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megyulmi · 2 days

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➠ Sukuna, the ‘shunned’ child and the demonisation and worship of ‘unwanted’ children in Japanese folklore:

[long read. trigger warning: referenced folktales and practices depict themes of infanticide, religious rituals and child exorcism, demonisation and worship of children, ableism, suicide, implied sa, and period-typical outdated social views. they are not a representation of my personal beliefs. please read with caution.]

New revelations of Sukuna’s past in Chapter 257 made me look deeper into some of the tales and customs from Japanese folklore about children deemed ‘abominable’ in the eyes of society that I had previously noted down and I decided to share as I think they could offer a better insight into Sukuna as a character and what might have inspired Akutami Gege’s depiction of him.

It would be better to start with a bit of the social background of Japanese folklore. I will use the Emishi (an ancient ethnic group of people who lived in parts of Honshū, especially in the Tōhoku region) as an example, the oral tales of whom later blended with Shintō and Buddhist religious concepts and heavily influenced Japanese folklore. It is believed that many of their tales were shaped by the region’s difficult history of natural disasters, famines, and geographic isolation. In the Tōhoku region, infanticide was sometimes used as a form of ‘birth control’ due to repeated famines. The bodies of ‘unwanted children’ were often disposed of in rivers or lakes.

Another important source of such folklore is the city of Tōno in Iwate prefecture, known particularly for Kappa, tales of which could offer a good basis for the beginning of my intended analysis.

Kappa, a green, amphibious, child-like creature with a yellow beak for a mouth and a turtle shell on its back is one of the most popular Yōkai from Japanese folklore. Some researchers say that the darker aspects of Kappa tales in Tōhoku may be an echo of the region’s tragic history of famines and the high rates of infant mortality caused by a harsh climate, natural disasters, and the tax system that was paid in rice. Similarly, many people in Tōno (which is part of the Tōhoku region) believe that tragic history is one of the origins of the stories of Kappa. The Kappa of Tōno specifically are said to be red in colour rather than green, which may allude to the Japanese word for infant - akachan, which derives from aka, the word for red. From this perspective, Kappa are creatures born out of social challenges and disasters. They may not seem all too relevant to Sukuna, but the need to mention them will come up in the later part.

Moving on, at the beginning I mentioned that ‘unwanted children’ were often disposed of in the rivers and lakes, which is also found in the Japanese creation myth. I discussed the variations of the myth in this post about Sukuna previously (you do not need to read it for the moment, but please note that it has many variations), but somehow I did not mention their first ‘inadequate’ child. According to the myth, before they had Kagutsuchi, Izanagi and Izanami had a child as a result of their first attempt at a union, but the child, known as Hiruko (‘Leech Child’), was born deformed. The mistake was attributed to a ritual error on the part of Izanami, who, as a woman, should never have spoken first (i.e. initiated the union). Considering the child inadequate for a diety, they set him adrift in a boat in hopes he would die at the sea. This myth reflects how women and children who were born ‘different’ or seen unable to serve their ‘purpose’ were treated.

Continuing from the myth, Chapter 257 made me think of the tale of Katako, in which the protagonist is born half-human and half-oni. What is Sukuna’s true nature we cannot know for certain. We know he was a human once, but we do not know enough of his past to assume if there was more to him (how and why he as a human might have come to be called the King of Curses will be explained in the later part), but the tale still has the potential to give us insight into Sukuna and his mother’s relationship. The tale has various versions with different endings, but it generally could be summarised as follows:

[A long time ago, a man encountered a man-eating ogre (from here on referred to as oni) while working in the field. He told the oni how much he loved mochi (rice cake), jokingly adding that he could even trade his wife for it. Taking his casual banter seriously, the oni treated him to mochi. The man ate his favourite food to his fill and happily went home only to find that the oni had taken his wife in exchange for the treat. The man searched everywhere and finally found his wife on the island where the oni lived. The man and his wife managed to come back home with Katako (meaning ‘Half-Child’), a child born of his wife and the oni on the island. However, Katako was always ostracised by his human peers (in another version, it is said that he had an insatiable appetite for eating humans). At ten years old, tired of being ridiculed, he asked his mother ‘to cut the oni part of him into pieces’ when he died, and then committed suicide.]

In the tale, Katako’s relationship with his mother seems to be of trust. He is cast out of society by humans and despite his mother being one as well, he does not harbour hate for her, he trusts her enough to leave his final wish upon her. We do not know much about Sukuna’s relationship with his mother, but the manner he referred to her in the last chapter makes it seem that he also harbours no hostility toward her. This tale also shows how children deemed ‘different’ were treated.

In past ages, children, being considered closer to the gods and the Other World, also played the part of intermediary between humans and the gods in Japanese society. This task of mediation between two separate worlds fell to them because they were regarded as incomplete persons (until the age of seven it was considered uncertain whether they would live or return to the Other World: a belief related to the challenges indicated at the beginning). While considered sacred beings different in nature from adults, they were at the same time looked down upon and referred to as kodomo (where ~domo has a negative/belittling connotation), gaki (hungry ghost or demon; brat), or jari (lit. gravel).

Back in the day, people referred to the killing off of ‘unwanted children’ (mabiki or ‘culling’, a common old slang for infanticide) as ‘sending a child back’, and a dead child was given a special non-Buddhist funeral. The various rituals surrounding birth and the child’s upbringing were intended, through communication with the Other World, to transform the child into an earthly being. This aspect of the ritual made me think of Sukuna’s mask and how that part of his face resembles a burn scar (note: i am aware the nature of his ‘mask’ is still not clear and whether it is really one) in some of the official illustrations. It is known that rituals of purification included fire and water magic. Exorcism of demons, aversion of disasters, and other rituals for the removal of pollution were frequent. A katashiro (paper cut in the shape of a man) symbolising the disaster would be burned or floated down the river as well. Personally, I see the possibility of Sukuna’s scar (if it really happens to be one) being from one of such rituals.

Continuing, there is a term - Goryō used to refer to the spirits of those who had died violently (e.g. by murder or execution) and have become gods. It also included those who had died untimely deaths and therefore had been unable to fulfil their purpose in this world. Some notable gods such as Hachiman, Tenjin, and Tenno were once considered powerful Goryō. Great natural disasters and social unrest were attributed to them; rituals designed to appease them were performed, and a cult of such worship evolved. It was (usually) as a result of belief in Goryō that particular individuals came to be worshipped as gods. At times when public unrest threatened the social order, elements estranged or excluded from the ‘normal system/order’ were assigned the status of Goryō and worshipped as such. The cult was intended to purify and renew society. Manga has given us a similar glimpse of Sukuna’s past, where despite being feared (and despised), people were ready to serve him (and pray in his name) for their own well-being. I think Akutami intended to echo this very aspect of society through the scene.

I mentioned that children were considered closer to the gods and the Other World, but not all children were treated equally. One version of the origin of Kamadogami in the Tōhoku region is that he was an ‘ugly child’ from the Dragon Palace who had been killed and was thereafter worshipped at household hearths. Zashikiwarashi, who often inhabits old houses and is said to bring good fortune while he remains, is another household god in the shape of a child or, in another version, the spirit of an unwanted child who, having been killed off, became the guardian god of houses. I mentioned Hiruko at the beginning as well, who was set afloat on the boat in the sea. Despite that, he is in some Shintō shrines identified with Ebisu, the patron of fishermen and tradesmen. Their worship was for the purposes indicated in the previous abstract, to avoid their wrath. Sukuna has not been ‘killed off’ like these children were, but such worship shows us the general psyche of the public.

I indicated that socially inferior and rebellious beings were treated similarly in the previous part. The character Dō of Dōji (童子, meaning child) once meant ‘slave’, tattooed on the forehead, and was closely linked to notions of personal status. It signified one who was not a complete person and also one who had not yet been initiated, in other words, one who did not belong to the order of this world, one who was in this world but not of it. They were despised, feared, and avoided by ordinary people for their strange appearance and magical powers. In some cases they even formed separate ‘child’ villages (dōji mura), calling themselves ‘descendants of oni (demons)’. Since they played the role of demons during the rituals, they were shunned by the nobility as if they were real demons. Could this somehow connect to Sukuna’s title? I do believe there is a possibility this could have inspired his being as the King of Curses.

The ‘ugly child’ who appears in the story of the origin of Kamadogami has parallels in Yokenai, Untoku, Hyotoku, and Hanatarekozo, children who brought good fortune and prosperity to the house in return for offerings to the Watery World of kadomatsu (pine-branch gate decorations for the New Year) and firewood. But despite that, their ‘ugliness’ and names were used as an indication that these children did not belong to this world. It is important to note that socially inferior and rebellious beings were treated in the same manner (here is where the point connects to Sukuna, continued from the next part in depth). Such children were often associated with the colour red. For example, Zashikiwarashi is described as red-haired and red-faced. Kintaro, Shutendoji, and other children born in unusual circumstances (but may not have been considered an ‘ugly child’) and brought up in the mountain wilderness are also said to have had red bodies and were endowed with superhuman strength. I also mentioned that Kappa from Tōno were depicted as red. We see Sukuna often associated with the colour red, particularly, his eyes are red. I believe the above-mentioned could be the reason for that.

Personally, what we know of Sukuna and his past seems to echo these folktales and practices as the foundation of his character. He was a ‘Demon’ for being an ‘abominable’ child, but he was worshipped for this same reason as well. Whether he was born that way after eating his twin in the womb or something happened to him later in life cannot be known yet, but it is clear his ‘abominable’ appearance could have warranted the same treatment from society. It could also explain Kenjaku’s ‘fascination’ with him as a being. We do not know what relationship they had or how exactly they came to know each other, but there is clearly a reason why a being such as Sukuna would ‘work’ with them. We do not know much about Kenjaku either, but it could be possible that they (Kenjaku) once were either (1) one of those ‘priests’ who performed exorcism to purify ‘demon’ children or (2) someone who offered such children refuge (perhaps and more likely, for their own personal gain). It would also relate to the variations of Ryomen Sukuna’s story that inspired Akutami Gege.

[Disclaimer: This post does not intend to demonise Shintoism or Buddhism, but to tell folklore and practices for analytical purposes. Additionally, English is not my native language and this is only a personal interpretation as just another reader that I am sharing in case someone finds it interesting or can use the information for better analysis.]

#oh. ha. guess who zoned out and ended up with this huge info dump.#if anyone actually reads this i will be shocked.#this is probably the last one on sukuna. (watch me change my mind when something new is revealed next chapterㅋㅎ)#jjk #sukuna #jujutsu kaisen #ryomen sukuna #jjk spoilers #jjk analysis #jjk meta #ryoumen sukuna #jjk sukuna #sukuna ryomen #(which one is the actually used tagㅋㅎ)

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a-man-for-hire-and-his-archives · 3 days

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Here’s Why Everyone Is Talking About A Pirate Drama That Ended In 2017

Black Sails has been described as Game of Thrones with pirates

If Black Sails kicked off in 2020 instead of 2014, it certainly would have thrown fuel on the raging fire that was TikTok’s sea shanty obsession. The reality is that this TV series aired on Starz from 2014 for four seasons, coming to a close in 2017. So why is everyone talking about it now, a decade after it began?

Black Sails is coming to Netflix very soon, triggering its fans to emerge from the woodwork and promote the show online. ‘I am SO excited for people who’ll be watching this show for the first time,’ one user wrote, with many others recommending the series to fans of Game of Thrones. With House of the Dragon still a few months away, here’s why you should tune into Black Sails this month.

New To Netflix: Black Sails

What Is Black Sails About?

Black Sails transports us back to 1715 – aka the Golden Age of Piracy. Set in New Providence, an island in the Bahamas, we meet the feared Captain Flint (Toby Stephens) who brings a new younger crew member into the fold (‘Long’ John Silver, played by Luke Arnold) as his crew continues to fight for survival and negotiate their space on the island.

Is Black Sails Based On A Book?

Black Sails was written as a prequel to Robert Louis Stevenson’s classic novel, Treasure Island (1883).

Is It Based On A True Story?

While Black Sails isn’t based on a true story, it does trace real events. The first season focuses on the hunt for the Spanish treasure galleon Urca de Lima, a real ship that sank in 1715 near Fort Pierce in Florida (where it still lies). Season two traces the fallout of Urca de Lima’s treasure being stranded in Florida, strictly guarded by Spanish soldiers while pirates prowl the shores. The subsequent third and fourth seasons then look at the war for the control of New Providence between the pirates and the British Empire – a la Pirates of the Caribbean.

Likewise, some of the characters are based on real people. Real pirates fictionalised in the show include:

Blackbeard (Ray Stevenson)

Anne Bonny (Clara Paget)

Benjamin Hornigold (Hakeem Kae-Kazim)

Jack Rackham (Toby Schmitz)

Charles Vane (Zach McGowan)

Ned Low (Tadhg Murphy)

Israel Hands (David Wilmot)

Meanwhile, Captain Woodes Rogers (Luke Roberts) – who represents the British Empire in seasons three and four – is based on a real English sea captain and slave trader, and subsequently the first Royal Governor of the Bahamas.

Was Captain Flint A Real Pirate?

Captain Flint is a fictional character who was first created by Robert Louis Stevenson in Treasure Island. He has since appeared in multiple works of fiction, including A. D. Howden Smith’s Porto Bello Gold (1924), John Drake’s Flint and Silver (2008), Pieces of Eight (2009) and Skull and Bones (2010), and J. M. Barrie’s Peter and Wendy (1904).

Where Was Black Sails Filmed?

Black Sails was filmed in Cape Town, South Africa, mainly inside at Cape Town Film Studio. Because the real city is so different today than it was in the 1700s, Nassau – the capital of the Bahamas, located on New Providence island – was built from scratch in a studio over a period of four months, as were two large water tanks to house the series’ two ships. Some scenes were filmed outside in and around Cape Town when new terrain was required, but most of the series was filmed on set.

The Cast

The cast of Black Sails is incredibly large, but key characters to know include:

Toby Stephens as James McGraw/Captain Flint

Hannah New as Eleanor Guthrie

Luke Arnold as ‘Long’ John Silver

Jessica Parker Kennedy as Max

Tom Hopper as William ‘Billy Bones’ Manderly

Zach McGowan as Charles Vane

Toby Schmitz as Jack Rackham

Clara Paget as Anne Bonny

Mark Ryan as Hal Gates

Hakeem Kae-Kazim as Mr. Scott

Sean Cameron Michael as Richard Guthrie

Louise Barnes as Miranda Hamilton/Barlow

Rupert Penry-Jones as Thomas Hamilton

Luke Roberts as Woodes Rogers

Ray Stevenson as Edward Teach

David Wilmot as Israel Hands

Harriet Walter as Marion Guthrie

The Trailer

Interested? Here’s the trailer for a taste of the action.

youtube

WATCH

All episodes of Black Sails are streaming on Netflix from 17 April 2024.

Source: Country & Town House

#black sails #black sails on netflix #luke arnold #tom hoppers #jessica parker kennedy #clara paget #toby schmitz #zach mcgowan #luke robert jr #hannah new #hakim kae kazim #louise barnes #nick boraine #rupert penry jones #ray stevenson #david wilmot #sean cameron michael #Youtube

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zachsucr · 3 days

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WOOO THE FIRST ONE IS HERE!!!

Funny enough, but my first ever drawing based on Confinium was with Navigator and not the Pilot (who still is my favourite to this day ABSOLUTELY ISN'T OBVIOUS YEAH). So, this Navi drawing was made in the summer of 2018 in my first sketchbook. Damn, I was 15 at the time...

I loved every character in the game, but Pilot resonated with me more than anyone else. Maybe his character is just something that is closer to me personally. So, I liked Pilot so much that I made a felted toy after him. It's still one of my favourites (I also have felted Zacharie and Bad Batter's head, but I consider them ancient at this point, and they look like they have seen some shit) and I brought it with me to the Black Sea one time. Me and my family traveled there by the car, 3 000 km to the sea and then 3 000 km back to my hometown, so that lil' guy have seen a bunch of russian cities and beautiful landscapes on our way B)

I also made some of my drawings in not so pleasant periods of my life (specifically the two last ones). I guess I got some sense of relief from drawing certain scenes from the game, trying to put my feelings in the atmosphere of those pieces.

I still come back to the game from time to time. The first time I played Confinium was in 2018, but only a year ago I found this "Bendy and the Ink Machine" song reference when you make Pilot observe the sheeps for a couple of times. That's actually what I really like about the original OFF itself and It's fangames. You can come back to the game and still manage to find something new for yourself each time you visit it.

By the way, Penta (my fav OFF OC) was originally made to be a Confinium OC, BUT THEN SOMETHING WENT HORRIBLY WRONG and now he's a character of his own story, which I want to make real someday hopefully.

And for the last, I also still have some old cosplays on Pilot and Omni in Pony Town eheheh

So that concludes my expirience with the game and it's characters, I guess. Thank you Xin for making this amazing game. Even if it's not completed, It still brings joy and happy memories to me and a lot of people who played it. Thank you for leaving a print on my teenage years. When you ever feel down, I hope that you will remember that there are people from all around the globe that appreciate you and the things you do. You matter.

(If anyone wants to do something similar to this post, you're more than welcome! No need for tagging or anything, just make your fav creators feel appreciated by telling your own stories and some nice words to them!)

#off game #off fangame #confinium #confinium (off fangame)#pilot (confinium)#navigator (confinium)#omni (confinium)#king batter (confinium)

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firelordsfirelady · 20 hours

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IX. Flash of Blue

Author: @firelordsfirelady

Imagine: When Y/N—a princess of one of the Water Tribes—is told she’s leaving her tribe, she never expects that she’s to be betrothed to the Fire Lord’s son, nor was she prepared to be exiled the very day she arrived at the Fire Nation. With her life in the hands of her new fiancée, how will life change for the princess?

Pairing: Zuko x F!Reader

Trigger warnings: arranged marriage, feelings of fear, banishment, mentions of burns/abuse, frustration, violence, betrayal

Word Count: 870

Destined to be Yin and Yang

I own no rights to Avatar the Last Airbender or any of the characters/story.

Author’s Notes

The characters as all aged up so Zuko’s banishment happens when he’s 16

Keep in mind I am bringing a unique world with inspiration from ATLA in their characters, some of the events that happen, bending, etc. Not many things may align or occur with what happened in the show. It’s intended that way, so I hope you enjoy it regardless.

See Y/N’s inspiration here.

Zuko and I trained every day for the next week or so, but I found myself struggling to focus on fighting. Zuko had grown frustrated and told me to leave if I couldn’t focus, and that’s how I found myself one afternoon standing on the deck. I watched the endless horizon of the icy sea continue without much variation.

Something deep inside my being whispered to watch the horizon for something.

“Gets boring watching the horizon, right?” I turned to find Lieutenant Jee casually walking to stand next to me. “I don’t know why the Prince insists on this mission of finding the Avatar.” The lieutenant placed his hands on the railing as he spoke his next words bitterly. “Or why he insisted on dragging us all with him.”

“You shouldn’t speak about the Prince in such a manner.” My words were stern. “I understand you’re frustrated, but you truly have no idea how much the mission means to him.” I could feel his eyes staring at the side of my head before he let out a humorless laugh.

“I did not think you’d be the one to have a soft spot for the Prince,” Jee said and my cheeks felt hot at the accusation.

“I don’t have--” I opened my mouth to speak as a large bright beam of light lit the sky in the distance. The beam of light continued to light up the sky as Zuko came rushing over to the side of the boat. The blue light drew my attention like a moth to a flame as I was suddenly attempting to attack a stranger on a dock in a city up north. The world is void of light as I try to defend myself, but the stranger laughs as he sends a fireball my way. I collapse as the world went black as the fireball made contact with my body.

“The only settlement in that area is a small Water Tribe village in the Southern Pole territory.” When I came to, there was a damp cloth on my forehead and whispers of conversation in the room around me. “That’s where we need to go.”

“Where you think we’ll find the Avatar?” Another voice--Iroh’s--whispered.

“Yes.”

“Because of the light?” Iroh’s final question had Zuko go quiet for a moment.

“Do you think I am imagining things?” I recognized Zuko’s voice as he sounded hurt at Iroh’s statement, and Iroh sighed heavily.

“Sometimes, the light beams we see are nothing more than celestial glimmers in the cold winter sky.” I heard Iroh shift his weight in the chair beside me. “Sometimes, caring for those who care for us is the more important option.”

“I’m not worried about her, Uncle.” Zuko’s tone was harsh, and I let out a low groan I slowly opened my eyes to let them know I was awake. Zuko was standing over the desk in my room with a map sprawled out on the surface of it. Iroh sat beside me in the chair from my desk. A bucket of water sat beside Iroh with various rags neatly folded next to the bucket. “I’m sure that was the Avatar.”

“Take it easy, Y/N,” Iroh said as he shifted his attention to help me sit up in bed. “You gave us quite the scare.”

“Good. You’re awake.” Zuko’s voice was cold to me as he turned on his heel. “We will make haste for the Southern Water Tribe.” Without waiting for Iroh’s response, Zuko added. “Y/N, when we arrive, you need to stay on the ship. I don’t need any weaknesses when go to capture the Avatar.” With that, Zuko left the room and briskly walked away. I gave Iroh an encouraging smile and ushered him away as Zuko left.

“I’ll be okay.” Iroh gave me an apologetic smile as he left the room and closed the door behind him. A shaky breath left my lungs as I laid my head against the cool wall as I had to face reality once again.

It’s a coincidence that the beam of light was the same scenario as my dream. I ran a hand through my hair as I set the damp rag in the bucket by my bed. Something in my spirit was telling me that it wasn’t a coincidence that the beam happened as it did in my dream. I let this internal argument fill my head until I felt the familiar sensation of the anchor dropping.

Sneaking behind one of the crates on deck, I watched from a distance as the crew was lined up before Zuko. The Fire Prince slowly paced back and forth as he spoke to them in an authoritative tone.

“Our mission is to find the Avatar is vital to the future of the Fire Nation.” He stalked back down the line as he continued. “We will prove ourselves worthy to see our homes and our families again, or we will die trying.” Zuko paused to look at Iroh before turning to put on his Fire Nation helmet. The crew all followed suit and marched off the ship behind Zuko. I felt a pang in my heart at Zuko’s speech, but watched as they all marched off the ship.

Tag List @chevysstuffs @puttyly @ginger24880 @night-fall-moon @junieshohoho @0kauy @coolgirl458 @hypnoticbeing @angelruinz @preeyansha @playboygeniusphilanthropist @ssonniiu @chi-ara @hagridshaircare @dearstell @kyo-kyo1

#avatar imagine #zuko imagine #zuko x reader #avatar the last airbender #prince zuko #destined to be yin and yang

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sinsirellaxx · 17 hours

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The prince of your dreams

Daemon Targaryen x Reader

Warning: canon-typical violence.

A/N: Should this be a story/one shot? Would you be interested? Let me know!

PS: I'm currently obsessed with Daemon ... 😤

You had heard tales of dragons – they were told to be majestic but fearful creatures. And everyone who has heard of dragons also knows of the history of the dragon riders.

Just like every other girl, you had dreamed of your prince in shining armor – but instead of a white horse, the prince of your dreams came on dragon back.

A decade later you were taught that the prince on dragon back wouldn’t be your dream prince but the prince of your nightmares – setting your whole world on fire. Screams of panic and grief filled the usually silent night air followed by the sound of destruction. The smell of sulfur and fire woke you from your peaceful slumber, the distant cries of your folk drawing you from the comfort of your warm bed.

You clumsily stumbled out of your bed, almost tripping in your haste to reach the window – you could feel your heart in your throat as you pushed aside the curtains.

Hell – your eyes were met with the sight of a sea of fire – people were running out of their homes and onto the streets, trying to hide from the spreading fire.

Confusion overcame you and left you motionless – it looked like it rained lava.

Frantic knocking on your door pulled you away from your window. Your mother’s panicked voice calling out to you, telling you you had to leave.

Grabbing a silk robe, you threw it around you before rushing out, your mother’s weirdly cold hands grabbing you and pulling you along. You had never seen your mother that distressed before. You wondered why. It was just a fire – right?

You asked your mother why she was so scared, but she didn’t answer, instead she continued running.

Before you could repeat your question, a sudden heat tickled your back, the sound of concrete crumbling followed by the crackling of fire overwhelmed your senses as you forced your head to turn around as much as possible. One half of your home lay in ashes – you would have died if not for your mother. Your eyes widened as the grip on your mother’s hand tightened, your heart threatening to beat out of your chest.

When you finally made it outside you almost crashed into your neighbors, your home had completely been engulfed in flames by now as you maneuvered through the crowded city. It was complete chaos. When you heard a monstrous screeching sound you stopped in your tracks, turning around to locate the sound.

Your whole body froze, eyes wide as you took in the sight in front of you. A huge beast with wings hovered in front of you, teeth barred and its silhouette casting a shadow over you – swallowing you in complete darkness.

It was a dragon.

Remembering the tales from your childhood your eyes immediately looked for a dragon rider – it had to have one, right?

And sure enough, your eyes spot a knight with blonde-silver hair on the back of the beast – just like the prince of your dreams. But instead of swooping in to save and love you he wreaked havoc over your city, burning everything and everyone without a second thought.

Fire and blood.

#hotd daemon #daemon targaryen x reader #prince daemon targaryen #daemon x reader #house of the dragon #hotd x reader #hotd imagines #fire and blood #a song of ice and fire

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