It's the middle of the night and I'm going to work tomorrow again. Low mood and problems and stuff, so I'm gonna post a little pic of Fizzarolli's little beautiful, enamored face to comfort myself cause he's my comfort character and I love him so much, look at him. He's so pretty.
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First off this absolutely cursed AU was inspired by Lemonomelette and a post they made -X
Secondly I imagine it all being about bots and cons trying to one up each others factions and not actually helping in any serious way because their too busy with their own faction bs.
Think of two rival car dealerships across the street one upping each other to get business and instead of business with cars its interstellar robot fairys trying to woo sm children to let them grant their inconsequential wishes (which may or may not be worth it) instead of the other guy next door.
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Time to get used to Tumblr again I guess~
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i do not want to dig a hole but i am too much of a laura bailey pc enjoyer to not make this post so:
selfishness ≠ a lack of kindness
selfishness is a theme that has come up with all of laura's main campaign pcs. that doesn't mean that her characters are always making selfish choices or that they don't care about the rest of the people they're with or that they're not good. it's just that, for the most part, the first thing they're thinking of when they take action or make choices is themselves.
in jester and vex both it is more typical and obvious selfishness. vex's developed because she needed it to keep herself and vax alive and as safe as possible and it grew into a behaviour that she had to actively work to avoid. it's evident in her greed, her theft of the broom, her reaction to her own death which relied heavily on i'm okay/i survived to which keyleth reminded her that she wasn't the only one who had to witness and reckon with her death. in jester's case, she grew up in an environment that literally trained her to make every decision based on two things - her mother's opinion and her own. so, when she's out in the world without marion for the first time, her choices are those that will benefit her and her actions are those that consider her own thoughts and not really many others' (aside from the traveler's).
it isn't a criticism of either vex or jester to say that they are characters who act selfishly. in fact, i'd argue that to claim otherwise does a great disservice to exactly how immense both of their character arcs are. because the nuance of both jester and vex is that they are selfish, and they also hold extreme room for self-sacrifice and empathy. vex is much more brash than jester is, and jester is much more trusting than vex, but both of them are characters who begin with selfish impulses who grow with them. neither ever truly shed those impulses, but they use them in new ways, typically transforming them into impulses towards things that are in the best interest of the party.
you may have noticed the lack of imogen in this post about laura bailey pcs and that's because of two reasons. one, we are an unknown amount of time into her story, i can't analyse her development the same way i can vex and jester's. two, imogen's selfishness isn't the blatant quasi-self-aware selfishness that we see in things like jester complaining about her lack of money to caleb or vex stealing a broom. instead, imogen's is very internal, like a lot of laura's character work with imogen. it is a bit similar to jester’s in the sense that it comes from a lack of awareness moreso than vex’s practiced behaviour, but imogen’s is a lot more tied to inherent beliefs she has about the world and the people in it.
as a consequence of her powers, imogen sees people's thoughts as their entirety, she holds it above their actions to be the truth of who they are - to act against what they think or to say something that doesn’t cohere with what they’ve thought is akin to lying, so for her to act empathetically is to act in tandem with what someone else’s thoughts are, not how they act, which is typically not all that wanted. the same as vex’s greed and jester’s naivety, this is a trait that makes narrative sense and it’s one i find quite compelling, especially when read in the vein of someone struggling through trauma that has made them assume that the world is against them. imogen’s cynicism is coherent cynicism, i can’t say that in a similar situation i wouldn’t have the same predisposition towards the world.
the part that is particularly self-interested comes in if you look at how imogen has actually been treated in the campaign (quite well) in comparison to the cynicism that she’s developed from her past (something that speaks to a world out to get her). certainly, a bunch of shitty things have happened to imogen in the time we’ve known her, but the same can be said for everyone in bell’s hells and pretty much everyone in exandria at this point in time. but, in a fight to save the aforementioned world, imogen’s focus was getting her mother back on her side. which, while very consistent with her character and a choice that i enjoy, is a very selfish one. the fun thing (to me, obviously) about imogen is that she has, more than most, an insight into the opinions of others and she also tends to seek others’ opinions out and genuinely engages with them and supports their choices. but she still very much acts towards what she thinks is best. it’s one reason i enjoy looking at the dynamic between her and orym as one between foils, as orym tends to be stalwart in his beliefs and doesn’t care too much for other’s opinions if he’s already sure of his own, but his actions tend to favour collaboration and protecting others.
as i mentioned earlier, imogen is a harder case to look at because she is still in the process of her story. however, the circlet is clearly influencing how she interacts with the world and in the wake of the solstice, the hostile reaction towards ruidusborn people has started to become more and more apparent and i’m interested to see what route that ends up leading imogen down and how it will influence her relationship with the rest of bell’s hells. (for better, i think, based on recent conversations, but if it's for worse i will be just as seated and excited).
all of this is just to say, please stop assuming that claiming a character has a trait you think is a bad one is criticism or a hate post. in light of the fact that i know that people who don’t believe this will continue to not believe this, i’ll encourage anyone confused about the ability of a character to be good and kind and selfish all at once to look to what the text itself says, specifically scanlan’s words to pelor when asked what vex means to him:
“Her name is Vex, and she is greedy and mean sometimes, and she can steal a lot. She’s a little bit not the greatest person, but her flaws highlight everything that is right about her, which is she does all these things to protect her friends and her family. She would give her life for any of us and for anyone who was truly in need. And she’s not perfect but she’s the most perfect of all of us.”
would you look at that... an ability to be a multitude of things, some in conflict with one another. i know that's hard for fandoms to believe, especially about female characters with agency, but i promise its true!
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It hurts seeing adults care about their kids in the ways you wanted as a child! In fiction and in real life. Especially when inside your head you're still the SAME kid you used to be, even though you've grown now. It hurts but it's nice to think that like. I could be there for myself at least. I shouldn't of had to! But I was able to be there for myself. The rest of me was there for me and that's something that can't be taken away from me! I'll always be there for me and I'm here for me now!
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thinking about floyd and riddle spending their first halloween as a couple together... i think floyd absolutely loves how varied and lively all of the different halloween traditions he's learned about since coming to live on land are, and he wants to try out as many of them as he can each year. so when riddle tells him that his mother always made him stay in his room studying on halloween, and that the only halloween activities he's ever done were those that NRC students were required to participate in, floyd decides that the two of them are just going to have to spend the day doing everything they possibly can. riddle tries to say he's far too busy for such things, but floyd will not let it go and honestly riddle is only half-heartedly protesting anyway because he secretly did always dream of doing the things that other kids got to do on halloween, and maybe it wouldn't be such a big deal to take one day off and spend time with his boyfriend.
so, riddle never got to make jack-o-lanterns? floyd decides to "borrow" about half a dozen of the pumpkins jade and azul had bought for mostro lounge and takes them to riddle's dorm room. riddle is terrible at trying to carve them at first and floyd can't help but laugh at him a little, but since he knows it's not riddle's fault he's never gotten to do this before, he says he'll show him how to do it. unfortunately floyd isn't nearly as good as he thinks he is on account of having lived in the ocean for almost his whole life and now riddle gets to laugh right back at him. they probably both get the hang of it right as they're down to their last two pumpkins.
riddle never got to go trick-or-treating with his childhood friends? floyd texts trey and convinces him to get in touch with chenya as well so that they can all go together. when they approach the first house, in the costumes they had prepared for each of their school's halloween events, riddle starts to get nervous and asks if they aren't all a little too old to be doing this. floyd shoves several huge handfuls of candy from that person's bowl into his and riddle's pumpkin-shaped buckets and tells him it's not like there's any rule that says they can't, and besides, riddle is such a cute little goldfish that he practically looks like a kid in his costume anyway! chenya stifles a laugh while trey has to stop riddle from committing murder that night.
riddle's never gone to a haunted house before? floyd and chenya both think it would be hilarious to make him go to one, so they do. riddle absolutely hates it, but it honestly does make him happy to see everyone else enjoying it--even if floyd and chenya both keep trying to egg him and trey on and get them to go down creepy corridors and check around corners by themselves, and even if floyd keeps running off to different parts of the haunted house and then coming back and hugging or even lifting riddle from behind knowing full well that he'll get freaked out by it.
riddle never got to play the apple bobbing game that's traditional in the queendom of roses? turns out there's a place right by the haunted house where they can go to do it! predictably, floyd is great at it while riddle ends up drenched without getting any apples, but just giving it a try is more fun than riddle expected.
riddle's never gotten to make candy apples before? luckily, trey knows an amazing recipe as well as what combinations of toppings work the best, and he's willing to teach them both! riddle gets very confused at imprecise directions such as being told to use "a few" drops of food coloring on the syrup or to drizzle "a little" white chocolate over it, and keeps asking trey exactly how much he should use. floyd thinks this is adorable. he also thinks it's adorable when riddle tries to scold him for ignoring half of trey's directions and just doing whatever he thinks sounds good.
riddle's never done a horror movie marathon before, or even seen any halloween movies in general? floyd insists that they marathon at least 3 movies together. after the experiences he had at the haunted house, riddle doesn't think he'll enjoy horror movies, but he tries to keep his cool throughout the first one anyway... which does not work out, because he really can't handle jumpscares or excessive gore. during the first movie they watch, floyd (who loves slasher films so much that he laughs and cheers every time the monster gets a kill) is happy to let his goldfishie cuddle up to him and grip onto his arm to keep himself from knocking the popcorn bowl onto the floor, but you know that once it's over riddle is getting teased relentlessly about how scared he was. floyd decides to be nice and put on something tamer for their next two movies, and riddle actually ends up really enjoying coraline and especially beetlejuice.
by the end of the night riddle realizes that they've stayed up way too late at night and a small part of him wants to scold floyd for keeping him up so late, insisting on having him do all of these silly activities and eat all of these terribly unhealthy snacks. another part of him wishes he could scold his mother for keeping him from doing any of these things as a kid, with his friends and the other kids in his hometown, the way you're supposed to do it... and another part of him still is just incredibly happy and grateful to floyd for finally giving him the chance.
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"They found each other in the wreckage of optimism, and it took them a decade to decide that hope was not enough to save the Golden Branch from itself. It was in a library, not an armoury, where the Apostolosian became the sword and shield of Integrity, a Divine who’d lost its Candidate.
Some climb into their Divines, others deploy them across the battlefield, or fight under the blanket of their shadows. But Integrity demands intimacy. It digs into the flesh of the willing, all metal and promises and penetralia, desperate to create an unbreakable unity. It is afraid, and wounded, and it cannot know the power it gives without seeing it first in the reflection of a Candidate's eyes: the loft, the velocity, the violence. And for the first time in centuries, Integrity doesn’t fear its Candidate. It moves with confidence, in muscle and ambition. It believes in Sokrates Nikon Artemisios."
(COUNTER/Weight 22: A Broken Branch)
Great episode to get to after recent palisade happenings. I obviously remember the "Integrity demands intimacy" but there's so much other great stuff here.... "They found each other in the wreckage of optimism" is just incredible.
Edit: Noting the wording of " [...] the Apostolosian became the sword and shield of Integrity" because Integrity literally is both those things - they are the armor Sokrates wears and the weapon they wield - but it positions them here both as a protector of Integrity and someone Integrity acts through (divines & candidates!).
And I love that this gives Integrity pre-Sokrates interiority I had honestly completely forgotten about. "For the first time in centuries, Integrity doesn't fear it's candidate" A divine afraid(!) of what it can do together with it's candidate, the power it gives. And then what Austin describes in pal29 comes to mind, which is like, "if there was a time when Integrity was like, you know, 'Finally someone has come to help me get out of this situation.' That is not what's happening here." It's interesting because that phrasing of if not the current but a past state("that time has come and gone ")... it still sounds like fear a little bit. And that obviously isn't the case anymore (I don't feel like typing out this Austin quote but he said something about the notion of immortality & change that made me real happy. I love that shit) & I'm curious to learn more about this hopefully.
I love Integrity & while I don't think of it as "the good one", it's fate is important to me because is still one of the sickest divines (which is really saying a lot with like, Perennial and Motion et al. around).
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Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.
Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.
Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.
And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.
An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.
Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.
The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".
Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.
But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.
Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.
However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.
What's more is that this lurking "optimism" matches really well with our own protagonist's personality.
And it makes perfect sense that Ava would do the best she could with whatever she is given.
Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.
Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.
Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?
True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.
And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.
Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.
Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.
It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.
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My headcanons for the named trio in The Cursing of Chateau Castle series:
Josephandre is a big bear. It just fits for him I think! He gets he/him pronouns, and as a way to make him a liiiil more relatable for Mira, he'd have two craft types (Rock type being his main one and paper craft for the other). Battle style wise, I think it fits him to be more of a self-sustaining tank. He buffs defense, heals, and puts up shields. For his weapon, he'd use his fists like Isabeau. He'll be the second fastest in the trio.
Lady Irene-Janine-Kanine looks like an elegant noblewoman on the outside but she has vibes similar to Euphrasie! She gets she/her pronouns. Her craft type is Paper. Battle style wise, she's more on the offensive side, a main dps kind of thing. Most of her skills focus on buffing attack and speed, she'd have an item that helps regen her hp a lil bit and her chosen weapon is an umbrella. The tip is a sharp blade so it's used like a spear that has a hidden sword in its handle. Open it, and it becomes a shield! That'd be one of her skills too, although it's only applicable to her. She's the fastest one of the trio.
Pierre-Jacques-Erneste looks like a nobleman and carries himself as such! He gets he/they pronouns. Their craft type is Scissors. Battle style wise, he's more of a debuffer, skills focusing on weakening the enemies, slowing them down, poisoning them. Their weapon is a sword dagger, though he doesn't seem to be able to handle it well, how clumsy! But he Is a nobleman so it makes sense! Oh but... why doesn't he have a title? They're the slowest one of the trio, how strange, he seemed to be faster than Lady Irene-Janine-Karine that one time though.
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okay actually looked at the lover boy wip intro again and this has me crazy because the grief in this was meant to all be about bobby but "remember that his favourite fruit was peaches and try not to cry over it" got me because felix's favourite fruit being peaches is like. a recent but definitive part of his character. and i can't remember if i just used peaches as a placeholder for bobby's favourite fruit (he does not give peach to me) and if i first wrote this before or after i decided peaches were felix's BUT now i'm like. what if this passage is him grieving bobby but it spirals around his grief for his relationship with felix??? find a lover the way you found felix and don't lose him this time but also find a lover because you're trying to find a connection as deep as the one you had with your best friend even though you know it can never be replicated. you can never find a lover that will love you like bobby (platonic, to be clear) loved you. find a lover in the fact you are alive even though it makes you nauseous because it just reminds you that your best friend isn't. how do you grieve someone who's still alive whilst simultaneously grieve someone who isnt? trying to grieve two people in two different ways and you feel guilty at the way they blend and blur because it feels like you lose your separate grips on both of them and you don't feel like you have space in you to accommodate all this ache. and like what if i edited all this to make that parallel more clear?? that his primary grief is bobby because he's the one who's dead but he's also grieving felix and probably doesn't even realise it?? and then the two become blurred?? and if he realised this he would actually feel fucking awful about it and like a bad friend?? haha just kidding unless??
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Love posting my Spotify receipts for the month bc you can always tell when I’ve had smth big to write for one of my classes bc the one Jash song (Dream (Outro from Calamity)) will make the receipt. I did not end up a Jashinator but I do like having a song I can rely on to make me write things.
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Hey not to be a bitch or anything but maybe don't tag my posts where I talk about my very real trauma disorder that affects me in real life with some fandom nonsense
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That annoying urge to turn the incorrect quote inside your head into a full-on short story because it might just be better that way
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I’m the type that can and will cry if think too hard <3
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Hello, hey, dropping in with a query.
Since CS has officially concluded (congrats by the way!) I wanna ask about your own interpretation of Mother Nature.
She is absolutely my girl, I adore her, queen, but I wanna know how exactly she fits into the CS world structure. How does she keep looking so young when everyone else ages normally? What was her relationship to Mother Gaia? What kind of magical creature is she and was mother Gaia also the same kind? How does she fit into the government structure? HOW IS SHE SO TALL???
Idk, she's been on my mind a lot and I'm assuming we'll know a bit more about all that at some point but I can't wait that long lol
Thank you!! You know, it's so funny, bc while I was oot and aboot yesterday/Friday I was like "I can take a breather from writing, just focus on other things--" and not 24 hours later I had the Into the Shadows plotting doc open, as I finally figured out what happens in Chapter 7 🫠🫠
I WILL NEVER KNOW PEACE! But what can I say, I love this world and I love writing. Shit's FUN
ANYWAY. YOUR QUERY MY GOOD FRIEND. I COME WITH ANSWERS IN POINT FORM NOTES
It's all kinda rough tbh??? More like scattery thoughts if anything but HERE YOU GO! HAVE SOME CS LORE!
Okay okay so Mother Gaia was essentially the personification of ALL nature, and as such, could wield all Nature :) She looks like a sprite, tho, and for all intents and purposes would call herself a sprite--same with Mother Nature
This also checks out bc in CS, sprites are specifically fae who can control weather/nature/the elements! :)
Gaia was the Goddess's connection to the people, and got a little lonely when the Goddess was like "everyone is safe, things are going well, take it easy, Gaia!" so, she created a companion. A fellow personification of nature that she named Tara, who could do everything she could do
The Goddess gave her a light life, which is like a little ball of life that brings things to life (I am soo creative at naming things I swear) and Gaia used it to give Tara, well. life!
So, Mother Gaia was in all senses of the word, Mother Nature's Mother! Tara called her Mother and meant it in all the ways :)
Gaia trained her, raised her, loved her very very much and eventually started training her to take her own place one day
And that day came faster than expected for Tara when Mother Gaia fucking SNAPPED mid fae war and scorched the land to stop the fighting, in a stretch that has since NEVER GROWN BACK. It's known as the scar. Autumn lives close to it in modern-day CS.
Once that happened, Gaia was like APPALLED. She'd been just as bad as the fae fighting over who was best, using her powers for what she wasn't meant to use her powers for: hurting the Earth
She was beside herself; went to go talk to the Goddess and was gone for DAYS. All the fighting stopped, tho!
Then she and the Goddess came up with Rosehaven and the Call, and Gaia went with the old fae during the Call, leaving Tara to be the Next Mother Gaia
And she chose the title Mother Nature and here we are!
SO. In modern day CS, she is: the connection to the goddess for the magibeans, if they need her to be; guards the magic of creation/life/balance??? (a system I'm still trying to figure out lol, I'll have to dig up those notes at some point), and heads the Council with Father Time.
She's on the Assembly because when it was formed NOBODY felt right not having her on there, so she's kind of like. She's the approver of decisions lol. She lets them do their thing but if they ever come to an impasse they turn to her, and her word is essentially law
That's sort of why when the Twin Princes were born she was called to choose who'd rule next! Well, Gaia was, but Gaia left the decision to Tara as they were at That Point in training: POLITICS. If magibeans had an issue that couldn't be solved amongst themselves OR by the royals, MN/MG would be called upon and what she'd say, GOES
Which left for a lot of last minute swerves bc Gaia was clever and MN is just as clever. See: that story about the two people fighting over the chicken???? I forget what it was, anyway, the person presiding went CUT IT IN HALF and one was like okay cool! And the other was like SOB NO MY CHICKEN and the person deciding was like GOT EM LOL. That sorta shit.
In the event of an emergency, Mother Nature and the CS Governor (so Blaise since this mans just can't seem to lose an election, and he has TRIED some years) become de facto co-rulers and both have to agree on decisions before acting on them. This would be like. In a nasty war or like. end of the world circumstance kinda thing
SO YEAH SHE'S BASICALLY JUST THE HEAD BITCH IN CHARGE. KEEPS MOTHER FUCKERS IN LINE. WILL TELL PEOPLE IF WHAT THEY WANNA DO IS STUPID. ALSO, CONTROLS ALL NATURE AND KEEPS THE SEASONS GOING AND THE LIKE.
Why is she so young looking compared to everyone else? Well, if you asked her, she'd say you're only as old as you feel and offer no explanation. In terms of height, she'd look at you quizzically and go "Why not?" and that'd be her answer
this is Dani for "bc she can choose how to present herself and that's how she chooses too!"
kinda like Steven's gem reacting to his mindset sort of thing.
and also, tall Mother Nature just fucking SLAPS. She SHOULD be tall as FUCK! I subscribe to that! I LOVE tall MN. EVERYONE looks up to her--quite literally!
Except for like giants and trolls and other very tall magibeans and folklore creatures and the like 🤭🤭🤭
Hopefully I got all your questions! Thank you for asking! I LOVE thinking of early CS lore, it's so FUN and Mother Nature is one of my FAVES. I get so ragey in tsc fics where's she's written as a HUGE MEANER, super angry, etc etc and even borderline villain? GOD. I JUST. SHE'S A BADASS AND VERY SWEET AND EVERYONE FORGETS THE SWEET BIT!!! SHE WAS SO KIND TO SANTA AND THE OTHER LEGENDS IN THE MOVIES AND EVEN WHEN JACK WAS JACKING ABOUT, SHE WAS GENTLY CHIDING HIM!!!!!!! FUCK MAN! I'M GONNA EXPLODE JUST THINKING OF BAD MN CHARACTERIZATION! AH!
Please excuse the rant and uh, enjoy the heckin answer 😅😅😅
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thinking about daredevil yellow again im not. going to make it Guys.
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