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starry-bi-sky · 4 months

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I am procrastinating homework and finals studying so I'm making another DPxDC au -- or more accurately, I am making an au of an au. or combining two aus to make a third one, because I am Procastinating And thinking about it.

(the part two for my Danny is Jason Todd au is like,,, half-made and I will get around to finishing it, promiiissse)

So the two aus I had in mind were combining, of course, the two clone aus - the Danny Clone and the Damian Clone au. For folks who haven't seen either posts (or saw one but not the other) here are summaries of both:

Damian Clone Au: The LoA make a clone of Damian Wayne specifically to either kill Damian Wayne and have the clone take his place as the heir to the LoA, or to bring him back. At 6 years old though and through magical teleportation mishaps, Baby Damian ends up in the warehouse district of Amity Park and picked up (and later adopted) by Danny Fenton. They develop a brotherly dynamic with one another.

Danny Clone Au: Danny is straight up a clone of Bruce Wayne, doesn't find out until a year after he has his accident. And, for the fun of it, is also mostly-powerless (he retains his ghost sense and a semblance of a ghost core and signature, but no ghost form). His reasoning for becoming Phantom is because he has walked into the lab watching his parents dissecting ghosts post-portal working more times than he can count. And due to this, changes his beliefs from "ghosts are evil" to "ghosts are sentient and sapient beings who don't deserve this treatment". (masterpost pinned on my blog, its currently incomplete) He is also a little GNC, as a treat. Long-haired Danny ftw. Ellie is a halfa because of the ectoplasm that Vlad used, and also the same age as Danny. They call each other twins and she is viciously protective of him. He uses a baseball bat and brass knuckles that I call 'jawbreakers' to fight ghosts.

Now admittedly, not much probably changes with the combination of these aus other than the potential parallels between Damian and Danny, and Bruce and Damian - and of course, I am always a sucker for parallels. Plus Damian's running off would take Danny finding him much longer, since he can no longer fly, but all the more meaningful because he still took so much time to find him.

(It probably also makes their first meeting different as well - Danny wears a ROTTMNT Casey Jones Jr. esq. mask when he goes out, but Damian would recognize lazarus green anywhere. He'd probably try harder to kill him though once he sees his face, since he knows that its not his father but an imposter.)

It also includes what I consider a hilarious conversation: "Since I'm a clone of Bruce Wayne, does this make me your dad or your brother?" "Don't be an idiot, laeazir." "You didn't answer my question."

The biggest change that comes from this is, of course, the fact that Danny now no longer has a leg to stand on with the "you're a human, I am a ghost" excuse in order to prevent Damian to help him with ghost-fighting, because now Danny is also a squishy, fleshy and fragile human just like Damian. And a human who, arguably, has less combat training than Damian and no powers to make up for it.

Now, Danny in both aus are about 16-17-ish in age, so they've had time to adapt to their new vigilante-hero lifestyle, but its still not the same as Damian's training as an assassin. Damian, unlike in the original clone au, remains insistent on his want to help Danny.

And,,, eventually wears him down after weeks or months of sneaking out after him, helping in fights, interfering, arguing, etc. Danny eventually agrees, exhausted, but he makes Damian promise, promise, that he will be careful and to focus on dodging and distraction. At least until Danny can figure out a safer alternative. He wants him as far removed from the fight as he can, he's a child for ancient's sake, after all.

Which is another issue too - if we follow Damian Clone timeline, then Damian is six years old when this happens. I'll be point blank, I do not see Danny ever actually agreeing to let a literal 6 year old go with him. SO, solution, I bump Damian's age to 7 when he arrives in the Fenton Family, and make him freshly eight years old when he finally gets Danny to agree.

It still SUCKS. He is still very much an itty bitty child, but as someone who has seen the difference between a six year old and an eight year old due to working at a daycare, an eight year old is still... slightly feasible. And an 8 year old assassin even more so (even if he hasn't trained properly in nearly a year or so)

So Danny, reluctantly, agrees to let Damian come with him on patrols.

He ghost-proofs Damian's sword (as he has since learned to do with his bat and jawbreakers), makes him a grappling hook and a Fenton thermos, and reluctantly lets Damian come with in his old LoA uniform that he appeared in (with some tailoring and ghost-proofing, because he has since begun to grow out of the uniform).

(and Danny himself also finally starts looking into alternatives to improve his own "suit" - which is all but a hoodie and reinforced jeans and a hockey mask. He needs to set an example to his little brother, goddammit.)

Then, as they're planning for Damian's eventual (dreaded on Danny's part) debut, they sit in their shared room and brainstorm for what to call Damian. "Ellie already uses the name Spirit." Danny says, sitting criss-cross at his desk with the eraser nub of a pencil chewed between his teeth.

(Behind him he has an investigative corkboard set up -- his accident left him with the ability to see ghosts not capable of being seen on the visible plane. 'Stereotypical' ghosts. Between school work, his social life, and ghost fighting, some of his downtime is spent figuring out ways to help them move on. His most recent is a cold case.)

(Bc with Danny, I loove to have him have some sort of trait that ties him in with his original counterpart. Nature vs Nurture and all that. Investigative work can be part of that.)

"What about Wraith?" Damian suggests from the floor, leaning against the bed frame while he goes over one of his english books. They've been practicing his reading and writing.

Danny furrows his brows. "A ghost seen typically shortly after or before someone's death?"

Damian nods. "Yes, it's of a similar cadence to 'Batman and Robin'."

"What's with you and your thing with Batman and Robin?" Danny asks with a playful half-smile, Damian shrugs and looks at his books. Danny sticks the eraser back between his incisors. "Phantom and Wraith... that works, though."

The first night out together, Danny fusses over Damian, making sure every bit of uniform was secured and in place -- something Damian took mild offense over. His outfit was far more reinforced than the juvenile get-up that his older brother wore.

But he let him fuss anyways. It made him loved.

"Now remember, Wraith--"

Damian interrupts him: "Yes, I know, Dany. Avoid and distract. Stay situationally aware. I fear that is something I should be telling you, however. Mother would have your head if she ever saw what your training was like."

(It was, not for the first time, that Damian wondered how his,,, "mother",,, would react if she ever met Danyal. Not good, he knows.)

Danny's shoulders sag, and he sighs. "I believe that, what with that super-secret spy--"

"Assassin."

Danny sends him a half-hearted chagrined look, "Assassin," he corrects, "organization that made you. I'm sure I'd give your mother an aneurysm." When he's finally okay with whatever make-believe issues he found with his suit, Danny reaches for the nearby side table and carefully slips on a black domino mask over Damian's eyes. It was thin, flexible, and made with some kind of material that Danny reassured was environmentally safe.

("Some kind of matieral that Wayne Industries invented awhile ago, Sam bought it for me." Danny told him when he first showed it to him.)

It was also cold. But the chill was made up for, slightly, with Danny's warmer hands smoothing it out over his skin, and ridding of any ridges that could form. Damian isn't sure entirely what Danyal did to keep it stuck onto his face, but when he touches it with his fingers he feels a very faint seam at the edge, and it doesn't budge against his hands. It felt like a second skin.

"There we go." Danny smiles, pulling his hands back. He still looks nervous. "It's not the same as my hockey mask," which sat atop his head, ready to be pulled down, "but I think a domino mask will work better for you considering your background."

He was right, a hockey mask would only hurt Damian's peripheral vision. This mask was thin enough that it didn't.

"Ready to go, Wraith?"

"After you, Phantom."

+++

Damian has much issue with Danny's suit. He can think of a million ways to make it better. It is one of the things he and Samantha Manson can get along with, and the few times they have spent time together they have brainstormed suit ideas. He knows that since Danny took him on as Wraith, he has started to look into better suit alternatives.

However. They are both aware of the same thing:

Danny is not Batman, nor Superman, nor Wonder Woman, nor Aquaman, or the Flash, or Green Arrow, or Nightwing, or any single hero on the public roster. He is also not rich like Lex Luthor or Vlad Masters or Bruce Wayne himself.

He has no money and no contacts, and thus, no way of properly improving his suit to be something even half as safe as the other supers.

And he refuses to let Samantha Manson help him find a way to fix that - even with all that money, Samantha Manson is on an allowance from her parents, and also, despite her other range of abilities, not capable of getting those materials without putting herself on a list of some sort. They are at a standstill.

Damian knows this, because he has asked.

Until one day when Danny is talking about a case he is working on and telling Damian about old adventures he had in the Ghost Zone, does he see his brother get hit with a lightbulb.

He slaps a hand against his forehead and straightens up from his swivel seat. He huffs a laugh, "Of course! Why didn't I think of it sooner?" And he turns on his heel and hurries to his bookshelf, pulling down a notebook and flipping open to an empty page.

Damian frowns, "Laeazir?"

"I know you don't like my suit, Damian," Danny says, striding over to his desk and snatching a pencil out of a cup. He begins jotting something down on the notebook. "And there's nothing I can really do about it because, well, I'm poor in comparison to my facesake, and I don't have the resources to get my hands on someone who would make me a new suit."

"Yes, we have talked about this..." Damian nods slowly, still frowning, and trying to follow his brother's line of reasoning.

Danny shoots him a megawatt, half-tilt smile, his hair tied up into a half-bun. "But! I was thinking about it from the wrong angle. I don't have the living resources to help me get a suit, but..." he trails off, staring at Damian intently.

It dinged in Damian's brain to where he was going, "But you have the undead resources instead." He says, his eyes widening slowly. Of course, of course! Danyal was ridiculously charismatic by accident, and Damian has seen plenty of times where his heart-of-gold had one or two non-hostile ghosts be incredibly grateful to him.

His brother makes a loud, 'ding-ding-ding!' sound, pointing his pencil at Damian as his smile stretches further across his face. In a few quick strides, he was sat down next to Damian and showing him his notebook. "Correct! When I first started out as Phantom a few years ago, I managed to help a ghost who called herself Taylor, and apparently she was a seamstress both in and out of life."

Damian watches as Danny writes the name at the top of the paper, and creates bullet-points down the page. "She said that in return for saving her, I should come find her in the Ghost Zone if I ever need clothes made for me. It's a one-time thing, but I was thinking that she could perhaps help make me a new suit."

Danny turns a bit pink at the ears, and rubs his neck, "I never thought much of it because I didn't think I'd ever go into the Ghost Zone, or ever need ghost clothes, so I forgot about it up until now."

A scoff forces itself out of Damian's mouth, but he is smiling. "Danyal, you are the smartest idiot I have ever met."

For the next hour, both he and Danny make a bullet point list of what both of their suits would need. Reinforcement in certain areas, gauntlets with reinforced knuckles to replace Danyal's jawbreakers. A different weapon than a bat.... a utility belt, reinforced boots. Anything they could think of.

It was Damian's idea to add a cloak to both of their suits, asymmetrical and torn at the edges for a more 'ghostly' look. They have a theme, after all. It's quite fun.

Then Danyal calls up Sam for help in drafting up design ideas. And while Danyal steps mostly to the side when it comes to the design itself, Damian and Sam fill pages with designs until coming up with one they both agreed on and like.

"What about a lightning bolt on the chest?" "Why are we using my traumatic accident as a symbol of my identity?" "Ghosts do it all the time, Danny. Ember sings about her death." "I'm not dead?" "No that won't work, Manson. Shazam already has a giant lighting bolt emblem." "Okay, but I still want to use it somewhere." "How about this?" "...That could work. Okay, now onto your emblem--"

Last was the hard part: getting into the Ghost Zone without the Fenton parents noticing the disappearance of their precious Fenton Specter Speeder. They employed Jazz's help with that. She would get the Fentons out of the house long enough for him and Danny to get into the ghost zone, hopefully find the seamstress, and cash in that favor.

They went through with their plan that following weekend. Danny tossed Damian a small jumpsuit as they both climbed into the specter speeder, but did not grab his own. He had a small duffle bag on him that he threw under the seat.

"What is this?" Damian asks, nose scrunching up at the gaudy picture of Jack Fenton's face square at the center of the chest. He held it far away from it, as if it had a disease.

"Your hazmat suit." Danny replies, settling himself into the driver's seat as the door hissed shut and he began turning it on. He had some sort of gas mask on in his lap, too small to fit Danny's head, but certainly the right size to fit Damian's. "Normally you wouldn't need it since you'd stay in the speeder, but we're both getting out once we find Taylor. It's to protect you from the ectoplasm."

A scowl forces itself across Damian's face, "You don't have one." He points out, finding seat in the passenger chair next to Danny. His arms cross over his chest, and he was not pouting.

Danny looks at him amusedly, "I have enough ectoplasm in my body that I don't need one, you however, do not." He retorts, poking a finger into Damian's ribcage pointedly. "If you don't put it on now, you'll put it on when we find Taylor."

Damian's scowl deepens, feeling petulant as he sunk into his chair. Danny turns back to the console and flips a few more switches. "I will not, it looks ridiculous." He turns it around to show Danny the Jack Fenton Face.

The Specter Speeder hums to life, and there's a moment of turbulence as it lifts off the ground. While it does, Danny turns back to him blankly, stares at the emblem, and then reaches forward and yanks it off with a scriiiiich of the emblem. He crumples it up with one hand, and throws it into a small bin at his feet.

"There, fixed." He smiles. Then turns back to the controls, taking the yoke with both hands. "And I'm calling Dad Rights; you will put it on when we find Taylor or you'll stay in the speeder."

Damian sputters, sitting up incredulously. "You are not my father." He argues.

"Teeechnically, I am." Danny says, "I'm a clone of your father, and since I am fully his clone, that makes you my son by a technicality." He says cheerfully, pushing the specter speeder forward and into the swirling green portal.

Before Damian can retort, they're passing through the portal. This was his first time going into the Ghost Zone, and for a few seconds there was nothing but bright, swirling green filling his vision. His body felt like it was being twisted and pulled, his up and down reversing and returning. It was painless, but dizzying.

It only lasts for a few seconds, but it feels like a minute, and when they exit out the other side, Damian is holding his head while his vision spots and swims. Internally, he felt like those cartoon characters when their eyeballs rolled around in their head.

The dizziness fades away slowly, and as Damian regains his sight, he notices Danny's hand splayed over his sternum, gently keeping him pressed against his seat. It fell away when Danny saw that he was alright.

"Put your seatbelt on," Danny orders, nodding to his chair. Damian listens absently, before remembering their conversation before they went through the portal.

"That is not how it works." He scowls, and, annoyingly, only gets a challenged eyebrow raise from Danny. He could see the words written on his face without Danyal ever having to say it.

Because, dangit, he was technically right. Damian refuses to say this aloud. He screws his jaw shut, and crosses his arms back across his chest.

Danny chuckles under his breath, and turns his eyes back to the ghost zone. "My point still stands, either you wear the suit, or you don't leave the speeder."

"Fine."

+++

They eventually find where the seamstress is. Through quite a lot of Danny stopping to ask questions with any friendly ghost he came across, they eventually locate an island with a strange, urban city bustling with life on it. Massive, rocky stalagmites grew from the ground, and buildings were built on top of it or around it, with strange, warping architecture.

It was oddly beautiful.

Danny parked the speeder on the side of the street with a two hour parking sign on a nearby post. As he turned off the engine, he flipped a switch on the console that darkened the windows. He unbuckles his seat, and stood up, stretching out his back with a deep groan.

"Alright, put your suit on. The windows are tinted, so nobody should be able to see into the speeder." He orders, pulling out the duffle he brought in earlier and unzipping it. He pulls out his hockey mask and the hoodie he wore out for patrol, and the notebook they'd been using to jot down ideas for their suit.

Danny even had the hindsight to write in their respective heights, and with Tucker's help, some of their measurements. While he did that, Damian sourly pulled on his hazmat suit, irritated by the need to wear it.

Unfortunately, he also had to wear the boots and gloves for 'extra precaution'. Damian nearly bites out a grumpy 'you're as paranoid as father', but holds his tongue. He wasn't going to tell Danyal that secret.

Once he was done and Danny has his hockey mask and hoodie on, Danny grabs the gas mask and helps fit it over Damian's face. It was a sleek, simple design, shaped similarly to a regular face mask, with little filters on both sides of the mouth and a clear, protective covering around the eyes and forehead. Danyal improved it from the original his parents made.

He was smarter than he gave himself credit for.

Danny checks, then double checks that it the mask is tight, then smiles. Patting Damian's shoulders before standing up fully. "Taylor's shop should be somewhere nearby." He says, grabbing the notebook and tucking it under his arm.

Damian nods, and follows him out the door and onto the busy streets.

Finding Taylor becomes remarkably quick now that they were inside her city - something that Damian silently wondered was based loosely off NYC. Danny kept a firm arm around Damian's shoulders the entire time they walked down the street, keeping the both of them on the inside sidewalk.

Barely anyone passed them a second glance, spare the few odd looks shot at Damian. Danny whispers to him the first time it happens that it's because he has no ghost core, those more attune to their signatures might've been picking up on it.

They didn't notice Danny, because he had one, albeit a weak one.

Taylor's shop has a big sign on it in logographic writing that Damian has no idea how to read. The text shifts slowly, a jambled squiggle of lines, dots, and connected curves that look like a mix of messy cursive, gibberish, and logographic alphabets. He only knows its Taylor's shop because Danny pulls them towards it, stating that it was the place.

"You can read that?" He asks, incredulous as they draw closer to the door. Danny moves his arm off his shoulder, and wraps his fingers around Damian's instead.

"Yep," He replies, then scrunches his nose up, "sort of. It's - uh--" he stumbles over a word that Damian's ears cannot comprehend, but fills his head with slight static regardless. Danny winces. "It's the written form of ghostspeak, but since I'm not a ghost, I can only read some of it. Like uh, dyslexia."

"...I see." Damian says after a moment of silence, trying to replay the word in his head. His mind can't grasp the sound.

When they enter, the door doesn't ding with the sound of a bell, but rather it makes a low scream. Nobody bats an eye to the sound, keeping to their slow search through the racks of clothes.

At the counter was a woman talking quietly to another woman, one of whom Danny recognizes, as he walks over to her.

He doesn't need to say anything, because the woman behind the counter sees him coming, and her face positively lights up with delight. "Phantom!" She cries, and gestures to come over. "I was wondering when in the high ancients you were going to come see me!"

Danny's face is obscured by his mask, but Damian knows he's smiling sheepishly with the way he tilts his head and the way he tenses his shoulders. "My bad, Miss Taylor," he says, reaching the counter and standing beside the woman she was talking to, "It kinda... slipped my mind."

Taylor waves her hand dismissively, "Well you are here now!" She replies, grinning wide. Then her eyes pop open - literally - and she puts a hand over her chest. "Oh, how rude of me!" She turns and gestures between Phantom and the lady next to him, "Miss Mabam, this is Phantom. I told you about him a couple of years ago. He saved me from humans. Phantom, this is Gigi Mabam, she funds my shop. In return I make clothes for her and her staff."

The 'Gigi' woman turns just as Danny does, and smiles wide at him. Damian narrows his eyes at her, shuffling behind Danny legs as he looked her up and down. She had silvery-white hair and purple skin, and wore a darker purple business suit, a red gem cravat at her collar, and teal cat-eye glasses.

There was a lot of purple.

"So this is the ghost-touched you were telling me about, dear!" The woman, Mabam, said. Her voice was rich and low but she spoke in a whimsical cadence. It made Damian's skin crawl, and his narrowed eyes turned into a glare. "I must thank you for saving my seamstress, it would've been quite a fizzy-wink if she had been lost to those ghosty hunters."

What were those nonsense words? Damian hated it.

"Miss Mabam here runs a five-star hotel nearby," Taylor explains, her body turned to Danny, "she also is in charge of the city's Battle Nexus."

Danny is silent for a moment, and his free hand lifts and places itself on the back of Damian's head, keeping him close. "Battle Nexus...?"

Mabam claps cheerfully, laughing low, "Oh yes! Ghosts from all around the zone come to attend and watch as their fellow haunties are ripped from limbity-limb in a blood-curdling battle!"

Danny is still as stone. "I see." He says, careful. Damian wraps his fingers around his pant leg. "Well, I hate to interrupt your conversation, but I was hoping to cash in that favor, Miss Taylor?"

"Of course! What do you need?"

Danny looks down at Damian, and he looks up at him, locking eyes with the ominous green glowing from the eyeslits of his mask. He nods, and Danny looks back up. "Do you know how to make suits? Of the protective kind?"

+++

The seamstress it turns out, is capable of such a thing. And she ushers the both of them into one of the backrooms, sending off Mabam with a farewell and a promise to continue their conversation soon.

She flips through their design book, and immediately gets to work making their suits. In the end, with the help of her powers, she gets both done over the span of four hours. It's longer than both Danny and Damian want, but neither rush her.

Damian just hopes that Jasmine can keep the Fenton parents distracted for that long. She will have to.

The suits are better in real life than on paper, and Damian preens from the side in his own custom suit as Danny examines his own in front of the three mirrors. They were both dressed in all black, but whatever fabric Taylor used was of a blackest-black, turning Danyal - and Damian's - bodies into a black hole to look at. Both of them were fitted for agility, with reinforced padding around their shoulders and chests, as well as around the joints of their legs. Their boots were reinforced as well.

("It was hard to make your boots shock absorbent," Taylor explains, "since we all fly, but I applied similar stuff to what I did with your shoulders and chestplate.")

On the side of Danyal's legs were raised, black, lichtenberg-like figures that were contained to the seams and disappeared under his boots. There were similar designs going up his sleeves, with spiked gauntlets wrapped around his lower arm and hands. The knuckles were reinforced, just like he wanted.

Damian's favorite parts were their capes, however. Black like the rest of the outfit, but "wrapped" around their shoulders like an apocalyptic shawl with a back that went down to their knees, and at the hems the capes were torn and ripped like a wraith. Danyal's mask had gone through very little change. It was made of a stronger material, and Taylor had gone and made it more skull-like in its shape, with three large grills at the front, and the sides curving inward below the 'cheekbones' of the skull to better fit his face. It was still shock white, the only white part of Danyal's entire costume.

Damian's suit was almost identical. However, rather than having the seams of his suit resemble lichtenberg figures, the seams of his sleeves and upper torso were that of a black skeleton, with bone-y designs over his gauntlets and the fingers an ombre of dark red-to-black. And around his torso were raised lines that looked similar to a ribcage. The edge of his cloak was splatter a dark red as well. And he had a new domino mask that looked similar to the upper half of Danyal's mask, with the outer edges curved downward over his cheekbones. He was briefly allowed to take off the upper part of his gas mask to try on the mask.

The best part however, was that since the suits were made of material native to the ghost zone, they could also be taken off quickly and hidden in a small artifact. It was magic, is what it was. Danyal chose earrings, and Damian chose a ring.

When they got back to the Fenton house, Jazz demands a box of chocolate for her hard work. Damian thinks that's only fair as Danny takes them both out to get candy for Jazz.

+++

But other than vigilante stuff, not else much changes. Danny gets to pull a "Dad By Technicality Rule" card over Damian when he's being a brat. Danny doesn't have his run in with Rift (a ghost who portals him into Gotham) until after he meets Damian/lets Damian join him on patrol and when they get new suits.

My reason? Because I want it to happen after that point in time lol. It also makes the eventual "heyyyyy you have a clone" @ bruce much funnier to me because not only does he have a clone of HIMSELF but also THAT clone has a clone of Damian living with him.

Also when Danny destabilizes for the first time Damian is terrified for his safety. The fentons are surprisingly good at cloning, Danny hasn't had any issues up until this point in time, and that's only because he got hit with a new gun from Skulker that messed up the ectoplasm he had in his dna, which in term fucked with his own DNA.

Danny's destabilization, imo, is not "I cast you with Melt" he's not Ellie, he's not made of 50% ectoplasm. His parents surprisingly knew what they were doing, and he was human. So his destabilization should be unique to himself and different. Thus his destabilization is "I cast you with Compromised Immune System" his body slowly weakens over time as his cells destabilize. He becomes unnaturally frail and sick. Damian calls Ellie for help when Danny doesn't get up after being hit in a fight that he normally, and Ellie helps figure out that he's destabilizing. This is whats gonna happen in OG clone au too, but Ellie is going to be there rather than Damian.

It makes going to Wayne Manor after that slightly more interesting,,,

#dpxdc crossover #dpxdc #dp x dc #dp x dc crossover #danny fenton is not the ghost king #danny fenton is a clone #damian clone au #i couldnt NOT describe their new suits. i just couldn't. they're leaning into the ghost culture of being scary as fuck looking #i feel a little cheesy for giving them magic jewelry that lets them hide their suits instantly #but i have to make up for danny's lack of ghost form SOMEHOW #damian just gets it too by association #if anyone is curious #Ellie's ghost form is identical to Danny's suit just the colors are inverted. so her suit is all white and her mask is all black #its not a starry au unless its got a read more #did anyone notice the Big Mama cameo from ROTTMNT #its because Danny's mask looks like Casey Jones Jr's mask from ROTTMNT without the red marks on the eyes #Danny and Damian's dynamic itches my brain #Danny: im calling Dad Rights - youre grounded #Damian: nnOOOO #also also. danny uses sign language if he's in view of the living since they could recognize his voice. damian does not yet know ASL #so thats on his 'languages to learn' list #although he is not seen by the public since he has school and ghost attacks happen around danny and not him #Red Huntress gives the Phantom so much shit when she sees his sidekick. Phantom tiredly explains that he had no choice - Wraith would have #come with anyways. truly a robin at heart.#“idc if you say no imma do vigilantism ANYWAY. i dont NEED ur permission” is robincore and bruce/danny going #“fine but i'm gonna make sure you dont DIE then”#clone^2

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caeslxys · 1 month

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the salt and the skin

Hi! I have been deeply beset by a disease that can only be cured by writing about Imogen Temult’s intensely ingrained mental illnesses. Yeah it’s contagious. Honestly this fic should probably be labeled as some type of biohazard.

Also on Ao3!

The first time Imogen told Laudna about the storm it was, appropriately, storming.

Laudna’s eyes had been swallowed by a blackness darker than that of the night surrounding them, catching and reflecting even the most minuscule scatterings of light in a way that made her gaze look full with shooting stars. She had taken her leather-shielded hand to hold in both of hers as she listened. It was the first time she could remember someone taking her hand simply to hold.

She said, here is what she knows of the storm: it is unrelenting, it is violent, it is hers.

After—as they lay for the first time in a shared space, hands locked together in a promise at their sides—Laudna fell asleep before her, eyes wide open. Imogen had spent minutes watching light shows reflect in them, enchanted utterly. She thought, without really considering the weight of it then: beautiful.

When she finally fell back asleep, she did so with the comfort of knowing she was never out of Laudna’s lightspun gaze.

———

In the time that has passed since that night the same things that have changed about the storm have changed for her and Laudna—which is to say, nothing at all.

(Which is to say, absolutely everything.

In the time that has passed since that night Imogen has become familiar with the difference between the chill that follows Laudna’s skin and the chill that follows a corpse with her face. In the time that has passed since that night Imogen has learned the difference between running from and running to. In the time that has passed since that night Imogen has learned the difference between losing and being left.

Here is what she knows of grief: it is unrelenting, it is violent, it is hers.

It does not escape her that the first time she heard her mother’s voice was in a storm.)

———

On the twenty-seventh day of Quen’Pillar, as the falling leaves and spines begin to create a shoreline on the bordering forest in a glaze of varying orange and brown shades, Gelvaan celebrates the Hazel Festival.

This, like all other celebrations in Gelvaan, is celebrated with hastily put-up stands and stages and games, the best and biggest cattle and produce hauled in on freshly cleaned wagons—some sporting their previously won ribbons as intimidating trophies—and various flowery dedications to various different gods.

The Hazel Festival, as her father explained it, is a celebration of love and divine intention—the concept and promise of soul mates. As the superstition goes, if there exists another half of you, then you would find them here. People would arrive with bouquets of freshly picked flowers, hand-written letters or hand-crafted food, wandering the small stream of Gelvaan townsfolk with the belief that they were about to stumble upon the great love of their life.

It always seemed so silly to her, which means it was something many of the people in that town held very close to their hearts.

Her father told her that they met there. He and her mother. Maybe that’s why it seemed so silly.

But here, in the dark and with the taste of honesty staining her lips, she has the passing thought that she’d like to take Laudna one day. Maybe not to the one in Gelvaan; somewhere new, somewhere that feels syrupy sweet and slow and that sticks to your skin like a joyful glaze when it's over. Somewhere that stains. She wants Laudna to have to lick her fingers clean. She wants to bring her a bouquet of flowers.

But, for now, she is in a chasm that might as well be endless telling Laudna things that she deserved to hear in any other way. She should have told her about how she feels about Delilah’s presence in their room, holding her hand, holding her lips to the skin of her throat in a threat and a promise.

She should have told Laudna she loves her at the Hazel Festival.

Instead she says “I love Laudna,” with the same tense hesitance you would feel pulling a trigger and follows it with a “but” that bursts from her chest like a bullet that precedes “I’m disgusted at the idea of Delilah looking at us all the time.” that leaves her smoking mouth like an accusation. She watches her careless aim land true in Laudna’s chest, sees the conflicted hitch and stutter of her breath from even the short distance separating them.

It ricochets; it strikes her, too.

———

During the trial of trust, when Laudna says she loves her, Imogen’s response is: “I think you’re a doppelganger right now?”

Which is silly. They’ll laugh about it later. It also makes her want to die as soon as it leaves her lips.

Because, the thing is, she knows Laudna. She knows Laudna and she would be able to tell if it wasn’t Laudna if she had been blinded or deafened or made senseless altogether. Her tether, her anchor. She would know. She should have known.

In the same way she should have known the moment they landed in Wildemount that Laudna was in Issylra. In the same way she should have known the moment she fled that Laudna was in the Parchwood. In the same way she should have known twenty years ago that Laudna was coming to her.

Not that any of it matters. She didn’t know. She didn’t know that she was in Issylra—the Parchwood—The Hellcatch—in front of her. It feels as close to sacreligious as Imogen has ever truly felt. Heretical. Like she should be punished or brought down altogether. And, really, maybe she should be. The exercise was to trust one another.

What kind of trust was it, to instinctually keep trying to reach into her friend’s minds? To summon a hound to stand between them all as they stood at the very precipice in case? If she’s honest, she doesn’t truthfully feel like any of them deserved to be called victorious.

She wonders, briefly, if the other side is lacking here, too. Ludinus, Otohan. Her mother. Is it trust that binds them? Is it faith?

The brief thought of it, that her mother has found her own version of the Hells—maybe her own version of Laudna—drives into her chest like a fist.

But none of that compares to—Laudna’s face, fumbling into disbelief at the accusation; Laudna’s grasping, empty hands; Laudna’s nervous, darting eyes. Laudna’s screams, cutting through the night off the bow of the Silver Sun. Laudna’s bleeding fingers, dripping black onto shattered, pink stone.

If it was sacrilegious of her to doubt Laudna’s intention, it is damnation she feels take root in her ribs as a hound aparrates at her side. It bursts forth with a growling howl, its decaying hackles raised, its bright green eyes trained on her, sharp and dutiful. For her to doubt Laudna—for her to make Laudna doubt her—

Well. She supposes it’s fair.

She glances at it, her Cerberus. She says, “Hi, baby boy.”

It calms. Across the fountain, face blocked by the angle of her own extended hand, Laudna calms, too. “Yes.” Laudna utters, “Good boy.”

She closes her eyes as she, Orym, and Chetney breach the barrier surrounding the fountain and drop their ivory sticks into its grasp. She reaches for Laudna’s mind one final, unsuccessful time, the plea for her not to lunge dying unheard in the folds of her mind.

(In the moment, as Morri applauds their upward failure of a success, she doesn’t register the way her now red-scarred fingers come up to brush against the now-bare skin of her temple. She should have known.

Next time, she will.)

———

When Fearne finally makes up her mind and readies herself for taking the shard, Imogen’s eyes are on Laudna and how a line of tension shoots up her spine and draws her shoulders together like folding, skeletal wings. How, as Chetney reaches into the bag of holding, she silently steps away.

Imogen hasn’t been wearing her circlet, has lowered herself once again into the rapid waters of her too-open mind for hours now, but she doesn’t need to be in Laudna’s mind to know what is passing through it.

It makes her sick, the thought of that vile woman in Laudna’s mind or soul or presence. It makes her more sick to think of Laudna spending even a moment around her influence alone.

(When Laudna had come back—when they found her, out at the tree line of the Parchwood—she had run. She had taken a moment to meet Imogen’s exhausted-elated-terrified eyes and sprinted in the opposite direction. She ran for fear of what she was capable of doing, of who she was capable of hurting, of both her lack of control and abundance of power.

She thinks of Laudna running from her and from her and from herself and, briefly, envisions a storm in the place where once she stood.)

She doesn’t really register that she has moved until Laudna is already in her arms.

“You can put your head in my shoulder. Til’ it’s over.” She whispers, one hand burying itself in Laudna’s hair and the other wrapping possessively around her waist, “I can tell you what’s happening, if you want?”

Laudna doesn’t say anything for a long moment, and then, into her neck: “You’re warm.”

She feels the barely-there press of lips to her carotid and tries valiantly not to let the shiver it sparks pass through her. Instead, she takes the hand in her hair and presses lightly, moves so that every point of their bodies that could be connected are. She says, voice silk-soft, lips brushing a metal-armored cropped ear, “So are you.”

For a moment it feels—well, intimate in a way she’s slightly embarrassed about displaying in front of the others. Slightly.

But then Laudna is murmuring “shut up, shut up, shut up,” into the skin of her shoulder and—she can’t help it—she smiles. She giggles. It is pure pride. Her brain in three parts: loving Laudna, hating Delilah, wanting to tell Laudna it’s okay to bite her shoulder to drown out the voice if it’s too loud.

She does not do that, and instead whispers the incantation she has all but ingrained on her tongue from countless back-and-forth trips on too shaky gondolas and grief insurmountable—she says, in some dead language or a command—calm.

She thinks, as the spell leaves her and Laudna’s tense body melts completely—as Fearne’s body rises into the air, encompassed in flame—as Chetney’s grip on the tools he has taken out to hold for comfort, and then on FCG’s raging body, turns white-knuckled—as Ashton flinches and almost doubles over from another shock of pain that passes through them and then as healing energy into Fearne—as Orym bounces anxiously on his heels like a flea or a warrior looking to strike—as FCG’s eyes flicker red and his tiny healing-hands become something violent—as her mother says her name through the roaring of a storm—I’m not running anymore. I won’t run.

She imagines, as Laudna pulls back when things have settled and her taloned grip releases Imogen, that her skin has formed new scars in the shape of Laudna’s hands. She holds the idea in her mind in place of an oath.

———

That night, she gives in.

It’s inevitable, really, no matter which way you look at it she and the storm and the moon have always been meant to collide. To swallow each other whole. It’s better that she does it on her terms.

Laudna agrees. It’s good that Laudna agrees. The best, actually, because she was hoping that she’d say no. She was hoping that she’d say no because she doesn’t actually want to be swallowed whole by the storm or the moon or the concept of a mother. What she wants is for Laudna to say no, and to take her hand and walk her out of the room—the house—the feywild—this entire situation—and into whatever is next. Because the truth of it is, no matter how many people go into her dreams with her, she still feels alone.

In the end, she tells herself as red bleeds into the nothing behind her eyelids, the future she has been fighting for has never been her own. The hope she holds like water in her hands was never meant for herself. Her last fight. Her last hope. She stows them away like weapons. She thinks, They’ll owe me. She thinks, They’ll free her.

Except, when she gives in—when her friends fall away, as they always do, and she is left alone and cradled and warm with the echo of her desperate mother’s voice ringing in her mind—it’s everything. It’s twenty years of nightmares and ten of minds on minds on minds and months of grief and love and wrath all wrapped up in a bow and labeled “purpose”.

She feels like a child. Or what she imagines most children felt like. Weightless. Like if she’s simply good enough there will be someone who loves her there to wrap her in a hug or a blanket and tell her she did well. Who will carry her tiny half-asleep form to her room and tuck her in and kiss her forehead and say “good night.” Like she could close her eyes and let the darkness swallow her and know someone left a light on.

It’s everything. So when she wakes to her friends hovering, groggy faces she is only guilty for a moment at the spike of disappointment that shoots through her at the sight of them. And only guilty for a second longer when her eyes land on Laudna who is still, also, endlessly, everything.

It’s not—she’s not really there for the next few seconds—minutes—hours. All of their voices come through as if she is submerged in something thick that pulls every time she tries to break for air. Or maybe a lack of air altogether. There are still stars behind her eyelids every time she blinks.

At some point in their conversation two things finally register in about the same amount of time. One: her mother had called for her. Her mother had been there. Her mother had sounded like she was crying. And two: Laudna is holding her hand.

Laudna has been holding her hand, maybe. For a few moments and a few years. It's this, her tether, that finally brings her back to—well—Exandria.

The others are—asleep? No, they’ve—that is, she and Laudna—have moved. To their room. They had a room? Have they spent a night here already? If time is a soup then she has made quite the mess.

Regardless, Laudna is holding her hand. It’s everything.

Then there is shifting, slow and slight.

“Imogen.” She hears her whisper, voice dropping to that low husk that her choked, only lightly decayed vocal cords must reach to achieve a tone so soft. She doesn’t ever mention it, but Imogen knows how sometimes kindness exists like a war in Laudna’s body. In the way her throat rebels against the scratchy dip of her voice, in the way her bones ache when embraced. It hurts her to be so soft. For Imogen, she does it anyway. “Imogen. Would you like to lie down?”

She doesn’t respond—she doesn’t think she responds—just squeezes Laudna’s cool hand in her warm one and laces their fingers together in lukewarm knots.

She feels Laudna’s hands take and cradle her close—holds there, chests rising and falling against each other like lapping waves for an amount of time Imogen doesn't bother to count—and then she twists and shifts and lays her down like a sleepy child on their shared pillows. She tucks her in. She stands.

“I’ll be back.” Laudna husks somewhere above her. “Rest, darling. I won’t be but a few minutes. I’m sure Nana has a pitcher of water somewhere around here that I won’t have to—I don’t know—make a deal for, or something.”

She thinks she feels the tiniest beginnings of a grin pinning her lips up as Laudna's steps slow near the door, hesitate—begin to close—and then open the door long enough to peek in and say: “Pâté is with you, okay, I’ll be right back. I’ll try not to bargain what remains of my soul for water, but—you know—as they say—what must be done and all—okay, bye” punctuated by the croaking sound of their door pinching shut.

Definitely a grin, then. “Pâté,” she says, dream-drunk, “Your mom is the best.”

She feels Pâté land on her chest with a soft, somewhat wet flop. His tiny feet pitter like he’s excited or dancing. He says, “I know. She’s the whole package.” And then, after letting loose a rattling sound that could be considered a yawn, he asks, “Can I get cozy, then? While we wait for mum?”

Imogen, eyes still blissfully closed, let's loose a breathless laugh. Her hand blindly makes its way to the ball of fur and viscera and bone and love on her chest and scritches, “‘Course, Pâté. We’ll wait together.”

He hums. She feels him turn in one, two, three circles on her chest before finally curling up and settling in on her skin. He makes another rattling noise that could be a yawn or maybe a purr and says, “You’re warm.”

She is undeniably smiling when she responds, “So are you, buddy.”

———

When Laudna comes back minutes or hours later, Pâté is fast asleep on her chest.

His little body rattles with what she assumes are snores, softly vibrating against her collar. She holds a finger to her lips as Laudna goes to shut the door behind her. Laudna makes a face like she’s about to burst into tears.

She doesn’t. She instead turns to—softly—shut and lock the door, and then turns soundlessly again in her direction. She takes a breath. She smiles, “I’m not going to lie, I was kind of hoping you’d be asleep when I got back.”

She hums, low in her chest. “Why?”

Laudna looks at her in that somewhat blank way she does when she thinks the answer to something is quite obvious. She says, “Because you need the rest.”

She hums again. Laudna treks the distance between them and sits softly beside her, her sharp hip just barely pressing against the bend of her waist. Her bony hand catches Imogen’s cheek—or, maybe, Imogen’s cheek willingly falls into her hand—regardless, suddenly she finds herself held. A thumb brushes under her eye with the barely there gentleness one uses when full with fear for something breaking in their grasp.

She leans forward and over her, dark hair falling around them like a curtain of ink, blanketing them in shadow, encompassing her entire vision. She asks, breath falling upon her lips like a torrent or a phantom kiss, “Are you alright, darling?”

Imogen lifts up the barely there distance to press their lips together, sighing into her mouth. “Careful with Pâté,” she whispers when she falls back, a hand splaying on Laudna’s chest to keep her from fully settling in atop her, “he needs the rest, too.”

Laudna opens her eyes as if from a good dream—and then rolls them. She lifts a hand to wave in the air as if swatting at something. “He’s dead.” She says, like it’s an obvious thing—which, it is. But. “Besides, if he dies from exhaustion or something else ridiculous then I’ll just bring him back.”

Imogen frowns. “I don’t think he’s dead. Not, like, dead-dead, anyway. ‘Sides, he’s comfy. I’d feel bad if we woke him.”

Laudna hums, then. “Yes, he is. Comfy. And also dead.”

Her turn to roll her eyes. “Where’s his house?”

Laudna sighs like the world is ending—which, well—and leans down for one more soft kiss and then back and up and off of her entirely. Imogen tries—valiantly, she might add—not to openly wince at the loss.

She watches Laudna brace her nonexistent weight against the bed in a way that would cause the mattress to dip if it were anyone else, and instead just presses with the barely there imprint of her palms into the silk. She reaches for Imogen’s chest, cups Pâté’s tiny form in her hands; Imogen brings her hands together overtop them both. When Laudna looks at her, her eyes are full of shooting stars.

“Can I?” she asks, “Please?”

Laudna stares at her for a few slow heartbeats more, a little like she is stunned. Eventually, she leans down over their joined hands and kisses her fingers. Again. Moves her thumb to run over her knuckles like she is wiping away a stain. “Of course.”

Her body still feels a little gone, a little floaty, as she brings her hands to catch Pâté’s tiny body in their joint grasp, lifts herself up against the headboard, and then swings her legs over the side of the mattress. She sways to her feet slowly, slightly wobbly, eyes never leaving from the curled-up ball of fur in her hands and on her chest. Laudna’s hands have moved and are pressing into her biceps from somewhere behind her, steadying.

She lifts her head long enough to find where Laudna had placed Pâté's little home across the room, its golden-brown wood resting silently atop the possibly skin-covered drawer by the archway that opens into a vine-wrapped, flower-lined balcony.

She half-shambles, half-stumbles her way over with Laudna on her bleary-eyed heels. It feels infinitely important—it’s always felt important, but—that she is gentle. That Laudna sees her be gentle. It is more important than she has words to describe that Laudna could leave or fall asleep or be elsewhere and feel and know that Pâté would be put softly, lovingly to bed. That he would be tucked in. That Imogen would leave a little light on for him if he asked. She looks down at Laudna’s most special little gift and drops a tiny, feather-light kiss against his skeletal head. “G’night, buddy.”

He mumbles out a gargled sounding, “G’night, ‘mogen.”

She smiles, pulls apart the tiny curtains that act as a privacy sheet to his home, tucks him in as well as she can, runs one last soft finger down the length of his beak and just like that—she can’t help it—she starts to think of her mother.

She wonders how gently Liliana held her, when she was so small and helpless and vulnerable. She wonders if Liliana ever sang to her, ever held her little hands and kissed her stubby fingers. That memory—the one that Otohan conjured or summoned or triggered—her mother had caught her as her toddler legs had stumbled; she had smiled and wiped her tear-stained cheeks and lifted her into her arms and held.

The phantom memory of a mother and the phantom memory of Ruidus begin to overlap—how long had it been, before Laudna, that she was shown gentleness? Before Laudna, two decades into her life, was it her mother? Before her mother, before she was ever given a name, was it the moon?

How was she meant to—how was it fair to expect her to—is it so evil of her, to wish? She won’t—she won’t—because she knows that it’s wrong no matter how desperately it feels right. But the—the venom she catches pooling in the depths of Orym’s gaze, sometimes, when he talks about the moon and the vanguard and she—she gets it—of course she gets it, of course she understands—but it’s not like she’s ever genuinely entertained the thought of joining the vanguard—of joining Otohan—but the moon, Ruidus, Predathos—she won’t—the silence, the comfort—her body, radiant even among the stars—running, tripping into her mother’s arms—she won’t—

“Imogen?”

A chilled hand on her shoulder, gentle, gentle, gentle.

Breath enters her empty lungs in a shock-sharp inhale. Light enters the world again—natural, silver-white moonlight like a stripe of paint from the open balcony; warm, flickering orange from the candle by the bed—and the temperature goes from freezing to scalding to cool as she collapses back into her body like debris flung from orbit. Laudna’s hand on her skin; she crash-lands back home.

On impact, she whispers, “Laudna.”

A moment of hesitance and then a soft, cool pair of lips against the curve of her neck and shoulder. Her hands circle to wrap around Imogen’s waist. She asks, again, voice feather-fall soft, “Are you alright?”

A moment of hesitance and then her traitorous mouth, her traitorous heart: “I don’t know anymore.”

Laudna presses another, more lingering kiss to the space below her ear, then moves to run her nose along the curve of her jaw. She whispers there, in a way that she feels the words press against her skin, “That’s okay.”

Imogen finds her hands against her belly and twines them together as tightly as she can—tether, anchor, home. Her breath trembles.

They don’t say anything, holding each other in the space and the silence. Laudna presses gentle, gentle kisses to anywhere on Imogen that she can reach—neck, shoulder, ear, jaw—until Imogen turns to meet her there, barely capturing Laudna’s bottom lip between hers and then moving in again, more insistent. She feels Laudna’s lips pull into a smile against hers. Imogen notes that she’s becoming familiar with the feeling. The thought pulls her own smile forth.

But they haven’t kissed like this before, at this angle, in this room. There are so many other perfect kisses they have yet to discover.

It doesn’t make sense that she only kissed her a little over a week ago. She should have kissed her a month ago, the moment she came back on the floor in Whitestone, the moment they arrived in Jrusar, two years ago in Gelvaan. She should have kissed her a hundred more times than she did the day that she first gathered the courage to kiss her in the first place and then kissed her some more. She should’ve bought lipstick so she could leave a stain.

Laudna pulls back first, half-laughing and half-sighing at Imogen’s attempt to give chase. She leans back in to press a quick kiss to her nose—new, perfect—and then dips down, seals their foreheads together, looks up at her. She asks, “Would you like to talk about it?”

No, not really. “I think I’d need another week to even begin to process what’s happened to us in the last three days, to be honest.”

Laudna nods. “Yes, understandable. It’s been a lot.” She pauses, as if to see if Imogen will respond, and then says, “Still, I’d like to listen.”

She’s perfect. That’s it, really.

Imogen finds her hand and brings it up to her lips, kissing each finger once and then each knuckle. She whispers, “I’m not sure I know how to.”

Laudna kisses her cheek. “That’s okay, too.”

When she pulls back she also pulls forward, taking Imogen’s hand in her own and guiding her. She twines their fingers together, and then they are on the balcony.

Catha shines more brightly here than she is used to in the Material Plane. There is no bloody red or pink shine of Ruidus to speak of after their work at the key. It is navy-dark, struck through with silver cuts from Sehanine’s light. There are moving, shifting vines wrapped around the stone-skinwork railing of their little alcove, purple and yellow and orange and bright, vibrant green dancing and swirling and alive around them.

Laudna gasps, her lips forming a perfect, excited “O” when she notices the little movements. “Hello, there,” she says to the vine, “Sorry to disturb you. Would it be impolite to talk to my girlfriend out here, for a minute?” and then, her hands coming up like claws and her voice deepening to the tone she uses for her most important and dramatic of questions, “Is this, like, your domain?”

The vines shake back and forth as if to say knock yourself out or maybe well I can’t stop you.

Laudna grins, “Oh, perfect. Excellent. You're much less ferocious than your feywild-forest-flower friends.” Her brows furrow, a single finger coming up to tap nervously against her lips. “Hm. I hope that wasn’t insulting.”

Before Imogen can stop her she reaches forward and lightly taps the vine with two fingers, sharp teeth exposed in a smile, “You’re perfectly ferocious as well.”

The vines shutter as if to say fuck off and then pull back and vanish, leaving clean stonework behind.

Laudna pouts. Imogen takes and tangles their hands together. “Maybe next time.”

She sighs, all dramatics, “I’m beginning to believe plants hate me as much as people do.”

Imogen knocks their shoulders together. “People don’t hate you.”

“Objectively untrue. Regardless,” she says, waving Imogen’s immediate attempt at a counter aside, “Are you ready? For tomorrow.”

For the key? For Ruidus? For her mother?

She shrugs, “As I’ll ever be. You?”

”Oh, I think so.” She leans her bony hip against the balcony wall. “It’s been a long road. To get here. I never doubted you would.”

Imogen scoffs. She leans against the wall, too. “A long road is certainly one way to describe it. A shitty road, would be another.”

Laudna tilts her head at her, raven-like. A rope of black hair falls into her face. Imogen clenches her fingers around her arms in an effort not to reach across the space and brush it behind her ear. She says, with the upward tilting, insecure cadence of a question, “It hasn’t all been shitty, though?”

Imogen heaves a heavy breath. “No,” she says, fingers still digging into her own skin, “No. Not all of it.”

Laudna hums. There is still hair in front of her eyes. “But quite a bit of it.”

”Quite a bit, yeah.”

Quiet. Some likely incredibly fucked-up feywild bird flutters its incredibly fucked-up feywild wings and takes off into the moonlit night. Imogen turns and balances her weight on her elbows, leaning over the wall. The vines from earlier are just over the edge, as if eavesdropping. She says, “But not all of it, Laudna.”

”I know,” Laudna whispers, “I agree.”

”About not all of it sucking absolute ass or about it sucking absolute ass in general?”

”Yes.”

“Awesome.” Imogen chuckles, “I’m glad we agree that everything sucks.”

”But not everything-everything.”

”This is getting pretty circular,” Laudna steps closer, “How do we make it suck less?”

Kiss me, Imogen thinks. “I have no idea.” Imogen says.

“Because, you know,” Laudna continues as if Imogen hadn’t spoken at all, “I think you’re…so capable. Truly. And I really haven’t ever doubted that you’d make it here—“

”—to the moon?—”

”—from the moment it became apparent it was possible, yes—but, really, even then—anyway. I just…I want to protect you. On the moon, but also here,” She lifts one dainty hand and presses her finger against Imogen’s forehead, “I know the dream was a lot.”

Imogen grasps Laudna’s wrist where it is in front of her face, leans forward to press a kiss against the veins there and then again at the tip of that same finger. “It was.”

Laudna shifts closer, still, leaning over her just slightly. “Do you feel any different?”

Imogen finally, finally allows herself the gift of brushing those stray hairs back, lets her fingers linger against Laudna’s gaunt cheek. “Yes and no.” she admits, eyes on the silk-soft hair tangled in her fingers to the side of Laudna’s face, “I’m not sure how to explain it.”

“That’s alright. Maybe I can help you find the words. You just—well, I…don’t want to, you know, but. You’ve just seemed a little—“

”Out of sorts.”

She sees Laudna’s breath stutter and then release. “Yes, I…I didn’t want to pressure you, or anything. It’s been a lot, so much. And you don’t have to—I trust you. I do. But if you…if you need or want help, then I would like to offer it. Is all.”

Imogen swallows. “I meant it, earlier,” bursts from her chest, her heart, “When I—That I love you. That I’m—in love with you. In case that wasn’t, um, clear.”

Laudna, for her part, looks genuinely surprised. Which is itself surprising. Not in the least because she had said she loved her, too; but, also that Imogen realizes that she very simply is not super good at hiding it.

Quietly, softly, Laudna’s lips part. Her eyes go a bit glassy. She shifts forward slightly, leaning into her palm still on her cheek. She says—whispers, really— “I know.”

Imogen inhales. Exhales. “You—well, that's good. That’s great.”

Laudna smiles against her skin. “You’re warm.” she whispers. She presses a kiss there, to the crease of her palm. “I love you, too.”

Imogen inhales. Exhales. “Well. That’s good. That’s great.”

”Mhm.”

”I don’t—“ she licks her dry lips, “I don’t know what to do now.”

Laudna hums. “Yes you do.”

”Right.” she says, “Okay.” and then she’s kissing her again.

”I’m going to ask you—“ a pause, another kiss, “I’m going to ask you about the dream again, when—“

Imogen pulls back. Laudna’s lips are kiss-swollen and shiny. It makes her want to break something. She asks, “When?”

Laudna sighs. Her eyes open to find her slowly, and then stop half-way, hanging over her iris’ heavily. Her eyes are dark. Hungry. She says, “When I’m done.”

Imogen’s eyes fall back to her lips. “Right.” She whispers, “Okay—“ and then the rest of her sentence and the rest of her breath and the rest of her thoughts are stolen from her.

———

“Now, then.” Laudna starts. She wipes the back of her hand across her uptilt lips. “What’s different? Do you have gills? Webbed fingers? Though, I supposed I’d have noticed that much by now—”

”Laudna—“ she heaves a laugh, lungs still desperate, voice a little hoarse, “God, let me catch my breath first.”

Laudna’s tongue runs lightly between her lips. She is above her, still, grey-ish arms bracketing either side of her. There is hair in her face again, sweat-stuck to her skin. Imogen is too mesmerized by the way that it splits her into like running ink and catches the nearby moonglow in a contrasting showcase of light to bother to want to brush it away. Chiaroscuro personified.

She tilts her head, bird-like and uncanny. Her eyes, shooting stars. It makes Imogen want to pull her back in. “Shit, Laudna,” she whisper-giggles, “You’re so fuckin’ beautiful.”

Laudna stutters and then grins, all too-sharp teeth. She says, teasingly, ”It’s nice to not be the breathless one for a change.”

Imogen’s laugh leaves her like a strike to the chest, “Oh, that’s a good one.”

”I thought so.”

Laudna leans down, kisses her again. Imogen sighs into her.

This—the intimacy of it—is still so new and beautiful and exciting and—well—frankly, they've both discovered that they’re ravenous. For each other and for love and for touch. That first night—at Zhudanna’s, her body still thrumming hours later with the electric echo of their first kiss—Imogen had taken Laudna’s hand after they passed the threshold of their little makeshift and borrowed home and led her to their windowless room, their small bed. She had asked: Can I kiss you again?

It was indescribably wonderful, and took approximately two lung-heaving, feather-light minutes in the aftermath to discover that Laudna was starving. Voraciously hungry. Thirty years of nothing and then—suddenly—this. Suddenly them. Imogen could hardly stand the handful of weeks apart.

Which is to say, Laudna has a tendency to lose herself in her, a little bit. It has quickly become one of her greatest prides.

Except—well.

Imogen falls back, separating them. “Sorry,” she whispers, “What were—what were you sayin’?”

Laudna pouts. ”Asking.” She corrects, “Well—maybe theorizing, but mostly asking. You said—earlier—it feels different?”

Imogen nods. She reaches up to brush her fingers over Laudna’s cheek. “Yeah.”

”Is it…good different? Or bad different?”

Imogen nods. “Yeah.”

Laudna nods, too. Imogen watches something like self-consciousness settle on her shoulders. She isn’t sure what to do about it.

Laudna braces to press a kiss to her cheek and then rolls over. When her skin hits the light it makes her look made of marble. Like a statue. A work of art.

She bends across the space and tugs the blanket up and around them both, reaching around Imogen to make sure she is covered completely. Imogen uses the opportunity to press her lips to the skin of her bicep in passing thanks.

She settles back against the sheets. “I love you.” She says. Somehow, it sounds like a plea. “And I’ll support whatever it is you decide you want to do.”

Imogen turns on her side to mirror her. “Even if—if it’s giving in completely?”

Laudna's eyes are dark. Hungry. “Whatever you decide, Imogen.”

Imogen swallows. She feels like she’s choking. Something is rising in her, clawing at her chest and stomach and ripping its way into the world. Laudna’s eyes are so dark. There is a hound in her chest. Imogen swears she hears the echo of its howl, somehow, in her own chest. In the breaths between heartbeats, something is growling.

The howl, her eyes; it rends her completely. With blood in her teeth, she says, “My mom was there.”

It leaves her like a strike of lightning, seeking the quickest way to earth, splitting and bursting apart her ribcage as it rips from her lungs. Or like a hound, pent-up and caged, let loose to hunt and sprinting, snarling to the nearest indicator of meat. Or like sickness, like bile, burning.

That’s the bursting, bleeding, burning truth of it: her mother was there. On Ruidus, at the key, in her dreams for as long as she has had them. Guiding her or warning her. In the end, isn’t that a form of love? Isn’t that what a mother would do? She felt so held, there at the center of Ruidus, in the eye of the storm, in Predathos’ hand or maybe its jaws. Her mother had screamed for her. Her mother had cried for her.

And she can’t remember the feeling of her mother’s warmth, but she can remember the sound of her voice: Run. Imogen.

Does Predathos have a voice? Would it mourn her? Would it leave?

“What did she do?” Laudna—like a thunderclap, or a resonating howl, or a hand on her heaving back—takes and wraps their bodies together like twisting vines. She presses their foreheads together. Her eyes are still dark. “Imogen. What did she say?”

Laudna would. Laudna would mourn her. Laudna would tuck her corpse into bed before leaving her.

”I don’t—she just—called for me. My name. She said no. Laudna.” Laudna’s hands on either side of her clenched jaw, Laudna’s lips centimeters from her own, Laudna’s hand in hers in the middle of the storm. “She sounded like she was crying.”

She feels the well in her eyes overflow, cutting down her cheeks. Laudna makes some gasping sound and leans in, pressing her lips to the skin and the salt. “Imogen. Imogen, I’m sorry. Imogen.” She pulls back. The dark in her eyes is gone. “Darling, what can I do?”

Imogen shakes her head. They’re close enough that each passing arc causes their noses to bump. “I don’t know.” She says, voice tight. “I don’t know. What if I fucked up? What if she left to protect me and I wasted it? I don’t know anymore, Laudna.”

Laudna kisses her, lightly, a barely there press of their lips and then gone. Like she isn’t sure how else to respond. “What happened? When you gave in? What did it feel like?”

Imogen trembles. “I—you all—left. Were pulled away. It brought me in and then—my mama—but it—“ here, she sobs, “it was warm.”

Laudna’s body stiffens around her, arms locking like rigor mortis around her waist. She doesn’t exhale for a long, long time. When she does, it passes over her lips like a torrent.

“My mother taught me to sew.” she starts. “Did I ever tell you that? We didn’t often have enough money to go get new clothes so we made our own. Anyway, the first time it was because I ripped a hole in one of my shirts out in the woods—I was digging for worms—and when I came back I was all in a huff, expecting to be in so much trouble and felt so terrible for ruining clothes I knew she made for me.”

She pauses to press a kiss to Imogen’s hairline, “She took the ruined thing out of my hands and taught me how to fix it.”

She inhales. There’s the tiniest stutter in her chest that makes Imogen want to level another city block. “I used to think about her quite often. Everytime I found myself trying to sleep on the floor of some cold, abandoned cabin, all alone, I remember wishing she were there to teach me how to fix it.”

Their eyes find each other again, snapping together like magnets or puzzle pieces. Laudna’s eyes are full of shooting stars again. “I just—I’m just sorry, Imogen. I’m sorry I don’t know how to fix this. I’m sorry she doesn’t.”

No longer the snapping wolf, no longer the lightning strike or the thunderclap or the bile or the hand; Imogen breaks.

“God, Laudna. It feels like—like I'm mourning her.” She sobs. The words loose from her throat like an arrow held taut for too long, aimless. “But, Laudna, she isn't—she was never gone."

It is an ugly, sharp, irrational thing, her grief; she feels it drive like icicles into Laudna’s already chilled skin and dig rot-guilt up from under the warmth of her own when the weight of it tugs her over and into Laudna further. She wishes, fleetingly, that she could wear her grief as prettily as she thinks Laudna does. Laudna slips into hers like an old coat or an old blanket—scratchy, filled with holes, utterly familiar in a way that settles onto her shoulders in some poor facsimile of comfort.

Imogen’s is always, always this: an implosion. An excavation of the self. Her body nothing more than a dig-site of scars with histories older than she is.

“She’s my mama, Laudna.” It is a pathetic plea, it drops with the weight of a stone into water from her lips, “She was always with me. I never knew her. I love her and I loved her. She was dead. I have to kill her. I have mourned so why am I still mourning?”

The last word rips out of her in two tones, caught in the hiccup-choke of a sob into Laudna’s shoulder.

"Oh, darling." Laudna whispers, her lips against Imogen’s temple petal-soft in a way that makes the guilt dig deeper, sugar and salt. For a moment she only holds her. Presses kisses to the side of her head. And then Imogen feels air fill her chest, hears her lungs expand with the accompanying sound of bones like a creaking ship at sea or a growling hound. She says, with all the wisdom of someone who has lived and died and lived again, "Mourning is just…love in a transitive state.”

She shifts, catching the wet guilt dripping from Imogen’s face and forming lakes of grief at her collar, rivers of it down her chest. It makes Imogen’s breath catch, watches the moonlight catch in the momentary proof of her on Laudna. She continues, more softly, “It is…an adjustment to distance. Not gone—just far."

At this, Imogen glances away from the stain of her to meet Laudna’s eyes. She hesitates, breath a pathetic stutter in her lungs. She asks, “Are we still talking about my mother?”

Laudna watches her. And watches her. And then, voice like a bleeding wound or creaking branches or whining rope: “Death could not take me from you.”

“Don’t—“ she begs, “Do not—Laudna—“

”It can’t, Imogen. She can’t.”

Imogen sobs, reaches up desperately to cradle Laudna’s face in her hands. “I don’t want you to be another voice in my storm, Laudna. I can’t. I won’t.”

Laudna's gentle, cool hands gather her own callous, warm ones together at their collar. She asks, "Can I tell you something you don't want to hear?"

A laugh breaks out of Imogen’s lungs, desperate and sad. “You already are.”

Her grip on Laudna's hands is not gentle, it is clinging. Clawing. She imagines that when Laudna pulls away, her wrists will bear the bruise of her.

She says, in that same creaking branches voice, "You would have been fine without me."

She pulls away—tries to—hears her voice from outside her body saying, "No—No, I—" but then Laudna's fingers are entangled in hers like roots and Imogen is—she's—clinging, too.

"Don't say that." She cries. There is thunder in her voice. A precursor and warning. "I love you. Don’t say that.”

Laudna’s hands release hers to wrap around and claw at the skin of her hip, dragging them close again. Her eyes are swimming. “You’re so strong, so capable, and you are going to live. Your storm won’t take you. You will outgrow it.”

”You are, too.” Imogen demands. Because it is a demand, of herself and of the world. “You’re going to live, too.”

Laudna says nothing. Imogen continues, “I won’t let her have you, Laudna. If I can outgrow my storm, you can outgrow her.”

Laudna’s face is choked up in grief, now, in a way that Imogen has never really seen. “I just mean—“ she starts, chokes, starts again, “I just mean—my mother taught me to sew. And I did. And I think maybe your mother taught you to run. And you did. And I don’t think it’s…it’s understandable, that you wish she had taught you how to sew instead.”

Something in her, some roaring thing—the storm, maybe—cracks her skin at the words. She thinks if she were to look at her hands right now there would be new scars.

Laudna takes her ruined hands into her own; she tries to fix them. “But I can teach you how to sew, Imogen. I can—and then when I'm—gone. You can still sew. Or cook or—or paint or—whatever it is, Imogen. Imogen.”

Imogen rushes in; she kisses her. What else is there to say? What do you say when I love you isn’t big enough anymore? How do you say I don’t want you to teach me how to sew, I want you to teach me how to hunt?

Maybe there aren’t enough words to encompass them. Maybe they’ve created their own expanse of love and devotion here, between them. Maybe they’ve spent two years carving a space for the other in the ether of the world.

Everything they’ve found, all of the information they've picked up on the Gods and what makes or breaks or conjures them in these past months—faith. Both the call and the creator, the word around which divinity molds itself. And her faith, her divine call into the dark—her unanswered pleas on her knees in Gelvaan, on her knees at the altar of the Dawnfather Temple in Whitestone—if they can pick and choose whose faith they deem truthful, then what does it mean to be truly faithful?

The confidence in the callous hands of a blacksmith as he brings the hammer down, striking metal into shape. The gentle hands of a gardener digging into the soil, preparing it for life, removing that which would otherwise ruin and rot. The small hands of a child held in the soft, guiding hands of their mother. Are these not examples of divine faith?

Would the Dawnfather's hands hold her face so gently? Would the Wildmother's lips press so softly to her brow? Would the Changebringer's fingers dig just so into the skin of her shoulders, sweaty and heaving in the aftermath of her storm?

What could the gods offer her that Laudna hasn't? What would they ask in return for what Laudna freely gives? What faith of hers have they earned?

If faith is the ultimate test of love and passion and trust—than whose altar but Laudna's would she kneel to?

If godhood, then, is as simple as a state of faith and belief then maybe she alone can love her to the point of divinity. Immortality. Imogen could make a God of her. Maybe, she thinks with Laudna’s bottom lip caught between her teeth, maybe one more kiss will do the trick. Maybe one more. One more.

Eventually a sob—Imogen’s, of course—breaks them apart. Her head falls into Laudna’s neck. Laudna’s arms cross behind her back and press her close. She runs her taloned fingers over the bare skin at Imogen’s shoulder blades, the base of her neck, down every popping vertebrae. She is breathing at the normal human rate—for her it is heaving. She kisses Imogen’s temple.

“No one can take away the love for the mother you wanted. Not even the mother you have." She says into her hair, and then pulls away and down—kisses her. Keeps kissing her. When she separates to speak it is by centimeters, “And no one can take me away from you. Not Delilah. Not Otohan. Not Predathos or The Matron.”

And then, into her trembling mouth, “If we are apart, then I am within.”

Imogen lets out a wrecked—choking—dying sound, “Yeah—Yes. Laudna, I—“ desperate and clumsy and broken, she brings her shaking hand up to Laudna’s face and presses her finger to Laudna’s forehead, “Here. As long as you’re here.”

Laudna nods, brings her own talons up to Imogen’s face in a mirror-gesture, “Here. As long as you’re here.” And what is left for Imogen to do besides to rush up and in and in and in. Again and again and again.

Here, in Jrusar, in their room at Zhudanna’s, in Zephrah, in the Feywild, in Bassuras, on the moon, in the storm. In the evening, in the morning, in the middle of the day, in the depths of the night. Crying, laughing, bloody, triumphant. Again and again and again and again.

Better halves, Imogen thinks—into Laudna’s head and then, endlessly, into her own, Better wholes. I love you. I love you.

“I love you.” Laudna gasps aloud, ripping away and then rushing back in, “Imogen. Imogen. As long as you’re here. I love you.”

Imogen nods, gasps, and then neither of them say much at all.

———

In the end, Imogen doesn’t say: I lied. When I promised to move on. I lied to you. Nor does she say: I’m sorry. I’m not disgusted by you. I could never be. I love you so deeply that every time I look at you I am remade. She doesn’t say: I sundered her once. I’ll sunder her again. If you’ll let me, I’d plant a new sun tree in your mind. One that makes you think of picnics and not nooses. One that makes you think of the view and not the fall.

She does not say: I don’t think I can do it. I don’t think I can kill her. Will you do it? Can we trade?

She tucks these confessions away in the divots of her mind right alongside her circlet. She hopes the weight of them, the promise of them, will help to keep her runaway feet firmly rooted.

———

(After, Laudna falls asleep before her, eyes wide open.

Imogen lays next to her, one hand softly running up and down Laudna’s exposed navel, the other curled under her own head as she allows herself to trace the profile of her face.

It is late enough—or, early enough, maybe—that Catha’s light cannot breach the shared darkness of their space. Or maybe it does, and is swallowed entirely by the pitch of Laudna’s eyes.

Laudna’s eyes—the empty, dark swirl of them—Imogen remembers her gaze full with stars—captures her attention. The shadows in the room paint Laudna an even deeper dark, cutting her features into shapes that catch the barely there impression of light that Imogen’s weak, mortal eyes require to capture form.

With no light, with nothing to reflect in her sky-locked, sleep-awake stare; Laudna appears hungry. Like even in sleep, she is hunting. In the dark, she takes the form of a predator.

Watching her, Imogen thinks of Ruidus and of the storm there and of the one in her mind and of the one that takes the shape of her mother—reaching and watching and waiting for her, the entirety of her life—like an animal, like something waiting in the grass for her to make a mistake or lose her footing—waiting on the opportunity to close in on her—to consume her or to change her—

She reaches across the space.

Gently, mournfully, she closes Laudna’s eyes.)

#critical role #imogen temult #laudna #imodna #liliana tumult #writing #I don’t think I love this anymore BUT. at least it is Finished and I can Move On. To Other Equally Distressing WIPs #i have a full blown liliana character study locked in the chamber of my brain. she is in there.#and delilah is right next to her. in a away i am just like the gay girls #also sos. this is the first time i’ve posted fic anywhere but especially on here in YEARS and why the FUCK #did they take away being able to simply add a line break. or am i dumb. i couldn’t get the HTML to work either orz #Also post-posting update. I am now recognizing a collection of formatting errors specifically on this version that I am like. h about.#But Whatever. The Show Must Go On

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