The interpretation of Rise Raph as a 'perfect responsible soft boy uwu' is so BORING I'm sorry, Raph is a rowdy adrenaline junkie with anxiety and I won't take this slander any longer
Raph secretly kept an enemy soldier in their actual literal house as a sparring partner. Raph glued his brothers together and dragged them out to fight crime. Raph once asked Leo to punch him in the face to prove he 'takes damage like a boss.' Raph tried to lift a school bus, twice. Raph offered to help his favorite wrestler beat his little brother up. When Leo suggests evacuating Bullhop, Raph says no bc the best defense is a good offense babey. Raph's idea of a 'friendly chat' with April's upstairs neighbor is to put on a black ski mask and go stand menacingly at their door. It takes Raph 10 episodes to conclude that they should MAYBE start training. Raph's plan to get a potentially priceless (and potentially FRAGILE) museum artifact is to punch a car in the middle of a busy street and also cut it in half with his brother still inside.
Raph's never met a problem he wouldn't try to punch in the face and does not know the meaning of the words 'excessive force.' He roughhouses with his bros and drags them out to fight villains and thinks any plan that doesn't involve an all-out brawl is boring and lame. He'll do anything to protect his family from harm and be a hero, but also he eats wet salami off the floor and once single-handedly destroyed a library.
I just adore how, at his core, Rise Raph is such a classic Raph—impulsive and stubborn and caring and passionate. He is a very sweet, strong, honorable guy who has a very powerful sense of personal responsibility... and he is also the exact kind of jock who throws you in the pool at a party without checking if you have your phone in your pocket first.
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things monkey man does that are far more interesting than the “violent revenge good actually” take ive been seeing a lot of
constructed facsimile of godhood w the trappings of power glamour wealth etc used for evil vs real potential of godliness/divine in the average person with no power or trappings other than the true beauty found in nature and human connection
wisdom and healing found in connection with diverse peoples vs trauma and evil found in manipulated division of peoples
rage against injustice as a form of worship
leveraging a very specific genre of action movie (one man kills all bad guys in his path) to explore these ideas
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“Consider me pressured,” he says, plucking a cigarette from the carton and placing it between his lips. He gestures for the lighter in her lap.
“Well, don’t smoke just because I said so,” she says. “It’s not a good habit to start.”
“It’s a habit I already have,” Adrien says, his lips pulling sheepish around the cigarette that he’s artfully dangling at the edge of his mouth. “I’m just letting you pressure me into it again.”
“As long as it’s not your first,” she says, leaning forward and cupping one hand around the end of his cigarette, using the other to flick the lighter on.
His golden eyelashes brush his cheekbones as he inhales. “It would’ve been a pleasure to have you as my first,” he murmurs, looking up at her as smoke curls out from his lips.
from chapter 13 of my fic greatest hits :)<3
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which characters do you want to draw more of?
yknow i feel like this is probably more pointed towards star trek. which there ARE a lot of trek characters id like to draw more of. but you just opened a whole can of worms man theres so much stuff i love that i havent really done much fanart for..... i want to do scooby-doo fanart soooo bad but i never get past the sketch phase....i havent drawn hardly any paranatural in ten years... woould love to draw more my babysitter's a vampire fanart its been so long since ive drawn those guys....... ive wanted to do jaane tu ya jaane na redraws for the longest time... okay i wont go on any longer ill stick anythin g else. in the tags lmao
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say what you want about kung fu panda 4 but the fact that po has two dads is incredible and it made me feel so seen and understood. so i can't even imagine the joy little kids must feel when seeing a family dynamic that's similar to their own.
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lex luthor is a great villain in that his genocidal levels of xenophobia genuinely make me so mad. its perfectly realistic like yeah, this is EXACTLY what a shitty white capitalist would do. clark kent is a better man than me because i want this guy dead <3
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the thing about rgu episodes 35&6 is its just like...... everything is veering towards a car crash but more than usual. and everyone is more aware of how car-crashy things are going to get than usual, but its like. no one is like ‘hey what if we didn’t get into a car crash though’, or if they are, they’re expressing that sentiment in the worst way possible (shoutout anthy and touga). you have so many tiny and horrendously fucked up moments in those episodes like juri saying utena ‘looks like a girl now’ and making miki consider whether or not that’s a ‘good’ thing, or utena falling asleep at the table with her earrings as anthy just Watches, or the scene where touga holds a carrot in various initially amusing and then promptly emotionally devastating ways as both he and the audience make a series of crushing realisations neither of us are totally comfortable accepting
its like. throughout all of this acknowledgement of ‘hm. this is bad’ everyone is filled with inaction. we are all trapped in our coffins!!! people are prosing but that’s about it. all of the student council know who end of the world is, and they don’t tell utena. im not blaming them for this because its masterful, compelling writing that serves to elevate the show and its themes, but i am pointing it out because what’s endlessly relevant in utena analysis is recognising when characters make choices that ohtori frames as a natural progression or event that is immutable. anthy and touga voice wow i cant believe at least one person has to die at the end of this duelling game, which we like have to do btw. yeah. what do you mean this is all constructed and therefore can be dismantled. oh my god im going to kill you what the fuck. i dont want to kill you. i dont know how else to get you out of this situation. guess ill try and remove you from the system, thereby proving it is a structure that can be left behind and undermining my fragile worldview ive believed to have kept me ‘safe’ all this time. why are you guys talking about coffins so much omgggggggg shut up shut up shut up
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bodhi telling johnny “you want me so bad it’s like acid in your mouth” fundamentally changed me as a person. the first time i heard that line in point break something altered in my brain chemistry and i’ll have to deal with the repercussions of it for the rest of my life. thank you, patrick swayze.
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