#Ozai is still a terrible father...

[gotticalavera]

Zukaang Modern!AU

Where Ozai is still a terrible father... but he acts like any father when he sees his son dating a guy with a criminal record and tattoos.

#Ozai is still a terrible father... #... but Aang is the terror of any traditionalist Fire Nation parent. #Just imagining that Ozai thinks that Zuko only dates Aang to contradict him... #When in reality Zuko dates Aang for completely different reasons... #From Zuko's family: only Uncle Iroh and Kiyi accept and interact with Aang... #Ikem and Ursa try to accept him (they are still scared because of the criminal record) #Ozai hates him and Azula only annoys them. #avatar the last airbender #avatar aang #fire lord zuko #zuko x aang #aang x zuko #zukaang #aanglove #aang love

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

#avatar the last airbender #natla

[wileycap]

Hi! I really want to hear your opinion about Agni Kai in Atla LA and why it's bad thematically. Thank you!

Hi! I've never been asked anything before!

Alright, so - spoilers. Also, sorry that this is so long.

In the original, Zuko does not fight back, and that's so important. It's clear that the Fire Nation has great respect for hierarchy, whether it be elders, leaders or superior officers. Ozai is the ultimate hierarchical superior to Zuko: his father, his superior as a royal, and - of course - the leader of the entire nation.

In the Agni Kai, Ozai repeatedly orders Zuko to fight for his honor, and Zuko refuses. He remains prostrate, and reaffirms his respect for his father. In the context of this hierarchical culture, he is doing everything right in the face of an order that, to him, is the ultimate paradox. And that's what earns him his scar. A disfiguring, dishonoring brand.

He gets burned because he wants so badly to do everything right. He gets burned because he wants to show respect. He gets burned because, in a cultural context, he is behaving as he should. Because his father is cruel.

But it's not just that: it also serves as a shorthand to the audience that the Fire Nation under Ozai and his forefathers is wrong, to the point that Zuko, the dutiful son, literally cannot do right under that system. And you don't need to do a deep dive into what the culture is presented as to get that - it immediately strikes the audience with a profound sense of unfairness. It efficiently communicates that the Fire Nation is rotten, that the system itself has become corrupted and distorted.

And this sets up Zuko's entire arc. He did right, and he got punished. At the end of S2, he does wrong, and he gets rewarded, but the reward isn't fulfilling to him, because everything he could ever earn under that system is tainted and his experiences outside the system have shown him that, even if he can't accept it at first. And it's so narratively satisfying to watch him then defy his father, who tries to punish him again with lightning, only for him to now be able to literally turn it back (with Iroh's technique, Iroh being one of the few sources of unconditional love in his life!). He then redefines his relationship with Firebending itself, going back to the original source of it. He literally rids himself of the corruption of his nation.

It forms such a tight narrative arc, and it sets up so much about the Fire Nation with no need for explanation. Even his interactions with Iroh also tske on a new light: he's intentionally disrespecting his uncle - another elder and superior, as well as a father figure - and Iroh never punishes him for it. Ultimately, that unconditional love and support leads him to reform his nation.

In the Live Action, Ozai orders him to fight back, and he does. He even has a chance to strike Ozai, but doesn't, prompting Ozai to remark that "compassion is a weakness" before he burns Zuko. Which was never the point of Zuko's arc. It waters down his entire primary character conflict, because if his takeaway is that he lost a fight because he was too kind, then the only thing that needs to happen is for him to get some kind of narrative payoff by being kind. Wow, arc over. It becomes this surface level morality tale about how compassion isn't weakness.

In the LA, he also gets multiple chances to speak out at the war meeting. He questions the plan, the general and Ozai lay out actual, sensible reasons for why the plan has to proceed as it is, and then Zuko says that it's a terrible plan anyways. In the original, he speaks out once, and his words even make it clear that he's speaking out because the soldiers "love and defend our nation." His objection is the mildest possible form of objection: he isn't questioning the system, in fact, he's reinforcing it by appealing to the virtue of these soldiers. And he still gets punished.

With all that and Iroh explicitly calling out Ozai multiple times in the LA, we don't get the sense that the Fire Nation culture itself has been warped by imperialism. We just get the sense that the leader is a bad dude. And that's a far less powerful setup, and it will lead to a far less satisfying resolution.

It's an incredibly watered down version of the original, and lacks so much thematic weight.

#avatar the last airbender #atla #netflix atla #atla netflix #atla live action #atla spoilers #zuko #zuko's scar #prince zuko #fire nation #ozai #iroh #ask

[liliesforeveryfandom]

something about the atla fandom that always confused me is how they say ozai was such a terrible father bc he neglected zuko because of his favoritism towards azula, yet don’t apply that same logic to aang preferring tenzin above his other children. this cannot be explained away as an accident or “it’s what he had to do to save the air nomads.” those are all bullshit excuses when bumi apologizes to a statue of aang for being born a non bender and him saying he finally felt like he met his father proud when he got airbending. this is a 50-something year old grown man whose childhood trauma is so deep it still affects him. this wasn’t a mistake, aang did it on purpose. there’s no other explanation, aang became the very thing he fought against.

#atla fandom #tenzin #bumi #ozai #anti bryke #anti aang

[zukosdualdao]

it’s actually fascinating and heartbreaking that the first time zuko even tries to speak up in defense of himself when katara is yelling is specifically when she brings up his father and suggests they are the same—“spreading war and violence and hatred is in your blood.”

we even see him sort of react to something before that—he turns back and sort of glances at her when she’s listing off the reasons he’s a terrible person, but for whatever reason, does not verbally react at at all, and his expression is honestly pretty neutral.

katara’s not wrong to criticize zuko for the harm he’s done of course, but it’s fascinating to me that the first moment we see him get actually defensive about it is when she brings up ozai. before that, zuko was just sort of… passively ignoring her with his back turned. (because after the last several episodes, i think he actually knows she’s right he’s done some awful things and is not really in a place to argue with her over it.)

but his first (and actually only objection) is at the mention of ozai, who we, unlike katara, have the context of being someone who has harmed zuko so greatly, and who he has started to realize is not a good guy and he doesn’t necessarily want to be like, even though he does still want to cling to the idea that his father could love him, which is a button azula knows exactly where to find and how to press. ugh.

#atla rewatch ‘24 #atla #zuko #katara #zutara #not really romantic in nature but that’s just my tag for them #azula #zuko & azula #the crossroads of destiny

[givemea-dam-break]

heart's fury - prologue

book one: hope "prologue"

in which a story begins.

pairing: zuko x (fem) reader

a/n: hey guys! first part of my big zuko x reader, which was originally post on ao3 here! this is a brain baby created by my return to the atla fandom (first time properly being in the fandom since i first watched this as a child rip) and a need to write something for it which woooo! big moment since i had been in the biggest writing slump i've ever had before i wrote this. i hope you all enjoy the first part, and the following chapters, because i have so enjoyed writing this and continue to enjoy it! love u all <3

warnings: none

words: 838 heart's fury masterlist

There was something so idyllic about the southern seas in the early morning. The way the sun’s fiery light reflected atop the soft blue waves; the smell of salt and cold air mixing together; the distinctly freezing southern air that, somehow, could not permeate (y/n)’s thick jacket. She felt strangely warm standing at the bow of the ship, staring at the towering icebergs that the ship easily slipped between. She wondered how anything could become so large, so imposing, but she supposed it was part of the southern charm. The last she had heard, the Southern Water Tribe had dwindled in numbers. Fire Nation soldiers imprisoned their waterbenders decades ago and, though they were accustomed to the cold, not every child could survive in such extreme conditions. No outsiders, including the Fire Nation, had set foot in Southern Water Tribe territory in years. (y/n) could only imagine how sparse their population was. But they were persistent, these Southerners, like the icebergs. They had not let the Fire Nation get the best of them. 

“What are you doing out at this time?” a voice asked from behind. “It is far too cold and early.”

“Catching some peace,” she said simply. “My gut is telling me that today is going to be different.”

A hand came to rest on the railing beside her, old and weathered and gentle, but still admirably strong. Connected to the hand was, well, perhaps the only Fire Nation nobility she had been able to tolerate in years. 

General Iroh, now retired, had a kind face and a soft smile that she was sure would alone keep her warm if she had not been wearing her jacket. The crow’s feet at the corners of his eyes, the wrinkles in his forehead, and the deepness of his smile lines did not age him but, rather, did the opposite. He reminded her of a mischievous - yet remarkably wise - child; one that could not be trusted alone with a basket of sweet treats. He shivered in his red robes, but he kept a firm grip on the icy metal railing.

“And why do you say that?”

(y/n) turned her gaze back on the icy path ahead of them. She had always trusted her intuition, knowing that it was a better weapon than her knives or even her bending, but she often couldn’t explain the reasons why she felt things. Maybe it stemmed from her childhood, some sixth sense she had developed by guessing what her mother would make for breakfast or which way her father would take her on his ostrich-horse to get to the Royal Palace in the mornings. Perhaps it was some semblance of a spiritual connection - one of Iroh’s stories that had taken root and given her a strong mind.

She wasn’t sure what her answer to his question should be.

“Just a feeling,” she said. She always said.

It seemed to be enough to appease Iroh. “We are nearing the south pole. I fear that my nephew will be let down once more.”

It was a justified concern. The reason they both stood on this ship, thousands of miles away from home, was a fruitless hunt, bred from punishment, shame, and a terrible lust for honour and, ever a self-centred royal, Prince Zuko of the Fire Nation was determined to get what he wanted.

The Avatar.

Two and a half years the three, and a handful of Fire Nation soldiers, had been hunting the living legend down. It was a futile search - Fire Lord Ozai was aware of this when he had banished his son - but Prince Zuko was adamant. He had ordered them around the world in search of a man who had not been seen in a hundred years, and thrown a princely fit every time they did not find him. 

Iroh was right to worry. Prince Zuko’s sole ambition was to find the Avatar and restore his honour, taking back his rightful place as heir to the title of Fire Lord, but it made one wonder what would happen if he were to accept that the Avatar was unreachable.

Not that he would ever accept it.

“This isn’t the right path for him,” Iroh murmured. Despite there being nobody else on deck, he kept his voice low, leaning closer. “Capturing the Avatar is not the correct decision.”

He cast her a meaningful look, something in the wise, dark eyes sparkling as he turned and walked away, likely to make himself a cup of tea.

(y/n) breathed a sigh, watching the misty breath hover in front of her before dissipating. This was not the first time Iroh had hinted at the secret she kept close to her chest, clutched in iron fingers. If anyone else were to know, she would likely be dead by now. But Iroh shared her cause.

If they ever found the Avatar, wherever they were, she would fight tooth and nail to ensure Prince Zuko could never take them back to the Fire Nation.

<-masterlist chapter one ->

#givemea-dam-break #zuko x reader #prince zuko x reader #atla x reader #avatar the last airbender x reader #prince zuko #zuko #atla zuko #zuko fanfiction #atla zuko fanfiction #atla fanfiction #avatar the last airbender fanfiction #avatar the last airbender #x reader #fanfiction

[dreamchasernina]

I think you're just reading too much into things to justify disliking the show. There are issues but its not terrible and a lot of fans are acting like the writers lined up the animated characters and shot them all.

I swear I’m not reading too much into things, if I did I’d have a lot more to say.

I feel like my criticism is very constructive and I do explain what my problem is with specific changes. It’s not like I’m here to hate cause it’s fun.

I explain my problem with Aang’s character point by point. I explain my overall issues with the remake here and here. My issues with them writing Kyoshi and Katara. Yes, I do nitpick here and there, but these two instances are there for us appreciate the original, to show how it does the job so much better.

If you’ve read all of that and still think I’m reading too much into things well than I don’t know what to tell ya. You can enjoy the show, all power to you, but I cannot accept that it’s a “faithful adaptation”, because it misses the point over and over and over.

As fans of the show I feel like we’re allowed to criticize the adaptation without being labeled as “haters”. Especially when I explained again and again how they missed the heart of the show, which is the characters. That’s all I wanted from this adaptation, to get the characters right! I would ignore the changes in the story and the talking down to you audience, as if they’re a bunch of 5 year olds with attention span issues, as long as they got the characters right. And they didn’t. As you can see I explained about Aang and Zuko and Katara. And I didn’t even get to Azula and Ty lee and Mai and the Agni Kai between Zuko and Ozai.

I feel like the problem with the show is summed up perfectly with the Agni Kai. They wanted a cool scene, where Zuko fights Ozai, so they said fuck it to Zuko’s character. Zuko refused to fight his father because he respected him, because he feared him, that was a red line for him, and he would never cross it. He begged his father for forgiveness and his father still burnt and banished him. They absolutely massacred Zuko’s character while undermining Ozai’s cruelty and making him not as threatening because Zuko actually got close to overpowering him while he’s 13 and with one element. All that, for a “cool action scene”. That’s what makes me so angry.

I could rant about this for hours but I’m actually getting tired. If my criticism of the show is preventing anyone from enjoying it, I feel like it’s on them, not me. I, as a die-hard fan of the original, am allowed to point out my issues with the remake. And I’m pretty sure I’m being very fair in my criticism.

#atla #avatar: the last airbender #avatar the last airbender #aang #avatar #natla #zuko #Netflix #atla natflix #Netflix atla #Netflix avatar #avatar Netflix

[attackfish]

AU where Iroh is given a choice by an ancient spirit to bring his son back from the grave in exchange for his nephews life.

The first time he has the dream is mere days after Lu Ten died. The spirit never shows his face, and with the logic of a dreamer, Iroh never questions it. The spirit asks him to trade the life of his nephew, little more than a fond memory after the long years away, for his only child. Of course he says yes.

He doesn't think about the dream. A grieving mind does strange things. He goes home to find his father dead and his brother's wife gone, the throne in Ozai's hands, the world turned upside down, and everything dark and gloomy as he feels. That night, he has the dream again. He begs the spirit for his son back, whatever it takes. He sees Zuko's fear and pain as death comes, and for a few moments of dream, Lu Ten is in is arms, a child Zuko's age. He wakes in the middle of the night with tears on his face.

The next morning, his nephew knocks on his door, and he turns him away.

The dream plagues him. It comes back again and again. He always says yes.

It comes the night Zuko is banished. Iroh sits by his bedside as he shivers and cries out in fever and pain, and doesn't know if Zuko will wake. He seems so terribly small. When he falls asleep at his post, he dreams, and the spirit asks him. Iroh can barely speak, he is so angry. Why does the spirit ask this? Zuko may be dying, why would he put his life in Iroh's hands? The spirit laughs. Isn't Zuko's life already in Iroh's hands? Iroh sees the spirit's face for the first time. It's Ozai's.

The dream comes back again and again, every time Zuko is particularly difficult to deal with, every time one more potential lead on the Avatar turns out to be nothing. Iroh has the dream every night. He doesn't always tell the spirit no.

When he tells the spirit yes, he gets Lu Ten back, sometimes as a child, sometimes as he was just before riding off to battle. The spirit keeps his bargain. Zuko dies.

When he tells the spirit no, Zuko only spits in his face.

Then they find the Avatar. Zuko throws himself into danger. And worse, he's fighting against what is right, against what the world needs. And Lu Ten died fighting for that same cause. That night, Iroh sees the spirit's face again. It's the young Avatar's.

Zhao captures the Avatar. Zuko goes to steal him. Iroh tosses and turns, and finally sleeps. The spirit comes to ask his question, and Iroh lunges for him. His hood falls away, and his face is Zuko's own.

It's been three long years since Zuko was banished, and Iroh's niece comes to take them both prisoner. Iroh stops her from killing her brother with lightning. The spirit wears her face that night.

They sneak into Ba Sing Se. The spirit wears the face of an Earth Kingdom Soldier. Zuko fights off another teenage boy, Jet. The spirit wears Jet's face that night.

Zuko joins his sister beneath Ba Sing Se. Iroh sleeps in his cell and screams at the spirit to leave him be. The spirit laughs at him. It has his own voice.

It never matters which he chooses. He still wakes to a world with Lu Ten dead and Zuko alive.

It matters so much which he chooses. Why should he be forced to choose? How can he?

He goes back to Ba Sing Se. His nephew rules wisely and well, as he cannot. The world is at peace. Lu Ten was part of the old world, the world people like Ukano want to bring back. Knowing that he died fighing for what Iroh taught him to fight for, and that it was wrong hurts. It hurts more than Iroh knows what to do with.

When he dreams of the spirit now, he gives it no answer. Eventually it stops asking.

#avatar the last airbender #uncle iroh #lu ten #zuko #posts i created #do you want to ask a question it doesn't have to be a question #i ship iroh/tea #brave soldier boy doesn't come marching home #zuko is a dweeby little turtleduck

[linnoya-writes]

Aang actually *was* a Terrible Dad (and we should stop making excuses for him).

One thing I cannot get over is how people say that Aang actually wasn't that terrible of a father, and I keep hearing the same excuses to his behavior: he didn't grow up with conventional parents, he had to focus on bringing back his air-bending culture, Katara was already a natural parent and was totally okay being the housewife/mom who let Aang off the hook with most of the serious parenting duties... ugh....

Anyway, I have three points to give:

1) Aang may not have grown up with conventional family structure, but he certainly knew enough about the world (being a nomad his whole life pre-war) to understand what a healthy family dynamic looked like. He knew enough about Toph's dad and Zuko's dad to understand what a poor father figure looked like. Aang also spent time with Hakoda, in ATLA season 3, to see the characteristics of a good father -- and this doesn't even include the time he spent traveling with Sokka/Katara alone and noticing how their dad's absence was affecting them. I put a lot of emphasis on Katara, here, because she makes it very clear in Season 3 that her father leaving the family was devastating... and this girl would want a partner who understood those feelings and do absolutely everything to keep the family together. It's what she did throughout the entirety of ATLA-- Katara was the glue that kept everyone close -- and you would think Aang would pick up on those cues, rather than let history repeat itself after he had his family with Katara. Imagine how awful it must've been for Katara, watching the man she married ultimately go off with their air-bending son on these cultural excursions, and not even consider that their two other kids might want to learn about air bending culture anyway. They're a bi-cultural family, after all, right? Wouldn't that have been a prime example for the new world, showing a blended family being together and not separate? Just let that sink in for a moment.

2) Many people say that any misunderstood family dynamics between Kya, Bumi and Tenzin came to a peaceful conclusion in LOK season 2 with a happy family portrait. Here's the thing-- a posed, smiling family portrait doesn't necessarily indicate a healthy family unit. I'm also making note of LOK Season 3, when Bumi admits that he finally feels more connected to their father after he magically gets Airbending, and also that scene when Kya/Bumi arrive to the Northern Air Temple and the acolytes are shocked to hear that Avatar Aang had other children besides Tenzin. I mean... how much effort would it take, exactly, for Aang to just mention to the temple monks and acolytes that he had two other kids? Was he embarrassed to tell them they weren't air benders? Was he ashamed? In any case, he was the Avatar and he should've demonstrated pride for the children he had regardless of their bending ability or lack their-of. It goes without saying that, while Aang did grow up differently and had many priorities being the Avatar and the Last Airbender... he still made some conscious choices about how little of a "family man" he wanted to be. Aang clearly favored the air-bending life and didn't process that he was also raising a family that was part WaterTribe (perhaps because many of their customs clashed with his air-bending way of life... but that's another conversation.)

3) Yes, Bryke are notorious for writing examples of poor father figures (Ozai/Unalaq/BeiFong/Yakone/Hiroshi) and I'm also here to tell you that they're known for writing women who lose agency and turn devoted-doting-domestic-docile once they get with their man. Pema from LOK is a good example-- all we know about her is she literally gave her life to be an air-acolyte and carry Tenzin's children (the only backstory we get is Pema secretly pined for Tenzin until it became too much and she had to say something), and be the good housewife and mother to those air bending kids. We know nothing about this woman's individual wants or needs outside of motherhood. Another example is the backstory of Yakone and his unnamed wife who-- after giving this man two sons, completely disappears from the narrative and is not aware Yakone is abusing his kids. And she's still exists, because Amon refuses to go with Noatak so as to not abandon their mom. Their mother was so unnecessary as a character after she had the kids, she became this oblivious/silent character in the background who let her own kids get abused. Another example is Unalaq's wife-- again, about a father using his two kids like his henchmen and the mother isn't even in the picture. We know she exists because after Unalaq gets destroyed... Esna turns to Desca and says "what're we gonna tell Mother?"  It may have been written as a subtle joke... but the underlying sentiment is still there.

I'd say my favorite example is the fate of Fire Lady Ursa-- a woman once determined to protect her children that she was willing to commit murder and treason -- ends up choosing to forget those same children and instead wipes all her memories of them entirely to start a quiet domestic life with her childhood sweetheart, a man who very much knows the life Ursa left behind and has the power to decide what truths he wants to tell her about the world and live like there wasn't even a bloody war happening. (Don't even get me started on how The Search disappointed me. Oy).

Perhaps Aang and Katara -- even without intent -- might have fallen into that formulaic pattern when Bryke wrote out the first two seasons of LOK, because that was during the time The Promise, The Search and The Rift comics got published, and Katara's character was definitely becoming that unquestionably-loyal/no fuss/devoted girlfriend to Aang where she would go with everything he decided and sadly sit in a corner while Aang got all the praise and attention and never considering her feelings. Bryke picked up on these mistakes, however, because in the later comics like North & South and Imbalance, you can see them giving Katara some leadership moments (particularly when Aang isn't around) and Aang more of a mature, considerate approach with Katara, saying things like "I'm sorry I just left you to fight alone like that!" and "You're always asking me if I'm okay. Now it's my turn-- are you okay?"  The effort was definitely there to make Aang and Katara look somewhat more compatible than they let on. But things didn't really seem that promising in Legend of Korra... as Katara's character arc gets breadcrumbs of acknowledgement regarding what she did for the world outside of Aang's narrative.

It seems like Katara's badass individual characteristics were written second only to whatever she needed to be for Aang, including being the primary parent to his non-airbender kids while he focused on the air-bending culture.

In any case-- I'm almost certain Bryke will be bending over backwards to "fix" all of these flawed elements of Kataang and Aang as a father figure in the upcoming animated feature films, because if there's anything Bryke likes to do... it is "tell" us that Aang was a great guy and there absolutely was no other better person for Katara.

#avatar the last airbender #kataang critical #katara of the southern water tribe #katara deserved better #aang critical #atla #bryke critical #bryke projected their feelings about a woman's place pretty indiscreetly when they wrote their romances #katara

[piratefishmama]

Everything wrong with the liveaction Avatar and WHY.

in my own personal opinion that nobody need agree with me on.

Zuko fought back in the Agni Kai against his father.

Okay so, so far, there's been a lot of people trying to explain why this was wrong with the very limited space on twitter, i'm going to do it here, on tumblr, where i have unlimited space, whee. In the original show, Zuko, with pure terror in his heart, got down on his knees, begged, and pleaded for forgiveness that his father would not give, before being burned and banished for his weakness and disrespect. This gave the audience the impression that Ozai was fucking terrifying. His power was beyond comprehension, and he was so scary that his own son, his own progeny, would still be TOO AFRAID of him, to even dare cross him. Even at the cost of his honour. Ozai wouldn't even grant mercy to his own terrified son, scarring his face, a part of Zuko that he could never hide, so everyone would forever see the proof of Zuko's dishonour and shame. Ozai was awful. In every single way, but he was also terrifying. The Live Action version had Zuko fighting back. Not only did it have him fighting back, it also had him obtain an actual chance to win that fight. Now, an Agni Kai, is a fight between firebenders where the first person to be burned, loses. Undoubtedly, Ozai had many oppportunities to burn his son from the get go, but for a brief moment, Zuko has the upper hand, right here

It's right here, that Zuko could have won an Agni Kai against his father, the firelord, and big bad of the entire series, right out of the gate, before he'd even hit adulthood. Pathetic. Dont get me wrong, it's a cool scene, but it greatly diminishes how scary Ozai is supposed to be. Zuko has the strength to fight back, he's scared, but he's not paralyzed with fear, he's able to fight back, and damn near almost WIN. Shit's pathetic. Ozai almost got his shit rocked by a teenager. Who isnt even the avatar. Cartoon Ozai was a terrifying monster who had the actual avatar so scared he was having recurring nightmares about rocking up to the big fight without pants, this dude's just a terrible father with superpowers.

The Face Stealer Koh

In the original cartoon, Koh was introduced as a spirit old enough to know who and what the real world forms of the ocean and moon spirit were. A creepy stealer of faces who hunted by causing reactions in people. Stealing their faces wouldnt kill them, they just. Wouldnt have a face. In the live action, he appears in the 'Hei Bai' episode and hunts in the fog of lost souls, y'know, the place in Korra where lost souls get stuck in their worst memories? Then he cocoons them, and eats their faces. Like, full on eats them. And for some reason he was the one who grabbed the lost villagers in the Hei Bai episode, not Hei Bai. It's weird. Pretty sure one of them maybe got eaten, idk. Unclear. Gross and unclear.

Hei Bai plothole

Not so much a plothole as just... something missing. Hei Bai is seen in his 'distressed spirit' form, he's seen, his pain and distress is acknowledged multiple times, and the reason why he's distressed is seen, but he's never shown to be soothed. Aang buries an acorn in the ground near his damaged statue, but it never shows Hei Bai being soothed. In the cartoon he had to be handed the acorn to see it, to understand the implication and be calmed, if just burying an acorn in the ground would have worked, he'd have never been upset, because he'd have been able to see it himself in the ruins of the forest with there being acorns all over the place.

Wan Shi Tong cameo in Hei bai's foggy spirit forest

Dude why tf are you out of your library? Your foxes venture out into the world to find you things, get back to your library, what the hell r u doin out there?

WE DIDNT NEED TO SEE THE AIR NOMAD GENOCIDE

WE DIDN'T NEED TO SEE THE AIR NOMAD GENOCIDE

Gyatso's underwhelming skeletal remains.

In the cartoon they found him surrounded by dead firebender soldiers, having solo'd a ton of them by himself, an old man, a monk, all on his own. Giving the impression that either he fought them off until he fell, or he removed out the air in the room suffocating them all and himself. Both entirely badass ways to go. In the live action the firelord walks through his frankly impressive wall of airbending in a cool 'oo i'm on fire' trick, and burns him alive in front of a bunch of air nation children. The fucking dishonour on your whole goddamn family whoever decided upon that scene, jesus christ.

Azula wasn't scary

She was just... meh.

The Only Good Thing About the Avatar Live Action series.

Big spirit fish go brr.

#There's absolutely other things #but these things annoyed me the most #also the Koh Hei Bai and Wan Shi Tong thing all happened in the same episode lmao #shit was wild

[mdhwrites]

Considering you've criticized Owl House for trying to give Amity and Hunter abusive homelives for explaining their antagonistic behaviors initially and praise Amphibia for not trying to give Sasha having bad parents for her behavior, what do you think of how Zuko's redemption on Avatar the Last Airbender? Considering they also do the redeemed person had a terrible homelife with him having an abusive father in Ozai, what did you think of how they did Zuko?

Zuko is AMAZING. The big difference between TOH and Avatar with this arc is easy too: Avatar doesn't use it as an excuse and they don't brush it off. It's merely where everything began for Zuko and changing from that point is HARD.

Zuko always had a choice. He could always give up the quest for the Avatar and live a peaceful life. Even Iroh is pushing this from literally episode 1. It is Zuko's choice to chase the concept of honor that his father and his culture pushed on him. We feel that scar on his face by his determination. We feel the priorities of the fire nation by him constantly trying to prove himself. By trying to go alone to prove he's strong or do what he thinks will bring him honor.

It takes an ENTIRE BOOK for Zuko to start even questioning this stuff. We understand the weight of his decision to cut his hair and try to just live peacefully with Iroh because we saw the struggle he had to even consider giving up the warpath. It's not even easy for him then as he still wants to resort to the old ways and constantly has it reinforced what those old ways cost. The fear it put in people. The pain his culture has brought. It constantly reinforces the question that Zuko eventually has to answer: Is the Fire Nation's definition, and by extension his father's, of honor actually honorable? Is it the definition he wants to live by.

And then arguably we get the most important part of his arc... His 'victory'. He gets that parade back home. He gets everything he has wanted for so long. The only price he has to pay is that he will never have any other definition of honor than the Fire Nation's. And that is no longer a definition he desires and so despite having love, family, stability, etc. like that, he leaves to do good, even if he himself knows that it will be hard because he is so trained and used to being bad.

The length, dedication, questioning and cost of his arc are all deeply compelling. The show doesn't hold back on the fact that he was genuinely a member of the fire nation and what that meant.

Besides their first appearances... When do Amity or Hunter feel like a product of the Isles or their parents? Amity admittedly gets ONE more with Covention but that's it. Both of them very, VERY quickly give up on even the concept of being villains (Hunter at the START of his second major appearance, before anything has coerced him to think otherwise, is already rebelling against Belos teaching by looking into wild magic) and what is the price and actual arc of turning good for them? How difficult is it for them to actually get away from the lessons instilled upon them?

I already mentioned Hunter but Amity first brings up her parents in Understanding Willow where she talks about them controlling her friends and the like... And then immediately embraces Willow back into her fold as if her parents won't care. Two episodes later, she will destroy her ENTIRE friend group that her parents put onto her. Then, her NEXT APPEARANCE after that has her parents make their first proper appearance and... Then Amity, in an episode she's barely in, rejects them outright because Luz is pretty. It's not that she condemns their morals, how they look upon life, etc. like that. It's just "Hey, I'm being selfish too because I want my own friends." Which with how she entirely ignores actually trying to reconnect with Willow for half a season comes across much more like it's purely because Luz was going to die. Either Gus or Willow and she wouldn't give a damn. She'd get to console Luz then! Because Luz is all it took for Amity to change, it came easily, and it's all she cares about afterwards.

She NEVER loses it like Zuko does during the first part of Avatar's finale because Zuko actually cares about something. He is going to push back on them because he didn't change for Aang or Katara, he changed for himself. He is still the same person with that diehard fire in him that isn't gone just because he's a good guy now.

Hunter has a lot similar complaints but with much more of the severe need to address his moral issues. After all... How many witches did Hunter murder as the Golden Guard? Or led to their execution? It makes Amity's active choice to bully Willow for YEARS when she didn't need to seem almost quaint but both facts are swept under the rug just as easily. It's why one could claim the Golden Guard is not the same character as Hunter because they both require severely contexts to FUNCTION.

But we cannot do that. Hunter did take away people's rights. He did hunt them down. He was a member of the Emperor's Coven. He held its beliefs as fact... And we never see them question those beliefs. The closest is Hollow Mind where he spends the entire time telling Luz she's wrong, even as facts are presented in his face until proof that Belos will kill him is presented to him. At which point, the decision isn't "I don't believe in your ideals and regime, I'm going to rebel" like Zuko's but instead "Oh fuck, I'm going to DIE if I don't turn good." In fact, it's the opposite case for Zuko because the boy was effectively guaranteed to live a cushy life if he DIDN'T turn good.

And so once again, we have another turn to good that happens too easily, too quickly and mostly selfishly AT BEST. Even when Hunter fights of Belos' possession, it's all about how it's nice to have friends and have fun rather than, you know, it being wrong to persecute an entire class of people just because you don't like them. In neither case do the characters act like they've actually changed or learned anything. They were just flipped to good and that's that.

I also might not be so butthurt about it if not for the amount of TIME this stuff takes and how TOH itself takes itself so seriously so often. It obviously wants to have these arcs be a good deal and is willing to spend an exorbitant amount of time on them, to the point where they start causing Luz to not have time to spend with characters like King or Eda, and yet they're also not exploring anything. They're not saying anything. It's just... There. On the most shallow level.

So yeah, if I haven't made it clear: I don't dislike the trope of bad parents leading to bad children who are eventually redeemed (in general, I think there are VERY few tropes that are inherently bad). There's a lot that can be done with it and it is a good explanation for how a young person can be so angry. You just, you know, actually have to do something with it instead of using only the surface level elements and expecting to be rewarded for it. Worse yet if you try to pretend that it took literally agency from the character when they clearly weren't actually that indoctrinated to have a lack of free will or so much fear as to not consider any other option.

And no, I don't blame the shortening. By Eclipse Lake for Hunter, and WELL before S1 even finished for Amity, both characters were obviously already 80% of the way to good people, if not already there for Amity. The show just had no patience and no willingness to explore its own concept and that ALWAYS sucks. It's the worst part of the writing for My Adventures With Superman too. *sigh*

So yeah, don't scapegoat, actually explore your concepts and don't erase your characters during their redemptions. Then maybe you can try to claim to have a character as good as Zuko.

======+++++======

Grain of salt here: Some of this is second hand because honestly, a rewatch of Avatar doesn't sound like a bad idea. It's been a while to put it mildly BUT just the structure of Zuko's arc is infinitely better than how most people do redemption arcs honestly so I think the thoughts still stand despite that.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

And finally a Twitter you can follow too!

#toh critical #Zuko #hunter toh #amity blight #character arcs

[zvtara-was-never-canon]

Your thoughts on Azula/Tyzula haters saying Azula only apologized to Ty Lee at the party because she didn't want her to "make a scene in front of everyone"?

"The girl that turned a ball into a nuke during a game and then wrecked a boy's house because he rejected her did not want to make a scene" Bruh.

And Azula did not just apologize - which is already one hell of a big deal from someone like her - she admited she was jealous of her friend and insecure about her complete inability to properly flirt with a guy without scaring him away.

If Azula was only worried about not causing a scene, she'd have stopped at the "I didn't mean it" or by ordering Ty Lee to stop being dramatic. Instead the animators make her look far more gentle, Grey made her sound genuinely apologetic, and the writting itself makes Azula let herself be vulnerable for a moment.

Hell, The Beach has her be vulnerable MANY times. The whole point of the episode is "Ember Island reveals your true self."

And what is Azula's true self? A princess that fully believes everyone should worship the ground she walks on, yet decides, of her own free will, to see if people would still like her if she was just a regular girl. A child soldier that thrives on anything regarding war, but was left with no socials skills because all she knows is war and no longer knows how to exist outside of it.

Someone that is both very arrogant and deeply insecure, to the point that she WILL lash out at others, either verbally or by literally destroying their home, because her feelings were hurt somehow - yet can sometimes regret doing that.

A girl that is upset due to thinking her mother didn't love her, yet tries to surpress that pain as much as possible. Someone who will go check on her sibling, try to get him out of a depressing place, and genuinely push him to ask himself what is making him so angry because she does care, but will still call him pathetic for having doubts on if he is doing the right thing and being visibly traumatized by the actions of their father.

No one is obligated to like her as a character, or want her to be redeemed, but to claim that any moment in which she shows she's not completely evil is just an act because "Azula always lies" is absolutely ridiculous because:

1 - NOBODY lies 100% of the time, not even pathological liars - especially not in a fictional story, because it's guaranteed to make it boring.

2 - The "Azula always lies" line is introduced to us when Zuko doesn't want to believe his dad agreed to murder him - which Ozai himself admits was indeed true. "Azula always lies" is not a rule, it's, ironically, a lie Zuko told himself when his sister was using a horrible truth to mess with his head.

3 - Once again, the whole point of The Beach is "We are seeing who these four characters REALLY are" - and regardless of what fans like or dislike, Azula is a complex person that is capable of being both terrible and not that bad, a tormentor and a victim, cruel and compassionate, a scary villain you shouldn't mess with and just a child that is trapped in an awful situation and sees no way out.

#azula meta

[comradekatara]

it’s easy to say that ozai banished zuko for “speaking out of turn” because ozai is a terrible father and the violence he inflicts upon his family as well as everyone else is absurdly cruel and unjustified. but it’s not just that zuko spoke out of turn, is it? he spoke out of turn at a war meeting by making an impassioned speech that undermined the entire ideology of the fire nation.

sure, zuko may not have realized it at the time, but his argument was essentially that their whole war, the purpose of the fire nation since sozin’s reign, is fundamentally wrong. by claiming that sacrificing fire nation soldiers for the sake of their imperialist project is a bad thing to do, zuko is positioning his own values outside of the fire nation’s; he was directly disrespecting the fire lord in front of his court.

that’s why ozai challenged zuko to an agni kai. in the kyoshi novels we learn that an agni kai is typically fought until an opponent is either killed or too badly wounded to continue fighting. i think ozai was hoping that stubborn, foolhardy zuko would attempt to fight him despite knowing that ozai is much stronger than him, giving him an excuse to kill his son.

he didn’t account for the fact that zuko didn’t actually understand that to the firelord, filial piety is incompatible with treasonous thoughts against the fire nation. zuko had no intention of insulting ozai, he was simply too clueless to realize that by speaking out against their tried and true war tactics, he was insulting ozai in the first place. so he surrenders, begs for forgiveness.

but of course ozai would never accept surrender. if he can’t kill zuko in combat, he will still burn him, and banish him. send him on an impossible quest with an empty promise that zuko can obsess over so relentlessly that he won’t even question why he was banished in the first place. which is because he had directly challenged the entire mission of fire nation outright.

it wasn’t just that he spoke out of turn. zuko surely didn’t know it at the time, had no idea that he was doing so, but nonetheless. he essentially committed treason.

#zuko #ozai #ozai&zuko #analysis #and zuko still doesn’t even realize what he did #oh sweet naive zuko #azula knows though #and thinks zuko is a traitor of the highest order #and yet she still gives zuko credit for killing aang so he can come home #:(

[ur-frndly-neighborhood-memer1]

A THEORY ABOUT OZAI-

Why was Ozai so cruel?

Fire Lord Ozai is the absolutely malicious and tyrannical main antagonist of the Avatar: The Last Airbender. In the series, he comes across as a cruel, ruthless, and a megalomaniac dictator. Which is why he is often considered as a 2 dimensional cartoon villian with no rich background compared to the other villains like Azula, Zuko (formerly), Hama; Amon, Zaheer...

We never really see his inner struggles or anything complex about his character at all. His only motivation is like "Evil for sake of being evil". That's why some fans complain about his character being too shallow and too cartoonishly evil. And this really stands out when we compare him to rest of the characters, and arguably, they're all more complex characters than Ozai.

But... is this really true?

Could there be something more interesting and tragic about Fire Lord Ozai's character? Do we only see the only a small part of the iceberg? Well, let's find out!

There's literally nothing we know about his childhood or his early ages. All we know is that he was married Ursa when he was 30 and Ursa was 21, Ursa was specifically chosen because she happens to be the granddaughter of Avatar Roku. So, they could have powerful heirs for the Fire Nation. And it actually happened because Zuko and Azula really are exceptionally powerful firebenders.

Another thing we know about him is this panel,

They actually look like a normal, ordinary family here and it hurts. They're on a vocation; Ozai and Ursa just sitting calmly, baby Azula playing with sand, little Zuko running to save a turtle-crab... And when when the wave washed over Zuko, Ozai ran to save him.

Could the whole thing be true or Ozai was lying? I personally don't think it was a lie, because Zuko seems to remember some rare memories of his family being happy once and coming to Ember Island all together. Yes, you can say that Zuko could be an unreliable narrator here since he kinda romanticized those memories... But again, it's what happens with memories. Don't we all remember our childhood as purely innocent and happy? Because we like to remember those happy times and often forget about the bad ones. But the bad times don't erase the good memories! Also, in the "Beach", when Azula came to comfort Zuko, she also seemed a bit depressed. It means she was also missing those happy and innocent times of their life. So no, Zuko's memory was correct and Ozai probably wasn't lying either. Their family had some good times once.

Could it possibly be a redeeming quality for Ozai? Perhaps. However, we all know that it didn't last long. And we also know that Ozai was always sort of like that and Iroh comfirms it in "The Legacy of The Fire Nation" novel

And something interesting here... Iroh admits he sort of blames himself for not being a better guide for his brother. Which makes me think... Did Ozai really ever have a positive influence on his life?

You can arguably say Iroh, but i'd disagree. First of all, there's a huge age gap between Iroh and Ozai. And Iroh was a general who was busy with fighting in battle, such as the siege of Ba Sing Se. So I imagine they didn't really have a chance to spend time together and bond as brothers.

Also, Iroh wasn't exactly a positive influence before the death of Lu Ten. He used to be more ruthless and hungry for glory. Yes, he still was a caring guy towards his family, but he only realized the terrible side of violence and terror after losing his dear son... This is when he finally developed empathy towards everyone, not only for his family. So I don't think he would be able to be a better influence for Ozai when they were younger...

And if not Iroh, who could possibly be a good guidance for Ozai? Azulon? Pfft, yeah right! He definitely favored Iroh over Ozai, and was seen to be cold and harsh towards his son. So nope, he was an abusive father and far from being a good guidance.

But... What about his mother? What happened to her?

The only thing we know about Iroh and Ozai's mother is her name, Ilah. And she was married to Fire Lord Azulon. There's literally nothing else we know about her. So, we don't know what kind of a relationship she had with Ozai either.

And that's why I have this theory in my mind! Could it be that Ilah died when she was giving birth to Ozai? And maybe that's why Azulon was cold and cruel to Ozai?

The death on childbirth was a common incident during middle age and in the earlier ages too. Unfortunately, it still can happen in modern world too... But thankfully, it's a rare incident now due the modern advantages.

So yes, it's very possible that Lady Ilah to die on the childbirth. Because we never see her in the series nor in the comics. If she was alive at the moment, she would totally show up on Ozai and Ursa's wedding. But she didn't, which means she was long gone, at least for like 20 years. But since neither Iroh or Ozai mentions her for once, we can assume that she died very long ago.

Could this be why Iroh turned out to be a caring and compassionate person towards his own family? Because he had maternal love and support? Well, he obviously didn't get that from Azulon (even though Azulon seemed to care for Iroh and Lu Ten in a certain level). And that might be why Ozai became a cold and cruel jerk, because he never had this kind of love and support in his life.

And it also explains Azulon's bad treatment towards Ozai, reminds me of how Tywin Lannister despised his son Tyrion Lannister from Game of Thrones/A Song of Ice and Fire. Tywin hated his son Tyrion because he was a dwarf and also because he "killed" his mother in childbirth

So maybe Azulon was going full Tywin on Ozai and blamed him for "killing" his own mother.

If that's the case, it makes a ton of sense for Ozai's character! Because he never really had a chance to redeem himself and grow up in a healthy environment. He was being told that he was a killer since he was born and accused with killing his own mother. I can totally imagine Azulon telling him that he is "An ill-made, spiteful creature. Full of lust and low cunning" (Quote from Tywin Lannister), or maybe even calling him a "monster"?

If this theory is true, then it makes sense for Ozai's character and why he became a brutal, ruthless and narcissistic person.

And let's not forget, narcissism isn't only a personality disorder but also a coping mechanism. Narcissists actually have fragile egos and low self-esteems. That's why they fake confidence and a false sense of grandiosity as a self-defense mechanism. The exact reasons of narcissism is not known, but researchers show that both genetic and environmental factors are in it. And it's very possible to occur because of a trauma or abuse too.

So maybe Ozai was crushed under the abuse and pressure of being "guilty" for killing his mother in childbirth, and he found comfort in creating a false sense of superiority.

And this also might be why Iroh and Ozai became distant towards each other. Ozai was probably jealous of Azulon's nicer treatment towards Iroh. So he didn't want to be around him and see how their father treats him better, because it would remind him of the fact that he was the unfavorite child. And from Iroh's aspect, maybe he was devastated after the death of his mother and wanted to distance himself from Ozai for it? Yes, it doesn't really sound like something that the Iroh we know would do. But again, we really don't know the Iroh before Lu Ten's death, but he surely cared about his family so much. And maybe that's why he distanced himself from Ozai because he took away a part of his family? And because of Azulon, Iroh probably didn't have a chance to accept Ozai a part of his family at this point. And when he did, it was probably too late. The damage was done. Ozai already became a narcissistic jerk and a potential tyrant.

So, that's my headcanon about Ozai's evilness. You can agree or disagree with it. If you have different thoughts, please feel free to share them with me

#atla ozai #azulon #atla iroh #azula #fire lord ozai #ozai #evil #Atla #Avatar the last airbender #Avatar Ilah #Why is ozai evil #avatar analysis #Zuko #ursa #avatar ursa

[galaxythreads]

The live action ATLA is amazing. 9.5/10. I didn't love everything about it, but there are so so so so many good parts and I'm so glad that Netflix decided to make this. I've seen a lot of weird criticism from long time fans and maybe I just haven't been in the fandom long enough, but. I absolutely think it's worth giving a watch if you go in with a semi blank slate. The Netlfix series is not trying to be an exact scene by scene remake of the show.

The thing about it that you have to remember when you go in is that they said they were going to change the tone of the show, and they did, and it works! It's not the same. It's not a comedy. It's funny, but it's not a comedy. Character motivations were changed to fit the darker theme. It's using Avatar as source material and intends to be an adaption, not a reconstruction of the series.

Katara is much more traumatized about her mom's death, which made sense! She was murdered in front of her. She's afraid to take on a maternal role because of that. She's quieter and softer because she's afraid and she's healing from her mother's murder. Katara in the series made sense, too, but I feel like someone looked at her and went! Wait. Smol child is maybe...not okay??? I have faith they will build her up as the seasons progress if they continue.

Hakoda is disappointed in Sokka barely passing his trial. Makes sense! They're at war! Sokka has to take care of the village, of course Hakoda has high expectations for him. And the thing is--Hakoda still trusted Sokka with the responsibility of the village anyway, so his disappointment in Sokka's trial didn't stop his faith in his son. And honestly, I think it's fine that Hakoda is not a perfect parent who never makes mistakes. Parents rant about their kids to their friends all the time. It's healthy because they're not doing it in front of, or to, their kid. Hakoda didn't know Sokka was listening. So. Idk. Sokka doesn't go through his misogyny is bad actually arc, and while I missed it, I thought he functioned really well in this story without it. And for the record!!!! Sokka STILL makes stupid jokes the entire season. He didn't lose his sense of humor.

Aang feeling so much guilt about leaving? Yep! I can vibe with that. I missed his innocence and playfulness, but I feel like this wasn't a bad take on the character either. He was still playful, but in the world they live in, it would make sense that he feels terrible for leaving. And everyone they encounter takes it upon them to rub it in his face so why wouldn't he feel bad or out of place?? Especially after Bumi. Everyone says he needs to face this alone, and Aang learning that he doesn't have to?? Powerful!! Is it the same arc as s1 of the show? No! It's not supposed to be!

Zuko's actor was perfectly cast. That boy IS Zuko. The scence at the end of e6 made me cry because it was so powerful with the 41st, and that felt so EARNED after episodes of watching Zuko's crew despise him to suddenly realizing the only reason they're alive is because of him and realizing it's an honor to shelter him. Zuko drawing Aang to pin him on his disaster wall was amazing. Him getting hit by some random woman for attacking Aang? Amazing. Him sitting next to Iroh during Lu Ten's funeral? So soft. The Agni Kai really rubbed people the wrong way, but I think it was interesting that they decided to have Zuko showing compassion be the root of Ozai's anger. He showed compassion to the 41st, he shows compassion to his father, and when Ozai has defeated him, he has him on the ground and could walk away, and he chooses to burn his face. It's not exactly the same as the show, but again, it's not intending to be.

Azula being here was interesting. I don't know if I loved Zhao being incapable of doing anything without her, but it works for what it is. Zhao is intended to be annoying and he was! So. 10/10. She cried when Zuko got his scar! Ozai playing the long hand of terrible abusive tactics made me want to bite him. Because Ozai doesn't care about Zuko. He uh. Made that pretty clear when he banished him and then at the end when he's explicitly told Zuko might have died at Agna Qel'a and he's like ????????? Am I supposed to care??? We've gotten rid of weakness. So??? Like he used Zuko to force Azula to become more ruthless. He used Zuko to shape her. I do hope we get more exploration of Ty Lee and Mai so they aren't Faceless Blorb Friends, but I just don't think there was really time in s1.

The parts they chose to remove and add into the story was interesting. You got to explore the story for the first time again. I definitely think both versions have merit and are deeply enjoyable, I just don't think you should go in expecting it to be exactly the same thing? I was happy to see a new take on the story, but that might be because I knew that it was going to be darker and the characters would adapt to that. I do hope we can get more of the vibe of the show's humor in season 2 if we get season 2, and Katara feels little more like her show-counter part because I missed her, but honestly, I do recommend to a friend.

Or at the very least, if you absolutely refuse to watch it, PLEASE go watch the last 1/2 of episode 6 with Zuko and the 41st because I CANNOT.

+THEY ACTUALLY PRONOUCED EVERYONE'S NAMES CORRECTLY #bareMinimumAward

#avatar the last airbender #avatar live action #Netflix Avatar #netflix avatar spoilers #atla #idk #my two cents #i binged the whole thing and I had fun #i haven't wanted to binge anything in forever #but I hope they get renewed because I'd love to see their take on s2 and 3

[zukosdualdao]

ashes of yesterday / rise of tomorrow

zutara month, day four: ashes, @zutaramonth

summary: the night aang blows up at them, before they’re set to leave, katara finds zuko sitting alone on the pier. he is burning a leaf, and he wants to be alone. one of these things is true.

warnings: implied/referenced abuse and many implied complicated feelings. not terribly explicit, but there is a reference to ozai trying to kill zuko in the day of black sun.

Zuko is the shadow of a lonely figure set against the growing night, his back turned as Katara walks the length of the boardwalk. She’s discovered a love of watching summer sunsets in the Fire Nation, the way the glowy orange morphs into a dark umber just before fading into a color like that of charcoal and then finally into deep black. 

She’s been coming out here sometimes, later in the night, just to get a moment to breathe, to watch the sunset. Faintly, she wonders if she’s been stealing Zuko’s spot.

“What are you doing?” Katara asks as she approaches, standing as he sits with his legs hanging off the pier's edge. She squints to see what he’s holding—and finds that it's a leaf that he’s burning slowly from the inside out, that singes as he twists the stem in his hands. Glowing red and deepening black overtake it, the hole that results growing steadily wider.

He shrugs his shoulders. “I don't know. Thinking, I guess."

Katara tilts her head and watches. His control is impressive.

With Aang blowing up and storming off, things have been tense all day. Tomorrow, they begin their journey to the Fire Nation Royal Palace. They will either win, or else the world may burn.

She finds she's not so surprised that maybe Zuko needed a little space to breathe, too.

Ozai has to die for them to win. Zuko knows this. Zuko has said this. She tries to think what that might be like for him. Even as he advocates for it, even as he insists upon it, Ozai is his father.

The Firelord is not a good man. Katara knows this. She doesn't think he can be much of a father either—she still remembers the unpleasant roll of her stomach as he told them about redirecting Ozai's lightning—but he is still Zuko's father. That will never not be true.

Sitting down beside him, she swings her left leg over the edge of the pier, and then pulls the other under her, her body angled so that she can take in his face.

“What’s wrong?” she asks softly.

A lot is wrong, of course. It could be any number of things.

“I want to be alone,” Zuko says stiffly, instead of answering with one of them. Katara tilts her head, watching as he looks straight ahead, his eyes on the line of the horizon. Though he’s not yelling and his eyes are mostly blank, numb, the look of him, his forlorn posture, reminds her of the boy that batted fire to scare them away in that abandoned Earth Kingdom village, the boy that seemed so lost and alone in the catacombs of Ba Sing Se.

Katara couldn’t recognize it then, but she can now. Now, she knows him. It was like he was once holding the world and all the people in at a distance so that he would not be hurt. It's like that again now.

Katara does not want to hurt him.

“I don’t think that’s true,” she counters softly, with a slight shake of her head, catching the way he pinches both eyes closed, his lips pursing. “But if it is, tell me again, and I’ll go.”

Zuko says nothing. Katara inches ever-slightly closer to where he sits, erasing the gap between them, and turning forward to watch the sky with him.

After a long pause, Zuko takes a shaky inhale and leans over to rest his head on Katara’s shoulder. Her heart skips a beat. She leans into it, too.

They watch together as the final remnants of the leaf fade, dark ashes falling away from Zuko’s tight fist and into the still, dark, shimmering sea beneath them.

#zutaramonth2024 #zutara month #zutara #zuko x katara #katara x zuko #atla #my fic #ashes of yesterday / rise of tomorrow #zuko #katara #favorite thing about zutara is just like... them nothing being someone who will sit with each other in their feelings #and allow each other to feel whatever it is they're feeling. yeah. #trigger: abuse. #jic #* them both not them nothing lol #them everything ❤️