I have the feeling that Mike would lose all respect for Eddie if he sees him together with Steve. He sees Eddie pathetically flirting with an oblivious Steve and pulls a face, then goes to complain to Will about why Eddie has to have a crush on Steve. Will gets nervous bc fuck Mike is homophobic? but Mike just tells him about That Night (the one before 'human anatomy?') and that Eddie can't be cool anymore when he likes Steve who lost any chances of being genuinely respected by Mike. And now that Eddie has a crush/is dating Steve, all illusions of Eddie's charm are lost forever (this might also lead to Will coming out to Mike when he realizes that he wouldn't hate him and perhaps Mike coming out and love confessions and-)
So, whenever Steddie do something in front of the Party Mike has his look of irritation on his face and Eddie thinks he misjudged Mike when he notices bc Mike might be a little homophobic? Which doesn't fit into the whole dynamic he has going with Will but who knows. So Eddie asks him (in front of everyone bc he's not above outing a homophobe to their very accepting friend group) and Mike pulls that face again and just seconds before he opens his mouth Eddie recognizes it as regret and realizes Mike Wheeler is a little piece of shit. "I just can't believe I thought you were cool once" and Will (who now that he heard the story would give a lot to have seen that firsthand) starts to laugh while Eddie fully realizes that he lost any cool points he ever had with Mike
In the beginning, Eddie is so confused bc this child used to admire him, listen to everything he had to say, worship the ground he walks on and now he's dragging him every chance he gets. When Eddie asks why Mike suddenly lost all interest in him Will whispers 'it's the Harrington effect', Mike just nods and that's the only answer he gets
Mike becomes just as snarky and annoying with Eddie as he is with everyone else. And every time Mike gives him that look that says 'you're as dumb as a rock Eddie how do you not know this' Eddie is incredibly close to strangling him but also kind of happy that Mike finally is himself around him and not the blind puppy he was before
Eddie is also reluctantly impressed (reluctant bc now he can't give Mike the satisfaction of being impressed, not when he's such a brat) with Mike's problem-solving bc we know it's Mike who usually figures everything out. At least now he knows why Mike was such a good strategist during their campaign
Steve gives him a pat on the back in a moment of despair and says that it's probably his fault. Hopper chimes in that Mike is allergic to any kind of father/authority figure and that, now that he has parent status in the Party, it's just a natural development. Eddie has a whole new crisis that he's now some kind of father figure to the kids
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more of my oc tervis (any pronouns), the creepiest most miserable little weirdo in town. which is saying something [id under cut]
/ ID: four digital drawings.
The first image is a series of drawings of Tervis on a paper-textured background. A heading at the top reads 'Tervis (Humble)'. One is a coloured headshot of Tervis looking to the left; they have a gaunt face, short receding hair, a scar bisecting their lip and right eyebrow, greyish skin, and are wearing a red shawl around their neck. An arrow pointing at their right eye reads 'one blue eye (mostly blind)'; another arrow pointing at their left eye reads 'one brown eye'. They have a serious, hostile expression. The second drawing is an uncoloured full-body sketch of Tervis. Next to this is the same drawing but coloured and with more polished lineart. Tervis is a thin, hunched figure wearing a long, dark brown robe, a greyish bag on their back, and a red shawl around their head and neck. They are barefoot, and are leaning on a walking staff with both hands. An arrow pointing to the walking staff reads 'needed for walking, useful for hitting'. Tied to the belt around their waist are several long scrolls of paper with writing on them. An arrow pointing to the scrolls reads ''blessings' they paste on infected houses'. Tervis is looking warily out at the viewer from beneath their eyebrows. An arrow pointing to their head reads 'scar from getting hit in the face with a brick (also knocked out a tooth)'. Alongside these drawings are a series of bullet points giving information about Tervis. These read:
indeterminate age, indeterminate gender
religious fanatic (unclear which religion)
lives alone somewhere in the steppe
dislikes everyone but is nicer to children than anyone else
has every disease
The second image is a fake screenshot from the video game Pathologic. Tervis is looking out at the viewer; the background shows scenery from the steppe. The text on screen reads:
CHANGELING: I still don’t see what you could have done that would make you personally responsible for this plague.
TERVIS: Responsible… no, not merely responsible! This is my plague, cast upon my head alone. I am the originator; my sin is at the root of all. I have ventured into the town. I have seen the canker there. No matter how many houses I bless, my sickness sinks deeper. The rotted limb is the death of the body… Surely you understand me. You are a healer, are you not?
CHANGELING: What is it that you are asking me to do?
TERVIS: Let me be the lamb, worker of miracles! My blood shall wet the earth, and bright flowers shall grow… My putrefaction will provide the soil within which new life will burgeon, pure and free of sin and decay. Let it be done. I am ready. My failing flesh is but little sacrifice; in death my weakness will be my strength. Soon these torments will be at an end.
Below are two dialogue options:
You’re insane!
What makes you so sure your death would solve anything?
The third image is a fake screenshot from the video game Pathologic 2. Tervis is looking out at the viewer, and has been painted in semi-realistic style. The text on screen reads:
Tervis: Why do you force me to live? Damn you! Your cure is poison to me. Now I shall never be blessed. You should have left me to bleed.
Below are three dialogue options:
Don’t be absurd. I wasn’t going to watch you die.
What makes you think you deserve suffering?
I wish I had.
At the bottom of the image is a line of dialogue which Tervis has just spoken:
The air is foul. There is rot in this place. The stench of corruption shall be – what was it? What was it? The stench of corruption shall be… swept aside…
The fourth image is a coloured scene depicting Tervis and Clara. They are central in the composition; around them is the steppe, which has been rendered in a loose, painterly style. Tervis is kneeling, their walking staff cast aside, and are reaching out their hands to Clara in a desperate, pleading gesture. They are crying, their face contorted in an expression of agonised ecstasy. Clara stands beside them, one hand reaching out, the other held above Tervis’s head as though about to touch their brow. She has a solemn, pained expression. Behind her head, a break in the dark clouds gives the impression that she is haloed by sunlight; rays of the same light fall onto Tervis, illuminating their face and red robe. End ID. /
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"I'm a pretty straightforward person. I'm interested in somehow maintaining something that I believe in. That's all, you know? I just believe in the music that we do and what I have to say and what the band has to say. And if I can maintain that through all this, then I'll be very happy." (x)
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