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#I'm giving myself one year in this line of work and if I dont figure things out by then im just going go quit
daffodilsfortomorrow · 8 months
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pokeberry5 · 1 month
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do you have any tips for drawing dynamic poses? i always love the way you draw bodies!!
i know this has been said a million times but the way i draw bodies significantly improved after i started drawing more frequently from reference. if i cant find a reference for a pose on the internet, i'll just use myself or a friend. i spend an unfortunate amount of time just standing in front of my mirror looking at my own joints. pay attention to where your body curves!!
other than that though—honestly my anatomy/pose knowledge is a whack amalgamation of art tips i've accumulated over the years (i miss old school deviantart/tumblr style art tutorials). i also like to look at how artists i admire draw bodies—what details to they include, what anatomical short-hands etc
i think i'm still figuring out how to draw dynamic poses, but here are some cheats i've picked up (under the cut coz this got long again):
gonna use this stray!tim as a base
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the easiest way for make up a pose is to start roughly with the head, collarbones, ribcage, and pelvis — you can build everything from there
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here's a couple more of what i mean by the ribcage-pelvis deconstruction:
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2. push your perspective a little!! imo things look more dynamic if you move your sight-line up or down—the horizontal orange line here. if you look at the panels above, the sight lines tend to be a little low, at around the character's torso or waist. i did the same below with stray!tim
to do this i usually try to get a sense of the space im working in by putting in some sloppy perspective grids
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3. S curves!!! exaggerate the lines of the body. the body naturally has parallel horizontal lines—an easy way to get a body to look less rigid is to tilt those horizontal lines which in turn curves the vertical line of the body
this is what a mean by horizontal lines—usually i use the eyes, shoulders, and hips:
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i'm gonna use caterina as a better example—usually you want the horizontal lines to sort of zigzag:
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i've also picked up a couple visual tricks that don't exactly add dynamism to a pose? but they do give a static pose a little more oomph. a lot of this is done by visually highlighting one specific point of the body
for our purposes, i'm gonna make the focal point tim's face
motion blur! there are a couple ways to do this. i actually dont like working with traditional motion blur because you have to mess around with selections, so i usually fake motion blur using postional perspective blur:
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2. gradient lighting—you can add a lot of depth this way. usually i like setting the gradient in the direction of the focal point, e.g. tim's face
below, i added a layer above the base drawing, used an airbrush to get this gradient, and then set the layer to color burn and lowered the opacity. you can also clip the lighting layer to the base drawing and set it to multiply
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below, i did the opposite—instead of adding a gradient shadow, i added gradient light. i set the layer to add this time (instead of color burn) and then lowered the opacity again.
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this kinda serves to desaturate the parts of the piece that are less important (ish i was kinda sloppy here), driving the eye to face—the most saturated. the motion blur does a similar thing, where the only thing "in focus" is tim's face
the gradient also sort of adds a directionality to the piece—it starts at the bottom right corner and goes up towards the upper left, causing your eye to follow that same path, which drags your gaze up tim's body
here's what it looks like when i combine 1 and 2:
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3. chromatic aberration's been pretty popular recently. it does a similar thing as perspective blur but with more eyestrain (although i went with a really exaggerated version below just to show you what it does) but it looks cool!
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bonus cryptid tim as a reward for getting to the end :-)
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lokislittlesigyn · 7 months
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This past weekend I had .. A truly lovely experience. One that will stick with me forever, I believe.
Story time.
About a month ago I got an unexpected message that Tom Hiddleston would be at NYCC. I'd never heard of NYCC before - though I live within driving distance of NYC. I visited last year to see a Broadway play and visit the Loki figure at Madame Tussauds. But more, in 2019, my parents surprised me with tickets to see Betrayal on Broadway.
When we went to the show, I hoped to give Tom a letter, thanking him for the impact his work has had on my life, and get some art autographed. After the show - which was breathtaking and fantastic and funny and heartbreaking - I stood outside in the bitter cold and watched as Tom stayed outside for 2 hours talking to and autographing things for his fans. I distinctly remember saying his name and him looking me right in the eye - I asked if he'd take my letter. His response? "Of course I will." those words also stuck with me. spoken surely, as though kindness was deserved without question.
I got an autograph from him that day on my Playbill - they didn't allow non-Betrayal works to be signed. But I wanted, very badly, to see him again. Namely for a hug ... And to get that art signed.
In the spring of 2020 I heard about a drivable convention Tom was slated to be at. Tickets to see him were hundreds of dollars, but I was willing to pay.
Then the pandemic hit. Everything was cancelled.
Fast forward to last month. My birthday is coming up and I have no idea what to ask for, I have a steady job and I'm trying to give myself permission to buy fun things so I actually feel something when I get a paycheck. ive legit been getting money and just feeling nothing when it goes into my account. :')
And I did it. I bought a pass. An autograph pass, since the photo passes only allowed a few seconds with the individual - I wanted to talk even for a moment, not stand awkwardly while I try to make myself give a natural smile.
I'll spare you the details of the convention itself - it was huge, and while it was exciting, that wasn't the main draw. Tom was. I finished an art piece and had it printed, and took it with me to give to him. I also wrote a message on the back of it, so there was no risk of the message being lost (I don't know if he actually got my first letter. There's really no way to tell!). That message is private, but the art is not.
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It took over two hours to get through the line. As someone with joint and sensory issues, this was .. Quite an experience. if i hadnt had my compression socks on i honestly dont think i would have made it. also i really need to look into what ADA passes they have because there is an ADA line and i continuously tell myself im not disabled enough for that but maybe i am, idk
But I got through the line and went around the corner where they had a curtained-off area, and there he was.
My first thought? "Oh, you're real."
its always surprising to see him in person.
But as happened before, the nervousness and excitement and heart beating out of my chest gave way to a quiet calm.
He took the piece I brought to be signed, and signed it. And I spoke up.
"I made this for you, if that's okay." And I handed him the above artwork.
He took it. Looked at it. "You're very talented."
I thanked him.
And he looked at me again.
Now, it's relevant to mention I am autistic. Eye contact is extremely difficult for me. It feels unsafe, exposed, scary. I can literally get physically unsettled if I look at someone's eyes too long. This man is the only person - not even my mother and father feel safe to look in the eye - that I can not just stand to look in the eye, but actually feel ... peaceful. i think it's because he has lokis eyes.
"Thank you. Have a good rest of your weekend."
He smiled at me, and I smiled back. I thanked him again.
It's a small interaction. It was in the last event on the last day of the con - this man was probably exhausted, and rightly so. I also want to be clear, I don't have any sort of parasocial feelings toward Tom, or even romantic/etc. feelings. Tom is his own person, with his own life and experiences, and I don't feel anything toward him other than a general fondness and gratitude. More importantly, he is married, a husband and a father, and that is so important to remember.
I'm simply grateful to him. Out of hundreds, possibly thousands of people over the weekend, he took a bit of time to look at the art, and say something kind, and to look at me and smile.
Photos weren't allowed in the area, or I would have wanted one. Likewise, there were tables between the attendees and him - I would've asked for a hug otherwise. But I don't regret the weekend, for all its ups and downs. I got to give Tom a present, and I know I'll see him again someday.
And maybe next time, I'll get that hug.
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bentosandbox · 1 year
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More sporadic Lone Trail ramblings/TLs
prev one here this time more about the saria/kirsten/mumu trio and fanservice and the CGs in general spoiler warning etc etc
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(From 4-END) Silence asks Saria if she's incapable of standing against Rhine Lab because deep inside she's the same as them and when she finally answers she's like
......I'm sorry, Silence. I did think about it thoroughly, but I can't give you a definitive answer. If Kirsten's experiment does touch a law that should not have been, then I will stop her, just like all the mistakes Rhine Lab has committed over the years-- they ought to be corrected, for I have always believed, the more power one holds, the less they should act recklessly. But if I were to go back in time, to the moment where Kirsten and I first met, when everything had yet to transpire...I would not have stopped her then, nor the birth of Rhine Lab. Yes, even if I knew that Rhine Lab would create this many Catastrophes, even if I could have predicted that Kirsten, Parvis and Ferdinand would eventually grow out of control-- I would still have stood together with them as I did.
(From 5-END) Mumu:
Did you know? Back then, Saria and I even picked out Kirsten's clothes. Yup, Saria cares about fashion more than she does! (Control truly only has 1[or 2 lol] things in her brain)
Yara (HR and the one responsible for Silence2's outfit) is basically kind of a parent figure to Kirsten 🥹 (so I guess they're a parallel to Silence and Iffy...)
uhm what else. the 3 of them used to go stargazing together and in a flashback mumu picks up a (shiny) rock
Mumu: Kirsten, see that rock on the ground? What does it look like? Kirsten: ...... Mumu: It's like Saria, right? It's so hard(like, firm) and yet it shines so 'perfectly'! Kirsten: ...Like the stars.
idk how global is going to do this part but in CN (and in JP?) Rhine Lab is literally 'Rhine Life' and mumu asks if Kirsten really wants to name it that instead of something like 'Rhine Physics' since she 'just wants to fly to the sky' and she says no, RL is good, because
I want to know what exactly are the stars we see. I want to know what lies beyond the barrier wrapping around us. I want to know...to see just what kind of land do we live in, if I can really take a look while standing among the stars.......Most of the answers I want are about 'us'.
oh one last one quote out of context for you fic writers Saria (to mumu): You're the same as always. The moment you get a little nervous, you forget just how frail your body is.
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Love the idea of mumu being doc's bestie/oomfie but her and hol's lines/whatever else have irreparably damaged the AK ecosystem fr tbqhwyf and i thought skadol was bad lol. Now we'll have triple the NTR jokes great amazing wonderful (i launch myself into space)
'But its rationalized they're all the last of their kind!!!!' Justification doesn't fucking matter the damage has been done to their (perceived) characters i want my insane morally fucked up scientists not some generic lonely gf that steals the mc from other girls or some harem bullshit forgot what the term was and i dont want to know
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Imagine getting a generic ass cg of 'pov mumu is so sad and helpless and needs your help to rescue her!!' (this happens after and not getting one for the extremely kino saria and mumu fight where you find out more about just how inter-connected the 3 of them were (are…?) and saria is first overwhelmed by all the water and she remarks how shes has never seen water(from mm) this turbulent before but within the waves she cant find the elf and all she finds is are sad eyes and tears…I can only feel pity for Mumu fans who don't give a damn about shipping themselves for her. speaking of CGs...
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AK is clearly inspired and references a lot of IRL media and it shows with their graphic design work (UI, motion graphics etc) here's a link to a Lone Trail analysis but....for some reason the story CGs are quite bereft of the same energy (dare i say passion even lol) imo
ofc CGs are to immerse you in the story etc etc and they're really pretty but
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how immersive is a fucking practically copypasted photobashed kirsten (the CG is very beautiful otherwise I love aZling4's rendering style sm.. probably my second favourite CG after the depressing 2nd lobby one you get post-ST4 where......shes also in the same pose.........motherfuckers)
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Like man could you not have posed him any other way than hand in pocket with average cosplayer photoshoot lighting
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this CG of hol almost getting rekt by saria is pretty weak imo that grip is non-existent nothing much to say (atm) about hol but that i love fanart where she looks/acts like a freak instead of (90% of fanart)
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saria literally just fell from almost space back to earth and she looks almost unscathed lol mumu's water can't possibly be that rejuvenating
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Maybe it's meant to be kind of incomprehensible but uh when the story went tonight the truth is finally glimpsed by humans for the first time or something I was like ....what is even happening in this picture lol
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idk like doing partitioned CGs like how limbus does it would be so good tbh sometimes all they just show is a face and its like ? all that space? I'm guessing the artists have to do the concept/compositions themselves and some just have fresher ideas than others or time constraints etc basically i would just love to see CGs that are references to kino movie shots or something, they love movies so much right??? what about some good cinematography????
Dont want to sound like im flexing my useless veterans card or whatever but like. im a day 0 fan, i played their OBT, i started my acc on day 1, i remember being so excited about this game being so different from the other mobages, i didn't like how GFL was becoming way way more fanservicey then so AK was like a literal noah's ark with a whole bunch of artists ive revered from my touhou days, and now seeing it (inevitably!) slide towards GFL and the average mobage has me like 'well im glad limbus exists they let their women wear pants and be irredeemably insane(looking at you talulah 🥲)'
regardless of all that complaining this might beat italiano perros for favourite event because i was one of those kids with a space phase and something about the trio's dynamic.... (brain chugging) something about water unable to move unshakeable earth (but it can soften though...) that in turn can never reach the sky you know you know just like how a tiger can never be on the same level as a dragon 'real' animal vs mythical
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acheronist · 10 months
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RAHHHHH ok 71 posting time.
empress is a beautiful interpretation and honestly probably more valid than my own bullshit. but to ME dylan's card is temperance
having a clear vision of what he wants (detroit to win. and be a dynasty again. very similar to when steve was drafted and he looked at the shambling mess of the detroit dead wings and said Huh. Okay. Well I guess i'm gonna be the one to fix this!)
being patient and devoted (and/or devout? how much do we want to delve into hockey as a lifestyle vs hockey as religion) enough to the team that he's willing to sign eight years after five years of rebuild depression soulrot failure misery just to be there and see it happen
having a genuine sense of balance / harmony flowing thru him (which i think is actually something he kind of lacks? having watched this guy skate since 2018 i think i'm allowed to say i have a good sense of how he plays and how he thinks just from observation) but he's always been very on/off. in the sense that his only immediate emotional reactions tend to ricochet between the extremes of "OH WE ARE SO FUCKING BACK 313 DETROIT RED WINGS FOREVER BITCH" and "i would to kill myself to repent for this failure except i'm the leader and thats a bad example to set so i'll just sit here with tears in my eyes and guilt in my heart while fielding impersonal media questions" and yet the way he acts as captain? is somehow the perfect line of being fair and reserved and moderate but still firm and fair in every regard. like if he wasn't captain, idk if i would give him this card, but he is, and when he's out there talking down the refs who want to skew detroit's chances over again with his big terrifying brown eyes and snarling grin while his giant european teenaged sons loom behind him waiting for HIS permission to stop being gentlemen and stand up for themselves in the corners, i do think Ohhh. He Is Temperance. He's the one setting the standards and showing the younger guys: in this town we don't get much help, but we uphold a certain decorum, and we are not violent for violence's sake. we stand our own and our wrath is not an easy thing to provoke.
being capable enough to manage a lot of moving parts. being captain in detroit is not as much of a frivolous thing as it is elsewhere. it doesn't change often. we dont retire every number of a guy who was kind of important. we would rather have years with four alternates rather than rush someone into role of captain (again, stevie's attempts to protect dylan from the insane psychological problems he had to take on as a rookie captain leading a horrendous team parallels are at it again) and even without that official patch on his jersey, everyone knew what a leader he was, how much of his heart was in this, how dedicated he was to taking care of the rookies and supporting the veteran guys whose bodies are falling apart and facing media questions and standing up proudly despite despite despite despite!!!!!! and never taking a moment to collapse or cry or throw up his hands and say I can't do this anymore. he literally is going to multitask this team to a cup and you all better say thank you when it happens.
taking matters into his own hands. in the temperance card, the figure pours water back and forth between two cups, seeing it change and become something else as it moves and transforms. this is exactly what his role in the team is: to be the one on the inside of the locker room that's shaping and transforming expectations, work ethic, devotion... to a lot of guys in the nhl it seems like it's a job, and they can do their role on a team in any city. dylan can't. he's on the front lines of improving the detroit red wings (reputation, alliances, rivalries, technical gameplay, or otherwise,) or he's not actually doing his job correctly. he can't just pack up and play in canada and be a third line center. that's not what he's meant to be doing.
@crossbackpoke-check hi
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salsakiyoomi · 11 months
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Hiyo! congrats on the 1k followers!!
I'm usually a lurker and more active on twt but Ive been easing back into tumblr again to post fandom stuff, theres a niche corner on tumblr where I got comfy in and I happens to find/followed you there! I hope I'll be seeing ur posts around! I want to throw a hat in this event for fun! Thanks for the oppertunity!!
Fandom: Spiderverse/JJK Name: Gato ヾ(•ω•`) About myself: I'm a 5'2/ 160cm, Taurus/Capricorn rising, 24yo bi INTJ-T I'm 88% introverted and I work from home so I don't usually see the sun unless it breaks into my house. I love natural documentary videos and random analyzes videos on yt if they last more than 2 hours (play in bg while I'm working) My taste in music is whatever yt auto play next, I'll listen to J-Rock, Kpop, indie to folk but I will also work in complete silence for 8 hours straight if i forgot to put on anything. ( the grind dont stop )
I'm pretty easy going and I definitely know what I'm doing @ work, I love to show people the rope if needed. Anything kind of socialize outside my job, I'll run out of wits. I've never flirt my entire life and I won't start now ( I might be aroace but its debatable lol)
Ideal type: My type of guy and gal is definitely the no-nonsense one who tell me straight up what they want. I can't say I'll give them the same treatment tho I'm not always honest with myself :))) but I'm deeply devoted and I don't do anything half way.
It's very difficult for me not to challenge any kind of authority figure on sign, I'm allergic to condescending people. Still I find assertive people very……..hot!! (please pair me up with one, itll be so funny)
Season: whenever it rain! Summer, late autumn Favorite trope: Shared room! team up! Hurt/Comfort, maybe a truce? or 'we both stuck between a rock and each other and we might not get out alive'
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HONEYMOON MATCHUP WITH : MIGUEL O'HARA
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— honeymoon :
– miguel was an asshole, a certified one at that — your first day at hq wasn't very thrilling with him throwing you nasty looks left and right, the worst part is, he didn't actually say anything rude or mean to you, but he wasn't all that friendly either, so when you came up to him with a scowl on your face and demanding that he tells you why he keeps looking at you like you just spilled the milk over, he simply looked you up and down and said something along the lines of 'just get back to work' not really offering much context or explanation before leaving you to head back to his 'office' and from that day on, you were sworn enemies — you couldn't stand his authority figure persona and he couldn't stand your stubborn self because you never abided by his rules, so everyday was to you was a back and forth argument with him, and it didn't help that you'd get paired up with him for alot of missions — talk about bad luck.
– slowly but surely, the two of you eased up to eachother, yeah it took like nine months but it worked out — your arguments started to turn from actual heated conversations to more of a fun back and forth bickering — miguel would deny it any moment you or anyone would ask him about it, say something about how he thinks it's annoying but the small grin on his face when he talks to you doesn't go unnoticed, no matter how much he tries to hide it — yeah, he's a tough shell, closed off and repulsive but he isn't all that bad after all, at least that how you were starting to see him — like hey, he brought you empanadas from the cafeteria with him, he doesn't do that with anybody else.
– soon enough, it's been a year and a half since miguel has known you — you still don't really know him that much but you settled for a truce and you warmed up to eachother. the day came where your walls were broken down and the rain was pouring over your head, seemingly amplifying your bad mood because it felt like such a cliche for it to heavy pour on the day you felt at your worst — but you were soon shielded from the icy cold droplets when an umbrella came over your head, and surely enough it was miguel who was holding it, he threw you a glance, his face the usual blank expression he worse but his eyes were soft, he mumbled something about 'don't want you catching a cold, you have a mission tomorrow' and the rest of the walk to your place was in silence, not the heavy kind, miguel wasn't a talker after all, but you appreciated his presence — no matter how silent it was, it was still comforting.
what's on the radio : art deco, lana del rey
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a/n : had to pair your up with miguel after you said you didn't like authority figures 😭 i like a good enemies to lovers — although it's more like office drama but whatever — THE NAME GATO IS SO CUTE I LOVE IT SHSJWJSK, and yes so true the grind don't stop 💪💪 must keep going no matter what's the circumstances are ✊✊ i love miguel sm too also look at the way he's lowkey pouting in the second pic he literally looks >:c ahhhwhee i wanna play with his cheeks 😭 tysm for the request gato, hope this did you justice i also really love your blog <33
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*in a terrible brooklyn accent* click the link if you dare i need to ramble rant and rave like a woman driven to the brink of insanity
i know i didn't deserve the way they treated me. i know i didn't deserve it. i know it inside and out. but my heart hasn't learned. my brain can't do it. all i think when i look someone in the eyes is "shit what if it all ends up awful again" over and over and over. every interaction i have is stilted because of the way they treated me. every last one of them hurt me in some way. every last one of them damaged some part of my heart.
the first one told me i was too happy and now i worry about being too positive and driving everyone away. he took my love and smiled as he crumbled it into dust. he held my hand and he smiled at me and then it must not have mattered quite enough.
the second one didn't give me real reasons, just fake ones, accusations that he'd never brought up before, something i thought was a joke that he decided was splitting grounds. he laughed when i cried in front of him.
the third one didn't care. she was my best friend for years and then one day decided that i wasn't worth bothering with. i guess i should have expected that when she dated my ex less than two weeks after we broke up. when she spread rumors about me around like butter i wasn't surprised but stars did it hurt. her little brother asked if i'd abused my ex, and i think i should have expected all the problems she brought with her.
the fourth one joined in, after i'd lost friendships defending her, lost love because she'd told me that our friendship was doomed anyways, didn't hang out with me without someone else around and still let me think she was my best friend. she never understood why i couldn't be around him, never understood why i didn't like being a third wheel when all she ever did was stare into her boyfriend's eyes.
the fifth one hurt the most. because he didn't do anything at all. he never did anything. he just never asked if i was okay. and maybe i'd have survived that if he hadn't been my closest, truest friend. maybe i'd have been okay if he hadn't been my brother in everything but name. maybe i'd have been okay if the sight of him doesn't make me want to throw my arms around him and ask him how he's doing and if he cared and why he never stood up for me when i'd never have let anyone say that shit about him.
and now every single time i look at someone new i just see it, over and over, replaying like a broken record.
my mom says someday i'll forget all about them.
my mom says that someday they'll be so far in the past i'll laugh to think how worked up i got over them.
i hope she's right. i hope i never have to think about how my old friends are out in the world. i hope i never have to look my old boyfriends in the eyes. i hope i never have to smile at my oldest closest fondest friends.
i dont know why it's not fading. feels like a raw wound, with a rope, dragged back and forth over my skin.
am i sitting in my pain, am i trying to stay where it hurts?
am i frozen, stuck?
am i too weak, too small, too tired to keep fighting?
should i get over myself and go demand that my old friend explain? Should I ask the question that's always on the tip of my tongue?
Why wasn't I worth it to you?
would that solve the problems or would that make it worse?
would that make me cry or make me free? would that save me or ruin me? would i live or would i die?
would i be able to smile when this nice friend of mine comes and sits with me at the cafeteria? would i be able to hold a conversation with the guy i like? would this solve my problems or make them worse?
I feel like the line I'm walking is straight through health and brokenness and I'm tottering from one side to another and I want to let it all dissappear into the past but I can't figure out how to stop it from happening.
I can't figure out how on earth to solve the problems.
Usually I'd say that I need therapy.
But I still haven't picked up the phone to call the office. Because what do you say?
Hi, can I speak to your least terrifying therapist who knows about fucked up friendships and relationships and anxiety and like, emotional issues and burnt out gifted kid shit and problems and problems and problems?
Sounds foolish but that's all i have to say.
hi, can you help me?
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greyeyedmonster-18 · 2 years
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Hi Grey.
If you ever have the time I would really like ti hear more about your writingprogress.
Like. How do you come up with your ideas? Do you do a outline? Where and when do you write? Are you finishing all your stories before posting them? Do you fact check things? How long time does it normally take for you to finish a story? Have you ever regretting posting a story? Why do you write? Do you have a beta?
Youre one of my favorite authors here and I’m really just curious of the mind and work behind the story’s that I’ve spent so much time with.
weeping. I'm one of your favorites???? what the hell??? thank you thank you thank you thank you thank you thank you for being so nice. that just made my day.
i am going to put the answers to all those things below a cut to not spam my dash with a long post. but also, i shouldn't give writing advice ever and while i appreciate you asking your questions, everything with a grain of salt. because...i know absolutely nothing and this is just what I do. (and also, im an affectionate idiot so <3)
How do you come up with your ideas?
often my ideas start with a very very specific image in my mind, and then i go from there. sometimes they happen while im listening to a song (for example, FFTF happened because I was listening to Since We're Alone by Niall Horan and there's a line in there that says Why would you want to be someone else? I love you best when you're just yourself and an entire wolfstar narrative exploded, but i had to figure out how Sirius would be guarded in this particular way and....here we are) or sometimes when im on a walk or driving. also, as a total cop out, i write romance-- i get ideas from making foolish scenarios in my mind where people should fall in love and I'll never have a shortage of those.
Do you do an outline?
No! I don't. Once I have the idea, i usually start by writing the specific scene that came to me first (so for ten reasons, i wrote the voicemail scene first. i heard remus's voicemail in my mind so loud and clear and wrote it out) and i go from there. this is for my own unpacking but i almost always can see how things end in my mind before they begin (lol, isn't that a fucking metaphor; for a fun personal fact, I've always said since i was like...very little that i wasn't planning on living past 33, which is horrifying to hear out of a ten year olds mouth, but like...i still think its true). for almost all my fics, i wrote the ending first and then wrote around it. never chronologically. just everything that i want to happen and then i put it in some sort of order (i wish i could show you my doc for tight ends right now). and then i make them lead into one another.
I DO. however, do an obligatory chapter count. and i mean, so arbitrary, with no thoughts applied to it. NMTW i literally said 14 chapters, and stuck to it. this is the only structure i give myself when i write. and its my job as a writer to make sure i fit in there.
i do the same when im writing tumblr series. so like fault lines got SIX, chosen at random, and six it was. it was my job to tell that story in six parts. no more no less. (this is admittedly weird, i understand most writers dont work this way, but this actually helps me immensely. the only time i deviated was with FFTF when i added more chapters because the chapters i did have ended up being like TOO LONG in my eyes for a chapter, so i broke them up).
but also--i know other authors who DO outline and its helpful for them!! Find what works for you!!! I tried to outline once and the fic never left my drafts.
Where and when do you write?
To quote Shakira, "Whenever, Wherever"
I write a lot in parking lots on my phone. a lot of my tumblr drabbles are written on my phone and in a parking lot, ten reasons and tight ends were both started in parking lots.
otherwise on my desktop! in google docs! or if its smut, in a word doc! i write the best early in the morning or super late at night when i should be sleeping. I write when i can! Usually at my desk, or i'lll bring my laptop over and write while my kid is playing video games or we're watching something on tv. sometimes i write in the middle of my work day when i have a second in my office (this is also very quick and very on my phone). i just wrote smut at a nail salon. whenever, wherever.
Are you finishing all your stories before posting them?
yes. head to toe, top to bottom, signed sealed delivered. the stories are written before i post. this works better for me! i need to see the whole thing finished!! it also makes it very fun for me when readers are commenting and are like...in anguish, and im there like "tee hee, i know what happens next".
tumblr drabbles no. i pants those. fault lines, mercy, the pact (is part four written? nah but its started and i have no idea where its going to go!!!), the best worst thing to have ever happened-- PANTSTED. sat and written flat into the tumblr post machine. no outline, no plan, just feelings and vibes. (and yes this means that the end of fault lines was a pants decision and im very sorry it ruined everyone, whoops).
this again varies from author to author! most of my writer friends write as they go because they like to be align with the readers! or they work better chronologically and will just write and post and write and post, but again, this is something personal! do what works best for you!
Do you fact check things?
Lol sometimes? I probably should more often, tbh. I do a lot of geography fact checking because i couldn't map my way out of a paper bag, but otherwise, not...really. But also, my fics dont tend to have a lot of....information in them that needs a fact check. People are just falling in love. also, not to flex, but i have a big brain that stores a bunch of useless information and remembers a lot of things, so if i write something i usually believe myself (writing tight ends right now and putting my football knowledge to good use and there's been a few times I've been like "...hmmm" and referenced google and WE WERE RIGHT! so i mostly just trust my brain.)
Writing NMTW was also challenging because i had to reference SOURCE MATERIAL to see if there was a designated teacher for x subject, or when exactly school breaks were etc etc. but that said, i did not care about being accurate with full moons or course timestables or hogsmeade visits or anything like that. we...simply do not care. (this obviously does not apply to things that very much need fact checking such as if i were to write a medical procedure or something relating to disability or race/ethnicity/languages spoken; obviously do your homework for that.)
How long a time does it normally take you to finish a story?
Cop out-- it depends! Sometimes less than a week. (The pact is short, will be done by tomorrow most likely). I wrote ten reasons in four days. it took me 3 months to write an alleged wip though. it just....depends on my time and my schedule.
Have you ever regretted posting a story?
Sometimes! There was a moment when i was fresh on AO3 (pre-tumblr) where i got a few really nasty comments and it made me regret posting the story at all and made me regret joining AO3, and made me regret thinking my fics could be a thing or that my writing was worth sharing etc. I know I give FFTF a hard time because they're....out of pocket, but there are parts of that fic i really really like, and it seems to connect with a lot of people, so i can't have regrets about that.
i have deleted a few one shots off my AO3 though, because i decided they didn't need to be shared, but i wouldn't necessarily call that regret. just...re-evaluation.
Do you have a beta?
No. I do have one trusted person though who i send things to before i release them into the public, not as a beta but as.....a litmus test (to see how the fic reads but also for me and how i feel about sharing it in the first place; I've done it before with this person where they got something and then WEEKS later tumblr got it. Sometimes months.). I 10/10 recommend doing this. and i feel so so so so so so lucky that i found someone like that here and they tolerate my existence. but pre-tumblr, it was just me myself and i doing the thing. and also it took some time before i even trusted this person (did i mention im paranoid? and private?) to get my work because you can't take it back. and what if it didn't need to be shared? there are a few things this person has gotten that i havent and will never post. but like...im so fortunate to have that. you know?
I...am way too chaotic for a beta. and also have a very particular way i edit my stuff (because ND) and adding another person into the flow of that can get confusing. Too many cooks, you know?
Why do you write?
i saved this one for the end because my heart.
i think i've said before that like...a lot of my time as a child and a teenager and young adult in spaces was spent believing that i was a bad writer because neurodivergent and i don't understand mechanics of grammar or...words or...write in a way you're supposed to (outlines for example). and spent a lot of time giving my ideas to other people who i thought were GOOD writers.
but i...am a creative person. and sometime in 2019, i hit the biggest artist block of my life where i literally didn't draw or paint for a year. and picked up writing instead.
poetry, and then it evolved into romance, which i...turned into fic and here i am. and ultimately, i write because i like to. because its creative and it makes my brain happy when a sentence just hits, you know? because i believe in love and want to see more queer love stories and if i...can do the thing, i should, right?
i write because i...realized that i had stories in my head that needed places to go that i couldn't express visually through my artwork. also, ive mentioned it here before, that i am...young and have experienced an absurd amount of death and loss in my life (personally and professionally). and...well, i write a lot of fics about grief for that reason. i don't think i could ever run out of words for this (and have also published ACTUALLY on grief, both creatively and academically), and sometimes i write to like...sit with those feelings for a bit.
i...also think i write because i am a soft human in a very hard world in a hard career path who experiences things deeply and these things and observations need places to go. i cant carry them around all day, that's too heavy and my hands aren't big enough.
so i make art. and i dance. and i play music.
and i write.
i hope any of this is helpful. and if you get the courage to come off anon, i am more than happy to talk with you in DMS about processes or answer any more questions <3
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sadistic-softie · 1 month
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Sometimes I need to stop, take a step back, and ask myself, "Am I ok?" and the answer is always, "uuhh?????????"
therapy gets so repetative and exhausting. When am i gonna move on from complaining about the same problems actually get to the helping part? And how many therapists is it gonna take before I get there? I'm on number...7??? 8? 9???? and i hate that every single one of them has been like, ~most therapists go through the notes and records of the patients health conditions and past sessions with other therapists, but I don't like to do that here. I like to start clean and fresh with each patient so I can hear it from them. I have your chart and all your info here, but i just wanna hear if from you~. Because im so cool and all the other therapists suck mega penis~ Like stfu and please read my chart for the love of god i dont need to go through hours of sessions of straight miserable traumadumping every single time i get disconnected from a therapist and have to spend 5 months on the waiting list for a new one. And it's so easy to just get dropped by therapists too. I missed 2 appointments ever? gone. Therapist suddenly vanished from the establishment? We can't replace them! find a whole new place! Your new therapist sucks and just tells you to get over it? Give us a month and we'll see if we can find someone else for you. oopsies! your therapist got fired! Nothing we can do about that! Your therapist forced you into a situation that she knew would put you in danger of abuse? It was her job! FUCK. I literally get better therapy from calling 988, crisis lines, or abuse hotlines for 10 minutes and they're free. Might as well just call THEM on a weekly basis since they ACTUALLY FUCKING HELP YOU WHEN YOU ASK FOR FUCKING HELP. They give you advice, comfort, support, coping mechanisms, distractions, suggestions, resources, ideas, communities, etc etc. Seriously. Therapy, in all my years, barely ever does that shit unless you're on the brink of breakdown because "why is nothing working!?" nothing's working because it's literally nothing being put to work. They're putting nothing machines in your brain factory, and when 'NOTHING' is working, no progress gets made.
Honestly. Sometimes, I feel like maybe I'm just really unlucky with my therapists. I be spilling my soul to them and begging for help and they're just like. "Hmmm...that does seem very difficult...What do you think I can do to help you?" and i just...like..."I don't know??? im not really a mental health specialist??? Like you??????" and they fucking laugh and go, "Well, that is true...hmmmmm, let me think...you seem to be doing everything you cannnn...hmmmm" God, i never show it but tht shit pisses me off so bad. The more times i hear "What do you think i can do to help?" and "Hmmmmmmm" and overly fucking drawn out words, the more 'asshole' and ingenuine it sounds. It sounds like mockery. It sounds like they think I'm a toddler trying to figure out how to manuver their first 4 piece puzzle. They sound like when teachers say "I dunno. Can you?" when you ask if you can use the restroom. Like...Do you think I'm fucking around when I say I don't know what to do? Do you think I just ask for help for shits and giggles? Do you think, "I'm feeling suicidal" is just a quirky little catchphrase? Like, fuck. Just listen to one fucking thing I say. I pay you for this. Just fucking listen to me and hear the words coming out of my mouth and process what they actually fucking mean. I fucking have nobody else and I'm paying you to help me not fucking kill myself and you're gonna fucking sit there, eating cereal, talking about how your 'poor husband' was so shy "just like me" that he didn't make the first move on you when you first met, like this session is about comparing my socially crippling mental condition to a common case of the nerves, acting like you're my casual best friend or acting like this is me learning 2 plus fucking 2 in kindergarden math class with god damn counting blocks and you don't wanna give me too many hints that give the answer away. FUCK. OFF. No fucking wonder your other patients cuss you out. I bet they're soooo lucky to have you like you're sooo lucky that im so god damn polite and articulate. You like that im so articulate, huh? You really get what im saying? How about this next one?: QUIT YOUR JOB.
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kayleejadexo · 1 year
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I want to think I am fine but I'm honestly not.
Awhile ago I use to live with my narcissist of a mother with my children. How I ended up back home with my kids is a story for another time. I decided I had to figure out something in order to make more money and still get the help I needed with my kids. So I decided to move my dad into my own place. My dad is great with the kids with a few minor adjustments on how he "parents"... being a boomer I have had to really bring a few things to his attention the second I see them before they get to a point of no return. But the other side to this is that my dad has suffered several strokes and is soon to be classified as disabled on paper. So I am not only caring for my 2 kids on my own with no help from their fathers and now my own father who is worse condition than he originally made me to believe.
Bottom line I feel like I am constantly put into these caregiving/caretaker roles that I dont want to be in...
As a young kid my mom made it clear that if I misbehaved I was responsible for her crying, her "suffering". I had to be a good kid for my mom and take care of my youngest brother, even naming me "second mom".
As a teenager I learned the more I give to a man the more love Ill receive. I would give, give, give to the point of exhaustion mentally, physically, emotionally and I would still be heart broken at the end of it all.
As a young adult, around the time I was in my first very serious relationship with my 1st child's dad, I provided everything, food, roof, needs, meals, gifts, financial security, secure home for his other children you name it.. I was abused in every way and had to start over with my 1st child in the middle of the pandemic when she was an infant.
Fast forward to now... At almost 30 years old, serving tables because I haven't had a chance or the proper help to truly focus on a career, a path...
I found affordable daycare, started working days still couldn't save enough while living rent free with my mom because serving during the day is not enough nowadays. I finally set out to get my own place and my dad needs shelter and a safe space for his own health.
Serving tables while caretaking for 3 and myself was not on my life bingo card. I am exhausted. I am not fine. I want for once, even if its temporary at this point to be taken care of... for once. I cant even say I miss it because I have never truly had it.
I see women my age getting married, enganged, with supportive partners, healthy co parenting, buying houses (while I had to short sell mine), traveling the world, elevating in their careers...sometimes doing and achieving all those things I listed in a single year. They all have one things in common...support...financially, mentally, emotionally... they have all around support.
For once... I'd like some... a sliver of support.
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genderhoax · 3 years
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I used to want to be an artist but then i stopped drawing for like 7 years. I want to go back but i'm scared and dont know where to start. So yes, i am interested in those drawing videos can you post them if you dont mind? ^_^
Of course!! I am in the same situation as you actually. I used to draw a lot in middle school (2010-2012) but my depression worsened during high school and in college, I’d only draw as a distraction, never seeking to study or improve. I decided to get back this year, since I decided drawing was the only thing I could see myself doing professionally. I felt very lost, because how do you get back? How do you know what’s your actual, current, art skill? What are your weaknesses? Your strong points?
That’s how I learned to study the fundmentals of art. Because visual art is not a skill. It is a set of skills, if you are very good at anatomy but not really when coming to painting your art is going to look differently than someone who learned anatomy in how to draw manga books but paint like a pro. I am going to divide this post in categories, Also, all the videos I link I also recommend all the channels they are from! My favorites are The Drawing Database, Sycra and Ganev, Sycra and The Drawing Databse have a little of everything and are great at explaining. Ganev is a bit sarcastic but I like the way he teaches. I took some parts of the text of this post from here.
How do I begin? How do you even get back at art? What tips should you use? These are general tips videos, usually nice to draw along. /the fundmentals and how to get started/ /5 tips for better drawing/ /perfect pratice/  /beginner’s guide/ /5 tips for digital art/ /10 tips to improve/ /why your drawings are stiff/ /what level is your art/ /improve your art fast/ /drawing basics/ /how to hold and control your pencil/ /intuitive drawing method/ /iterative drawing/
The Fundamentals: Proportion & Placement Proportion is relationship between one element and another. In the visual arts proportion relates most importantly to the abstract quality of scale and placement. You know how stereotypically an artists puts a pencil to their eye when looking at an object? They’re mesuring the proportion of the object in question and how to represent it corectly in the drawing. /principles of proportion/ /ways to create illusion of space/ /drawing the human figure/ /how to draw proportions playlist/ /how to use proportion in character design/ /basic anatomy and proportions part one/ /part two/ /part three/ /part four/ /proportion basics/
Form & Construction The idea of form is how we see the 3D objects in or world and transform them into 2D in the paper/canvas. It’s understading that eveyrthing is made up of basic forms. /dynamic sketching part one/ /part two/ /how to draw forms/ /structure/ /building form/ /another how to draw forms/ /how to visualize 3D forms/ /form study process/
Perspective & Depth Perspective is knowing that as things move away from the viewer’s eye, things seem to get smaller. Get familiarized with terms like horizon line and vanishing point. This is the basic that must be understood to learn perspective. Here’s a good article about this. /an intro video on the subject/ /step by step tutorial/ /perspective basics part one/ /part two/ /part three/ /part four/ part five /part six/  /another basics video/ /20 perspective lessons/ /eye level tip/  /linear perspective/  /simple form perspective/ /drawing the figure in perspective/
Anatomy Anatomy is something I think it’s one the most crucials things to learn in order to make your drawing look good. Once you understand how joints work you’ll be able to see how bones and muscles move. And this goes for anything with a skeleton. It’s one of those things of you learn the rules before breaking them. I am linking different playlists, since linking different videos on various parts of anatomy would take forever. Just study a body part at time: head, eyes, nose, lips, ears, shoulders, neck, hairline, breats, torso, hands, feet etc. /how to do an anatomy tracing/  /playlist 1 /  /draw the head from any angle/  /anatomy for artists/ /draw facial features/ /how to draw and paint/ /playlist 2/ /draw 3/4 head with loomis method/ /playlist 3/ /drawing a head in 3 hours (this one is great to draw along with the artist)/ /how to draw a body/ draw a head with loomis method part 1/  /part 2/ /part 3/ /decipgering bridgman’s anatomy/ /anatomy quick tips/
Gesture Gesture drawing is a method of capturing figures in exaggerated poses, usually drawn quickly. It is important to undersand that the goal of all gesture is to study the figure and see how it moves. I like looking at poses and copying them. Here’s a good article. /how to draw gesture/  /how to draw any pose/ /draw interesting poses/ /a guide on gesture drawing/  /tips for expressive dynamic poses/  /figure drawing tips/
Composition The overall layout of a piece is very important. Artists often consider things like the rule of thirds or the infamous golden ratio. Neither truly defines a composition, but they can both go into your decision making. /composition in art/  /understanding composition/ /10 composition tips/ /beginner’s guide to composition/ /art fundamental: composition/
Value Studying value is very much the study of light and shadow. But there is a technical side of light that you’ll want to pay attention to if you’re going for technical rendering. /guide on rendering/  /seeing light and shadows in daily life/  /10 minutes to a better painting/ /understaing colors and values/ /shading basics/ /ambient occlusion/ /shadow colors/ /tips on how to shade/ /draw shadows on objects and people/ /lighting tutorial/
Color Theory Color theory is understanding which colors go good with eachother, and knowing the pyschology behind it. (what are cool colors? what colors make someone feel comfortable?) It is fundamental in art for you to understand the relationship between colors and what makes them look good. Best color theory books. A comprehensive guide to color theory. /hue value saturation in photoshop/ /color theory for noobs/ /understanding color/ /what you should know about colors/  /warm and cool colors/  /the basic elements/ /choose colors that work/
Traditional Media If you draw in traditional media, all videos above can be used easily. These are just videos for general tips in traditional media, there isn’t many since my focus is digtal ^^’ /watercolor tips/ /draw with colored pencils/ /blending colored pencils/ /4 how to draw lessons/ /Block in colors/ /holding the brush/ /
Digital Media Digital art is how everyone’s been doing art these days. It doesn’t matter if you’re doing with your phone or your computer. I don’t do art on my phone, I know the most used app is mediabang for android and procreate for apple, and I think anyone who is able to do art with their finger is very skilled. If you are like me and prefer doing art on your computer, you probably have your tablet. If not, well you should have. Not having a tablet is not an option if you want to get better at art ^^’ Best tablet for beginners in 2020. Or you can just buy an old used one, if it still works, and you are a beginner, a small intuos is all you need. When talking about softwares, the three big ones I see people using are: Photoshop, Clip Paint Studio and Paint Tool Sai. The best one is CPS, but I find Sai easier to navigate, but CPS is extremely complete and I hope to be able to master it someday. CPS Tutorials. I don’t have much to say about photoshop, people use it mostly because they’ve been using it forever lol I divide my digital painting process in steps: Sketch/Lineart/Color Blocking/Shading/Blending/Color correction. Sketch is the basics, draw your idea. Lineart is to clean your sketch. Color Blocking is to color your drawing one color, so it’s easier to work in it. Shading is to understand where the lighting sources are coming from and apply them. Blending is to blend the colors of your drawing with brushes. Color correction is when I use filters of hue/saturation and others to make the drawing more appealing. These require understadings of the software of your choice which I am not very good at the moment so I can’t give you more tips than that ^^’ Hopefully these videos can help. /perspective grid/ /clean line art/  /coloring process/ /make lineart interesting/ /best brushes for digital painting/ /skin shading tutorial/  /lineart vs painting/ /art in clip studio paint/ /hair tutorial/ /3 tips for improving/ /10 digital art mistakes/ /color block tutorial/ /shading skin/ /from lineart to painting/ /cleaner lineart/ /add texture to your art/ /improve your art with better shadows/ /the importance of brushes/ /use layer modes/ /improve your lines/ /how to blend colors/ /another blending tutorial/  /color blocking/
Exercises It’s no secret that to improve on art, you must pratice. Everyday, even if it’s just a little! A great way to pratice is make use of youtube picture in picture function to draw along in your software of choice. /pratice drawing forms/ /proportion exercises/ /perspective exercises/ /value studies/ /creative drawing exercises/  /simple drawing esercises/
Resources Senshi stocks, a deviantart page full of poses photos. Quick poses,  pictures of models, contains nudes. Character design references DesignDoll, create a personalized sketch doll and make it pose.
Phew!!! This took forever to make and is way more than you asked for, but I decided to go all in so I can have a masterpost for me too and for anyone else interested in art. As soon you can understand the fundamentals, you can do your own research and study, youtube is really great for this. I hope this helps, let’s get better at drawing together!!! Ganbarimashou (ง •̀_•́)ง
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tthael · 3 years
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Hello, I have a note taking app on my computer and I converted indelicate to a pdf with ao3 and put it in the note app and I've been rereading it and using it as a tool to become a better writer bc your writing is absolutely stunning dude. And having read it before and rereading it with the additional knowledge I'm blown away by how well you communicate your thoughts about the characters onto the page. It's so beautiful. I hope you dont mind me doing that btw.
Several years ago I was working on a writing project that involved a teenager very frustrated with figures in positions of authority abusing their authority and discounting hers and her family’s needs, and I distinctly remember looking at the page of long-written stuff and going, “Oh. I have explained every possible interpretation of this scenario, assessed to what degree the character feels it, and then discarded the ones that are no longer useful.” And I realized that I didn’t trust my readers very much--something one of my favorite readers told me years later.
And then I was in a Gothic literature course studying Henry James, and the instructor was talking about diagramming the sentences in The Turn of the Screw, and how when you read them it seems like all of those disparate clauses shouldn’t add up coherently, but eventually everything gels together.
“Yes,” I thought to myself. “I want to transgress on the lines between human and animal, between upper and lower class, between male and female, between the familiar and the foreign, between comfortable and frightening. I want to write like Henry James.”
And then I concluded that I was not Henry James, and I talked with that favorite reader of mine about the fear of being misunderstood and misinterpreted, and I thought a lot about Mark Twain’s quote about the difference between lightning and the lightning bug. I thought about how when you’re really fluent in a language, every word has individual connotations, and how when you understand those connotations and implications it’s very hard to say that any word has a synonym, because “arbitrary” and “insignificant” and “random” all have very different vibes, and I decided that as long as I conveyed what I wanted to in its most precise aspects, with all of the implications and messy raw edges of natural thought, I was happy with what I wrote. I didn’t care if I used 2 descriptive clauses to describe something when other readers with a red pen might prefer me to choose one (can one concept really be that similar to 2 things? Yes), and I decided to have more confidence in the things I wrote.
And I got a lot of positive feedback (like this) and I began to feel much better about my writing capabilities, and deciding that even if there are these “rules” about adverbs and descriptive language and limits on numbers of comparisons--a lot of people seemed to like what I was writing.
So I’m very flattered by this message. I know that my style is probably not super compliant with the basic lessons of writing workshops and writing 101 or even the doctrines laid out in On Writing by Stephen King himself, but I think it sounds like me. And I used to do that when I was learning how to write, too--I would identify a passage as “good writing” and copy it out in its entirety. Special Topics in Calamity Physics by Marisha Pessl was one of the ones I took excerpts from, just to start understanding what it felt like when good words came out of my pen. So was the section about the gang shootout in IT.
I’m very lucky to be able to write fanfiction and get the audience and approval that I have over the last year-plus, and I really feel like I’ve grown a lot as a writer since I started cranking out Things That Happen After Eddie Lives. So thank you so much for giving meaning to these last hard years of my life.
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ivy-kissobryos · 4 years
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hi, im kinda new to witchcraft and i dont really know anything (prayers, rituals, beliefs, etc), plus there's a lot of contrasting info online so i don't know what i should go with. could you please briefly explain how you view witchcraft and what you do? i'm going around asking this to a lot of other blogs to get a general sense of things. thanks!
Before we begin I just wanna point out that when you say prayers and beliefs, I think of paganism. When I hear ritual and witchcraft, I think of magic.
Religion and magic is intertwined but you do not have to be pagan or wicca or whatever to be a witch, or vise versa. For me, a witch is someone who practices magic, whether it be simple things like jar spells or folk magic or traditional witchcraft or anything ceremonial or ritualistic (although some ceremonial magic practitioners prefer the term magician over witch, which is up to them). A diviner is someone who uses divination tools such as tarot or pendulums to seek knowledge (and again, you can be a diviner without ever touching witchcraft). Spirit work and hedge work is also another area for you to look into.
You can be a pagan - lighting incense, praying and making offerings - without being a witch either. Some say there is inherent magic in worship, but personally, if you just worship but don’t practice witchcraft (do spells etc) then you’re just a follower of a pagan religion. And there is nothing wrong with that. Of course, you can also be all that I mentioned above simultaneously too, but there is no hurry to quickly define yourself when you’re starting out. Changing the way you label yourself or your craft as you grow (or foregoing a label in the first place) is equally valid too.
More info on some beginner tips + my views on witchcraft below.
If you’re starting out some times I’d give are:
Learn how to protect yourself. Energy work and shielding techniques is how I started, or calling on Archangels if you believe in them. Once I was more comfortable I began learning how to use witch bottles to defend myself, how to banish (look up the LBRP) and more.
Read and read and read! Not on Tumblr but actual books (the legit ones, not the trendy money-milking ones) and historical sources. If there are contradicting sources, use your gut and your brain. Check for author bias and cross-check with other sources. Listen to your intuition yet use critical thinking and discernment too.
Record and test your divination and spells. See if a prediction comes true. Test if a spell manifest the desired result within the given time frame. If you do a wealth spell, then the spell’s success will be confirmed by increased wealth. Try altering your methods, and note if you become more successful or accurate and adapt accordingly.
Don’t be pressured to spend loads of money on your craft especially when you’re starting out. Of course, you may want to give fancy wine as an offering to your god, but if that isn’t feasible then a home cooked meal alongside traditional offerings such as bread would be alright too. Also with books, of course it is good to support occult publishers but try borrowing from libraries, find e-books and use your university account to borrow them, or find PDFs of them online.
Personally, it may not be suitable for complete beginners but I recommend books by Troy Books for witchcraft info. For learning Lenormand, the Complete Lenormand Oracle Handbook by Caitlin Matthews is the best. I know it’s 600+ pages but I swear it’s so good.
For me, witchcraft is about power. When you feel like there isn’t anywhere else to go, when your friends seem distant or unable to comprehend what you’re struggling with, when the law has failed you and corruption has won, witchcraft is a way to redirect your life and regain your sovereignty. Which is why I also believe in hexes and, in some context, curses (although I know it’s a can of worms to open and I’ll make posts on hexes and curses one day).
Divination is used to give you guidance and insight into something that may take you forever to figure out by yourself. It is also a way to communicate with the divine. What I am against though, is using divination to spy on others, as you’re essentially destroying other people’s rights to privacy. Claiming 100% accuracy is also an act of hubris, which is why I always say that my readings are reasonably accurate because in the end, free will triumphs over all and even the strings of fate has many threads.
If your relationship with a deity is rooted in transaction, then it can be said that you are working with them, not worshiping or devoting yourself to them. A devotional pagan relationship between oneself and one’s deity can be transactional too (eg: I worship Dionysus and he helps me with giving me opportunities to grow, along with giving guidance on my path) but what is more important is the devotion - the love and bond - you have with said deity.
Where the line between witchcraft and paganism blurs is when you involve deities in your spell or divination.
When I was young I used to dismiss the incantations that the monks in my country use. However, one day I went to a ceremony where almost a hundred monks gather and pray, casting their spells in unison, and even with my initial derisive views towards conventional Buddhism I felt something that day. Now, I realize when certain words have been spoken and imbued with power and continues to be recited with fervent faith for hundreds or thousands of years, power becomes inherent in those words. The same goes for rituals and spells.
This is why a beginner who had never managed to manifest anything properly can screw up when doing ceremonial witchcraft and end up bringing misfortune into their lives. Those ceremonies are meant to be performed that way, invoking those gods, for a reason. Best case scenario when you mess up is they don’t work. Worse case is they bite you back. Same goes for spirit work and especially so regarding demon work. I was curious about the Ars Goetia in the past, and I am immensely grateful that my naive, idiotic past self had enough brains not to attempt any summoning. If you want to prove to yourself that the magical world is real, there are better ways to do so.
Do I believe the gods are literally real? That Buddha walked his first step and a lotus flower bloomed under his feet? That Dionysus wrapped a ship in vines and turned the disbelieving pirates into dolphins? I don’t think so. But I have faith in my gods the same way one can be a Christian without believing that the Earth is 9000 years old. And I believe in magic because I have felt it and observed the evidence.
Maybe it was easier for me to believe because I grew up in an animistic and spiritual country, where things like divination and spirit work is ‘normal’ (although people do fear and respect the supernatural). Making offerings to household spirits is something my family does weekly. Hell, almost every family has a mini spirit house in their property that hosts the spirit of land guardians. Going to shrines and praying to our local version of ‘dryads’ and ‘tree ghost’ is common for if you want good luck or a bargain.
Messing with corpses is now outlawed, but witch doctors in my country have been known to make consecrated oil from the corpses of women. As recent as 2012, stillborn fetus had been used in ceremonies which turn them into household spirits to bring luck - if they are pleased and fond of you. Of course, magic of these types are against the law because the actions required to perform them are illegal, but the point is, it shows that magic is very real and still believed in where I come from.
If you’re coming from a western worldview where all of this is ‘weird’ or ‘primitive’ or ‘crazy’, it might feel difficult to trust in your supernatural senses, to have faith or to find your path. But if you keep practicing and refining your skills, you’ll find that magic is something that will always draws you back to it, that it is something you cannot live without.
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nico-idc · 3 years
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random vent because i'm numb rn and feel like it
This is a vent post, ill probably talk about su!cide, self h*rm, eating disorders and depression. I’ll also cuss a lot, and things will not be censored. Also, this may seem insensitive to people experiencing any of this, sorry about that.  Dont read this if youre triggered by that.
Also, this is my experience with mental health. Everyone deals with it differently. 
So, If anyone doesnt know, I have depression and anxiety. And right now, I’m feeling numb as it’s often described by people with depression. But, numb isn’t a very good description. I can still feel. I’ll still smile if you tell me a joke, or if something funny is on a video. I’ll still cry if there’s something super sad. Emotion is just watered down. I feel it, but not as much as I should. Me and my boyfriend were talking, and i couldnt tell him I loved him. It’s not becuase I dont love him, but I just cant feel much of anything, so I dont want to tell him I loved him. Becuase If i did that, I felt as though I was lying. The funniest thing is, I randomly started crying. Still felt nothing, but hey, I had tears streaming down my face. Who fucking knows why. 
I havent been doing to great for a while now, but this is the worst i’ve ever gotten. Ive never felt numb before. I mean, I’ve felt myself starting to go through the motions, but i’ve never gone completely numb before. And before this i’ve had a few mental breakdowns. Hell, I’ve sat in a corner twice in the past month or so doing nothing but sobbing and begging myself not to move so I dont grab something sharp and cut myself. (I did not relapse, don’t worry). and recently I completely broke down over simply eating a cereal bar, got through it, ate it. I’m good now. 
Figures. That does seem to be my experience. Oh no, big bad issue one time, then magically I just talk myself out of my bullshit, and im fixed. Ha ha, yet I act like I have all these issues. I mean, I didnt even attempt to starve myself, just thought “oh, friends and family wont let me” and didnt. Had a breakdown about a year later, been fine since. Cut for a few months, went to therapy for a few months, stopped cutting. had a few breakdowns about a year or two later, then was fine. was suicidal for a while, went to therapy for a bit, was happy for months. Had breakdowns every now and then, fine now.
ha ha, first time I say alot of this is online. Figures. I’ve done that a lot too. My boyfriend has found out a bit about my depression through this site. Becuase I cant talk to my boyfriend about my shit, but hey random people on the internet! hear about my problems.
So on another note, I recently found a song that describes part of depression pretty well. It’s called “i’m not dead” by boyinaband. it’s linked below, I’ll copy paste the lyrics, and explain how I relate, and what the lyrics mean to me, becuase why not? (lyrics will be in bold)
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I'm not dead
I'm not fixed, but I'm not giving up yet
Basically, this means that im still here, im still depressed, but I’m still trying to fight depression. 
I'm sick of saying that I still don't have anything done
I hate telling friends I'm trying something just to give it up
I never commit to anything, I just say I’ll do something, then decide I dont want to.
I'm still unsure of my emotional state
I'm still incapable of focusing lately
I don't feel like creating
I'm tired of asking Google how to find motivation
I’ve been on break from writing for months now. tried to get back to it, lost concentration. I think this is self explanatory. 
I don't think I've ever made
Something that's as good as I'm capable of
Ha, I dont put in enough effort and commitment to make something as good as possible.
I hate not having a reason to look my best
I only ever take care of myself with the intent to show the internet
I mean, I dont try to show the internet, but I only take care of myself when other people will see me.
If what made me successful was an imposed sense of stress then
I am so so glad that I hated myself
The only thing that makes me do things is extreme stress.
I didn't luck into this position
I struggle with decisions
I mean, im not in any high position, but I do struggle with decisions. 
I wouldn't be my own friend
I'm too inconsistent
I’m inconsistent as hell. I’m in like 10 group chats, don't talk in any of them for months, then just show up like “hi, havent talked to you all in ages, but hi”. 
Without immense pressure nothing ever gets finished
If these words make it to your ears it'll be a fucking miracle.
Yep. I went on  whole rant about this on wattpad. Without pressure to do something, I don’t do it.
I'm fortunate to know more good people than most do
I wish I had more friends I could be physically close to
I dont personally have a lot of friends that dont live in my city, so the last line isnt an issue, but I do know a lot of good people”
I'm pretty good at like 20 different skill sets
At the expense of never being great at any one of them
I’m good at quite a few things. Drawing, math, even writing. But im not great at it. I’m average.
I wish this beat hit harder
I wish more syllables rhymed
I know 99 percent of people really don't mind
I dont personally relate to this, seeing as I dont make music.
I think collaborating forced me to finish things
'Cause I was terrified of wasting famous people's time
Oh yeah. Group projects would not get done if i wasnt scared of wasting my partner’s time.
I wish I could focus on what I define priority
I wish I was as grateful as I want to be
Dont really relate to these things
I wish I knew more people who were mentally stable
But if I did,
I wouldn't let them waste their time on me while I'm disabled
Oh yeah. Id love to have a friend who isnt depressed, but I wouldnt let them see that im fucked up becuase i dont wanna drag them down.
I feel alone
I know I'm not
I have a lot of friends, but I still fell alone in this world
I used to talk to lots of people.
Lately I've stopped
They didn't deserve it,
I've been a terrible friend.
But I couldn't bear to let myself become boring to them
I ignore group chats all the time. no reason. Probably shouldnt. 
I don't let myself get my hopes up.
I love people who do.
Something good happens? what could go wrong? that is my thought precess.
I never know if what I say I feel is the truth
I have no damn Idea what I think, so its so hard to know what the truth in my head is.
I wish I didn't instinctively try to be less specific
So more people could relate, when they read along with the lyrics.
Not lyrics, but if i write/explain something, I immediately generalize things so its relateable.
I can be happy in the moment
I am not when I reflect
I smile watching youtube, but then I look back and think about how I wasted time.
I distract myself with gaming, waiting to get better
I hate it
Youtube will cure depression right? /s
I wanna do the most good, and prevent the most hurt
But I've gotta put on my own oxygen mask first
This is just an important phrase I try to remember when I’m down. for people who dont do well with metaphors, he’s saying that if you want to help people, you need to help yourself first. 
I can't predict what I'll do.
I can never be sure
I am terrified of making promises any more
I can't face my work,
I feel sick from the word
I genuinely believe I'm capable of changing the world
Don’t relate much here, except for the more positive, upbeat tone the song takes on, and i feel that this part, the part above and everything below is dave fighting his depression.
I still think I can get better
I’m holding onto hope.
I still think I can create and get pleasure from it
I hope so, I want my art and writing to improve.
I'll keep aiming to make my emotion and my logic agree
The eternal stuggle. I always try to get the two to line up, it rarely works. I try to use logic more often though.
And become the best version of me
Always trying to improve myself.
I don't want to stop!
I don't want to stop!
I don't want to stop!
I don't want to stop!
There’s alot this could mean. I dont want to stop creating. I dont want to stop fighting. I dont want to stop getting better. I dont want to stop living. I relate to all these things.
I’ll expand on this more later, it’s too late now for me to continue this
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wollfling · 3 years
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Hello! I have an art question, if you don't mind talking about art stuff! I'm trying to get better at drawing, but having a really hard time with figuring out how to draw people. I feel like I've made progress with things like animals, objects, etc but I just can't get my drawings of people to improve! You draw people (and everything else tbh!!) so beautifully, do you mind if I ask how you learned to draw them? Or if you have any advice? Thank you for posting your art here, you're such a big inspiration and I love seeing your posts when they come across my feed! 💗
I love talking about art stuff!!! ♡ firstly, thank you aww ;×;) !! I'm so flattered, its really so sweet of you to say that!!
(( oh my god once again I've written so much I am so sorry! I put a tldr at the end, I couldn't quite go into much detail about specifics because im not quite sure what specifically you would like to improve, but I did try to cover some bases but please don't be afraid to message me with any more info or questions!!! ))
I'm a bit of the opposite where I can only draw people and struggle making progress with everything else lol, I admire you a little bit!! 🤭
People can be hard to capture, because we naturally (subconsciously?) examine them trying to determine things like emotion and im not quite sure how to put it but... health? For most people, its easy to see if someone is tired or sick at a glance. This comes into play when drawing people because we are wired to immediately analyze everything about them and pick up things that are wrong (think of uncanny valley type stuff!)
I often think about something bob Ross said, I dont have the time to hunt it down but what he said was basically along the lines of; he prefers painting scenery, because when we see a scenic painting its easier to think "this looks like somewhere ive been!" And its more believable. Meanwhile, its hard to capture the exact likeness of someone. If its a little off, we feel it looks "bad". I may have changed or added some points in there, but I think that was the general idea? 🤔 thats not to say scenic paint is easy in any way, its just about how we view it.
My point in this is, the key to drawing people is to create a believable figure. And how to achieve this depends on the style you draw them in ! I can only offer advice for stylized drawings (i struggle to draw hyper realistic people, and I also just don't enjoy it? Lol) but im assuming that since you like my art you're okay with that? ^^
In regards to how I learned to draw, well.. ive been doing it since I can remember ^^; I grew up watching anime which definitely altered my style and interests, and when i was in high-school I transitioned from an "anime adjacent " style, to a generalized "stylized" look, and now I strictly use photo reference which has helped make my style less cartoony but it still shares cartoon elements I feel? For a long time I drew without using references at all which im sure also contributed to how I draw things now. I havent had a chance to take art classes, so I've learned mostly by self study. Practicing drawing from reference, looking up tips and tricks youtube videos, watching other artists work and looking closely at their pieces to try and see how they achieve certain looks. Eventually it all adds up! How i draw people is a reflection of like 20 years of this!!
My biggest regret is not taking art "seriously" and going nearly all of those 20 not properly studying. This is my biggest piece of advice :^( unfortunately, im still learning how to do this myself, I think "studying" is a learned skill and hard to do without instruction. But if you can draw animals and objects I think you probably know a little bit on how to. So then looking a bit deeper into "improving", what about your drawings do you feel are lacking?
Circling back to my earlier paragraphs, how you want to improve depends on what sort of style you are going for and the way you want to portray or capture people. Portraits rely on technical skill i think. I'm not sure i could offer valuable advice here..
Comics, manga, and graphic novels sole intention is to tell a story through drawings. They don't give metaphors (usually!! Sometimes they do but not in the context im trying to explain) and/or tell us how characters are feeling, they show us! This is why the art styles of them often have exaggerated features, and simplified features. The eyes tend to have more detail because we read eyes for emotion, mouths are exaggerated because they are key to reading emotion (most importantly so I think! Watch: 🙂☹ the only difference is the mouth, but we can tell they feel totally different emotions.) Noses in comparison are usually more simplified as they, out of all features of the human face, are the least expressive.
If you want to improve your drawings of people so that they are more expressive and relatable, I would try to analyze how your face changes with emotion and perhaps practice with one of those emotion chart meme templates!
Illustration work is similar, but I feel the face doesn't actually matter as much. If you look at full bodied illustrations of people and zoom in on the face, you'll find that they are sometimes quite simplified! When viewing a full bodied person we generally take in the body's language first. It would take me a long time for me to explain in detail on this post (though I would love to talk about body language in illustration please let me know of you would like me to... also the body language of two figures.. but ill spare you for now ♡) I would recommend gesture drawing and timed studies. I improved drawing so much when I started doing this (I use the site quickposes a lot, set a high timer and draw!!) If drawing the face is hard for you and you can't seem to get anywhere, try focusing on the body for a little bit! Especially how bodies look when bending and twisting.. which might sound random, but I think it helps get a better understanding on how proportions can change with pose.
I wrote so much and I really didn't mean to. Its always hard to answer questions like this without much information like what your goal is and what look you want to achieve. I hope I didnt scare you away with my horrible novel of an answer but if you'd like to give more detail or ask any more questions please I welcome you to!! I love talking about art and I love love love hearing about other peoples art ;^; ♡
Tldr; when trying to improve drawing people it may not be as simple as working on technical skill, its important to keep in mind purpose, emotion, body language, and art style
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wanderingsofal · 4 years
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Can you tell me (in general, not asking for specifics) what you do for your job and how fulfilling it is other than current uncertainty? I've never had a career, only part time work but I'm 30 and I have no idea "what I want to be when I grow up". Plus the only jobs I can ever think of as possibilities are retail, which are ಠ︵ಠ. I'm just looking for some insight from people I admire to get some direction. (If this is too personal a question I understand, so please dont feel pressured to reply.)
Hi! Thanks for asking! I’ll try to answer, though I’m not sure how helpful I can be - my career has been a series of just sort of ‘falling into it’ situations that led me to a job I honestly love, even with all the uncertainty.
My current position is pretty new for my agency. Technically, I’m an analyst. There’s several thousands of these sorts of positions if you’re looking at the job title, however they aren’t all the same. Most will involve some sort of data analysis/data science, but that’s where the similarities end. 
For mine, I’m on a tech team for my agency, where we oversee the modernization of its programs and practices. As in, we upgraded the old MS DOS (a code language widely used in the 70s) systems into more modern languages with more capability. As someone who came from “the field” I oversee some of these projects as a subject matter expert, giving advice and guidance to the developers and making decisions on what features to add into the finished program. I also build reports on the data from our programs - anywhere from reports that go to our Fraud division to try and root out people who are taking advantage of new immigrants, to scheduling reports sent to upper management to show how well our field offices are doing in getting to all of our applicants in a timely manner. 
But the best part, the part I really really love, is that I also get to build some of these programs. From smaller local programs utilizing Microsoft Access, to large-scale web applications using more advanced coding languages. There’s just something about being able to sit down and sketch out what a program will look like, then see it taking shape under your fingers. I realize this will sound odd to a lot of people, but there’s a sort of high in building a button, then clicking on it, and watching your program do exactly what you told it to. 
I love working with code. It’s a different sort of ‘creation’ to writing or drawing, but it’s creation just the same. It’s taking a bunch of letters and symbols and lining them up exactly right so that something happens just when you want it to. It’s seeing something in your head, and then making that vision come to life. Code is logical. There is no grey area in code. There is just what works, and what doesn’t. And if your code doesn’t work, then you have to find out what’s wrong. There’s very little you can’t do with coding (inside of a computer at least). The only real limit is your imagination. 
Oh, I’ll complain (and have on here a few times) about losing commas or parenthesis, and spending hours looking for that one lost quotation mark. That’s an aspect of it too, yes. But even the mundane and sometimes tedious tasks are worth it when I can turn in a finished website that I made, and know it will be useful to someone. 
It’s worth it to note here that I do not have a Computer Sciences degree. I have a degree in Japanese. I taught myself nearly everything I know about coding, up until about a year ago when I started taking a class on a newer coding language so I could use it at work. Most code development uses an astonishing amount of google. I’ve heard a lot of senior developers say that to get good at coding, all you really need to do is know how to use google effectively.  
Before this job I had essentially the same job title, but I spent most of my time doing scheduling for interviews, and some minimal data analysis on what we needed to do to keep up quality service to our applicants. The job itself wasn’t fulfilling really - it was long hours, and pretty stressful due to the large workload and the fact that I was hired at a really bad time when the rest of the team had quit. But it was worth it because I was working to schedule asylum interviews, meaning I was helping people who desperately needed it. I likely wouldn’t have left that job if this exact position I’m now in hadn’t come up. 
And before that, my first “real job” outside of the Peace Corps, I was an office assistant. I answered email inquiries, did file management, and basic paperwork. It was boring. There was absolutely no mental challenge. But I found ways to do things I was more interested in. I modernized our spreadsheets and found better technical solutions to our case tracking issues. I was usually bored out of my mind, but there’s something to be said for an honest eight hour day with no threat of working late or being forced to come in early, and where you don’t take your work home with you. It wasn’t a good fit for me, but it was a great fit for some others I knew. 
I think the best advice I can give is just to start somewhere. Even if you have to take a less exciting job right off the bat. Everyone has to start in the less exciting jobs usually. But pick a company or an agency you want to work for, and get into an entry-level position. As you learn about the company, you’ll see more of the positions they offer, and figure out what you want to try to be. Then, if you have good supervisors, they’ll help you get there. That’s what the “boring” entry-level jobs are for - to take in new talent, and let them experience what life at the company is like while still doing necessary work. The good supervisors for those positions will be all about helping you grow your career and finding what path you want to take. 
From there, find the good people and follow them. That’s what truly makes a job good or bad, I’ve found. If the people you work with are good and honest and kind, then your job will be enjoyable. If the people you work with are mean or catty or closed-minded, it makes the job that much worse and even a dream job will become terrible in the long run. 
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