anyway my stance on "reading the classics" basically boils down to the fact that what is or is not defined as "a classic" is somewhat arbitrary, and therefore it makes no sense to treat "the classics" as some sort of uniform genre that you either like or dislike. Whether you liked Great Expectations has no bearing on whether you'll like 1984 or Rebecca or Pride and Prejudice or East of Eden or Frankenstein or Crime and Punishment. Because those are all vastly different books. "I don't want to read Classics; they're all boring and probably sexist or something." <<free yourself from the arbitrary category of "classic." It just means a lot of people liked the book. You might not. but you might. Treat it as an individual title.
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there’s nothing in this world more beautiful than a man with a pussy. well maybe a girl with a dick actually. tbh they’re on par
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so i just finished watching romantic killer and like - i get it, forcing a girl who's not interested in romance into an otome game setting is not exactly the most progressive thing but honestly - by the end of episode 6 i was just rooting for everyone because they were all someone who needed a friend like anzu in their lives! and i think rather than treating this show as a reverse harem, it's really about that good ol' power of friendship.
it's anzu believing in kazuki and saki when they were assaulted by people who couldn't take no for an answer; it's anzu speaking up for junta when ryuya was being petty; it's koganei using his relations to put a stop to a stalker who hurt his commoner friends; it's riri stepping in and wiping said stalkers' memories so she could never hurt anzu and kazuki again.
yes, the basic premise of the show is questionable but the way the story panned out was way better than i imagined. anzu still genuinely wants to befriend these boys in her life and even though our ikemen are slowly falling in love with her, they are entirely wholesome and honest about it without any negative feelings.
if you're going into this show expecting it to be an overhaul of the romance/reverse harem genre i will tell you to adjust your expectations; but i think i also walked away with a v enjoyable experience having very little to expect from it (like srsly i was just here for umehara yuuichirou).
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Thinking about the Chevalier interlude, specifically the inaugural team of Wards. Like in universe, they sell it to this first group of kids (and presumably the rest of the world) as a place for second chances, to find friends and mentors who understand what youre going through, where you can learn to use your powers safely while making good memories. The kids broadly seem to believe in these noble intentions of course, but what really gets me is that I've seen readers buy into it!
"Oh, it's such a tragedy that the Wards program became this awful thing that traumatizes kids even more, and expects them to die for the sake of civilians! It's fallen so short of what it was originally supposed to be!"
No it has not??? The fact that the triumvirate and Hero are saying it has this noble goal doesn't make it true. The Wards was pretty clearly always a way to increase the amount of bodies the prt could throw at threats, and we know this because it was started by the fucking Triumvirate as a part of the Protectorate! Alexandria literally came up with the idea of the Protectorate to legitimize the power of capes, and have a consistent source of heroes Cauldron could throw at problems. That is the whole reason for the PRT/Protectorate existing. So when we have this group of children brought in a subsidiary, there are 2 real options.
1). Cauldron and Alexandria decided they would be really niceys and created this program with no intentions other than helping these kids out.
Or 2). As things got worse, they realized the Protectorate didn't have enough manpower to do what they needed, and so they expanded it to include children (the demographic most prone to triggering). That way, they greatly increase the number of capes who they can send to fight and die as needed, and the ones who do survive their tenure in the Wards will be better trained when it comes time to join the actual Protectorate.
At the risk of sounding conceited, I think the second one is far more likely based on everything we know about Cauldron. Maybe it was originally a little nobler, and the goal was just to create more well trained heroes and cut back on young villains, but there's no way Alexandria, Doc Mom, and Contessa didn't factor in the ability to sacrifice the kid heroes if it improved their chances of success. That was absolutely a perk at minimum.
That's the real tragedy of the inaugural Wards. The kids were lured in with promises of safety, comraderie, and second chances like lambs to the slaughter. All the while, Alexandria and Cauldron knew that many (if not most) of these children would suffer abuse by the prt (like in the case of Reed), die, or face a fate worse than death like poor Mouse Protector. It's horrifying! The idea that they didn't know the danger these kids would be in is literally inconceivable. Especially when one of you is also the head of the prt! They knew, and they didn't care. It improved their chances at the end of the world, and so they did it no matter the cost.
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How to be punk: listen to punk music
How to be goth: listen to goth music
Thats it. These are music subcultures, not fashion subcultures. There are associated styles but the only way to be truly a part of them is to listen to and engage with the music
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