NEW VIDEO ON MY CHANNEL!!
I recently had the chance to talk with Ethan Marak of Stoopid Buddy Stoodios, about his work on the Gravity Falls episode Little Gift Shop of Horrors.
He shared some great new info on the stop motion process and never before seen photos from the set.
Below is a transcript of what I asked and his answers...
1. How did you get involved with Gravity Falls and were you a fan of the show beforehand?
I was working as an Animation Director at Stoopid Buddy Stoodios when this project came my way. The studio producers would cast Animation Directors to projects that were a good fit, and my known love of classic stop-motion animation in the Ray Harryhausen style made them consider me for this job.
2. Alex Hirsch mentioned in the GF box set that they contacted you directly about working on the show? What was that process like?
As I recall Alex was very into the idea of using stop-motion for this episode and he was very enthusiastic and excited visiting the set and seeing all the puppets and sets. When we translate an established 2d animation to stop-motion, there are a lot of creative considerations and decisions that need to be made for the designs and animation style to work. As I remember Alex trusted us to guide that process, and was flexible with any small limitations that came up.
3. Additionally, he mentioned that Disney originally did not want to do stop motion due to the cost and so Alex said he inquired about frame by frame costs and looked through everything that was done to see if it would fit the budget. How did that whole situation affect the filming and in turn, what was it like working with Alex and the GF team?
I wasn’t involved in any aspect of the budgeting for the project so I’m not sure what give-and-take with Disney occurred to make the numbers work for stop-motion. I don’t remember feeling like the shoot was under-funded.
4. How much creative freedom did you have in regards to the episode? Were things planned out beforehand or did the crew let you come up with ideas for the stop motion as you went along?
The team from GF provided character designs, storyboards and backgrounds. It was our job to create the puppets and shoot the animation in a way that fit into the background plates convincingly. I can’t remember for sure, but I think GF did the final compositing themselves. Everything is meticulously planned out in stop-motion animation, so that we don’t spend time building or shooting anything that isn’t going to be on screen. We had a lot of freedom as far as the style of the animation, and we were going for a cartoony look that worked for GF but also paid homage to Harryhausen, which meant paying more attention to the weight and subtleties than we might on other projects.
5. Were there any scrapped/deleted or cut aspects of the animation that did not make it into the episode? These can be scenes either planned out or animated that never made the final episode.
Not that I recall, no.
6. Would you be okay with sharing any behind the scenes photos, videos, memories, stories or more from your work on the episode that would be okay to be public now? These can be of the shoot, interesting stories or trivia about it, crew reactions, set up, etc. I understand completely if that is not possible but it would be great to learn about/see the animation process for this episode, the sets, characters, etc.
I’ll let you know if I ever find the behind the scenes photos I took.
Side note: Ethan did find a ton of photos to send to me that you can access here or as I shared below...
However, there were several I was asked to not share, such as behind the scenes images of the character designs and storyboards of the animated version of the monsters that was used to help map out the movement of the stop motion. Those are internal works that are not allowed to be shared and I will sadly not be able to. That said, @robertryancory shared these designs of the character publicly years back that look very similar to what I was sent. But what I was shown were colorized versions and almost final looks of the characters.
7. Do you still own the models or sets made for this episode? If so, what condition are they in (and if possible could a photo(s) be provided)?
I checked with the studio and as far as I can tell the puppets were given back to Disney at some point. There was a brief period where I remember the puppets were displayed in the lobby at Stoopid Buddy Stoodios.
8. Overall, what were your thoughts on working on Gravity Falls, the episode overall and the show later on? If Alex Hirsch or another GF crew member from it were to ask about helping in work on a new project, be it for GF or another show, would you do it?
I really enjoyed working on the episode and it is a stand-out project for me! It came out really beautifully and the GF team was really kind and respectful to us, and genuinely interested in our process. I’d absolutely partner with Alex on something else if it came up.
9. One extra question; Did you work on the mini stop motion bumper for Disney XD as well? If so, what was that like and what ideas were made for it that perhaps did not make the final promo?
Yes I directed that spot. It was another really cool project that gave us the ability to bring GF to life in stop-motion. The Stan puppet was amazing and looked so good- and our animators really brought him to life. We went though an extensive design process for the XD logo creature before deciding on the version you see in the spot. The goal was to make it look convincing as a taxidermy creation that Stan would have built, and to work in as many little eyeballs and body parts as possible that could move around.
BEHIND THE SCENES FOOTAGE OF THAT PROMO!
A huge thank you to Ethan for sharing this info and photos with me. Please do go check out his personal work on his Instagram, as it's some really cool retro stuff that I really loved checking out.
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I wanted to bring up a silly ship idea. Just for fun.
03, 06, 09, 10
Was this before Kotoko attacked them? After? I dunno.
Thoughts?
YES the cringefail 20yo polycule 👏👏👏 Thank you for the request! I've seen a lot about the individual pairs, so it was really fun to think about all their dynamics together! I have a set of hcs that could work in the current canon Milgram, and then a normal au set because it's so fun thinking about them :3
Milgram-focused
The I’m-a-loner-who’s-doing-it-for-justice-don’t-TOUCH-me pair finally meet their match when confronted with the I-loved-someone-so-much-and-don’t-plan-on-stopping pair. They all go into the relationship with grand ideas of love: they think it’s all heroic acts of saving, massive gestures or love, and dramatic confessions. Over time, they realize the real heroism/romance is in the little things.
Mahiru has her hands full with three people who neglect themselves for the sake of their work/interests, but she always loves feeding them and helping give them what they need. In turn, they can give her more affection and attention than she could ever ask for. They make sure someone is always around to spend time with her.
Each of the three is a perfect match for dealing with John’s reveal. Mahiru is calming and helps tone down Mikoto’s initial stress. Fuuta is honest and will help Mikoto finally confront his own situation and move forward. And since Kotoko can match his strength, Mikoto doesn’t need to be afraid of accidentally hurting anyone. Mikoto becomes less stressed with the overall situation as well as more accepting of himself/John.
I always love the idea that Fuuta is secretly starstruck by Kotoko and John’s strength. He’ll never admit how much he admires their ability to stand up and fight. He feels really safe around them. He’s glad to have the opportunity to fight for someone else, too – he likes to be Mahiru’s self-proclaimed protector and hero. (Even though most of the time she can stand up for herself, she still likes letting him take care of her.)
Kotoko’s experiences let her hold solid conversations with everyone. She’s similar enough to Fuuta where they share some interests (social issues, schooling, etc.) She understands hard work and burnout to earn Mikoto’s respect. She understands physical strength to earn John’s. She has a lot of people-knowledge, so she can gossip and talk about Tokyo life to Mahiru (Mappi’s doing most of the ‘gossiping,’ but Kotoko has solid additions). She's a good listener and has a good memory, so everyone feels heard by her.
They start to rub off on each other. Mahiru and Mikoto learn to be a bit tougher in standing up for herself. Fuuta, John, and Kotoko learn to take a breath before jumping right to violence. They stay very much who they are, but pick up on just a few habits that make their lives easier.
Their styles also influence one another: Fuuta gets pointers from all three about piercing his ears (though it takes him a long time to get up the nerve to do it). Mahiru helps the others dress more trendy and boost their confidence, and they teach her to worry less about her appearance and relax more.
If they get together T1, Kotoko is shocked by the T1 verdicts. She might pull away from everyone in initial horror, but after developing a relationship ahead of time, she doesn’t follow through with her attacks. If not, then maybe in T3 when Kotoko is suffering from her guilty verdict, Mahiru and Mikoto are able to bridge the gap and develop a friendship, leading to more. Fuuta would take longer to come around, but I think seeing Kotoko got through the same pain as him, his hero instincts would kick in and he’d gradually help.
Normal-au
Mahiru once again tries out her lovers’ interests, and gets a bunch of new hobbies. Fuuta teaches her to game, she works out with Kotoko, and she tries out photography with Mikoto. She becomes close with Fuuta’s beautician sister, and enjoys bonding over fashion and hair. She helps redye Mikoto’s hair, and give the other two pointers on style now and then. When going to nicer events, she and Mikoto have to step in and stop the others from their sneaker/hoodie combos. As the only one with a license, she’s the designated driver at all events, but doesn’t mind.
Fuuta uses his tech skills to set up social media accounts for the others. He helps Mahiru network her flower shop, fighting anyone who leaves a bad comment/review. He helps set up a complex online portfolio for Mikoto. He and Kotoko still have a passion for justice, and he becomes the tech brains behind her vigilante operations (very Ron Stoppable - Kim Possible) It’s not necessarily healthy growth, but they’re happy with it lmao
Mikoto is the only full-time worker, the others are all still in university, and he makes sure to keep them all on track. He knows the most efficient tricks and cheats about getting papers done, pulling all-nighters, and cramming before an exam. The others have learned to spot when he’s burning himself out for others, and will stop him when he tries to take on too much. They’ll take care of him and force him to rest. While he can still get into a bit of trouble, John learns to call them first and get some help.
Kotoko has trained herself to find people and information easily to catch criminals, but she finds use for it in much more mundane ways – she tracks down clients for Mahiru, snoops around Mikoto’s company to make sure he’s being treated right, and keeps an eye out for the people Fuuta is calling out and/or hanging out with. She goes on runs with Mahiru, and bike rides with Mikoto. Fuuta tags along sometimes to strengthen his legs for soccer.
There’s definitely potential for them all to have their murders pre- or mid- relationship, and they help one another improve themselves and heal. I’m also a sucker for the relationship itself to cause them to change their ways and narrowly avoid the murder in the first place. (For the latter, Mahiru would ironically be the last to join the relationship, since she’d still be with her bf until the other three inspire her to break it off with him gently.)
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After taking a long time to finish this piece, I finally have Sandman for the SBR 90s AU.
He’s a undergrad university student studying Environmental Science and minoring in Psychology. He got into Syracuse University on a track and field scholarship (he’s a runner he’s a track star). Sandman works part-time at Mt. Tim’s bar along with Johnny and Poco. They all lovingly call him ‘Sandy’.
His sister still lives in Arizona and is super proud of her baby brother.
Since Araki didn’t giver her one, I named her Songbird after the Fleetwood Mac song.
Other 90s designs:
Johnny
Gyro
Mt. Tim
Diego
Hot Pants
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pulls our hearts towards home
happy birthday kris @hattalove!!
“Here you all are,” Alex says from the door, taking in the sight of four of her siblings on Buck and Eddie’s bed with them. She’s dressed already, but comes to sit down cross-legged at the foot of the bed next to Chloe anyway.
Chloe uncurls a little and grins up at her, and Leo kicks at her knee. “There’s no space!”
“You guys.” Christopher is the last of their kids to show up, leaning against the door frame in all his exasperated teen glory. “Forget about space, there’s no time, we have to get to school!”
“Chris is right,” Buck says, lifting Noah off a protesting Olivia. “Up and at ‘em, everyone wash up and get dressed, I want you all at the breakfast table in 15 minutes!”
Olivia pulls the duvet over herself and squeals when Eddie starts tickling her through it. Buck sets Noah onto his feet next to the bed, offering his hand to hold on to, and smiles to himself. Knowing his family, he’s got at least 20 minutes to prepare breakfast, and he wouldn’t change it for the world.
~
The Diazes get a dog on a Tuesday. Well – two dogs.
a big family buddie fic, 4.5k, [read on ao3]
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