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#and i have no idea if they have canon backstories anyway so
just-bendy · 2 years
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You and alice look the same, why is that? Did you possess her? I mean that's the only attempt for a demon to make friends with the opposite side
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We look the same because we're both toons created by Henry, an' even then we don't look the same at all, unless you think I have long flowin' hair and an hourglass figure.
No, I didn't possess her- I can't possess anyone. An' maybe we got along well enough for us to be friends, I don't see why that's a problem. We've never felt anythin' weird between us even if we are "demon" and "angel". Maybe at first but not anymore.
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I... guess? Maybe I'm just the right amount of charmin'!
Although, she ain't much of an angel anymore.
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princess-ibri · 3 months
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King Magnifico Backstory Part 3
Part 2
Princess Maroula, my mistress, the Keeper of the Wishing Stars, who granted both you and your father life, needs your aid. There is a quest that only one such as you can fulfill. A dangerous quest but a necessary one for the good of all people within the EverRealm. She has done what she can herself, but her gaze is stretched thin by her obligations. We ask that you leave as soon as possible, if you are willing to come and aid us.”
And the princess, always kind of heart, and remembering the conversation in the garden all those years ago was willing
But her father was not
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“How dare your mistress ask this dangerous task of my daughter! She knows the perils that exist in that realm, that befell me. She did nothing to aid me in my troubles, why should she ask to place my daughter in peril now?”
“The Blue Lady is young, in the way of her people, she had only recently taken over this charge when your misfortunes befell you, and she has sorrowed over them ever since. She granted you your daughter in part as penance for that failure. But still she has her duties, and she has foreseen a threat that only as deeply linked to Wishes as Maroula is can combat. Would you see an entire realm suffer for what was done to you?”
Maroula knew the anger born from his past heartache, which her father usually tried to keep under control, beginning to rise, and tried to sooth him
“Father, I am willing to go. You and Mother have taught me well in both the use of magic and the need to be generous in helping others. Please, let me go and help the Lady. How can I call myself a princess of Rosas and not do so?”
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“No Maroula!” The King cried, his fear for his daughter and anger getting the best of him. “I won’t allow it! What right has this fairy to grant my greatest wish, give our happiness tangibility and then take it away!”
“She’s not taking me away Father, she’s only asking that I—“
“Enough!”
The king turned and dismissed the messenger coldly from his sight, demanding that it never return, for his daughter would not be going to the other realm, now or ever.
“That choice is the Princess Maroula’s.” The messenger said as it left, unfazed by the king’s anger. “She is a woman grown now, able to make her own choices, even if they are not what you would choose for her. If she wishes to go, then she may go”
“Then I shall insure she cannot!”
And with that, the king used his magics to open up a room, deep deep beneath the castle, a room he wove about with his spells and enchantments, where he was sure no star’s light could find his daughter.
“I don’t wish to leave you here Maroula, but I must keep you safe, at all costs. Let that other place deal with its own problems. You will stay here until you’ve learned to see sense”
And so the king left his daughter crying in the dark, as his gentle queen cried in the palace above, torn between supporting her husband in keeping their daughter safe from unknown danger, and supporting her daughter’s generous wish to help
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What neither realized, is that there was one small opening within the dungeon, a keyhole that the king had failed to account for, a keyhole through which a single thin strain of starlight came through and found the weeping princess. The princess beheld the light, and taking the power within her, she wished upon the star
And the star answered
But what came after for Princess Maroula is a story for another time…
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The king and queen sought day and night for their daughter, but even with all his powers, either the power of the Lady of the Wishing Stars was greater, or Maroula was using her own to avoid her father’s search. Even his wishing her back did nothing. And so the king and queen fell into despair, knowing their daughter was lost forever.
Is this the thanks I get for granting everyone else’s wishes all these years? To have my own daughter run from me? I’ve cared for her from the day she was born, given her everything and and she still decides to defy and disrespect me with this rebellion?!”
At last, the king, letting his anger over this perceived betrayal overcome his grief, decided that they could no longer go on as they had, and so he crafted a spell that would enable them to move forward
He asked his wife to give to him her wish for their daughter’s return, gifting it to him to hold onto until it could be granted. And as Amaya gave him her wish, trusting that one day it would come true—the memory of her daughter left her entirely, along with the grief of her loss. Letting her forget without the weight of regret…
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From then on, the king utilized this spell whenever it came time to grant his people’s wishes, holding on to them in perpetuity, instead of granting them on sight. Having lost the love of his daughter, he tried to substitute it with the love he felt imbibed in each wish as he guarded them, keeping them safe as he couldn’t protect her. Each person who gave him their wish forgot it, and so Magnifico intended to ensure that not only would no unworthy wish be granted, but no wish would lead to the heartbreak he had suffered
Despite his anger at his daughter, over the years he took many other apprentices, seeking to fill the void she had left, even granting their and their families wishes when he usually would have declined to—but none of them ever filled the place of his beloved Maroula.
And as the years passed, his anger over her loss, the heartbreak of his past, and his frustration over watching everyone’s wishes be granted but his own began to harden the king’s heart, and a darkness grew beneath his pristine exterior, waiting for the day until he felt threatened enough in his power and control to break loose…
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gracebethartacc · 8 months
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Um so twirls hair i read up on the Carson magician story lore
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monty-glasses-roxy · 3 months
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I haven't talked about anyone's animalisms much lately. Just to keep anyone interested in the loop, the animalisms are a bunch of traits I give the animatronics based on the animal they are. Like Roxy has Dogisms and Wolfisms, Chica has Chickenisms, etc etc.
This of course, only applies to animal animatronics so Sunny and Moon don't have these. DJ and the Minis maybe have some spider traits, but I don't know a lot about spider behaviour at the moment so they uhhh maybe don't have a big range of Spiderisms. Might ask the local experts about them I dunno
But yeah some examples of animalisms would be the whole thing where Roxy goes ham for squeaker toys, and things like Chica having an ingrained sense of a pecking order, Freddy being more protective of very small children than older kids, Bonnie stamping his foot on the floor a lot, Monty being territorial, etc etc. There's a good number of things for most of them, and some impact their lives more than others, with many if these animal traits being in direct conflict with the programmed character traits. Each of them settles into these traits differently and that's what gives every version of them their individuality.
There's also the part where given that they're not actually animals, the animal traits are displayed in different ways. Like, they're not all one to one things, so there's also the question of how those behaviours translate over to them, which can be an interesting thought exercise.
It's a fun way to look at everyone I think! Adds some interesting layers to them and means you get less of the 'all animals act like dogs or cats' kind of blanket traits that often don't really fit. Makes the differences between them much more pronounced, ya know? It's an interesting source of conflict too! Very fun I think!
I like talking about them and adding to them if someone tells me something about these animals that I don't already know so if anyone wants to talk about them with me, feel free to! Especially if you have any fun facts for them I might not know. I love those!
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variablememory · 1 year
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man i wonder what c! duo this is gonna be about
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cycloplasm · 1 year
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Had a fun idea of making rosequito designs that go along fav characters... This one is based on Koishi Komeiji, specifically this fig. 
In simple terms this is an au where he’s like an unicellular amoeba and has an ‘empty mind’- meaning his actions come from impulses rather than needs or wants, and his subconsious is ‘leading’ him. His dreams can take physical form and they tend to involve primordial imagery like ancient flora and fauna. His empty mind disallows him to enjoy these physical dreams for the most part.
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Also I dont know why but in my head the dcau/btas version of bruce is fucking huge. 6’5 at minimum, meanwhile canon bruce cannot exceed 6’3 in any capacity, including boots. He’s tall sure but not Huge like btas bruce.
Like there’s a reason old man bruce is still intimidating as hell and it’s not just the cane and Ace. At the same time there’s probably a good dozen or so videos from back in the day of Brucie Wayne smacking his forehead on the frame of a car door while getting in and out of a lambo and on low door frame’s in the manor. He did it exactly once walking through a crime scene by accident in the early days as Batman and Jim remembered it forever, even if he never brought it up.
Old man bruce is still taller than canon bruce even with a cane. Terry complains about being tiny even though he’s average height, and noone from the canon batfam understands why until they finally meet old man bruce. Its another check on the “Terry is NOT Bruce’s Bio-Son” list that they’ve been working on.
#i dont care how tall this would make the other dcau og heroes#they can all be massive for all i care#my favorite thing in batman beyond is when terry goes from looking average#or even tall#to fucking tiny just by moving into the same frame as a giant adult#he’s supposedly 5’10#that isnt even short#but yeah ive mentioned before that i personally dont care for the epilogue reveal but#at the same time terry and matt have to look confusingly similar to bruce for my own amusement#terry doesnt mind being refered to as bruce’s kid but he just assumes its because canon bruce is an adoption fiend#i think backstory wise for the divorce it makes sense if mary cheated on warren with Someone#but it doesnt add anything to terrys story to have the bruce dna swap nonsense#i dont mind if theres something odd about terrys origins i just dont care for it to be bruce related#if you ask why dna tests arent done on either side#bruce knows he didnt sleep with terrys mom#while cloning is definitely a worry in canon its not so muvh in dcau#and even if terry Was bruce’s he wouldnt match canon bruce anyways#i personally prefer the idea that while most of the same people are born at the same time#or the same age range as necessitated by sliding timelines#theyre not gonna be the same sperm and eggs#thats just silly#if you ran btas bruce against canon bruce i imagine they show up as brothers at best#more likely as cousins#or possibly depending on how far back the dimensional differences go#not at all#like btas tim drake is essentially completely unrelated to canon tim drake#might have a miniscule connection on the dads side but thats it
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sleepyjim · 1 year
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do u have any current wips ur really excited about :}}
I DO I DO I DO !! they exist . exclusively in my brain rn tho :( will rant incoherently in the tags /lh
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I really. Should sit down and figure out what to do with Shilo in my Fourth World canon
#Shilo norman is the fourth world character most aggressively screwed over except for maybe forager#It's hard for me to get a hold on him and that's because no two takes on him have been remotely the same#And I dont want to default to mr miracle v1 canon like i normally do bc shilo's backstory in that REALLY didnt age well#I like the source of freedom's take on him best I think but it completely loses his connection to scott and also fuck n'vir free#That leaves like. Mr miracle v2's shilo. Which is just.#Well. Choices were made#There's a reason most ppl have ignoreed mr miracle v2's take on shilo's personality and backstory and just kept him becoming mr miracle#I think my biggest problem with Shilo is that what I find interesting about him is not at all a character angle canon wants to explore#Ie I like the idea of Shilo as a mortal among gods#What does it mean to pick up a mantle that's shared with/was previously held by a god?#I rlly liked the initial thing in mr miracle v2 where rhey made him create his own tech for the suit bc he didnt have a motherbox#To me that's FAR more fascinating as a concept than what they ultimately ended up going with re: motherbox accepting him#Which I always found badly executed anyway like I think it was a really bad move to try and draw direct parallels between shilo and scott#I'm sorry a teen runaway mom leaving her newborn kid at the doorstep of an orphanage is not a betrayal!! Tf did you want her to do!!!#Anyway. Moving on#And then the source of freedom did away with the godly aspect of the mister miracle legacy entirely#And I rlly do like how cutting out scott enabled the story to focus on thaddeus brown and issues of race#The source of freedom is a very good take on shilo but still#I cant help but feel dissappointed nobody has rlly seemed to see shilo the same way as me ie a man among gods#Idk I still havent read all shilo comics im missing some notable exceptions so maybe I'll find it yet#But this lack of interest in framing shilo the way I believe would be the most interesting rlly does make it hard for me#To figure out what to do with him in my canon#My posts#Shilo norman
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swordsmans · 2 months
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i just really, really love the idea of zoro having no real "survival skills" because he had a much more traditional (if atypical) childhood/youth than most of the crew. bandit heritage aside, he was raised in a tight-knit and relatively peaceful community with (at best) agricultural outskirts. he doesn't leave until he's much older, at which point he becomes a bounty hunter as a way to make money (to pay for food, shelter, etc. presumably in villages, towns, and cities). we know from the non-canon johnny and yosaku backstories that he "hunted" for bounties in cities/towns, at least partially.
meanwhile luffy has been running around the wilderness since he was like seven years old, securing his own food, building fire and shelter, and just generally toughening up/learning how to live in nature. we know he had a pretty extensive knowledge of bugs and how to catch them, so with that + his childhood i don't think it's a stretch to assume he also has an understanding of edible plants and non-monstrous wildlife (even if its not all applicable outside the East Blue). he's survived on his own in the wilderness for years at a time at least twice in canon.
i think it's fun to think of them having... some sort of "zoro is lost in more ways than one" kinda vibe early on in their journey, especially since they're constantly broke pre-timeskip and we know that at least by little garden the crew has started hunting and foraging to supplement their stores. you could absolutely rope the rest of the east blue grew into this, but zoro is still sort of the outlier with his background.
i dunno. maybe i just like the image of luffy trying to teach zoro how to hunt or fish and both of them just having the dumbest time with it. luffy would be really earnest but impatient--and zoro would be stubborn about admitting he doesn't know shit but would still listen and absorb anyway.
luffy having no clue how to start small and work up to new skills, so they end up going after massive wild boars or something as a first or second lesson and zoro just rolls with it because sure, yeah, thats normal. what the hell does he know? (and also hes fucking. zoro. so.)
or luffy teaching zoro to fish normally but also like a bear fishes (standing knee-deep in the water and catching fish with his bare hands) because it looks more fun that way and he cant. and zoro just fucking up soooo bad but getting really competitive anyway, even though luffy is just, like, sitting on a nearby rock yelling (frankly terrible) directions at him or something. zoro catches nothing and luffy tells him he looks stupid getting angry at the river so of course zoro is going to master fucking. bare-handed fishing because the man's got one braincell and its 99% stubborn pride.
he fucking sucks at starting a fire, wouldnt even consider building proper shelter, and in general would not make it 0.2 seconds outside a populated environment without his captain--a guy raised by the jungle and ace, who was basically a wild animal himself.
idk. survival-competent luffy is very near and dear to my heart.
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pathsofoak · 2 years
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I should have come up with a storyline about how Jorge and Brenda met in the movies, and how WCKD took George earlier my entire fic is back on track holy shit
#tmr brenda#tmr jorge#I messed around with Brenda's age a bit it's not entirely canon-compliant#because I guessed her at sixteen and then I read the books an apparently she's older#re-read the books#George is older than her so she can mirror Chuck's backstory#also one I made up#but anyway I originally planned for something a bit along the lines of the mandalorian but honestly just. no.#it's already implied Jorge and Brenda had to live around and work with WCKD allies out of necessity so I prefer the idea#that Jorge is protective for her sake from the get-go#but just misidentifies it as some kind of task that'll eventually go away when he finds somewhere for her to stay until he realizes#just how much he cares#at the same time Brenda's arc in that storyline is about a bit of subconscious guilt over George#but also accepting that he's gone#that part will be resolved before she meets the Gladers but that subconscious guilt is one I'll bring up in the fic more#because her arc is she won't let Jorge know she's still sick because she's afraid her need for help will get him in danger or#hurt him emotionally#which stems from her losing George in a way (I'm vague on purpose I don't have it 100% figured out yet)#until she (and this element appears in everyone's arc) sees that she was just a kid and WCKD was never something she was#supposed to have to be able to fight#they'll figure that out in part four which will make them pissed off course because suddenly WCKD is the one and only reason#but also one they can't fight without help (they'll try anyway)#but in part five when they're safe it'll be the thought that helps them heal and recover because all of it was a cruel game and not#some grand failure on their part#something like that#I like the kids actually have adults looking out for them in the movies btw there is so much more space for recovery#I like the books but it just seems like they're thrown in the deep at the end of the book#teenagers betrayed by very adult they've ever met (except for Jorge I guess) left to survive in a place they don't know all over again#only without Grievers this time#but they've got their own grief to take care of that
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alastors-antlers · 3 months
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Why Alastor is good aroace rep after all, written by an aroace
Hello all! I just want to start off this post by saying that I'm one person who definitely doesn't speak for all aroaces, but I wanted to make a post on this anyway, and maybe some folk would be interested in hearing out another perspective?
I'm not really caught up on everything that's been said over the course of HH's creation - only more recent interviews, since I'm pretty new to the fandom. Apologies if I've missed anything, but also I do not have the time to keep up with all the out-of-canon-material backstory unfortunately. I'm working with what we've got here.
So here's the thing:
Alastor is cruel, he's narcissistic, he doesn't care about anyone except himself, he's a serial killer and a monster.
(That's the argument I've heard - please tell me if that's not really what people are going for lol, in which case I've totally misunderstood?)
The issue with aroace rep when it paints asexual people with those traits is that it aims to dehumanizes them. Sex and love are essential to the human experience, right? So why wouldn't someone be interested? Because they're self-absorbed, and cold, and detached. They don't have the capacity to love others enough to feel romance.
And sure, Alastor is a killer, and a schemer, and prideful, and a monster by hell's standards. But no matter how above it all and stylish and in control and provocative he wants to be, he's a very human character, and his aroace-ness never serves to add to his alienation. You could even say that it makes him seem even more personable.
That's what I think is the key difference.
why he's human
Alastor's whole persona is about control, and he basically straight-up says this. He's controlling what his enemies know, what his public image is like. His goal is to be the Radio Demon -- overlord of Hell, charismatic, Machiavellian, and undefeatable. He's not. Despite that smile plastered over his face (a powerful tool, huh) he's so expressive for someone who's constantly pretending.
You see his exasperation with the Egg Bois and with Charlie's ranting; his nervousness in front of Zestial; his frustration with Lucifer and the petty lengths he goes to to piss off the ruler of Hell.
You see his desperation, making that deal with Charlie. He's surprised by the idea of being vulnerable in front of an enemy like Adam, and so close to danger. He drops the radio filter and the affect out of fear, and runs on broadcast TV to let out panic and anger and bitterness in his hideout, where no one else can see him.
He has a smile that tells us he's genuinely happy to see someone; it's a little wider than his default. You see it with Mimzy's greeting, you see it with Rosie. Rosie, especially, serves to make Alastor more human to the audience. More on this later, but for now, I'm just saying that you can see that he at least seems to respect her greatly. Whatever bond they have, we know that he trusts her to touch him, to share history with him, and with support that he trusts no one else for.
He pretends, but he can't pretend it all away. Loads of these emotions aren't even advantageous for him to show. It isn't necessarily how the typical asexual psychopath acts; he's not emotionless or only capable of anger or brutality.
He's so full of emotion that it leaks through, despite all that he does to avoid it. He's not inhuman and aloof, not really - he's so, so human, even when he tries not to be because he thinks that'll be what keeps him above all the rest. In control, and free from his chains.
(If anyone wants to see images about all this, I'll make a separate post - just let me know.)
(I also have another post, talking about why Alastor is at least a little attached to the hotel's residents too, shown via conversation with Niffty. In what way? different question.)
how the aroace part contributes to that
Now, to be fair, we don't hear much about his aroaceness in canon. It's just not relevant a lot of the time.
In the pilot, Angel's proposition ruffles his feathers so much that Alastor blanks for a moment. It's a joke, sure, but that ace panic face is a pretty popular Alastor moment in the fandom - Alastor, thrown off-balance by a sex joke of all things, after so many years in Hell that he should probably be used to this.
It's a moment that makes him more approachable; his aroaceness shows him unprepared for something someone else does for one of the only real moments in the whole episode.
And the other part: the ace in the hole statement.
Rosie apparently knows Alastor so well that she read that he's aroace. That tells us about their relationship; namely, that it is long-standing and genuine enough that she gleaned a piece of real information from him. It's a casual fact that she knows about him before he even figured it out himself. It lends legitimacy to their bond - this bond that shows us a more comfortable and warm side of Alastor that we don't often see.
If their relationship is purely business, isn't this something pretty frivolous and personal? It's not like he has anything to gain by telling her about his life, but she learned about it somehow. How close are they? That's where it adds a layer of complexity and personality to his character..
thoughts on representation
Overall, Alastor's an interesting character who has a level of depth and care and personality (outside of cruelty) that asexual psychopath tropes lack. Again, the moments where he's being represented as disinterested in sex or romance don't make him seem detached. Again, they don't say "look how hostile toward relationships his behaviour is - how separate he is from our humanity". That's what bad villain ace rep is. That's not what the show's doing.
Also: I'm not saying that we need to lower our standards or anything, but even if you think it's not the best rep, I feel like we should be supporting HH's efforts here. I know that on Tumblr we have a pretty queer-friendly space going, which is honestly an understatement lol but
Aces are incredibly underrepresented in fiction. There's a whole Wikipedia page about asexual characters in media, and it's short as all hell, and even if you consider what's on there you see quite a number of one-off characters who are never mentioned again.
In terms of real life business - before the DSM updated their definition of hypoactive sexual desire disorder (HSDD) in 2013, identifying as asexual wasn't even a recognized thing. If you talked to a clinician about your lack of sexual desire, you could be diagnosed with a disorder. Only in the 5th edition do we now have a little exclusion footnote about it.
The concept of asexuality hasn't been explored nearly as much as other queer identities in our scientific research. We get crumbs in terms of mainstream representation and understanding. House M.D. has an episode where House "disproves" us because he's just so smart.
Alastor isn't going to be perfect representation. There's no such thing as perfect representation, and from the moment he was conceptualized, you could see how people would take him poorly. Still, I think he's a net positive.
He isn't a side character or a token ace - he's a core part of the show, whose personality and character motivations we can reasonably presume are going to be explored much more deeply in upcoming season(s). He's loved by the fandom. Right now, given what we know, I trust Vivziepop to write the aroace representation he deserves, because with the way I've heard the cast/directing/etc. talk about him, they're trying to do the aroace community justice, so I wish people would let up just a little on the whole "Alastor is bad rep".
Let's give him a chance, all right?
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darkmuffinstudios · 11 days
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[rolls in]
I've always, for the longest time, head-canoned that when Nightmare and Dream ate their respective apples and subsequently fused with them in the process, that they also *became* the apples in a sense?
Basically what I'm saying is that since the tree was cut down/died due to the events of Dreamtale, that they, themselves, became the two sides of the tree. While the tree was in its prime, it regulated all of the emotions and balance in the whole multiverse. However, because of the apple incident, Nightmare and Dream now take on the duty that the tree once had; regulating the emotions of the multiverse individually.
Hence they're constant struggle with one another.
As eternal, long-living beings of their respective roles, I doubt they would stay mad at each other forever- at least to the degree that it was initially after the tragedy in Dreamtale. This would make a truce somewhat inevitable- or at least a mutual understanding and respect for each other's jobs.
(I think this could, of course, vary depending on the way you depict their relationship, backstory, powers, situation, and the story at large)
Anyways, going back to what I was originally getting at before being sidetracked, they are- essentially- the tree itself.
In a weird way, I always thought that it was a little strange that eating the golden apples didn't seem to have any consequences as opposed to the negative ones (example being Nightmare violently being ripped apart and literally dying- but that can be dubious because, from my understanding, that was partially the main antagonist's influence on the apples??).
Again, not addressing canon and what the original had in mind, I think it would be interesting that slowly, over time, the tree starts to grow back through them.
Think of it as a way of aging for these immortals. After all, apples have seeds, so one would assume that they'd eventually sprout after enough time and nourishment (via the abundance of emotions and just generally taking care of themselves). Eventually, they'll have to create their own guardians to carry on their work, and the cycle continues after they die.
What I imagine is a weird mesh of hanahaki disease and the philosophy of cycles, in where when the two twins eventually pass, they will become the new trees in its place. Over time, while doing their jobs and fulfilling their roles, roots may start to sprout from their ribcage, followed by leaves. It would be cute at first, little leaves and branches that are harmless. But then, as time continues, more and more of their body gets overtaken with it.
But again, these changes would happen gradually over the course of their long, LONG lifespans. When it starts getting to the point of detriment to them, then they've probably lived hundreds of lifetimes over already.
I don't know, I just think it's an interesting idea to head-canon about, and a cool excuse to draw the twins with plant-like roots stretching out of them.
(some little examples I have of the idea I've drawn YEARS ago and as of recent. ignore the quality of my old art fosjigjiosjosgijiosg)
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(also WIP jumpscare of a Shattered Dream interpretation I have been working on a little oogily boogily osgjiosgs)
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tizeline · 4 months
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The Sep AU is super interesting, like it grabbed my brain and does not want to let go-
I find it interesting how from the Drax Trios innitial perspective everything Donnie is just justifies their opinion more-
Donnies dark aesthetic, murderous humor, dangerous machines, deadpan attitude and lack of liking of magic combined with his alleged backstory and being friends with a human? U could really argue he got indoctrinated into being a villainous mad scientist or smth. They don't know that that's just him, Donnie TM. I can absolutely see them being worried that "Long lost brother" got brainwashed so badly and how annoying that could be for Donnie himself lol
I'm also curious on Donnies relationship with Splinter. Is it better than in canon or similar to Canon or worse? Since in Canon Donnie is craving parental approval, does he still here?
Thank u for (potentially) answering :)
First of all, "Drax Trio", thank you, I needed an easier way to refer to specifically Raph, Leo and Mikey in this AU so I'm gonna steal that
Second, yeah, Donnie acting like a cartoon villain is really just cementing the Drax Trio's idea that he's been corrupted by humans. You know Draxum's villain song in the show? I can totally see Donnie putting on a perfomance like that XD Speaking of Draxum, to be fair he's very alike Donnie in the way that he's fully embracing the whole Evil Scientist aesthetic, but in that case his sons would just excuse it with "oh haha dad's just a bit silly goofy don't worry about it it's not like he's actually evil!"
Anyway, you know how Mikey basically forced Draxum into having a redemtion arc in the show? He'd try to do the same with Donnie in this AU. I've been thinking about this for a while so I'm defintiely gonna draw it, but he's constantly going full Dr. Feelings mode trying to teach Donnie how to be a "good person" and such and Donnie finds it INCREDIBLY annoying!
And Splinter! Being a single parent taking care of a child who was created to be a super soldier while living in the sewers is HARD, but not nearly as hard as taking care four of them at the same time under the same conditions. So while Splinter is still dealing with depression and burn out in this AU, he's doing better than what he is in canon. For years Splinter and Donnie would literally only have each other, so they'd end up growing closer as a result. That being said, because Donnie didn't have any siblings to spend time with, he'd end up demanding a lot more attention from Splinter. Which he didn't always recieve, because his dad is still very much dealing with a lot of emotional baggage. To summarize, Splinter is still a flawed parent, but he's not terrible by any means, he and Donnie are close, but Donnie is also a lot more lonely (especially before meeting April).
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ccarrot · 5 months
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what are your hcs/theories about chuuya's past? feel free to go wild with your thoughts 😽
I have a few. .. A lot actually but i felt like making some art so here's what i have the stamina for right now.
Mom Nakahara
So i've been thinking about her a lot considering she's the parent he would have spent the most time with. We know basically one line about her but we can learn that she and her husband have a lot of political sway in town, she's of samurai descent, and has a lot of decorum "like those of the upper class". That didn't really translate into the design I made for her bc for some reason i was very fixated on her being a farmer lady but I imagine she has a very polite and respectful personality. I think her past involving some form of samurai heritage could indicate she's a socialite of some kind and rather wealthy and well known in the village, which could attract a lot of disrespect when the Dad is at war and she's raising Chuuya on her own.
Apart from the mostly baseless farmer vibes i DID want her to seem very soft, and very tired. She's effectively a single mother, her husband's at war, her child is "unruly" and gets into fights and she's might be getting shit from the people she knows around her. It's stressful.
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2. Gender
So here this might be diverging from canon, but this is very very important to me. i headcanon Chuuya as FtM transgender, like this is just super ingrained in my mind. Projection mostly. (Also why whenever I draw genderbender art of him, Girl Chuuya's body isn't particularly feminine, maybe she hasn't gotten her tits yet. I want the trans/nb reading to be very available.)
So anyways when i was thinking about his past, i was wondering if he even started considering gender that way. Maybe, maybe not. I think he might have gone for a more "tomboy" type attitude when he was a kid, begging his mom to let him wear "non-girly clothes" instead. Maybe she lets him to that because wearing shorts instead of a skirt isn't something that really matters in her eyes, cutting her kid's hair short isn't a big deal. So i think mom would be accepting of the idea that her son's trans, but maybe other townspeople aren't. And they spread rumors about Chuuya's mother "for raising him wrong."
Cue some kindergarten Chuuya out to bat for his mom's honor.
3. Professor N.
This is a really obvious one to me, but I believe that Chuuya knew N before the lab. Two versions I bounce between: N being a friend of his father's during the war. If N really does stand for "Nakahara" maybe N is his uncle on his mom's side. Either way I think some kind of accident or risk was involved with Chuuya's ability manifestation, and contact N who they know is involved with some secret ability research and they trust him enough to send Chuuya to the lab with him to "get him fixed"
If chuuya's original ability was the self contradicting power enhancement ability, maybe an accident involving him over powering something and it like. exploding or something. Or maybe he used it on himself and some kind of singularity opened up (black holes maybe??) Either way something really dramatic bc Chuuya's ability is dramatic.
Anyways. theres something very insidious to me about N knowing Chuuya as a kid. As soon as he was given the chance to, he not only faked his death, experimented on him, but systematically abused him in order to make him lose his sense of self/sense of humanity. essentially forcing him into an object/weapon. Not a person anymore. It's sick, N is honestly one of (if not THE) most genuinely evil characters in all of bsd.
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Overall I'm hesitant on the idea of Chuuya's parents being awful but it is possible. I've got several different fluctuating versions of his pre-lab backstory honestly.
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yeen-meteor · 6 months
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I want to take a moment to try to express why i appreciate Haru's sadism as an actual serious part of her characterization and not just a funny contrast joke and 'yay girl violence!' don't get me wrong i love me some yay girl violence for the sake of it, but like. i think there's a lot to work with there for genuine drama writing, too, not just comic relief and i want to talk about it! (cw sugimura)
for all of haru's backstory and her life with her father, sure she's rich and has a lot of privileges, but the one thing she completely lacks is any sort of control. Everything about her life is being decided for her, her father has decided on the shape of her entire future, and she can't do anything to change it - she's being raised just for the sake of being outright sold as a sex slave trophy wife to a perverted creep who is certainly too rich and powerful to ever face legal trouble for marital rape. She's going through the motions, enjoying what she can of the life she has while she still has it, completely hopeless in the face of this horrifying future that other people are forcing her into. Her will means nothing, what she wants means nothing.
And then the Phantom Thieves come along, and they give her the power to make her will matter, to fight for her own freedom and happiness. And that power comes in the shape of violence, physically fighting images of all the things and people standing in her way.
But more than that, she starts to feel 'shivers of excitement' when she hears shadows begging and pleading beneath her. She feels what it's like to have something absolutely, pathetically desperate to make her stop, to deny her what she wants - and to bask in the feeling that she doesn't have to listen, she's the strong one, she can shut them the fuck up with an axe through the skull because their will, their selfish desire, their plan for her doesn't matter anymore, her will, Haru's will matters. It's catharsis, it's intoxicating, it's a rich and indulgent feeling of real actual control and the freedom that comes with it, something she's been denied all her life, and it's probably an unhealthy way to get that feeling but who cares? these are just shadows!
And that catharsis and relief and self-assured confidence she gets from that just makes her better able to be her sweetest, kindest, purest self around the people she loves! It doesn't undermine the sweet person she is, it helps it!
And then, she makes the choice to try to cure her father's brain-rotting greed and see if there's anything worth salvaging in his heart. It might not be the best choice, it could certainly be argued about, but it's her choice, it's her will, and she finally, finally feels like she's able to make that mean something-
and Akechi takes the choice away from her, and forces her to live in the future he decided for her.
I think when people write the dynamic between Akechi and Haru, they can sometimes miss the forest for the trees - 'you killed my father', without the underlying 'this was the first time i believed i ever had a choice in my own life, and you took it away from me and fucking crushed it before my eyes'. I've also seen it done very well too, and I love it! but i think a lot of writers are sleeping on the potential a bit, of haru & akechi focused stories, or even of haru as a source of drama and an interesting supporting character in shuake stories. In general, haru's potential for anger, frustration, violent desires and just a need to feel in control of her own life has a lot of potential in drama writing!
Atlus certainly dropped the ball on the akechi and haru dynamic, and kept the sadism thing as mostly comic relief, but Persona canons are all half-realized outlines of good ideas just begging for fic writers to come and actually flesh them out, anyway, so ah well!
all i hope for is that if you're a persona writer that doesn't know what to do with haru or how to use her, or doesn't pay her much mind, maybe this might inspire you or give you a clearer idea of how to write her dramatic side!
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