i also need to engage w more weird art. just. in general. i dont really watch movies. but like. visual art. books. zines. idgaf. i am going to start doing more of that. for me.
if u wanna send me ur fave weird art recs that you think i'd vibe with, please do.
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I often wonder about the quote-unquote logistics of Corvo the Black/Emily the Butcher endings. Emily makes more sense to me, in a way, carving her way through the empire only to come back with blood caked under her fingernails and realising that she did everything her father refused to do 15 years ago. but why did Corvo have a similar choice?
what happens to the statues later? does Emily keep her father trapped in stone? does Corvo look at his daughter, frozen in the moment and considers freeing her? is he at his deathbed when he finally reaches out and cups Emily's cheek, freeing her into a carcass of an empire that he gutted for her, in her name, in the name of her mother?
when I first heard of the endings I thought that if you reach very high chaos, you are locked into this choice - Corvo or Emily tries to free the other and the stone just doesn't budge. they are trapped. the quest is over but the world knows that the bloodshed was extreme and this is the punishment they have to face
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shadow being portrayed in the past as hating friendship was a result of his first only and last friend being traumatically murdered in front of him and ever since it happened he wouldn't allow himself to make any future connections in order to cope but his new angle of having confidence with oneself is a reflection of his progress in overcoming his internal struggle and grief allowing himself to finally move past what happened and embrace making new friends send post
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literally yeon said that even the smallest paper cuts on rang hurt him worse than any sword ever could and i believe him and i also think that being forced to mortally wound rang killed him a little bit inside, esp after already doing the same to his first love, but he dealt with all that by telling rang he's being a big baby and i find that all so fascinating,,,
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Patch notes (1.1.2023):
For the last 5 years I have listened to "This Year" by the mountain goats at the end of every year, at around 11:55pm 12/31. In review of the last 5 years, I have decided to stop damning us all and instead listened to a cowboy ballad this year. May you win every highnoon duel you start . Sorry about the curse
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Idc anymore i think i'm a good enough writer that i can say that when i noticed the pattern in what exactly makes a book "good" on booktok (and, bc of that, what makes it popular and top bestseller lists), it feels almost demeaning and denigrating to the entire craft. Idk if i should blame the way tiktok-esque social media has utterly rotted everyone's ability to concentrate and read more than three sentences, but literally none of those books are objectively good.
(Yes, yes, art is subjective. HOWEVER. Art is subjective when you look at style, at themes, at motifs, at plots and characters. Art is still a craft, it still requires skill. I've seen beyond the tiktok quotes of these books. Not even their editors are good given the amount of typos/spelling mistakes. That is not something that you should find in a traditionally published book.)
You look at these books, and you know the only reason for their existence is to make money. I cannot and will not accept that as art.
(I'm on Tumblr, of course I have to explain every point. Artists who make money off their art =/= people who only create art meant to be profitable. There is a difference between an artist who hopes to monetise doing what they love, who creates what they wish to see more of and who happens to then create something that other people wish to see more of, and a person who looks at what's trending and decides that making an unholy frankenstein's monster of a book that mashes all those trending tropes and motifs together would get them rich quick. The fact that a lot of these booktok books become popular because of nepotism is just the cherry on top. It's soulless.)
And to finally say what I wanted to say, it's because none of these books have any deeper message or even artistic value to them. You will find a few out of context quotes or paragraphs, ones written specifically so they'd look deep and beautiful when taken out of context, so that people would post them, so that people would buy the books. Entire books written just so those few lines could become viral and make cash. It cannot even be compared to a hook line writers would post to get people interested in their works, because in booktok's case, those are the only lines of quality and in the context itself, they are often out of place and forced.
I just hate booktok, i hate what modern social media has done to art. It's all created to be quickly consumed, for the few ☆aesthetic☆ glances, and then discarded. Just to make more money for those who are already nepo babies. As if artists needed more obstacles to jump over.
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it is that time of year where I begin to blast this year by the mountain goats on repeat
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Shou's selflessness issues got to be his fatal flaw and it's literally so funny to me cuz it's not the stereotypical "I'm a hero i should die for all the strangers i dont even know" or smthing so noble and beautiful like that nooooo. It's the way he's so content with all the shit he's been thru, the way he just rolls with the punches, makes peace with the difficulties, and even if he ever decides to make a change it's never really "this is bad for me so it must change" it's just the " im responsible for this this is something i should do", his standards for what he deserves and what he doesn't has long since been kind of fucked up by how little anyone made effort to keep his best interests in mind, he has been bossed around and pushed into corners and limits over and over without a choice, he has never been truly seen and understood and taken seriously, and he ended up ignoring his own feelings for the sake of doing things he believed he had to do even if he never wanted to.
Shou never wanted to fight his father, he neved wanted to face that fear, he never wanted his father to be taken away from him in any way, but he believed that he had to fight because he has powers, he has to do things this way because it's what his father deserves, because Shou has this brilliant disfigured sense of morality that only he can understand where hurting everyone and himself to a degree is excused as long as his father gets what he deserves, it's a duty! a responsibility! and the only way he knew how to do things, because no one has ever told him that it's ok to not face all of this, it's ok to escape when it gets bad, to think of yourself, to run away.
And it's the same sense of selflessness that doesn't allow him to think too hardly of something he has with someone, he's so ready to look past red flags as long as he's content, and he's so .. easily contented ... he is genuinely so forgiving and rarely holds grudges, it's not something he works on, it's something that comes naturally, especially when he really loves, but also in general regards to almost anyone and everything. He may get hurt but he forgets, let him love and he'll forgive, he's just simple like that, there is not much more to it. And it only gets worse when his sharp senses of intuition and perception and survival instinct just get yeeted outta the window when he gets attached.
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