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#I'll probably go back to that one too
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justanotherwriter140 · 2 months
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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kyouka-supremacy · 6 months
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I think we should just bring back Wungo Wednesday and start a fandom collective anime rewatch
#Because otherwise I can feel I won't last much longer#Because like. The last two hyperfixations of mine ended the moment I started feeling like there wasn't any new content#And two days ago in one day I started a new manga a new book and rewatching a favourite show#Whereas I hadn't started anything new in the two years ever since I got into bsd. Which makes it NOT a good sign#But the bsd anime has now ended for one month and 25 days and that's the last time the plot actually moved forward.#And if I counted right. The manga took 4 chapters (that is chapters 110-111) to adapt 6 minutes#That means it's going to take another 12 months (18 minutes left to adapt. that's 12 more chapters) to catch up with the anime#Yeah I'm not. sticking around this long with nothing new to see I'm sorry#Best case scenario I take a one year hiatus but that doesn't make it sound likely that I'll be back#And I know it's fresh news as early as this morning that author said they were introducing a new character but like.#They also said they finished writing this arc like. One year and half ago if I remember correctly?#And we still have yet to see the end of i t so...#That is to say. I'll probably be starting an anime rewatch starting next Wednesday. I've been meaning to do it for a while anyway#I don't want to leave the fandom I like the one chapter a month format#On the positive news I still have a queue of original posts that spans over ten months#And I was meaning to start the reblogs queue too in these days. So there's that#random rambles
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caluupin · 3 months
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a doodle that I did a bit ago
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averlym · 8 months
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ghostwriter (their grandma would tell them she'd lose half her soul)
#or smth smth. having a lot of Thoughts. anyways here's the piece i've been working on and sometimes u have to just say Done#there's a lot of thinks but i am maybe a bit tired and so tmr i'll come in and add all the Tags that i'd personally want to get from myself#maybe i'll reblog the extras tmr too. this is an incredibly self indulgent piece + it probably deserves a tag ramble essay or smth#ig for now we see how it stands for itself + in the meantime:#adamandi#beatrix valeria campbell#hello!! i'm back with belated tags yippee!! alright so for funsies i'm going to make it sound like i'm going bonkers over this :3#the eye shine... the glowy eye... it's like phaethon shine but also smth about eyes to windows to the soul and like#there's two beatrixes here! half the soul. lost part doing things specific to the phaethon and here it's portrayed as tearing off her name#because that's really; truly; when it all starts!! also notable for the ghostly beatrix is i did it more painterly and cloaked in shadow and#fading into the bg. i think i was super duper specificish about where the glow comes from! front lighting back lighting beloved!!! like help#let's put it this way- beatrix face always glowy. important parts of paper also glowy. it's just that different elements are turned away#from the viewer by each beatrix!! also also. let's talk about the very gently implied blood and red etcetera#like the red string is canonical and i love personally the whole red strings of fate thing even though it's not Here Applicable exactly but#that definitely was an influence! and also the blood in the bg... i'm starting to think this is a recurring trend. but anyway shadowy bea#the other strings hang while the red string loops!! so like that one string feels almost alive. it's a sort of whimsical i put on the same#as metaphorical glowy eye!! also also the eye is lowkey influenced by the whole idea of Eyes and Spotlights within the show and also glow#as in power as in heyyy you ever think about writing as a visual medium huh#speaking of writing!! there is no beatrix thingy complete in my head without text sorrry but the black text overlays are always so >>> to me#and in the sense of art styles and overlays shoutout to all the black crosshatching outline thingys because For Some Reason in my mind#of all the characters beatrix feels like the bnw ink printed illustrations you get in books idk#fun fact! i spent so long rendering this and that was fine i liked it! but then trying to figure out text to go on the papers was a Thing#i tried to do. but then gave up on! sometimes i have to pick my battles and graphic design is indubitably Not my passion bc Fonts#fun facts about this is i Actually did start with a quick sketch in mind and there's been so many changed elements. in the og the front#paper for instance had 'ardess murders' written on it and the back one said phaethon interviews.. i like the nominee list better it feels#more narrative-esque and less passive than her just holding her writing.! other elements that got discontinued were that#front beatrix was supposed to blur into the other ghostly beatrix but i couldn't do it without sacrificing clarity so... no... no blurry#oh and the red string morphing at the ends to smth more abstract was always there from the start!! og had more floating papers#and also a silhouette of vincent and a scalpel bc 'one who pulls the strings' but that (pun intended)! got cut (hahahahahahaha) (sorry)#used also to be a lot of print room clutter but that got cut to bc compositionally i made beatrix larger (learned lesson from last art)
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op-jessie · 2 years
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Hello!!! May I please have some kid angst with a fem s/o where you’re getting tired of him being mean and rude to you. Usually you guys get into big blowup fights but this time instead of shouting you were just sad and quiet and you walked away from him? Maybe with some fluff at the end where he tries being sweet and makes it up to you?
Eustass Kid: You love him. You really do. But you are exhausted. You are well aware of Kid’s temper, better than anyone. The only one that understands your frustration, to a point, was Killer. It seems like the two of you were fighting more than you weren’t and you felt your spark start to dim down with each night that ended with screams. You know your fiery personality is one of the reasons why Kid loves you but you find yourself wondering if the fighting ever drains him like it was starting to on you. Today, you reach your limit.
As you lay on the giant bed, you think back to earlier. 
Heat had asked you to take Kid’s jacket to him as he accidentally mixed up the ship’s laundry and was still in the midst of fixing it. You agreed if only to make Heat’s life easier. You were not looking forward to seeing your lover for once, having the tension from last night’s fight still heavy on your shoulders. Still, you took the jacket and folded it until you could carry it comfortably in your arms. You immediately recognized the furrowed eyebrows of your love when he turned the corner and he was already scowling at you. You silently stared up at him as he stalked up, shoulders tight. He snatched the jacket from your arms and shook it out as he had already started yelling. 
“Ya had it this whole time? I’ve been looking for it everywhere! Can’t ya leave my stuff alone? What’d ya even do to it anyway? Did ya try some petty shit from that argument yesterday?” He growls and searches the jacket. You see his lips still moving but it’s as if your brain refuses to process anymore. The flame inside of you didn’t even ignite at his antagonizing words. You were tired. Maybe a nap would be better. Anything would be better than standing in front of your lover berating you. That thought made you sad. But a nap sounded good. Yeah, time for a nap.
So, here you are. Laying in your shared room with a weight heavy on your chest. Has it been hurting this whole time? It has… well, that sucks, you think. Your hand moves to your chest. Your eyes are stinging now. You couldn’t remember the last time you talked with Kid and it didn’t end in an argument. Even though he was the cause of your heartache, all you crave was him. For him to help ease the pain. To speak with him like you used to. For him to wrap his arms around you in the small moment of peace in your bedroom. A sniffle escapes you and you rub at the tears that have started to fall. Your breath stutters as you try to keep the sobs at bay. 
You don’t know how long you try to muffle your cries before you hear heavy footsteps get closer. It’s when the door swings open that you pull the blanket over your head. Kid is never good with you crying and you don’t want him to see you like this. 
“Hey, why’d ya-”
He cuts himself off and you stay quiet. You half expect him to start yelling, the other half of you expects him to leave. You’re not sure which you prefer. So it is a complete surprise when the bed dips. You remain still as the blanket moves and you feel a familiar warmth get comfortable behind you. He puts his hand on your arm and tugs you, gently and his touch light on your arm. You let out a sigh and turn to face him after his silent request. Your eyes look over his furrowed eyebrows, his frown, his scars, and his eyes. There’s agitation behind the brown but something else. Something you don’t see often. His frown grows bigger as he observes your face too. He reaches his hand over and presses his thumb against your cheek, causing your eye to close at the force of him wiping a tear. 
“Ya been cryin’?” His gruff voice fills the silence. You sniffle and stare. How could he be close and yet so far? He grunts at your lack of response and moves closer, yet there is a hesitation. One wrong move from him… would it shatter you? It crosses your mind and that causes a whimper to escape your lips. His hand instinctively cups your face at the noise.
“I…I…” Your words feel stuck in your throat. What did you want? You let yourself press against his hand as another sniffle escapes. “I… I don’t want to yell anymore… I’m tired…”
His eyebrows furrow deeper as he looks over your face again. After a beat of silence, he moves to embrace you fully, forehead pressed against yours as a heavy breath leaves him. Your body slowly melts into his. Your body and heart still crave him despite how much sorrow you feel. Meeting eyes with his brown ones, you see his face contort before another breath leaves him and irritation is no longer in his eyes.
“... ‘m sorry.” 
Your eyes go wide and a blush dusts his cheeks as you stare at him owlishly.
“... Really?”
“Really, stu-” He huffs to stop himself. “Yes. ‘m sorry. Ya right. I gotta treat ya better.”
He groans and cups the back of your head to tuck it in his neck.
“Stop gawkin’.”
You feel tears burn again but you instead hug him and hide in his neck. You will have to have a talk with him when you’re not bursting at the seams. An apology is rare from him but for him to acknowledge your pain, gives you hope that you can fix it together. And when he whispers “I love ya,” words that are just as rare, you know it’s just as much as you love him.
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mellowwillowy · 2 months
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On hiatus for an indefinite moment.
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osaemu · 4 months
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hi tumblr 😓
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demons-and-demigods · 30 days
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Demons and Demigods Part Twelve: Written Scene #7: The Storm
Sorry for the long wait, my darlings, but it is finally here! This part got a little away from me, I will admit. But! I had a lot of fun writing it (even though it took me so long) and I hope that y'all have fun reading it <3 Thank you for being patient with me, and I hope this part makes up for the wait (at least a little)! Now, enjoy 8.7k words of everyone getting a little fucked up 😈
A storm raged around them, violently rocking the boat as the wind and the waves savegely tore at them. Somehow, Jason managed to drag himself above deck to join the rest of his friends (save Hazel, who was busy trying not to hurl her guts out). He swept his gaze across the ship, trying to account for everyone. Leo had lashed himself to the control console with a bungee harness of some kind, Annabeth and Piper were trying to save the rigging, and the gorilla that Jason assumed to be Frank was trying to untangle some broken oars. Even Festus the dragon head was trying to help, spouting flames at the rain, though it did nothing to discourage the storm. 
The only person who seemed to be having any luck at all was Percy. Which, yeah, made sense and all, but it was still mind-boggling and more than a little disconcerting to see Percy standing there in the middle of the deck, completely dry and unbothered by the raging squall while everyone else was barely hanging on. 
It was mesmerizing, almost, to watch Percy. He stood with his eyes closed and arms outstretched to either side, palms up. When a wave crashed into the hull, Percy would tilt his head and another wave would rise up on the opposite side of the boat to level them out. He’d curl his fingers as a large wave bore down on them and an even larger wave would grow to swallow it up and stop it from reaching the deck. He jerked his chin, and the rigging Piper and Annabeth were working on righted itself. He flicked his wrist, and the broken oars gorilla-Frank had been trying to detangle went flying. 
Jason had the sudden realization that if not for Percy, the Argo II would have been capsized or smashed to bits almost immediately. It was not looking good for them.
Jason staggered his way toward the center mast, praying that he wouldn’t get knocked off his feet before he got there. Leo saw him and shouted, probably telling him to get back in bed or something, but it was impossible to hear over the storm. He just waved. 
Thankfully, he managed to reach the mast without being sent overboard by the violent rocking of the ship. Percy opened his eyes and grinned at him as soon as he got close, almost like he had somehow known that Jason was there. It was a little creepy, but Jason couldn’t care less. 
Percy was the only one who didn’t start treating him like fragile glass after his injury. Percy treated him just as he always had, seemingly trusting him to know his own limits, and Jason was beyond thankful for it. It made him feel less like he was on death row. 
Jason smiled back at the son of Poseidon and then made a frantic grab for the mast when the ship gave a sudden, particularly violent lurch. Though, to his surprise, Jason found himself rooted to the spot, unable to move. The ship lurched again but Jason remained right where he was. He tried to take a step only to find it impossible to move his leg. 
His limbs felt leaden, and he realized he couldn’t move at all. It wasn’t just his legs that had locked up, but his arms and head too. Jason panicked. What the fuck was happening to him? 
But then, just as suddenly as it had happened, it was over; the ship rocked again and Jason stumbled forward, no longer frozen in place. He latched onto the center mast, panting as he tried to make sense of what had just happened. 
He glanced at Percy and found the other demigod watching him with concern, though there was something else in his expression that Jason couldn’t quite figure out. (He shrugged that off, though. Ever since he and Annabeth had come back from the Pit, it wasn’t unusual to find Percy with an unreadable expression on his face and some strange emotion swirling behind his far away gaze. It was always disconcerting to see his usually grinning face wear such a tumultuous expression when he thought no one was looking. Jason didn’t know if anyone else had noticed, but he’d been allowed little else to do besides watching his friends. Shit, if Jason hadn’t been injured and practically put on bedrest by his girlfriend and best friend, he doubted that he would have noticed anything going on with Percy either.) 
Jason waved off Percy’s concern with a thumbs up and a shaky grin. Percy seemed to take that to mean that he was fine and started gesturing. 
“—THING . . . UNDER . . . STOP IT!” he shouted, though half his words were lost to the wind as he pointed over the side of the boat. 
Jason cocked an eyebrow at him and gestured vaguely at his ears. I can’t hear you, he mouthed. 
Percy huffed and rolled his eyes. He pointed first to himself then to Jason, and then over the side of the ship again. He mimed diving into the water and pointed at the two of them again. 
Jason tried to convey ‘You want me to go with you? Are you sure?’ and ‘I can’t breathe underwater, dude’ with his expression. 
Percy rolled his eyes again and pointed at the storm clouds roiling above them, then took a running leap and dived overboard. 
Jason looked up to see Piper and Annabeth giving him matching ‘Are you crazy?’ looks, to which he just smiled and shrugged. He turned his attention to the storm and his eyes widened as he sensed angry venti swirling around up there. How the fuck had Percy known they were up there before he did? 
Whatever, that would be a question for another time. Right now, he needed to find a way to follow Percy. 
Jason stretched out his arm and imagined his will as a rope of wind, flinging it into the swirling mob of venti. He sought out the nastiest ventus he could find and snared it with his wind rope, tugging it down to form a cocoon around him as he jumped into the water. 
Immediately, he was surrounded by an eerie silence, his own breathing nearly deafening in comparison. It sent a shiver down his spine, but he forced himself to focus on the task at hand. 
He scanned the water around him through the filter of his personal cyclone. (Which, thankfully, allowed him to breathe. The air smelled strongly of ozone and the ventus was definitely not happy with the arrangement, but at least it was breathable air and Jason was strong enough to force the wind spirit to remain in place.) There was something about the ocean that had always set Jason on edge, more than the Roman’s hatred of it and his father’s rivalry with Neptune. 
It was similar enough to the sky, Jason supposed, in that they both stretched as far as the eye could see. But the sky had nothing to hide. Even full of clouds, nothing could remain obscured in the sky for long. The ocean, however, Jason shuddered. There was so much they didn’t know about it, more than just mythological beings and creatures evaded the notice of everyone who sought to know the oceans. So much was still unknown and unexplored, and the light only reached so little. 
Anything could be lurking in the depths of the oceans. Anything could be waiting just out of sight, hidden by the cloying darkness of deeper waters. 
In the sky, Jason felt secure, always aware of everything around him, cocooned in a blanket of wind and air. But underwater, Jason felt horribly exposed. His senses couldn’t expand into the area around him like they could in the sky, and he couldn’t sense let alone see all of his blind spots at all times. He was just out in the open, unprotected and unprepared; he would have no clue if something snuck up behind him, no time to react if something came hurtling out of the dark to attack him. 
Thalassophobia, Jason thought he’d heard it called before: the fear of large bodies of open water; although ‘fear’ didn’t feel like the right word, didn’t quite cover the absolute terror that gnawed on his bones. 
And here, floating in the middle of nowhere in the open ocean in his little personal tornado of lassoed air, a violent storm raging on the surface above him and who knows what waiting who knows how far below him. 
With nothing but dark, gloomy water surrounding him, Jason was terrified. 
But then, he spotted Percy. 
The son of Poseidon hung suspended in the dark water, illuminated only by the soft bronze glow of his sword. His long, inky black hair seemed to leach the light out of the water surrounding him as it floated around his head like a dark halo, dancing in some imperceptible current. His outline flickered, his form broken in places and replaced by dark, writhing masses of tentacles and stark, bony protrusions. He looked both unimaginably large, as ancient as the oceans themselves and just as monstrous, and like his skin was stretched too thin over bones that were too long with edges too sharp to be wholly human. He was dark and all-encompassing, filling the water with an inescapable presence, yet he was also pale and haunting, skin near translucent as it gave off an eerie glow. 
His body was threatening to rip apart at the seams, unable to contain the esoteric power lurking just beneath the surface. An arcane aura leaked from his ruptured mortal form, permeating the ocean around him and filling Jason’s mind with static. 
The eldritch creature playing at mortality turned its head to look at him and Jason realized that he had never felt true terror until that moment. Its face was that of nightmares; it had no lips, just thin, bloody ribbons of flesh stretched too far across a dark, gaping maw filled with rows and rows of razor-sharp serrated teeth. Its eyes were unsettlingly vivid, as though the saturation of the creature’s eyes had been dialed up to eleven, swirling blue-green voids that lacked sclera and pupils. Within those effervescent eyes, Jason swore he could see all the world’s oceans at once; raging storms and roaring waves, plunging trenches and abyssal depths dark enough to drive one mad. 
Its very presence emanated a dissonant, distorted screeching that Jason could feel vibrating through his bones, filling the surrounding water with static. Jason thought his eardrums might burst with the intensity of the high-pitched ringing and feared his insides might liquify from the infra- and ultrasonic frequencies he could feel quivering through his flesh and bones. 
Jason felt his mind begin to fracture as he stared at the being before him, pressure built behind his eyes and limbs seemed to have turned to jelly. He knew he needed to look away before his mortal body exploded or something, but he was powerless to make himself move, trapped in the vortex of its aura. He felt drawn to the creature, unable to bring himself to avert his gaze. He had no control over his body, locked in place by the deity’s whirlpool eyes. 
A scream built in his throat, but he had no breath with which to voice it. He teetered on the brink of madness, but he had nothing to grasp at to pull himself away from the edge. Something in the back of his mind screamed at him, but he couldn’t hear it over the static filling his head. He wanted to claw at his ears until it stopped and left him in blissful silence, he wanted to scratch out his eyes to relieve the pressure that had made a home behind them, he wanted to tear himself open to assure himself that the pounding in his chest was that of his still-beating heart and not some vestigial part of the monster looming before him. He needed to fill the yawning, cavernous void that had taken up residence in the place where his lungs should have been. 
His blood moved sluggishly through his veins where they burned beneath his skin. He was coming apart, his atoms threatening to fly apart, on the verge of disintegrating. He was nothing more than a tiny pest to this primordial of the seas, barely worth the effort it took this eldritch horror to kill him. His being was infinitesimal in comparison to this primeval monster, little more than a speck of dust floating through its waters. This was all the waters of the earth given form, and it was enraged at their treatment. And in that moment, he knew. 
He was going to die. 
Then, everything snapped back into place and Jason gasped. 
Air, sweet, ozone-scented air, filled his lungs and Jason could have cried. He clutched his chest and heaved frantic breaths into his aching lungs. He looked up and saw Percy hovering in front of him with a worried expression on his now normal-looking face. Jason’s heart pounded in his chest as he searched Percy’s face for any trace of the Lovecraftian nightmare that had been clawing its way out of his skin just moments before. 
“Jason, hey, are you alright, dude? You with me?” Percy said, though Jason had no idea how he could hear him so clearly under the water. He nodded slowly and ignored Percy’s puzzled look. 
“Yeah, yeah, I’m good, man. Sorry, just not a fan of the open ocean I guess,” Jason said and tried to laugh it off. 
Percy’s eyes narrowed, his gaze intense and searching, boring into Jason’s soul as though he could pluck the truth from Jason’s psyche if he stared long enough. Thankfully, though, before Jason could buckle under the strength of Percy’s gaze, a beam of bright green light split the darkness in front of them like a spotlight before it disappeared, coming from the depths of the chasm Percy had been hovering over the edge of. 
Percy snapped his head around to stare over his shoulder with narrowed eyes. “I was waiting for you before going to check it out, but I’d bet that whatever is causing this storm, is also the source of that light,” he said, glancing back at Jason. “Come on, let’s go.” 
As they sank deeper and deeper into the chasm and fell further and further away from the sun, Jason couldn’t shake the horrifying vision from his mind or the sense of unease in his stomach. It grew darker and darker until the only light came from Percy’s sword. 
Though, if Jason looked too long at his friend, he could swear that Percy began to glow too; an eerie, pale blue light seemed to emanate from strange markings on his skin, as though he was bioluminescent or something. A handful of his scars shed golden light into the water as his eyes illuminated the way ahead of them like headlights. It was fucking creepy, Jason thought, if kinda fascinating. (He wondered if Percy knew that he glowed, if Annabeth knew. He wondered if Percy only became bioluminescent underwater, or if he would light up in a dark room, too. Despite his curiosity, though, Jason couldn’t bring himself to say anything to the other demigod, the image of the savage creature tenuously caged beneath his skin still too fresh on Jason’s mind.) 
Eventually, the water began to lighten around them, and Jason saw the glowing ruins of a palace or something appear out of the dark haze before them. As they drifted toward the remains of a partially collapsed dome, Jason stared around the ruins with wide-eyed amazement. 
“What do you think this place was?” Jason asked reverently, yearning to reach out and run his fingers along the crumbling structures but unwilling to risk breaching his ventus cocoon just yet to do so. “Atlantis?” 
Percy snorted and waved a hand dismissively. “Nah, Atlantis is just a myth.” 
Jason squinted at his friend. “Uh, don’t we literally deal with myths like, everyday? Aren’t we technically a myth ourselves?” 
Percy rolled his eyes and stuck out his tongue. “You know what I mean, dude. Atlantis is a made-up myth, not, like, an actually true myth. Plus, Plato never intended anyone to believe in Atlantis, it was only ever meant to be a parable, to serve as an allegory to the hubris of nations and a cautionary tale warning against its dangers.” He shrugged. “All that flew over a lot of people’s heads though, and the original purpose of the Lost City of Atlantis was overshadowed by a bunch of idiots and their desire to find a place that was never real.” 
Jason gave Percy an incredulous, wide-eyed stare. 
“What?” Percy asked, defensive. “My mom is a published author, my stepdad is an English Lit teacher, and I’m dating Annabeth who loves ancient Greek philosophers and playwrights. I pick up a thing a two.” 
Jason often forgot that Percy was a lot smarter than most people gave him credit for, and he was pretty sure that was something Percy did on purpose. It was something he’d noticed about the son of Poseidon before, but he played the part of ‘dorky fool’ so well that it was nearly impossible not to fall for the act. Though he was never sure if it was an act that Percy himself actually believed or not. 
But rather than bring that up right then, Jason just shrugged and held his hands up in surrender. “Fair enough, Jackson,” he laughed. “But if not Atlantis, then what was it?” 
“I don’t know,” Percy said, face scrunched up in concentration. “But it feels familiar, like I’ve been here before or something . . .” he trailed off, leaning in to study some markings carved into the domed roof in front of them. 
“Maybe you have,” Jason said playfully. “Maybe you saw it in one of your weird-ass dreams; I’ve been told that they’re a lot more intense and prophetic than the average demigod’s.” 
“Oh, shut up, Grace,” Percy snarked back. “My dreams suck ass, but they’re not anything special. Besides, I always remember my dreams. This is something else.” He reached up to ghost his fingers over one of the markings. 
Then, that brilliant green spotlight flashed directly beneath them, blinding Jason for a moment. 
He dropped like a stone until his feet hit what felt like solid marble. When he finally managed to blink the spots from his eyes, he realized that they’d found the source of the storm. 
An ethereal woman in a flowing green dress cinched at her waist with a belt of abalone shells hovered before them. She had to have been close to twenty feet tall, though she shrank to something closer to ten at their startled entrance. Her skin was a soft, luminous white, mirroring the fields of algae covering the underwater ruins. Her hair fell across her shoulders in gossamer strands reminiscent of jellyfish tentacles, some swaying as though caught in a gentle current. Her face was as haunting as it was beautiful; her eyes too bright, her features too delicate, and her smile too cold, as though she’d studied human behavior but hadn’t quite managed to master replicating it. 
Before her stood a tall, marble pedestal, atop which rested a large, mirrored disk. Her long, slender fingers danced along its edge before she sent it spinning, and the green light cut through the water again. The water churned, shaking the palace ruins. Shards of stone from the domed ceiling broke off and slowly sank down to settle on the marble floor. 
“You’re causing the storm,” Jason said, careful to keep the accusation from his voice. 
The woman laughed, a sharp, violent sound like the crashing of waves. “That I am,” she said. Her voice was melodious, though it had a strange resonance, one that reminded him of the horrible ringing sound the creature clawing its way free of Percy’s form had emanated, like it extended beyond the range humans had the ability to process. That same, static pressure built up behind Jason’s eyes and his sinuses threatened to explode. 
Percy, both thankfully and annoyingly, appeared unaffected. He just tilted his head and squinted at her. “I’ll bite,” he said, and Jason saw a flash of that dark, gaping maw full of razor-sharp fangs. “Who are you and what the fuck do you want?” 
A manic glee sparked in the woman’s eyes and her smile sharpened, sending an involuntary shiver down Jason’s spine. “Why, I am your sister, Percy Jackson. And I wanted the chance to meet you before you die.” 
Percy tilted his head and squinted at the goddess. Jason tried to resist the urge to reach up and massage his sinuses which still felt like they were about to explode. 
Percy hummed and crossed his arms. “Y’know, I’m not super well-versed in mythology involving Dad, so I’m not sure who all my godly siblings are, but . . .” he gave the goddess a long, considering look before he nodded. “I’m gonna take a wild guess here and say you’re Kymopoleia, goddess of violent sea storms if I remember correctly?” 
The goddess’s eyes widened slightly in shock. “Most have never heard of me, little brother. I am surprised, yet none-the-less pleased that you do know me.” 
Percy shrugged. “At some point after I accidentally blew up Mount St. Helens—” 
Jason choked on air and started coughing. “After you what?” he asked incredulously, but Percy and Kymopoleia ignored him and continued on as though he hadn’t said anything. 
“—I’m pretty sure I heard Dad mutter something under his breath like, ‘I pray you never meet Kymopoleia,’ and I got curious, so I looked into the name.” He shrugged again. “Oh, and I’m just gonna call you Kym. Kymopoleia is a bit of a struggle and also it takes too long.” 
Jason watched the interaction carefully. Percy spoke so casually to the goddess it kind of freaked Jason out. But he’d heard enough stories to know that it was common practice for the son of Poseidon to be so irreverent. 
For her part, Kym appeared amused rather than angry at least. 
“I’ll consider it an honor to get a Perseus Jackson nickname before you die,” she said with another spin of her disk. 
“I don’t suppose catching our ship in your massive storm was an accident, was it?” Percy asked with a resigned sigh. 
“No, no it was not,” she said. 
“And there’s no chance that you’ll cut it out if we ask nicely?” 
“Not a one. Though I am rather impressed that your ship has held together this long; excellent workmanship.” 
Sparks flew along Jason’s arms and into his ventus tornado. He thought about Piper and Leo, Annabeth and Frank and Hazel up there frantically fighting to survive the storm. He and Percy had left them defenseless up there. They had to end this and they had to end it soon. 
“My Lady,” Jason broke in before Percy could say anything to potentially aggravate the goddess, “Is there anything we can do to get you to change your mind and let us get on our way?” 
Kym turned her faintly glowing eyes to him and tilted her head. “Son of Jupiter,” she said dryly. “Do you know where we are? What this place once was?” 
“Uh,” he said, glancing at the crumbling structure around them. “These ruins? Uh, maybe it was a palace at some point?” 
Percy snapped his fingers. “That’s it!” he exclaimed. “Dad’s new place in the Atlantic looks pretty similar to this. Last I was over there, it was almost done.” 
Jason gave Percy an incredulous look. He’d actually been to his father’s domain? To his palace? What the fuck was with this guy and the gods? 
Kym made a frustrated noise and crossed her arms. “I wouldn’t know,” she huffed. “I’m not allowed in our father’s court. He finds my presence disruptive,” she hissed, and gave her storm-disk a harsh spin. 
“I can’t imagine why.” Jason gave her a skeptical look as the ruins shook and more pieces fell slowly through the water around them. 
“I know!” she threw her hands up in exasperation. “I am an absolute delight to be around! I’m certainly better company than my total bore of a brother Triton,” she pouted and crossed her arms again. 
“Ugh, definitely!” Percy agreed. “I’ve met Triton and honestly, he’s such a pain in the ass!” 
Kym smiled. “Finally!” she said. “Someone who sees sense! He is such a πομπώδης μαλάκας!” 
Whatever that last thing meant, Jason had no idea as the Ancient Greek didn’t come to him, but he could only assume it was some kind of insult because Percy laughed. 
“Exactly! He never shuts up! He’s all ‘I am Father’s heir’ and ‘Father only likes you because you’re useful’ and it’s just like, ‘look, you absolute douche-nozzle, you’re both immortal! You’re not gonna inherit shit, ass-wipe,’ I mean, honestly!” Percy said, presumably mimicking Triton with comically furrowed brows and a fierce scowl, his chest puffed up and chin raised to look down his nose at an imaginary person. 
Kym burst into giggles (which reminded Jason of the clicks and whistles of dolphins). “Oh my—He sounds just like that!” she said, doubling over and clutching her stomach as she laughed. “Oh, that is just perfect,” she snickered. “I can see why Father hoped we might never meet, Perseus. You and I would have gotten along splendidly.” 
“Just Percy, please,” Percy said with a playful bow. “Only my enemies call me Perseus and I’d really prefer if I didn’t have to fight you.” 
Kym let out a dramatic sigh. “I don’t want to fight you either, little brother,” she said. “Unfortunately, Gaea really wants your blood, and she’s made me a wonderful offer that I just couldn’t refuse.” she shrugged and flashed a shark-like smile. “Gaea will allow me to wreak whatever havoc I please once she has risen so long as I help her and her children destroy the gods.” 
Jason tensed as the water around them seemed to shudder, he saw Percy do the same. He pulled his gold coin from his pocket and flipped it to summon his sword. 
“Now, I believe there’s someone here who is just dying to see you again, Percy. I do hope you can forgive me.” Kym gave them a faux-apologetic look. 
“PERSEUS JACKSON!” a thunderous voice boomed, sending ripples through the water and making the ruins tremble. 
Percy’s face twisted into a dark, angry scowl. 
“Do you know who that is?” Jason asked, tightening his grip on his sword. 
“Polybotes,” Percy snarled. “The anti-Poseidon. I’ve already killed him once; I guess he really wants a rematch.” 
Just then, the Giant rounded a corner ahead of them and Jason barely stopped a disgusted noise from escaping him. He’d thought the other Giants he’d met had been ugly, but Polybotes might just take the cake. 
Even underwater, the guy managed to look greasy and oily, like he had never heard of a shower before. He was absolutely massive, towering close to thirty feet or more in height if Jason had to guess. Like all Giants, he had scaled reptilian legs. His hair hung like shriveled up seaweed around his face. His skin was a murky blue, like the color of poluted water. His eyes were sharp and cruel as a hungry smirk spread across his harsh, mottled face. When he shook his head, basilisks fell from his hair and began circling in the water, hissing and letting out little bursts of flame. 
“I hunted you through Tartarus, son of Poseidon, and you managed to escape me then, but there will be no escape for you now!” Polybotes laughed cruelly. 
Percy snorted and raised his sword. “I killed you before with only a river to lend me strength; what makes you think you stand a chance against me here in mY dOmAIn?” Percy snarled, lips curled up in an equally cruel grin. His voice reverberated through the water the same way that eerie ringing that emanated from that creature hiding beneath his skin had. It shuddered through Jason’s bones and the pressure that had finally begun to fade from his sinuses returned with a vengeance. 
Polybotes barked out a laugh. “HA! Whether you are stronger here or not, little demigod, you cannot kill me without the aid of a god. And there are no gods here willing to aid you, sea scum.” 
Percy’s grin turned sharp and deadly as his form seemed to ripple, the monstrous horror lurking within his flesh straining at the seams to get free. “WHaT maKeS YOu tHiNk I NEeD a gOd?” 
He lunged. 
A few of the basilisks hurled themselves at him, but Percy turned them to dust with one sweep of his sword. Polybotes swung his trident through the water and left an arc of some thick, oily looking substance in its wake. 
Percy barreled right through it without slowing down and the smug look on the Giant’s face turned to shock then indignance before settling on rage. 
“I will torture you under the sea! Each day the water will heal you, and each day you will suffer worse than the last! I will bring you to the brink of death and beyond the edge of mortal agony until you beg for me to kill you, until I have reduced you to nothing more than a quivering mass of flesh desperate to die.” Polybotes snarled. “But you will only know the relief of death when your blood is drained from your wretched body to awaken the Earth Mother. You will die with the knowledge that your last act has brought about the violent end of everyone you love.” 
By then, Percy was on top of the Giant, fighting like a man possessed. He growled low in his throat and swung his sword in a vicious arc, leaving a deep gash on the Giant’s leg when he was too slow to block the attack. 
Polybotes howled and swung his trident. It slammed into Percy’s chest and sent him hurtling through the water to crash through a wall. He recovered quickly enough and shot towards the Giant, spearing through the water faster than Jason could track. Sword met trident and when their weapons clashed it sent a shockwave through the water. 
Jason gripped his own sword tightly and prepared to jump into the fight to help his friend, but before he could do so, the remaining basilisks zeroed in on him. The poisonous, fire-breathing snakes circled around him, hissing and snapping at him. Anytime one of them got too close, Jason managed to cut off its head. But the serpents grew bolder, swimming closer and closer to him. They stopped attacking one at a time and tried to rush him. 
Jason closed his eyes, sent up a prayer that he wouldn’t fry Percy, himself, or Kym, and lifted his sword toward the sky. He called down brilliant arcs of lightning and let out a breath of relief as they struck the dozen basilisks swarming around him. The snakes went belly up in the water before crumbling to dust. 
Percy and Polybotes continued their death match. Percy seemed to be doing just fine, ruthlessly attacking the Giant, slicing and stabbing relentlessly; but Jason could see the smoke curling off his skin as it blistered and sizzled. Whatever substance had spread from the Giant’s trident, some sort of poison or acid if Jason had to guess, was affecting his friend. And despite Percy’s, frankly unnerving, claim, Jason knew he’d need a god to kill Polybotes and there was only one available to them at the moment. 
Jason turned to Kymopoleia. She was watching Percy and Polybotes fight with a fascinated look on her face, totally enraptured by the carnage her half-brother gleefully unleashed on Poseidon’s Bane. 
“Kym,” he said, “What if I make you a better offer than Gaea did?” 
The goddess hardly acknowledged him, merely letting out a noncommittal hum. 
“She promised that you could cause raging storms to your heart’s content, but Gaea and the Giants are going to kill every mortal and demigod, wipe them off the face of the earth. What good is it to finally be able to ravage coastlines and annihilate shorelines when there’s no one left to cower and tremble in fear of you?” he cajoled her. 
“I do like cowering,” she said absently, not tearing her eyes from where Percy had dropped his sword and begun to cave the Giant’s face in with his fists. Jason winced at the sharp, resounding crack of Percy breaking Polybotes’ nose. 
“Yes! If Gaea and the Giants win, no one will be left for you to terrorize! If you help us, I-I'll make sure you are worshiped! I’ll build you a temple at each camp and-and I’ll do the same for all the gods and goddesses pushed aside by the Olympians,” he said frantically, watching Polybotes slam Percy to the ground with one massive hand wrapped around his torso, no doubt crushing his ribs. He winced when Percy let out a strangled cry of pain and turned desperately back to Kymopoleia to try and gauge her emotions on his offer. 
“Polybotes, does Gaea have a counteroffer?” she called to the Giant, face impassive. 
Polybotes turned his head to give her an incredulous look. “Counteroffer?” he sputtered indignantly. “Mother Earth does not need to make a counteroffer to the inane ramblings of a puny half-blood! She is offering you unfettered control of the seas! You will be allowed to let your storms rage to your heart’s content!” he said, affronted. 
“Yes, but will there be demigods or mortals or really anyone left to cower in the face of my storms or worship me in hopes of appeasing my wrath? Will I get my own action figure?” Kym said evenly, raising an eyebrow and looking down to inspect her nails which Jason only just noticed were colored a pale, florescent pink. 
“Well, no, bu—” Polybotes started, only to cut himself off with a cry of pain when Percy managed to free himself from the Giant’s grip by maneuvering his pen out of his pocket and uncapping it so that the blade of his sword sprung out and impaled itself right through Polybotes’ palm. The Giant snatched his hand back to cradle against his chest and Percy lunged after him with a feral snarl. 
Percy moved so quickly, Jason was barely able to piece together what happened. The son of Poseidon reached out and it was like the water solidified into an extension of his will, yanking his sword from Polybotes’ hand and meeting it halfway. He wrapped his hand around the hilt and shot straight for the Giant’s face. He plunged the bronze blade down and buried it to the hilt in one of Polybotes’ acid green eyes. 
The Giant howled in pain and Percy yanked his sword free, quickly backing away as Polybotes reached up to clap his hands over his bleeding eye. 
“You will pay for that, half-blood sum!” he roared. 
Golden ichor wept from his numerous wounds, seeping steadily between his fingers from his damaged eye and the hole in his palm. It saturated the water, hovering in shimmering globules. The Giant stared Percy down with his one good eye, pure hatred simmering behind his gaze. 
“Please,” Jason pleaded with Kym. “Only a god and a demigod working together can kill a Giant. Please, help Percy finish him off before it’s too late!” 
Kymopoleia merely shook her head, lips spreading in a feral grin as that spark of manic glee glinted in her eyes again. She cackled, a sound like cracking stone being split apart by an enormous earthquake, and it sent a shiver down Jason’s spine. 
“I do believe my little brother would beg to differ, Jason Grace,” she said, tone carrying a hint of that unhinged, feral excitement he could see spread across her features. 
Jason whipped his head around to stare in horrified fascination as all the ichor in the water began to flow in one direction, condensing into one quivering golden orb. Ichor seemed to flow from Polybotes’ wounds faster than it should have, like it was being pulled from his veins in thick rivers of divine blood, drawn towards the glittering ball. Polybotes sank through the water, hitting the sandy floor with a dull thud as his knees gave out on him. His hands fell from his face, as though he no longer had the strength to hold them there. Jason could see as the color leeched from him, seeping away with the ichor as it fled his body. Polybotes seemed unable to move, frozen in place where he knelt. 
The temperature of the water dropped several degrees and Jason shivered. 
“Wh-what is this?” Polybotes bellowed, feigning outrage, but the undercurrent of fear in his voice gave away how scared he truly was. He stared at Percy, one good eye wide and afraid. 
Jason turned to his friend. At first, he thought it was just a reflection of all the ichor in the water. But then, Jason came to the terrifying realization; it wasn’t a mere reflection. Percy’s eyes glowed a vivid gold, the same color as the ichor he was draining from the Giant’s veins. 
His face was dark, his features standing out sharp and cruel as he appeared to loom over Polybotes. That monstrous, ancient nightmare slipped through the seams of Percy’s flesh, leeching away all light until all that was left was the eerie glow of Percy’s golden eyes. 
His teeth flashed in the dark, long and curved, reminding Jason of the Cheshire cat’s grin. Jason swore that he could see things moving in the dark; massive, undulating limbs and sharp, ghoulish protrusions. Bones that snapped and cracked as they moved, gnashing teeth and glowing eyes where they didn’t belong. 
“YOu sAy tHat yOu FOLlowEd mE THrouGh tARtArUs, aNd yEt YoU HAvE nO iDeA WHaT i lEaRNeD tO DO dOwN THerE, whAT I wAS fORcED tO PIcK uP IN oRdER tO sUrvIVe?” Percy barked out a cruel laugh as his voice seemed to be coming from everywhere at once, sending tremors through the ocean floor. It was so deep, Jason could feel it vibrating through his bones and hollowing out his chest. Yet it was also so high, it sent his ears ringing and made his head feel like it was about to explode. 
Jason recalled the time he had been too slow to close his eyes and had, for just a moment, witnessed Juno’s true form. That had felt like he was on fire, like his skin was about to slough off his bones as his eyes melted out of his skull. It had felt like his cells were imploding and withering away into ash. 
But this— 
This felt like drowning on dry land; it was like he was being ripped apart from the inside out, his lungs had disappeared and the hollowness that had forced itself into the space where his heart should have beat was slowly filling with water. His mind was being pulled into a black hole, fraying at the edges and threatening to tear apart at the center. His eyes were being pushed from their sockets to make room for steadily mounting pressure building in his skull. He could feel water bubbling up his throat, choking him, forcing its way out between his lips and flooding into every empty space it could find. Water began to leak from his nose where it had filled his sinuses, began to stream from his empty eye sockets and gush from his busted eardrums. His mouth fell open in a silent scream, his voice lost to the torrent of water that eroded blood and bone until all that remained was a flimsy shell of decayed and rotting flesh. 
He swore he could hear a roaring, but that made no sense as he had to have gone deaf with the water pouring from his ears. Pressure built and built and built past the point of unbearable. 
There was a primal, agonized roar followed by an ear-splitting pop. And then: blissful silence. 
Calm swept over him like a warm breeze, and he felt like he was being wrapped in a silky blanket. He sighed and let himself sag into the gentle hands wrapping the blanket around him. He soaked in the quiet, peaceful moment languidly. After a moment, he slowly opened his eyes and immediately flailed around. 
Jason let out a rather undignified squawk and scrambled to pull away from Kymopoleia, who was looking down at him with an amused expression. The silky blanket he thought he’d been wrapped in was actually a gauzy, membranous shawl the goddess had pulled from her own shoulders and the gentle hands had been hers as well. He noticed with a start that his ventus shield had disappeared and slapped a hand over his mouth and nose as he instinctively gasped. 
Only when he heard Kym chuckle did he finally realize that he was, in fact, breathing and not drowning due to a bubble of air surrounding his head and neck like a diving helmet. 
He glanced to the side and saw Percy watching him with a worried frown, wringing his hands together. Jason returned his wide-eyed stare to the goddess and continued to gape for a moment. 
Eventually, Jason shook his head in an attempt to clear it and gulped, biting his lip as his gaze flit between Percy and Kym, both watching him quietly, one with concern and the other with bemusement. 
“Uh,” he said eloquently. “What, um, what happened?” 
Percy ducked his head and rubbed the back of his neck sheepishly, but before he could say anything, Kym spoke up. 
“Nothing you need to worry about, Pontifex. Polybotes is dead. And I have decided to accept your offer.” Kym looked down at him smugly and for a moment, Jason was confused. 
Offer? What offer? And—had she called him Pontifex? What was that abou— 
Oh. Right. He had offered to build shrines to all the minor deities and make sure they were all worshiped. (And—was he remembering right?—I also promised Kym an action figure, I think? What the fuck, Jason thought.) 
“Oh, uh, awesome. Thank you,” he said somewhat falteringly. 
“I expect a truly magnificent action figure, Jason Grace,” she said. “One of those articulated ones and it had better reflect my stunning beauty. I’d be happy to visit and model for reference.” Kym’s smile didn’t quite reach her eyes and Jason fought the urge to fidget. 
“O-of course,” he stuttered, and honestly, what the hell are you supposed to say to that? Cut him some slack, it’s a weird ass situation he has found himself in. 
“Wonderful,” Kym said, and turned to Percy, making Jason look at his friend too. 
Percy was wringing his hands nervously and biting his lip, gaze flitting around like he couldn’t bring himself to look at them. Jason frowned. He was about to ask Percy what was wrong when Kym spoke up again. 
“It was wonderful to meet you, little brother. I look forward to getting to know you better if you survive this war. I believe we could have much fun together.” She reached out and ruffled Percy’s hair with a laugh when he swatted her hand away. 
Percy gave Kym a small smile in return but still didn’t quite meet her eyes. He turned to Jason, expression tensing a little. 
“We should probably get back,” he said, gesturing vaguely upward. “Now that the storm’s stopped, before everyone starts worrying about us too much. If we’re not back soon, Annabeth will probably jump overboard to come looking for me.” he shrugged. He was still avoiding Jason’s gaze, and it looked like his skin was still smoking in places. 
Before Jason could say anything about that, Percy said, “Come on,” and shot toward the surface. 
He turned his startled gaze to Kymopoleia, wanting to ask her for more answers. She must have seen it in his eyes because she gave him a melancholic smile. 
“Percy is far more powerful than he likes to let on, Pontifex,” she said, reaching out to place a hand on his shoulder. “He has more power than a demigod should, and I believe that he is finding it harder and harder to control. Both he and Polybotes mentioned him having walked through Tartarus. I imagine something happened down there to push him over the edge.” She glanced upward, tracking Percy’s receding form through the water for a moment before continuing. “My brother is an impossibly good person, Jason Grace.” she fixed him with an eerie, unwavering stare, her overly bright eyes flashing. “But there is something damaged in him, something that broke down in that Pit. He has crossed a line that he cannot come back from even if he wanted to. I’ve heard that his fatal flaw is loyalty, so you have no need to fear him, nor do any of your friends. But remain wary, son of Jupiter, else you get caught in the crossfire of his rage.” 
With that final, ominous warning, Kymopoleia disappeared in a whirl of bubbles and froth, leaving Jason to slowly begin the long swim back to the surface. When he finally reached the opening of the trench, he found Percy waiting for him, floating peacefully in the water. 
Jason swam up beside him and waited quietly for what Percy would say. 
After a moment, Percy twisted his head to face him. “Sorry for leaving you behind like that,” he said. “I forgot you didn’t have your personal tornado to help you keep up,” he joked half-heartedly and gave Jason a weak smile. 
“It’s alright,” Jason said, smiling back. “I wanted to say goodbye to Kym first, and you seemed like you really needed to get out of there.” 
Percy sighed. “Yeah, I did.” he crossed his arms and hunched his shoulders, drawing in on himself slightly. “Speaking of Kym, what’s the deal with the action figure she mentioned? And why did she call you a car?” 
Jason snorted. “Not Pontiac, Pontifex. The Romans used to have someone called the Pontifex Maximus, a high priest who took care of the gods’ temples, made sure they were all recognized and worshiped, given proper offerings and things like that. While you were fighting Polybotes I made Kym an offer, to try and convince her to stop the storm and help you kill him. I promised to make sure temples were built for all the gods deemed ‘less important’ than the Olympians. The action figure idea just kinda happened? I don’t really know where it came from. I was kinda frantic, just saying whatever came to mind that I thought might sway her.” he shrugged. “You were holding your own just fine, but you looked to be in rough shape, too. Whatever that stuff Polybotes created that you swam through was, your skin was sizzling. You’re still smoking a little, too, by the way.” 
Percy glanced down at his arms, tilting his head at the new, quickly forming burn-like scars there. “Yeah, it was some kind of acid, I think. It hurt like a bitch, and definitely didn’t help my lungs any.” he shrugged and uncrossed his arms. “But I’ll be fine. The water’s already taken care of the worst of it; a little nectar or ambrosia and I’ll be all healed with a few more scars to add to the collection.” 
Percy rolled his shoulders and straightened, glancing up where Jason could see the shadow of the Argo II floating in the water above them. “Now come on,” Percy said. “I think Piper and Annabeth are getting ready to jump overboard.” 
Jason laughed, letting the topic change slide. If Percy didn’t want to talk about what had really happened with Polybotes, Jason wouldn’t force it. He just hoped Percy knew that he could come to him. Their fathers may have a rivalry to end all rivalries, but he didn’t want that for him and Percy. 
This time, as they rose through the water, Percy propelled Jason up alongside him. As soon as their heads broke the surface, Jason saw Annabeth getting ready to swing herself over the railing and drop into the water with Piper barely half a step behind her. 
“Percy!” Annabeth called when she spotted them, proceeding to dive off the ship. Jason raised his arms to shield his face as she hit the water with a truly impressive splash. Percy just laughed and swept her into his arms, lifting her half out of the water and spinning around. Annabeth laughed in delight as Percy threw himself backwards and they sank just under the surface. 
Jason wasn’t worried, though, having learned about Percy’s little air bubble trick, and instead began to paddle his way towards the rope ladder Piper had tossed over the side of the ship. 
When he finally swung up and over the railing, planting his feet on the blessedly solid deck of the Argo II, Piper threw herself at him, muttering angrily in Tsalagi, no doubt cursing at him for acting like an idiot. Jason just smiled and hugged her close, pressing his lips to her dark hair when she buried her face in his chest. 
After a moment, she pulled away and wiped angrily at the tears in her eyes, glaring at him. 
“What is wrong with you?” she cried, smacking his shoulder. “You can’t do that to me! You can’t just-just jump overboard in the middle of a massive storm like that! Especially not when you’re severely injured—!” she gestured at his stomach, frustration and fear coloring her tone. 
“I didn’t mean to scare you, Pipes,” he said, interrupting her gently. “But Percy needed my help, and I’m fine, I promise. No further harm done. See?” He lifted his shirt, stepped back, and spun around, letting her look him over for any sign of hurt. Honestly, he felt fine; great even! Hell, he felt better than he had since Michael Varus had run him through. 
When he finished his little one-eighty, he noticed Piper staring at his stomach with wide eyes. “What is it? What’s wrong?” he asked, glancing down to try and figure out what she was seeing. 
His bandages had come loose in the water, sagging a little to reveal the upper edge of his wound, only . . . only there was nothing but smooth, tan skin where there should have been torn and reddened flesh. His mouth dropped open and he carefully tugged the bandages away, letting them fall to the deck of the ship after the soggy material tore. 
Both he and Piper stared in wide-eyed shock at his unblemished abdomen for a moment. Piper reached out to ghost her fingers along the spot where the wound had been, her feather-light touch sending a shiver down Jason’s spine. 
“You’re healed,” she whispered, voice filled with awe. “How are you—what happened down there?” she asked, laying her hand flat against his stomach for a moment before looking up at him with those dark, earnest eyes he loved to get lost in. 
“A lot,” he said. “Though I don’t remember much of what happened towards the end.” 
Piper nodded slowly and grabbed his hand, starting to pull him across the deck towards the stairs. 
“Fill me in once we’re downstairs,” she said over her shoulder. “I’m getting you to eat something.” 
Jason laughed brightly and allowed his girlfriend to tug him towards the galley, more than happy to let her fuss over him. 
He tried to ignore the sinking feeling in his gut that hadn’t left him since he came to wrapped in Kymopoleia’s shawl, and the dread weighing heavy at his heart that it had something to do with Percy and what had really happened to Polybotes. 
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vickyvicarious · 1 month
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You know, Villefort is really introduced as a very intentional contrast to Edmond, isn't he?
They are both relatively young, stepping into the role of a superior (the former captain who died, and the crown prosecutor who is away)
They are both about to be married, and in fact both are celebrating their betrothals when Dantes is arrested
They are both facing some disapproval from their fiancee's family
They both have a relationship with their father that dictates a lot of their actions
But of course, despite all these similarities their personalities and the specific circumstances of each are almost opposite:
Edmond's acting captainship was driven largely by duty, which is what gets him involved in the letter business to begin with. While his time spent captaining the ship went well, the actions outside of the typical duties he took (stopping at Elba, getting the letter) were for other people's request without much thought of how it looked for him. He was more focused on this being his duty as an honorable person. On the other hand, during his interview with Dantes, Villefort was looking for ways to please others initially (his fiancée asked for mercy and he wanted to get on her good side) but it was still self-serving motivation in the end (he wanted her pleased for what it got him, not just to make her happy). He also abandoned that plan, and the idea of justice altogether, as soon as he realized the letter Dantes carried could injure him. His motivations were selfish throughout.
Edmond is engaged to a poor woman with almost no family who he loves deeply and sincerely. Villefort is engaged to a rich woman with an important family who he loves 'sensibly' for what he will get out of the marriage in the long run. He doesn't hate her but he isn't in love with her romantically, really. When Villefort realizes the coincidental timing of this arrest pulling them each away, his reaction is brief sympathy quickly superseded by him planning out how to make this a witty story impressive to his guests on his return. He doesn't tell Edmond the similarity between their situations.
Fernand dislikes Dantes because he wants to marry Mercedes instead; a deeply personal motive. Edmond dismisses any suspicions suggested about the man and chooses to see him as a friend, trusting Mercedes. Villefort faces some reluctantance from his fiancee's mother, but it's due to his father's political reputation and how that might look, more than anything. Villefort plays along really well and deliberately, greatly emphasizing his political zeal in order to better ascend higher in society. When he talks about his harshness as a judge he is doing so in front of a group of people with a mind to their opinions, giving a speech calculated to impress.
Edmond loves his father very much and the two are very close. He acts to protect his father's pride, and works to bring in money to support him. At his wedding, his father was a major presence, the most excited person there other than the bride and groom themselves. Villefort has denounced his father publicly, given himself a new name to completely separate them in the world's eyes. He wasn't at the betrothal feast except as a name talked badly of, and Villefort only acts to protect him (by burning the letter and arresting Dantes) because the bad publicity/shame would rebound onto himself.
All in all, Edmond is very focused on personal matters. Personal honor, true emotions... even his enemies are driven by feelings of jealousy and envy and hatred. He's emotion-driven and while he works hard and has ambitions, they come second to his love, his honor, his pride. When political considerations intrude on his life it is due to the actions of others (the former captain) and even the way politics is used against him by Danglars and Fernand is motivated by their feelings for him, not their own beliefs.
Villefort is very focused on public perception. He wants a good reputation, he wants more power, he is climbing that social ladder and politics is his way to get up while distancing himself from his father. He is very calculating, and while he does have emotional moments (affection for his fiancée, sympathy for Edmond) they come in second every time to his ambition and self-interest. His life is built largely around politics and reputation, and his personal feelings of sympathy for Edmond are brief and easily overshadowed by his worries about the connection to his father's politics getting out and harming him. Not to mention his ambition when he realizes he can use this to further his career.
Where Dantes trusts those around him and says he has no enemies, Villefort worries deeply about the consequences of the letter getting out. He assumes the people around him will shun him easily if his name is dirtied by this affair. (He's probably right, but it's a very different view of people than Edmond.) He is willing to send Edmond to prison rather than trust him to never mention the letter to anyone, placing his suspicious and self-serving nature above any sense of honor.
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offantasiesandreams · 8 months
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OK. Hear me out: The reader making cute little plushies for the Elsens.
That's it. Go crazy. Go stupid
Ahhhh I envy reader in this one, I really wish I was capable of making plushies as well! That idea is so cute, the Elsen deserve to have a nice and warm, cuddly friend with them at all times! I wrote this a few months ago, in June or July, while I was still at school, so I don't remember if I've proofread this or not! And, in all honesty, I have too much commuting to do today to be able to properly do so either, so, sorry about that ^^'
Reader Making Cute Plushies for the Elsen
As someone who has always had a passion for creating and bringing smiles upon others, it pained you to see those poor inhabitants of such a bleak world, wishing to give them something to make them happy, to bring them joy and glee in this dreadful place. So, you’ve decided to make some plushies for them, a passion of yours for quite some time now. Anything and everything that came to mind, things, that those poor creatures have likely never seen before.
From armadillos to zebras, you’ve made it all as cute as possible, not wanting to scare away the shy and anxious Elsen. And some of them took a liking to your work as you went on with it, watching you with interest from the corners of their eyes, some even going as far as watching you over your shoulders as you oh so masterfully sewed together the ears of a panda. Once you’ve finished the animal and gave it to the first Elsen in your vicinity, the one observing your work and asking you about it, his eyes growing wide in surprise.
Cautiously, he took it from you, scrutinising it from every angle, trying to find the danger or harm in it. What if there was a bomb in it? What if meat was going to ooze from it? But no matter how much he poked and squeezed the plushie, nothing happened. In fact, the worst it did was give him the impression it was going to make a squeaky noise at any opportunity, but it never did. For a second, it seemed as though he was shaking with excitement, his tired smile turning genuine. Turning around, he showed off the gift he had received, with the other Elsen immediately taking to it.
As soon as the others had each taken their turn touching the felt, petting and squeezing it, the original Elsen took back its newly prized possession, thanking you and bowing low to you, wishing to show his gratitude. Soon after he had left, the others would flock to you, watching you intently, hoping to each receive a small gift from you, which you happily obliged with, giving each of them a small friend to call their own.
Soon enough, after a few days of preparation and weeks worth of work, every one of them had a small plushie with them at all times, cuddling them, making them have tea parties, yes, even living out their dreams through them together.
It didn’t take too long for all of them to plot and scheme together, knowing fully well that they would have a newfound guardian with them along with their original one. And yet, as much love as they have found within their novel toys, they were going to pay that exact same love back to you. They may not have had much, but they were willing to share what they did have with you. And thus, one day, you would find yourself getting dragged around by those small creatures into the library, the central part of zone 2. For as much as they looked down upon noise and intruders, they would hold a small “party” for you there. Even if calling it such was nothing short of a severe exaggeration, it was sweet nevertheless. And thus, they gifted you a cake, shaped in the likes of many a creatures you gifted them. Crocodiles, ostriches, turtles, everything you could think of was there. It was quite the small spectacle, but one of love, adoration and gratitude for you.
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mattodore · 9 months
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torgawl · 1 month
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there's so many connections tying the moon, seelies and the jinn, but more concretely between the goddess of flowers and guizhong!!! by connections i mean they always appear associated with the moon and one another. as i was reading through the lore attempting to gather some of the moments these ties could be drawn, i ended up noticing other patterns that seemed to fit a similar narrative with other entitites as well. it quickly transformed into a post about the sun and moon symbolism in genshin. although i'm probably missing a lot of things, this is what i found while reading in-game information.
"records of the gallant"
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this book is a compilation of stories and legends of many knight-errants in liyue, the second volume specifically is very obviously about guizhong. the association starts with the title “dust”, as she was the god of dust, and goes on to her description as “a maiden in a long indigo robe”, which matches perfectly her appearance. she is very often connected with the night time and the moon, and in this specific instance with seelies as well. seelies are described specifically as having had “beautiful physical forms and (…) great wisdom” in the past in the book “records of jueyun”. this book also talks about the seelie ancestor who once met a traveller from afar with whom they swore an oath of union in the presence of the three moon sisters before disaster struck and they were punished. both seelies and the moon are, throughout the game, always hand-in-hand with each other when it comes to symbolism and references and moments with guizhong like this one are no exception. i think it’s relevant to mention that at the end of the tale when this maiden disappears, the only thing left is a pile of dust mirroring guizhong’s “death”. dust in genshin can easily be tied to life (specifically as the base of all life) through albedo and rhinedottir who, consequently, are connected to khaenri’ah and the art of khemia – one of the factors behind the fall of the nation.
memory of dust
memory of dust is a stone dumbbell gifted to zhongli by guizhong and its description is about one of their conversations. guizhong standed among a field of glaze lilies, flower associated with her, as she talks about humans and compares them to dust.
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this scene also includes an allusion to her death with guizhong dissolving into dust and with her, the glaze lilies disappearing.
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glaze lilies are said to transform the memories of the land into its fragrance during florescence and legend has it that the flower will open at the sound of pure, beautiful music. the interesting thing about this flower is that it only blossoms during the night time, being this way indirectly connected with the moon. this excerpt or circumstances are very reminiscent to another character in this game, nabu malikata, also known as the goddess of flowers.
the goddess of flowers
the goddess of flowers is very likely to have been a survivor of the seelie race, if not the seelie ancestor herself. this was revealed through us by an aranara, arama, who said “there was once a survivor of that race seelie deep within the golden desert who was friends with queen aranyani and the ruler of valuka”. queen aranyani and the ruler of valuka are titles given to greater lord rukkedhevatta and king deshret, respectively, and, as we know, they were both really close to nabu malikata. the goddess of flowers was also said to have horns by nilou, whose head piece is inspired in this detail, and when traveler sees her in liloupar’s memories they describe her appearance as being "ineffably beautiful”, comparable to "the totality of her jinn". all these characteristics are also associated with seelies.
the “flower of paradise lost” artifact set tells a lot of the story of the goddess of flower. the flower piece tells the story of how she was cast aside by the heavens and her kinship was punished by being stripped away of their minds just like what happened to the seelies and their ancestor, confirming her identity.  
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she was said to wander for a long time, her wounds gushing streams that transformed into gardens of which blue water lilies sprouted. lilies those that originated jinn, a mystical race of elemental spirits considered, just like seelies, creatures of wisdom. the goddess of flowers was also said to make purple flowers bloom wherever she stopped, more specifically padisarahs. much like glaze lilies and guizhong, padisarahs also went extinct after the goddess of flowers’ death.
nilotpala lotus
the one other flower that resembles the glaze lilies is the nilotpala lotus. they also only bloom at night and in its description, we learn of their connection to the three moon sisters.
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although the moon sisters perished after the same disaster that struck the seelie ancestor and the solar chariot (that created the chasm with its fall), the flowers turned to serve a new master yet the nilotpala lotus continues to remember those happy days of the past. something interesting regarding the name niloptala is that it refers to "blue lotus" or "blue lily" and represents one of the several "attributes" or "accessories" of a deity commonly seen depicted in hindu iconography, defined according to texts dealing with arts and crafts, known as shilpa shastras. i think it’s pretty logical to parallel these flowers, that grow in the forest wetlands in sumeru, to guizhong, someone very known for her mechanisms and who is deeply tied to blue lilies.
goddess of flowers and king deshret
a long time ago, the goddess of flowers, king deshret and greater lord rukkedhevata were all very close friends who looked over sumeru (any resemblance to the liyue consortium is pure coincidence, or not). “flower of paradise lost” continues to tell the story of the gof and contains the depiction of what happened that led to king deshret obtaining forbidden knowledge. through king deshret's aspirations, she saw the possibility to transcend the absurd shackles that governed this world (heavenly principles) and so she helped him in his goal, leading to her sacrifice and consequent death. she is said to have turned into dust in the “vourukasha's glow” artifact set, once again paralleling guizhong.
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she once again refers the punishment casted upon the seelie race by the heavens, warning king deshret of the consequences his actions may have. the most interesting thing to me in this passage is the fact she is depicted as being “wreathed in darkness” when guiding deshret towards discovering “all there was to know about the skies and the abyss”; this and the fact she could foresee future events. it actually makes a lot of sense as nabu (who shares a name with her) is an ancient mesopotamian god of literacy, the rational arts, scribes, and wisdom (can you see the pattern?) whose name means "enlightened" or "prophet". she reminds me a lot of sibylla, who met king remus “below the abyssal depths”. knowledge beyond what the heavens allow seems to be connected multiple times to the abyss. this comparison with sibylla gains even more strength when, in the same artifact set, she tells deshret “you seek but to chain the winds. upon the tombstone of divinity shall humanity become the god of gods”. this was also remus’ goal, something he strived for so much that he was willing to ignore prophecies of disaster as long as he could attempt to break the chains of fate.
oasis garden's mourning
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this ascencion material with the image of a flower in the center tells us the goddess of flowers and king deshret built ay-khanoum together, also known as “city of the moon maidens”, for the jinn. it’s this material that tells us padisarahs went extinct after the gof’s death and that these gem discs lost their original “glad purpose”, much like what happened to the padisarahs as depicted in the artifact set mentioned earlier. yet, there’s another version of this story told in “the shepherd and the magic bottle”. in this book (told by a jinn) it’s believed that king deshret learned about the jinn's story as well as the story of the “dismal moon and the driving morning star” (likely connected to the seelie ancestor, the three moon sisters and the solar chariot) after capturing them and, afterwards, built ay-khanoum as a gift to commemorate them; in return, the jinn built the entrance to the mausoleum of king deshret. according to liloupar, deshret had deceived the jinn to gain their servitude, telling them that the goddess of flowers had not perished but was instead locked in a deep slumber in the orchard of pairidaeza (created by deshret as a cemetery for the gof), and that he could awaken her with the jinn's aid. there’s an interesting detail in “the shepherd and the magic bottle” where the jinni says that at the end of the city of the moon maiden’s play “everything was reduced to dust”.
sun and moon dichotomy
guizhong’s color is, as referenced earlier, blue like the moon. whenever there’s a deity associated with the moon or the moon-sisters (gof and guizhong) there’s also one that symbolizes the sun (deshret and zhongli), usually coming to form a duo. this traces back all the way back to the solar and moon chariot, their gods and the disaster that led to their separation. it’s interesting to note the fall of the solar chariot, as i mentioned earlier, was what led to the creation of the chasm. although according to what we have access in game the text implies this entity to be different from zhongli, there’s actually a lot of things tying him or creating that parallel between him and the sun or the sun god (who might have been a shade of phanes). we can also consider traveler and paimon as another example of this constant duality within the story, as the traveler is almost literally the morning star and paimon is symbolically connected to the moon and seelies too.
“before sun and moon”, that tells the story of enkanomiya, includes an interesting parable.
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this parable clearly references the sakura tree in inazuma’s story but it also intertwines with the heavens and the entities related to the primordial one. tokoyo ookami is istaroth and she’s referred to as the king’s priest. if the king is the primordial one then it makes sense the king’s gardener would be another of the shades. it’s hard to interpret some text when everything is told in metaphors and sometimes information isn’t actually that reliable but the concept of love here reminded me of the solar and moon chariot as well as the seelie ancestor and traveler from afar from the kingdom of light (descriptions in “records of jueyun” and “the pale princess and the six pygmies”). it’s also a bit impossible to read of a tree spirit heavily linked to time and planted by the heavens and not think about irminsul. this concept of gardener or protector of the tree is also somewhat recurrent and can be linked to sibylla as well, a prophetess.
the triquetra has a lot of different meanings but it’s usually connected with three goddesses, three sun positions or three moon phases. another item that has a triquetra on it is mora, that also can be used for alchemy and transmutations. we also know mora was, at least in the beginning, created from morax’s own body so it’s interesting this symbol appears in the coins. “earth is where the alchemy gets its name” and the art of khemia (alchemy from khaenri’ah) literally meaning “art of black earth” in chinese also seem to point to a connection between the terms.
khaenri’ah connections
guizhong had a particular interest in mechanics: the guizhong ballista was one of her handiworks, built with the aid of the adepti, and she apparently collected khaenri'ah technology such as ruin machines for research. as i mentioned before in regards to her (god of dust) “death”, dust can easily be connected with both the art of khemia and concepts such as birth and life. as albedo says: “soil and chalk, the universe and earth, pure dust and the birth of human life”.
in the hidden palace of guizang formula domain, the challenge called voyage to the sanguine sky has the description: "this is the realm of clouds. guizhong, its former ruler, acquired several ancient and evil artifacts during her research into mechanics. the adepti created this realm to contain them." curiously, the fight in this domain is against two ruin guards and a ruin hunter. guizhong was presumably researching khaenri'ahn technology before she died in the archon war. considering ruin guards didn't start wondering teyvat until after the cataclysm, we can propose a question of how exactly she got them. mentioning remus again, the golems he created with the souls of his people within the golden ichor are hinted to be what referenced khaenri’ah to create ruin machines. the link between having the want to defy the heavens and the fall of nations is something we’re already aware, but the way these nations or people connect with each other is also very consistent.
“perinheri”, a book very obviously about khaenri’ah during the crimson moon dynasty, was the talk of the town for multiple reasons but one of the surprises in it was the mention to deus auri (zhongli) by angelica. her nation was defeated by deus auri but she refused to submit to the new god. the orphanage in khaenri’ah – that ties itself with the house of the hearth – seems to have collected children that could classify as descenders, looking for some sort of potential. khaenri’ah anticipated the arrival of "beings who could transcend the gods" and this seems to relate to the concept presented to us during one of sumeru’s archon quests that the traveler’s twin isn’t a descender despite traveler being considered one. it also fits rene’s description of a descender being those with “wills that can rival an entire world”. i can’t make a connection between these concepts but zhongli’s mention is definitely intriguing.  
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deshret was depicted in genshin animations as an 8-pointed star and the speculated door to khaenri’ah, below sumeru, also has the same star on it. there's two stars that could be in association to this symbol, the star of lakshmi and the star of ishtar. in both cases, the 8-pointed star is associated with the goddess venus, who was worshipped as a symbol of fertility and love. the star can be seen as a representation of the eight phases of venus, which includes her appearances as the morning and evening star.
lakshmi ('she who leads to one's goal') is one of the principal goddesses in hinduism. she’s associated with maya (illusion) and along with parvati and saraswati she forms the tridevi of hindu goddesses. the tridevi are considered consorts and auxiliary deities to the more eminent masculine trimurti gods (brahma, shiva and vishnu).  saraswati is the goddess of learning, arts, and music, and the consort of brahma, the creator; lakshmi is the goddess of fortune, fertility, light, and material and spiritual fulfillment, and consort of vishnu, the preserver; and parvati is the goddess of power, war, beauty, and love. she is the consort of shiva, the destroyer of evil.
lakshmi, as his consort and divine energy, accompanied vishnu whenever he descended on earth as an avatar; she's the supreme goddess in the sect and assists vishnu to create, protect, and transform the universe. lakshami is associated with the lotus flowers, in reference to spirit liberation, and her iconography also depicts her with four hands, representing the four aspects of human life important to hindu culture: dharma (moral values), kama (pleasure), artha (prosperity), and moksha (final liberation, humanity’s ultimate goal).
the tridevi are the manifestations of mahadevi, the supreme goddess and the primordial power behind the creation of the universe (creator and destroyer). all hindu gods and goddesses are considered to be manifestations of mahadevi and she’s known by many names, some translating to ‘she who is primordial matter’, ‘the great illusion’, ‘the life force in all beings’, ‘she who is supreme knowledge’, ‘she who transcends the universe’, and ‘she who destroys’. mahadevi's is also called ‘night of death’ and ‘she who is death’, reinforcing her destructive nature.
the star of ishtar or or star of inanna is usually used in association with the heavens and is specifically connected to the planet venus. the eight-pointed star is sometimes shown alongside the crescent moon, which was the symbol of sin (god of the moon) and the rayed solar disk, which was a symbol of shamash (god of the sun). the morning star may have been conceived as a male deity who presided over the arts of war and the evening star may have been conceived as a female deity who presided over the arts of love.
inanna (or ishtar) is an ancient goddess of love, war, and fertility and her primary title was "the queen of heaven". many of her myths involve her taking over the domains of other deities. she was believed to have been given the mes, which represented all positive and negative aspects of civilization, by enki, the god of wisdom. she apparently took over the eanna temple from the god of the sky, an. alongside her twin brother utu, inanna was the enforcer of divine justice. in the standard version of the epic of gilgamesh, ishtar asks gilgamesh to become her consort. when he disdainfully refuses, she unleashes the bull of heaven, resulting in the death of gilgamesh’s friend, who has a subsequent grapple with his own mortality. inanna's most famous myth is the story of her descent into and return from the ancient mesopotamian underworld, ruled by her older sister ereshkigal. after she reaches the throne room, the seven judges of the underworld (whose function was to decree the fates of humanity) deem her guilty and strike her dead. three days later, someone pleads with all the gods to bring inanna back. all of them refuse, except enki, who sends two beings to rescue inanna. they escort inanna out of the underworld but the guardians of the underworld drag her husband down there as replacement. he is eventually permitted to return to heaven for half the year, while his sister remains in the underworld for the other half, resulting in the cycle of the seasons.
as genshin is a bit of a cocktail when it comes to mythology and any historical references, it’s hard to say if the stories of ishtar or lakshami can even be a straightforward parallel to the higher beings in genshin. but i think if there’s one thing to take from everything so far is that there’s a very meaningful recurrence of trios or the number three (e.g. triquetra, three moon sisters, evil trinity), as well as the constant appearance of sun and moon elements together and dependent of one another (either in regards to their roles or their personal connections), the sun always being the masculine and the moon always being the feminine. we know there was a time in which these elements co-existed together in heaven, although they seem to be fated/doomed to separate from one another (the tragedies referenced in this post being an example of that).
enkanomiya
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there are three very interesting achievements with interesting names you get in enkanomiya. one is kairos' constancy, and is the one you get from completing time trial challenges. kairos, as we already know, is one of istaroth’s (god of time) names. this name is based on the greek god kairos, the god of moments. the other two achievements, which also have greek names, are hesperus' boons, for opening chests, and phosphoros' guidance, for following seelies. if these are names of deities with close relations to phanes or at least celestia, as it would make sense because it would follow the pattern for istaroth, then would it be that out-of-pocket to think these might be the names of the other shades or of the moon sisters? phosphorus (bearer of light, often translated as lucifer) is the god of the planet venus in its appearance as the morning star. hesperus (son of dawn), on another hand, is the evening star. (planet venus in the evening). venus, as mentioned before, relates to the eight-pointed star and we know this shape is also used as the symbol of istaroth in enkanomiya (light realm sygil).
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which, by the way, are used in hilichurl camps. the hilichurl camp in front of the thousand wind temple in mondstadt was already a hint that they worshiped istaroth but i think it’s safe to say that with certainty. it’s just curious that they don’t really recognize the archons, thinking of the elements as that which is deserving of worshiping, yet recognize (at least one of) a shade of phanes. the name istaroth is derived from astaroth, one of the three demons in the "evil trinity" alongside beelzebub and lucifer, connecting istaroth and the morning star once again.
i don't plan to drag this any longer as this is already way too long but to finish it off, and summarising these ideas: i'd say the one of the biggest patterns present in the game is the constant mention of entities in heaven seemingly converging into the duality of sun and moon, the moon sisters and the sun god. i haven't properly dwelled on this to come to a any sort of definite idea but there’s too many details creating a consistent pattern for my brain to disregard these ties as non-intentional. obviously, all these characters i have mentioned throughout the post aren’t going to all be the same handful of beings, and that’s not what i’m trying to say, but i do believe the repetition of the same themes has meaning. maybe the same way mahadevi manifested herself as three other feminine gods who worked together with male deities, the heavenly principles or phanes also created the shades as a manifestation of the sun and the moon. or maybe ishtar, alongside utu as enforcers of divine justice, taking over the god of the sky's (ishtar's father) temple could mirror the twins and their journey. maybe kairos, phosphorus and hesperus are indeed the moon sisters or even shades of the primordial one. maybe guizhong isn't meant to be more than a parallel to other entities, but maybe she was truly more than what was originally presented. i don't think it's impossible that even if she isn't one of the big figures - goddess of flowers or a moon sister - that she could have originated from one or be related to one (nabu malikata having seelies as her people and jinni or khvarena as her daughters). similarly to how venti is hinted to have originated from istaroth (as he was originally "a single thread of the thousand winds", istaroth's title). or perhaps not. regardless, it’s fun to notice that many theories in the fandom sort of intertwine together to make a fuller picture based on scattered information across the game. i'm not sure if i'll go more in-depth regarding some of these "theories" as there's still a lot to expand but i hope all of this made at least a little bit of sense. thank you for reading this far!
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camels-pen · 4 months
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(i haven't read Whole Cake in a while, and i never really watched it, so bear with me)
I'd love to write a fic with Usopp on Whole Cake. it'd be sooo fucking long and i'd need to refresh myself on the entire arc, but god i'd probably be so satisfied when it's done. specifically for having brought a single moment in my head to life, but we'll get to that.
On Zou, he insists to be taken along on the Sanji rescue team and has worked himself up with a whole bunch of very good reasons as to why he should go there instead of helping in Wano, but of course Luffy just immediately accepts with a "yeah sure"
With Whole Cake, I think he'd be flipping between having fun as part of the idiot trio/quartet (Luffy, Chopper, Carrot), and being terrified with Nami. There wouldn't be that many differences in the arc as a whole, though; some things would be easier/better and some things would be worse- I don't necessarily think Usopp's presence would be overall an advantage or disadvantage, just different. Like, major events would stay mostly the same, but little details would change and maybe those little details would build to a far more drastic change-
for example, maybe one of Big Mom's kids considers themself a great sniper and wants a match with Usopp, or is motivated to work harder because Usopp is around and they want to take him out and boast about it. Maybe it means Sunny takes more damage than canon, or maybe Usopp's help means less damage to Sunny. (idk if i'd really do smth like this, but it's just an example)
skjdhf fuck i'm really not equipped to try and figure this out when i don't remember shit from Whole Cake aaaa
I do know that, despite his penchant for talking and rambling, I'd probably have Usopp be dead silent after his initial shock when Sanji fights Luffy. Everything about that is the same, except Usopp is just watching Sanji the whole time- not panicking, not moving, and not speaking. He doesn't say a word the entire time, doesn't even make a sound, and that, along with Luffy's words and Nami's begging, stick with Sanji.
(Usopp is thinking of his own fight with Luffy in Water 7, he's partially wondering if this was what it was like- if it was this painful to watch from the sidelines- and partially knowing he doesn't have to say a word, because he knew, like he knew back then, that it didn't matter what was said. It wasn't quite the same, but he could tell in the way Sanji moved, in the way he spoke and held himself, that he was putting on a front, trying to be brave in all the wrong ways. Usopp didn't say a word to Sanji because there was nothing he could say that Sanji himself didn't already know. Should've known. And his quiet, direct stare, was more than enough.)
the singular moment i really wanna write, is a scene where Sanji is apologizing for dragging them into his mess- either during the big meeting in Bege's castle or some other time- and Usopp's like "I'll do what you can't, you do what I can't, right?" and Sanji pauses, a little confused, until he remembers Enies Lobby and a stupid mask and cape and-
and tears are gathering in his eyes now, fuck, but he laughs a little. It sounds wet and his face is itchy and they're surrounded by tentative allies, but he- he laughs again and he says, "Fuck, you remembered that?"
Usopp shrugs, a little smile on his face. "They were some wise words from a wise man."
Sanji laughs a third time. "You think I'm wise?"
And they banter a little more before Bege tells them to quit it since they're on a time constraint or something. Quietly, Usopp will ask, "It-it helps. On bad days. And I figured, 'what's a worse day than this?' Ah, not that you getting married would ever be bad per se-"
"Usopp," Sanji says, looking more relaxed and settled. He smiles fondly and grabs his friend in a one armed hug, crushing him to his side. "Thanks."
And yeah, don't remember much beyond that, except the whole "hiding and then busting out of the cake" bit, which would mean Usopp in a cute little tuxedo or smth- maybe with a fedora aaaaaa <- loves fedoras- helping out with the fighting and eventually sailing with everyone to Wano.
He would be so distressed about fixing up Sunny now that the whole thing with Whole Cake is over. Maybe there'd be a gag about him promising Franky to take good care of Sunny while they were gone and being confident, after being Franky's tinkering partner and learning from him over time, that he could handle minor repair work much better than he did the first time around with Merry. And so when he finally takes in all the very-not-minor repairs he has to do, he's certain Franky is gonna strangle him for not keeping his promise. Probably also try to write in some nostalgic 'repairman Usopp' vibes from pre-Water 7.
Also something something, Sanji, wanting to do more for the crew bc he still feels guilty about Whole Cake, decides to take it upon himself to help Usopp not fall into a whole anxiety spiral about the ship. In turn, Usopp ends up helping Sanji not feel so guilty- usually by handing his own words back to him on a silver platter. And, yknow, having the two of them bonding and being buddies again like they so rarely get to be in canon nowadays qwq
#one piece#usopp#whole cake island#nemotime#that bit in bege's castle isn't exactly how it would go. just kinda. trying to get the vibe. also it's wayyy too short lol#the sanuso bit can be platonic or romantic. originally when i was gonna write out this idea a while ago i was thinking romantic with my#'they get engaged/married b4 dressrosa' au but tbh platonic works just as good#im- these guys man. i hate them so much (affectionate)#i'll get to rereading whole cake and finding a way to put him in there but for now. this.#if anyone's got other ideas im all ears#edit from like march 7: thinking about this again#maybe usopp being silent is an indicator for sanji that usopp's really fucking disappointed or shocked or w/e#but for usopp himself it's like being back in water 7. he doesn't even mean to be silent. he's got words built up on the tip of his tongue#but none of them come out. and despite sanji being Right There all he wants to do in that moment. is run.#at the very least he stays and watches the whole confrontation through. but afterwards he probably feels like shit#because he's the guy who's great with words right? he's the guy that can relate the most out of the group who went to WCI. he should be abl#to make a significant difference and help convince sanji to come home. but he feels like he failed. like he's going to lose another friend#and it's going to be all his fault. (again)#[not really. we all know merry wasn't his fault but we love old insecurities rearing their head in this house]#later he'd probably end up saying the words he wanted to say. and maybe it's better that way. that he ended up waiting#until luffy's had a proper shot at scolding sanji first. because then usopp can act as support and reinforcement. which. yknow.#a sniper's duty and all#anyway i got other shit to do so i'm cutting myself off here#wci usopp
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iguessitsjustme · 4 months
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hello friends i am back. just had a mental reset in a weird way but i feel much better now so i'm back to being silly goofy on tumblr
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crystallizabethine · 4 months
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I have discovered that Netflix only has 20 of the 65 episodes of Adventures of Sonic the Hedgehog, and possibly doesn't have them in order. . . darn.
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