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viofitz · 4 months
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Hasbro Marvel Legends Custom: Rex Charger and Electro-Charger (Review)
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Introduction:
Rex Charger is the alternative energy specialist of the team. Along with John Thunder, he's one of the two new Centurions featured on the episode "Firecracker". He is a playboy man of wealth, a millionaire who earned his reputation as the best Alternative Energy scientist of Iceland, while Electro-Charger is Rex Charger's basic Assault Weapon System (AWS). Its major feature is a missile-launching backpack that can fire a Nighthawk missile in any direction. Its also includes a photon laser blaster, two quantum thrusters. They're one of the unreleased toys from the second year of the Centurions toy line by Kenner but, it was featured in later episodes of the TV series. In this review, the toy is a custom from a random figure of Hasbro Marvel Legends toyline. Using Mr. Fantastic (Skrull wave) head sculpt (HS) and DeadPool X-Force body. The figure was customized by Ruby Farisyi so, this figure is not an official release. The boxart is merely a photoshop work, I used to do this in all of my Centurions reviews in my wordpress blog.
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Contents:
Rex Charger comes with his main figure along with his basic AWS called Electro-Charger. It has backpack with missile launcher, nighthawk missile, photon laser blaster, 2 quantum thrusters and a helmet.
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Rex Charger is depicted to be a American man with a fine and slight muscular body proportions. He dons red and pale green exoframe suit but, in this figure he was painted lemon yellow. His exoframe suit is capable to combine with 2 Assault Weapon Systems called Electro Charger and Gattling Guard. His body was originally from ML Deadpool X-Force version, Deadpool body appeared to be muscular just a typical fictional American super heroes. I've always not fond with this kind of body proportions... I'm just glad the custom exoframe suit hides those steroids....
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His HS was originally came from Mr. Fantastic which was customized and repainted to have Rex's facial features such as classic mullet haircut, contented goatee beard and blue eyes. Comparing to the cartoon counterpart, Rex Charger has dark blonde colored hair while Ruby painted his hair into redhead but, other than that Mr. Fantastic HS actually quite spot on for Rex. Rex Charger's face is seemingly based from Chuck Norris back in 1980s.
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Rex's helmet was also added with clear colored visor like my custom Jake Rockwell's Fire Force, the color Ruby did for the helmet follows the Kenner toyline color which the helmet appears to be dominantly light color while the red mostly on the trims. Coming from Kenner, this is a bit inconsistent because in the cartoon, his helmet is dominantly red.
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His articulations works like ML and Lightning Collection (LC) figures but, due to his full armor exoframe epoclay material several articulations were limited. He got movable head. He can still stretch and bend his waist a little from his ab-crunch but, in his exoframe clay almost blocking the whole mobility. His elbow articulations are very limited due to his armoric exoframe suit. He got rotatable 360 degrees lower torso but, limited due to his rear lower armor. Leg articulations works the same and originally there’s cut on his lower leg but, it was completely blocked from his exoframe suit. Although, I'm also thankful Ruby made the exoframe suit hides most of the visible pins on his original deadpool body.
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Electro-Charger consisted 5 parts that must be combined to Rex's body but, in total it has 7 parts including the helmet. Despite, the large backpack Rex can still stands well without the need of base display. Like the helmet, this AWS design as well as the color follows the Kenner toy line. In the cartoon counterpart, aside the helmet color Electro-Charger has it's own design and color such as his backpack is orange while his photon laser blasters 2 quantum thrusters are blue and also, Rex's gloves are red. Frankly, I prefer the Kenner toy line color better since it matches better to his exoframe suit.
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I can also make my own combination (minus helmet) without Rex's body to recreate the offline mode like but, since the actual Kenner toyline remains unreleased; what's worse the offline mode was almost never seen in the cartoon so, no one really knows how Electro-Charger offline mode looks. However, in episode 55 (To Dare Dominion), there’s a scene where the Centurions AWS turned into somekind of robotic creatures due to the alternate reality that Doc Terror created, during this scene Rex's basic AWS is transformed into somekind of robotic anglerfish like.
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Thoughts:
This custom is a perfect conversion compared to my 3 Centurions figures that I reviewed from my old blogs, Rex Charger came out to be perfect made and plays solid. Although, the paintapp is still one of the main problem which they still chipped in certain articulation demonstration but, it's much improved compared to the previous 3. Ruby really done his best on this, and you can check the trio reviews in here.
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Thank youu for reading😁🙏🏻
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crimson-chains · 7 months
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Just very nostalgic ^^ I really liked Beyblade when I was growing up :D
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Alongside the commentaries, the guy who ripped the Camp Camp Blu-Ray ripped just about everything else, including the most adorable Blu-Ray menu I have ever seen, and I saw no harm in sharing it with you all.
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overtake · 5 months
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Max and Martin in Vegas (x/x)
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yesloulou · 9 months
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Max for Honda ZR-V 🏔🌊
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nobrashfestivity · 8 months
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Dreams That Money Can Buy is a 1947 experimental feature color film written, produced, and directed by surrealist artist and dada film-theorist Hans Richter.
The film was produced by Kenneth Macpherson and Peggy Guggenheim
Collaborators included Max Ernst, Marcel Duchamp, Man Ray, Alexander Calder, Darius Milhaud and Fernand Léger. The film won the Award for the Best Original Contribution to the Progress of Cinematography at the 1947 Venice Film Festival.
more
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il-predestinato · 9 months
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All the kingdom lights shined just for me and you. ☀️✨
Charles Leclerc & Max Verstappen | post-race | 2023 Belgian Grand Prix 🎥: F1TV
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blossommoonart · 1 month
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Happy 25th Anniversary ❤️🎉 A little doodle.
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operafantomet · 23 days
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FROM DESIGN TO COSTUME: RAOUL'S WAISTCOAT
Maria Bjørnson's design (detail)
Jay Armstrong Johnson, Broadway
Toby Joch, Oberhausen
Max Niemeyer's waistcoat in making, Oberhausen
Steve Barton's Broadway waitcoat
Jeremy Hays, Broadway
Jordan Pollard, World Tour
Evgeny Zaycev, Moscow
Stephen Trafton, Las Vegas
John Riddle, Broadway
Matthew McKenna, West End
Hadley Fraser, RAH
Steve Barton, Broadway
Benjamin Hale, Las Vegas
Killian Donnelly, West End
Björn Olsson, Hamburg
Ray Gabbard, Hamburg
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ashxketchum · 3 months
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ONLY CAN BE THE NEXT SHOGUN...BUT WAIT, WHO LET ALL THESE FOREIGNERS IN?! 🏯⚔️
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iorihimee · 2 months
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BAKUTEN SHOOT BEYBLADE: ICONS [2/?]
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dare-g · 1 year
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Dreams That Money Can Buy (1947)
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the-cricket-chirps · 7 months
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Yves Tanguy, Joan Miró, Max Morise, Man Ray
Cadavre Exquis (Exquisite corpse) Nude
1926-27
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niziye · 4 months
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Happy holidays beyfam ✨✨
The illustration I've been holding onto until it got closer to Christmas because I thought it was more appropriate and it was like torture bwaha
Yep, that's where the minis came from ✨
From the series: illustrations that seemed easy in my head and cost me hours of suffering ❀
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Initially Kai's hair was blue, but I'm annoying with too many colors, and that took the focus away from the minis a little... Then it turned gray.
This was ready even before Yuriy's illustration, so the text is similar for that reason.
Annnnd
Thanks again for your support this year, whenever I'm feeling down I like to come here and see everyone's cool work. I hope everyone's Christmas is pleasant and warm ☕
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yesloulou · 7 months
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Max Verstappen wins the 2022 Miami Grand Prix 🇺🇸
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nobrashfestivity · 8 months
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Dreams That Money Can Buy is a 1947 experimental feature color film written, produced, and directed by surrealist artist and dada film-theorist Hans Richter.
The film was produced by Kenneth Macpherson and Peggy Guggenheim
Collaborators included Max Ernst, Marcel Duchamp, Man Ray, Alexander Calder, Darius Milhaud and Fernand Léger. The film won the Award for the Best Original Contribution to the Progress of Cinematography at the 1947 Venice Film Festival.
more
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