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#WE DON'T DISLIKE YOU BECAUSE OF YOUR SHIP
magpod-confessions · 17 hours
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@ doorkeay-disliker anon
You do know that most doorkeay shippers were shipping it before knowing anything about the age gap? And that these are two consenting adults in at least their 30s? And that after that information showed up, Jonny came out saying he fucked up the timeline like an idiot? That he fucked it up many times? Nobody in that group of people wants that age gap, and shipped them before knowing of said age gap. The general timeline of TMA has so many mistakes, and so many Michaels. The Michael that worked with Eric could've been a different one, or he could know about Michael because Mary told him after binding him to the book to make him feel bad.
If you don't like. A ship, that's fucking fine. It's not your thing. Nobody's telling you that you have you like it. But you need to get over yourself with this whole righteous bullshit. If you actually read what people write for doorkeay, you'd notice they're always making them healthily consenting adults.
Moreso. I've never seen a doorkeay shipper harass anyone, or cause any fights. But people who claim "doorkeay has a problematic age gap!" even led harassment campaigns and told artists and writers to off themselves repeatedly for weeks on end for shipping it, when said artists and writers made it explicitly clear that they had always seen the ship as being about 2 to 3 years different maximum.
I hate when people come after ships between fucking grown adults. Why are you so fucking obsessed with it?
Care when they're shipping a minor with an adult.
Gerard Keay is not a child, he's in his 30s, and before we got his birthyear from Protocol, he could've been born anywhere in the 80s. Including 1980. No matter how much you whine, he's in his 30s. That's an adult worldwide as far as I'm aware in this dimension, bucko.
If we didn't get the exact year, he could've even been 43 at the oldest today (1980 to 2023). Doorkeay shippers have been under this understanding since forever (timeline's fucked. Play with it). And they almost always picture Michael as being close in age. Hell, I know someone who made a whole timeline trying to catch all the options that the mistakes cause and found that there's a chance Michael could've been a year younger than Gerry (before getting the set year from Protocol. That timeline was made over 2 years ago)
And the few times there's been a larger age gap, the authors/artist always make sure to clarify:
THESE ARE TWO CONSENTING ADULTS, NOT TAKING ADVANTAGE OF EACH OTHER, AND CAPABLE OF LEAVING THE RELATIONSHIP IF THEY NEED TO.
Smh. G/d forbid girls like anything
.
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sapphire-weapon · 11 months
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Did you see that Stephanie panisello said that she and Matt Mercer didn't even work together in DI?? LOL looks like the cl*on stans are outta luck. Ever since Leon x Ashley has been made 100% canon it looks like Capcom is finally gonna be sinking all those other ships and good riddance. After all these years thos cl*on shippers were SO sure they were gonn a be Leon's second canonical ship but NOPE! It was us! When Leon and Claire have zero real interactions in DI do you think they'll melt down as hard as a*on stans do?
dude what the fuck are you talking about LMAO
like there's so much going on in this ask idek where to start
i'm just gonna go down the list in order, i guess
like... so what's the implication here? that because steph and matt weren't in the sound booth at the same time, leon and claire don't interact in DI? when we've already seen them on screen together in the same scenes? because i'm pretty sure that the CGI movies aren't mocapped by the english cast like the games are -- i'm pretty sure that they're mocapped in japan, and the english cast just provides the voice acting. so, like. yeah. a lot of the time, when you're doing voice work, you don't work with the other actors. it's entirely possible that your scene partner hasn't even recorded their lines yet, and you're just trying to act and react off of text you're reading in a script. that's why voice acting is so hard and why so many film actors struggle to make the transition from film to voice.
leon/ashley is not "100% canon" in the way that you're implying here. leon/ashley is canon in resident evil 4 remake and nothing else. i have said this repeatedly. don't expect capcom to commit to this ship. capcom does not commit to ships in RE. capcom won't even canonize valenfield, and you really think they're going to commit to leshley?? LMAO
even if leon/ashley was "100% canon" in that way, it would only be in the remake verse. death island is OG canon, which means that aeon is still the name of the game there. OG canon has done absolutely nothing to kill the canonicity of aeon, so we need to assume that that whole thing is still going on.
cleon has been dead canonically for a fucking decade, so i have no idea where this sentiment of "finally" is coming from, here. damnation fatally wounded it, RE6 twisted the knife and ripped the hole open further, and the ending of infinite darkness coup-de-grace'd it. anyone who honestly thought cleon was still somehow going to become canon after RE6 is an actual legitimate fucking lunatic. which leads me to my next point...
i haven't seen cleon fandom be insane since about the time of damnation's release -- so, very early 2010s. in fact, i have not met a single cleon fan since then who was operating under any sort of delusion about what the state of their ship was in terms of the canon. cleon fandom lost this war years and years ago, and they all know it.
like. bro, leave cleon fandom alone. they've suffered enough, and they're our friends, besides. i know that there's a decent number of my followers (who are also probably some of my anons) who ship cleon first but still enjoy what RE4make did and are supportive of our ship.
and i also kind of ship cleon, to a certain extent. i've been pretty vocal about this.
i mean, hell, i would even be willing to ship aeon if capcom was ever willing to put at least some thought behind the execution of it, as opposed to none at all.
i just constantly take a shit on aeon fandom because they're a bunch of joyless fucks who can't allow anyone else to have anything ever and always have to chime in on every little thing with some form of "okay but leon loves ada tho" or "don't forget aeon is canon." like, fuck off, dude. aeon fandom is in a constant state of "the best defense is a good offense" as though anyone on the fucking planet is actually trying to take the canonicity of their ship from them.
they're not. we're not. aeon won the OG timeline. they need to stop being such sore winners and trying to rub their victory in everyone else's faces and shout down people who are still trying to have fun with other things.
and they're also a bunch of media illiterate dumbasses who sit around dreaming of happily-ever-afters for leon and ada and come up with headcanons for babies and shit, when all that shit is directly antithetical to the nature of the ship so i don't understand why the fuck they even like the ship to begin with, but that's a separate point.
so like
yeah dude, you need to pull yourself the fuck out of the late aughts. the war is over. it's done. it's time to stop fighting.
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greenerteacups · 12 days
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What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭
So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.
With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.
Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.
But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.
#greenteacup asks#sidebar: I know Minister “of” Magic is an Americanism but mea culpa#Someday I might actually bite it and pay someone to britpick Lionheart but I can't do it now#because I have a ban on editing published fic unless it's finished. Otherwise I'll never get around to writing the actual ending#I have a Process#is it the best process? likely not! but it makes the words go. so here we are.#I also think the fact that JKR is Gen X makes a difference here. careers worked differently in the 80s and 90s than they do now#i.e. we have the gig economy and a lot more mobility and EXPECTATION of mobility in your early life#that means career changes & professional pivots through your 20s and 30s are increasingly normal#and in fact have always been normal — but the image of the 'true' or 'ideal' career has changed#so we look at those careers and go hm. really? none of them changed?#none of them even went to uni? do wizards... just not?#but again. I believe the epilogue was written almost completely without consideration as to what happened between the BOH and then#I really believe that JKR did not know what happened to Harry except a wedding and 3 kids. because that was the whole point#I don't think she even knew what his career was when she wrote that scene#It existed to marry everyone off and do a quick munchkin headcount#because of the understandable temptation as an author to keep your hand on the wheel. but it didn't even matter!#the epilogue changed NOTHING! it was the most useless chapter in the series! I just — GOD#you can absolutely accuse me of being sour grapes about my ships getting nixed. I AM sour grapes. I AM a hater.#AND I have plot/theme/craft reasons for disliking it.#I'm not objective. I just want credit for being a sophisticated hater. my grapes may be sour but they're still artisinal.
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katyspersonal · 1 month
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I find it very ironic how the same cultish looser that shuns people based on who they're friends with because she genuinely thinks if you believe something you can't have human interactions or treatment to those who believes otherwise..... will preach hard and proud against harassment for people's headcanons, ships and takes whereas being friends with the person who did harass people's headcanons, ships and takes. But why rules are always only for their victims and never for them? What's so hard about following what you preach? Go ahead, disown this person and be mean to everyone who still likes them and want to give them a chance, you SHOULD by the terms that YOU'VE chosen! But you won't, you'll rather cover their ass and pretend you haven't seen the evidence, to save the face, because should you ever admit a mistake you'll explode from the notion of not being so "holy". PEAK L0garius and Alfred behavior.
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not to be a smug asshole but its kind of rich how if you say you dont like a thing on the internet everyone who likes that thing automatically assumes you just “don’t get it” and tries to explain to you why the thing is Good, Actually. like maybe i already understand why people like the thing. maybe i have reasons to not like the thing that YOU are refusing to entertain. maybe i used to like the thing because of the specific reasons that you’re writing essays to me about. but then i realized that the thing sucks shit and the reasons why people like it isn’t enough to make it good for me again. maybe my dislike of the thing isn’t because im a stupid idiot who couldn’t put two thoughts together to realize why the thing is good. and maybe i feel belittled and dare i say offended when 12 people condescendingly explain to me why it’s okay that i don’t like the thing, but also refuse to stop explaining the same 2 reasons why THEY like the thing, or even let me defend why i dislike the thing, until i agree with them that the thing is good. all because i dared to express mild disdain on the internet
#shut up pandora#i don't care if people like things i dislike and tell me so but some of yall act like proselytizing christians about it#a while ago i had someone write an essay on a post talking about why a ship i dont like is totally canon guys theyre totally in love#and the ship in questions has not had any conversations in 10 episodes which was why i disliked it#but the argument for it boiled down to 'why does this ship between two main characters HAVE to have any significant onscreen development'#'why cant we just build up this ship based on longing looks like the TJLC ppl. its impossible for you to think thats bad writing'#anyway we ended up dming and i tried to clarify that i dont think its well written to build up a relationship on 'subtle glances'#without having them actually interact with each other. at least not a heavily focused on endgame couple involving main characters#at the end of the very frustrating conversation where they just repeated the 'subtle hints' thing over and over again condescendingly#it turns out they thought i agreed to the conversation bc i wanted them to convince me to like the ship!#so they literally didn't listen to anything i said except to hashtag destroy my points with hashtag facts and hashtag logic#and like. you think i haven't looked at all the 'subtle hints' before this conversation? this is a popular ship and i want to like it!#but i looked at it and thought about it and decided i didn't like it! i even said so on the original post!#the point of the post was 'i dont think having the ship longingly gaze at each other counts as a well written ship if they dont ever talk'#and their 'rebuttal' was 'youre wrong it IS well written! why? well because they longingly gaze at each other'#anyway i was just feeling annoyed about that again#also that time an mlb fan sent me a wholeass wordpress essay on why mlb is Good Actually#after i explained i understand why people like it. i was a fan actually! i just both grew out of it and realized the writing is really bad#so bad in fact that the reasons i liked it werent enough to redeem the show for me and it keeps getting worse#anyway yes im vagueposting about people but messaging strangers to restart a months old argument is more deranged i think#i hope the people who condescendingly hop on a strangers posts to write them essays on why they Dont Get It Actually#uhhhhhhhhhhhhh maybe stop that!
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lambjock · 1 year
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honestly, i think the biggest issue with choice based games currently is that they're all praised for being the same thing rather than something that breaks the mold. there's no room for uniqueness anymore! there's no room for storytelling! if you aren't a supernatural horror story with the same types of characters, then you shouldn't be a story at all. i thought this was just a thing in the dark pictures fandom, but i've seen it in other things too now and it's just. tiring. people turning their noses up at games like man of medan and little hope and demanding an until dawn 2 is exactly why the quarry was the half baked game it was, and yet is also why said game got much more positive feedback then the other two games mentioned. it was their until dawn 2 ; it had supernatural monsters, it was action heavy, and the characters were just vague enough that anyone could project anything onto them. and if that's your type of game, fine! no harm to you! but it's exhausting seeing creators be hated on when they try to do anything different. the dark pictures anthology was never supposed to be anything like until dawn, yet every bit of criticism was about how it wasn't. players don't understand the difference between personal preference and actually critique anymore, it's just. “ if this game isn't exactly like this then i don't want it and it's objectively bad! ” which couldn't be more wrong lol
little hope and man of medan did something different, whether they did it well or not is up to debate, but at least they tried -- in a space where that isn't common at all. and they did improve in some aspects! they were able to focus on the characters more since the group was shortened, a flaw they had in until dawn ( and then the quarry, most obviously ), the monsters designed in those two games were vastly creative in every regard, different for each individual character ... something that immediately changed in house of ashes and the quarry, since people only wanted an until dawn 2. it's just sad to see creativity get stomped on in a genre that should be more artistic than ever! and it's becoming more and more obvious as time goes on that people don't care about originality as much as they claim they do, they just want their favorite game over and over again. i've been seeing the same thing happen with as dusk falls and it's getting irritating to say the least. gamers claim they want something new, and then they get a game that's made the way it is simply because it's trying to challenge what's the norm, and then they throw a fuss about it. there's nothing supernatural about as dusk falls, it's not action heavy because it's not an action game ; it's a choice based game, which it does indeed deliver on! but since it's not your until dawn, or your twdg, then that means it has to be trash. story and characters don't matter the way it used to, and i wish people would simply acknowledge how biased they are rather than pretending to the gordon ramsey of gaming, since they're the very reason why games are following the same formula nowadays.
#my posts.#obviously you can enjoy what you want! and you can dislike a game for whatever reason#but literally telling creators to make the exact game you want and claiming they won't make a good game until they listen to you is ...#not it! it's really not. again there's a choice between criticism and personal preference#if the game is obviously not trying to BE like another thing then maybe. don't say it should be that thing?#and if you go : well supermassive made until dawn so it already set a high standard!#because half of the actual genuine criticisms of man of medan and little hope can be applied to until dawn too lmao#the awful facial expressions? do we have to remember until dawn's odd teeth issue? awkward and forced het romances?#do you guys remember chris/ashley?? that ship was literally forced by another character in the GAME come on#i think until dawn's just been painted in such heavy nostalgia that people have trouble recognizing it's not perfect#which is fine! it was still an amazing game! but like ... stop asking for an until dawn 2. you're just asking for the same game#something that would be boring and lazily written ... because what studio would be their heart and soul into something#that they've already made once and now twice before???#and as for as dusk falls -- if its not your cup of tea ... that's cool! i get it#but whining about the graphics when the game made it clear that's how they were going to do their visuals? like. seriously?#get a grip y'all. maybe critique a game for what it actually is for once ...#and to be a little mean : sorry that i care more about the story and themes and characters than i do the monster of the week!#my brain is just that huge <3 thank you#anyway cant wait for this to become the new superhero fatigue because it will become that! eventually
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rie-092 · 26 days
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CHILDHOOD FRIEND
✶﹒ yandere! kim raebin x childhood friend! reader
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honestly, i can't see kim raebin getting close to a woman who is completely stranger to him. so, let's just say that you were the daughter of their neighbour who is also his childhood friend.
we all know how introverted kim raebin was, so you had a hard time on getting close with him. because he always avoids you, or if you ever found a perfect time to talk to him, he always hisses making you blink. because for someone who looks like a bunny, kim raebin sure acts like a cat around you.
but wanna know how the two of you got close to each other? it's simple. it's because kim raebin accidentally saw you playing a guitar at a school event back when the two of you were in third grade. and boy, he was overjoyed! because this was the first time that he saw someone interested in music just like him!
at first, kim raebin was really shy when the two of you played or rather spent time together while playing various music instruments or making songs. but expect that after that, he would be so clingy. clingy to the point that he would follow you around like a damn puppy. at first, you thought that it was cute— not until you knew that he started stalking you around when you didn't hangout with him for a few days because you were too busy with school works.
what did you do? of course, you confronted him. but look, even though kim raebin has a problem when it comes on socializing with other people. it wasn't the same with you, because this guy knew everything about you. from your likes and dislikes, your habits, hell, even your measurements! that was the main reason why he easily changed the flow of the argument. he easily made you think that you are the one who's imagining that he was stalking you just because you missed hanging out with him, damn this smart guy.
kim raebin is so damn good when it comes to manipulating you into thinking that you were always the wrong one. forcing you to hang out with him without you thinking that he is actually forcing you. but, don't worry because kim raebin will never hurt you, he swear.
that's why when you heard that he got scouted on a certain entertainment company. you were overjoyed about this. because raebin will finally be able to achieve his dream and of course, you will be able to escape his clutches.
but, boy! kim raebin is a smart guy. because a year after kim raebin became a trainee, you got scouted too, by the same company that scouted kim raebin. how did that happen? you have no fucking idea. the only thing that they said is that they liked the song that you sent to them when you didn't actually send them one of your pieces. but who in the hell did sent it to them? you couldn't helped but to wonder. of course, it was a certain black-haired bunny who was overjoyed when he saw you confusedly stepped onto the company. and kim raebin— along with cha eugene who pestered raebin to introduce him to you welcomed you with the usual excited expression of his.
fast forward, when raebin debuted on testar, you also debuted and became the main vocalist, main rapper and lead dancer of your group. raebin liked the fact that everyone shipped the two of you. when does it start again? when you and raebin got invited to a certain variety show where the two kpop artists got partnered with each other and do certain tasks to see how compatible they were with each other. and seeing how the two of you easily do those tasks without even getting shy with each other, the host couldn't help but to ask the reason behind it. and when the two of you said that you were childhood friends. the internet got into chaos, fuck, childhood friends? everyone loves that kind of trope!
and now, he can visit you anytime he wants. seeing you and him eating together? it's fine, you were childhood friends after all! but seeing you getting partnered with a kpop artist who is not raebin? expect that everyone will criticize that idol because of that.
and raebin was satisfied with what was happening. he loved the fact that he was able to tie you down with him without you realizing it. it's fine even if you get into a secret relationship with other famous people. because once that was discovered by the public. he just needs to act pitiful and his and your fans will do the work to force you break up with whoever that guy was.
look, he likes you. he respects your decisions and choices but seeing you with other people makes his skin crawl. so, can you stay with him and do him a favour just like the old days, will you? because if you do that, he will gladly remain still and take care of you and protect your career.
“ i'm doing you a favour, you're just too irrational to see that right now, (first name).”
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st6rrrs · 2 months
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TRATIOR || rafe cameron x fem reader
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summary: the pogues find out yn's secret
warnings: cursing, arguing, soft rafe!!!, fluff?
a/n: idk if i should keep this into to a one shot or make a story!!!!
˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗
you and rafe were in his bed talking when you realized what time it was, 5:29pm
"Shit rafe i gotta go" you said
you jumped off of the bed and quickly put your clothes on
"where are you going?" he asked getting off the bed also
"i gotta go to the chateau to meet up with the pogues"
he groaned.
you grab your backpack and head to the door but before you could open it rafe got in front of you.
"do you have to leave" rafe whines
"yes rafe, i'll be back in a couple of hours" you say
"fine" he groans again but louder this time, he walks back to the bed laying on it getting his phone out, you roll your eyes and exit the room.
˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗
you get on your bike and start pedaling towards the cut.
you and rafe have been dating for a couple of months now but you guys haven't told anyone yet. if the pogues find out that you and rafe have been dating they would be PISSED
thats one of the reasons you dont wanna go public, rafe honestly doesn't give a shit if anyone finds out because he will still love you and you would still love him.
you arrive at the chateau and you see the pogues on the front porch, Sarah was sitting next to john b? why was Sarah here?
kie disliked Sarah for as long as you can remember. When kie and Sarah were friends Sarah threw this party without inviting kie and kie got mad and called the cops.
"you know we were all extremely comfortable until you brought her."
you hear kie say as you approach them
"stop talking about me like im not here" Sarah says
"then leave."
"umm whats happening?" you mouth to pope and jj passing kie, Sarah, and john b them to busy arguing to notice you. You walk over to sit in between jj and pope.
"john b is banging Sarah" jj says while laughing
"WHAT" you almost yell
"oh look y/n is here, why dont we ask her opinion is on this" kie says
"please don't" you whine "but if im being honest i dont think its a good idea"
Sarah's scoffs
"oh you can talk" she says looking at you
"what?" you laugh
"like you aren't fucking my brother" she says rolling her eyes and looking away
you immediately go pale.
"is that true y/n?" kie ask you in disbelief
you don't answer her
jj gets up from beside you and just looks at you in disbelief. you look over at pope his hand on his forehead and he's shaking his head disappointed.
"you cant be fucking serious!" jj yells at you "he beat up pope with a golf club and then jumped us with topper and kelce"
jj has had a crush on you ever since you guys were 14 but you didn't feel the same way. Everyone always shipped you guys together but you wouldn't force yourself to date someone you didn't like You only liked jj as a friend but he never really listened to you.
"i-i-im sorry!! but he's different with me" you try to explain to them
"hes just gonna use you like he does every other girl on this island" Sarah says
"no he-" but before you could finish your sentence pope interrupted you
"just leave y/n." he said annoyed not looking at you
"g-guys please!"
"JUST FUCKING LEAVE JEEZ!" jj yells at you, you have never seen him this angry in the whole 7 years you knew him.
tears rolled down your cheeks as you looked at him. He had no remorse for what he said he was very angry and you could understand why but none of them even gave you a chance to explain yourself. You quickly grabbed your bag pack and left without looking back.
"AND DONT BOTHER COMING BACK EITHER! HAVE FUN WITH YOUR KOOKY BOYFRIEND" jj yelled before you could leave
˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ˊ˗ —— ˗ˋ ୨୧ ' -
you open the front door to the camerons household, rafe gave you the key when you guys started dating. the house was so quite and cold, you walk up the stairs to rafe room still sobbing.
you open his room door and hes sleep on his bed, it was sometime pass 7 you didn't want to wake him and you were exhausted yourself so you just laid next to him and got under the covers still sobbing quietly. you couldn't believe that jj would ever say that too you, it wasn't like him
you hear rafe groan awake
"y/n is that you" he says in his sleepy voice
"yea"
"are you crying?"
"im fine go back to sleep rafe."
"no.,whats wrong come here" he gestured so you could lay on his chest
you gave in and sobbed in his chest for a while until you fell asleep.
part 2?
this might be bad but i tried 😪 👍🏻
taglist:
@bbsxsaa @xxbutdaddyilovehimxx @drewstarkeyslut @stvrkey. @blondbrat @sevenwivesofrafecameron @tracymbcm
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ms-demeanor · 8 months
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since twitter has become actively hostile to its users, so they came to tumblr, and reddit has become actively hostile to its users, so they came to tumblr, what do we do now that tumblr is becoming (more) actively hostile to its users? i’ve been here for over a decade so i know tumblr users are the type to cling on despite everything and revel in undoing every change, but i’m so tired of the way this website breaks the way it fundamentally works in order to appeal to new users. the twitterfication of the site seems so much worse than when people jumped ship after the porn ban, and even then, only small communities (and twitter) cropped up as solutions. you might not be the person to ask for a definitive answer, but i figured a tech blog might be interested in considering - what do we do when there’s nowhere left to go?
Okay so, I mean this very seriously: how has tumblr meaningfully become like twitter?
I don't personally find the sidebar view obnoxious and it seems to me like just another layout change that's pretty typical to tumblr. New users are getting signed up with a bit more emphasis on algorithmic feeds, but that is still very easy to change (MUCH easier than on any other social platform) and the algorithm has been there for everyone for quite a while, we just typically don't notice it because a lot of long-term tumblr users don't go into the "for you" feed.
I don't think that tumblr *has* fundamentally broken the way that it works to appeal to new users. My dash now is still very much like my dash in 2019, and still very much like my dash in 2018 (though much less pornographic). Reblogs are still reblogs, likes are still likes. Replies, for all that they seem like they've been around forever, are new and good and I think they work well. I'm irritated that the notes menu doesn't have a "view all" option but I think that's a worthwhile tradeoff for an easy way to see tags.
I *do not* understand why tumblr has broken linking back to previous reblogs but I don't think that's out of an effort to act like twitter; it is a bizarre choice that I dislike and don't understand but I also don't think that it has fundamentally changed the way the site works and i mean you've been around long enough that I'm sure you've had the same experience I have of going into the notes of a post and randomly clicking until you found a version that you wanted to reblog without a bunch of bullshit at the bottom. Tumblr has always kind of sucked, this change DOES suck but it doesn't suck in a way that is particularly novel or insurmountable. (For instance, I think this change sucks MUCH LESS than when they made posts with links invisible to the search, that is something that is genuinely bad that has been long lasting but doesn't get brought up much in lists of the ways that tumblr has gone wrong)
Tumblr *is* changing, but I think it is changing more incrementally and less terribly than other parts of the internet. I also hate the floating clown, the login walls, the dash-only view for blogs (you can't archive it and I HATE that), and - to an extent - the new lightbox on mobile. And I dislike that less than I thought I would but I don't think it's a fundamental change that necessarily impacts my interactions with the site - it *adds* a feature that I don't care for but it doesn't *break* anything that I require to have a good time on tumblr - in that way I think of it very much like Live. People hate Live so much and I find that perplexing because it is so easy to simply ignore it.
But that's not really your question; that's just some stuff I want people to think about because as much as tumblr has changed in the last two years it is nowhere near as fucked up as the recent things that twitter and reddit have pulled.
So, as to your question: where do we go?
Well. Not to be an extremely old person on the internet, but damned if I don't miss email lists. And forums. God I miss forums. Neither of those things has all the bonuses of platforms like twitter or reddit or tumblr or facebook, but they were great ways to hang out with people you liked on the internet.
The internet is changing. I can feel it, you can feel it, I'm pretty sure we're all like cattle in a field lifting our noses and hearing some distant rumbling and becoming slowly aware that it's almost time to run. There's a coming stampede and it isn't here yet but you know it's on its way. You're not imagining that, that's how things feel right now and there are a shitload of things contributing to it.
Things like SESTA/FOSTA and KOSA (which has not passed yet but is a big red flag waving on the horizon) have been eroding away the way that users on various platforms can function. Some platforms have consolidated in ways that harm users; some new platforms have popped up and shaken up the map of the internet; some platforms are being torn apart brick by brick by owners who don't care about the users. It kind of seems like people are actually looking up and realizing that advertising is A) bad and B) doesn't actually work and I think we're running straight toward another advertising-based crash like we saw in 2017. It feels like all the desperate things that tumblr is doing is just rearranging deck chairs on the titanic as the internet as a whole starts to sink into the ocean.
Honestly, I don't think it's that bad. I think it *feels* bad, but I think we're looking at a slow whimpering death of the platforms, not a bang. I think tumblr is going to hang on at least for a few years and I think it's going to end up like livejournal and myspace, which both still exist as websites that are recognizable as updated versions of the sites they were in 2004-2010. The thing that I think would really, honestly hurt tumblr in a fundamental way is if it moved to a more algorithmic and data-sales based model of advertising, and I think that's still pretty distant. I think Automattic is aware that killing the chronological feed would be the one unforgivable sin that would cause a mass exodus and a final crash, and I think when we see that, when we can't just scroll through the feed and see what our friends did that day in order of when they did it, that's when the party is over here.
But that's still not answering your question.
So, where do we go? What do we do? Well, for now, I'd say it's a good time to get contact info for your friends across various platforms. Get email addresses, get phone numbers.
Now is also the time for you to set up a personal website. NeoCities is currently the best place to do this, though it takes a lot more effort than just starting a blog on tumblr. I think that various oldschool blogging sites like Wordpress and Blogger/Blogspot/whatever the hell the google one is are a better place to have your emergency backup than a more platform-y platform if you aren't up to doing something with NeoCities.
If you've got the ability to do so and a group of people who are interested in the same core subject, set up a forum. There's a decent amount of off-the-shelf forum software out there and a text-and-small-images forum isn't prohibitively expensive, but it's never going to be huge and you're never going to have the kind of spread and virality and random connections that you would on a platform with millions or billions of users.
If you can't set up a forum, setting up or joining a discord server for your friends is a decent enough option at the moment, and may be a very good option for people who are looking to keep their interactions more private.
But yeah i think right now is a great time for people to start setting up their own personal websites, to start visiting actual webpages again, to start bookmarking their friends' websites, and to start collecting contact info that isn't tied to platforms.
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azulas-daddy-kink · 2 months
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"Not an anti or a proshipper, I'm just normal!" 😌
Oh, boy do I have news for you...
PROSHIP IS NORMAL!
Are you against bullying, doxxing, and harassing based on someone's taste in ships? Do you think people should just mind their own business and use the block and filter features provided?
Congrats, you're a proshipper.
Back in my day, this was the default. This was normal. We didn't have a special term for it. We had "don't like, don't read" and "your kink is not my kink and that's okay".
Those who didn't respect that were the abnormal ones, and still are.
Wait, what's that? You personally dislike incest, age gaps, or abuse? That's okay. You can dislike those things and still be proship. You can even express your dislike and still be proship. You are not required to like every ship in existence. You are only required to be a decent human being who doesn't tell people to kill themselves because you don't care for their ship.
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yukishirostar · 3 months
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So people are talking about a post in the Zolu tag by a certain tumblr user in regards to their issues with Zolu as a ship. They shall be unnamed because i dont wish to bring attention to them and instead just want to focus on their arguments because they're not the first people to make some of these points and so this is also an opportunity for me to talk about these things (a tweet is going around on Twitter containing these screenshots with the username so you can find it there if you need to anyway).
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The way this person dismisses the relationship between Zoro and Luffy as a result of needing to pair gay Zoro with someone is too laughable, they must be very fit in order to be able to do these mental gymnastics. I believe that many people who are going on about the Zolu scenes in the OPLA were already Zolu shippers who were familiar with the original story and are enjoying the moments because they were well, really good Zolu moments? And there is actually, shockingly, many good Zolu moments in the original story too which is why many people ship them. Wild, I know.
Then there's 'straight-washed Sanji'. Equally if not more of a bizarre thing to believe. I might make some people mad especially the Sanji stans out there who constantly insist on the 'repressed queer' narrative with his character, but Sanji is written pretty explicitly to be seen as a cisgender and heterosexual character. The way you say with your whole chest that Luffy is 'canonically' aroace but don't acknowledge that Sanji is 'canonically' cishet is beyond hypocritical. If you believe Sanji looking like a 'misogynistic straight man' is different from the way he is written in canon then maybe you should go back and reread/rewatch series with your eyes open this time. If you wish to headcanon him with the frankly offensive repressed bisexual/transgender cliché then go ahead, but that is clearly not the intention Oda has with his character.
There's also the fact that aroace people can uh. Be in relationships. Get married. Have children. Did it occur to you that many people who ship Zolu ship them as an ace couple or-
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First thing I want to say here, as a trans man who is 'mlm', can other dudes stop with this idea that women or fem-aligned individuals enjoying homosexual relationships between two men is inherently fetishising or that as a masc-aligned individual your enjoyment of a ship is morally superior in some way. Stop pulling out your 'mlm/ transmasc / cis gay' card in order to justify why your ship is superior. Its cringe af.
But if we are to insist that 'cishet female gaze fetishising mlm' is going on then ironically Zosan fits that the better than any ship in the fandom. It being by far the most popular mlm ship means there is likely a higher proportion of people who identify as cishet women who ship it. Its also the classic 'two men who dislike/hate eachother and have a toxic relationship but hot sexual tension' slash/yaoi stereotype. Majority of Zosan I've come across is depicting Zoro as the masculine male man in the relationship while Sanji the effeminate twink that Sanji stans project themselves onto and they go crazy for the bickering that is apparently reminiscent to them of a toxic heterosexual marriage. Meanwhile every Zolu/Luzo shipper I've interacted with has been some flavour of queer and Zolu is closest to the 'falling in love with your same sex bestie' narrative that the majority if not every non-heterosexual person has experienced at least once in their lifetime. This is just my personal view of course, but I think noting a difference in perspective on this topic is interesting and reveals that at the end of the day this is totally subjective and based purely on anecdotes.
Also it's just a very weird point here that apparently OP has 'plenty of varied queer rep' (it actually doesn't have that many canonical queer characters in relation to its cast size but anyway) and other media doesn't so shipping aroace characters in gay relationships is valid in those but not in One Piece … HUH???? So you're saying if One Piece had 'less' queer rep, then Zolu would be fine to ship? Idek my brain hurts.
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"I have black friends so I'll speak for the black community and get offended for them" (btw this person then proceeded to block aroace people who had issues with their depiction of aroace people).
Also if we're talking canonical depictions, the only thing Zoro has been canonically depicted as is also aroace, equally if not moreso than Luffy. So by your own rules, you can't ship a cishet (sanji) with an aroace (zoro), therefore Zosan is now invalid. Stop erasing Zoro's aroace identity bigot.
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'Categorically wrong' makes me laugh. I don't ship Zoro and Nami but like, people can ship what they want to??
'The general public is aware enough of gay people and how to spot them these days' uh... firstly this sounds very homophobic. Secondly the general public (cishet ppl) are famously bad at recognising queerness even when its in flashing lights before them. Thirdly you make it sound like Zoro was going around on roller skates and booty shorts listening to YMCA and Madonna in the show. I do agree he was gay-coded but it was mostly because he had sexual tension with every man he interacted with, not for the strange reasons you pointed out...
Its kinda the elephant in the room too but like. These are just headcanons. You can have multiple headcanons and interpretations of a character's sexuality. I can see Zoro as aroace virgin one day and a gay h*e the next. I'm actually allowed, legally, to do that.
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The way they think shipping Zolu is harmful to aroace representation when BOTH characters are closest to being canonically aroace than anything yet ship Zosan, label being anti-Zolu as some kind of pro-ace activism, and then proceeded to block aroace people for criticising their incorrect depiction of what being aroace is...
This was a lot of words to say that you don't like a ship. Just say you don't like it, and it gets in the way of the ship you like, instead of writing a virtue signalling essay to justify your reasoning. Please.
They had some more to say on future posts I'll just pick my favourite bits
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They really have this narrative that Zolu is only popular because of OPLA and can't fathom that its just a popular ship in general and always has been huh. And they couldn't make it more obvious that they're totally salty about it ranking in the top 100 most popular tumblr ships, lmao.
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Your classic case of 'self-identifying ally who speaks over the people they are supposed allies of'. Its a general rule that you feel the need to declare yourself an ally you're probably not an ally, actual allies know they need to just shut up and do the work. Saying 'this character's aroace' and 'I have aroace friends' actually isn't what allyship is, thats just accepting that ace people exist which is like... the baseline.
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Calling a wholesome loving ship like Zolu an icky ship is a severe consequence of online brain (this person is 26 years old btw)
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ao3commentoftheday · 5 months
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Hello there! This question isn’t so much about popularity as it is about feeling lonely in fandom spaces. I’m in a relatively small fandom where it’s easy to “run into” the same users who write fanfic and draw fanart a lot. Over the years I’ve tried doing all the usual things to make fandom friends, like commenting a LOT on fanfic when new works are posted, being friendly in my author’s notes, being friendly on tumblr, complimenting artists works and reblogging and just generally trying to share the love so to speak.
People will reblog my art on here, but on AO3 I tend to get crickets on most of my stuff. Especially on fics for my OTP. My OTP is notttt popular in the fandom. It’s actually a lot of people’s NOTP because it “takes away” from the canon couple. I’ve accepted a long time ago that I’m going to get less readers because of the shipping stuff alone. But even on my works that aren’t shipping focused at all, it’s just crickets.
It just kinda sucks to try so hard to make fandom buddies and see them all having fun together and constantly feel like the kid sitting alone in the corner. I keep wondering if people in the fandom don’t like my fics just because of the shipping thing because I know I’m not a bad writer. But like I said, I’ve tried reaching out to people, be encouraging and show joy at what they create, but I just keep wondering what I’m doing wrong to make fellow fans not want to be friends with me. I’ve been focusing on just doing my own thing but yeah, it sucks not having anybody to fangirl with.
First of all anon, *hugs*. Being lonely sucks, and I'm sorry to hear you're in that situation.
When it comes to the other folks in your fandom, I don't think it's necessarily that they don't want to be friends with you. I think you might just need to do a little extra legwork to get in the friendship door.
It's not really fair, but it is kind of human nature, that if there is a perceived difference with someone else, we tend to keep them at a bit of a distance. It doesn't mean we dislike them! It just means that it takes more effort for us to get past that difference and see them as a friend. The more we do it, of course, the easier it gets and you might not even notice the hiccup anymore - in person.
You're probably in the "acquaintance zone," if you'll allow me to use the phrase. People probably have a generally positive impression of you because you're nice and you're friendly and you're encouraging. But if most of their conversations are happening in a ship-centric venue, for example, then you're not going to have access to the full spectrum of community with them.
You mention that other folks see your OTP as a NOTP. Do you feel the same way in reverse? They might assume that you do, and that's what's keeping you out of those convos. If you actually don't mind their ship and simply prefer your own, you could always attempt to make a foray in that direction? Let them know you don't mind being exposed to their shipping talk?
Another thing you could try would be to identify the multishippers. In my experience, those are the folks who are most open to befriending folks who don't ship the main pairing. They can see possibilities all over the place, and they're happy to be exposed to new ideas.
Small fandoms can be rough when you're into a niche part of it ❤️ Let's see how others handle your situation.
You can also find this question and answer on Dreamwidth.
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chaoticsomeone · 10 months
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Heartrender!Reader x The Spiderverse Characters
Headcanon
(Im new a writing so i'm giving this a shot)
| Heartrenders have the ability to manipulate the body. They can snatch the air from your lungs, slow your pulse until you fall into a coma, or even literally crush your heart—all from a distance |
Seeing/when told that you put a villain into a coma
Miles, Miles 42, Gwen, Hobie, Pavitr, Miguel, Jessica, Lyla?
Miles Morales
Doesn't know whether or not he should be afraid or amazed. (Hes more amazed than afraid)
Immediately asks alot of questions
"So can you actually just murder someone in a second?"
"Can you hear/feel people's heartbeats?"
You told him yes to both of that questions and he just goes "That's amazing. How did you get your powers. I mean we spiderpeople get bit by spiders but what about you?"
"I'm born with it" you said smiling
More wows
He continues asking about it again but now 'scientifically'
(Miles x Gwen) Asks you if you can find out whether or not gwen likes him
(Romantic you x him) Asking you out buy bringing you to a science museum
(Platonic) He got tickets to a science museum for you and the crew
You showed him and the others that you can manipulate a heart on display to move
(Romantic) melts and heart speeding everytime you impress him even though he knows you can sense it
Miles Morales (Earth-42)
(Romantically) Fell in love with you the moment you walked into his dimension with the spidercrew even though he doesnt know anything about you
Think its cool that you're a heartrender
Asks you to slow down the other miles's pulse
He tells you he ships the other Miles and Gwen
Asks you to make them both blush and get a higher heart rate near each other
You both laugh together
Thinks you're the coolest person he has met when Hobie tells him how you put someone into a coma so easily
Asks you 2-3 questions but thats it
Will actually ask you politely to come with him on one patrol to help him put his enemies into a coma for a few months so he could take a leave and break
Gwen Stacy
First time you told her she asks you to knockout a villain just for jokes
When you actually did she was shocked and a little bit afraid
When you told her you 'accidentally' put them into a coma she was like "Wow"
(If platonic)Secretly annoyed that Jess didn't adopt her too because she wants to be your sister
(Romantic) Has a crush on you but is wary so that you dont detect her heart rate
Shes just listening closely to miles basically interviewing you
At one point asking you to help her at a science fair when shes teaming up with Miles to perform a trick on people
The trick being making them pass out for a second then bringing them back
Hobie Brown (Im sorry idk much abt him)
Says smth along the lines of "cool, try doing it to Pav and bring him back out of it"
After this he asks you to come to his universe to give the people he dislikes a heart attack.
A painful one
Proud of the science fair you and Miles did
Pavitr Prabhakar
Same reaction as Miles
Continues asking stuff with miles
Like "So you can actually know if someone has a crush on you?"
Becomes happy when you say yes
Asks you to come with him to meet Gayatri
At the end of the three of you meeting he asks you if you felt Gayatri or his heart beating up
Blushes and becomes giddy when you tell him both of them has a high heart rate near eachother
(Platonic)Eventually becomes best friends in crime and inseperable
(Romantic) both him and Gayatri became close with you and asks you to date them(?)
Miguel O'hara
Wary of you
Asks Lyla to watch over you during missions
Keeps a close eye of you to make sure you don't distrupt Cannon because you aren't a spiderman
When Jess recruited you he wasn't happy
Gave you a long speech when he learned that you put someone into a coma
Told you about dont do that or that or this when it is this that just to make sure you dont disturb cannon
Warms up to you eventually
Keeps you close to help him calm down sometimes
Jessica Drew
Recruited you even though you aren't a spider
Trained you to do combat outside of your powers
Genuinely adopts you
Looks out for you
Defends you against Miguel any day
You helped her name her daughter
You always is there to help her with her pregnancy by checking on the baby's heartbeat and all
If she has a health issue you are always the first she calls (everyone too tbh)
"That's my girl" when you put that one villain you and the others were fighting into a coma.
Lyla
Watches over you every second of everytime because of two things
Miguel or
Just pure curiosity of your powe4s
Reports back to miguel in an instant when you put the villain into a coma
Writes/keeps track of everything she knows about heartrenders
Interviews you with Miguel and Jessica every now and then to aks if you found or learnt anything new about heartrending
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booksandabeer · 4 months
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Ramblings on Fandom: Peggy Carter, Steve Rogers, Delusional Shippers, and Alleged Misogyny
So with the release of Season 2 of What If…? emotions are once again running high, the outrage is outraging, and people are up in arms about the whole Captain Carter situation. While I do think that some reactions are a little overblown, even needlessly aggressive in tone to the unfortunate detriment of their otherwise convincing arguments, I share the confusion and frustration about the sudden centering of a long-dead & never excessively popular character, the sidelining of the Steve-Bucky friendship, and the as-inexplicable-as-it-is-total exclusion of Sam Wilson as Captain America. However, I’m not here to talk about the show because (1) I haven’t watched this season and have no plans to (why waste time torturing myself with something I know I’ll hate?) and (2) other people have already written dozens of metas about it, so what could I possibly add at this point.
What I do want need to talk about (lest I explode) is something that has irritated me for a long time and that is now happening again: Every time someone even mildly criticizes Peggy Carter, expresses doubts about her suitability as a heroine, or even just questions her disproportionate importance to the franchise post-EG, inevitably a certain section of fans will come out of the woodwork to immediately throw around accusations of misogyny and yell about how we’re all just a bunch of delusional Stuckies who are mad that she got "in the way" of our ship. Sigh.
This is gonna be a long one, so I’ll put it under a cut. Rant incoming. You've been warned. If you don't want to read, simply scroll on by.
First of all, let me state very clearly that I’m not debating the existence of misogyny and sexism in fandom spaces—or in the media from which these fandoms originate. At all. It exists, it’s a thing, I’m not denying that. Which is exactly why it frustrates me endlessly to see these accusations thrown around as a gotcha! argument to shut down any and all critical debate around a female character. All it does in the end is escalate rhetoric and radicalize attitudes.  
In the case of Peggy Carter, specifically her treatment by Stucky shippers, I’ve always found 'misogyny as a motive' to be a largely unsubstantiated accusation.¹ Now, I neither presume nor do I want to speak for the entirety of Stuckynation, so I will not claim that there aren't corners of the fandom where people discuss her in ways that I find off-putting and deeply unserious, but I will say this: If you genuinely believe that disliking one (1) fictional female character equals “hating all women” and wanting to suppress and marginalize their presence in fiction and real life alike—then I think we need to take that word away from you until you’ve learned its true meaning.
You might also want to ask yourself how exactly reducing a female character to a mute trophy wife or a heroine who has to act out her love interest’s recycled storylines helps your feminist fight.
As to the “standing in the way of your ship” part of the argument. Very simply put: No character can stand in the way of something if there never ever was “a way” to that something to begin with. “Being mad” implies that there was a reasonable expectation that wasn’t met, a substantive hope that was crushed. Now, I’ve said this before and I’ll gladly say it again a million more times: No Stucky shipper in their right mind ever truly thought that there was even the slightest chance that Marvel Studios owned by the Walt Disney Company would allow Steve “Captain America” Rogers and Bucky “Winter Soldier” Barnes to be canonized as an explicitly romantic pairing in their billion dollar franchise. Be serious. That was never in the cards. I wish we all lived in a world where it was, but we don’t, and it wasn’t. The best we could ever hope for was for Steve and Bucky to get a good, satisfying, in-character ending. And if, in Steve’s case, that would’ve included hints (or more) about a possible rekindling of his, uh, aborted romance with Sharon—then so be it. But we never got any of that. The characters never got any of that. Instead they sent Steve into 1950s suburban hell, literally trapped him behind a white picket fence, and condemned him to a life of passivity and lies, all so he could be married to a woman he barely knew a long time ago in a completely different world; who built and ran a top-to-bottom Hydra-infested organization, but apparently never noticed that there was anything wrong with her life's work. For decades. Great. As for Bucky—well, we’ve all seen the devastatingly grim-faced, utterly lonely, and deeply sad version of him that was presented to us in TFATWS. Happy endings all around, I guess.
So. Am I mad that Steve didn’t get to ride into the rainbow-colored sunset with Bucky at the end of EG? No. Because that was never going to happen anyway. Would I have been mad had he ended up with Sharon or another female character in the 21st century? Also no. Granted, I wouldn’t have been ecstatic about it, but mad? No. But am I mad that Steve ended up with this specific female character under these specific circumstances as presented in canon? Fuck yeah, I am.
The thing is: I personally believe Steve and Peggy to be fundamentally incompatible when it comes to the way they view the world and their respective places in it; their morals and values; their capacity for compassion and empathy; their ability and willingness to compartmentalize, compromise, and collaborate with people and institutions whose ethics and/or politics do not align with their own. I have a real hard time believing that a relationship between these two (or worse, a hasty marriage) could be either happy or long-lasting.
I don’t believe Peggy to be inherently evil, I don’t hate her, I simply think she operates within a different moral framework than Steve (and even genuinely believes it to be a righteous one).² Your mileage may vary, but I personally happen to find that framework reprehensible, even indecent, and ultimately dangerous. After all, over the course of the 20th century, we have seen exactly where that kind of “the ends justify the means” brand of pragmatism leads—over and over again. Not to mention that the people who use this line of argument to defend characters like Peggy (or real-life politicians for that matter) never seem to want to look too closely at who gets to define what "the ends" are in the first place and who decides when they've finally been met.
(Never. The answer is never.)
And to be clear, there is absolutely nothing wrong with depicting, and even centering a narrative around a morally (dark)gray character—oftentimes it’s actually the more interesting option—but you cannot at the same time claim that they are purely good and should be only admired as such when their actions literally tell an entirely different story.
So, no. I will not accept Peggy Carter as the shining aspirational heroine that the MCU so badly wants to sell her to me as—while simultaneously continuing to reveal things that paint an increasingly darker picture of her character. And I will certainly not celebrate seeing one of my favorite characters of all time—whose defining trait was that he couldn't ignore "a situation pointed south"; who used to fight for the little guy and against the establishment; who once said about the very organization that Peggy Carter helped build that it was so corrupt, it all needed to go—rendered morally inert for some hollow happy ending that may as well be a conservative’s wet dream full of false nostalgia for an America that never really existed. I cannot find it in me to be anything less but mad about that.
But that does not make me a misogynist. It does not make me a delusional shipper. It makes me someone who looks at what the MCU has been telling me about Peggy Carter for years now—over and over again—and takes it at its own word.
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¹ If you’ve actually read a a fair number of Stucky(!) fanfics you will have noticed that the reverence afforded to and "page time" devoted to her character and her relationship with Steve is somewhat disproportionate to anything that's backed up by canon—well, up until EG, where she was suddenly reanimated as The Great Love of Steve’s Life—and in my experience, it's highly unusual for any fandom to put so much (mostly) positive attention on another character, let alone a potential love interest that is not part of the endgame ship.
² I also want to emphasize that if you love Peggy and she's your fave: good for you! I genuinely have no beef with you. People can agree to disagree. All I ask for is that we maybe stop willfully ignoring the less savory aspects of her character. You don't need to pretend she's perfect to justify your affection for her. I LOVE Steve, and yet I have no problem conceding that he is FAR from perfect.
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ccuniculusmolestus · 5 months
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Bunny Corcoran: Mother, Women and Sexuality (Masterpost)
Apologies for the shitty quality screenshot, idk why their quality got butchered.
Anyway I divided this thing into IV parts.
Intro
Camilla
Marion
Henry
INTRO & DISC.
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Not to be a bunny apologist literally, he's sexist piece of shit, but you know whats funny? The way this fandom absolutely REFUSES to acknowledge the fact that, despite Richard's shady ass describing Bunny as "homophobic but not in a repressed way", Bunny could very well be gay or bi at the very least. The fandom just doesn't want to see it because he doesn't form "convenient" enough ships with major characters (he does. You guys are just cowards.)
Yes I know, sexist hetero men despise women just for being women, but they view women purely through a sexual lens. But Bunny's prude ass was NOT a pervert. I mean, this is the guy that got triggered when Richard asked him about his hickey.
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Yes yes sexually repressed people can act prude-ish in front of people but be total pervs when alone, but nothing at all hinted at Bunny being a pervert who viewed women as walking meat bags. I just find it weird that the only two female companions he had (Marion and Camilla, aside from Judy bcs we never see them interact) he just...didn't like them. Camilla he was good to, occasionally, in a very platonic way ("paternalistic stance").
CAMILLA
And you know what drives me crazy? In this group of 5 boys and 1 girl, Bunny was the ONLY one who was never inappropriate (sexually) or sexual with Camilla. Even the openly gay guy in the group had kissed her at least once. Even her own brother-- not finishing that. Henry slept with her too. Richard kissed her, and wanted to sleep with her. Not Bunny. Yes, Bun was cruel to her in other ways, ordering her around, saying she was intellectually inferior, but he showed ZERO romantic interest in her. Which is kind of ironic to me. The only homophobe in that group was the only one not acting straight.
MARION
With Marion, my god, the way this boy behaved.
He called her his "reason of being", the purpose of his existence, but he could barely tolerate her. She was only a clip holding him together from those parts where he was falling apart; wounds left from a neglectful mother. Lets not mention how Marion is sort of an underdeveloped image of his mother; delicate, blonde, somewhat haughty.
That bitterness he probably feels towards Kathy was then pointed to Marion. Its so freaking clear that Marion is filling the "Mother" role in Bunny's life. She's "feminine" (a trait often associated with motherhood and vice versa), she's "bossy and businesslike". I don't need to explain this, I'm sure.
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But watch Bunny's reactions to her; hes submissive for the most part.
For a man who's so incredibly sexist, it doesn't make sense for him to choose such a woman as his partner, does it? Now, either Richard entirely fabricated or exaggerated Bunny's sexism in order to justify his murder, or
His "dislike" for women didn't stem from the weird sexual obsessions misogynists tend to have, but from something else. It could be, purely, his mommy issues, or something else.
You know that whole, Bunny calling Marion that title, but treating her like a chore just reflects what a big performance his relationship truly was. He didn't love Marion, perhaps he liked her, appreciated or cared for her, but he didn't love her. Marion was, like every other thing in his life, just an element to uphold an image of himself. Potential beard? Maybe.
HENRY
Bunny's true "raison d'etre" might have not existed. The only person he could be said to gave been obsessed with was, truly, Henry. And im not just saying this for the sake of it. Bunny was invested in and attached to Henry, perhaps a result of his financial dependence on him.
I don't know guys, I just don't think its normal to snoop around your best friend's things often, or make multiple attempts to read their journal--
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this boy was DESPERATE to know the inner workings of Henry's mind. Mind you, this is BEFORE Bunny found out about the murder, or had reason to suspect Henry for anything. Henry's said he was always nosing around for it, and he mentioned Bunny was an "obtrusive" roommate -- meaning this was normal occurrence for him around Henry. Yes, he was also kind of like this with others (Stealing stranger's foods, stealing Charles' cooking literally as he works in the kitchen) but neither of these required a sense of interest in the person he was stealing from. It was to serve his own needs.
Bunny also shows a reluctance to lose Henry.
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After their fight, he's so overwhelmed that he doesn't know how to react (mentioned by Henry himself), and his first instinct is to try and cling onto whatever shred of normalcy there was left between them. Despite knowing the numerous cruel things Henry had written about him, Bunny just took it. He stayed somewhat amiable to Henry later. Yes, yes. He got annoying about "the blackmail" (or his inability to keep his mouth shut) but Henry and Francis BOTH tell Richard that Bunny doesn't see what he's doing as "blackmail".
In fact, i think Bunny the fool was trying to get "in" on the feeling of being in on a secret. Image below is regarding that German that started following them in Rome.
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But his immediate reaction of pretending everything's fine isn't the first or last time he tries to keep things cool with Henry.
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Henry, despite having to deal with Bunny's worst tantrums, was still treated with a degree of respect that seemed to be reserved only for him. Was he afraid of Henry? Hell no.
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Bunny was never afraid of insulting Henry, or fighting with him. But he rarely ever got personal with him. Yes yes he complained about the money and every little thing, but the way he went after the rest of the class? Targeting their weaknesses? He would've known Henry's weakness, he was perceptive enough. But he didn't. He still treated Henry with respect. Deference. Described as "polite submission and respect".
With Henry, Bunny was totally emotionally vulnerable. Henry reactedd explosively twice during their arguments. The first is when he slapped Bunny so hard that he "left a big white mark on his cheek", and the second where he broke that chair when Bunny was fighting him in his room. Despite losing control, Henry maintained a level of composure. Bunny never did. He became hysterical each time, screaming and becoming violent the first time, but sobbing himself to sleep (IN HENRYS BED) the second time.
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He slept in his bed. There was literally no reason for him to do that.
Except maybe he craved closure. Maybe he just missed his best friend. Maybe he was too shaken up to move from his spot.
And I don't want none of you fools being all "Henry didn't gaf about Bunny."
This is Henry's reaction to Richard essentially saying "You thought Bunny wouldn't be a problem??" And then reiterating that they're old friends.
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Do you even understand the implications of that last line? Bunny, whose entire being was hidden under a carefully crafted persona, admitted his family's SHORTCOMINGS with HENRY. Bunny, whose image was everything for him. Perhaps his image WAS his raison d'etre. Bunny, who lived life as an illusion of his true self, projecting away his insecurities. Bunny, who would never admit that he was poor, that his family was flawed in any way, told Henry this. How many more things do you think he confessed, or what other parts of his past and home did he reveal?
Yes, he could have just been telling Henry those things to mooch him off, but he also mooched off his other friends.they didn't know a thing. Marion, who I believe his family hadn't met yet (?) Probably didn't even know. Amd if youre from a dysfunctional home, you already know the only people you've told about your home are special, hand-picked.
Henry was also the first and only person Bunny told about Camilla/Charles.
Perhaps it hurt him, being left out of such a major events of Henry's life because Bunny was sharing practically everything with him.
Alls I'm saying is, Henry meant more to Bunny than most people realize (and dare I say, vice versa), and the only reason people don't see it is because RICHARD didn't see it (fool saw the potential of the dynamic but then was like "nah bunny's too ugly for that").
Bunny was most definitely either a repressed bisexual/gay man, and you cannot change my mind. And while his hatred of women is vile and inexcusable, it stemmed from a place of deep personal issues and insecurities.
Anyway. I'm done rambling LOL.
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burst-of-iridescent · 9 months
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Your response to that anon makes it pretty clear they're right lol. Katara did support Aang unconditionally, especially with his trauma as she could empathise as someone who is ALSO a survivor of genocide and the last of their people (water bender and air nomad). But Aang also was supportive of her- when she wanted to free the earthbenders, him and sokka helped, he wanted to refuse to continue teaching from Pakku because he wouldn't teach Katara, he helped her with the Painted Lady, and the Southern Raiders comment is not as condescending as you think. Yes, it was shitty, but you really think they would've turned their back on Katara? They shouldn't have said that to her but him and Sokka know if she kills Yon Rha, it will not bring her closure. And as for her doing all the labour, that's blatantly untrue. In Bitter Work the whole argument between Toph and Katara is that Katara is (rightfully) mad that Toph only wants to do her share, arguing that everyone around camp does their part.There’s multiple episodes in which the gaang help pitch the tent and perform campsite duties. There’s a whole episode dedicated to how katara and sokka are both sick, resulting in aang having to run across the world to retrieve them medicine, and he continued trying to get the frogs for his friends even when captured. There’s an entire episode dedicated to how the gaang cannot get anything done without sokka, who usually manages their schedules and itineraries and helps ensure that they’re on track. There’s plenty of moments in which aang and katara are goofing off, and sokka gets mad at them for not sticking to his carefully curated and meticulous schedule and for putting a wedge in their plans to save communities (see: imprisoned and the painted lady). There’s moments when toph assumes responsibility; there’s moments when aang assumes responsibility. and then there’s moments when none of them have any clue on what to do, when they literally act like children navigating a world that’s constantly trying to kill them. Because they are children, which in episode 1 we see Aang telling Katara she is still a kid. Whether you ship it or not, a big part of their relationship is that they are children. They're a team, they all support each other. Saying she shoulders everything and that Aang is just selfish and callous is a blatant lie. They have helped each other throughout the series a lot. There are moments when they both say and do things that aren't good to eachother, but that doesn't make their relationship instantly toxic. Aang kissing Katara w/o consent was wrong, it's why I don't ship it, but saying Katara was reduced Aangs mother figure, especially when he played a large role in her acting like a kid again, and also grew up communally so the concept of a mother isn't something he would even think about. The constant adultification you insist on of Katara is just weird, there's a reason black and brown women hate it so much, especially when katara has stated she dislikes being seen as motherly
wow that is a whole lot of words you're trying to shove into my mouth, huh? don't worry though; unlike you, i know how to make a good argument, so let's go through this flaming pile of garbage you've dumped in my asks to see exactly what that looks like!
i don't know where you got this idea that i think katara does everything for team avatar while the rest of them sit by and twiddle their thumbs; i have never said that, and i never will. my argument isn't about katara's relationship with the gaang (though for all that she says they divide the chores equally in the chase episode, you will notice that much of the time it is always katara you see in the background cooking, training aang, or doing work around camp - make of that what you will), it is about katara's relationship with aang, and the severe imbalance of emotional labour in that relationship.
let's look at how many times katara supports aang in the show when he's in need of it:
S1:E3, The Southern Air Temple: katara pulls aang out of the avatar state when he's grieving over the loss of his people, then holds and comforts him afterwards.
S1:E12, The Storm: katara listens to aang's regrets over running away, assauges his guilt, encourages him, and ultimately inspires him to move on from his past and start anew.
S2:E3, Return to Omashu: katara listens to aang's worries about bumi and tries to reassure him.
S2:E9, Bitter Work: katara coddles aang when he's sad about not being able to master earthbending, motivating him to keep going and trying to convince toph to give him an easier time.
S2:E10, The Library: katara pulls aang out of the avatar state again, this time actually putting herself in danger (the only one to do so, you might notice) by walking into the middle of a sandstorm while aang is in an highly volatile state of extreme power. keep in mind that katara knows exactly what can happen when aang isn't able to control himself, because of that lovely incident back in book 1 where she was burned thanks to his recklessness, and yet the duty of calming aang down falls to her yet again.
S2:E11, The Desert: aang snaps at katara and then leaves her to take care of herself and the rest of the gaang all on her own in a highly dangerous environment. don't worry though, she'll still find the time to sympathize with him and comfort him, though he certainly isn't going to apologize and will, in fact, have this lovely exchange with her instead:
"What's anyone else doing?! [Pointing his staff at Katara.] What are you doing‌?!"
oh nothing aang, just keeping everyone alive and together, and being the entire reason they survive the desert at all. thanks for the support, though!
S2:E12, Journey to Ba Sing Se Part 1: katara reaches out to aang multiple times in this episode, offering her love and support, and ultimately helping him to snap out of his depression over appa's loss (he still hasn't apologized for his behaviour in the previous episode, in case you were wondering).
S3:E1, The Awakening: katara tries to help aang deal with his feelings of guilt over Ba Sing Se, heals him, brings him food, and even stays behind to look after him (funny you don't see either sokka or toph doing that)... all while dealing with her own sadness and anger over her father. aang does notice this, by the way! though naturally, he does nothing about it.
S3:E9, Nightmares and Daydreams: i'll cut this one a little slack, because sokka and toph do try to help out with aang's anxieties too. note, however, that katara checks on aang five separate times in this episode alone - far more than either of the other two by a clear margin.
S3:E17, The Ember Island Players: katara is the only one to notice aang is upset after the play, goes to see if he's okay and... well, you know how this one ends.
let's do a little tally and... that clocks in at a whopping 10 times that katara offers aang her love, support and comfort, including almost all of his lowest moments.
now let's look at the number of times aang supports katara when she is in need of it:
S1:E9, The Waterbending Scroll: aang encourages katara to waterbend, pushing her to have faith and be confident in herself, allowing her to waterbend successfully and defeat the pirates.
S1:E18, The Waterbending Master: aang defends katara against pakku and cheers for her during her fight; he does also, however, undercut her very real anger at pakku and tries to dissuade her from fighting at all under the impression that it's for him instead of the injustice that's been done to her so... we'll consider this a wash.
S2:E17, Lake Laogai: aang rests a hand on katara's shoulder in wordless support after jet dies.
S3:E8, The Puppetmaster: aang pulls the hand-on-shoulder move again while katara cries after defeating hama... except this time, sokka's on her other side doing the exact same thing so it can't even be counted as an emotional support moment exclusive to aang, the way all of aang's are to katara.
final calculation: 2, 4 if i'm being generous. four against ten, and even if you combined all of them together, aang still doesn't provide even half the depth of support and care that katara does for him in just a single incident.
see how that might be what we call an imbalanced relationship?
They shouldn't have said that to her but him and Sokka know if she kills Yon Rha, it will not bring her closure
except who brought up killing yon rha? aang. who immediately conflated justice with revenge? aang. who pushed his own culture's values of pacifism onto katara? aang. and who was ultimately wrong about blanket forgiveness and inaction being the path to closure for katara? aang.
you don't need to take my word on it. katara corrects aang herself when he inaccurately assumes she did what he wanted her to: "But i didn't forgive him. I'll never forgive him."
if aang had his way, if katara had never confronted yon rha, her rage and grief and resentment would've simply continued to fester inside her. katara made peace with her trauma on her own terms, by finally getting to see yon rha for what he really was: not a nightmarish bogeyman who left her powerless and afraid, but a weak, pathetic, human man who didn't even deserve the mercy of death, and whom she was able to reclaim her power over.
aang doesn't extend to katara even a fraction of the empathy, understanding and faith she always offers him; rather, he instantly jumps to the worst judgements about her intentions, preaches to her about how she should heal from her trauma, and only deepens her stress and anger while she's reliving the worst moment of her life.
that is not support. that is not friendship. that is aang making katara's struggle about himself, just as everything else in their relationship already is.
saying Katara was reduced Aangs mother figure, especially when he played a large role in her acting like a kid again, and also grew up communally so the concept of a mother isn't something he would even think about
buddy, i assure you i'm not the one making katara aang's mother. you can take that up with the writers who made a self-referential joke about katara acting motherly to aang (unless you think "stop rubbing your eye and sit up straight when you talk!" is somehow a romantic thing to say to your future husband), who have katara coddle aang multiple times, who framed katara holding aang's dead body like the virgin mary holding jesus, and who literally had her dress up and pretend to be his mother.
and for your information, katara is a motherly figure - not just to aang, but to every member of team avatar besides zuko (and suki, if you count her). that's not my opinion btw, as you seem to believe. that's canon, confirmed by both sokka and toph in S3:E7, The Runaway:
Sokka: When our mom died, that was the hardest time in my life. Our family was a mess, but Katara? She had so much strength. She stepped up and took on so much responsibility. She helped fill the void that was left by our mom. It really seems like my whole life, Katara's been the one looking out for me. She's always been the one that's there. And now, when I try to remember my mom, Katara's is the only face I can picture. Toph: The truth is sometimes Katara does act motherly, but that's not always a bad thing. She's compassionate and kind, and she actually cares about me. [Wipes away tears from her left eye.] You know, the real me. That's more than my own mom.
so no, anon, i'm not the one "insisting" on katara's adultification. she was adultified the moment her mother died, because she was forced to step into her mother's shoes - and she did it so well that she became a surrogate parent to her own older brother. she is a child who was forced to sacrifice her childhood, and who will never be able to find it again. that is the fundamental tragedy at the heart of katara's character, and an integral part of what makes her who she is.
there's a reason black and brown women hate it so much, especially when katara has stated she dislikes being seen as motherly
really? women of colour hate being pushed into motherly roles, and seeing female characters like themselves being forced to do so? damn, i wonder if there's any way that i, a south asian woman living in southeast asia, would know that?
i don't need you to tell me what brown women think and feel. i understand first-fucking-hand what we go through, because i've seen it in my own female relatives, in my friends, in their families, in every aspect of my society. i've felt the expectations of my culture on my gender since i was a child, and that is just one of the many reasons why i ship zutara: so that at least in a fictional world, some fictional brown girl is able to have an equal relationship with a partner who respects her, admires her, supports her, cares for her, and loves her just as much as she does him.
i'm glad we can both agree that katara hates being seen as motherly. i hate it too, which is why i despise kat.aang, because the last thing that katara needed after losing her childhood being a mother was to lose the rest of her life to it too, stripped of her agency and legacy, forever stuck looking after a man who will always make her do too much labour without once recognizing it, let alone returning it.
now kindly get out of my inbox with your faux progressive concern, and take your subpar media literacy skills with you while you're at it.
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