Cross actually telling his brothers he doesn’t want to go back to Tantiss. I can’t do it. He allowed himself to be vulnerable. Tantiss is clearly a trigger for his tremor. Actually being back there is not going to be easy for him.
“Tantiss isn’t a place I ever want to go back to.” But the fact that he even said that while displaying his hand so openly. I am unwell.
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Ppl going "waaahh unpopular opinion but Alice is kind of annoying and obnoxious and I don't think I'd like be her friend irl" is so funny to me bc like.
God forbid a cast of characters be multifaceted and have actual flaws and unpleasant aspects other than "grr angsty hero" and "whoops i'm so clumsy". Sometimes character dynamics and arcs need to be prioritized above "who would i personally be niceys with irl"
2. bro just WAIT until you hear about season 1 jon lol
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genuinely one of the things that make me the most sad about s2 is just that dood had paeden/hermie syndrome and was just kinda forgotten until they were plot relevant. like i totally understand why (i can imagine dm npcs in the party are hard to keep track of/dm is more focused on the actual players) but the personification of an unknowable eldritch horror as a young, very impressionable, very unstable teenager who needs to be taught by other very unstable teenagers morals and how to be a human is such an intriguing concept but in the end not much is done with it outside of a few moments. they just kinda exist as a plot device and to restate the theme. and like thats fine, i just mourn what could've been yknow
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Also obsessed with how she’s the physical and metaphorical embodiment of a cherry blossom…
In Japan, the cherry blossom possesses contradicting significances and embodies matters that are mutually incompatible.
While cherry blossoms are aesthetically beautiful, they also represent violence and the ephemerality of life. From an individual level, cherry blossoms displayed both the joy of life (reproductivity, feminine sexuality, etc.) and the sorrowful side of life (impermanence of things and the significance of death).
The dual nature of cherry blossoms is present in Sakura as a character. This is made blatant through the appearance of sakura vs inner sakura which is clearly a metaphor for the concept of honne vs tatemae.
To further elaborate, the dual nature of her character is the crux of many of her inner conflicts throughout the series and it is also what fuels her growth. In both of these situations, Sakura is unable to express how she truly feels. Her actions contradict her thoughts and feelings, this is a consistent aspect of character within the manga.
(ino vs sakura and kage summit arc for instance)
Throughout the manga, she mentally struggles with being a shinobi. Her growth as a character is dependent upon her inner conflicts contradicting one another in an attempt to understand what it means to be a shinobi. Are they merely tools for the state, or is there something more?
The land of waves arc covers this explicitly but this question is posed once again for Sakura during Sasori vs Sakura where Sakura’s opponent, Sasori, quite literally turned himself into an emotionless puppet in order to deal with being a shinobi. He is the product of the teachings of Sunagakure, an oppressive military regime like many other shinobi villages, but also the result of someone who refuses to let go thus filling him with grief and resentment over the years (Art is eternal). It is no coincidence that Sakura, whose namesake symbolizes the fleeting impermanence of human existence, is the one to fight him.
Tied to the Buddhist themes of mortality, mindfulness and living in the present, Japanese cherry blossoms are a timeless metaphor for human existence. According to Buddhism, we live in the very midst of universal, fleeting impermanence. Any refusal to let go entirely whatever has now vanished inevitably leads to pain.
The meaning of cherry blossoms is also said to reflect the philosophy of a Japanese person, who lives in a country of impermanence, of earthquakes, tsunamis, and volcanos. Thus, like cherry petals, they are willing to fall at the height of one’s life due to their awareness of the impermanence of life. The death of one’s flesh means a returning to the kami’s land, and the cherry flower becomes the bridge that links life to death.
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y'all should read rebar by @/jessepinwheel, it's about an au where suho can see og!lloyd's ghost and it's very well-written!
some fanart of the last chapter where javier is very confused about suho:
some design notes:
to differentiate the two lloyds, I decided to draw og!lloyd with the early webtoon hair (episodes 1 - 14)- :P honestly, he somehow seems more like a punk that way, which fits.
I drew suho's sword pommel like that cause it looks vaguely like a shovel handle lol-
EDIT: guys, I actually went back and fixed the hands cause they were bothering me so much,, (also I forgot to fill in suho's pants LMAO-)
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sorry sorry last time I'm talking about huskerdust tonight but does it fuck anyone else up knowing that Husk and Angel basically lived at the same time but were on opposite sides of the country. But also Husk went traveling. Like these two could have met while they were alive and wouldn't even know it. They didn't even know the other existed until they met at the hotel
Like I have. so many thoughts about this.
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I drew all of my historical AU Sebs!!!!
In order they are(with relevant links to lore info if you are curious!!): Napoleonic Hussar Seb(x), Renaissance Muse Seb(x) and Boy King/Emperor Seb(x)
Let me know which you like best!!!
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I wrote my own fanscript of THE OLD GUARD 2
The screenshots above are samples...
... I got tired of waiting for Netflix, so:
I tried to incorporate the following:
TOG 2 casting (Uma and Henry) plus some locations where the movie was shot last year (as seen in set photos, etc)
my own personal "wish list" of details, but hopefully in a way that makes sense within the larger story (tried to avoid making it just a self-indulgent, shoe-horned laundry list lol) and in a way that it could conceivably be greenlit by the industry -- ie: I'd have loved to write 2 whole hours of them just hanging out playing board games and reminiscing, but that would never be made into a movie.
a few ideas inspired by some of my favorite meta posts/fan art/etc (some of y'all are SO much more creative than the people actually making these movies, istg) -- try to spot them all!
favorite "action" scenes from the Force Multiplied comic, despite this script not being a true adaptation (it just borrows the broader strokes)
the decision not to make Quynh a villain; she's arguably got a hero arc in this, tbh (the top 1% and their use of institutional/systemic oppression to exploit and control the masses is the real villain, actually!)
no new immortals or explanation of immortality, tyvm; I tried to focus on the Family of Six and their shared history as much as possible.
PDF FILE OF SCRIPT
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in conclusion the most poignant thing about ruina is its running theme of Imperfection. imperfection, focused not on its flaws, but on the miracle of it existing to begin with. imperfection not as a failing, but as a triumph. its cracked, broken, deeply in need of repair-- but it's real and its ours and it exists. despite everything it exists and that enough is a relief beyond words, beyond expression. to present a toppled structure not as a conclusion, but an opportunity.
its the choice-- and the joy-- of looking forward, unflinchingly, and facing it. one step at a time.
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the way everyone was freaking out about leo and april potentially being a thing in mutant mayhem when it was revealed(on a t-shirt of all things) as if it would be just like 2012 apriltello and now that the movie’s out I’m seeing everyone switching up and shipping aprilnardo like yeah no it probably wouldn’t be like 2012 because 2012 writing strengths were all plot and no character
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because i'm predictable, what're bobby and chloe up to in the villain au? or how's the dynamic between sam and dogen since he's taken psychoisolation to the extreme?
Bobby's in a pretty similar position to the regular timeline - at least, at first glance. he's overworked and underpaid, constantly crunching to try and keep on top of the ever-growing mountain of paperwork his superiors keep handing down to him.
but i think the trajectory of his character looks pretty different? he never really met Raz at Whispering Rock. he never got humbled by him, never had to suffer the embarrassment of his spot as top dog being yanked away by some new kid... but he also never really got to go through a lot of the character growth from their ensuing rivalry? he's definitely mellower than he was as a kid, but he's got a lot of unresolved issues bubbling under the surface - anger problems, poor self-esteem, a tendency to lash out at authority figures...
he still really believes in the work he's doing, and wants the Psychonauts to be the force for good he knows they can be. but he's carrying a growing burden of stress and exhaustion, stuck in a toxic work environment that's more likely to change him (or just make him snap) than he is to change it.
his only real friend at the Motherlobe is Chloe. Chloe is... well! again, first-glance, not that much has changed. she works the same job in the Motherlobe's engineering and aerospace department, and she still gets to pursue her childhood fascination with space.
but the harsher work culture and the more pragmatic, efficient environment have exacerbated some of her less personable traits. she's blunt, rude, and almost fanatically devoted to her work, to the exception of basically everything else. her workplace safety standards are lax, and her ethics laxer. she'd sell the Psychonauts out for one corn chip if she thought it'd get her better funding for her pet projects
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The thing about Ryomina (mlm or mlf) is that I hesitate to say I "ship" it because I don't really consider them solely in the 'romantic' side of things.
Like, to me their whole deal is more on the conceptual scale of things. They exist on many planes, they can be romantic, they can be platonic, they can be the same person, but there is still emotions there regardless of what you do.
Death delivers all, death is all encompassing, death lived inside of them until one day, it leaves. Something that was in them for 10 years leaves him. It should've felt empty, like something wrong. And yet that thing, that concept, that person was no longer stagnant. It saw the world from you, and it grows. It becomes a person, it becomes human. (You also, learn to become human)
It starts off someone who knew only that single point of view, to someone who was able to change. Change themself- and change you- no longer restricted by that tie to you. And yet, the bond you have was strong enough that he was still led back to you.
I think the 'love' that would hypothetically exist between the two of them would be the 'love' someone could have for a concept. An Abstraction and mixed with simple human affection. The love of the life that lived next to the protag. The protag to me would love Ryoji, the way one would love life.
Funny how that is: Loving death like life.
V ADDING A DISCUSSION ON HAMUGIS AND RYOMINA SECTION HERE V
I consider Hamugis more generally romantic than Ryomina but thats also because they also have less fuckassery. But i still also do consider them in that nebulous relationship status area.
Don't get me wrong. I love love love hamugis. Actually let me add a sidetwt doodle here while I can.
Okay heres the thing about my preferences in Persona 3 ships. I'm actually okay with most of them tbh. Like generally I usually don't get other people's interpretations of certain ships, but i still on some level kind of like. Get it.
The only one is like. Junpei and anyone who isn't Chidori; or at the very least with anyone who redacts chidori entirely. I like jundori okay. I like Junpei. Junpei's #1 defender.
But I do on a level instinctively prefer the mlm ver of ryomina over mlf, and the flf ver of hamugis over mlm. (I do actually overall prefer aigis x protag over ryomina in general in the normal terms of 'ship' but we already talked about that)
Now I'm well aware technically I could make the protaganist's character whatever but we've come far enough that a lot of "insert" protagonists already have a general kind of personality okay. I do sometimes err away from canon portrayals, yeah but hey.
Anyways I feel like... Hamuko and Aigis form a stronger bond together. It's not just the difficulty of the love itself that changes things. It's the approach. Hamuko is generally portrayed as more headstrong and more outwardly optimistic, which, yeah.
I feel like... While Aigis benefits from someone reaching out to her, inversely, Ryoji benefits from reaching out to someone?
And then when Aigis is forced to reach out...
Anyways, what I'm trying to say is I feel like the bond overall has more meaning. Like I did say Aigis' relationship with the protagonist is also still in that conceptual air, I'm kind of rehashing what I said before. Aigis is coming to terms with her own humanity .
I lost the plot of this psot.
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So, bit of ramblings on my Post-Trimax Wolfwood headcanons.
Man, one of my favorite tropes in media is a character who's spirit lingers on after they've died, but it's usually something you only see in fanfic, so I cannot get over how FUCKING FERAL I was when I realized that it was legit a thing in Trimax, and that Wolfwood was the one we actually got to see, legitimately talking to the people he'd left behind and confirming that ghosts in the canon weren't just hallucinations or something! Like yeah, we saw Tessla leading the boys to her body, but since her ghost was never mentioned again, it could have easily have been written off as a fluke, right?
NOPE. They are real and they linger after to watch over the people they care about or to send messages to the people who are still alive! And the fact that the character who had just wormed his way into being just as beloved to me as my favorite character (Which NEVER happens, I usually only have enough brain cells for one at a time!) and that we had just had our hearts ripped to shreds watching him die was also the one we got to know had definitely stayed behind to watch over the people he loved just makes me SO HAPPY! I rp that asshole from time to time, and I just love exploring the implications of it!
I play him like he's been there a LONG TIME. When he died, Rem was there, watching over Vash, but when Knives spent the last of his energy, she chose to move on with him, now that she knew Wolfwood would be there to keep watch over Vash, and he took it SERIOUSLY. He's been waiting so long, he's lost his sense of time, he thinks it's only been a couple decades when it's been CENTURIES. And the time has softened his own trauma, he's gone from being surly and angry and defensive to being at peace and finding comfort in the fact that its allowed him to see more of Vash's life than he ever would have been able to live long enough to see when he was alive. And it's given him time to notice just how unwell Vash is, how broken he is, watching over him when he thinks he's alone and lets himself break down.
But it's also made Wolfwood a bit unwell in his own way; as time went on and the people he knew in life began to pass away, too, his interest in paying attention to what the people around them were doing wained, and his dedication to watching over Vash until it was his time to pass on became a strange sort of dependence. He loses his sense of self, in a way, until the most important thing in his existence is being there for Vash, waiting for him, having long-since accepted that when the time comes, it'll be over and he's alright with that.
He's happy, but to the perspective of a living person, it would seem TWISTED in a way. He still thinks he's a damned soul, stealing more time than he's allowed and only damning himself further by doing so, and he just knows that when he gets to walk Vash into whatever comes after for them, they'll be separated again, for the last time, and there won't be any coming back from it that time, because Vash is too good, too kind, too HOLY to ever be damned. But it's fine. Wolfwood knew he was damned long before his death, and time has just given him the chance to make peace with it and simply be happy with the fact that at least he'll be able to be with Vash when he can move on to wherever good people go at the end. And yet when it happens, Vash feels the same way about himself, so certain that he's the one who's damned, and their reunion is wonderful and painful and terrifying for both of them in different ways.
He's even worse with interacting with people, once he's forced to interact with the living. I play Wolfwood in a game where he stumbles into revealing himself after spending centuries never letting himself be seen, and he worries that going "silent" again will upset people. He's spent centuries being a silent shadow, certain that letting Vash know he was there would only cause more suffering for an already unwell mind, so he's forgotten how to interact with tact, blurting out whatever pops into his head because he's only had himself to talk to for all that time. He hurts people without meaning to, begins to suffer from the crisis of worrying that no matter what he does, he's a burden to the people who mourn him, he doesn't belong, his existence is nothing but a constant reminder of what's coming and will only cause the people around him pain. He's both able to be the kind, caring, loving person he might have been if the Eye of Michael had never taken him from the orphanage, and also a HUGE, ANXIOUS WRECK.
And the thing that makes it all worse for him is the fact that when he was dumped into the game I have him in, he was separated from the Vash of his timeline, and now lives in constant fear that he'll never see him again, that he won't be there when he passes on and there won't be anyone to greet him on the other side, alone and never knowing that he was waiting for him. He made a promise to Rem that he'd watch over him for her, that he'd lead him to his final destination where he could be with his family again, and now that he's lost that, what purpose does he have? He's terrified to let go himself, worried he'll pass onto the other side when Vash was right around the corner, but the thought of lingering without finding him again, missing his chance to be there for him when it's his turn, leaves him in an almost constant state of almost-panic.
I also just think it's kind of sweetly poetic, if in the end, he chose to continue the role he'd been forced into; take Vash where he's supposed to be. Only this time, it's his choice, and it won't be to his death. He wants to guide him to where he knows people are waiting for him, where he'll finally be happy and be at peace. He doesn't mind the fact that he's going to Hell, so long as he was able to be the one that leads Vash to the place where he won't have to be in pain ever again.
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tdov was like a week ago already but I just wanna say when I came over to vacation slash help my sworn brother move flat he told me, "ever since you said you wanted to get top surgery I've been thinking about it. it's straight up number two on my bucket list"
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