changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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playing a new game where i talk about fandom using words that belong on corporate powerpoint slides like:
✨ we have to align our headcanons to authentically reflect our strategic mission and meet quarterly margin objectives ✨
sorry to everyone who understood that
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Trans women are touched by the divine and you can taste it on them. You should try. You should get yourself an entire goddamn mouthful.
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Sans do you ever feel that something might be missing?
Maybe he felt like that at some point, maybe for a long time. In the present, I think he's made some kind of peace with it.
Also, I really like the ask blog format, but I don't really mean this to be an ask blog.
So when writing questions, try to refer them to me instead of the characters. That way, they don't have to break the fourth wall lmao. I really wanted to answer this one tho
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i really am annoyed by people’s analysis of the scene with the old woman in barbie being that barbie finds her beautiful because she was never taught aging isn’t beautiful when she LITERALLY hated cellulite on sight and was disgusted by it and is going to the real world so that she DOESN’T age or change. it’s the exact same way people talked abt that enchanted gifset on here for years (you know the one). the scene where barbie tells the woman she’s beautiful comes immediately after she has seen humanity in its mundanity, in its highs and its lows and she is so moved by how much someone can feel when they are not living in a candy-coated dream world and when she sees the older woman she has a realization that if she wants this, she has to want all of it, and it is so worth it. she can get rid of the cellulite and the wrinkles and go back to being pretty and pink and perfect but now that she has seen how beautiful and terrible it can be to be human she can’t say no to that, and the proof of living a long and worthwhile life is beautiful to her.
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immigrant child coded Clark Kent in MY superman show? A nationalist being the villain in MY superman show? Civilian friends being a huge part of the story in MY superman show? A gay gorilla and mad scientist in MY superman show? I keep winning because of my adventures with superman.
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Something I really don't understand is this obsession the anti-Israel crowd (in the West) have with death and martyrdom. All they care about is dying, and often killing for their cause; I see nothing about building a better future that isn't based on the murder of 9 million Israelis.
It's easy to die for a cause. The challenge is living to make a better tomorrow.
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*white knuckling the bathroom sink* do NOT infodump ppl about the fact that the first spn fic was a wincest one and that it was posted mere hours after the pilot and that the founder of ao3 was a wincestie and that the first fic on ao3 was wincest too and that the omegaverse as we know it was created by wincest shippers for jared/jensen fics *pointing at myself in the mirror with a shaky hand* ppl will think you're weird and off-putting you need to control yourself–
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