Got any Farah, Valeria, & Laswell hcs? Anything, really- I'm dying for my girls 🤲🤲🤲
Hello! Yeah, I was able to come up with a few! I already wrote a few for Valeria here! Somehow, I forgot to put them in my masterlist, though, which I have since fixed! Thank you for making me aware of this, though :-) These are general Headcanons, though, since I had an easier time coming up with those and because you didn't specify, I hope that's okay!
Valeria, Farah and Laswell HCs
Valeria: She’s always had quite the temper, even when she was young. While she may not have been spoiled to hell and back as a child, she usually got what she wanted, as long as it wasn’t something extraordinarily big, her parents always took care of her like that. Valeria loved her mother, they got along very well with each other, and she also took after her, having inherited her personality for the most part. Her father was a bit calmer than the two of them, but that didn’t mean they didn’t get along either. Whereas her mother would encourage her to do most things, her father would try to talk sense into her if it was a bad idea. She often sulked because of it, which is why she didn’t like her father as much as her mother, but as she got older she realized he meant well. Sometimes she still thinks about his advice, but the both of them died a long time ago, so most things they’ve told her are a distant memory by now. Valeria may be successful with what she’s doing and doesn’t like being told what to do, but sometimes she does wish she could still eat some sweets with her parents like she used to.
Joining the military actually wasn’t her first choice of career. She tried many places, but no one would take her, so she opted for the military, which welcomed her with open arms. She got paid. Not well, but she received the money, which was important since her parents couldn’t leave her with too much. They didn’t have very much either, so there wasn’t much to be inherited. Because she’s a woman, a few creeps tried to harass her, but she had none of it and beat all three of them up herself and on her own. Ever since that incident she wasn’t a big fan of the military either, but no other place would take her. However, it showed just how capable she was and earned her a lot of respect. A few other men would try to make advances towards her, but she shot them down every time. However, whenever another female soldier would jokingly flirt with her, that’s when she’d give it her all, making it her goal to fluster her beyond all hell. She’s spent a few evenings and nights with a few female soldiers, but was always willing to rip a male soldier’s dick off if he was being too friendly with her. During her time as a soldier she also realized that she preferred women.
She didn’t always hate Alejandro, actually. Back in the day, they got along very well. He was a man, yes, but he had enough respect for her. It wasn’t a given, even if it should have been, but she appreciated it. Whenever they sparred he gave it his all as well and never looked down on her. In his eyes, the two of them were equals and it showed. Valeria could appreciate that. She liked him, she spent a night with him but realized she hated that sort of stuff with men. He was the final realization for her that Valeria does not like men. It didn’t make her hate him at first, though. Only when he insisted on the two of them being a thing did she develop some form of disdain for him. Once she told him that she could never feel the same way, he stopped. However, he also started treating her a bit differently since he was in love with her. As he rose in ranks, he was a bit harsher on her than the other soldiers, usually dissatisfied with anything she did. He didn’t even notice that, but Valeria did. Therefore he became just another scum to her.
Farah: Before her town got attacked, she actually had a pretty happy childhood. She was sweet and kind as a kid, she got along well with her parents and her brother and she had a few close friends. Farah loved going outside to play, sometimes even inviting her parents to make potions with her in a bucket filled with water, sand and rocks. Her parents were always afraid of the Russians invading and tried to keep their children safe regardless of what happened, but in the end they were unable to. It hit Farah pretty hard, she loved her parents. Even now she misses them dearly since they always took such good care of her and her brother. At least she still had her brother. Farah knew she was the younger one out of the two of them, so she likely should have been the one to be protected, but once her town got attacked she became determined to make sure her brother would stay with her. Drastic times called for drastic measures, so she actually has killed people just so her brother could stay alive. It was around that time that other people realized how she was a very caring person still and could be trusted. Slowly, through that realization, she was able to gather a small force that could help her.
Farah is a pretty good leader. The people she works with adore her because, under that rough exterior, she’s still a good person. All her brothers and sisters know she can be trusted with just about anything. She rarely ever says no upon hearing a request of one of her people, knowing fully well what it’s like to need something. As she’s been through a lot herself, she always has an open ear for her brothers and sisters. While there’s not always time to listen to everyone’s concerns, if she does have time she’ll listen to you intently. Farah knows a lot more about her people than she lets on, that ranges from how the latest battle has gone to how her sister’s family is doing. She’s never one to turn down someone in need, always offering food and shelter. I know she may seem stern, because she has to be in order to be a good leader, but deep down she’s still the same kind girl that she’s always been. Her people would give up just about anything for her, and they do. One day, Farah dreams, Urzikstan will be free, it will be safe and it will prosper, its people won’t have anything to fear anymore. Trade will continue, the people will be happy and she can finally lay down her weary head and rest for a bit. But until then, she swore she’ll fight and fight until everything is finally over.
She’s never actually been in love. When she had the chance to develop a crush she was too young. Now that she’s older she doesn’t have time for anything lovey dovey in the slightest. Alex was the first person she ever developed a crush on. He may have seemed like an enemy at first, but it quickly enough became evident that that couldn’t be further from the truth. He was a good man, someone who could be trusted no matter what. He was loyal to a fault as well, which Farah could appreciate. However, she never told him, swallowing her feelings down instead no matter how intense they became. Yet, she sort of did always look forward to his small gestures of affection. Alex is a physically affectionate guy, so he’d sometimes pat her shoulder, put a hand on her shoulder or gently bump her arm to show he liked her. Farah is severely touch starved, so it made for a good combination. One time, he asked if she would like a hug, to which she said yes. To this day, Farah thinks about that hug since it was the first one she had received in seven or eight years. It may not have seemed like she was swayed at the time, but she was very content afterwards.
Laswell: Laswell’s parents didn’t really care too much for her. Don’t get me wrong, they provided for her physical needs, but they barely looked after her in any other regard, thinking she was happy because she had everything she could ever need. Laswell may have been strong because of it, even then, but she did wish her parents had cared more about other things as well, such as how she was doing emotionally. There were quite a few things that hurt her during her childhood, but she barely had anyone who would support her during her rough times. Her parents only ever wanted to see her happy and content, but barely made any effort to actually keep her as such. Laswell knew fairly early on that she was a lesbian and did come out to her parents, but that’s all that happened. It was never discussed again afterwards, even if her father would sometimes say that she would “find the right guy eventually” while talking to other people. Laswell has called him out on it numerous times, but he always made it about him and how he was the victim for saying something that made his daughter uncomfortable. Laswell didn’t stay in contact with her parents for very long once she moved out.
Even back when she was a child, Laswell knew she wanted to do something more exciting than be a hairdresser, waitress or cook. She wanted to do something with plenty of action, but at the same time she wanted to study and go to university. And thus she combined her wishes and started going to university at first. Afterwards, sometime in her twenties, she started to work for the CIA. She wasn’t treated with very much respect there at first, being a woman working there and all. But she didn’t let that disrespect get her down. In fact, on the outside, she stayed professional, but on the inside she took mental notes on who treated her badly and who didn’t. It soon enough became evident that Laswell knew what she was doing, even if her master’s degree should have been proof enough that there was some intelligence in that noggin of hers. However, soon enough she was transferred. In fact, she was transferred many times before she became a station chief, but it only showed just how competent she was in her field. Laswell has since saved thousands of lives and is proud of it. To her, such a thing is her calling and she wants to continue doing so for as long as she can, all the dangers be damned.
Laswell adores her wife. In fact, “Laswell” isn’t her original last name, she took that of her wife. At first they played with the idea of combining their names, but Laswell wanted fairly little to do with her parents at that point. Plus she wanted to show her father that she never “found the right guy”. So her being named Laswell is purely out of spite. While she may not be at home all the time, or very often, for that matter, she makes sure to bring her wife a gift every time she comes home. It can be something small, such as a souvenir she found while she was abroad, or it could be something along the lines of a golden ring that unfolds into an astronomical sphere. She needs to pamper her wife like that and make sure she knows Laswell loves her to the moon and back. Money isn’t an issue for her, she gets paid very well. Even if the biggest reward for her doing what she does is seeing her wife smile. Every time she sees her give her a big smile she’s reminded of why she does what she does, and that’s the most wonderful thing for her. Even so, not many people know about Laswell’s wife, only a select few do. It’s a safety measure since she knows people will target her. Although she’s a diplomatic kind of person, if anyone ever were to hurt her wife, then that person can be certain they’ll never walk freely among the sunlight again.
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
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Let's talk about Option A: Akemi.
As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
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Then, of course, we have Option B: Taigen.
Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
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Some Thoughts on the importance of physical touch and connection for the Hells: A reflection on the new animated intro.
In general, I think the Hells are a really strange and special group, especially for a dnd party. They pretty much laid all their baggage on the table within the first week of meeting each other (What the Fuck is Up With That?) almost as a litmus test: "hey, here's all the shit that comes with being me, last chance to run away if that's too much."
and none of them did. and they all kept choosing to stay, even as shit got even weirder and more and more disturbing answers came to light. I think that continued choice from all of them - to stay - is what makes the bonds between the Hells so deep and so special.
okay trauma analysis and party dynamics is a DIFFERENT POST but it was all RELEVANT INTRODUCTION bc the CHOOSING TO STAY and the KNOWING EACH OTHERS' SHIT are like. key components to understanding why I am so feral about this. okay hopefully you will understand. the body of my essay is below. it has pictures. it got... too long. so. it went under a read more. yw. anyway click below if you want a very detailed analysis of an animated intro that is literally only one minute and thirty seconds long
For the first bit, character intros for Fearne, Orym, Imogen, Ashton, there’s no physical contact.
BUT. First intro of hells as a team. Ashton Trauma Flashback interrupted by laudna approaching slowly from beside him with her hand gently in front of him to signal her presence without startling him, and THEN just talking at them. Bringing him out of those flashbacks. Reminding him where he is and who he’s with.
And tbh? For Ashton? Touch is always iffy, so this is almost a more understanding and kind way to bring them out of the flashback. Just physical presence is good! UNLESS. (unless) first actual touch. Fearne stealing their coin purse, so gently that they don’t even notice it (FLIRTING THROUGH THEFT callowmoore my beloved)
(also grabbed the cap that shows her with his coinpurse these fucking ANIMATORS)
okay pt 2 FLYING OFF THE AIRSHIP
Ashton's first instinct and priority is grab laudna’s hand bc he KNOWS she is made of paper mache and he is ALWAYS watching out for her out of the corner of his eye bc she is breakable and he’s not gonna let her break bc he KNOWS what it’s like to be breakable and need someone to catch you when you’re falling but ANYWAY. he grabs her he uses his hammer as a fulcrum to throw her at Imogen
because OF COURSE he knows that the safest and most comfortable space for laudna is in imogen’s arms. and the two of them wrap their arms around each other and hold tight Superman style bc ofc they do and once laudna is in imogen’s arms she’s absolutely delighted by this whole situation bc OFC SHE IS
(tf do you mean I can’t add more than ten images on mobile UGH fine I’ll finish writing then draft and move to PC the images are IMPORTANT TO MY POINT anyway insert lesbians here) (note from future mind: I have decided that these pic descriptions i left for myself to grab the right images are fucking hilarious so they’re staying in yw)
Then fearne (who had been on her way in that direction already) swoops under Ashton to catch him as he flips over from the momentum so he can land on her giant bird back and she can fly him away.
(Pics: It’s fine to touch Ash if you’re saving their life)
(also not pictured: chet staying on the ship but losing his hat, orym grabbing it out of the air, imogen casting fly on fcg right before she catches laudna, fcg flying over to grab orym) All of this happens in six seconds by the way. One round of combat. These animators are fucking incredible.
BACK TO CHARACTER INTROS laudna who is ofc alone and in the dark at the bottom of the Sun tree, reliving her past…
(Pic: sad lonely laudna)
right up until Imogen puts her head on her shoulder, and the darkness burns away into light. She doesn’t say anything, or talk with laudna - all it takes is that physical reminder that she’s not alone anymore, that there is warmth, that she is surrounded by a family who loves her so much they chose to turn down comfortable beds in a lord’s manor so that they could join her in sleeping at the bottom of the Sun Tree. (Fav lil detail - fearne wrapped around Orym like he’s a teddy bear, and holding tight to laudna’s blanket to make sure she can’t go anywhere.)
(Pics: THE POWER OF LESBIANS AND FOUND FAMILY)
fcg. Fuck. Starts with their flashback, with their red eyes and their buzzsaw, but almost immediately we see Ashton reach out to grab their shoulder and Orym whip out a vine to tie up their saw.
(pics: reaching out even if it might hurt youuuuu)
Imogen goes on her knees and wraps her arms around FCG’s other side, and the rest of them all gather around him, holding him to keep him and each other safe, but mostly just grounding him in the present by surrounding him physically until the flashback fades and he’s once more aware of his surroundings.
(Pics: what the fuck they just need to be held)
(once shit has calmed down fearne uses this opportunity to pick Ashton’s pocket again. Flirting through theft).
(Pic: fearne is a menace to society)
final fight scene. fuck yes.
(Pic: IT’S THURSDAY NIIIIIIIIIIIGHT)
This is mostly just giving all of them room to be badasses (as they deserve) - but there are some things!! First!!
(pics: THESE WITCHES BE BITCHES minus fearne sry fearne we miss u but you are on fire and laudna is made of wood currently)
Imogen and laudna casting spells back to back, trusting each other to take care of what’s on their side. Inseparable, even in a battle where their party has scattered to fight other enemies.
BUT. The BIG thing though in this sequence. Maybe my favorite part? Idk I don’t have a favorite. But!! Orym. taking out four of Otohan’s shadow knights. then facing off against her personally!! And it’s one-on-one, because this was Orym’s task alone - to find the person who attacked his leader and killed his family. He’s angry, but mostly he’s honed-in and focused and determined. This is his mission.
(Pics: WHO’S JUST A LIL GUY NOW HUH)
But then, when Otohan pushes him back…
(Pic: fuck. shit. fuck. im. fine. anYway. them.)
FCG and Ashton are there right behind him, and they put their arms out and catch him so he doesn’t fly back any farther. And there’s this look of surprise on his face, because once he lost Will, he never expected there to be anyone else standing behind him, ready to catch him. And yet, here they are.
(Pics: fuck yes fuck yes fuck yes GOOOO ORYM!!!)
They give Orym a push forward and follow behind him, and he walks back towards Otohan with confidence. Lil grin on his face, brisk walking pace - he even does a little fancy sword swoosh! Because maybe he’s not strong enough to take out Otohan on his own. But the thing is, he’s not alone anymore.
(Pic: THEY.)
None of them are alone. And whenever any of them forget, or slip into old habits and memories, the rest are right there to reach out a hand to remind them.
Building a family out of broken pieces is difficult even without an apocalypse. But the Hells have shown each other, over and over and over, often with their actions even more than their words, that they really are dedicated to this family that they've built together. This intro fucking slaps so hard and the animators deserve so much praise for how incredible this intro is
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Eddie doesn’t post much over Parents weekend. When he does post, it’s a picture to the Official Corroded Coffin twitter account of Wayne rocking a vintage CC sweatshirt (vintage as in Eddie made it for him before the band even existed).
Overly invested fans don’t have to fret though because whereas Eddie isn’t posting, the kids are.
Every year they fill out bingo cards with Very Specific Things that they think will happen over the course of the weekend and play to see who gets bingo first. This all plays out across their TikTok accounts because the rule is: if you don’t get a video, it didn’t happen (the rule was made after the cheating scandal of 2016).
The game is always centered around whoever is hosting so this round is Steddie-centric. So, no one makes it obvious that Steve’s mom clearly didn’t show up, but if you’re invested enough in his mama drama than you’d pick up on everybody’s effort to keep him engaged enough that he doesn’t really have to think about it.
(1) The first to get a piece on the board are El, Mike, and Lucas. They manage to catch on video Claudia Henderson fully lifting Steve off his feet when she hugs him. You get three different angles of Dustin next to them with the most ‘are you shitting me?’ look on his face because she hugged Steve first. This is a staple of these events. It happens every time. Everybody had it on their bingo cards but the others didn’t get it on camera.
(2) Will has ‘Karen says something that would’ve gotten Steve’s neighbor burned at the stake’ on his card. He posts a TikTok of Karen referring to Steve and Eddie’s salt and pepper shakers as ‘kitschy.’ Steve smiles and says, “I know! Eddie picked them out.”
(3) ‘Eddie stands on a table’ was banned from being on the card because it has happened at every single event ever. ‘Eddie falling off a table and being caught by Steve’ however? Very specific. Weird it happened. Lucas gets points, but also a little side eye.
(4)It’s not going to win Erica any points, but she posts a video of her mom talking to Robin about finding her a good man. Now, don’t get her wrong. Sue Sinclair’s LGBT+ ally-ship is only rivaled by Joyce Byers, but she never remembers that Robin is a lesbian and Robin is always too awkward to correct her. It’s like watching two robots have a conversation because Sue mentions that Dustin is single and Robin is just like, “And…short?”
Eddie is not in the video but you can hear his wheezy laugh next to her. Erica’s just like, “Would you use your inhaler or die somewhere else?”
(5)Dustin posts a video of Steve standing by the window, clearly lost in thought as he stares out at the road. You can see Eddie sneaking up from a distance but instead of scaring Steve, he takes him by the hand and spins him around so they’re facing one another. Dustin isn’t close enough to hear what they’re saying but you can hear him mutter ‘gross’ when Eddie presses Steve up against the window to kiss him.
Steve’s the one to pull Eddie towards the stairs going to the studio, but they don’t actually make it down them because Hopper pulls Steve away to talk to him. There’s an argument between the party in the comments of the video of if this counts as ‘Steve and Eddie sneak off to make out like teenagers in the studio’ because they don’t actually succeed in sneaking away.
(6) Every single person playing gets a video of Hopper looking at Eddie and asking if he’s on drugs. Eddie says, “I don’t doOoOo drugs, Dad. It’s just marijuana.”
Dustin gets an extra point for catching Steve’s eye roll. Eddie has repeated that phrase at least a hundred times since Dustin told him about the Russian elevator.
(7) Max and Dustin both score a point with ‘Steve and El pull a “prank” on Eddie’ and it’s just Steve very confidently claiming that he can roll a nat 20 easy-peasy just by rolling the dice in a special way. Eddie obviously calls bullshit and then Steve rolls a 20 three times in a row.
After the fourth time, Eddie narrows his eyes at Steve and then spins around until he spots El on the other side of the room and points at her like “YOU!!!” No one watching understands this video. There are fights in the comments about what the hell is even happening here.
(8) Max is the only one with ‘Eddie says ACAB’ on her card. She posts a video of her handwritten card and then pans the camera up to Eddie. They’re all sitting around a bonfire later in the evening. Steve’s practically in Eddie’s lap as Eddie says, “-exactly what I mean, ACAB! All cops are bastards!”
Steve: Not Hopper
Eddie: Especially Hopper! Are you kidding me? Do you know how much weed he stole from me?
(9) Mike catches Steve and Eddie sharing a cigarette on the front porch later that night. It’s only after someone edits the video to remove the sound of the wind that you can kinda hear Steve say ‘It’s just that this is kinda it, right? I opened the door and she slammed it in my face.’
Most of the conversation is inaudible, but Joyce catching them and taking the cigarette from them is not. Neither is her shooing them back inside and finishing the cigarette herself.
(10) The party members all end up staying the night and everybody sleeps in the living room since Hopper and Joyce have Steve and Eddie’s bedroom and Wayne has the guest room. Steve and Eddie sleep on the couch because Eddie’s back can’t handle the floor. Max and Lucas get an air mattress, and Dustin claims the other side of the couch with El since they’re the only single people there. Everybody else is on the floor
Max wins bingo with a one-two punch the following morning with Mike complaining that Steve stepped on him with his big ass sleepwalking feet and Dustin posting a picture to his Instagram of him, Claudia, and Steve with the caption “best moms a guy could have.”
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