wrong, and simply believed what he wanted to believe, but it's not possible. Remus loved James so much, he would've killed Sirius himself if he really thought Sirius was the secret keeper who betrayed them.

So. It's a relief to be home.

You stare at him. “You look tired,” you say quietly.

“I'm fine. I am.”

He seems alright, considering. You'd even say he was handsome with his hair pushed away from his face, a dark shadow of stubble around his mouth, but he looks exhausted.

You're expecting him to say what you'd say. How could you ever think I'd do it?

Sirius was prone to similar bouts of pride, or righteousness, justice, whatever you want to call it, but he doesn't bother with that now. He looks at you as though you're the only person on earth, gaze narrowed but eyes wide, pain between his brows as he asks, “What's wrong?”

Your hand finches up to your cheek to wipe the sudden tear away. “I thought I'd never see you again.” Your Sirius.

“Don't be upset,” he pleads.

“How can I not be? I left you all alone for so long.”

He laughs roughly. “Sweetheart, what were you supposed to do?”

“Not just give up.”

“You thought it was me. That's the only thing you could've done. Either of you,” he says, gesturing backward with his hand. “It was hard… to know who to trust, at the end. It's not your fault.”

You really were only kids together, not half as in love as James and Lily, but that doesn't mean you weren't mad for each other. He looked after you. You would've had a life, you think.

“You were just gone,” you say, looking down at the floor between you, eyes tracing lines of wood grain. “Everyone. There was nobody left. And I just let you go.”

“Do you want to come here?” he asks. You lift your head. His hand is barely in front of him, fingers open, palm up.

It's like taking a stranger's hand for the first few seconds. You keep them low between you both, unfamiliar to each other. But, you find, as his fingers wrap around yours in that selfish way they used to do, squeezing rather than intertwining to make all of them fit, he remembers you.

You step a little closer, your arm to his chest, and look up at him through your lashes. It would melt him like a candle near a furnace, this look. He'd be smug or seething about something and you'd sidle in to stand between his shoes, unsure of what to say but determined to be there for him. It's the same now.

“What's wrong?” he asks under his breath.

“I left you all alone,” you repeat.

“It wasn't your choice, okay?” He smooths his free hand from your elbow to your upper arm.

Molly says something to Remus. He chuckles and says something in return. Happier to admit it if it's only for Sirius’ ears, you say, “I'm really sorry, Sirius. I miss you every day.”

“I miss you too,” he says.

You push your arms around his waist and hide your face in his chest, feeling for the lines of who he used to be, the dip of his spine in his back or the soft cotton of one of his old t-shirts. You regret hugging him at all, until he puts his arm behind your head, a shaky breath released against your crown.

I'm scared, he'd said. But I don't want you to be scared, okay? Barely twenty, he smelled of the sticky red powder on the end of matches after a night doing things he couldn't tell you about. You could tell him you loved him, and he you, but you weren't to discuss Order business. We'll be okay.

But Lily–

Everyone's going to be fine. I promise.

“You promised,” you say to yourself. Too quiet for him to hear, but he does.

“I promised you so many things I'm not sure what one you mean,” he says with a disappointed laugh.

You pull away, taking his face into two hands. “How do you feel?” you ask, ignoring the tremble working up from your wrists.

“What?” His eyes are dark.

“How are you? Did they– I mean, are you okay? Are you sick?”

“Remus has patched me up. And Cordelia, the medwitch, you know her?”

“I don't know anyone. I've been away.”

He nods sadly. “Yeah. Well, you look the same.”

“I don't.”

“You do! You look the same,” —he almost sounds happy, his lips curling into a smile— “sweetheart. Sweetheart–” He closes his eyes.

You push his hair behind his ears. “You don't look the same,” you confess, “you have wrinkles, right… here.” You touch the corners of his eyes.

“You're still beautiful.”

“Mm. You can't even see me.”

“I don't need to see you. I knew you would be.”

You rise up to kiss his cheek gently. “It's like you're back, like– like, I always felt like you were gone. And now you're home again. You are home, aren't you?”

He covers your hand with one of his. “You're here, so–”

You laugh together nervously. “Yeah, I'm here.”

“I have stuff to do to make it right.”

“Then we'll do it.”

“Okay,” he says. He swallows a breath, and wraps you in a surprisingly tight hug. “Did you read my letters?”

I don't want anything from you. Just to see you're okay.

“I read them. I'm okay. Don't I look okay?”

“You look perfect. Just like the last time I saw you,” he says. It startles you how suddenly he sounds like he did when you were young, his flirting drawl, voice velveteen.

“Not like that,” you laugh.

He pulls you as close as you can be, rough now, his arms solid around you. “I missed that,” he says, rubbing your back. “I forgot how you sound when you laugh.”

You've led very different lives. “I didn't forget yours.”

“You wouldn't. You love having things to hold against me.”

You stroke his hair. “Maybe a little.”

#sirius black #sirius black x reader #sirius black x fem!reader #sirius black x you #sirius black x y/n #sirius x reader fluff #sirius black imagine #sirius black fanfiction #sirius black fanfic #sirius black fic #marauders era #marauders #sirius black drabble #sirius black scenario #sirius black oneshot #the marauders #sirius orion black

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sunnyship · 6 months

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I am absolutely fascinated by whatever the hell is going on between Shanks and Buggy. Are they best friends? Are they mortal enemies? Estranged brothers? Divorced lovers?

I honestly don't know because I don't think they know. The fact the two of them have wildly different ideas of what their relationship is does not help. It also doesn't help that the more we learn about them, the more everything we know about them shifts.

When we're first introduced to them, it's separately and with the definite impression that Shanks is the good guy and Buggy is a bad guy who hates Shanks due to a 'betrayal'. Then we're shown the 'betrayal' is something simple and stupid and is as much, if not more so, Buggy's fault than Shanks.

Then we find out Buggy lied about what the betrayal actually was followed soon after by the revelation that Shanks ADORES Buggy. In fact, he's so friendly with Buggy that it literally changes how the rest of the world interacts with Buggy. All because one of the Pirate Emperors is treating this pathetic, wet mop of a clown as a beloved equal.

Add in the fact that, by the current point of the story, we are well aware that 'good' and 'evil' are very much relative and... well. For all Buggy's still a villain, we've seen Buggy pull off more relatively 'good' things than we've seen Shanks do. In fact, some of Shanks' more recent actions are extremely questionable. Honestly, the further into the story we get, the more people like the clown and the more people start wondering what the hell, exactly, is Shanks up to?

And then we finally discover what the 'betrayal' actually is. And, wow, does it hurt. Because it's "I love you enough to give up everything for you, including my dreams" only to have the rug pulled out from under you. It's cutting yourself down until you don't know who you even are anymore in order to fit in the box you feel you have to fit in for the relationship to work at all. It's being so codependent you can't imagine not doing everything you can, including hurting yourself, to make sure it works. It's jealousy and anger at being forced to do that and not being able to express it because it's aimed at someone you love and you know the truth would devastate them. And it's leaving because staying would be worse.

It's also "I love you! I need you! Please stay!" and not understanding why love isn't enough. It's loving someone enough to let them go and waiting for them to come back (please come back). It's saying, "I love you," to someone and getting, "I wish I didn't," in reply. It's knowing something is wrong but not what so you can never fix it, no matter how hard you try. It's loving someone so much it's hurting them and not knowing that until they suddenly hurt you back.

It's devastating. And so much of it could be solved with communication.

And therapy. These two need so much therapy.

#one piece #red haired shanks #buggy the clown #one piece spoilers #shanks & buggy #shanks/buggy #shuggy #buggy x shanks #shanks #buggy

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alastorss · 2 months

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Hii I love your writing! Is it alright if you do headcanons for platonic Alastor x teen reader where we're his teen daughter? I feel like he'd be fun to gossip with- is it alright if you do some headcanons on what he'd be like if guys asked us out too?

a/n: hi hello sweetest! thank you for reading 🫶 please enjoy these headcanons!

⋆｡ﾟ☁︎｡⋆｡ﾟ☾ ﾟ｡⋆

• Oh Alastor... he's absolutely a huge gossip. He knows everyone's business because he's always poking his nose around where it doesn't belong

• Also, he's got connections all over town so you best believe he knows everyone's business even outside the hotel

• I honestly don't think Alastor knows all that much about parenthood, only that it's now his responsibility how you turn out as an adult

• Passes down his mother's recipes to you so that if you two are separated when you get older, you'll always have a piece of him

• He's not good at expressing how much he cares about you so doing little things like that are the easiest way for him to get his point across

• Frets over you to make sure you're dressed properly, makes sure you're fed every day, and has endless stories to tell you about in case you get bored (would tell you about all the murders he did when he was alive and look so proud)

• Doesn't take you talking back to him well. Makes his problems with your attitude very vocal but never lays a hand on you

• (Upon further discussion with others, learns to just give you space when you're going through something)

• He wouldn't know if he'd want you to be just like your old man (evil, sadistic, insane) or if he wants to see you be redeemed and to shape you into that type of demon (kind, patient, sort of like Charlie)

• Would be so proud of you for killing other demons but then worry about your future if you end up staying in Hell

• Alastor is an overprotective dad. I know it, you know it, we all know it. There are few things he cares about in his afterlife, but you are close to the top if not the top of the list of his priorities

• Oh boy. Someone's flirting with you? They better be worthy of the Radio Demon's child otherwise they're in for a world of hurt

• Sulks and complains in his own roundabout ways when you bring guys home, bitching about them because he thinks they're nothing more than pests flocking around you

• If anyone breaks your heart... let's just say you're no stranger to hearing some familiar voices in your dad's broadcast

• Alastor scoffs at those who try to ask you out, having the balls to show up at the doorstep of the hotel. They're not worth any of your time but as long as you're not bothered by it, he'll allow it

• Still doesn't see the appeal in all this romance stuff. Is delighted when you just turn people down and acts so proud because you take after him

taglist: @the-lake-is-calling @dragons-and-dwarves-are-nice @averylonelysea @bri22222 @cxrsedwxrlds @amarokofficial @anae-naea-zacheria @for-hearthand-home @fantasy-is-best @angixyc (send an ask to be added!)

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thekidsarentalright · 3 months

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‼️ Attention Fob Fan Reading This ‼️

A few weeks ago, I posted the fourth annual fob census asking you all to answer a bunch of evil questions regarding fall out boy, and after getting 1.3k (!!!!!) responses, the results are finally in (below the 'keep reading'). I wanted to quickly say thank you to everybody who participated in this, it's so fun to do every year and it makes me so happy to see so many others enjoy it too!! Without further adieu, here are the results:

Disclaimers: Quickly I just wanted to warn that this is a long post- it's worth reading, the results are very interesting! But it's also a lot to get through, be prepared for that! Secondly, tumblr loves to destroy image quality- click on the image to see it better!

Question 1:

For the first question, you were simply asked what era you became a fan. The top 3 results were, as shown: 1. Save Rock And Roll Era (345 Responses) 2. American Beauty/American Psycho Era (268 Responses) 3. During The Hiatus (132 Responses) Not much to say about this one, every year the results are very similar. Most interesting is that over 100 people have become a fan in the last year!

Question 2:

The second question asked you for your favorite era, and the results were, as shown: 1. So Much (For) Stardust Era (550 Responses) 2. Infinity On High Era (191 Responses) 3. Save Rock And Roll Era (170 Responses) The impact of the newest era is clearly seen in this question! Some could say it's recency bias, only time will tell, but regardless smfs era absolutely dominates as peoples favorite!

Question 3:

Question three asked what your favorite album was, and this was one where I was incredibly interested to see if so much (for) stardust shook things up that much... And as shown in the top responses, it did not! 1. Folie A Deux (550 Responses) 2. Infinity On High (270 Responses) 3. From Under The Cork Tree (153 Responses) Last year, the order of the results was exactly the same. As I believe it has been every year... Folie is unbeatable

Question 4:

The next question asked for you to objectively say which fob album is the best, to see if the responses between favorite and best differed, and as you can see, they did: 1. So Much (For) Stardust (457 Responses) 2. Folie A Deux (389 Responses) 3. Infinity On High (297 Responses) It's so interesting to me to see that so many people believe stardust to be fob's best album, but even then do not consider it to be their favorite.

Question 5:

Now that we've gotten the favorite/best albums out of the way, it's time for least favorite/worst, with these being your least favorite fob albums: 1. Take This To Your Grave (375 Responses) 2. American Beauty/American Psycho (371 Responses) 3. Mania (308 Responses) Most interesting about these results, to me, are how much the top three responses sweep in comparison to the rest. While for the last two questions, the results were more spread, these are much more unanimous.

Question 6:

Question six asked for the objective worst fob album, and you responded as so: 1. Take This To Your Grave (517 Responses) 2. Mania (347 Responses) 3. American Beauty/American Psycho (328 Responses) All I have to add here is that the responses are even More unanimous... Tttyg sweep ig! fdjsnf

Question 7:

Going away from albums, the next question asked for your favorite EP, and you all responded as such: 1. Lake Effect Kid (404 Responses) 2. My Heart Will Always Be The B-Side To My Tongue (374 Responses) 3. Pax AM Days (337 Responses) Last year, lake effect kid was second and my heart was first- always very interesting to see how things shift, even slightly!

Question 8:

The next question had you saying your favorite album cover art, and you all decided these are the best covers: 1. Infinity On High (664 Responses) 2. Folie A Deux (195 Responses) 3. From Under The Cork Tree (176 Responses) I was very interesting to see where smfs would land, with it falling in the bottom half, not disrupting the top three at all. However, folie moved up a spot, swapping with futct. Ioh reigns supreme though!

Question 9:

These results came out identical to last year, but here are the top first fob songs you all heard: 1. Sugar, We're Goin' Down (347 Responses) 2. My Songs Know (171 Responses) 3. Dance, Dance (134 Responses) 4. Thnks Fr Th Mmrs (132 Responses) 5. Centuries (91 Responses)

Question 10:

Question 10 asked for your favorite fob song, a very subjective question that garnered many different responses, these came out on top: 1. Headfirst Slide (105 Responses) 2. Disloyal Order (73 Responses) 3. Hum Hallelujah (69 Responses)(nice) 4. Ginasfs (65 Responses) 5. 27 (55 Responses) I have many thoughts about these results and don't want to ramble too much, but will say, most interesting: This is the first time disloyal order isn't first for this question. A big change, I think!

Question 11:

We know now your subjective fav songs, but what about objective best? You all said: 1. So Much (For) Stardust (244 Responses) 2. Headfirst Slide (136 Responses) 3. Love From The Other Side (83 Responses) 4. What A Catch, Donnie (70 Responses) 5. Hum Hallelujah = Disloyal Order (66 Responses) Once again, lots of thoughts! We have our first tie, both smfs the song and album sweeping, and disloyal order once again Not topping the list! Huge changes!

Question 12:

This question is always the one i get the most excited about each year. It's also the one that gets the most varied responses, but these came out in the top: 1. Sunshine Riptide (56 Responses) 2. "From Now On We Are Enemies" (49 Responses) 3. You're Crashing, But You're No Wave (47 Responses) 4. Rat A Tat (40 Responses) 5. It's Not A Side Effect = Heaven's Gate This question changed a lot from last year, with sunshine riptide moving up three spots, and rat a tat, it's not a side effect, and heaven's gate showing up when they didn't before!

Question 13:

With underrated songs come overrated ones, and you all said these were the most overrated: 1. Centuries (330 Responses) 2. Sugar, We're Goin' Down (96 Responses) 3. My Songs Know (87 Responses) 4. Bang The Doldrums (67 Responses) 5. Immortals (62 Responses) Most of note- Bang the doldrums is here, when it simultaneously was voted pretty highly as a favorite song!

Question 14:

This was the first time I asked the question of what your favorite fob cover is, and you all decided these are the best three: 1. Love Will Tear Us Apart (297 Responses) 2. Beat It (278 Responses) 3. I Wanna Dance With Somebody (224)

Question 15:

Asking which song has the best lyrics is another one of my favorites to see, and this year you all said: 1. Hum Hallelujah (172 Responses) 2. So Much (For) Stardust (75 Responses) 3. You're Crashing, But You're No Wave (72 Responses) 4. Ginasfs (70 Responses) 5. Disloyal Order (67 Responses) It's not surprise these results are very similar to best song, and it's very deserved! These songs are on top every year, save for smfs being newly one of their best written songs!

Question 16:

This question asked how many times you've seen fob live, and the results are as shown: 1. 1-3 Times (780 Responses) 2. Haven't Seem Them Live Yet (353 Responses) 3. 4-6 Times (138 Responses) 4. 7-9 Times (42 Responses) 5. 10+ Times (37 Responses) Last year, a majority of people said they hadn't seen them live, so it makes me really happy to see now, a majority has! And i hope those that haven't get to soon!

Question 17:

Continuing with the tour theme, specific to this year, I asked what your favorite medley song was, and you all said: 1. Spotlight (New Regrets) (272 Responses) 2. I've Got A Dark Alley (165 Responses) 3. What A Catch, Donnie (146 Responses) 4. WAMS (133 Responses) 5. Get Busy Living (117 Responses) Seeing spotlight sweep made me happy, as it genuinely was the craziest moment. All of these were crazy, and so special- seeing each medley song get so much love just shows it <3

Question 18:

Now continuing with tourdust questions, I asked for your fav 8 ball song, here were your top 5: 1. Pavlove (372 Responses) 2. Ginasfs (184 Responses) 3. Bang The Doldrums (144 Responses) 4. "From Now On We Are Enemies" (80 Responses) 5. 27 (69 Responses) Similarly to before, each of these was so crazy and special, it's great to see they all got love. Pavlove swept massively, tho, as deserved i think

Question 19:

I think it goes without saying that each band member is loved and very important, but we all have our #1 babygirl, and here's who you all said was yours: 1. Patrick (676 Responses) 2. Pete (402 Responses) 3. Joe (160 Responses) 4. Andy (112 Responses) All i have to say is... kill that thing patrick <3

Question 20:

Our next miscellaneous question asks for your fav music video, and this year you all said these were your favorites: 1. A Little Less Sixteen Candles (275 Responses) 2. Dance, Dance (109 Responses) 3. Hold Me Like A Grudge (89 Responses) 4. America's Suitehearts = Miss Missing You (74 Responses) 5. I Don't Care (67 Responses) I was curious to see if a stardust mv would make it in, and was glad to see grudge did! Otherwise, very similar results to last year. Old favs die hard i suppose <3

Question 21:

Here, I asked for your favorite band that isn't fob but is related/adjacent to fob, and you all said: 1. My Chemical Romance (576 Responses) 2. Paramore (302 Responses) 3. I Don't Know How But They Found Me (88 Responses) 4. Cobra Starship = Green Day (75 Responses) 5. Gym Class Heroes (58 Responses) Not much changed from last year, other than green day getting more love, which is interesting to see! (Also, wanted to note that i did forget to include panic!... however less than 10 people wrote them in as an 'other', so results were not affected by that oversight!)

Question 22:

These last questions are all this or that style ones, with our first pairing being disloyal order and hum hallelujah: 1. Disloyal Order (762 Responses) 2. Hum Hallelujah (588 Responses) Interestingly, last year this match-up was a solid tie. Clearly, opinions have changed to make disloyal order sweep!

Question 23:

Our second this or that pit snitches and talkers vs you're crashing: 1. You're Crashing (808 Responses) 2. Snitches And Talkers (542 Responses) These were the top two underrated songs last year, so it's interesting to see which one is truly preferred!

Question 24:

Our last this or that, and last question, put centuries and my songs head to head: 1. My Songs Know (977 Responses) 2. Centuries (373 Responses) All the commentary I will provide is saying: is centuries even overrated anymore with it getting destroyed like this.... fkjdsnfks

And with that, the 2024 fob census comes to a close! If you've read this far or, really, participated at all in this in any way, I want to say thank you again! and that I hope you had fun with it, and that these results were interesting to look through! Also, will throw out there, I worked very hard on this and would appreciate a rb if you read all the way through it! <3 If you have any questions about any data or questions, want to see more in depth results or commentary or analysis from me, feel free to shoot me an ask/dm! See you next year for year 5! :-3

#writing these tags right after finishing making the whole post and oughfjf i always forget how much of a labor of love this is god #so so worth it though i love doing this <33 so glad u all do too #queueing this for sunday at noon hopefully it posts right fjdnfk #txt #census.txt #fall out boy #fob

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beesmygod · 10 months

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we can all look back on and laugh at this when im wrong, but it seems like social media in its current incarnation is dying an undignified and overdue death. it turns out throwing all of humanity into one room and expecting everyone to develop a single ethos was beyond insane conceptually and the artists who built their following on social media are probably in a tail spin right now. people jumping to bluesky are insane lol. did you forget jack dorsey is the idiot who got us into this mess in the first place. why would you choose to subject yourself to this shit again. for what purpose?

the stock answer i got was that "for discoverability/audience" and if that's true thats a problem. i've been hollerin about this to anyone who would listen prior to this but the customer base of twitter (and all social media) is its advertisers. they have not been shy from the start about that fact because its the only way they generate income, as far as i know. YOU (the user) are the product. YOU (still the user) are also what draws people to the site. there is not a social media website on earth that has figured out that making a good website (which would require hiring and paying for quality labor over an extended period of time) is more likely to result in economic success than exclusively courting the businesses whose interest is in making the website worse to use with ads. at no point were our interests ever a factor.

in fact, imo, the number of people following you is not an accurate representational sample of your audience. the reasonable assumption you should make is that the vast majority of numbers involved with any website (esp those with a vested interest in showing off big numbers to VC investors or advertising execs) are inflated or just outright fake. the numbers exist solely to drive you insane and make awful people happy. the numbers cause you and everyone around you to start spontaneously spawning myths about a beast called "the algorithm" that possesses the incredible traits of being both something you can game for success or blame for your failures. it coerces you into enacting out nonsense superstitions to try to counteract or appease it in the hopes of, let's be honest, breaking it big and going viral. this way, you, the creator, do not have to do the hard work of building up a rapport with an audience. none of this goes anything but adds more numbers for the ceos to look at and nod approvingly or disapprovingly at.

the people running the world today are, without exaggeration, cartoon villains. they are deeply stupid, devoid of empathy, and open about their intent to do deeply evil acts in order to further their economic interests. trying to derive some kind of financial benefit from the creations of these unapologetic losers was always bound to be a wasted effort. the best thing i can say about twitter, a website i was banned from countless times and returned to out of stubborn desire, was that i got to make some great jokes with friends and cause some chaos lol. letting people know i have a web comic was always a secondary function once the realization of what social media was turning out to be set in like 7 years ago. any artist who insists that you have to do this or that on this or that social media site is trying to drag you down into the quagmire of online numbers poisoning.

run away!!! children heed my advice!!! the joy of creation does not lie on a path that encourages you to cater to the lowest common denominators while casting your net. just fucking have fun with it. if its not fun then it wont even be fun to do financially anyway. and isnt that, like. the point.

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heliza24 · 2 months

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I want to talk a little bit about Daniel in the Interview with the Vampire show, because the new trailer material has me stuck thinking about him, and also I’ve never written about how meaningful he is as disabled character to me before.

I don’t see many people thinking about show!Daniel in these terms, but he’s a canon disabled character. And I think the way he is written is just SO good. The acerbic wit, his relationship to doctors and his medication, his rueful acceptance of the way his disability has changed him. It is all so correct!! It’s really incredibly rare to have not only a disabled character written this well but specifically a chronically ill character written this well. His illness is always present; it doesn’t get forgotten about by the story. It gives Daniel insight into the vampires (more on this in a min), but it also gives Louis and Armand leverage over him. When Louis triggers his Parkinson’s symptoms? Deeply not ok. But that’s what made it such a great scene, and really made Louis feel dangerous and threateningin that moment. Armand and Louis arranging Daniel’s meds is a sign of great care and also great power over Daniel. It’s the perfect way to communicate the complicated power dynamic in their relationship.

I also just fucking love that this show takes place in 2022 and doesn’t erase the pandemic. Covid is a very present concern for Daniel and I cannot describe how validating that is for me as someone who is clinically vulnerable to Covid and who has had to really limit my life and take a lot of precautions because everyone else has decided to stop caring whether they pass on Covid or not. The fact that Daniel gets on a plane to Dubai is a BIG DEAL. He’s risking his life to talk to Louis and Armand before he’s even in the room with them. He really wants to be there. I have to make a similar calculation every time I travel, and trust me, getting on that plane knowing getting sick could spiral you into even worse health or kill you is really hard.

I think making Daniel disabled and including the pandemic is kind of a genius level decision on a thematic level. Of course Daniel is now facing down his mortality, which gives him a whole new lens on the vampires and the fact that he once asked them to turn him. And the pandemic further highlights his fragility, and is also possibly being used as a cover for drama that’s happening in the vampire world. But I think it also really sets Daniel up as a foil to Louis.

There’s a lot of analysis of the vampire chronicles that reads vampirism as a metaphor for queerness. But I would actually propose that it’s a much neater parallel for disability and illness in a lot of ways. So many of Louis’s initial experiences after being turned resonated with me, as someone who became chronically ill in my 20s. My appetite and relationship to food completely changed, much like Louis. My relationship with the outdoors and the sun changed, because of dysautonomia and allergy reasons. I was very mad, and very depressed, and I too have missed out on birthday parties and big life events like Louis did because I was too sick to go. Hell, you can even say that the way that Louis is treated as evil by his family, that the way vampires literally can’t be a part of society during the day, is reminiscent of ableist exclusion and ugly laws. (Ugly laws were laws that forbid disabled people, especially those with visible differences, from being out in public, and they were on the books in many American municipalities until the 1970s.) You can look at Lestat being an out and proud vampire in the first few episodes on the season and imploring Louis to leave his shame behind as a queer thing, but you can also view it as a disabled thing. Disabled people are portrayed as monstrous so often (and in a way that has gone relatively unexamined compared to say, the queer coded villain trope) that sometimes it’s just easier to embrace that label: I’m the monstrous Crip, but at least I’m not ashamed of or disgusted by who I am anymore.

I do think the real strength of this adaptation is that while you can find parallels between queerness or disability or other forms of marginalization with vampirism, ultimately it’s not a one-to-one parallel. It speaks to the real world but ultimately it is a gothic horror story about supernatural monsters. So I don’t mean to say that vampirism directly equals disability, because it does not. But I do think that making Daniel disabled was an intentional choice to help draw out some of those parallels, and I think the text is richer for it.

So Louis and Daniel have had these kind of parallel experiences of uncontrollable and difficult things happening to their bodies. It sets them up perfectly as foils, and even, I would argue, as the A plot and B Plot protagonists. This is one of my favorite ways of kind of examining the structure of a TV show (or maybe it’s that most of my favorite shows seem to be structured this way?). When TV was all episodic, it would be common to refer to the A plot (mystery of the week), B plot (interpersonal drama happening as the mystery gets solved) and C plot (any overarching plot tying the season together) in an episode. Now that stuff is serialized, there’s often a main protagonist, who has the main dramatic question and the most agency, and then there is often a secondary B plot that explores similar themes and mirrors the A plot, or presents a second main character who is the ldifferent side of the same coin” to the main protagonist. (My favorite example of this is Flint and Max in Black Sails, and I’ve also made the argument that Wilhelm and Sara fit this pattern in Young Royals.) In IwtV, Louis is obviously the main protagonist of the show, especially in the A Plot, which is the stuff taking place in New Orleans/Paris. But I would argue that Daniel is the protagonist of the B Plot set in Dubai. At the very least they’re intentionally set up as mirrors of each other:

They are both unreliable narrators, who are struggling with the way memory contorts (through memory erasure, illness, deliberate obfuscations, and just the passage of time). The most recent teaser trailer, where we hear Louis saying “I don’t remember that”, with panic in his voice, further underlined this similarity between Louis and Daniel to me. I don’t know if it means that Louis has also had his memory tampered with, as I’m assuming Daniel has, but I do think it means that Louis is going to be struggling with feeling out of control of his own narrative more in season 2, a thing that was already starting for Daniel in season 1.

They are also both locked into power struggles with people more powerful than they are. The fact that Louis is under Lestat in the flashbacks and above Daniel in the Dubai scenes in terms of power/status makes it all the more interesting. And, if we want to go ahead and assume that the Devils Minion’s years have happened in the past by the time we get to Dubai— it’s possible that both Daniel and Louis are united in being the less powerful partner in their own respective fucked up gothic romances.

They’re also both the audience’s entry point into their respective stories. Louis’s narration guides us into the world of vampires. Daniel’s questioning satisfies our human curiosity in Dubai.

I think one of the things that makes the show so special is the way that these two protagonists interact. In a lot of shows the a plot and the b plot stay pretty separate. I love talking about Black Sails for this because I think it’s such a good example; Flint and Max never exchange dialogue the entire show, even though they’re so clearly affecting each other the whole time. But the way that Louis and Daniel clash in Dubai is so exciting. We see them both wrestling for control of the narrative. It’s thrilling to watch and it just hammers home the theme of how complicated and changeable stories can be.

I am SO excited to see how the Dubai scenes play out in season 2 because of it. I really can’t wait. I’m really hoping we’ll see Daniel and Louis’s relationship evolve in surprising ways, and I’m holding my breath that we’ll get a lot of Armandaniel material to work with. (I have a whole other post drafted that’s much less smart than this one and is just me waxing poetic about Devil Minion’s theories which I may post at some point. You have been warned.)

I do have two wishes for Daniel in the new season, and they’re 1: that he gets to have romance/sex, because disabled (and older!) characters are so often seen as unworthy of being desired, and I would like to see that challenged and 2: that he continues to refuse to be turned/is not offered a vampiric cure for Parkinson’s. The magic cure for a disability or chronic illness is probably my least favorite disability trope, because it serves to erase disabled characters and representation from the narrative, and I want to see my experiences continue to be reflected in Daniel’s. That means that whatever ending Daniel’s story has will probably have at least a bit of tragedy baked into it, but I’m ok with that.

#interview with the vampire amc #interview with the vampire #iwtv #daniel molloy #armandaniel #devils minion #louis de pointe du lac #armand #my meta #my crip media reviews

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handsomeamoeba · 6 months

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WRONG.

Try again.

Actually let's get into this. As someone who loves a great many fantasy RPGs including BG3, Skyrim, and Dragon Age, let me explain what BG3 gets that Skyrim misses, in my opinion.

And this is the big one: the characters in BG3 feel like real fucking people. They have backstories, demonstrable feelings about the events and the other characters, they react to the things you do and they develop as people as you further your relationships. Even minor NPCs often feel fleshed out with distinct personalities and opinions. Hell, going out of my way to cast Speak to Animals is usually rewarded with at least one charming remark. I have never given even a little bit of a shit about 99% of Bethesda NPCs. I usually choose to travel without a companion rather than with unless I need a pack mule to carry my stuff, because their primary function seems to be to get in my way, set off traps, or attract aggro. I can't remember most characters' names unless I'm actively playing. I'm more likely to casually murder people in Skyrim than I am in BG3 or DA because Bethesda hasn't really made any of their NPCs feel like real people, and consequentially I feel no guilt. By comparison I tried to do an evil run of DA:O and gave up the instant I had to kill Wynne (the grandmotherly spirit healer) when she refused to let me go through with my plans, because I hated doing it. Lydia will watch me gut an innocent man and do NOTHING because she has no life, existence, or personality outside of me, the player. This extends to romances, obviously. While optional in all the games, most people will pursue a romance path in BG3 or DA for the additional character arcs it brings to the characters, the emotional nuances they unlock. In Skyrim romance is a box you tick of tasks to complete. In fact, once you marry them, most marriage candidates personalities change *completely* because all spouses have the same few stock dialog lines. That is, if they had a personality to begin with (again, see Lydia). You know how everyone wants to romance unromanceable characters in Bethesda games? Like Brynjolf in Skyrim, or Nick Valentine in FO4? It's because Bethesda actually bothered to give them stories and opinions.

Honestly, this extends to the player character themselves. To a certain extent every player character is a blank slate, but in BG3 and DA it at least feels possible to develop a feeling about who that character is and what they would or would not say or do. I've tried to do that with the Dragonborn and rarely feel strong feelings about them or have strong opinions about what kind of person they are. The only one I've made who I have much of an idea about is my wood elf Parafina, who is Chaotic Evil. Which again is an option I only pick because no one in Skyrim feels real.

The stakes also feel more real in BG3, more personal. Obviously there's the central quest involving the tadpoles, but more than that, it is about a credible threat to your world and the people and communities in it and the people you love. There are tons of reasons to invest yourself emotionally in the narrative. I have never, ever completed the main storyline in Skyrim nor picked a side in Skyrim's civil war. Why would it? Basically nothing happens if I choose not to. Furthermore, if you're not playing as a Nord (which I usually don't), why would you care about Skyrim as a place? You are a faceless, voiceless (pun intended) outsider who gets microaggressed at every turn being asked to choose between two different flavors of fascist. Also dragons are back but like... listen, I don't care? They get pretty easy to pick off at a certain point, it's like swatting flies, they're just a nuisance on the way to my daily errands. And isn't that such a common story? Don't you know so many people who don't really bother with the main storylines of Skyrim? Yeah it's one of the bestselling games of all time but I feel like the fact that most people don't really care about its narrative should be a sign of failure. We all know it's mostly maintained its popularity due to the modding community.

Ultimately both games have rich worlds which reward exploration with little secrets and environmental storytelling. But BG3 feels more "meaningful" because they give me reasons to care about what happens. The writers worked hard to give the game emotional resonance. So I come to the two games for different experiences. I go to BG3 to engage with an interesting story. I go to Skyrim for the quick serotonin hit of completing tasks and hoarding items.

#bg3 #baldur's gate 3 #skyrim #skyrim critical #with all the love in my heart mind you #i was considering not tagging this tbh

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neoyi · 9 months

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Okay, cool. I can finally talk about the absolute catharsis I felt after fifteen years hoping - dreaming - of this moment because holy SHIT, they did it. They goddamn DID IT.

VLAD GOT HIS REDEMPTION ARC.

Let's talk about it...

By the end of the third season, Vlad Masters had ostracized the entire planet by exposing his true self (why), demanding money and total command of Earth, and completely wailing on Jack Fenton, driving away the only member of that family who unequivocally adored the man where every other Fenton knew him for who he truly was: utterly despicable and incapable of seeing the bigger picture.

Because, after all, he is a villain and that's just what villains do. Villains want power. Villains want to rule the world. There need not be more than that, and in another show, there wouldn't have to be. As far as Hartman was concerned, there is only a binary Good vs. Evil.

You would be hard-pressed to view the Vlad in "Phantom Planet" as the same man who anguished in desperate madness when his perfect clone son died in his arms. That was a Vlad who, by that point, had taken his biggest gamble and lost. I guess one could see his reasoning in season three as a "fuck it all, what even is the point" mode. But while "Eye For an Eye" (tellingly, the last major script helm by former main story writer Steve Marmel... just saying) promised a personal conflict, by the end of the show, he's made it much more external, far greater than what he and Danny's interwoven plot originally started off as.

Vlad is pathetic. Vlad is narcissistic. He is egotistical, entitled; a bitter, arrogant man who lives in his dream castle with all the money and privilege in the world that would leave him content a hundred times over, and it's still not enough.

Money is not Maddie Fenton, the woman he loves. Money is not Jazz, a child that should have been his. Money is not Jack's friendship whom he denies severely, the only part of his life who willingly embraces him. And money is not Danny, who is a half-ghost like him, and by all rights, should have been his son.

No one else could ever understand to the fullest extent of their uniqueness than Vlad and Danny would to each other, and the latter, for the longest time, hated that. Hated the way Vlad talked down to him and manipulated him, hated the whispers into his ears with promises of grand power if he just joined the billionaire's side and become his ward, hated when he caved in just once in front of Vlad's eyes who responded with a smug "See, I know you" reaction. Danny was fortunate to have good moral compasses from his family and friends, but the thing is, though, it's not about the healthy support structure he had, because Vlad had the chance to get some, too. Jack and Maddie loved Danny no matter what he was, and dollars to donuts, they would have for Vlad if the latter had approached them with his problems.

But he chose instead to be bitter and miserable, taking it out on everyone and expecting them to fall into his train of thought. The show knew what he did was wrong, but until season three, never stopped repeating his truest desire: to find love and squash his crushing loneliness.

Hartman couldn't provide a damn on what exactly was Vlad's "destiny" in "Infinite Realm"; it was vague gesturing to excuse his villainy. He was more than happy to abandon the life he's made for himself and the woman he loved in spite of two decades of planning, all on a whim for whatever time period the Infi-map was willing to take him, hoping maybe this one will give him the unconditional worship that he thinks he's deserved (by force, of course.)

Because he's the villain.

And for the longest time, the show ended with the idea that Vlad deserved to be stranded, away from people, because he simply could not help himself. To be fair, there is a lesson in that - some people genuinely DO go so far that there really is nothing more we can do other than stop the problem before they cause any further harm. I'm not denouncing that.

What I AM denouncing is the the narrative plant that's dug its way into the greater plot where an older Vlad in "The Ultimate Enemy", realized what a fool he had been. What he wouldn't give to start all over and be a better person. You don't just give someone a sympathetic goal like "looking for love", constantly provide the necessary stepping stones, and not have it set up for something far more substantial than what we got.

And even then, even if it still ended with Vlad being too far gone, I wonder, should the supposedly original plot arc for season three had been made, would Vlad's fate there been far more appropriate than whatever cartoonish supervillainy he ended up as by the time "Phantom Planet" ended?

I cannot speak for Gabriela Epstein. I cannot say how much Nickelodeon allowed her to tinker with the DP world. All of this is presumptuous speculation on my part, but this entire comic feels like they looked at season three, particularly "Phantom Planet", realized what a travesty that was, had their work cut out for it, and went about to make a post-series finale story that still paid tribute to its ending while wiping it off the map.

Vlad's redemption is the crux.

Within just a few panels, Gabriela Epstein provided an explanation on the why of Vlad's actions circa-season three. The Infi-Map was aimless because Vlad's purpose was aimless. And Vlad's purpose was aimless because his need to be in control was a manifestation of his greatest fear: being alone.

"A Glitch in Time" recontexualizes why Vlad traveled across time in "Infinite Realm." It wasn't a generic bad-guy-wants-to-rule-the-world-through-latest-plot-claptrap, but an act of utter desperation from a man who had since lost the biggest connection to his very being: Danny.

It started with Maddie (someone whom Vlad only interacts once in the comic, but is an acknowledgement of his villainous origin, nonetheless), and it may still end with Danny.

Never, in a million, billion years, have I even thought about another redemption arc... for Dark Danny.

And I am kicking myself for not even considering such an option. I had pegged him so far gone, so far past the breaking point to think otherwise. Dark Danny was suppose to be the outcome of a Danny at his literal worst: a too-late, too-little scenario. Back then, it was a symbol of Danny's rejection of what Vlad expected and desired of him.

But the comic made me sit down and think about the implication of Dark Danny's very existence, that of a man who lost his family and friends ten years ago as a child. Like Vlad, he, too was alone, and had carried a tremendous amount of pain and anguish that his human half just could not bear.

Yeah, they died because of a time loop HE created, but that doesn't erase that he was born from a horrible trauma that he could not properly cope with. And Vlad, try as he might, did not fix it. All he ended up doing was separate a ghost - infamous for their obsessions, and now, as the comic established, a carrier of human emotions - to exist. And Dark Danny carried so much raw emotion that he retaliated very, very violently.

Everyone's respond at that time was to fight him and stuff him in a Fenton Thermos for eternity. I am not saying Danny wasn't justified in fighting his darker self because the dude legitimately caused massive damage and likely murdered a hell of a lot of people, I am just saying Dark Danny is the byproduct of a scared, lonely, traumatized child.

And what does he do? He tries to take what he thinks is his by any means necessary. Vlad got his wish, he got the son he wanted.

And he's facing him now.

And he gets it.

He finally fucking GETS IT.

Which shouldn't have been a surprise because his "The Ultimate Enemy" counterpart got it. He looked at the devil that he created and lingered as a hermit in regret. And now Vlad - Vlad Prime - reacted the same.

Only this time, he can fix it.

I did not anticipate that Vlad's redemption would happen at the same time as Dark Danny's. I didn't expect the two of them to link other than the latter being another number in Vlad's bullshit entitlement count.

I love that it isn't Danny who heals him, but Vlad. It had to be Vlad. In order to own up to his actions, Vlad had to look at the eyes of the boy he was entrusted and corrupted beforehand and apologize for what he put him through. And I don't mean just "The Ultimate Enemy", Vlad is apologizing for everything he's done up to this point.

He (temporarily) sacrifices his body to stabilize Dark Danny who has fucked up the time stream so much that he wouldn't be able to exist otherwise. And only then do the two of them get what they've longed for.

Vlad gets a son.

Dark Danny gets a family.

Holy forking shirt balls.

I have a lot of problems with alternate counterparts sticking around longer than they should in the "main" setting of a show. Usually I'm fine when it's an alternate counterpart demonstrated as someone the hero is trying so hard not to be, because it's compelling to see what could have been under different circumstances. It's another thing when you have another version of the main character running around doing their own thing. Multiverse characters are inherently messy just by existing, but it gets worse when they take away from the uniqueness of the central protagonist.

There's something awkward about two Danny Phantoms living in the same world, and in any other scenario, I would have hated it. But Dark Danny is of a vastly different background brought forth from a long, nuanced, engaging history between him and Vlad.

Danny's central journey - the cusp of the show - has always been the Spider-Man mantra, "great powers = great responsibilities." You are in charge of how you carry the burden of your powers. Vlad has been the one constant always challenging and belittling his selflessness. "A Glitch in Time" had Danny asking himself, what is his purpose? Who is he now that everything has been neatly wrapped up?

Writing anything about who Danny is means Vlad is presented in some way, shape, or form. They are so thoroughly linked to each other, and it's that link that simultaneously serve to push their own individual character arc, and their relationship with each other.

So, Vlad gets a son. Dark Danny gets a family. They get a second chance, and it is up to them to work it out. I have no idea if Vlad got his wealth back. Everything is restored as is, except Danny's secret identity is secured again (which I am 100% fine with except for one notable exception, but that's another topic for another day) and implication that Vlad was just a crummy mayor with no indication the greater public is also aware of his Plasimus mode (which I am also fine with.)

There's a part of me who thinks he should have lost the money and power he's accumulated because he gained them through his vice, but if he's back in his Wisconsin cheese castle, then he can damn well use the money he has to not only benefit the world (charities, improving human lives, funding Fenton Works ;D...), but to raise his son.

Dark Danny is going to have to adjust to the idea that his father is Vlad, something he was already expected to do so when he orphaned himself and moved in with him. But it's Vlad who has to work the most out of the two: as a parental figure - as an adult - he's always had a power over Danny regardless of what timeline they're in. Most of the time, he's abused it heavily.

The second chance Vlad has been given here means he has the ability to provide a safe, healthy environment. It's more than he deserves. He failed with Danny and he absolutely failed with Dani (another can of worms in itself; she's not mentioned in the comic, and I imagine it's because her story would need a comic of her own), he cannot fail with this Danny.

Vlad shouldn't have been given a child at all until there was a guarantee that he could work through his bullshit, but Dark Danny is a special case. He is a kid who needs a home and someone to love him unconditionally, and Vlad needs to learn boundaries while giving selfless love in order to be loved himself.

Clockwork gave Vlad a test, so get studying, dude.

This does not erase how Danny Prime feels about him. He may never want to forgive Vlad, and that's his right. He can acknowledge however, that, in order to help those in need of healing, a door can be opened, even if slightly ajar.

For Vlad, that may just take a bit longer and that's completely understandable.

Vlad can't have the kind of relationship he wants with this Danny, but maybe one day, they can be equals - friends.

Like christ, I think this is the first time Vlad has actually, genuinely asked if Danny was alright.

The comic was already good prior to this, but just knowing - understanding that Vlad was more than "a villain" - meant after fifteen looooong years, we finally see the promises of a brighter future for a man with shitty priorities, but a sympathetic goal.

"It's over, isn't it? It's over, isn't it? It's over, isn't it..."

#danny phantom #vlad masters #neoyi talks #comics #a glitch in time #a glitch in time spoilers #yeah this one im tagging #this essay is over a 1000 words it's pathetic

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