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#and then no one could make it make any sense so they just shoehorned in a ridiculous explanation.
docholligay · 6 months
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It's so hard when a story comes at it with completely different assumptions than you. The story calls what's going on with Rue love, and true love, and says that's enough to have saved Mytho. I can respect that the story is about that, and understand that, but it feels so meaningless to me. We found out what, like 2 episodes ago. that Rue even knew him when she was little. So we've had no time in invest in what he might mean to her, we're just supposed to take it on faith.
Not for the first time, I worry that this story is so caught up in the idea of its 'reveals' that it forgets that we need to be emotionally invested in what it asks us to care about, I would say 80% of the time I would prefer time to work on an idea to the surprise of it. A surprise can be done with EXTREME skill, but that's not always or even often the case.
Please note I have never seen this and am watching spoiler-free! Please don’t confirm, deny, or explain anything, even if it’s historical or cultural! Thank you! There is a discussion discord here for all your spoilery needs!
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1343-40 · 12 days
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He finds out Brady is gay. Well— Brady tells him, compelled by something as the both of them escape the chaos of the lounge room their teammates have taken hostage and settle on the back porch, heads thrown over the back of the sofa to watch the starry sky. Gale is silent for a long time, at a loss for words. He wouldn’t have guessed—he doesn’t know any other gay guys in the league, always shied away from the opportunity to find out, to seek them out. Not like there’s a fucking group chat he could join, anyway, just a careful word of mouth at best, one Gale has carefully steered clear from in his attempt to avoid self-sabotage, utterly futile in the end.
He doesn’t end up telling Brady what he would’ve two years ago, when the tone of Brady’s voice when talking about Blakely finally starts making sense. Doesn’t think Brady would appreciate it, anyway. He must’ve seen something in Gale, to take a gamble this risky. So Gale tells him he’s gay too, even though he suspects Brady already knows. He vaguely hints why he didn’t get re-signed with the Jets—figures Brady deserves to know. In response, Brady gets weirdly passionate about it, in his own way. Tells Gale he has his back, says fuck ‘em more times than necessary, but Brady’s drunk and Gale would feel bad making fun of him. He tells Brady he has his back, too, blushes embarrassingly when Brady places an arm around his shoulder and squeezes and doesn’t let go. He’s eternally thankful Brady is still staring at the sky and doesn’t notice—Gale feels too naked, bare under the weight of the confession, too unused to sharing this part of himself with people.
Curious, Gale asks him about Blakely and watches the way Brady’s usually impassive face transforms. Wonders, distantly, if he would look the same if somebody asked him about Bucky.
They spend the rest of that evening shittalking past teammates that never grew out of saying faggot and calling things gay, until one of their defense rookies finds them and tells them there’s a mandatory game of Monopoly starting in ten minutes.
Gale puts a hand on Brady’s shoulder when Quinn leaves and they muster up the strength to get up. He gets enveloped into a tight hug, immediately. He laughs, tells Brady that he’s too drunk and Brady agrees with a scoff, slaps him on the back one last time and promises not to steal any districts from him with a smirk.
- another excerpt from the running out of guts to spill. @swifty-fox sold me on brady/blakely so hard i had to include them lol. are brady’s feelings mutual? guess we’ll never fuckin know (we’ll know. we’ll for sure know. i’ll shoehorn it in idc. what the fuck is this ship. douglass i’m sorry for stealing your boyfie)
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lurkingshan · 1 month
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Jazz For Two
What an absolute mess of a show. What a muddled message about family and intimate partner violence and abuse. What a nonsensical progression of scenes masquerading as a story.
I have been scratching my head about this one all the way through, but today's final episodes really took the cake. There are so many problems with this show that I could break down in great detail, but the biggest problem as a piece of storytelling is that nothing the characters do makes any sense. Let me illustrate this by describing the progression of Seheon and Taeyi's arc in episode 7 in four scenes:
Taeyi reacts to Seheon's kiss with violent homophobia, calling him slurs and sexually harassing him as a form of mockery
Taeyi feels bad, goes to the piano room, plays a tune, says he's sorry and kisses him, all while Seheon passively lets it happen
Taeyi puts his arm around Seheon, flirts, and struts around the school hallway with him, looking very much like a couple
Taeyi jokes around and tries to kiss Seheon in the piano room
All of this happened within 15 minutes of screen time, with no connective tissue between these scenes to explain the huge change in Taeyi that occurred overnight, or give any agency to Seheon as this boy alternately abuses and hits on him. Homophobia has been a huge and looming threat throughout this show, but suddenly Taeyi is just fine openly flirting with him and Seheon is fine with being attacked one day and kissed the next.
And don't even get me started on the side couple, where we have a character who inexplicably loves someone who has been violently homophobic toward him, as well as assaulting others both physically and sexually in front of him. In episode 8 we learn that Taeyi's brother also loved a boy (Seheon's brother) who rejected him cruelly due to internalized homophobia. Every single pairing in this show is a dynamic of the abused party inexplicably desiring someone who has abused them. I don't understand why any of them like each other, and I straight up don't believe most of these scenes. There is no consistency either internally to the scenes or as part of a narrative through line, and the characters just do whatever the story decides it's time for them to do regardless of whether it makes any emotional sense. And all of this is playing out alongside a story of familial abuse with no apparent idea of what the story is trying to communicate by putting these plots next to each other. The show doesn't even bother to interrogate this before jumping to a bizarrely shoehorned in noble idiocy/romcom run resolution for the main romance that doesn't fit with anything that came before it, and then jumping to a music festival and montages of the two couples hanging out and making music together as if this has been a show about a nice group of friends in a jazz band all along.
And let me tell you, I wish that had been the show we got. I know this was adapted from a webtoon, but it seems it's quite a mess of an adaptation that took an already dark and dicey story and rendered it nonsensical by messing with the pacing and sequencing of events. I very much do not recommend watching, and between this and the strange mess that became of A Shoulder To Cry On, I will be giving this production company extreme side eye going forward.
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akiizayoi4869 · 10 months
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If there's one part about Vegeta's arc that I absolutely love, it would be this:
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His regression in season 8 was very well done. It wasn't shoehorned in and it made sense. I remember seeing on Reddit years ago people complaining about this specific part of his arc, saying that it made no sense for him to regress the way he did when he was redeemed at this point. But consider this. It makes perfect sense when you factor in one thing: he wasn't redeemed yet. He was still going through his redemption arc by this point.
Vegeta wasn't raised to be a family man. He was raised to be a killing machine. He was raised with the idea in mind that he would one day be the king of the Saiyan race. All of that got taken away from him. His belief that he was the strongest Saiyan alive was taken when Goku became a Super Saiyan and defeated Frieza, and again when Gohan became a Super Saiyan 2 and killed Perfect Cell. And then Goku makes the choice to stay dead instead of coming back to life via the dragon balls. So now, Vegeta's one rival, the person who he swore he would one day surpass and defeat is gone for good. So all Vegeta has left at this point is the family he created with Bulma. Something that he most likely never envisioned for himself. So he decides to live a life on earth with her and their son.
Everything seems to be going fine for Vegeta....until the World Martial Arts Tournament happens. And Goku decides to return on this one day so that he can participate. Suddenly, all of the feelings that Vegeta bottled up over the last 7 years since Goku's death comes rushing to the surface. Finally, after all this time, Vegeta could finally prove that he's better than Goku. They even get matched up to fight each other in the tournament! How lucky is that, right? And then this guy happens:
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And just like that, Vegeta's chance to fight Goku is now shattered thanks to this new threat to Earth. Instead of his attention being on him, Goku has his sights set on defeating Buu before he can be revived. For the entire time Vegeta, Goku, Gohan, and the Supreme Kai are in Babidi's lair, Vegeta is angry. He's waited 7 years for the chance to fight Goku again, and now that he finally gets the chance to do so, this happens. We see Vegeta's mood get worse and worse throughout the time they fight Babidi's minions, and it's gets so bad to the point where Babidi is able to get Vegeta under his control. Now, as Vegeta pointed out later on, he actually could of fought off Babidi's mind control. But he chose not to. Why? Because he saw how powerful Babidi's minions were while they were under his control. So Vegeta figured he could use some of that power to do this:
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Fight Goku without any interruptions. Which is what he wanted from the start. Even though he knew that fighting would give more energy to Buu and thus revive him, Vegeta didn't care. So long as he got to fight Goku. Keep in mind that this is the same guy who let Semi-Perfect Cell absorb Android 18, despite the fact that he knew it could end up being a bad decision. But Vegeta didn't care because he wanted a good fight.
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Now there's one line that Vegeta said to Goku during this fight that always stuck with me from the moment I heard it back when I was a kid. When Goku asks him why did he do all of this, Vegeta responds with "Because I wanted him to reawaken the evil within my heart. I wanted him to return me to the way I was...BEFORE!!! I WAS THE PERFECT WARRIOR! COLD AND RUTHLESS! I LIVED BY MY STRENGTH ALONE! UNINHIBITED BY FOOLISH EMOTION!!! But slowly...over the years... I became one of you. My quest for greatness gradually giving way to this life of mediocrity. I awoke one day to find that I had settled down and formed a family. I had even grown quite fond of them. Would you believe, I almost started thinking that the Earth was a nice place to live. Do you understand now, Kakarrot? That's why I needed Babidi! To set me free! By releasing the evil within my heart! He has freed me of these petty attachments. And I have to say it feels pretty good."
That entire speech he gave to Goku summarized PERFECTLY the internal conflict that Vegeta had going on within him. On the one hand, he wants this. He wants to feel strong again. He wants to defeat Goku and prove that he's better than him once and for all. He wants the life of a warrior back, because for so long that's all he knew. But on the other hand, he knows that the way he's going about it is wrong. Like he just admitted to Goku, there's a small part of him that loves the life he made for himself, and that he loves his family, too. Which is why Goku then says to him "Do you really believe what you're saying?". Now, Vegeta doesn't respond to this, but he doesn't have to. His silence is his answer. After that, the long awaited fight between these two begins. And after a while, Vegeta does come to the realization that he fucked up big time, and that he needs to do something to make up for it. Which is why he does this:
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He knocks Goku out while his back is turned. Why? Because he wants to fight Majin Buu alone. Because if it hadn't been for Vegeta's desire to fight Goku, Majin Buu probably wouldn't have gotten the energy he needed to be revived. So Vegeta decides to take full responsibility for everything and take on Buu himself. To me, this is when his redemption arc comes full circle, because of his sacrifice. He knows that he can't beat Majin Buu through normal means, so what does he do? Blow himself up in an explosion that he's certain will destroy Buu along with him.
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Vegeta even says in his mind that he's doing this for Bulma, Trunks, and even Goku. Something that I'm pretty sure a lot of us never thought we would ever hear him say. That he's doing something for other people. That he's not doing this for himself. I'm pretty sure that he saw this as his way to atone (hence why this move is called "final atonement" in the video games) but the fact remains that he did it anyway. Sure, we see Vegeta get angry when Perfect Cell killed Future Trunks, but still. That moment can't compare to this one. All in all, Majin Vegeta is the best part of Vegeta's redemption arc and the way how it's written really did an excellent job in wrapping it up.
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homunculus-argument · 8 months
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I get that people are free to make whatever interpretations they want out of what they read, but in return I also want to have the freedom to protest people who Missed The Damn Point because their own worldview is so warped that they think I'm the one who's evil here. Like I can respect Death of the Author and all that, but at least kill me with something more respectable than a brick.
The Unfinished Book was set in a matriarchal society - mostly because writing Yet Another Patriarchal Fantasy World sounded boring to me, and I honestly didn't feel like a perfectly gender-equal society was plausible, and if I can't believe in something I was writing, how and why would anyone else? And the main villain of the story is a man. A man who's clever, a downright brilliant tactician, frighteningly good at manipulating people, great at thinking on his feet and switching tactics on the spot the first second he senses that his initial plan isn't turning out the way the meant for it to.
And on a surface level, yes, the reason he turned to being evil was because he isn't considered particularly pretty. But he's not just bitter because women don't want him - hell, he doesn't really even want women - he's mad about not having agency. He would manipulate women with his looks if he had any, but even then seduction would still only be a means to an end, which is having a say about his own life. He's not angry about being short or being plain, he's angry about the way his appearance has dictated his fate.
The fact that he only turned out to be a monster because of the way he was raised in a matriarchal society is kind of the whole point. Had he been given the opportunity to make a name for himself in something, be something more in his own right than an arranged marriage pawn for his mother, been valued as an individual instead of being literally named something translating to "the final unwanted son in a long string of unwanted sons", he would have taken that opportunity. Had he been born and raised in any other society, he would have figured out a way to become some sort of a war tactician, a diplomat, a general, most likely just as ruthless but not in the broken, deeply unsettlingly monstrous way that he was.
...And this one person in particular read this and concluded that the character was meant to be a cautionary tale against breaking out of social norms. Like that was the thing that made him a villain, just a short man being mad about being ugly. The whole point was that everyone suffers from people being forcibly shoehorned into rigid gendered roles regardless of their innate talents, because eventually someone shoved down too hard will fucking shatter, and if the only way they have any chance to have agency over their own life is through violence, they will opt for violence.
Like I get that readers can interpret things however they please and I have no say in it, but this guy did not take his sister hostage, turn her into a puppet ruler and himself rule from the shadows out of incel rage. He did that because he was what Cersei Lannister could have been if she was as clever as she thought she was.
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generalluxun · 6 months
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That Chloe line... like I get it. Bullying is an explanation for why someone can become like how Shadybug became, and Chloe did bully Marinette, but at the same time it also felt so weird and... took me out of the moment? It felt so out of place? Idk how I feel about it, I kinda felt a little uncomfortable, but I can't really articulate why. Maybe the reason it feels like that is because TA's hateboner for Chloe has been so pronounced and in our face that anything calling out Chloe for her actions instantly feels like TA acting out on his impulse to make her look bad instead of proper character writing, and that's why we don't like it. If it weren't for his history of hating on her character, maybe it wouldn't come off so badly. But it feels like a shoehorned in line now because of that context. Idk.
All of what you say is true but there is also a basic non-TA answer as to why it feels weird:
Chloé isn't mentioned or shown at any other point in the entire special.
For a name drop like this to pay off, there needs to he a setup. It doesn't need to he complex, but it has to be there. Marinette could gripe to Alya about how Chloé will mock Ladybug in school after the events of Strikeback. Emonette could run across a journal entry mentioning Chloé in Marinette's diary, her facial expressions hinting at the pain.
All it has to do is make her exist so that people watching the special can make the connection without outside info. It allows the audience to stay in the moment.
The other solution would simply have been to not have emonette name her bully. Just mention being constantly bullied. Those who know more will connect the dots. Those who don't can just take it at face value without a whole specific person being conjured into the special for one single line at what is supposed to be an emotional bonding point between the two Marinettes.
It also makes the second half of S5 look worse (which is S5's fault not the special) Marinette's calm here flows perfectly with her statement to Scoqueline in Illusion(the next ep) that Chloé is the least of her problems. This is a Marinette who us over it, which makes sense considering how for 4 seasons she has handled Chloé without trouble.
It doesn't gel with the Marinette who is cringing on the floor and needs Zoé to save her, who suddenly can't take Adrien's hand, who is living with PTSD. Who needs to be coaxed into even the most basic displays of expression.
Tl:dr: Name was shoehorned in bc hate or laziness. Could have been done right. Special was still good. S5 after Elation is still an utter trainwreck.
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arttrampbelle · 1 month
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Shang tsung isn't evil but a product of corruption and the environment that surrounds him. He's not evil in the sense of black n white thinking of morality. Especially from a western,psuedo Christian American perspective that so many people wanna shoehorn him into. (No shade here but im calling it like i see it nrs)
How is he evil when everyone in mortal kombat kills?
Also shao kahn quan chi and shinnok has arguably done worse
And even more so he's worked more with them,and under them(shao Kahn namely) and had no choice but to follow orders. Namely some things sure were aligned in benefit. But truly can you really argue that it was all his doing? No to say so is ignorant and undermining the other villains and antagonists of the series and their own contributions to the story narrative in opposition of protags and other characters.
The most evil is those who hide behind self righteousness and say they are for peace when they are being manipulated by promises of a better realm or timeline(cough fire god liu kang. COUGH)
Like nah guys mk12/mk1 don't make sense even for the narrative they are trying to pull. Shang is wonderful but yall missed the point even tho the storymode sucks and everything about it makes me nauseous, shang tsung shines thru because of what he represents. The story,It falls through the crack simply because of the fact
In mortal kombats chaotic and cruel world. You kill or be killed. You do what it takes to survive. Or be food for the gods. As you are nothing but entertainment for them.
Everyone kills in mortal kombat. So shang tsung killing means fucking nothing and is a moot point. He does it,everyone does it,how is he truly any different than anyone at that point. Thru mortal kombat,a supposedly Divine system,he's doing exactly what he's supposed to be doing. And what his character is designed to do. Period. So killing,moot point and argument.
Im not talking about. MK12/MK1 specifically. Tho that grinds my gears for many other reasons. Im talking shang tsung,overall as a whole as a character thru the 30+yrs the games and mk has been around. These are common arguments for that shang is "tHe EVil OnE" when there's no such thing in mks world. Truly. It's posturing and posing flowery words at that point. Period.
Stealing souls? He has to,to survive. He is cursed by the very gods and mentors that once swore to protect him. But did nothing.
Climbing for power? He does so because he wishes not to rule over. But so he doesn't have to worry about going to bed hungry,to suffer. He wants stability,comfort,and most of all security. A thing that long ago was robbed of him.
See you can't say shit about my man without having many reasons why he's not.
Could he be evil,nasty,and dowright fucking cruel? Oh you bet your ass he could. But does he enjoy it? Not really. He takes no pleasure unless it's out of necessity or you're considered an enemy.
He is no different than a hungry hunter. Trying to find his next meal or the next place of dwelling. Until he finds his true place of being and achieves a stable life.
Like ffs people it's right fucking there fine print and that still,STILL GOES OVER YOUR HEADS!
Like y'all who don't understand nuanced villains WANT him to be stereotypical,y'all want him to be easy to pinpoint. Because that means you dont get to critique your beloved "Heroic" characters. And use your brains,and critically think that maybe,just fucking maybe. Your nice dudes were wrong for once.
In mortal kombats world (if you can call it that because the world building sucks)
It's kill or be killed. Morality be damned. Shang tsung found that out long ago. Hiding behind morals in a world that could care less than about you. Gods that only see you as food,throw away entertainment,etc.
He may have respect for someone who despite all that crap,has some moral backbone. But isn't blind to the truth,it's survival. Dont be a pushover boot licking lapdog. As long as you don't hide behind your self righteousness and "goody goody" attitude. He'll respect that you have a noble heart. In fact,that may make him actually enjoy your company. But dont be a condescending jackass about your morals. And he'll be fine.
Shang tsung is just playing the game that the world is built upon. The rules,the gods,the empires,have made. And plays them well into his advantage.
And y'all pissed he plays it better than you. 👏🏻👏🏻👏🏻
That my dears is a truly well done villain,antagonist,and just a beautifully complex character.
That's how you do or are supposed to do shang tsung. Period.
*slams hand down on table and leaves*
🔥💯🔥
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asocial-inkblot · 2 months
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Things I Hope/d to See in the New ATLA Live Action Show
A source material-accurate Azula (duh) and Aang (the show's namesake!) with something extra added to both. See #7 and #8 for more on that.
Tweaked war-related plans that come across like they could reasonably be implemented in real life and which may be based on/allude to actual battle proposals from throughout history. I know little about these sorts of things but others have pointed out before that one of Sokka's plans, for example, may not have actually made much sense. And Ozai's plan near the end? Yeeaaahhhhh... I mean, I kinda get it in hindsight. But still. Let's have him come up with something better than that.
Appearances and clothing that call back to the ethnic groups and cultures that the show takes inspiration from (things are looking great on this front so far), but also
Eye colors like the ones from the original cartoon. This may seem petty but I find that it's actually important to use the right hues for each character and not just make everyone's eyes brown or black or gray (looks to me like that's exactly what they did). The reason being that, although I personally tend to dislike when non-white characters are given what I now call "white qualifiers" (meaning traits often used to make them still appeal to whiteness, such as light hair, light eyes, bone-straight hair, round eyes, etc.), in the context of the show, the eye colors are actually by and large ethnic characteristics and differentiators themselves. As I've noted before in a previous post from a while back: Ocean blue eyes = Water Tribes, brown and gray = usually Air Nomad or Earth Kingdom, amber or light tan = Fire Nation, with few exceptions for all of them.
Enough similarities for it to feel like ATLA but with enough differences that it's actually its own story. Again, duh, but we all know how often adaptations tend to get this part wrong.
An age rating that won't be used as just another excuse to shoehorn in as much violence, gore and sexual content as possible but instead to allow for the full illustration of the impact that war can have on a people and their society/traditions. We saw, imo, only little hints of this throughout the cartoon (when Aang found Monk Gyatso's remains is one extremely devastating example), but not near enough. I know the reason why, of course. However, things like that only helped sell the show short by not allowing it to fully flesh out into a world with true, viewable consequences.
An Azula who, from day one, is unquestionably made out to be exactly what she is: A child soldier who is also a victim of the war in a similar way to how the Gaang is. I want to see her allowed to show worry, even fear, either during or after a situation. Not because I don't love how kickass she is, but because at her age, level of trauma and amount of risk to her life everyday, she has all the reason to be more stressed from the get-go. Not to mention her family issues. I want Azula to clearly have anxiety or depression, something many of us can relate to. I also want that scene of her mental breakdown to STAY in some capacity, but be seen in-universe and hopefully—eventually—irl, too, as what it really was: A teenage girl pushed to her limits until she had no where left to step. Real, living people have had anxiety/panic attacks and meltdowns before and that didn't make them evil or any less worthy of sympathy. It only makes it that much more obvious how real Azula herself is, and how much she needed and deserved understanding.
I want an Aang who's allowed to cry, not once, not twice but over and over again as the weight of the burden of what it means to be a child avatar during a world war—and one who was out-of-commission for a century—start to take their toll on his mind, body and eventually spirit. After he reaches his breaking point, I want him to learn to forgive himself and even forgive others, and come back from it, stronger than ever.
A Toph who's tough but maybe a little less...umm... She should be/feel affected by the war too, okay? And have some level of guilt, fear or self-awareness at all times. So she should be like her original self, but deeper.
More Ursa pleeeaaaaaaassse. We know next to nothing about this woman and what we do know, still involves a lot of inferring. I need to know just what her beliefs were about the war and her family/relatives. I need to know if she...if she often feared for her or her children's lives!
A little less romance and a little more danger, planning and large platonic relationship growth as well as character growth.
Zuko actually learning something from his travels; early on, every time he meets someone/some new people, and on a regular basis. I also kinda want to see him have consequences for his actions. Not just that one time, where he was only a clueless 13 year old boy anyway. Doesn't have to be huge or bloody, but he needs to lose something every time he gains at the expense of another. The ATLA world (if not within the cartoon then definitely within the live action show) should have a real, tangible concept of Karma present, if it doesn't already. That would make so. much. sense.
If possible, a little more fleshing out of characters like Jet and the Freedom Fighters, Suki and the Kyoshi Warriors, Hama, Mai, Ty Lee, etc. And can we not demonize or shrug off victims anymore?
A still sexy Hakoda, Ozai and June. (I'm so sorry, don't hate me...)
An ending that won't make me break out in hives plez.
(That's it for now. I may come back here to add more.)
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markantonys · 7 months
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for the LOVE of GOD, the girls are NOT going back to the tower in season 3!!! what about "season 2 is an amalgamation of books 2&3 and season 3 is book 4" do people not understand! they have completed their Tower Arc Amalgamation! they have no in-world reason or narrative need to return! their next step is to embark on their TSR roadtrips! it is not efficient storytelling to hurtle them all the way back to the tower from falme, have them stay for one (1) week and half (.5) an episode just so that egwene and elayne can take the accepted tests they DO NOT ACTUALLY NEED TO TAKE in order for the rest of the story to work, and then hurtle them off again on their roadtrips, rather than just going straight off on said roadtrips from falme! especially since the entire rest of egwene's travel party is already conveniently gathered with her at falme and ready to head out! do you want the poor woman to wander around the desert for ages looking for the rest of the party since she went there separately from them?
tldr: "the girls will return to the tower in s3" is the Poorly-Thought-Out Reader Assumption That Makes Me Irrationally Angry of season 3, in the same way that flicker flicker & portal stones were for s2 djfkgh i become arthur clenching fist meme every time i see it said! (note that this outburst is 100% brought to you by r/wotshow, i haven't really seen much of this assumption on tumblr. you guys are safe from my wrath!)
(also, same for mat - this is less prevalent but i've seen a fair number of people saying recently that he will get dagger-sick AGAIN and go back to the tower AGAIN, purely so that he can meet gawyn & galad and have his fight with them, even though said fight could be made to happen in literally any place & time and it would make no sense to shoehorn mat back to the tower for s3 when he's already completed his Tower Amalgamation Arc and is ready to go to the waste)
(also also, same for "3x01 will open with them taking the stone of tear." NO!!!! why would they hurtle everyone over to tear and construct a giant-ass set for a single episode before sending everyone off on their roadtrips? be serious! tear will not appear until a later point in the story, when there is time to spend multiple episodes there!)
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electraslight · 11 months
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Does anyone else feel like it would have been more thematically appropriate and more in character if Ben and Gwen switched roles in Absolute Power? Like putting aside the fact that in original series Ben kept trying to save Kevin up until he literally couldn’t anymore without hurting other people and Gwen was 100% on killing him from the very beginning and has always been one to not trust easily and have that trust broken at the smallest sign of betrayal, it feels like even the theming was meant more for Ben and Kevin’s past then Kevin and Gwen’s, like when Gwen confronted Kevin in the arcade. The arcade? The place where Ben and Kevin met, where Ben saved Kevin for the first time, the start of their relationship? I saw someone say one time that it was still appropriate because Gwen and Kevin also met in an arcade, but it doesn’t have the same impact narratively as it would if it was Ben and Kevin. And i talk about this a lot, but this arc really reduced Gwen to nothing but a Kevin sympathizer, taking any beating he gives her just because she believes in him you guys, really, when she would have thrown him out the second he started hurting Ben as any other Gwen. Like they destroy everything she used to stand for and all of her self respect just for this ship that in this context doesn’t even make sense to be focused on. Meanwhile Ben has given Kevin chances to the point of putting himself in danger before and still feels extremely guilty about what happened when they were kids, so it would make sense for him to ignore all signs that Kevin was too far gone and all protests from his friends and family just because he still has hope. This could even be what makes him stand up to Max, closing the cycle of Ben being told by Max that Kevin could never be saved by proving him wrong, and would introduce more interesting conflict with Gwen as she believes that killing Kevin is the only way to keep the world, and more importantly, Ben, safe. I don’t know, it’s just so weird to me how so much of the theming in Absolute Power is so extremely ben and Kevin and yet they shoehorn Gwevin in once again for no reason, make Gwen a doormat she would never be, and make Ben do a motivation 180. Not a rewrite or anything, it's just interesting to me.
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duhragonball · 4 months
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Dragon Ball Super Manga ch.97-99
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Cell Max is running wild, but don't worry, because Goten and Trunks are here to pad the story give Piccolo and Gohan a breather.
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To be fair, the boys do a little better once they turn Super Saiyan, which kind of begs the question of why they didn't just turn Super Saiyan from the start. This page's sole purpose is to have the Gammas notice their "resemblance" to Saiyaman X-1 and X-2. This would be annoying enough even if they did look alike, but they don't. Look at them! Trunks and Goten have tights and some sort of Stormtrooper midriff thing going on. The Gammas are wearing jodhpurs and bellhop jackets. And Goten and Trunks' color schemes are clearly reversed from one to the other. The Gammas match perfectly except for their red and blue capes.
The only real similarities here are the numbers on their costumes, and the fact that there are two of them. Oh, and Gamma 1 has a red cape, and Goten has a red cape. Eerie! What are the odds of two superheroes having red capes? You almost never see that. I mean, there's Superman, Thor, Great Saiyaman, Dr. Strange, Spawn, Great Saiyaman 2, the Scarlet Witch, Supergirl, Great Saiyaman 3, Power Girl, Steel, but other than those characters, I can't think of anyone else!
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Then they all pose together and attack Cell Max in concert. It looks impressive, but their quadruple-team fails to do any damage. The Gammas acknowledge that Cell Max is still getting used to moving around in his body, so he's not fighting as effectively as he will be later in the story. So that's why Goten and Trunks can do this well without actually hurting their opponent. And that's fair.
What doesn't make a lot of sense is the Gammas' role in this part of the battle. Of everyone involved in this battle, they alone understand the danger Cell Max poses to the world, because Dr. Hedo told them about Max's powers. That's why they went in first when Cell Max first emerged. They knew they had to shut him down as quickly as possible. And they're not rusty like Goten and Trunks, or unfamiliar with their bodies like Cell Max. If there's a window of opportunity here for Goten and Trunks to fight Cell Max without looking outclassed, then you'd think the Gammas would use this chance to target Max's head and finish him off.
Of course, they can't actually do that, since that's not what happened in the movie, but that's the problem I have with all of this. Toyotaro keeps shoehorning Goten and Trunks into this story, and their scenes tend to interfere with the plot instead of adding to it. The Gammas have a cool gimmick and aesthetic with the super hero thing. It works. They don't need two more characters aping that look right beside them. At best it's redundant, and at worst it just cramps their style. It'd be like if Frieza had a teen sidekick following him around repeating everything he says. It would kill his whole vibe.
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Okay, so once Goten and Trunks fuse into Gotenks, the battle plays out mostly like it did in the movie, but there's one part that got changed up and it caused some controversy in the fandom. Remember how Pan almost got killed, and Krillin called out to her and told her to fly, and then she managed to fly for the first time?
So in the manga, Pan has the same moment, except she doesn't take flight. Instead...
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In this version, Krillin just flies over and grabs her. And that makes sense. Why would he just assume she can fly on her own? Why not just zip over and get her? However, this kills the character arc Pan had in the movie. She started the film wishing she could do more advanced training, but Piccolo won't let her because she can't fly yet. Then in this scene, she does fly, and when the movie ends she shows Piccolo and he proudly agrees to start giving her the advanced lessons.
Fans didn't like this version, because Toyotaro appeared to be saying "no" to something the fans enjoyed in the movie. Krillin doesn't need a hero moment in this scene because he gets a couple of hero moments when he helps fight Cell Max. He saves 18 and distracts Cell Max with a solar flare. Krillin's fine. So it sure looks like Toyotaro just scrapped Pan's big moment for no discernible reason. This happened in Chapter 97.
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Hey, check out this cool shot of Orange Piccolo fighting Cell Max.
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Right, back to what I was saying.
So in Chapter 98, Toyotaro redeems himself by having Pan fly for the first time, just in a later part of the battle. When Big Orange Piccolo gives the last senzu bean to Gohan in the movie, Gohan just eats it and that's it. But in the manga, Cell Max attacks Piccolo and knocks it out of his hand. No one can catch it, until Pan goes after it and follows it over a ledge. Gohan's worried, but then it turns out she can fly now so she was never in danger, and she gets to help him this way.
Is it better than the movie? I can see a case for this version, but one thing that bugs me is that it seems a bit contrived for Pan to notice the senzu bean and be able to follow it through the air the way she did. I believe she could and would catch it for her dad. That's fine. But I'm not sure she would understand the need from where she was sitting in Bulma's aircraft.
For that matter, I don't know that it makes sense for Pan to understand what a senzu bean is, or why Gohan would need one so badly. Someone might have explained it to her at some point, but Pan's only three years old. I wouldn't expect her to know everything about everything.
Anyway, it goes to show how much can change from one chapter to another. People were mad about Chapter 97, but only because they didn't have 98 right there in front of them to show them it wasn't that big a deal. This is one major reason why I don't like to read the manga as it publishes.
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From here, well, I think I'm just down to cool shots of the fight with Cell Max.
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I don't think much is different here, but the art is cool, and this is one of my favorite parts of the movie.
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I think this is a manga-only bit. Cell Max works over Piccolo with ki blasts, and it looks like Piccolo blows up, which triggers Gohan's Beast form, but then later it turns out Gamma 1 was protecting Piccolo with his force field, which allowed him to withstand the blast.
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Also, when Cell Max tries to use his wings to escape the attack Gohan has planned, Toyotaro has Gamma 1, Krillin, and 18 cut off his wings. Not sure we needed this, but sure, it gives those characters one more chance to shine.
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And then Piccolo holds Cell Max down and pleads with Gohan to take the shot, and that's the end of chapter 99.
And that gets me all caught up. Now I just have to wait for Chapter 100, which is supposed to drop on December 20. Hopefully, it'll wrap up the Super Hero adaptation, but I wouldn't put it past Toyotaro to drag this thing out another three chapters with some sort of press conference featuring Sergeant Nutz, Saiyaman X-1 and X-2, and Cleangod.
There's been talk of a big surprise twist or something in chapter 100, but I'm not holding my breath. Usually when this franchise has a big announcement, it's about the date for some actual announcement later, and that announcement usually turns out to be something the fans kind of already heard about anyway. "Yes, we will be releasing a Chapter 101" is the sort of thing I would expect them to "announce" in chapter 100.
It would be cool if Chapter 100 ended with Black Frieza showing up and killing Vegeta or something major like that. Or, I don't know, maybe Goten and Trunks turn evil. Those would be shocking developments, but I doubt this manga would go that far. We'll just have to see...
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wrishwrosh · 3 months
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the vaster wilds has the typical goodreads problem of all the negative reviews just being “this book was gross and sad and nothing happened :((“ “the prose was stylized and hard to understand”” but as a gross sad stylized prose enjoyer these critiques do not get to the MEAT of all the evils herein present
- the problem of the enlightened protagonist, where a character who has nominally lived in the real historical past until the book begins and yet somehow manages to individually develop a 21st century twitter-educated perspective on colonialism, god, and nature. classic groffism nothing new
- remember that tweet about how hiking is a bourgeois affectation and indigenous people never hiked before colonization. imagine if that was the premise of an entire novel. written by somebody who went to amherst
- another classic groffism is taking a real historical figure about whom almost nothing is known and constructing a history for them that can’t technically be ruled out as impossible given the dearth of records but IS ahistorical, implausible, and kind of stupid while also making sure that the one thing that is concretely known about this person is weirdly and smugly deemphasized in the narrative. in this case the historical figure is “jane” the anonymous teenage girl whose remains were found at jamestown exhibiting signs of butchering. the cannibalism is treated as a twist ending which is dumb as hell and made the pacing insanely frustrating as this was obvious from the beginning to any true jamestownheads in the audience. also the cannibalism of a young woman seems like an obvious place of exploration for a novel nominally about the exigencies of subsistence survival and how hard it was to be a girl in the dark ages before second wave feminism but what do i know. obviously you should just kind of shoehorn it in as a gotcha in the last 20 pages serving as the millionth indication that the bad guys in this narrative are bad and do bad things
- speaking of the bad guys every single character aside from the narrator is a one dimensional paper doll present to essentially speak one of groffs points directly into camera and then vanish in a way that literally made me laugh out loud several times. Some Women Are Vain, Which Is Bad. Some Men Hurt Women And Native People For Fun, Which Is Evil.
- there was a stylistic decision made to not capitalize proper nouns which sure. it makes sense with what the book is trying to do to not capitalize god or english or powhatan. but then it was so inconsistently applied like why is atlantic (ocean) not capitalized but James (river) is. why is god lowercase but Sunday is uppercase. why are all the names capitalized but titles that function as names arent. stop the madness
- a personal nitpick now but i have spent a lot of time kicking around in the area where the book is set and was hoping at least there would be some evocative descriptions of this place that i love. and yet in this book nominally about wilderness there was so little specificity in the depiction of it! this could have been any forest! the specific natural setting did not feel like a tidewater forest! feels like groff wrote it based on a google search of pamunkey traditional lifestyles and a glance at a topographic map
- cant even get into all the reductive and underresearched gender stuff but know it’s there. classic groffism
- finally and most minimally yet perhaps most egregiously groff has yet again failed to internalize a religious worldview in order to write a religious character. this narrator is a change from marie in matrix as we are sternly informed on page 4 that she believes what she has been told about christianity. like once every 20 pages groff remembers that and has her pray or something and then once she has been away from her culture for about 200 pages she realizes god is a lie and that’s the arc. cool!
- why bother! why bother with this setting, this character, this real place and real historical event and real belief system, if you arent going to USE any of it. this should have been a zine about climate change. it should have been like six tweets. if it needed to be fiction (and im not convinced it did) it should have been a contemporary novel and like three things could have been changed. why! bother!
in summary, i went so insane that i googled every single person mentioned in the acknowledgements to see how many were historians or archaeologists or librarians or ecologists or associates of the pamunkey tribe or anyone else who might be assumed to have expertise here and there was: one. illustrative i think!!!!
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gale-gentlepenguin · 9 months
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Gale’s Top Ten: Least favorite episodes of Miraculous Ladybug (as of season 5)
With Season 5 finished and my posting of my top 10 favorite episodes, it’s time I crank the meter the other way. Now some rules
1. Like always this is my personal opinion, and if you liked these episodes, that’s great. I would love to hear your reasoning
2. I will be judging them SOLELY of what was shown in the episode, not by any leaks that came out before or after. I’m solely judging on what is seen and confirmed
3. Word of warning, I will be pretty vicious with my critiques. Also profanities will be thrown.
Now before I go into them, I should give some congratulations to some episodes no longer in my bottom 10
Captain Hardrock: You are still a lame episode, but not the worst you are actually decent in comparison to some of these.
Stormy weather 2.0: Clip shows still are awful, but there are worst things
Frozer: In the grand scheme of things this episode really wasn’t important and there are worst character writing
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10.Sole Crusher
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Revisiting this, it really isn’t a good episode for ML. I don’t know what was more Shoehorned in, Zoe’s character arc of replacing Chloé or the lucky charm.
It also makes little sense that Marinette would be the one pushing for Zoe considering her experience with Chloé and her family (especially after Season 5 revealed her trauma).
Now Zoe isn’t a bad character, but she will always be seen as the replacement Good bee, and she deserves better writing.
Honestly it could be argued Queen banana should be here, but that episode is too much of a s***post that I get more enjoyment out of it. This is trying to play this straight and it don’t feel right.
9. Qilin
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This episode has a some things going for it, great akuma design, decent action. But it also has a ton going against it. It’s in a series of episodes I like to call “Thomas’ gets political” and I will tell you this, he sucks at it.
I would try and explain further but I am aware I would butcher the topic, all that should be said is, racism tackled poorly and Marinette says she will pay for a ticket that her mother didn’t deserve to get in the first place.
Also the animation looks off in the episode, it just looks so bleh. 
8. Migration
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Remember that whole reveal that Luka knows both Ladybug’s and chat noir’s identities and how he kept that to himself?
Well that FINALLY gets addressed. And are Ladybug and chat noir mad at him? No. No consequences for him.
The whole episode acts like he is such an important character but this is one of 2 episodes he’s in where he has more than 2 lines.
Then he gets to travel the world with his dad because monarch found out he knows.
Kagami got akumatized twice and she knew Ladybug’s identity, step up your game Luka.
Also the fake out with Rose was bulls*** and everyone knows it.
Also the entire episode had everyone but Luka lacking brain cells.
I don’t rank it lower because while it annoyed me greatly, there are worse offenders on the list.
7. Animaestro
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Astruc complains for 22 minutes that nobody cares about him anymore.
Also Marinette teams up with her bully which after watching Derision, WOULD BE THE LAST thing she would do.
This is the worst example of the Creator calling out the audience, There are other episodes like this but this one is the least entertaining. And if the ending of season 5 is concerned. “I’ve seen your writing, so I can FUCKING CRITIQUE IT YOU ARROGANT PIECE OF…”
Okay, I’m calm. Point being. It’s his call out the critics episode and it sucks
6. Furious Fu
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I HATE Su Han.
He is a worse version of Fu in every stretch of the imagination.
The episode where Su han shows up and starts making demands is stupid. The only thing he has going for him is his fighting style which he never teaches the two people that could have needed it!
The episode isn’t lower because despite Su Han’s impact, he really doesn’t do much and he is just there to be a nag later on. Also Fu’s akuma looks dope as hell and gave Fu some slack.
5. Feast
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So remember how Su han showed up in the last episode. Well he and all the other guardians were gone for over 100 years because they lost to a 4 Foot blue dog made by a hungry child.
This episode isn’t as bad as the others as a stand alone, but knowing the lore makes it sound so completely stupid. Like Fu was HAUNTED by his past and we find out it was because he was hungry when training and the guardians COULDNT handle that? All trained to fight miraculous users should they go rogue, couldn’t beat ONE DOG. The mysterious order is incompetent as heck.
It’s just so stupid. Also Fu was acting irrational af over all this didn’t help.
4.Reflekdoll
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I want everyone to know how massive this is, Reflekdoll is no longer my least favorite episode.
For anyone that follows me, my SEETHING hatred of this episode is well documented.
I won’t go on about how the tropes were horribly done or ignored, how off the banter was, or even how stupid everyone is this episode. Because I’ve discussed it in length.
I will simply say, Thank God there is Passion, so if people want a GOOD kwami swap episode they can watch that one.
3. Miracle Queen
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I’ve talked about this episode to death on here. But really the only flaws with it are the last half of the episode.
The drama of the first half is great. But the ass pull of a memory wipe, the clear degradation of Chloé’s character, and just the simple giving up of Hawkmoth, he could have easily still won if he pushed a bit longer. The ending was depressing but also a clear example of how the writers put themselves in a corner with no way out.
The only thing that makes it worse is Fu’s replacement (Su han) ends up being a worse teacher.
Also considering how they spent season 4 quickly getting Marinette and Adrien out of the relationships with the love rivals, even they realize it was a dumb call.
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2. Ephemeral
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Hey, let’s make an episode to explain why Adrien can NEVER know his father is the villain.
This episode is the go to justification of the writers on why Adrien will always be sidelined. It was also the unofficial reveal of the sentimonster theory before it was said pretty much outright in season 5.
The worst akuma design. Marinette gaslighting, gate keeping chat noir at its worst.
Gabriel wins and gets his wish.
And none of it mattered and no one remembers it except I think Sass. So it was pretty much pointless.
Not even the ladrien and cute reveal could save it.
And don’t even get me started on how pointless and avoidable it is.
It’s almost funny because despite how pointless this was, it’s still better than number 1.
1. Re-creation
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So many cool concepts, great designs. Marinette dropping a piano on Gabriel. So many great things. But it also had some flaws, like having Adrien sidelined, and the focus on heroes from the specials for practically no reason. But all of that could be forgivable if the ending lands…
It really shows how an AWFUL ending can fuck up everything.
Imagine having 5 seasons of fighting to stop a villain from getting the miraculous to make the wish only for him to WIN! Yes he wins. He gets to make the wish, you know the wish that was said should NEVER be used. Of all the stupid, asinine, Shark Jumping BULL SHIT. Who the fuck APPROVED THIS HORSE SHIT?!
So he gets his wish, and he gets a statue HONORING HIM. What the fuck? Adrien, who was ABUSED now sees his abuser as a hero and EVERYONE THAT KNOWS THE TRUTH IN HIS LIFE IS HIDING THE TRUTH FROM HIM. Nathalie, Marinette, Felix, Kagami. Even PLAGG!
And the whole utopia crap, everything is just perfect now, because the villain got what he wanted.
That’s a great lessons for kids! (Blatant Sarcasm)
But let’s really dig in, the ending left a LOT of things vague. And hilariously ALL OF THE POTENTIAL OUTCOMES ARE SHIT.
1. Emilie was revived and Nathalie got healed.
So Gabriel gets everything he wanted from the wish, justifying everything he did and he gets treated like a hero and another person hiding the truth from Adrien. Marinette knows everything that brought this about and is keeping that from Adrien, but is justified slightly because it could encourage Adrien to try and get his father back with a wish. Also brings up the question of who took Emile’s place.
2. Only Nathalie was healed.
Gabriel ended up with Emilie like he wanted, gets treated like a martyr, Adrien is technically an orphan, Marinette is knowingly lying to him about his father and Adrien continues to get Gaslit.
3. Emilie is revived, Nathalie is healed, and memories were altered
Gabriel’s wish basically shaped EVERYTHING how he wanted, meaning he is still in control of Adrien’s life even in death. Even his own wife. So while this removes Marinette covering for him intentionally, it just means Gabriel was so much worse.
4. Nathalie’s healed and memories altered
Gabriel gets to be with Emile and has shaped Adrien’s life even in death. Everyone basically puppeteer by him as he died. Sure he’s dead but he also retconned for his redemption, which is bullshit.
Now there are people that defend this ending/potential ending.
I’m sorry but, unless they revive Gabriel and he gets exposed, Adrien finds out the truth, and he gets held accountable for his actions. I can’t feasibly imagine this ending being good.
The writing staff aren’t going to do Anything about this, they are just going to move on to Lila as the main villain and say the Agreste plotline is over.
If they Do, do something, I’ll happily take back my words and alter my view of the episode but right now.
It’s one of the WORST season finale’s I’ve seen in my life.
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yellowspiralbound · 10 months
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Since season 3 of The Witcher Netflix comes out tomorrow...here are some of my concerns on adaptation from this season onward. Potential spoilers for the future seasons and definite spoilers for the books. Long post ahead.
The Hansa's Dynamic
I am so worried about how the Hansa is going to be handled in the show. Like shaking in my boots terrified. The showrunners already really messed up Dandelion & Geralt's dynamic...and that's one of the easier dynamics present in the Hansa imo. The dynamic is already going to be screwy because Cahir is a middle aged man and not a petulant teenager if he's present in the Hansa at all (though I think he will be since Emhyr called him and Fringilla out at the end of s2).
Emhyr as a Character
Speaking of Emhyr...I think they might attempt to give him a redemption arc, and I cannot emphasize how bad of an idea that is. They're going to retcon the whole "wanting to impregnate Ciri" bit, which I have mixed feelings on. Like yes, on one hand that's fucking gross but on the other hand, that bit is in there to show how fucked up Emhyr is and why Geralt needs to get to Ciri so quickly; it adds a sense of urgency to the Hansa's travels. If I see Emhyr sympathizers on my dash after this season I will lose my fucking mind.
Milva's Pregnancy & Related Scenes
I suspect that Milva's pregnancy is going to be cut entirely or play up the rest of the Hansa's concern for her as a weird "men think they can control women's bodies" thing which Milva will have to fight with them about so the show can be appropriately pro-choice without exploring any of the pro-choice nuance the books bring up. I can just see Regis talking to the guys about it being turned into a "the father deserves a say in a woman's choice to abort" scenario instead of the "I will give this woman her abortion regardless of what you all think about that (and I've made that VERY clear) but I think she's making this choice because she believes you all will abandon her/not support her if she wants to keep this baby and someone needs to make sure that she knows that won't happen" scenario that it actually is. This is also plays into my concerns about the Hansa's dynamic as changing that scene changes it irreparably.
Characterizing Nilfgaard as a Nation
Right now I feel like the show could go one of two ways 1) Nilfgaard is wrong in everything it does or 2) Nilfgaard is right in everything it does (if Emhyr gets a redemption arc). The show has already made a show of the Northern Realms' racism, which is book accurate mind you, but I fear this will translate to a sort of "Nilfgaard is the better nation as its less racist" scenario. While Nilfgaard is better in that aspect and a few others, it is still a militant slave nation. Nilfgaard and the Northern Realms both have their evils and their virtues; that's a big point in the books and the games. Neither nation is 100% good or 100% bad - they're just nations. I don't think the show will be able to handle that kind of nuance.
Jaskier & Radovid...
Apparently, Radovid is supposed to be one of Jask's love interests this season. Radovid is a massive racist, a war criminal, and a teenager. I'm sure all of that's going to be retconned but for fuck's sake just make a new character if you're going to age up and completely change the personality and insanity of an existing one. Important note: I am 1000% in support of queer Jask. I have never shipped that man with a woman in my life (even in the books and games) but for the love of God why did his LI have to be fucking RADOVID??
Mistle & the Rats
If they make Ciri and Mistle a love story, I am going to be disappointed but not surprised. Let me be clear: Mistle is a rapist and an abuser. I suspect they will change that to shoehorn in a queer relationship (even though Triss and Philippa are RIGHT THERE if they want a semi-canon wlw couple). The Rats as a whole are definitely going to be made into more robinhood-like characters because God forbid a main character like Ciri is morally grey or does questionable/bad things.
Geralt's Disability
If this season ends with the Vilgefortz and Geralt fight, as I suspect it might, Geralt will be disabled permanently by the end of this season. The dryads do not fix it. Magic does not fix it. Geralt becomes disabled and stays disabled. His disability becomes a hindrance during the books and the reader actively sees him grapple with the fallout of this. I do not trust this show to handle that - especially with how much more closed off Geralt is in the show compared to the books. If I had to guess, Geralt's disability will be handwaved away or mentioned in passing and never actually shown to impact him which is not cool.
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a-random-fan4444 · 1 year
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Me: “Post movie Casey Jr should get a support animal.”
Also me: ‘What if we shoehorned the Kraang into that?’
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My brain is addicted to the Kraang and I’m making it tumblr’s problem now!
Casey jr gets an emotional support animal, but said emotional support animal is Brother Kraang in disguise. In Jr’s defense he’s never seen a normal cat, or dog, or rabbit, … or any animal really. Junior names him Hockey Stick!
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The others haven’t meet Hockey Stick yet because Hockey Sticks just so happens to run off whenever they’re near. April reassured Jr that strays can be skittish, and HockeyStick will warm up to them eventually.
Brother Kraang is laying low, he’s managed (after many failed attempts) to trick a human into sheltering him. Most humans avoided him but the one he managed to trick is a suitable provider.
Jr found Hockey Stick on a walk. Brother Kraang was in an alleyway cornered by other strays in the area (the other animals could sense that he wasn’t like them, that he was a threat to all of them trying to trick their instincts by imitating their form). Casey Jr had ran in there and scoped Hockey Stick in his hoodie pocket, running away before the animals could see him and take chase.
From there Junior keeps Hockey Stick, he hadn’t intended to, but after a week of feeding him and looking out for him, he was buying a dog bed.
Some memes:
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Feel free to add ideas and send asks!!! :D
Part 1 | Part 2 | Part 3
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fazfacts · 3 months
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HOT DAGA SENTENCE STARTERS
it's actually criminal that nobody has done this before. feel free to change as needed!
❝ If you don't like it, you can kiss my buns. ❞
❝ Oh, he looks all pissed off 'cause his hat's still gone. ❞
❝ Good, I'm glad he's pissed. ❞
❝ I hope he crashes into that wall. ❞
❝ Oh shit, he crashed! ❞
❝ Wow! They look like a happy couple. ❞
❝ She's not happy with his driving, I'll tell you that. ❞
❝ Oh, he's on fire, he looks like he's hurting. ❞
❝ What a horrible occurrence that just happened! ❞
❝ What the fuck? ❞
❝ He's gonna come back like Michael Myers. ❞
❝ I can't really tell what it is, but it went by real quick. ❞
❝ Why did you run from me? ❞
❝ I...I didn't know how to tell you, but...we have a son now. ❞
❝ Wait -- I'm so confused... ❞
❝ Hello, [name]. I'm your father, [name]. ❞
❝ Why did you try to shoot me and leave me for dead? ❞
❝ That wasn't me. ❞
❝ It's me, [name], your evil twin sister. ❞
❝ I won't have you two together. You know I love [name]. ❞
❝ Now it's time to die. Mount your crab. ❞
❝ [Name], step aside! ❞
❝ Do you remember where we were? ❞
❝ Who are you? ❞
❝ Nice to meet you. I love you. ❞
❝ Promise you'll never shoot me, [name]. ❞
❝ Let's cover ourselves in mustard and get craaazy! ❞
❝ I hope you never get eaten on the Fourth of July like my parents. ❞
❝ Your words are making me happy, so I am smiling. ❞
❝ Always love each other, no matter where your paths take you. ❞
❝ We are siblings, but also best friends. ❞
❝ Why would we ever fight? ❞
❝ I have seen it in my special dreams. ❞
❝ Let's go eat the rest of Amelia Earheart for dinner. ❞
❝ My funding...my precious funding... ❞
❝ It's all over now. I suppose I'll let myself rot. ❞
❝ I'm in urgent need of your services. ❞
❝ What a shame...I was so close. ❞
❝ That's a good hashtag. ❞
❝ Like my dear old dad used to say, there's no free condiments in life. ❞
❝ Most condiments are free, actually. ❞
❝ How dare you! ❞
❝ Please, respect my father. May he rest in peace. ❞
❝ This talk of your father seems very shoehorned into this conversation. ❞
❝ I'm your son! From the future! ❞
❝ Hoooly shiiit. ❞
❝ Why did you do it, [name]? Why'd you do any of this? ❞
❝ Because, [name], I'm straight-up evil. ❞
❝ That's bad for the fabric of reality and space-time, I think. ❞
❝ Okay, it's technically not murder or anything. ❞
❝ This is what you get. This is the law of the wild. ❞
❝ I can't bear to watch this inevitable carnage. ❞
❝ I just want a picture of this moment. ❞
❝ I need your help to avenge my death. ❞
❝ We're a family again! A real family! ❞
❝ That's a terrible name. ❞
❝ I'm pretty sure this is a trap... ❞
❝ A crow ate one of my eyes at the bank last Labor Day, by the way. That's why I have an eyepatch now. ❞
❝ Did it ever occur to you, [name], that I loved you and your mustache? Well, I don't anymore, and I see you've shaved your mustache, you idiot. ❞
❝ The day we broke up was the best day of my life. ❞
❝ I saw him do a magic trick once where he sat on his own lap. ❞
❝ I'm suddenly afraid my wife will leave me for him, but he's a nice guy, so that's okay. ❞
❝ Wait a minute, you weren't invited! ❞
❝ It's me, [name], and I'd like to welcome you to Hell. Time to die! ❞
❝ I am displeased! But that does sound narratively rich. ❞
❝ Will you press pause on your shit for five minutes? ❞
❝ I now have to imagine a thing I don't want to imagine, under any circumstance? ❞
❝ Are you proud of yourself? ❞
❝ But I cannot attempt to process that at the moment, for the fear of the emotional toll it would take on me. ❞
❝ How'd we survive? ❞
❝ Ooh, what a plot! ❞
❝ We could go back in time to stop it all. ❞
❝ No need to explain that, we'll remember it always. ❞
❝ Thank you for your service. ❞
❝ Enough talky-time, more spacey-time, idiots. ❞
❝ We threw them into a volcano. They're gone. ❞
❝ I don't negotiate with assholes. ❞
❝ I can't believe it -- I'm alive! ❞
❝ Oh, no, no, hey, c'mon. Nothin' to worry about here. ❞
❝ That doesn't make any sense. ❞
❝ My parents were very juicy and I am, too. ❞
❝ You...don't seem trustworthy. ❞
❝ Oh, I'm plenty trustworthy. ❞
❝ So what's your deal again? ❞
❝ Hm. Makes sense if you actually track the story, probably. ❞
❝ I wonder if Earth's tasty. ❞
❝ I'm not one for decision-making. ❞
❝ I'm both the mayor and the sheriff. ❞
❝ Don't worry, you will soon go to jail. ❞
❝ I want to get perfectly sane, haha. ❞
❝ You're getting more and more sane by the day! ❞
❝ Everyone's dying and the world is basically over. ❞
❝ Sometimes your life don't go exactly as you planned. ❞
❝ The fact that I doubted myself for even a split second is some military-grade bullshit. ❞
❝ It's me, [name], and I'm pissed. ❞
❝ I can't die, I'm beloved! ❞
❝ Question: what the hell's going on? ❞
❝ If you do anything dumb, I will kill you with my hat. ❞
❝ You didn't need to do that, by the way. That's cruel. You understand that? ❞
❝ I didn't ask to exist. In fact, I was very content not being. ❞
❝ Look, I'm sorry about doing you dirty. ❞
❝ We've got some things to discuss, you and me. ❞
❝ Ohhh, okay. We're both dead, then. This is for sure a place where we're both dead. ❞
❝ My last memory was me putting a goldfish in my mouth to make my children laugh. Then I choked to death. ❞
❝ Play shitty games, win shitty prizes, [name]. ❞
❝ I was so consumed with hate and anger that I lost sight of who I was. ❞
❝ Are you just, like, checked out of this conversation now? ❞
❝ I'm just a guy in a void. ❞
❝ I got murked and it chilled me out. ❞
❝ That's my catchphrase, now that I'm fun. ❞
❝ Tell you what, I hate this planet. ❞
❝ There's a small part of my funky, no-good heart that's like, "hell yeah." ❞
❝ Hey, you want some money? It's got my face on it. ❞
❝ The one thing I've always said is, "you can definitely trust someone who repeatedly insists that you can trust them," you idiot. ❞
❝ I'm the queen of deception and straight-up dirty tricks. ❞
❝ Game recognize game, however inferior. ❞
❝ I've just had a tremendously confusing dream. ❞
❝ I'm not in the habit of taking drinks from strangers. ❞
❝ But I'm beloved... ❞
❝ I. Don't. Caaare. ❞
❝ It's almost Friday, the day for kissing! ❞
❝ If you value your life, you might consider staying out of mine. ❞
❝ Is there any way we can put this all behind us? ❞
❝ Are you fucking kidding me? You shouldn't have asked that question. ❞
❝ Oh, thank God. I was about to flip my shit. ❞
❝ Full disclosure, no offense: you seem nuts. ❞
❝ My mind is so clever, some describe me as a God. ❞
❝ My name is [name], and I'm here to say: you'll soon straight-up die today. ❞
❝ I'm perfectly sane, so now it's time to play my funny little game. ❞
❝ Where'd you go to college? Detective school? ❞
❝ I'm gonna save your life for my own benefit. ❞
❝ I have no beef with you. You're clearly dealing with some stuff. ❞
❝ Don't worry, I will murder you. ❞
❝ I feel like you're not being receptive to literally any of my shit. ❞
❝ I was hypnotized for many, many years and frankly, I'm not too happy about it. ❞
❝ Well, you can't blame me for that. I'm dead. ❞
❝ I think you could maybe choose not to be complicit in the destruction of the universe. ❞
❝ Jesus Christ, take a breath. ❞
❝ If you don't stop this instant, I'm gonna hug you. ❞
❝ I feel like a happy sunshine person who always wins. ❞
❝ I feel as critically-acclaimed as I always do! ❞
❝ You should know by now, nothing exciting ever happens around here. ❞
❝ Hey, you ever think about what happens after we die? ❞
❝ Sorry for my dad being a dick all the time...and for following his orders without question. ❞
❝ I hate you and I'm glad you look all fucked-up! ❞
❝ Namaste or whatever. ❞
❝ I just wanna chill 'til I'm dead. ❞
❝ Whoa, okay. I think I'm gonna die. ❞
❝ Those were the bad guys! Why were you, like, chilling with them? ❞
❝ Man, you really pooped the bed on this one. ❞
❝ Okay, your tone is appropriate and I apologize. ❞
❝ I will miss you, [name], the biggest baller of them all. ❞
❝ I'd actually be double-dead, which is the worst kind of dead. ❞
❝ What can one do in the face of such monumental loss but breathe a weary sigh, for the world is a little quieter now. ❞
❝ Sometimes your death don't go exactly how you planned. ❞
❝ I tried the best I can, but I ain't got the stuff. ❞
❝ Frankly, life's been pretty dope. ❞
❝ I know life's been crazy, but believe me, you'll be fine without me here. ❞
❝ There's really no need to cry. ❞
❝ I know things seem kind of shitty and that the odds aren't looking pretty, but what's the point of quitting now? ❞
❝ I won't be here to see it, but you bet your ass that I believe that you'll still save the day somehow. ❞
❝ If I had a fuckin' bucket, then I got a hunch I'd kick it. ❞
❝ Sorry for the cursing, but I'm feeling worse and worse. ❞
❝ I don't wanna die, but I'm probably gonna die. ❞
❝ I'm dying now, just so we're clear. ❞
❝ Holy shit, this is it, I'm gonna die. ❞
❝ I'll see you later, pals, I'm outta here. ❞
16 notes · View notes